V. DANI GRAFIKE U GALERIJI LIKOVNIH UMJETNOSTI, OSIJEK

V. DANI GRAFIKE
U GALERIJI LIKOVNIH UMJETNOSTI, OSIJEK
Hrvatski umjetnici na 28. grafičkom biennalu u Ljubljani
Igor Eškinja
Ivan Fijolić
Iva Kovač
Jelena Kovačević
Ana Lozica
Ines Matijević Cakić
Marko Tadić
veljača - ožujak 2011.
Hrvatski umjetnici na 28. grafičkom biennalu u Ljubljani
Grafički biennale u Ljubljani prepoznatljiv je likovni događaj s dugom, neprekinutom tradicijom. Već prvi biennale 1955. godine
zacrtao je smjernice razvoja i upisao Ljubljanu na svjetski grafički zemljovid. U popratnim tekstovima organizatora i teoretičara
objavljenim u katalozima biennala uvijek iznova pronalazimo razmišljanja o razvoju priredbe i grafičke umjetnosti. Često se ustanovilo
da priredba treba promjene budući da se grafička umjetnost i njezino razumijevanje brzo mijenjaju te se razvijaju nove dimenzije
razumijevanja s neprestanim i brzim tehnološkim napretkom.
Provedeno je više manjih promjena, a zasigurno se najradikalnija promjena u organizaciji i konceptu razmišljanja o grafičkoj
umjetnosti dogodila tek krajem devedesetih godina prošlog stoljeća. Bilo je to u razdoblju kada je Ljubljana organizacijom raznih
međunarodnih izložbi (Manifesta 3) imala važnu ulogu u razvijanju moderne likovne umjetnosti u tom dijelu Europe.
Zbog toga je vrijeme bilo povoljno za uvođenje promjena u organizaciji i konceptualizaciji grafičkog biennala. Upravo tako,
prepoznatljive međunarodne izložbe i uvijek novi biennali u nastanku nudili su modele za te promjene. Osnovna revitalizacija priredbe dogodila se u dva koraka. Prvi korak diktirala je potreba za promjenom u načinu organiziranja priredbe – kada je biennale
postao autorska kuratorska izložba, postao je usporediv s drugim sličnim priredbama u svijetu te je lakše jamčio sudjelovanje
važnih i priznatih umjetnika koji se u prošlosti nisu prijavljivali na javni natječaj biennala.
Drugi korak postupno je uvodio promjene u razumijevanje moderne grafičke produkcije, koje je, pojednostavljeno i ilustrativno
rečeno, prešlo od Dürera ka Gutenbergu. Ako pokušamo rekonstruirati te promjene, dovoljno je pogledati promjene u izgledu
bijenalskih kataloga. Do 1999. godine bijenalski katalog praktički nije doživljavao primjetne oblikovne zahvate. Tek s 24. biennalom
provedene su neke primjetne vizualne novosti, jer se katalog prvi put pojavio također kao izložbeni prostor namijenjen umjetnicima
koje u tom smislu kreativno i umjetnički zanima. Nije slučajnost da je upravo u tom katalogu svoj umjetnički projekt objavila hrvatska
umjetnica Maja S. Franković. Njezin rad povezan s knjigom umjetnika i nagrađivana instalacija Ines Krasić odlično su se podudarili
s uvođenjem organizacijskih i sadržajnih promjena. Jubilarni, 25. grafički biennale u tom je smislu nastavio revitalizaciju priredbe.
Na izložbi koju je kurirao Christophe Cherix, danas vođa grafičkog odjela u MOMA – New York, otvoreni poziv dobio je Ivan
Kožarić. U dnevnim novinama Delo, koje su bile medijski izložbeni prostor, predstavila se Ivana Keser. Najprimjetnije promjene
u smislu lokacije priredbe dogodile su se 2005. godine, kada se bijenalska izložba odvijala u napuštenim prostorima tvornice
duhana, Tobačne u Ljubljani. Jedan je od hrvatskih tiskanih medija 26. grafički biennale popratio naslovom »Ove godine bez
hrvatskih umjetnika«. Nakon dvije godine, na biennalu se predstavio Ivan Picelj. Oba eminentna hrvatska umjetnika, Ivan Picelj
i Ivan Kožarić, u radionicama su grafičkog centra otisnula više grafika i grafičkih mapa te time zaokružila dugogodišnju uspješnu
suradnju s biennalom i MGLC-om.
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Croatian artists at the Ljubljana Biennial of Graphic Art
The Ljubljana Biennial of Graphic Art is a recognized art event with a long and constant tradition. The first biennial in 1955 laid the
foundation for its further development and put Ljubljana on the world map of graphic art. The accompanying texts of organizers
and theorists published in the biennial catalogues contain contemplations about the development of the event and of graphic art.
It has been concluded several times that the event needs a change because graphic art and its understanding shifts quickly and
new dimensions of understanding are developed, accompanying the constant and fast technological progress.
Several small-scale changes have already been implemented. The most radical change is the change in the organization and
concept of rethinking graphic art that occurred in the ‘90s of the previous century. It was a time when Ljubljana played an important
role in the development of modern visual art by organizing different international exhibitions (Manifest 3) in this part of Europe. This
time was thus convenient for implementing changes in the oragnization and concept of the biennial of graphic art. Recognized
international exhibitions and continual biennials offered models for these changes. A basic revitalization of the event occurred in
two steps. The first step was dictated by the need to change the way the event was being organized. When the biennial became
an author’s and curator’s exhibition, it became comparable to other similar events in the world, thus easily guaranteeing the
involvement of recognized and famous artists, who before this, had never applied to the public call for the biennial.
The second step involved a gradual implementation of changes into the understanding of modern graphic production, which has,
to illustrate it simply, shifted from Dürer to Gutenberg. If we try to reconstruct these changes, we need not look further than the
changes in the appearance of the biennial catalogues. Until 1999 the biennial catalogue practically did not undergo any noticeable
interventions into its shape. It was not until the 24th biennial that some noticeable visual novelties were implemented, when the
catalogue appeared for the first time as an exhibition space intended for the artists who were creatively and artistically interested in
it. There is no coincidence in the fact that this was the exact catalogue in which the Croatian artist Maja S. Franković, whose work
connected to the book of artists and the rewarded installation by Ines Krasić appeared simultaneously with the implementation of
organizational changes in the content. The 25th anniversary of the Biennial of Graphic Art has continued the wave of changes
revitalizing the event. At the exhibition curated by Christopher Cherix, who is today the director of the Graphic Design Department
at MoMA – New York, an open call was extended to Ivan Kožarić. Furthermore, Ivana Keser presented her work in the daily
newspaper Delo, which showcased the exhibition. The most significant changes in terms of the exhibition’s locations happened
in 2005 when the biennial exhibition took place in the abandoned building of the tobacco factory Tobačna in Ljubljana. The 26th
biennial was covered by one of the Croatian printed media with the following title: „This year without Croatian artists“.
Ivan Picelj presented his work at the Biennial two years after that. Both eminent Croatian artists, Ivan Picelj and Ivan Kožarić
printed a number of graphics and graphic maps as part of the workshops organized by the Centre of Graphic Arts and thereby
completed a long-standing partnership with the Biennial and the MGLC (International Centre of Graphic Arts in Ljubljana).
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Novo razdoblje suradnje između grafičkog biennala i hrvatskih umjetnika počelo je posljednjim, 28. grafičkim biennalom, na
kojem se predstavilo sedam mladih i prodornih autora. Neki između njih svoje su grafičko znanje nadopunjavali na postdiplomskom
studiju u Ljubljani. Stoga je uspostavljena povezanost utoliko važnija i predstavlja ishodište za tješnju suradnju u budućnosti.
Umjetnici dolaze iz triju važnih regionalnih centara: Rijeke, Zagreba i Osijeka, koji su u posljednjih nekoliko godina postali važni
kreatori likovnog života u Hrvatskoj te u tom pogledu predstavljaju dobar uzor za raspršen razvoj moderne likovne kreativnosti u
Sloveniji, koja se previše usredotočila na Ljubljanu kao jedino pravo središte.
Ideja je i želja osječkih Dana grafike predstaviti hrvatske umjetnike i njihove radove s kojima su sudjelovali na 28. grafičkom
biennalu u Ljubljani. Početak je to novog međunarodnog povezivanja i prepletanja informacija i umjetničkih iskustava. Umjetnici u
Osijeku sudjeluju s još jednim posve novim umjetničkim djelom te time nude refleksiju svog rada i svojevrsni pogled u budućnost
i razvoj vlastite kreativnosti. Izabrani umjetnici u Ljubljani su se predstavili u različitim galerijama koje su tvorile jedinstvenu liniju
izložbenih prostora središnje izložbe 28. grafičkog biennala.
Igor Eškinja u Ljubljani se predstavio djelom Postprodukcija te mu je u Osijeku dodao još djelo Desktop, također iz njegove zanimljive
serije lambda otisaka što dokumentiraju specifične konceptualne postave koje je izvorno stvorio u galerijskim prostorima.
Ivan Fijolić predstavio se kiparskom instalacijom Mel u tehnici jetkanog aluminija. Povezao je Holbeinovu lubanju i portret Mela
Gibsona, koji od gledatelja i promatrača zahtijevaju određeni kut gledanja pod kojim je lik uopće moguće prepoznati. Spomenutom
djelu u Osijeku je dodao zidnu instalaciju Del.
Iva Kovač u Ljubljani je pripremila performance (Re)produkcija i posjetiteljima otvorenja biennala dijelila kopije postera s fotografijom
dojenčeta. U dokumentiranom videu, koji je bio na izložbi nakon izvedenog performa-ncea, zabilježila je razgovore sa svima što
su izrazili zanimanje za njezin poster te ga primili. Tom djelu u Osijeku je dodala djelo u kojem pokazuje lik Gaugenove žene kao
što je bio prikazan – sasvim različito – u dva filma o njegovu životu.
Jelena Kovačević u Ljubljani se predstavila s osam metara dugim crtežom u jednom komadu naslova Uspomene dobro odgojenih
djevojaka 2. Fantastičan izraz djela i ludističke figure oslobodila je bjeline papira i rasporedila kao samostalne figure na galerijskom
zidu, dok je očuvala izrazitu intimnost i hermetičku simboliku djela.
Ines Matijević Cakić u tehnici šivanog crteža na platnu u žanrovskom je prizoru reinterpretirala starodavni mit Penelopa i predstavila
modernu ženu i djevojku koja simbolizira izumiruće prenošenje tradicije i znanja iz generacije u generaciju. Djelu je u Osijeku
dodala slično izveden crtež u tehnici šivanja naslova Bez naslova – rad posvećen Noli, koji također prikazuje mladu ženu u igri
sa srnom.
Marko Tadić u Ljubljani je predstavio djelo Kuverte, kojima je napunio jedan galerijski zid u impresivan mozaički postav kuverata s
crtežima morbidnih pejsaža. Zanimanje za crtež očuvao je u djelu za Osijek te posegnuo za starim razglednicama i fotografijama.
Svojim minimalnim modernim ručnim fotomanipulacijama stvorio je apsurdni svijet crnog Mjeseca i zlatnog Sunca.
Ana Lozica je izdanjem slovenske verzije tabloida Jebeno! na 28. grafičkom biennalu napravila važan korak prema globalizaciji
i osvajanju specifičnih kulturnih i medijskih okruženja, kako fizičkih tako i mentalnih. Prisvojila je dio medijskog prostora koji je
u djelu za izložbu u Osijeku doslovce ispekla u obliku medijskog kolača što ga publika može pojesti. Tako je simbolično završila
svoje medijsko pojavljivanje kako je sama kreirala.
Raznolikost umjetničkih pristupa u projektima napravljenima posebice za izložbu u Osijeku izražava široko razumijevanje grafičkog
medija. Naglašava reproduktibilnost kao kvalitetu i karakteristiku, a prije svega dokazuje da je moderna grafička produkcija sasvim
jednakovrijedno umještena u modernu likovnu produkciju, prepletena s drugim medijima, inovativna, prepoznatljiva i specifična.
Božidar Zrinski
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The last 28th Biennial of Graphic Art, at which seven young and strident authors presented their works, began a new period of
cooperation between the Biennial of Graphic Art and Croatian artists.
Some of them have extended their knowledge in graphic arts at postgraduate studies in Ljubljana, thereby establishing an important
connection, which now represents the starting point for a closer cooperation in the future. The artists come from three major
regional centres: Rijeka, Zagreb and Osijek, which have become major creators of fine arts life in Croatia in the last few years
and represent in this way a good model for widespread modern fine arts in Slovenia, which focused too much on Ljubljana as the
only real centre.
The idea and goal of the Days of Graphic Arts in Osijek is to present Croatian artists and the works they showed at the 28th
Biennial of Graphic Art in Ljubljana. It is the beginning of new international connections and interweaving of information and
artistic experience. Artists from Osijek also participate with a completely new work of art and thereby offer a reflection of their work
and a specific view into the future as well as the development of their own creativity. Selected artists are presented in Ljubljana
in different galleries. Pieced together, this composed a unique line of exhibition spaces around the main exhibition - the 28th
Biennial of Graphic Art.
Igor Eškinja presented in Ljubljana his work of art named Postproduction, to which he added a piece called Desktop in Osijek,
originating also from his interesting series of lambda prints which document specific conceptual exhibitions originally created in
the gallery.
Ivan Fijolić presented his sculpture installation Mel using the aluminum etching technique. He connected Holbein’s skull with a
portrait of Mel Gibson. The sculpture has to be viewed from a specific angle for the audience to be able to recognize the figure at
all. He added a wall installation Del to the mentioned piece of art.
Iva Kovač did a performance (Re)production in Ljubljana, during which she handed out copies of a poster depicting a newborn
child to the visitors at the opening of the Biennial. She recorded conversations of and with everyone who showed interest in her
poster and accepted it and documented this in a video which was later shown at the exhibition. She added a piece showing the
figure of Gaugin’s wife as it was shown – very differently – in two movies about his life.
Jelena Kovačić presented in Ljubljana her eight meter long drawing in one piece named Memories of well-brought-up girls 2. The
work’s fantastic expression and the ludistic figures set free the whiteness of the paper and arranged themselves as if they were
independent figures on a gallery wall, whilst preserving the distinctive intimacy and hermetic symbolism.
Ines Matijević Cakić reinterpreted the ancient myth of Penelope in a genre view using the technique of stitched drawing on canvas
and presented a modern woman and girl who symbolise the fading transfer of tradition and knowledge from generation to
generation. To this piece she added in Osijek a similarly made drawing in the stitch technique named Without a title – a piece
dedicated to Nola, which also shows a young woman playing with a doe.
Marko Tadić presented his work Envelopes in Ljubljana by filling up one gallery wall with envelopes depicting morbid sceneries and
transforming them into an impressive mosaic collection. His interest in drawings is visible in his Osijek work, where he used old
postcards and photographs. Through his minimal modern handmade photo manipulations he created an absurd world of a black
Moon and a golden Sun.
By publishing the Slovenian version of the tabloid Fucking a! Moreover, Ana Lozica made a big step towards globalisation and the
conquering of specific cultural and media surroundings, physical as well as mental ones. She grabbed the attention of the media
covering the exhibition in Osijek by literally baking a media cake to be eaten by the audience. In this way she symbolically ended
her media presence as she had created it.
The variety of artistic approaches, visible from projects created particularly for the exhibition in Osijek, demonstrates a wide
understanding of graphic media; it emphasizes the reproductibility as a quality and a characteristic, and it proves that the modern
graphic production is incorporated as an equal into the modern production of fine arts; it is interwoven with other media; it is
innovative, recognizable and specific.
Božidar Zrinski
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Igor Eškinja
BIOGRAFIJA
Igor Eškinja rođen je 1975. u Rijeci. Godine 2002. diplomirao je slikarstvo na Accademia di Belle Arti u Veneciji.
SAMOSTALNE IZLOŽBE (IZBOR 5)
2009. You Say Bild I Say Shoot!, Elly Brose Eiermann Galerija, Berlin, Njemačka; Made In:side, Bardinicontemporanea, Firenca, Italija; Apparenze, Paolo Maria Deanesi Galerija, Rovereto, Italija; 2010. Nowheristan,
ADN galerija, Barcelona, Španjolska; Tiha proizvodnja, Galerija Kortil, Rijeka; 2011. Inhabitants of Generic Places, Tresor, Kunstforum, Beč, Austrija
SKUPNE IZLOŽBE (IZBOR 5)
2010. Auguri ad Arte, MART Muzej - Rovereto, Italija; Blow−up, Galerija Alberta Pane-Kernotart, Pariz, Francuska; Luc Tuymans – A Vision of Central Europe, Brugge Centraal, Brugge, Belgija; E-motion to Cohabit,
Galleria d’arte Moderna, Verona, Italija; 2011. Inhabitants of Generic Places, Galerija Tresor, Kunstforum Bank-Austria, Beč, Austrija
NAGRADE
2007. T-HT nagrada, druga nagrada Muzeja suvremene umjetnosti, Zagreb; 2006. Youth Artist Prize - Henkel, Kulturkontakt, Beč, Austrija; 2004. Nagrada Radoslav Putar, dobitnik 04, organizirano od SCCA (Institut za
suvremenu umjetnost), Zagreb, Gliptoteka HAZU, Zagreb; 2003. Godišnja nagrada HDLU, Galerija Kortil i Galerija «Juraj Klović», Rijeka; 1999./00. Nuova Icona Prize, 83° collettiva, Fondazione Bevilacqua la Masa,
Venecija, Italija; 1998. Cassa di Risparmio di Venezia prize, 82° collettiva, Fondazione Bevilacqua la Masa, Venecija, Italija
KONTAKT
Igor Eškinja
Vodovodna 31/1, Rijeka
[email protected]
BIOGRAPHY
Igor Eškinja was born in 1975 in Rijeka. He graduated from the Accademia di Belle Arti in Venecia in 2002, majoring in fine arts.
SOLO EXHIBITIONS
2009. YOU SAY BILD I SAY SHOOT!, Elly Brose Eiermann Gallery, Berlin, Germany; MADE IN:SIDE, Bardinicontemporanea, Florence, Italy; APPARENZE, Paolo Maria Deanesi Gallery, Rovereto, Italy; 2010.
NOWHERISTAN, ADN Gallery, Barcelona, Spain; SILENT PRODUCTION, Kortil Gallery, Rijeka; 2011. INHABITANTS OF GENERIC PLACES, Tresor, Kunstforum, Vienna
GROUP EXHIBITIONS (SELECTION 5)
2010. AUGURI AD ARTE, MART Museum - Rovereto, Italy; BLOW−UP, Alberta Pane-Kernotart Gallery, Paris, France; LUC TUYMANS – A VISION OF CENTRAL EUROPE, Brugge Centraal, Brugge, Belgium;
E-MOTION TO COHABIT, Galleria d’arte Moderna, Verona, Italy; 2011. Inhabitants of generic places, Tresor Gallery, Kunstforum Bank-Austria,Vienna
AWARDS
2007. T-HT award, Second Award of the Museum of Contemporary Art, Zagreb; 2006. Youth Artists’ Prize - Henkel, Kulturkontakt, Vienna, Austria; 2004. Radoslav Putar prize, winner 04, organized by the SCCA (Institute of Contemporary Arts), Zagreb, Gliptoteka HAZU, Zagreb; 2003. Annual award HDLU, Kortil Gallery and Juraj Klović Gallery, Rijeka; 1999/00 Nuova Icona prize, 83° collettiva, Fondazione Bevilacqua la Masa,
Venice, Italy; 1998. Cassa di Risparmio di Venezia prize, 82° collettiva, Fondazione Bevilacqua la Masa, Venice, Italy
CONTACT INFORMATION
Igor Eškinja
Vodovodna 31/1, Rijeka
[email protected]
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detalj / detail
Postprodukcija, 2006., lambda tisak na pleksiglasu, 80 x 120 cm / vlasništvo autora / Postproduction, 2006., lambda print on plexiglass, 80 x 120cm / property of the author
Desktop, 2006., lambda tisak na pleksiglasu, 80 x 120 cm / vlasništvo autora / Desktop, 2006., lambda print on plexiglass, 80 x 120cm / property of the author
Iz serije You Are Here, Tepih, 2005., lambda tisak, 40 x 60 cm / vlasništvo autora / From the series You Are Here, Carpet, 2005., lambda print, 40 x 60cm / property of the author
Iz serije You Are Here, Dim, 2005., lambda tisak, 40 x 60 cm / vlasništvo autora / From the series You Are Here, Smoke, 2005., lambda print, 40 x 60cm / property of the autora
Iz serije You Are Here, Set, 2005., lambda tisak, 40 x 60 cm / vlasništvo autora / From the series You Are Here, Set, 2005., lambda print, 40 x 60cm / property of the author
Iz serije You Are Here, Mikrofon, 2005., lambda tisak, 40 x 60 cm / vlasništvo autora / From the series You Are Here, Microphone, 2005., lambda print, 40 x 60cm / property of the author
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Desktop, 2006., lambda tisak na pleksiglasu, 80 x 120 cm
Desktop, 2006., lambda print on plexiglass, 80 x120cm
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Iz serije You Are Here, Dim, 2005., lambda tisak, 40 x 60 cm
Iz serije You Are Here, Set, 2005., lambda tisak, 40 x 60 cm
Iz serije You Are Here, Tepih, 2005., lambda tisak, 40 x 60 cm
Iz serije You Are Here, Mikrofon, 2005., lambda tisak, 40 x 60 cm
From the series You Are Here, Smoke, 2005., lambda print, 40 x 60 cm
From the series You Are Here, Set, 2005., lambda print, 40 x 60cm
From the series You Are Here, Carpet, 2005., lambda print, 40 x 60cm
From the series You Are Here, Microphone, 2005., lambda print, 40 x 60cm
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Ivan Fijolić
BIOGRAFIJA
Ivan Fijolić rođen je 1976. godine u Zagrebu. Diplomirao na Akademiji likovnih umjetnosti u Zagrebu na nastavničkom usmjerenju kiparstva.
SAMOSTALNE IZLOŽBE (IZBOR 5)
2007. Cinemaniac, MMC Luka, Pula; Vertikalni triptih, Galerija Križić Roban, Zagreb; 2008. Podvojena ličnost, Galerija 10 m2, Sarajevo, BiH; Linienstrasse 113, Berlin, Njemačka; 2010. Dobar, loš, krelac, Mali salon,
Rijeka
SKUPNE IZLOŽBE (IZBOR 5)
2010. Hrvatska za početnike / Europsko kulturno ljeto, Gradska galerija Felbach, Njemačka; 36. Splitski salon (razmišljanja o skulpturi), Split; Povratak u baštinu, Sv. Donat, Zadar; U drugom licu, Motovun; Alkatraz,
Ljubljana, Slovenija
NAGRADE
2001. Rektorova nagrada za izložbu Check Your Head Out; 2004. Nagrada Akademije likovnih umjetnosti za diplomski rad; 2009. finalist Nagrade «Radoslav Putar“; Nagrada labinskog kip. simpozija na 10. triennalu
kiparstva
KONTAKT
[email protected]
BIOGRAPHY
Ivan Fijolić was born in 1976 in Zagreb. He graduated from the Academy of Fine Arts in Zagreb, majoring in sculpture.
SOLO EXHIBITIONS
2007. Cinemaniac, MMC Luka, Pula; Vertical triptych, Križić Roban Gallery, Zagreb; 2008. Split personality, Gallery 10 m2, Sarajevo, BiH; Linienstrasse 113, Berlin, Germany; 2010. Good, bad, dork, Mali salon,
Rijeka
GROUP EXHIBITIONS (SELECTION 5)
2010. Croatia for Beginners / Europaeischer Kultursommer, Galerie der Stadt; Felbach, Germany; 36th Split Salon (reflections on sculpture), Split; Back to heritage, St. Donat, Zadar; In second person, Motovun;
Gallery Alcatraz , Ljubljana, Slovenia
AWARDS
2001. Head of University’s Award for the exhibition Check Your Head Out; 2004. Award of the Academy of Fine Arts for the graduation thesis; 2009. Finalist for the Radoslav Putar Award; Award of the Labin Sculpture
Symposium at the 10th Sculpture Triennial
CONTACT INFORMATION
[email protected]
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detalj / detail
Mel, 2006., jetkani aluminij, 120 x 12 cm / Zbirka Filip Trade Zagreb
Den, 2006., šivana koža, konop, vijci, 73 x 71 cm / vlasništvo autora
Mel, 2006., etched aluminum 120 x 12 cm / Filip Trade Collection Zagreb
Den, 2006., stitched leather, twine, screws, 73 x 71 cm / property of the author
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Den, 2006., šivana koža, konop, vijci, 73 x 71 cm
Den, 2006., stitched leather, twine, screws, 73 x 71 cm
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Mel, 2006., jetkani aluminij, 120 x 12 cm / Zbirka Filip Trade Zagreb
Mel, 2006., etched aluminum, 120 x 12 cm / Filip Trade Collection Zagreb
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Iva Kovač
BIOGRAFIJA
Iva Kovač rođena je 1983. godine u Splitu. Diplomirala je slikarstvo na Akademiji likovnih umjetnosti u Zagrebu.
SAMOSTALNE IZLOŽBE
2005. I Love America, Miller Gallery, Indiana PA, ZDA; 2008. (Re)produkcija, VN galerija, Zagreb; 2009. Distribucija znanja (s Natašom Tepavčević), FLU galerija, Beograd; 2010. Rekreacija, Galerija SC, Zagreb
SKUPNE IZLOŽBE (IZBOR 5)
2009. Am I That Name, SC galerija, Zagreb; Labyrint 09 - Writings and Observations, Botkyrka Konsthall, Švedska; 28. grafično biennale, Ljubljana, Slovenija; 2010. Galerija SIZ u Galeriji Nova, Galerija Nova, Zagreb;
Internacionalni biennale mladih umjetnika u Moskvi, Moskva
NAGRADE
2008. Nagrada Croatia osiguranja za najbolji diplomski rad na Akademiji likovnih umjetnosti u Zagrebu za godinu 2007./08.
KONTAKT
Iva Kovač / [email protected]
+385989213959
Zinke Kunc 4, 10000 Zagreb
http://ivakovac.blogspot.com
http://stonenwater.org/iva_and_elvis/home.html
BIOGRAPHY
Iva Kovač was born in 1983 in Split. She graduated from the Academy of Fine Arts in Zagreb majoring in fine art.
SOLO EXHIBITIONS
2005. I Love America, Miller Gallery, Indiana PA, ZDA; 2008. (Re)production, VN Gallery, Zagreb; 2009. Distribution of knowledge (with Nataša Tepavčević), FLU Gallery, Beograd; 2010.; Re-creation, SC Gallery,
Zagreb
GROUP EXHIBITIONS
2009. Am I That Name, SC Gallery, Zagreb; Labyrint 09 - Writings and Observations, Botkyrka Konsthall, Sweden; 28th Biennial of Graphic Art, Ljubljana; 2010. SIZ Gallery in Nova Gallery, Nova Gallery, Zagreb;
Moscow International Biennial for Young Art, Moscow
AWARDS
2008. Croatia osiguranje award for the best graduation thesis at the Academy of Fine Arts in Zagreb for the year 2007/08.
CONTACT INFORMATION
[email protected]
+385989213959
Zinke Kunc 4, 10000 Zagreb
http://ivakovac.blogspot.com
http://stonenwater.org/iva_and_elvis/home.html
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detalj / detail
(Re)produkcija, 2008.,video 4’43’’ i offset tisak, 40 x 50 cm / vlasništvo autorice
When I’m Five – Donald / Kiefer Sutherland kao Paul Gaugain, 2011., dvokanalna videoinstalacija 10’ / vlasništvo autorice
(Re)production, 2008., video 4’43’’ and offset print, 40 x 50 cm, 2008 / property of the author
When I’m five - Donald / Kiefer Sutherland as Paul Gaugain, 2011., two-channel video installation 10’/ property of the author
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(Re)produkcija, 2008.,video 4’43’’ i offset tisak, 40 x 50 cm
(Re)production, 2008., video 4’43’’ and offset print, 40 x 50 cm
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When I’m Five – Donald / Kiefer Sutherland kao Paul Gaugain, 2011., dvokanalna videoinstalacija 10’
When I’m five - Donald / Kiefer Sutherland as Paul Gaugain, 2011., two-channel video installation 10’
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Jelena Kovačević
BIOGRAFIJA
Jelena Kovačević rođena je 1982. godine u Osijeku. Diplomirala je 2005. na grafičkom odsjeku Akademije likovnih umjetnosti u Zagrebu. Magistrirala je 2009. na Akademiji za likovno umetnost u Ljubljani (Slovenija),
odsjek grafike.
SAMOSTALNE IZLOŽBE
2003. Boogey Women, Miller Gallery, IUP, PA, SAD (s Ines Matijević); 2004. (s Ines Matijević, Tonkom Maleković i Martinom Miholić), Galerija SC, Zagreb; 2006. Vražja posla, Galerija Kazamat, Osijek; 2008./09.
Uspomene dobro odgojenih djevojaka, Galerija Waldinger, Osijek; 2010. Uspomene dobro odgojenih djevojaka, Galerija SC, Zagreb
SKUPNE IZLOŽBE (IZBOR 5)
2009. 28. grafički biennale, Galerija Jakopič, Ljubljana, Slovenija; 5. hrvatski trijenale grafike, Gliptoteka HAZU, Zagreb; Am I That Name?, Galerija SC, Zagreb; 2010. Grafika 1975-2009, Izložba članova HDLU,
Gradska galerija Labin, Labin; 22. slavonski biennale, Galerija likovnih umjetnosti, Osijek
NAGRADE
2006. Ex aequo 20. slavonskog biennala
KONTAKT
I. G. Kovačića, 31000 Osijek
[email protected]
+385 (0) 91 541 6068
BIOGRAPHY
Jelena Kovačević was born in 1982 in Osijek. She graduated in 2005, from the graphic section of the Academy of Fine Arts in Zagreb. She was awarded a master’s degree 2009 at the Academy of Fine Arts in Ljubljana
(Slovenia), the Department of Graphic Art.
SOLO EXHIBITIONS
2003. Boogey Women, Miller Gallery, IUP, PA, USA (with Ines Matijević); 2004. (with Ines Matijević, Tonka Maleković and Martina Miholić), SC Gallery, Zagreb;2006. Devil’s business, Kazamat Gallery, Osijek; 2008/09.
Memories of well-brought-up girls, Waldinger Gallery, Osijek; 2010. Memories of well-brought-up girls, SC Gallery, Zagreb
GROUP EXHIBITIONS (SELECTION 5)
2009. 28th Biennial of Graphic Art, Jakopič Gallery, Ljubljana, Slovenia; 5th Croatian Triennial of Graphic Art, Gliptoteka HAZU, Zagreb; Am I That Name?, SC Gallery, Zagreb; 2010. Graphics 1975-2009, Exhibition
of members of the HDLU (Croatian Association of Artists), City gallery Labin, Labin; 22th Slavonian Biennial, Gallery of Fine Arts, Osijek
AWARDS
2006. Ex Aequo of the 20th Slavonian Biennial
CONTACT INFORMATION
I. G. Kovačića, 31000 Osijek
[email protected]
+385 (0) 91 541 6068
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detalj / detail
Uspomene dobro odgojenih djevojaka 2, 2009., crtež, 60 x 800 cm / vlasništvo autorice
Zgoda, 2011., digitalni tisak na forexu, različite dimenzije / vlasništvo autorice
Memories of well-brought-up girls 2, 2009., drawing, 60 x 800 cm / property of the author
Adventure, 2011., digital print on forex, different dimensions / property of the author
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detalj / detail
Uspomene dobro odgojenih djevojaka 2, 2009., crtež, 60 x 800 cm
Memories of well-brought-up girls 2, 2009., drawing, 60 x 800 cm
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Zgoda, 2011., digitalni tisak na forexu, različite dimenzije
Adventure, 2011., digital print on forex, different dimensions
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Ana Lozica
BIOGRAFIJA
Ana Lozica rođena je 1980. godine u Zagrebu. Diplomirala je na grafičkom odsjeku Akademije likovnih umjetnosti u Zagrebu.
SAMOSTALNE IZLOŽBE
2005. Boje grada, Galerija Artur, Dubrovnik; O ljubavi i hrani, Sveučilište u Dubrovniku, Dubrovnik; 2006. Jebeno!, Galerija Vladimir Nazor, Zagreb ; 2007. Jebeno!, Galerija Remont, Beograd, Srbija; 2009. Interzone
– stanje nacije – Mi Hrvati, video i preformance, Galerija Galženica, Velika Gorica
SKUPNE IZLOŽBE (IZBOR 5)
2008. Kairos, 13. BJCEM, Hrvatska selekcija, MMSU Rijeka; 13. biennale mladih umjetnika Europe i Mediterana, Regione Puglia, Italija; 2009. Interzone – stanje nacije – Mi Hrvati, video i preformance, Galerija
Galženica, Velika Gorica; 28 grafički biennale, Ljubljana, Slovenija; 43. zagrebački salon primijenjene umjetnosti i dizajna, Garaža Kvatrić, Zagreb
KONTAKT
Ana Lozica
Gajeva 2a, Zagreb
www.analozica.com,
[email protected]
[email protected]
BIOGRAPHY
Ana Lozica was born in 1980. in Zagreb. She graduated from the Department of Graphic Art of the Academy of Fine Arts in Zagreb.
SOLO EXHIBITIONS (SELECTION 5)
2005. City lights, Artur Gallery, Dubrovnik, Croatia; Of love and food, University of Dubrovnik, Dubrovnik, Croatia; 2006. Fuckin a!, Vladimir Nazor Gallery, Zagreb, Croatia; 2007. Fuckin a! Gallery Remont, Beograd,
Serbia; 2009. Interzone- state of the nation – We Croats, video and performance Galženica Gallery, Velika Gorica
GROUP EXHIBITIONS (SELECTION 5)
2008. Kairos, 13th BJCEM, Croatian Selection, Museum of modern and contemporary art Rijeka, Croatia; 13th Biennial of young artists from Europe and the Mediterranean, May 2008 Regione Puglia, Italy; 2009.
Interzone- state of the nation – We Croats, video and performance Galženica Gallery, Velika Gorica; 28th International Biennial of Graphic Arts, Ljubljana, Slovenia; 43rd Zagreb Salon of applied art and design,
Public Garage Kvatrić, Zagreb
CONTACT INFORMATION
Ana lozica
Gajeva 2a, Zagreb
www.analozica.com
[email protected]
[email protected]
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detalj / detail
Jebeno!, 2006., časopis / vlasništvo autorice
Neka jedu kolače, 2011., (u suradnji s Edible Art by Ana Šerić Kuhinja), digitalni jestivi tisak na kolačima / vlasništvo autorice
Fuckin a!, 2006., magazine / property of the author
Let them eat cakes, 2011., (in collaboration with the Edible Art by Ana Šerić Kuhinja), digital edible print on cakes / property of the author
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detalj / detail
Neka jedu kolače, 2011., (u suradnji s Edible Art by Ana Šerić Kuhinja), digitalni jestivi tisak na kolačima
Let them eat cakes, 2011., (in collaboration with the Edible Art by Ana Šerić Kuhinja), digital edible print on cakes
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Jebeno!, 2006., časopis
Fuckin a!, 2006., magazine
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Ines Matijević Cakić
BIOGRAFIJA
Ines Matijević Cakić rođena je 1982. u Osijeku. Diplomirala je 2005. godine na Grafičkom odsjeku Akademije likovnih umjetnosti u Zagrebu.
SAMOSTALNE IZLOŽBE (IZBOR 5)
2005. F – 2, Galerija SC, Zagreb (sa T. Šepetavc); Attention / Pažnja, Galerija VN, Zagreb; Eva i Adam, Galerija Galženica, Velika Gorica; 2007. Točke, Galerija Waldinger, Osijek; 2008. Penelopa, Galerija Otok,
Dubrovnik
SKUPNE IZLOŽBE (IZBOR 5)
2010. Okolje Consulting Art Collection, Centar suvremene umjetnosti, Celje, Slovenija; Grafika 1975-2009, Izložba članova HDLU, Gradska galerija Labin; Glavom i bradom, Galerija 5 kula, Motovunski filmski
festival, Motovun; Annales Poreč, Pučko otvoreno učilište, Poreč; 22. slavonski biennale, Galerija likovnih umjetnosti, Osijek
NAGRADE
2009. Nagrada Muzeja moderne i suvremene umjetnosti Rijeka, 5. hrvatski trijenale grafike; 2008. Grand Prix, 21. slavonski biennale; 2008. nagrada Erste & Steiermarkische banke; 2008. Posebna nagrada, 3.
međunarodni biennale eksperimentalne grafike, The Brancovan Palaces, Bukurešt, Rumunjska; 2006. Nagrada Ex aequo, 20. slavonski biennale, Osijek; 2004. Nagrada rektora Sveučilišta u Zagrebu, Zagreb;
2004. Prva nagrada, Pasionska baština, Zagreb; 2003. Pohvala Akademije likovnih umjetnosti, Zagreb; 2002. Pohvala Akademije likovnih umjetnosti, Zagreb
KONTAKT
Ines Matijević Cakić
Ivana Gundulića 53, 31000 Osijek
[email protected]
+385 98 612 408
BIOGRAPHY
Ines Matijević Cakić was born in 1982 in Osijek. She graduated in 2005, from the Department of Graphic Art of the Academy of Fine Arts in Zagreb.
SOLO EXHIBITIONS (SELECTION 5)
2005. F – 2, SC Gallery, Zagreb (with T. Šepetavc); Attention, VN Gallery, Zagreb; Eve and Adam, Galženica Gallery, Velika Gorica; 2007. Spots, Waldinger Gallery, Osijek; 2008. Penelope, Island Gallery, Dubrovnik
GROUP EXHIBITIONS (SELECTION 5)
2010. Okolje Consulting Art Collection, The Centre for Contemporary Arts, Celje, Slovenia; Graphics 1975-2009, Exhibition of the members of HDLU, The City gallery Labin, Labin; The Duke came in person, 5 towers
Gallery, Motovun Film Festival, Motovun; Annales Poreč, Public Open University, Poreč; 22nd Slavonian Biennale, Gallery of Fine Arts, Osijek
AWARD
2009. Award of the Museum of Modern and Contemporary Arts Rijeka, 5th Croatian Graphics Triennial; 2008. Grand Prix, 21th Slavonian Biennial; 2008. Grand Prix, Award of the Erste & Steiermarkische bank; 2008.
Special award, 3rd International Biennial of Experimental Graphics, The Brancovan Palaces, Bucharest, Romania; 2006. Award Ex Aequo, 20th Slavonian Biennial, Osijek; 2004. Head of University’s award of the
University of Zagreb, Zagreb; 2004. First award, Croatian passionic heritage, Zagreb; 2003. Commendation of the Academy of Fine Arts, Zagreb; 2002. Commendation of the Academy of Fine Arts, Zagreb
CONTACT INFORMATION
Ines Matijević Cakić
Ivana Gundulića 53, 31 000 Osijek
[email protected]
+385 98 612 408
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detalj / detail
Bez naziva - rad posvećen Noli, 2009., šivan crtež na platnu, 500 x 180 cm / u vlasništvu “Okolje Consulting Art Collection”, Slovenija
Penelopa, 2008., šivan crtež na platnu, 880 x 265 cm / u vlasništvu Muzeja suvremene umjetnosti, Zagreb
Without a title – dedicated to Nola, 2009., stitched drawing on canvas 500 x 180 cm / the property of “Okolje Consulting Art Collection” Slovenia
Penelope, 2008., stitched drawing on canvas, 880 x 265 cm / the property of the Museum of Contemporary Art, Zagreb
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detalj / detail
Penelopa, 2008., šivan crtež na platnu, 880 x 265 cm / u vlasništvu Muzeja suvremene umjetnosti, Zagreb
Penelope, 2008., stitched drawing on canvas, 880 x 265 cm / the property of the Museum of Contemporary Art, Zagreb
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Bez naziva - rad posvećen Noli, 2009., šivan crtež na platnu, 500 x 180 cm / u vlasništvu “Okolje Consulting Art Collection”, Slovenija
Without a title – dedicated to Nola, 2009., stitched drawing on canvas 500 x 180 cm / the property of “Okolje Consulting Art Collection” Slovenia
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Marko Tadić
BIOGRAFIJA
Marko Tadić rođen je 1979. u Sisku. Godine 2006. diplomirao je slikarstvo u Firenci na Accademia di Belle Arti.
SAMOSTALNE IZLOŽBE (IZBOR 5)
2007. Linienstrasse113 Projekt, Galerija Linienstrasse 113, Berlin, Njemačka; 2009. I speak true things, Galerija Miroslav Kraljević, Zagreb; Drawings and Animations, Matica hrvatska, Sisak; Salon ISCP (s
Bekimom Gllogom), Iscp New York, SAD; 2010. Nicolaj Dudek i Marko Tadic, Lazareti, Dubrovnik
SKUPNE IZLOŽBE (IZBOR 5)
2010. FRANKFURT IN... ANTWERPEN BUDAPEST DUBLIN DUBROVNIK HELSINKI SALZBURG SEOUL STRASSBURG WIEN... IN FRANKFURT, Atelije Frankfurt, Frankfurt, NjemačkaClueless / geometrija
nesporazuma, Manifattura Tabacchi, Torino, Italija; Bečki umjetnički sajam, Beč, Austrija; T-HT@MSU, MSU Zagreb; What’s happening?, Stereo izložba, Mestna galerija, Nova Gorica, Slovenija
NAGRADE
2010. Treća nagrada na izložbi T-HT@MSU, Zagreb, Hrvatska; 2008. Nagrada Radoslav Putar (YVAA – Nagrada mladim likovnim umjetnicima), Zagreb, Hrvatska; 2006. Salon mladih, Zagreb, Hrvatska nagrada
za crtež; 2001. Salon mladih, Sisak, Hrvatska – prva nagrada; 2000. Salon mladih, Sisak, Hrvatska – prva nagrada
KONTAKT
Gualdo Tadino 20, Zagreb
+385 1 3745219
+385 98 9479957
[email protected]
www.markotadic.blogspot.com
BIOGRAPY
Marko Tadić was born in 1979 in Sisak. He graduated in Fine Arts in Florence from the Accademia di belle Arti in 2006.
SOLO EXHIBITIONS (SELECTION 5)
2007. Linienstrasse113 Project, Linienstrasse 113 Gallery, Berlin, Germany; 2009. I speak true things, Miroslav Kraljevic Gallery, Zagreb, Croatia; Drawings and animations, Matica Hrvatska, Sisak, Croatia;
Salon ISCP (with Bekim Gllogu ), ISCP New York, USA; 2010. Nicolaj Dudek and Marko Tadic, Lazareti, Dubrovnik, Croatia (with Nicolaj Dudek)
GROUP EXHIBITIONS (SELECTION 5)
2010. FRANKFURT IN... ANTWERPEN BUDAPEST DUBLIN DUBROVNIK HELSINKI SALZBURG SEOUL STRASSBURG WIEN... IN FRANKFURT, Atelier Frankfurt, Frankfurt, Germany; Clueless / geometry
of misunderstanding, Manifattura Tabacchi, Torino, Italia; Vienna Art Fair, Vienna, Austria; T-HT@MSU, MSU Zagreb, Croatia; What’s happening? Stereo Exhibition, Mestna Galerija, Nova Gorica, Slovenia
AWARDS
2010. Third Award at the exhibition T-HT@MSU, Zagreb, Croatia; 2008. Radoslav Putar Award (YVAA - Young Visual artists Award ), Zagreb, Croatia; 2006. Youth Salon, Zagreb, Croatia-Award for Drawing;
2001. Youth Salon, Sisak, Croatia – First Prize; 2000. Youth Salon, Sisak, Croatia – First Prize
CONTACT INFORMATION
Gualdo Tadino 20. Zagreb
+385 1 3745219
+385 98 9479957
[email protected]
www.markotadic.blogspot.com
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detalj / detail
Kuverte, 2008., kombinirana tehnika, 200 x 400 cm / vlasništvo autora
The Second Moon, 2011., crteži na papiru (A4) / vlasništvo autora
Envelopes, 2008., combined technique, 200 x 400 cm / property of the author
The Second Moon, 2011., drawings on paper (A4) / property of the author
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The Second Moon, 2011., crteži na papiru (A4)
The Second Moon, 2011., drawings on paper (A4)
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Kuverte, 2008., kombinirana tehnika, 200 x 400 cm
Envelopes, 2008., combined technique, 200 x 400 cm
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Ministry of Culture
of Republic of Armenia
34
Izdavač / Publisher
Galerija likovnih umjetnosti, Osijek /
Gallery of Fine Arts, Osijek
Europska avenija 9
31000 Osijek, Hrvatska / Croatia
Tel: +385(0)31 251 280
Fax: +385(0) 31 251 281
[email protected]
www.gluo.hr
Za izdavača / For the publisher
Vlastimir Kusik
Predgovor / Foreword
Božidar Zrinski,
Umjetnički direktor 28. grafičkog biennala, Ljubljana
Art director of the 28th Biennial of Graphic Arts, Ljubljana
Urednica / Editor
Jasminka Najcer Sabljak
Kustosi / Curators
Božidar Zrinski
Jasminka Najcer Sabljak
Dizajn kataloga, plakata i pozivnice / Catalogue, poster and invitation designer
Jelena Kovačević i Ines Matijević Cakić
Fotografije / Photographs
Davorin Palijan
Luciano Bibulich (str. 7 i 8)
Iva Kovač (str. 15,16 i 17)
Kristina Lenard (str. 11,12 i 13)
Ana Šerić Kuhinja (str. 24)
Prijevod s hrvatskog na engleski / Croatian to English translation
Stephanie Jug
Sonja Novak
Prijevod sa slovenskog na hrvatski / Slovenian to Croatian translation
Ana Mihelić
Lektura / Proof reading
Dijana Stanić-Rešicki
Edukativni program / Educational programme
Leonilda Conti Ribić
Tehnika / Technical support
Tihomir Ferlin
Mirsad Bećarević
Ranko Lalić
Tisak / Print
Grafika Osijek d.o.o.
Naklada / Circulation
300
Zahvaljujemo Muzeju Slavonije Osijek na ustupanju muzejskih predmeta za postav.
We kindly thank the Museum of Slavonija in Osijek for the ceded museum exhibits.
Izložba realizirana sredstvima Ministarstva kulture Republike Hrvatske, Osječko - baranjske županije i Grada Osijeka.
The exhibition has been realized through the support of the Ministry of Culture of the Republic of Croatia, Osijek - Baranja County and the City of Osijek.
ISBN 978-953-6695-62-1
35
V. DANI GRAFIKE
U GALERIJI LIKOVNIH UMJETNOSTI, OSIJEK
17. 2. - 30. 3. 2011.
17. veljače u 19 sati
Hrvatski umjetnici na 28. grafičkom biennalu u Ljubljani
skupna izložba
17. veljače u 19.30 sati
RAZGOVOR I PREDAVANJE
Grafički biennale u Ljubljani i hrvatski umjetnici
razgovor i predavanje Božidara Zrinskog, kustosa MGLC-a, Ljubljana
8. ožujka u 12 sati
Restauracija grafika iz fundusa GLUO
predavanje Sandre Juranić, Hrvatski restauratorski zavod, Zagreb
veljača - ožujak od 9 do 14 sati
GRAFIČKE RADIONICE
Grafika u pokretu - eksperimenti s reproduktibilnim tehnikama