KONCERTI U CRKVI SV. MARIJE U STAROM GRADU PAGU

KONCERTI U CRKVI SV. MARIJE U STAROM GRADU PAGU /
EVENTS IN ST. MARY'S CHURCH IN THE OLD TOWN OF PAG:
nedjelja, 1. / sunday, 1st utorak, 3. / Tuesday, 3rd Dejan Bogdanović, violina/violin, Lovro Pogorelić, klavir/piano,
gost večeri/special guest: Tony Cetinski, tenor
Lovro Pogorelić, klavir/piano, Dejan Bogdanović, violina/violin,
Monika Leskovar, violončelo/cello; nakon koncerta projekcija filma Filipa
Šovagovića ispred Crkve/documentary by Filip Šovagović screening in front of the Church after the concert
KONCERTI U GRADU PAGU / CONCERTS IN THE TOWN OF PAG:
četvrtak, 5. / Thursday, 5th
subota, 7. / Saturday, 7th
ponedjeljak, 9. / Monday, 9th
srijeda, 11. / Wednesday, 11th
petak, 13. / Friday, 13th
Gradska glazba Pag i Klapa Sol, koncert u povodu Dana domovinske
zahvalnosti na Trgu kralja Petra Krešimira IV / Pag Town Brass Orchestra and
Klapa Sol, concert on the occasion of the Homeland Thanksgiving Day at
the Petar Kresimir the 4th Square
Brahms Trio, koncert u Crkvi sv. Frane / concert in St. Francis' Church
Miran Vaupotić, bandoneon, Mathias Gerstner, klavir/piano, Kristina Kriit,
violina/violin, Krešimir Bedek, gitara/guitar, Albert Prat Muntadas,
kontrabas/double bass, tango kvinteti A. Piazzolle / tango quintets by A.
Piazzolla - koncert u atriju Kneževa dvora / concert in the Atrium of The
Duke's Castle
Novi ruski kvartet / The New Russian Quartet, koncert u Crkvi sv. Frane
/ concert in St. Francis' Church
Petrit Çeku, gitara/guitar, koncert u Crkvi sv. Frane /
concert in St. Francis' Church
sva događanja započinju u 21 sat / all events start at 9 p.m.
nedjelja, 1., koncert u Crkvi sv. Marije u Starom gradu Pagu u 21 sat /
sunday 1st, concert in St. Mary’s Church in the Old Town of Pag at 9 p.m
foto/photo by: Veronika Radman
Poštovani!
Dear friends!
U smiraj ljetnoga dana volim prošetati
grubim putem koji vodi sve do "paških
vrata". Sunce, more, kamen, grmlje i blejanje ovaca; s time ostajem, i svojim mislima. Naravno, PagArtFestival uvijek je
sa mnom, u putovima mojih misli, od prirode do umjetnosti, od svega znanog do
najdaljih pitanja, odavde do vječnosti.
Već jedanaest godina naš Festival dio je
mog života, velik i vrijedan. Poštujem tu
obavezu i nastojim voditi program na način da naš mali festival ostane zabilježen
kao velik i vrijedan.
As the daylight slowly fades I like to take
a stroll down the old road to Paška Vrata.
The sun, the sea, the rocks, the bushes
and the sheep bleating; I remain alone,
with all that and my thoughts. Naturally,
the PagArtFestival is always with me, journeying with my thoughts, from nature
to art, from all that is known to the farthest questions, from here to eternity.
For eleven years now this Festival of
ours is an integral part of my life, a large
and precious one. I respect that and I try
to manage the program so as to help our
small festival be remembered as great
and priceless.
Lovro Pogorelich,
umjetnički direktor/ Artistic Director
Dejan Bogdanović već više od dva desetljeća izaziva ushićenje i divljenje, ne
samo zbog svoje savršene kontrole instrumenta, nego i zbog dubokog poznavanja stilova i ljepote njegovog zvuka,
ali i zbog sposobnosti da pronikne u muzičku suštinu kompozicije dodajući svoj
emocionalni pečat kojim svako djelo postaje osobno i jedinstveno. Najvjerojatnije je to razlog što ga u Italiji nazivaju
"genijem boja".
Potječe iz obitelji u kojoj je umjetnost
pored profesije uvijek bila i način života;
otac Vladimir akademski je slikar i književnik, djed Dejan, akademski kipar, prijateljevao je s Piccasom…
Dejan je debitirao kao violinist s 10 godina, u 17. godini s Dubrovačkim orkestrom
izvodi Paganinijev i Mendelsohnov koncert i otada redovito nastupa solistički i
uz orkestre diljem Europe, Rusije i u Kanadi. Nastupa na prestižnim festivalima
kao što su Kuhmo (Finska) ili Pablo Casals
(Francuska), surađuje sa svjetski uvaženim glazbenicima poput N. Brainina
(Amadeus kvartet), B. Greenhousea (Trio
BeauxArts), V. Mendelshonna, P. Galloisa,
M. Flaksmana, K. Boginoa, P.H. Xuereba i
drugih. S 19 godina bio je pobjednik međunarodnih natjecanja u Beču i Zagrebu.
Studirao je na moskovskom konzervatoriju Čajkovski kod svjetski poznatog violinista Viktora Tretjakova koji je o njemu
rekao: " … izuzetno rafiniran i umjetnički
uvijek sadržajan muzičar sa stalno prisutnom muzičkom idejom i apsolutnom
kontrolom bilo kojeg stilskog perioda.
Njegova duboka i bogata kreativna vizija
uvijek mi nešto novo govori … bez sumnje Dejan je nada novoga violinizma …".
Posebno ističe i suradnju s čuvenom profesoricom Zinaidom Gilels.
Bio je najmlađi docent Akademije Umetnosti u Novom Sadu a od 1992.g. živi i
radi u Italiji. Profesor je violine i komorne muzike na Školi za visoko usavršavanje u Chioggi (Venecija) i održava brojne
međunarodne tečajeve u Italiji i širom
Europe
U siječnju 2002. izveo je prvi put u Italiji violinski koncert R. Straussa, u ulozi
solista i dirigenta, sa Simfonijskim orkestrom Pesara, u čuvenom teatru Rossini,
u rodnom gradu Rossinija. U svibnju o.g.
je ovaj koncert odsvirao i sa Zagrebačkom filharmonijom.
Njegov posljednji CD "Virtuosismo e Meditazione-Live in Italy" ostvario je veliki
uspjeh i izazvao sjajne reakcije publike i
kritike.
Bogdanović je umjetnički direktor i glavni i odgovorni urednik za klasičnu muziku diskografske kuće "Terre Sommerse"
u Rimu. U njegovu čast oformljen je novoosnovani Festival des deux Fleuves
Rhòne et Danube u Avignonu, u suradnji
sa svjetski poznatim violistom Pierreom
Henrijem Xuerebom.
Dejan Bogdanović,
violina/violin
Lovro Pogorelić,
klavir/piano
R. Strauss: Sonata u Es-duru za violinu i
klavir / Sonata in E-flat Major for violin
and piano, op. 18
S. Prokofjev: Prva sonata za violinu i
klavir u f-molu / First Sonata for violin and
piano in F-minor, op. 80
foto/photo by: SrđanDoroški
Dejan Bogdanović has been thrilling and
fascinating audiences for over two decades now, not only because of his perfect
instrument control but also his profound
knowledge of the styles and the beauty
of the instrument’s sound, and the ability to penetrate the musical essence of
a composition, at the same time leaving
his own emotional mark thus making
each musical work personal and unique.
All these things are probably why the
Italians call him the "genius of colours".
He comes from a family that has always
viewed art as not just a profession but a
way of life; his father Vladimir is an academic painter and writer, while his grandfather Dejan, an academic sculptor, was
friends with Picasso…
Dejan made his debut as violinist when
he had been ten, and at the age of 17 he
joined forces with the Dubrovnik Symphony Orchestra to play Paganini and
Mendelssohn’s concerto. Since then he
has been making solo performances and
appearances with major orchestras around Europe, as well as Russia and Canada.
He has also been performing at various
prestigious festivals, including Kuhmo
(Finland) and Pablo Casals (France), and
cooperating with world renowned musicians such as N. Brainin (Amadeus Quarter), B. Greenhouse (Trio BeauxArts), V.
Mendelssohn, P. Gallois, M. Flaksman, K.
Bogino, P.H. Xuereb and others. At 19 he
won the international musical competitions in Vienna and Zagreb. He studied at
Moscow’s P.I. Tchaikovsky Conservatory
under the tutelage of the world famous
violinist Viktor Tretyakov who said Dejan
was "an exceedingly refined and artistically rich musician with an ever-present
musical idea and absolute control of
every period in music. His deep creative
feelings always communicate to me something new... Dejan is without doubt
the herald of the new age of violinists".
Dejan is especially proud of his cooperation with the famous professor Zinaida
Gilels.
He was also the youngest senior lecturer
at the University of Novi Sad and has been
living and working in Italy since 1992. He
teaches violin and chamber music at the
international music school in Chioggia
(Venice) and holds various international
courses in Italy and the rest of Europe.
In January 2002, at the famous Teatro
Rossini in Rossini’s hometown of Pesaro, he made the first performance and
directed the Pesaro Symphony Orchestra playing the concerto for violin and
orchestra by Richard Strauss. He played
the same concerto with Zagreb Philharmonic in May of this year.
His latest album titled "Virtuosismo e Meditazione-Live in Italy" has been a huge
success, provoking excellent reactions
from both the audiences and the critics.
Bogdanović is the art director and editor
in chief for classical music of the Romebased discography label Terre Sommerse. The Festival des deux Fleuves Rhone
et Danube, which is held in Avignon, in
cooperation with the world renowned
violist Pierre-Henri Xuereb was established in his honour.
Od svoje sedamnaeste godine Lovro Pogorelić redovito koncertira širom svijeta. Solistički ili s orkestrom, ostvaruje
pijanističke kreacije uvjerljive snage i
nepobitne individualnosti.
Francuska diskografska kuća Intrada
(Pariz) prepoznala je umjetnost Lovre
Pogorelića te je u proljeće 2007. izdala
CD "liszt lovro pogorelich", koji je izazvao
divljenje kritike u rasponu od uzvika "Wouah!" u Francuskoj (A. Jourdain, www.pianobleu.com) do karakterizacije "... pijanist
izvjesne reputacije sa zadivljujućim muzičkim argumentima..." u Japanu (J. Hamada, The Record Geijutsu Disc Review).
U prosincu 2008. Intrada izdaje novi CD
Lovre Pogorelića, s djelima Musorgskog
i Rahmanjinova. Pianobleu odabire ovaj
CD kao CD mjeseca siječnja 2009. Lovro
Pogorelić živi, radi i uživa u Mesničkoj ulici
u Zagrebu. Predaje klavir na Muzičkoj akademiji u Zagrebu i vodi PagArtFestival.
From the age of seventeen, Lovro Pogorelich has regularly been giving concerts
throughout the world. Solo or accompanied by the orchestra, he makes pianistic
creations of convincing power and inarguable individuality.
French recording company Intrada (Paris) has recognised the art of Lovro Pogorelich and, in spring 2007, it published
a CD, "liszt lovro pogorelich" acclaimed
by the critics, ranging from an exclama-
tion of admiration "Wouah" in France
(A. Jourdain, www.pianobleu.com) to
the following characterisation " ... a pianist of unquestionable reputation with
fascinating musical arguments ... " in
Japan (J. Hamada, The Record Geijutsu
Disc Review). In December 2008, Intrada
published a new Lovro Pogorelich's CD
with the works by Mussorgsky and Rachmaninoff. Pianobleu chose this CD as the
CD of the month in January 2009.
Lovro Pogorelich lives, works and enjoys
life in Mesnička Street in Zagreb. He lectures the piano at the Music Academy of
the University of Zagreb and manages
PagArtFestival.
Tony Cetinski, najblistavija zvijezda hrvatske i daleko šire estrade, neprestano nadograđuje svoju karijeru i svoju
osobnost. Njegova neuništiva energija,
nezadrživa mašta, neograničeni interes
ali i bogato muzičko iskustvo i klasična
muzička naobrazba redovito rezultiraju
zanimljivim projektima koji nalaze put
u svijet. Kroz druženje u Mesničkoj ulici
u Zagrebu, Tony Cetinski i Lovro Pogorelić našli su dovoljno zajedničkog da bi
se Lovro uključio u snimanje posljednjeg
Tonyjevog albuma, a Tony odlučio pjevati
u crkvi bez ozvučenja, uz Lovrinu klavirsku pratnju.
Tony Cetinski, the brightest star of
Croatia’s and region’s music scene, continues to work and build on his career
and personality. His indestructible energy, unstoppable imagination and infinite
interest, as well as considerable music
experience and classical music education regularly result in interesting projects
that find their way into the world. Through their friendship in Zagreb’s Mesnička
Street, Tony Cetinski and Lovro Pogorelić have found enough in common to get
Lovro involved in the recording of Tony’s
last album, while Tony decided to sing in
a church with no PA system, with just Lovro accompanying him on the piano.
Tony Cetinski, tenor
Lovro Pogorelić,
klavir/piano
G. Puccini:
Nessun dorma, arija iz opere Turandot
E lucevan le stelle, arija iz opere Tosca
utorak, 3., koncert u Crkvi sv. Marije u Starom gradu Pagu u 21 sat /
tuesday 3rd , concert in St. Mary’s Church in the Old Town of Pag at 9 p.m.
Lovro Pogorelić,
klavir/piano
Dejan Bogdanović,
violina/violin
Monika Leskovar,
violončelo/cello
A. Arenski: Prvi klavirski trio u d-molu/
Piano trio No.1 in D-minor, op. 32
S. Rahmanjinov: Elegični trio br.2 u d-molu
/ Trio Elégiaque No. 2 in D-minor, op. 9
Hrvatska violončelistica Monika Leskovar
(Kreutztal, Njemačka, 1981.) isprva je učila
u klasi Dobrile Berković-Magdalenić u GU
Elly Bašić u Zagrebu a kasnije s Valterom
Dešpaljem. Od 1996 studirala je na Visokoj školi za glazbu "Hanns Eisler" u Berlinu
u klasi Davida Geringasa, gdje je od 2006.
godine i asistentica. Usavršavala se u majstorskim radionicama Mstislava Rostropoviča i Bernarda Greenhousea. Dobitnica je
brojnih nagrada na međunarodnim violončelističkim natjecanjima – Međunarodnome natjecanju "Čajkovski" za mlade glazbenike, Natjecanjima "Antonio Janigro",
"Mstislav Rostropovič", "Roberto Caruana
– Nagrada Stradivari", "ADAM", Eurovizijskome "Grand Prix" i drugima. Kao solistica, nastupala je s mnogim europskim i
azijskim orkestrima, s dirigentima kao što
su Valerij Gergijev, Thomas Hengelbrock,
Krzysztof Penderecki, a na recitalima i koncertima komorne glazbe gostovala je na cijenjenim festivalima kao što su festivali u
Lockenhausu i Rheingauu, Festival Schleswig-Holstein, Dubrovačke ljetne igre, Festival Casals u Tokiu, Festival Rostropovič
u Rigi i Zagrebački međunarodni festival
komorne glazbe na kojem nastupa svake
godine od osnutka. Surađivala je s Gidonom Kremerom, Jurijem Bašmetom, Borisom Berezovskim, Julianom Rachlinom,
Itamarom Golanom, Tabeom Zimmermann,
Sofijom Gubajdulinom, Janine Jansen i Koljom Blacherom, među ostalima. Od 2005.
godine surađuje s violončelistom i skladateljem Giovannijem Sollimom, s kojim
je snimila album "We Were Trees" (Sony
/ BMG). Prošle je godine snimia Stamitzev
koncer za violončelo u G-duru i Danzijeve
Varijacije na temu iz Don Giovannija (OEHMS Classics). Od sljedeće koncertne sezone preuzima mjesto prvog violončela u
Minhenskoj filharmoniji. Monika Leskovar
svira na violončelu Vincenza Postiglionea
iz 1884. godine, koji su joj povjerili Grad
Zagreb i Zagrebačka filharmonija.
Croatian cellist Monika Leskovar (Kreutztal, Germany, 1981) firstly studied with
Dobrila Berković-Magdalenić at the Elly
Bašić Music School in Zagreb and later
with Valter Dešpalj. In 1996 she became
a student of David Geringas at the Hanns Eisler Hochschule für Musik in Berlin, where - since 2006 - she has been a
teaching assistant. In master-classes she
has worked with Mstislav Rostropovitch
and Bernard Greenhouse. Leskovar is the
winner of several prizes at international
cello competitions – the "Tchaikovsky" for
Young Musicians, "Antonio Janigro", the
"Rostropovich", the Eurovision Grand Prix,
the Roberto Caruana "Stradivari" Competition, the International ARD, and the 5th
ADAM competitions. As a soloist, she has
performed with many European and Asian
orchestras, with conductors such as Valeri
Gergiev, Thomas Hengelbrock, Krzysztof
Penderecki. She also performs solo recitals, and chamber music projects, and
she has played at noted festivals like the
ones in Lockenhaus, Schleswig-Holstein,
Rheingau, Dubrovnik, Tokyo (Casals Festival), Riga (Rostropovich Festival), and the
Zagreb International Chamber Music Festival, where she has been playing every year
since its beginning. She has collaborated
with Gidon Kremer, Yuri Bashmet, Boris
Berezovsky, Julian Rachlin, Itamar Golan,
Tabea Zimmermann, Sofia Gubaidulina,
Mario Brunello, Nikolai Zneider, Jeanine
Jansen and Kolja Blacher, among others.
Since 2005 Leskovar has been collaborating with the cellist and composer Giovanni Sollima, with whom she recorded the
album We Were Trees, recently published
by Sony/BMG. In 2008 she recorded the
G-major Cello Concerto by Stamitz and the
Danzi Variations on a theme from Don Giovanni for the OEMHS Classics label. From
the next season she takes the position of
the principal cellist in Munich Philharmonic. Monika Leskovar plays on a Vincenzo
Postiglione cello from 1884 which was
entrusted to her by the City of Zagreb and
the Zagreb Philharmonic.
četvrtak, 5., .koncert u povodu Dana domovinske zahvalnosti na Trgu kralja Petra Krešimira IV u 21 sat /
thursday, 5th, concert on the occasion of the Homeland Thanksgiving Day at the Petar Kresimir the 4th
utorak, 3., nakon koncerta - projekcija dokumentarnog filma ispred Crkve /
tuesday 3rd , documentary screening in front of the Church after the concert
"Marocco"
Filip Šovagović,
režija, kamera, scenarij, glazba, zvuk, montaža i produkcija / direction, cinematography,
script, music, sound production, editing and production
Filip Šovagović (1966.) kazališni je i filmski glumac, redatelj, dramaturg, scenarist
i pisac u naponu snage. Nakon premijere
monodrame "Stanje nacije" (upravo na
Festivalu u Pagu 2008) postavlja predstavu "Ilijada 2001." u zagrebačkom kazalištu Gavella, suautor je u omnibusu
"Zagrebački pentagram" nastalom po
narudžbi Paola Magellija za Zagrebačko
kazalište mladih i autor teksta predstave
"Radio Tesla" u produkciji kazališta "Tvornica lutaka" u Zagrebu, a u međuvremenu
Durieux objavljuje njegov ljubavni SMS
roman "Život je gluh". Paralelno radi na
dokumentarnom filmu "Jedan dan jednog
klavira" (snimljenom na Festivalu u Pagu
2008.) te na igranom filmu "Visoka modna napetost".
Filmskom, TV i Internet produkcijom bavi
se profesionalno od 2006. Urednik je i
producent u "Zona Sova".
Živi i radi u Mesničkoj ulici u Zagrebu,
gdje je proveo djetinjstvo i mladost.
Njegova umjetnost vodi od Shakespearea, Becketa, Turgenjeva preko Ionesca,
Wildea do Brešana i Kaštelana, ali jednako se inspirira i obogaćuje kroz crtiće
i filmove na T-Portalu i MAXzoni, da bi se
konkretizirala u prostoru i vremenu kojemu pripada, kao objektivan prikaz i vrlo
jasna, iskrena i hrabra kritika. Marocco se
prikazuje prvi put.
Filip Šovagović (1966) is a stage and film
actor and director, dramaturge, screenwriter and writer at his peak. After the
première of monodrama "The State of the
Nation" (exactly at Pag Festival 2008), he
is staging a play named "The Iliad 2001"
in the Zagreb Theatre Gavella. Furthermore, he is a co-author in an omnibus titled
"The Zagreb Pentagram" by the order of
Paolo Magelli for Zagreb Youth Theatre,
and the author of the text "Tesla Radio"
in the production of Zagreb Theatre "The
Puppet Factory". In the meantime he is
to publish an SMS love novel "The Life is
Deaf" by Durieux. He has simultaneously
been working on documentary film "One
Day of the Piano", recorded on the Pag
Festival 2008, and on feature film, "High
Fashion Tension".
He has been professionally engaged in
film, TV and Internet production since
2006. He is an editor and producer in
"The Owl Zone".
He lives and works in Mesnička Street in
Zagreb where he spent his childhood and
youth.
His art rises from Shakespeare, Becket,
Turgenev over Ionesco and Wilde up to
Brešan and Kaštelan, but he is evenly
inspired and enriched through cartoons
and films on T-Portal and MAXzone, in order to become concrete in the time and
space where it belongs, in the form of an
objective illustration and very clear, sincere and courageous critique. Marocco
will have its premiere at PagArtFestival.
Square at 9.p.m.
Gradska
glazba Pag/
Pag Town
Brass
Orchestra
I. Pogorelić:
Uspomena na Pag / In Memory of Pag
J. Gotovac, arr. Janković: završno kolo
iz opere Ero s onoga svijeta / final dance
from the opera Ero the Joker
H. Belolo, J. Morali, V. Willis, arr.
J.G.Mortimer: Y.M.C.A
K. Badelt, arr. T. Ricketts: Pirati s Kariba – glazba iz istoimenog filma / music
from the feature Pirates of the Caribbean
H. Peretti, L. Creatore, G.D. Weiss, arr.
H. Kolasch: The Lion Spleeps Tonight
M. Jackson, arr. S. Mauro: We Are the
World
J. Lennon, P. McCartney, arr. W. Hautvast: The Beatles in Concert
Klapa Sol
odabir pjesama s albuma "O more" i
"Škapular" /selection from albums "Oh,
Sea" and "Skapular"
Gradska glazba Pag osnovana je 1923. godine od grupe glazbenih entuzijasta koji
su od tadašnjih paških malih obrtnika i poduzetnika prikupili sredstva za kupnju prvih instrumenata i pod vodstvom njihovog
prvog kapelnika - Gugliamina Polzinettia,
paškog zeta, krenuli s ozbiljnim radom i
vježbanjem. Trud se isplatio, tako da su već
na Badnjak 1924. imali svoj prvi službeni
nastup na današnjem Trgu kralja P. Krešimira IV u Pagu (tom prilikom snimljena je
priložena fotografija).
Gradska glazba Pag pod istim imenom radi
neprekidno, osim nekoliko godina tijekom
II svjetskog rata, do današnjih dana, prezentirajući svojim sugrađanima ali i publici
izvan Paga plodove svojega truda i rada: s
koncertnim programima (prigodom Božića, tijekom ljeta i u drugim prigodama ), s
budnicama ili večernjicama prigodom svih
većih državnih, vjerskih i gradskih blagdana, svirajući posmrtne marševe na pogrebima, s religioznim melodijama na vjerskim procesijama na blagdan Velike i Male
Gospe te na Paškom zimskom i ljetnom
karnevalu kada (od 1928. godine ) se svira
tradicionalno Paško kolo koje je skladao
sljedeći kapelnik, Zadranin Šime Dešpalj.
Dugogodišnji kapelnik bio je, u dva navrata, profesor, dirigent i skladatelj Ivan
Pogorelić, rodom Pažanin, čijom skladbom
započinje večerašnji program.
Orkestar Gradske glazbe Pag danas broji
30-tak članova. Vodi ga gospodin Branko
Barbir. Orkestar se svake godine puni novim mladim muzičarima koji potrebnu izobrazbu u sviranju puhačkih instrumenata
stječu u Maloj školi koju vode gospoda
Branko Barbir (limeni instrumenti ) i Davor
Dobrijević (drveni instrumenti ).
The Pag Town Brass Orchestra was founded in 1923 by a group of young music
enthusiasts who had gathered the funds
necessary for the purchase of the first instruments from Pag’s craftsmen and entrepreneurs. Afterwards, headed by their
first bandmaster Gugliamino Polzinetti,
who had become a Pag inhabitant through
marriage, they started practicing and working rather seriously. Their hard work paid
off as already on the Christmas Eve of 1924
they had their first official performance, in
today’s Kralja P. Krešimira IV Square in Pag
(where this photo was taken on the occasion in question).
The Pag Town Brass Orchestra has since
been in continuous existence under the
same name, but for a few years during
WW2. It has continually presented Pag inhabitants and audiences outside Pag with
the fruits of their labor through various
concert programs (around Christmas, in
the summertime and on other occasions),
with patriotic songs or nocturnes on the
occasion of all major state, religious and
town holidays, or by playing dead marches at funerals, religious melodies at
processions on the Assumption Day and
Feast of the Birth of Mary, as well as during Pag’s winter and summer carnivals, at
which it has been playing the traditional
Paško kolo (Pag Dance, since 1928), by the
second bandmaster Šime Dešpalj from Zadar. Among thers, a years- long, two-time
bandmaster was also the Pag-born profe-
subota, 7., koncert u Crkvi sv. Frane u Pagu u 21 sat /
saturday, 7th, concert in St. Fran’s Church in Pag at 9.p.m.
Brahms Trio
Natalia
Rubinstein,
klavir/piano
ssor, conductor and composer Ivan Pogorelić, whose composition is going to open
tonight’s program.
Today the Pag Town Brass Orchestra has
30-odd members. It is headed by Mr. Branko Barbir. Every year the orchestra accepts
new and young musicians. They all learn
to play wind instruments at the local Little School, led by Mr. Branko Barbir (brass
instruments) and Davor Dobrijević (woodwind instruments).
Klapa Sol iz Paga djeluje od 1996. U ožujku
2009. godine dobila je Godišnju nagradu
grada Paga za promicanje tradicije klapskog pjevanja. Prije nekoliko godina izdala
je svoj prvi album ''O, more'', a u kolovozu
prošle godine i drugi, "Škapular". Klapa je
osvojila niz nagrada publike na festivalima
Melodije Istre i Kvarnera, Festivalu Marko
Polo u Korčuli, Karnevalfestu u Kostreni
(nagrada za "najkarnevalskiju pjesmu") i
Večerima dalmatisnke pisme u Kaštelima.
Ovoga ljeta Klapa Sol pobjeđuje na festivalu Melodije Istre i Kvarnera te nastupa
na jubilarnom 50.-om Splitskom festivalu,
Večerima dalmatinske pisme i Festivalu
Klapa i Mandolina u Opatiji.
The Pag-based Klapa Sol (Salt) was founded in 1996. In March 2009, this harmonysinging group won the annual award
presented by the town of Pag for the pro-
motion of the klapa singing tradition. A few
years back they released their first album
titled O, more (Oh, Sea), and in August of
last year came their second album Škapular (Scapular). The klapa has won a number
of audience awards at the festivals Melodies of Istria and Kvarner, Marco Polo Fest
in Korčula, Carnivalfest in Kostrena (award
for the "most carnival" song) and Evenings
of Dalmatian Songs in Kašteli. This summer the klapa won the Melodies of Istria
and Kvarner and performes at the 50th
Split Summer Festival, Evenings of Dalmatian Songs and Opatija’s Festival of Klapas
and Mandolins.
Nikolaj
Sačenko
violina/violin
Kiril Rodin,
violončelo/cello
F. Schubert: Klavirski trio u Es-duru / Piano Trio in E-flat Major, op.100
Brahms:Klavirski trio u H-duru / Piano trio
in B-Major, op.8
Brahms trio utemeljen je 1987. godine.
Članovi su istaknuti glazbenici koji su svoje vrhunsko glazbeno obrazovanje stekli
na moskovskoj akademiji Gnjesin i Konzervatoriju Čajkovski te su istinski sljedbenici ruske glazbene tradicije i najviših ideja
glazbene edukacije. Kiril Rodin i Nikolaj
Sačenko pobjednici su prestižnog natjecanja Čajkovski. N. Rubinstein i K. Rodin predaju na konzervatoriju Čajkovski.
Trio je pobjednik Međunarodnog natjecanja u Weimaru (Njemačka, 1996.) i drugonagrađeni na Međunarodnom natjecanju
u Trapani (Italija, 1993.). Uspješno koncertira u najboljim koncertnim dvoranama
Moskve, St. Petersburga, Bruxellesa, Beča,
Rima, Melbourna i drugdje. Od godine
1994. Trio aktivno sudjeluje u programu
festivala ArtNovember u Moskvi na kojem
nastupaju slavni ruski glazbenici kao što
su Natalia Gutman, Nikolaj Petrov, kvarteti
Borodin i Šostakovič i drugi. Godine 1998.
Trio je ustanovio Zakladu za ostvarenje dobrotvornih programa u području kulture, a
1999. uključuje se u projekt Sjevernjački
glazbeni ansambli te održava niz koncerata, majstorskih tečajeva i predavanja širom
Rusije, u više od 50 gradova i sela. U nastojanju da oplemene životne kulture u zabitijim krajevima, Trio putuje u naselja Urala,
dalekog sjevera i polarnih krajeva. Za zasluge u navedenom projektu Trio je primio
odlikovanje Zaklade Soros (1999. i 2000.).
Godine 1998. Trio započinje projekt snimanja serije nosača zvuka "Antologija ruskog klavirskog trija", na kojima se nalaze
sva djela za glasovirski trio ruskih skladatelja 19. i 20. stoljeća. Projekt je izveden
pod pokroviteljstvom Ministarstva kulture
Ruske federacije i moskovskog Državnog
akademskog filharmonijskog društva te
Goethe instituta. Ruski je predsjednik godine 2002. članove Trija proglasio Zaslužnim umjetnicima Ruske federacije, što je
najviše priznanje za umjetnička postignuća u njihovoj zemlji.
Brahms Trio was founded in 1987. The
members are renowned musicians who
have been musically educated at the Gnesins' Russian Musical Academy and Tchaikovsky Conservatory, and are the true
followers of the Russian musical tradition
and the highest ideas of the music education. Kirill Rodin and Nikolai Sachenko have
won the prestigious Tchaikovsky competition. Furthermore, Natalia Rubinstein and
Kirill Rodin teach at the Tchaikovsky Conservatory.
The Trio triumphed at the Weimar International Competition (Germany, 1996) and
won the second prize at the Trapani International Competition (Italy, 1993). They
have been holding enormously succe-
ponedjeljak, 9., koncert u atriju Kneževa dvora u Pagu u 21 sat /
monday, 9th , concert in the Atrium of the Duke’s Castle in Pag at 9p.m.
Miran
Vaupotić,
bandoneone
Mathias
Gerstner,
klavir/piano
Kristina Kriit,
violina/violin
ssful concerts in the best concert halls of
Moscow, St. Petersburg, Brussels, Vienna,
Rome, Melbourne and elsewhere. Since
1994 the Trio has been actively involved
in the program of Festival ArtNovember in
Moscow, featuring famous Russian musicians such as Natalia Gutman and Nikolay
Petrov, string quartets Borodin and Shostakovich and many others. In 1998 the
Trio established a foundation for the realization of charity programmes in the field
of culture, and in 1999 joined the Northern
Musical Assemblies project, through which the Trio has held numerous concerts,
master classes and lectures around Russia,
in over 50 cities and towns. In an attempt
to enrich even the most remote corners
of the country, the Trio travels to the co-
mmunities of the Urals, far north and polar region. In 1999 and 2000 the Trio was
recognized for its contribution to and
accomplishments through the project in
question by the Soros Foundation. In 1998
the Trio began recording a series of albums
titled "Anthology of the Russian Piano
Trio", featuring all the piano trios composed in Russia in the 19th and 20th century.
The project was supported by the Ministry
of Culture of the Russian Federation, Moscow State Academic Philharmonic Society
and Goethe-Institut. In 2002 the Russian
President granted the members of the
Trio the titles of the Russian Federation’s
Deserving Artists, the highest honour that
can be bestowed upon a person for artistic
achievements in their country.
Krešimir
Bedek,
gitara/guitar
Albert Prat
Muntadas
kontrabas/double bass
A. Piazzolla: Las cuatro estaciones
porteñas, Serie del angel
Miran Vaupotić studirao je klasičnu harmoniku na Visokoj školi za glazbenu
umjetnost Ino Mirković u Lovranu i Filozofskom fakultetu u Puli gdje je diplomirao 2005. Od 2004. djeluje na Glazbenoj
školi Zlatka Balokovića u Zagrebu. Dvostruki je pobjednik Hrvatskog natjecanja
učenika i studenata glazbe i plesa, te laureat Međunarodnog susreta harmonikaša
u Puli, 2003 Confédération Mondiale de
L'Accordéon - CMA - Trophée Mondial de
l'Accordéon, međunarodnog natjecanja
Music Golden Trophy 2007 u New Yorku,
te pobjednik međunarodnog natjecanja
InterArtia u Volosu (Grčka), kao i dobitnik
specijalne nagrade Schnittke na 2008
IBLA Grand Prize. International Art Society & Academy proglasio ga je umjetnikom godine 2008.
Vodi aktivnu glazbenu karijeru kao solist te nastupa s orkestrima i ansamblima
(Zagrebački solisti, Riječka, Egipatska,
Kaljiningradska i Uljanovska filharmonija, Filharmonija Paderewski, Dubrovački,
Luganski i Moskovski državni simfonijski orkestar, Komorni orkestar Kremljina,
Camerata Klaipéda, Sinfonietta Žilina,
Beijing International Chamber Orchestra
i dr.). Njegove izvedbe emitirane su na hrvatskom, portugalskom, francuskom, kanadskom i rumunjskom radiju. Nadahnut
glazbom argentinskog skladatelja Astora
Piazzolle uključio je karakterističan bandoneone u svoje izvedbe. Praizveo je njemu posvećena djela: Epidaurus Concerto
Damira Bužlete - prvi koncert za bandoneone u povijesti hrvatske glazbe, Con-
certo per bandoneone e orchestra Paola
Ugolettija, Double Bayan Concerto Petera
Machajdika, Hrvatsku suitu Jevgenija Derbenka te Double Concerto sjajnog talijanskog skladatelja Roberta Di Marina.
Ekskluzivni je umjetnik tvornice Bandonion & Concertinafabrik Klingenthal GmbH
iz Njemačke. Snimio je 2 CD-a realizirana
u izdanju eminentne kuće Classic Concert
Records iz Salzburga, udruge Aulos i koncertnog ureda Varaždin.
Nakon utemeljenja karijere koncertnog
umjetnika, Miran započinje dirigentsku.
Od 2009. postavljen je za stalnog gost-dirigenta Ruskog simfonijskog orkestra Prokofjev u Moskvi, Kaljiningradske komorne
filharmonije i Luganskog simfonijskog orkestra (Ukrajina).
Miran Vaupotić studied classical accordion at the Ino Mirković Music Academy in
Lovran and Pula’s Faculty of Arts, where
he graduated from in 2005. Since 2004
he has been teaching at the Zlatko Baloković School of Music in Zagreb. He is
the two-time winner of the all-Croatian
competition for students of music and
dance, laureate of the Pula Accordion
International Competition and the 2003
Confédération Mondiale de L'Accordéon
- CMA - Trophée Mondial de l'Accordéon,
and winner of the Music Golden Trophy
2007 International Competition in New
York, USA. Furthermore, he is the first
prize winner of the International Festival InterArtia Music Competitions in Volos, Greece, and Special Schnittke Award
winner of the 2008 IBLA Grand Prize
World Competition in Sicily. The International Art Society & Academy declared
him Artist of the Year in 2008. He has an
active solo career and performs with various orchestras and ensembles (Zagreb
Soloists, Rijeka Philharmonic Orchestra,
Kaliningrad Chamber Philharmonic, Ulyanovsk Symphony Orchestra, Paderewski
Symphony Orchestra, Camerata Klaipéda,
Dubrovnik Symphony Orchestra, Lugansk
Philharmonic Orchestra, Moscow State
Symphony Orchestra, Chamber Orchestra
Kremlin, Slovak Sinfonietta Zilina, Beijing
International Chamber Orchestra, etc.).
His performances have been aired by
radio stations in Croatia, Portugal, France, Canada and Romania. Inspired by the
music of the Argentinian composer Astor
Piazzolla, Miran has included the characteristic bandeon in his performances. He
performed the world premieres of pieces
dedicated to Piazzolla: Epidaurus Concerto by Damir Bužleta, which is the first
bandoneon concerto in the history of the
Croatian music, Concerto per bandoneon
e orchestra by Paolo Ugoletti and Double
Bayan Concerto by Peter Machajdik, as
well as Croatian Suite by Evgeny Derbenko and Double Concerto by the brilliant
Italian composer Roberto Di Marino. Miran
is the exclusive artist of the Bandonion
& Concertina Factory Klingenthal GmbH
from Germany. He has recorded two CDs,
released by the eminent Salzburg-based
Classic Concert Records, Auslus Association and Varaždin Concert Office. After
establishing his career as a soloist, Miran
began a second career as a conductor.
He has been the guest conductor of the
Russian Symphony Orchestra Prokofiev
in Moscow, Kaliningrad Chamber Philharmonic and Lugansk Philharmonic Orchestra (Ukraine).
Matthias Gerstner diplomirao je klavir
i orgulje u Augsburgu 1983., te upisuje
postdiplomski studij klavira u Detmoldu
u klasi M. Kellera. Pored studija usavršava se na seminarima za orgulje (M. Radulescu, H. Vogel i L. Lohmann) te glasovir
(G. Rothon, C. Hansen, V. Margulis i L.
Hokanson). Od 1995. godine korepetira
na Universität für Musik und darstellende Kunst u Beču u klasi kontrabasa (Niederhammer, Posch), gitare (Würdinger),
trombona (Küblböck) i tube (Schafferer).
Takoder je korepetirao na međunarodnim
ljetnim školama u Bunolu (Španjolska) i
Semmeringu. Nastupao je kao solist izvodeći Klavirski koncert u b-molu P. I. Čajkovskog, Mozartov koncert KV414, djela
Beethovena, Debussyja, Liszta i Chopina.
Svestrani je komorni muzicar u raznim ansamblima i povremeni suradnik za klavir
i orgulje cijenjenog Ensemble Wien čiji
su glazbenici članovi Bečke Filharmonije.
Nastupao je na koncertima u duetu s oboom i kontrabasom (u Granadi) te u duetu
s violončelom u Beču i Poljskoj (s cjelokupnim opusom Beethovenovih sonata
za klavir i violončelo) te na koncertima
moderne glazbe u Švicarskoj, s puhačkim
komornim ansamblom. Član je Klavirskog
trija Augsbuga i povremeni suradnik u orkestrima u Beču i Granadi.
Više od dvadeset godina intenzivno djeluje kao korepetitor i na seminarima solo
pjevanja u Njemačkoj.
Matthias Gerstner studied piano and organ in Augsburg, graduating in 1983. He
then went on to a piano master's programme in Detmold, in Keller’s class. Moreover, he completed a number of courses in
organ (M. Radulescu, H. Vogel and L. Lohmann) and piano (G. Rothon, C. Hansen, V.
Margulis and L. Hokanson).
Since 1995 he has been teaching at
Vienna’s Universität für Musik und Darstellende Kunst, in the doublebass class
(Niederhammer, Posch), guitar class (Würdinger), trombone class (Küblböck) and
tuba class (Schafferer). He has also taught at the international summer schools
in Buñol, Spain, and Semmering, Austria.
He has had many solo concerts, performing Tchaikovsky’s Piano Concerto No. 1
in B flat minor and Mozart’s Piano Concerto KV 414, as well as works by Beethoven,
Debussy, Liszt and Chopin. He is a versatile chamber musician playing in different ensembles and an associate member
for piano and organ of the renowned Ensemble Wien, comprising members of the
Vienna Philharmonic. He has performed
in duets with either the oboe or the double bass (in Granada) and with the cello
in Vienna and Poland (Beethoven sonatas
for piano and cello). He has also performed in contemporary music concerts in
Switzerland, together with the wind orchestra. He is one of the members of the
Augsburg piano trio and occasionally collaborates with orchestras in Vienna and
Granada.
Finally, he has been teaching solo singing
in courses in Germany for over twenty years now.
Kristina Kriit diplomirala je violinu 2004.
u klasi M. Tampere-Bezrodny na Estonskoj
akademiji za glazbu i kazalište, gdje danas
predaje. Studij je nastavila na Mozarteumu u Salzburgu. Pohađala je majstorske
tečajeve I. Bezrodnog, H. Krebbersa, E.
Schmiedera, P. Vernikova i drugih istaknutih profesora violine.
1996. osvojila je specijalnu nagradu na
Međunarodnom natjecanju H. Eller, 2001.
i 2002. nagradu Međunarodnih susreta Holandije, kao i nekoliko nagrada na
raznim međunarodnim violinističkim i
natjecanjima komorne glazbe u toku posljednjih godina. Godine 2005. osnovala
je Violinski trio Tallina a 2009. i Trio madrigal, s flautom i klavirom. Osobito su cijenjene njene izvedbe suvremene glazbe.
Nastupa kao solistica i komorna glazbenica u većini evropskih i skandinavskim zemljama. Radi i kao prva violinistica Estonskog nacionalnog opernog orkestra .
Kristina Kriit finished her master studies at the Estonian Academy of Music and
Theatre with M. Tampere-Bezrodny) in
2004 and has complimented her studies
at the University Mozarteum in Salzburg,
Austria. In addition Kristina has participated in the master classes of I. Bezrodny,
H. Krebbers, E. Schmieder, Pavel Vernikov
and other esteemed professors.
In 1996 she won the special prize at the
International H. Eller Competition, in
2001 and 2002 The International Holland Music Session award and has won
several national violin and chamber music competitions over the years. In 2005
she founded the Tallinn String Trio and
in 2009 the Trio Madrigale with flute and
piano. Kristina is also highly recognized
for her interpretation of contemporary
music and has performed as a soloist and
chamber musician in most European and
Scandinavian countries. Currently she is
also working as the second principal 1-st
violin of the Estonian National Opera Orchestra and teaching at the Estonian Academy of Music and Theatre.
Krešimir Bedek (Zagreb, 1981.) započinje
učiti gitaru sa šest godina. Nakon zavr-
srijeda, 11., koncert u crkvi sv. Frane u Pagu u 21 sat /
wednesday, 11th , concert in St. Fran’s Church in Pag at 9p.m.
šenog klasičnog obrazovanja, za vrijeme
studija prava, upisuje Muzičku akademiju
u Zagrebu gdje je 2005. godine diplomirao gitaru u klasi Darka Petrinjaka. Kao
jednom od najboljih studenata generacije dodijeljena mu je "Top stipendija za
top studente" tjednika "Nacional". Gitarski nauk usavršava u Nizozemskoj, na postdiplomskom studiju u klasi proslavljenoga gitarista i pedagoga Zorana Dukića, na
Kraljevskom konzervatoriju u Den Haagu
gdje je magistrirao 2008. godine.
Nastupao je u Hrvatskoj i u inozemstvu
(Nizozemska, Belgija, Njemačka, Slovenija, Izrael, Portugal, Španjolska) svirajući
na solističkim koncertima, uz orkestre i u
različitim komornim sastavima.
Dobitnik je brojnih nagrada i priznanja
u Hrvatskoj i u inozemstvu. Na 42.tribini
mladih umjetnika „Darko Lukić" osvojio
je glavnu nagradu „Darko Lukić" te nagradu Koncertne dvorane Vatroslava Lisinskog. Dva puta je osvajao nagrade na
prestižnom natjecanju Printemps de la
guitarre (Charleroi, Belgija) i pobjednik
je međunarodnih gitarističkih natjecanja: Certamen Internacional de Guitarra
de Barcelona 'Miguel Llobet' (Barcelona,
Španjolska), Guitarmania (Almada, Portugal), Guitar and Chamber Music Festival
Zwolle (Zwolle, Nizozemska) i Scharpach
gitaar concurs (Enschede, Nizozemska).
Radi kao asistent na Muzičkoj akademiji u
Zagrebu.
Krešimir Bedek was born in 1981 in Zagreb, Croatia where he started to play the
guitar at the age of seven. He graduated
at Zagreb Music Academy in the class of
Darko Petrinjak and continued his studies
at The Royal Conservatory in The Hague
where he gained master degree with Zoran Dukić, one of the most prominent guitarists of the new generation.
He has performed as a soloist, with orchestra and in various chamber music
ensembles all over Croatia and in Spain,
Portugal, Germany, Slovenia, Israel, Belgium and Netherlands.
He has been awarded many prizes in
Croatia and was the winner of several
international guitar competitions: Certamen Internacional de Guitarra de Barcelona 'Miguel Llobet' (Barcelona, Spain), Festival Internacional de Guitarra
Classica „Guitarmania"(Almada, Portugal), Guitar and chamber music festival
Zwolle(Zwolle, Netherlands), Scharpach
Gitaar Concurs (Enschede, Netherlands).
Krešimir Bedek teaches the guitar at Zagreb Music Academy.
Albert Prat Muntadas (1973, Taradell,
Španjolska) započeo je učiti kontrabas sa
šesnaest godina, u muzičkoj školi u Barceloni u klasi L. Rusinjola. Nakon srednje
škole studira na konzervatoriju u Barceloni kod F. Lozana te na konzervatoriju u
Salamanci, kod J. Munoza. Godine 1998.
odlazi u Beč gdje studira na Konzervatoriju (Universität für Musik und darstellende
Kunst), kod A.Ackemana i kasnije kod E.
Weissensteinera. Radio je s bečkim RTV
Orkestrom a od 2004. član je Simfonij-
skog orkestra Bercelone/Nacionalnog orkestra Katalonije.
Albert Prat Muntadas (1973, Taradell, Spain) started to study double bass in music
school in Barcelona at the age of 16, with L.
Rusinyol. After A-levels, he studied at the
Conservatory of Barcelona with professor
Francisco Lozano, and at the Conservatory
of Salamanca, with Prof. Jorge Munoz. In
1998 he went to Vienna to study at the
Conservatory, with professor Andrew Ackerman and later with professor Ernst Weissensteiner. He was working with the Vienna Radio Symphony Orchestra and, from
2004, he’s a member of Barcelona Symphony and Catalonia National Orchestra.
Novi ruski
kvartet / The
New Russian
Quartet
Julija Igonina,
violina/violin
Aleksandar
Galkovski,
viola
Elena
Karitonova,
violina/violin
Aleksej
Steblev,
violončelo/cello
P.I.Čajkovski: Gudački kvartet br. 3 /
String Quartet No. 3
D. Šostakovič: Gudački kvartet br. 8 /
String Quartet No. 8
"Magičan zvuk, perfekcija fraziranja, slobodna i uzbudljiva izvedba …" The Moscow Times
Ove riječi vjerno opisuju muzičare koji
su posvetili mnoge godine umjetnosti
sviranja kvarteta, i koji su proširili iskustvo u području zajedničkog muziciranja.
Ime sastava podrazumijeva da glazbenici ostaju vjerni velikoj ruskoj izvedbenoj
tradiciji i u isto vrijeme osvajaju nove dosege komorne glazbe.
Ovaj ansambl jasno iskazuje vještinu
glazbenika koji su svirali s istaknutim
glazbenicima poput J. Norman, S. Palma,
V. Spivakova, E. Brunera, D. Thai Sona, A.
Rudina, D. Kramera. N. Petrova, J. Bašmeta, u ponajboljim dvoranama Rusije i na
festivalima širom Europe i Azije. Novi
ruski kvartet svirao je na komornom festivalu Asolo, Festivalu nacija u Citta di
Castello, Festivalu Tikhon Khrennikov,
Festivalu Mussorgsky u Rusiji, Eurospkom festivalu u Bugarskoj i drugdje. Talijanska kritika smatra ih jednim od najboljih ruskih ansambala. Njihove izvedbe
prenosio je švicarski Radio Romande,
ruski Radio Orpheus i bugarska televizija. Umjetničko prijateljstvo povezuje
petak, 13., koncert u crkvi sv. Frane u Pagu u 21 sat /
friday, 13th , concert in St. Fran’s Church in Pag at 9p.m.
Kvartet sa Shlomom Mintzom; njihov nastup u Italiji 2008. popraćen je olujnim
aplauzom i entuzijastičkim kritikama.
Ovo zanimljivo udruživanje, pri čemu
se slavni violinist predstavlja svirajući
violu nastavlja se u sezoni 2009./2010.
izvadbama djela Brahmsa, Mendelssohna, Brucknera te svim Mozartovim kvintetima.
Program Kvareta seže od venecijanskih
klasika do suvremenih skladatelja i jazza
i naravno uključuje remek-djela ruskih
skladatelja.
Članovi kvarteta sviraju na jedisntvenim
talijanskim instrumentima iz ruske državne kolekcije.
"Magic sounding, perfection of phrasing,
free and exciting performance…" The
Moscow Times
These words fairly describe the musicians
who have devoted many years to the art of
quartet playing and who have broad experiences in the field of ensemble performance, namely the musicians of the "New
Russian Quartet". The name of the ensembles means that the musicians remain faithful to the great Russian performing tradition and at the same time conquest the
new peaks of chamber music.
This ensemble has brightly showcased
the musicians’ skills. They have played in
collaboration with prominent musicians
such as Jessie Norman, Siegfried Palm,
Vladimir Spivakov, Edward Brunner, Dan
Thai Shon, Alexander Rudin, Daniel Kramer, Nikolay Petrov, Yuri Bashmet. The
New Russian Quartet performs in Russia’s
best concert halls and participates in festivals throughout Europe and Asia. The
New Russian quartet has performed in
Asolo Chamber Music Festival, Festival
Delle Nazione in Citta di Castello, Tikhon
Khrennikov Festival and Mussorgskiy Festival in Russia, European Music Festival
in Bulgaria and other. The Italian press
called The New Russian Quartet one of
the best ensembles of Russia. The performances of The New Russian Quartet have
been broadcast on Radio Suisse Romande
(Switzerland), Orpheus Radio Russian and
Bulgarian TV. Musical friendship connects
the New Russian Quartet and outstanding
musician Shlomo Minz. Their concerts in
Italy in a season of 2008 were met by a
storm of applause and enthusiastic reviews. This interesting union of the New
Russian Quartet and Maestro Shlomo
Minz where the famous violinist represents himself as the viola player will have
continuation in a season of 2009–2010,
where musicians will perform Brahms,
Mendelssohn, Bruckner and all Mozart’s
string quintets.
The creative range of a quartet reaches
from the Viennese classics up to very
contemporary music and jazz compositions, naturally includes the masterpieces
of Russian composers.
Musicians of the quartet perform on
unique Italian instruments from the Russian State’s collection.
Petrit Çeku,
gitara
J. S. Bach: Preludij, fuga i allegro, BWV 998
M. Ponce: Sonate Romantique (Hommage
à Schubert)
J. Rodrigo: Invocatión y Danza
A. Barrios: Chôro de Saudade
Un Sueño en la Floresta
L. Brower: El Decameron Negro
Petrit Çeku (1985., Prizren) diplomirao je
gitaru na zagrebačkoj Muzičkoj akademiji u klasi D. Petrinjaka. Usavršavao se na
majstorskim tečajevima kod M. Barrueca,
Z. Dukića, C. Marchionea, E. Muse, S. Tennanta i A. Vidović te na tečaju komorne
glazbe kod D. Gregoriana. Trenutno pohađa postdiplomski studij kod M. Barrueca
na konzervatoriju Peabody u Baltimoreu.
Pobjednik je hrvatskog državnog natjecanja u Dubrovniku 2003., međunarodnih
natjecanja Anna Amalia (Weimar), Emilio
Pujol (Sassario) i Andrés Segovia (Velbert),
natjecanja Europska glazbena nagrada
za mlade te natjecanja mladih glazbenih umjetnika Ferdo Livadić Samoborske
glazbene jeseni. Osvojio je i srebrnu medalju na velikom međunarodnom natjecanju Christopher Parkening (Malibu) i drugu nagradu na natjecanju Printemps de la
guitare (Charleroi, Belgija). Za izvanredan
recital u Hrvatskome glazbenom zavodu
(2006.) nagrađen je Nagradom Hrvatske
glazbene mladeži Ivo Vuljević, a 2008.
dobiva nagradu Mladi glazbenik godine
Zagrebačke filharmonije i Hrvatske poštanske banke.
Održao je recitale diljem Evrope te nastupao kao solist uz orkestre poput Komornog orkestra Češke filharmonije, Dubrovačkog simfonijskog orkestra, Hrvatskog
komornog orkestra, Kosovske filharmonije, Simfonijskog orkestra Albanske radiotelevizije, Državnog orkestra Hermitage
iz St. Petersburga, Zagrebačke Filharmonije i drugih.
Nakon pobjede na prestižnom natjecanju
Michele Pittaluga u Alessandriji (2007.) dobio je ponudu za snimanje CD-a za uglednu američku diskografsku kuću Naxos,
objavljenu u rujnu 2008. Trenutno pohađa
postdiplomski studij kod proslavljenog gitarista i pedagoga M. Barrueca na konzervatoriju Peabody u Baltimoreu, SAD.
PagArtFestival pomogli:
Petrit Çeku (1985, Prizren, Kosovo) studied guitar at the Zagreb Music Academy
in Darko Petrinjak's class. He has also taken part in master-classes led by Manuel
Barrueco, Zoran Dukić, Carlo Marchione,
Ehat Musa, Scott Tennant and Ana Vidović, as well as in D. Gregorian’s seminar in
chamber music at the Peabody Conservatory in Baltimore. His awards include the
top prize at the Croatian State Competition in Dubrovnik in 2003, as well the first
prizes at the international guitar competitions Anna Amalia in Weimar (Germany),
Emilio Pujol in Sassario (Italy) and Andrés
Segovia in Velbert (Germany), as well as
the International Ferdo Livadić Young Musicians Competition in Samobor. Furthermore, he has won the silver medal at the
International Christopher Parkening Competition in Malibu and the second prize at
the international competition Printemps
de la guitare (Charleroi, Belgium). For his
extraordinary recital at the Croatian Music Institute (2006) Petrit won the Ivo Vu-
ljević Best Young Musician Prize awarded
by the Croatian Musical Youth. In 2008 he
won the Young Musician of the Year Prize
awarded by the Zagreb Philharmonic and
the Croatian Postal Bank.
He has given recitals all over Europe and
performed as a solo artist with orchestras
such as the Czech Philharmonic Chamber
Orchestra, Dubrovnik Symphony Orchestra, Croatian Chamber Orchestra, Kosovo
Philharmonic, Albanian Radio and Television Symphony Orchestra and the Ermitaz State Orchestra from St. Petersburg.
Having won the prestigious Michele Pittaluga Competition in Alessandria, Italy
(2007), Petrit was invited to record a CD
for the renowned American label Naxos,
and his first studio recording was released in September 2008.
He is currently attending the post-graduate studies at the Peabody Conservatory
in Baltimore (USA) with the famous guitarist and pedagogue M. Barrueco.
Ministarstvo kulture Republike Hrvatske, Zadarska županija, Gradsko poglavarstvo grada Paga, Turistička zajednica grada
Paga,Turistička zajednica Zadarske županije, Turistička zajednica Hrvatske-odjel za kulturni turizam, Solana Pag, Pag91, Coning
turizam d.d. – hotel Pagus, Trgovina Feniks i Radio Pag te Medijski prostor, Premisa, TFMarketing, Sciomagis i Digitalprint (Zagreb)
zahvaljujemo:
gospodjicama Dijani Vuleti i Alenki Festini te gospodinu Josipu Portadi na praćenju Festivala i promicanju u medijima,
gospodinu Augustu Faulendu na susretljivosti i podršci,
Centru za kulturu Pag, don Igoru Ikiću i nadžupnom uredu
Grada Paga na suradnji,
gospodinu Lorencu Paru, Komunalnom društvu Pag i Poduzeću Pag II d.o.o. na pomoći,
Gradskom poglavarstvu grada Paga na prihvaćanju Festivala,
građanima i turistima grada Paga na odazivu,
pokojnom gospodinu Josipu Vičeviću na inicijativi i Društvu
Pažana i prijatelja Grada Paga u Zagrebu na pokretanju Festivala te svim ljudima dobre volje koji su na bilo koji način
pomogli u realizaciji naših programa
idejno rješenje i grafičko oblikovanje: Matko Jovičin/TFMarketing
prijevod na engleski: Enisa Jelačević/Premisa
pomoćnik umjetničkog ravnatelja: Krešimir Bedek
produkcija, organizacija, odnosi s javnošću i tekstovi: Nina Pogorelić
pomoćnica organizacije: Ivana Maržić
Festival zadržava pravo promjene programa
Umjetnička organizacija "Lovro&Nina", Zagreb, Mesnička 24
1-13August
2010

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