napisala written by fotografije photographs by portret portrait Miran Kambič Špela Kasal Anja Koršič Askeza kraj Bohinjskog jezera Asceticism near Lake Bohinj ¶ Kuća za odmor u naselju Ribičev Laz u blizini Bohinjskog jezera, djelo arhitektonskog biroa Bevk Perović arhitekti, sagrađena je kako bi nadomjestila staru drvenu bohinjsku kuću koju više nije bilo moguće obnoviti i osuvremeniti. Na mijenjena je povlačenju od svakodnevne gradske vreve, od moru, promatranju i apsorbiranju prirode i bogatstava koje pruža Triglavski nacionalni park. Unatoč strogim uvjetima građenja u zaštićenom području, arhitektima je uspjelo ob likovati originalnu kuću koja se razlikuje od okolnih. Arhi tekti su promišljenim proporcijama volumena, propisanim ¶ This holiday house in the Ribičev Laz settlement near Lake Bohinj, a work by Bevk Perović arhitekti architectural office, was built in order to replace an old wooden Bohinj-type house which was no longer possible to reconstruct and modernize. It is intended as a retreat from the everyday bustle of the city, for rest, observation and the absorption of nature and the abundance offered by Triglav National Park. In spite of the strict terms of construction in a zone under protection, the architects managed to form an original house which is different from the surrounding ones. The architects preserved the elementary quality of the traditional architecture of Bohinj with well considered proportions of the volume, prescribed steep gable roof, usage of wood on the façade and unique appearance of the outer membrane. Since the house is used only occasionally, it was not given the appearance of a typical Alpine household with a porch and red carnations in full flower (which implies everyday life in the house, a feeling of solidity and tradition of a household), but it rather assumed cha racteristics of houses intended for occasional usage – in the Bohinj area, these are typical Bohinj stanovi (shepherds’ huts) and hay racks, or kozolci. This seemingly contemporary, play ful, well considered and entirely unique holiday house is a strmim dvostrešnim krovom, uporabom drveta na fasadi i je dinstvenim izgledom vanjske ovojnice očuvali elementarnost tradicionalne bohinjske arhitekture. Budući da je kuća tek povremeno u uporabi, nije dobila izgled tipična alpskog domaćinstva s ganjkom i crvenim karanfilima bujnog cvata (što ukazuje na svakodnevni život u kući, na osjećaj solidnosti i tradicije nekog domaćinstva), nego je preuzela karakteristike objekata predviđenih za povremenu uporabu – u bohinjskom kraju karakterističnih bohinjskih stanova (pastirskih brvnara) i sjenika kozolaca. Naizgled suvremena, zaigrana, promišljena i posve samosvojna kuća za odmor nastavlja se na tradiciju slovenske alpske arhitekture za koju su karakteristični potpuni minimalizam, ako ne već askeza, sklad s okolišem, korištenje drveta i kamena za konstrukciju, jedinstvena fasada od ne obrađenih balvana, koja se nastavlja i na vanjske zaslone, kojima se kuća, predviđena za povremenu uporabu, može u potpunosti zatvoriti. ¶ Upravo fasadna ovojnica, međuprostor između vanjskog i unutarnjeg, između privatnog i javnog, dak le prostor ‘između’, predstavlja za arhitektonski tandem Bevk Perović značajan i uvijek iznova inovativno oblikovani element njihovoga arhitektonskog jezika, koji kući ne daje samo prepoznatljivi izgled, nego njezinu i povezanost i komunikaciju continuation of the tradition of Slovene alpine architecture which is characterized by absolute minimalism, if not asce ticism, harmony with the surrounding nature, usage of wood and stone for construction, a unique façade made of unpro cessed logs which continues to the outside screens as well with which a house intended for occasional usage can be entirely closed. ¶ For architectural tandem Bevk Perović, pre cisely the façade membrane, the interspace between the exte rior and interior, between private and public, in other words the space ‘between’, represents a significant and always once again innovatively formed element of their architectural lan guage which does not provide the house merely with a re cognizable appearance, but also with connectivity and co mmunication with the surroundings. And, at the same time, it tells us something about its users. It is not, therefore, surpri sing that it is the opening of the façade membrane that is the initial guideline of the described project. ¶ To the outside, the ascetic grey (not at all monotonous) house closes into itself completely when not in use, while it opens up and allows changeable nature to enter into the interior space when used. In spite of the strict and well-considered cleansing of the volume, geometry, colours and details, the house radiates a House R, Bohinj, Slovenia Bevk Perović arhitekti, Kuća R Bevk Perović arhitekti, House R arhitekti architects Vasa J. Perović 38 Kuća R, Bohinj, Slovenija Matija Bevk 39 40 s okolišem, a istovremeno govori i o njenim korisnicima. Nije dakle iznenađujuće da je upravo rastvaranje fasadne ovojnice ishodišna smjernica opisanog projekta. ¶ Prema van asketski siva (nipošto monotona), kuća se kad nije korištena u pot punosti zatvara u sebe, dočim se pri uporabi otvara i pripušta ulaženje promjenjive prirode u unutarnji prostor. Unatoč strogom i promišljenom pročišćenju volumena, geometrije, boja i detalja, kuća svojom ‘gibljivom’, fleksibilnom fasadnom ovojnicom žari izvjesnom unutarnjom zaigranošću. ¶ Bevk Perović u svom bogatom arhitektonskom opusu ostaju vjerni vlastitim načelima: pročišćenost od ideje do izvedenog de talja, uporaba vlastitog jezika uzoraka arhitektonskih ele menata, poseban odnos prema detalju u arhitekturi, pre ciznost pri dodiru različitih materijala. Realizirali su svoj jezik uzoraka pročišćenih i brižno oblikovanih arhitektonskih elemenata i precizno izrađenih detalja, koje uspješno i vrlo raznoliko rabe u svojim brojnim projektima (time ostvaruju svoju prepoznatljivu arhitekturu). Usprkos konstantnoj primjeni već poznatih elemenata njihovi projekti ostaju svje ži, raznoliki i raznovrsni. ¶ Kuća u Bohinju promišljena je i dorađena, asketska. Kada je zatvorena, gotovo je nevidljiva, skrivena i srasla s bohinjskim krajolikom. Podsjeća na stam benu arhitekturu australskog arhitekta Glenna Murcutta, koji u australskom krajoliku neposrednim povezivanjem s priro dom traži svojstveni genius loci. U Bohinju kuća sivilom ne obrađenog drveta na fasadi uspostavlja odnos s bojom debla okolnog drveća, sivilom stijena, s neposrednom panoramom okolnih planina, Alpa. Uporaba drveta u obiteljskim kućama za arhitekte ne znači samo vezanje za tradiciju, nego i ople certain interior playfulness with its ‘elastic’, flexible façade membrane. ¶ Bevk Perović remain loyal to their own principles in their rich architectural opus (purified quality from idea to executed detail, usage of their own language of patterns of architectural elements, special relation to the detail in archi tecture, preciseness in contacts of different materials). They have realized their language of patterns of purified and care fully formed architectural elements, and precisely elaborated details which they use in their numerous projects successfully and in very diverse manners (with this, they materialize their recognizable architecture). In spite of constant application of already known elements, their projects remain fresh, diverse and heterogeneous. ¶ The house in Bohinj is well considered and elaborated, ascetic. When it is closed, it is almost invisible, hidden and fused with the Bohinj landscape. It reminds one of the residential architecture of the Australian architect Glenn Murcutt, who is looking for a certain genius loci in the Austra lian landscape by means of immediate connection with nature. The house in Bohinj, with its greyness of unprocessed wood on the façade, establishes a relation with the colour of the surrounding tree trunks, with the grey colour of the rocks, with the immediate panorama of the surrounding mountains, the Alps. For the architects, the usage of wood in individual houses does not only mean linking with tradition, but also refinement of architecture with a feature of the domestic. When the house’s façade is open, we recognize the mentioned language of patterns – the already regular forms and integral parts of family houses by architectural tandem Bevk Perović arhitekti: these are the use of large elegant glazed surfaces in the residential zone in the sense of immediate connecting with the surrounding greenery; there is a glass door with wooden frame in the middle of the glass which accesses the garden; large sliding doors which connect the exterior with interior; hidden flutes; minimalism in the choice of furniture; and finally, concrete slabs set in the grass which represent a minimal forming of the exterior space. ¶ In the interior, the architects make efforts to enable the users to form their resi dence according to their own wishes and needs. The arran gement of rooms is utterly rational. Large glass surfaces on the ground floor provide immediate access and blending of the interior and nature. The living-room zone is light, purified. Recognizable elements are the hearth and steep stair ladders which connect the floors. By opening the façade, the surroun ding nature enters the interior in Mies-like manner; the space is given colourfulness and a feeling of changeable scenery is created. In the mansard part, the openings are on the contrary small, and offer more intimacy to the bedroom zone of the menjivanje arhitekture karakterom domaćeg. Kad je fasada kuće otvorena, prepoznajemo spomenuti jezik uzoraka – danas već stalnih oblika i sastavnica obiteljskih kuća arhi tektonskog tandema Bevk Perović arhitekti: to su uporaba velikih elegantnih zastakljenih površina u stambenoj zoni u smislu neposrednog povezivanja s okolnim zelenilom, us red stakla nalaze se drvom uokvirena staklena vrata kao pristup vrtu, velika klizna vrata koja povezuju vanjsko s unutarnjim, sakriveni oluci, minimalizam pri odabiru nam ještaja, napokon betonske ploče položene u travu, koje predstavljaju minimalno oblikovanje vanjskog prostora. ¶ U unutrašnjosti arhitekti nastoje omogućiti korisnicima da po svojim željama i potrebama oblikuju stanovanje. Raspored prostorija je krajnje racionalan. Velike staklene površine u prizemlju omogućavaju neposredan pristup i stapanje interijera s prirodom. Zona boravka je svijetla, pročišćena. Prepoznatljivi elementi su ognjište i strme stube–ljestve koje povezuju etaže. Otvaranjem fasade okolna priroda na miesovski način ulazi u unutrašnjost, prostoru daje šare nilo i stvara osjećaj promjenjive scene. U mansardnom su dijelu pak otvori mali pa spavaćem dijelu kuće nude veću intimnost. Prostorije su obložene drvetom, zatvorene su i introvertirane, ali igrom različito velikih prozora zaviruju u prirodu kako bi se osjetio njen dah. Oprema je minimalna i prikrivena (bjelina se spaja sa zidovima) te fiksna (kao dio konstrukcije). Uporaba prirodnog izgleda drveta na drvenim prozorima unosi u interijer izvjesnu kolorističku i materijalnu raznolikost. Askeza pri opremi iznenađuje, a istovremeno nudi određenu komociju boravka vikendom, doduše nema ni pretjeranih elemenata, ni suvišnoga, tu je samo to što je nužno potrebno. Terasa, koju se može otvarati i zatvarati pomičnim fasadnim drvenim panelima, uporabiva je u različitim vremenskim prilikama tijekom cijele godine. the natural look of the wood on the wooden windows provides the interior with a certain colouristic and material diversity. Regarding equipment, asceticism is surprising but, at the same time, it offers particular comfort during weekend stays. It is true, there are no excessive elements either, or anything redundant; there is only what is necessarily needed here. The terrace, which can be opened and closed with movable façade wood panels, is usable in different weather throughout the year. The panels are at the same time protection from the sun, as well as an element with the function of windshield. They oris, broj 64, godina 2010 oris, number 64, year 2010 Bevk Perović arhitekti, Kuća R Bevk Perović arhitekti, House R tlocrt prizemlja house. The rooms are panelled with wood, they are closed and introvert, but the play of differently sized windows provides them with views of nature so that its breath can be sensed. Equipment is minimal and concealed (whiteness is united with the walls), and fixed (as part of the construction). Usage of ground floor plan tlocrt kata floor plan 41 42 Paneli su istovremeno zaštita od sunca i element s funkcijom vjetrobrana. Govore o povremenom boravku korisnika, a is tovremeno omogućuju veću funkcionalnost. ¶ Uređenje vanjskih površina je unatoč prividnoj jednostavnosti pro mišljeno i dorađeno. Kuća raste iz travnjaka (poput pastirske brvnare), uređeni su pristup do nje i nadstrešnica za auto. Vanjsko uređenje nastoji očuvati elementarnost prirodnog okoliša, bez ograde se zemljište nastavlja u okolnu prirodu (nastavljanje koncepta privremene uporabe pokazuje se u cjelokupnom projektu i tako se formira odnos između koris nika, arhitekture i okoliša). Ta vrsta oblikovanja vanjskog prostora nudi kući neposredan dodir s prirodom, vanjskim svijetom, a istovremeno umanjuje osjećaj klaustrofobije, stiješnjenosti u građenoj okolini, potiče interakciju s vanj skim i pojačava osjećaj slobode (oslobađanje od težine grada u svakodnevici). ¶ U arhitektonskom birou Bevk Perović in dividualna izgradnja predstavlja svojevrsni eksperiment. U procesu projektiranja nastoje prepoznati kvalitetu lokacije, are saying something about the occasional stays of the users but, at the same time, they enable better functionality. ¶ The arrangement of exterior surfaces is well considered and elabo rated in spite of the deceptive simplicity. The house grows out of a meadow (like a shepherd’s hut), and the access to the house and car shelter are designed. The exterior design strives to preserve the elementariness of the natural surroundings; with out a fence, the plot continues into the surrounding natural landscape (continuation of the concept of temporary usage manifests itself throughout the entire project and, thus the relation between the user, architecture and the surroundings is formed). This kind of forming of the exterior space offers the house immediate contact with nature and the outside world and, at the same time, it reduces the feeling of claustrophobia, a confined state in a constructed environment; it encourages interaction with the outside and intensifies the feeling of freedom (freeing from the heaviness of the city in everyday life). ¶ In the architectural office Bevk Perović, an individual njene karakteristike, shvatiti želje investitora i dosljedno provesti osnovnu ideju projekta. Kuća kraj Bohinjskog jezera je spoj inovativnog koncepta tradicionalnoga građenja u gorju i istovremeno suvremenoga, udobnog bivanja. oris, broj 64, godina 2010 oris, number 64, year 2010 Bevk Perović arhitekti, Kuća R building represents a kind of experiment. In the process of designing, they try to recognize the quality of the location, its characteristics, to understand the desires of the investors and consistently carry out the basic idea of a project. The house near Bohinj Lake is a combination of innovative concept of traditional building in a mountain region and at the same time a contemporary, comfortable residence. Kuća R, Bohinj, Slovenija House R, Bohinj, Slovenia autori authors arhitektonski ured architectural office investitor client površina parcele site area izgrađena površina built up area neto površina net area projekt project realizacija completed cijena costs Matija Bevk, Vasa J. Perović, Ana Čeligoj Bevk Perović arhitekti privatni / private 500 m² 235,94 m² 181,61 m² 2003–2005 2006–2008 nedostupna / undisclosed Bevk Perović arhitekti, House R 43
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