close

Enter

Log in using OpenID

currıculum vıtae - Yaşar Üniversitesi | Radyo, Televizyon ve Sinema

embedDownload
CURRICULUM VITAE
(August 2013)
Dilek Kaya, Ph.D.
Department of Radio, Cinema and Television
Faculty of Communication
Yaşar University
Bornova, İzmir
LANGUAGES
Turkish (native), English (fluent), French (fluent).
EDUCATION
2002-2003
M.A., Brock University, Faculty of Social Sciences, Department of
Communications, Popular Culture and Film. Thesis title: The Midnight
Express Phenomenon: A Historical Materialist Approach to the
Reception of the Film Midnight Express (supervised by Assoc. Prof. Dr.
Jeannette Sloniowski).
1999-2002
Ph.D., İ.D. Bilkent University, Faculty of Art, Design and Architecture,
Department of Graphic Design. Dissertation title: Yeşilçam in Letters: A
"Cinema Event" in 1960s Turkey from the Perspective of an Audience
Discourse (supervised by Prof. Dr. Bülent Özgüç and Assist. Prof. Dr.
Halil Nalçaoğlu).
1997-1999
M.F.A., İ.D. Bilkent University, Faculty of Art, Design and
Architecture, Department of Graphic Design. Thesis title: F is For Film,
G is For Greenaway: The Cinematic Representation in the Films of Peter
Greenaway (supervised by Assist. Prof. Dr. Nezih Erdoğan).
1993-1997
B.A., İ.D. Bilkent University, Faculty of Administrative and Social
Sciences, Department of Economics, Advanced Track Program.
1992-1993
İ.D. Bilkent University, School of English Language, English Language
Preparatory Program.
1984-1992
Galatasaray High School, Istanbul.
1
ACADEMIC EXPERIENCE
Academic Positions
2013-
Associate Professor; Department of Radio, Cinema and Television,
Faculty of Communication, Yaşar University.
2005-2013
Assistant Professor; Department of Graphic Design, Faculty of Art,
Design and Architecture, İ.D. Bilkent University.
2003-2005
Full-time Instructor; Department of Graphic Design, Faculty of Art,
Design and Architecture, İ.D. Bilkent University.
2002-2003
Research Assistant; Department of Communications, Popular Culture
and Film, Faculty of Social Sciences, Brock University.
2001-2002
Part-time Instructor; Department of Graphic Design, Faculty of Art,
Design and Architecture, İ.D. Bilkent University.
1997-2002
Research and Teaching Assistant; Department of Graphic Design,
Faculty of Art, Design and Architecture, İ.D. Bilkent University.
Courses Taught
COMD 212 Principles of Visual Communication Design (Undergraduate)
COMD 221 Visual Communication and Perception (Undergraduate)
COMD 310 Screenwriting (Undergraduate)
COMD 511 Theory and Method in Media, Visual and Cultural Studies (Graduate)
COMD 515 Media Reception (Graduate)
FA 171/172 Introduction to Art and Culture I/II (Undergraduate)
GRA 215/216 Animation and Film/TV Graphics I/II (Undergraduate)
GRA 341 History of Graphic Art (Undergraduate)
GRA 344 Psychology of Advertising (Undergraduate)
GRA 351/352 Design: Image and Text I/II (Undergraduate)
GRA 520 Critical Approaches to Popular Culture (Graduate)
Teaching Interests
Communication, film, and media studies, visual culture, cultural and critical theory,
audience and reception studies, critical history of art, history of visual communication
and design, popular culture.
Graduate Supervision
Pelin Aytemiz, “Representing Absence and the Absent One: Remembering and Longing
Through Mourning Photography” (Ph.D., completed, August 2013).
Begüm Bilgenoğlu, “Half Asleep, Winded Losses: A Visual Survey on Photography,
Memory and Meaning” (M.F.A., completed, May 2012).
2
Nadide Gizem Akgülgil, “Animator’s Hell: An Animation Inspired by Sartre’s Other”
(M.F.A., completed, May 2012).
Zeynep Koçer, “Masculinities in Yılmaz Güney’s Star Image in the 1960s and 1970s”
(Ph.D., completed, January 2012).
Mustafa Kemal İz, “Conceptual Artwork as Type: An Account of Dematerialization in
Conceptual Art” (M.F.A., completed, May 2011).
Kalben Sağdıç, “Keepsake: Meanings, Practices and Tactics of Making and Preserving
Memory” (M.F.A., completed, December 2010).
Baran Danış, “Apocalypse Now: Pro-War Sentiments in an Anti-War Film” (M.A.,
completed, May 2007).
RESEARCH INTERESTS
Film studies, media studies, cultural studies, audience and reception, stardom and
fandom, Turkish cinema, film censorship, identity politics, and popular culture.
PUBLICATIONS
Refereed Articles (International)
(with Zeynep Koçer). “A Different Story of Secularism: The Censorship of Religion in
Turkish Films of the Sixties and Early Seventies.” European Journal of Cultural Studies
15.1 (2012): 70-88. (SSCI)
(with Kevin Smets and Roel Vande Winkel). “Beware of the Wolves! The Turkish versus
the European Reception of the Valley of the Wolves: Iraq (2006).” Film International 9.3
(2011): 19-34.
“Between Tradition and Modernity: Yeşilçam Melodrama, its Stars, and their
Audiences.” Middle Eastern Studies 46.3 (2010): 417-31. (SSCI)
"The Russian Monument at Ayastefanos (San Stefano): Between Defeat and Revenge,
Remembering and Forgetting." Middle Eastern Studies 43.1 (2007): 75-86. (SSCI)
"The Midnight Express (1978) Phenomenon and the Image of Turkey." Historical
Journal of Film Radio and Television 25.3 (August 2005): 475-96. (AHCI)
"Un Rapid Regard Sur L'Histoire du Cinéma Turc." Les Cahiers Luxembourgeois 4-5
(2004): 113-21.
(with Nezih Erdoğan). "Institutional Intervention in the Distribution and Exhibition of
Hollywood Films in Turkey." Historical Journal of Film, Radio and Television 22.1
(2002): 47-59. (AHCI)
3
Book Reviews (International)
[Book review.] “Filming the Modern Middle East: Politics in the Cinemas of Hollywood
and the Arab World” by Lina Khatib. London and New York: I.B. Tauris, 2006.
Historical Journal of Film Radio and Television 28.1 (2008): 125-27. (AHCI)
[Book review]. “Radyonun Sihirli Kapısı: Garbiyatçılık ve Politik Öznellik” by Meltem
Ahıska. Istanbul: Metis, 2005. Historical Journal of Film Radio and Television 27.1
(2007): 129-32. (AHCI)
Books (International)
The Midnight Express Phenomenon: The International Reception of the Film Midnight
Express, 155 pp., Piscataway, NJ: Gorgias Press, 2010 (from the 2005 edition).
The Midnight Express Phenomenon: The International Reception of the Film Midnight
Express. Istanbul: The Isis Press, 2005.
Book Chapters (International)
“Film Censorship During the Golden Era of Turkish Cinema.” Silencing Cinema: Film
Censorship around the World. Ed. Daniel Biltereyst and Roel Vande Winkel. London:
Palgrave Macmillan, 2013. 131-146.
“The Cola Turka Controversy: Consuming Cola as a Turkish Muslim.” Muslim Societies
in the Age of Mass Consumption. Ed. Johanna Pink. New Castle: Cambridge Scholars
Publishing, 2009. 105-28.
Encyclopedia and Bibliography Entries (International)
"Turkey." Schirmer Encyclopedia of Film. Ed. Barry Keith Grant. New York: Schirmer
Reference, 2006. 263-66.
"The Arts: Film." World Bibliographical Series: Turkey. Vol. 27. Comp. Çiğdem Balım.
Oxford, England; Santa Barbara, California; Denver, Colorado: Clio Press, 1999. 291-94.
Publications in National Journals and Edited Volumes:
"Türk Sineması Ne? Türk Seyircisi Kim?” (What is Turkish Cinema? Who is Turkish
Spectator?) Türk Sinemasında Yeni Arayışlar. Ed. Abdurrahman Şen. Ankara: Kültür ve
Turizm Bakanlığı, 2010. 421-34. (Reprint)
“Ayastefanos’taki Rus Abidesi: Kim Yıktı? Kim Çekti ? Kim ‘Yazdı’” (The Russian
Monument at Ayastefanos: Who Destroyed It? Who Filmed It? Who 'Wrote' It?). Türk
Film Araştırmalarında Yeni Yönelimler 6. Ed. Deniz Bayrakdar. İstanbul: Bağlam, 2007.
17-29.
"Puro Lüks'e Yeşilçam Hollywood'a Karşı (Puro Versus Lüks; Yeşilçam Versus
Hollywood)" Türk Film Araştırmalarında Yeni Yönelimler 3. Ed. Deniz Bayrakdar.
İstanbul: Bağlam, 2003. 89-94.
4
"Türk Sineması Ne? Türk Seyircisi Kim? (What is Turkish Cinema? Who is Turkish
Spectator?)" Türk Film Araştırmalarında Yeni Yönelimler 2. Ed. Deniz Derman. İstanbul:
Bağlam, 2001. 201-17.
"Yerli Melodramlar ve Ruhsal Boşalım (Turkish Melodramas and Emotional
Purification)." Türk Film Araştırmalarında Yeni Yönelimler 1. Ed. Deniz Derman.
İstanbul: Bağlam, 2001. 111-20.
"Bülent Oran: Ayaklı Yeşilçam Tarihi (Bülent Oran: The Living History of Yeşilçam)."
Altyazı 2 (2001): 98-101.
"Puro Lüks'e, Yeşilçam Hollywood'a Karşı: Sabunlardan Filmlere Türkiye'nin
Amerikanizasyon Döneminden Bir Kesit (Puro Versus Lüks; Yeşilçam Versus
Hollywood: An Overview of the Period of Americanization in Turkey From Soaps to
Films)." Geceyarısı Sineması 10 (2001): 46-49.
"Hançerin Ucunda Bir Yürek: 'Tis Pity She's a Whore (A Heart on the Edge of a Dagger:
'Tis Pity She's a Whore)." Geceyarısı Sineması 7 (2000): 78-80.
"Yeşilçam'dan İki Ses: Mine Soley ve Selda Alkor ile Söyleşi (Two Voices from
Yeşilçam: Interview with Film Stars, Mine Soley and Selda Alkor)." Geceyarısı Sineması
6 (2000): 44-48.
"Kelebekler ve Topluiğneler: Peter Greenaway Filmlerinde Şiddet (Butterflies and Pins:
The Representation of Violence in the Films of Peter Greenaway)." Geceyarısı Sineması
2 (1998): 38-44.
"Yerli Melodramlar ve Ruhsal Boşalım (Turkish Melodramas and Emotional
Purification)." 25.Kare 25 (1998): 60-68.
CONFERENCES
International Refereed Conference Presentations
“Poison on Candy: Children and Cinema in the Early Turkish Republican Discourse.”
XXVth IAMHIST Conference: Childhood and the Media, 17-20 July, IAMHIST (The
International Association for Media and History), Leicester.
“The Beginnings of Islamic Cinema in Turkey: Using the Mainstream to Convey the
Marginal.” Media Politics - Political Media, 20-22 June 2013, NECS (European Network
for Cinema and Media Studies), Prague.
“Movie Stardom during the Golden Age of Turkish Cinema: The Case of Türkan Şoray
(the Sultana).” 2nd Global Conference: Celebrity: Exploring Critical Issues, 10-12 March
2013, Interdisciplinary.net, Lisbon.
“Film Censorship in Turkey from the 1930s to early 1970s.” SCMS (Society of Cinema
and Media Studies) 2012 Conference, 21-25 March 2012, SCMS, Boston.
5
“Between Secularism and Islam: The Censorship of Religious Elements in Turkish Films
of the 1960s.” Religion and the State in Islam and the West, 23-26 April 2009, Roger
Williams University, Bristol.
“The Cola Turka Controversy: Consuming Cola as a Turkish Muslim.” Contemporary
Muslim Consumer Cultures – an Emerging Field of Study, 24-27 September 2008, Free
University of Berlin, Berlin.
“Bringing Stars Home: Yeşilçam Cinema from the Perspective of Audience Letters.” The
Glow in their Eyes: Global perspectives on film cultures, film exhibition and
cinemagoing, 14-16 December, 2007, Ghent University, Ghent.
“The Midnight Express Controversy: The International Reception of the Film Midnight
Express.” Film and Media Conference, Shifting Landscapes: Film and Media in
European Context, 16-18 June, 2006, Istanbul Bilgi University, Faculty of
Communication, Istanbul.
"The Russian Monument at Ayastefanos: Between Defeat and Revenge, Remembering
and Forgetting." Defeat and Memory, 7-9 September, 2005, University of Edinburgh,
Center for Second World War Studies, Edinburgh.
"Breaking Religion, Saluting God: Representation of Faith in Breaking the Waves."
Encounters and Intersections: Religion Meets Popular Culture, 10 April 2003, Brock
University, Department of Communications, Popular Culture and Film, St. Catharines.
"From the War of Soaps to the War of Films: An Intertextual Look at the Image of
Hollywood in 1950s Turkey." FSAC (Film Studies Association of Canada) Graduate
Student Colloquium, 21-23 March 2003, Brock University, Department of
Communications, Popular Culture and Film, St. Catharines.
"Reflections on the Americanization of Turkey: Hafta (The Week) Advertisements of the
1950s." Globalization and Popular Culture: Production, Consumption, Identity, 19-21
October 2001, University of Manitoba, Winnipeg.
National Refereed Conference Presentations
“Kanun Namına Filmine Metinlerarası Bir Yaklaşım: Dil, Gerçeklik, Söylem” (An
Intertextual Approach to the Film Kanun Namına / In the Name of the Law: Language,
Realism, Discourse). Türk Film Araştırmalarında Yeni Yönelimler XII: Sinema ve
Felsefe, 5-7 May 2011, Kadir Has University, Istanbul.
"Ayastefanos'taki Rus Abidesi: Kim Yıktı? Kim Çekti? Kim 'Yazdı'? (The Russian
Monument at Ayastefanos: Who Destroyed It? Who Filmed It? Who 'Wrote' It?)." Türk
Film Araştırmalarında Yeni Yönelimler VI, 24-26 June 2004, Bahçeşehir University,
Department of Cinema and Television, Istanbul.
"(Re)Constructing Ayastefanos: The Origination of Turkish Cinema." Continuity /
Rupture: Perspectives on the past, the present and change, 5-6 March, 2004, İ.D. Bilkent
University, Program in Cultures, Civilizations and Ideas, Ankara.
6
"Yıldızlar Evimizde: İzleyici Mektuplarının Penceresinden Altmışlı Yılların Yeşilçam
Olayı (Stars at Home: 1960s Yeşilçam Event from the Perspective of an Audience
Discourse)." Türk Film Araştırmalarında Yeni Yönelimler IV, 01-03 July 2002,
Bahçeşehir University, Department of Cinema and Television, Istanbul.
"Puro Lüks'e, Yeşilçam Hollywood'a Karşı: Yeşilçam-Hollywood Gerilimine 'Metinler
Arası' Bir Yaklaşım” (Puro Versus Lüks; Yeşilçam Versus Hollywood: An Intertextual
Look at Yeşilçam-Hollywood Rivalry). Türk Film Araştırmalarında Yeni Yönelimler III,
02-04 July 2001, Bahçeşehir University, Department of Cinema and Television, Istanbul.
"Türk Sineması Ne? Türk Seyircisi Kim?” (What is Turkish Cinema? Who is Turkish
Spectator?) Türk Film Araştırmalarında Yeni Yönelimler II, 30 June - 2 July 2000, Bilgi
University, Department of Cinema and Television, Istanbul.
"Yerli Melodramlar ve Ruhsal Boşalım” (Turkish Melodramas and Emotional
Purification). Türk Film Araştırmalarında Yeni Yönelimler I, 18-20 June 1999, Bilgi
University, Department of Cinema and Television, Istanbul.
INVITED LECTURES AND PRESENTATIONS
“Sansür” (Censorship). Workshop at Sinema Okur Yazarlığı: Film Analizi ve Sinema
Eleştirmenliği Atölyesi, CAVA Enstitü, CerModern, Ankara, 14 April 2013.
“Film Censorship during the Golden Era of Turkish Cinema.” Seminar for Cultural
Studies Program, Sabancı University, February 2013.
“İzleyici ve Alımlama” (Audience and Reception). Workshop at Sinema Okur Yazarlığı:
Film Analizi ve Sinema Eleştirmenliği Atölyesi, CAVA Enstitü, CerModern, Ankara, 2
December 2012.
“Dünya Sineması ve Türk Sineması” (World Cinema and Turkish Cinema). Lecture at
Dışişleri Bakanlığı Meslek Memurluğu Giriş Sınavlarına Hazırlık Kursu, Department of
International Relations, İ.D. Bilkent University, 30 June 2010.
“Dünya Sineması ve Türk Sineması” (World Cinema and Turkish Cinema). Lecture at
Dışişleri Bakanlığı Meslek Memurluğu Giriş Sınavlarına Hazırlık Kursu, Department of
International Relations, İ.D. Bilkent University, 25 June 2009.
“A Different Story of Secularism: The Censorship of Religion in Turkish Films of the
1960s.” Presentation at Library Lunchtime Lecture Series, İ.D. Bilkent University, 16
December 2009.
“Dünya Sineması ve Türk Sineması” (World Cinema and Turkish Cinema). Lecture at
Dışişleri Bakanlığı Meslek Memurluğu Giriş Sınavlarına Hazırlık Kursu, Department of
International Relations, İ.D. Bilkent University, 7 July 2008.
7
“Avrupa Sinemasında Türk İmgesi” (The Image of Turk in European Cinema).
Presentation at Avrupa Sanatında Türk İmgesi: Opera, Edebiyat, Sinema ve Resin,
Ankara Üniversitesi, ATAUM, 9 May 2008.
"Teori ve Pratik Arasında Bir Üçüncü Kavram: Pro-ject" (A Third Concept between
Theory and Practice: Pro-ject). Presentation at 2000'de Sanat Eğitimi Ütopyaları
Sempozyumu, Marmara University, Faculty of Fine Arts, Istanbul, 6 June 2000.
ADMINISTRATIVE ACTIVITIES
2012
Supervisor, Kuram/Sanat/Tasarım Lisansüstü Öğrenci Buluşması: Eksik,
İ.D. Bilkent University.
2011-
Institute Committee Member, Institute of Economics and Social
Sciences, İ.D. Bilkent University.
2011
Supervisor, Kuram/Sanat/Tasarım Lisansüstü Öğrenci Buluşması:
Sokak, İ.D. Bilkent University.
2010-
Department Chair, Department of Graphic Design, İ.D. Bilkent
University.
2010
Supervisor and Advisory Board Member, İletişim ve Kültürel
Çalışmalar Lisansüstü Öğrenci Konferansı, İ.D. Bilkent University, 1820 June 2010.
2009-
Curriculum Committee Chair, Department of Graphic Design, İ.D.
Bilkent University.
2008-
Graduate Program Coordinator.
2008-
Faculty Committee Member, Faculty of Art, Design and Architecture,
İ.D. Bilkent University.
2008-
Departmental Library Representative.
2008- 2011
Institute Committee Member, Institute of Fine Arts, İ.D. Bilkent
University.
2008- 2009
Exchange Program Coordinator.
SERVICES TO THE FIELD
2012
Programming Committee Member, Türk Film Araştırmalarında Yeni
Yönelimler XIV: Sinema ve Edebiyat, Kadir Has University.
8
2011
Jury member for TL Simge Yarışması, Türkiye Cumhuriyeti Merkez
Bankası.
2010-
Advisory Board Member and Manuscript Reviewer, Sinecine, Dipnot
Yayınevi.
2010
Programming Committee Member, Türk Film Araştırmalarında Yeni
Yönelimler XI: Sinema ve Yeni, Kadir Has University.
2010
Jury member in the Araştırma Görevlisi Kadrosu Giriş Sınavı, Sakarya
Üniversitesi, Güzel Sanatlar Fakültesi.
2010
Jury member at Fulbright Student Program interviews.
2009
Jury member at Fulbright Student Program interviews.
2009
Manuscript reviewer, Media Culture and Society.
2009
Referee, Türk Film Araştırmalarında Yeni Yönelimler X: Sinema ve
Hayal, Kadir Has University.
2007
Jury member at “Tükçemize Sahip olalım, Sahibimiz Olmasın” Social
Advertisement Contest, Ankara Halkla İlişkiler Derneği.
HONORS AND AWARDS
2004
Brock University, Distinguished Graduating Student Award - Popular
Culture
2003
The Edgar and Irmgard Penner Graduate Scholarship.
2002-2003
Brock University Graduate Fellowship.
2001
Çünkü Kedi Gizemlidir (For the Cat is Mysterious), with Tanyel Ali
Mutlu, Honorable Mention in Animation, 13th Ankara International Film
Festival Short Film Competition.
1999
Çığlık (Scream), with Tanyel Ali Mutlu, First Place in Animation,
IFSAK 21st National Short Film Festival.
1997-2002
İ.D. Bilkent University Graduate Fellowship.
1992-1997
İ.D. Bilkent University Undergraduate Scholarship.
9
Author
Document
Category
Uncategorized
Views
0
File Size
171 KB
Tags
1/--pages
Report inappropriate content