1098.2.27
26-05-2014
13:56
Pagina 1
Elisabetta Barizza
Marco Falsetti
Roma e l’eredità
di Louis I. Kahn
Presentazione di Giuseppe Strappa
Roma e l’eredità di Louis I. Kahn
Marco Falsetti, architetto, è dottorando in Architettura e costruzione all’Università degli Studi di Roma “Sapienza”. È assistant
editor della rivista U+D urbanform and design.
E. BARIZZA, M. FALSETTI
Elisabetta Barizza, architetto e docente di Storia dell’arte e disegno, è attualmente impegnata in attività di ricerca quale dottoranda in Architettura e costruzione all’Università degli Studi di Roma
“Sapienza”.
1098.2.27
Dopo un lungo periodo di silenzio critico, si sta assistendo, in
questi anni, a un rinnovato e crescente interesse per l’opera di Louis
I. Kahn, riconosciuta come vero atto di rifondazione dell’architettura occidentale.
La fine dei CIAM, il crepuscolo dei “maestri” (Le Corbusier, Gropius, Mies van der Rohe) e la nascita di movimenti radicali e innovatori sono alcune delle circostanze che hanno contribuito, negli
anni Sessanta, ad accelerare una svolta epocale percepita da più
parti come inevitabile. E tuttavia è Kahn l’elemento che ha catalizzato ed espresso tali istanze di cambiamento, segnando la fine del
moderno e aprendo le porte a nuove, fertili strade.
Una prima fase dell’odierna riscoperta, legata soprattutto alle vicende umane dell’architetto americano, è stata inaugurata nel
2003 dall’uscita del film My Architect, del figlio Nathaniel. A questo evento mediatico hanno fatto eco pubblicazioni e retrospettive
che hanno indagato, a vari livelli, molti aspetti della sua opera e
proposto, a volte, nuove letture.
Per contro, paradossalmente, è stato poco indagato il suo intenso
scambio con Roma, città che lo ha affascinato con le sue potenti rovine e che si è rivelata determinante per il suo nuovo modo di progettare. Roma ha, infatti, influenzato enormemente Louis Kahn il
quale, a sua volta, ha condizionato in maniera durevole un’intera
generazione di architetti romani.
Roma e l’eredità di Louis I. Kahn si pone l’obiettivo di far luce,
grazie anche alle testimonianze di alcuni protagonisti di quella tumultuosa stagione, su un rapporto complesso e sorprendente, sul
quale appare indispensabile riflettere in un momento in cui le fondamentali questioni che l’architettura di Kahn continua a sollevare,
a distanza di 40 anni dalla morte, sono ritenute di inalterata attualità da una vasta schiera di progettisti e di studiosi di tutto il mondo.
FrancoAngeli
La passione per le conoscenze
Nuova serie di architettura
FRANCOANGELI
Lettura e progetto
Lettura e progetto
Informazioni per il lettore
Questo file PDF è una versione gratuita di sole 20 pagine ed è leggibile con
La versione completa dell’e-book (a pagamento) è leggibile con Adobe
Digital Editions. Per tutte le informazioni sulle condizioni dei nostri e-book
(con quali dispositivi leggerli e quali funzioni sono consentite) consulta
cliccando qui le nostre F.A.Q.
LETTURA E PROGETTO
Serie diretta da Giuseppe Strappa
Comitato scientifico: Michael Conzen, Claudio D’Amato,
Jean-François Lejeune, Franco Purini, Ivor Samuels
Nel campo, ormai vastissimo, dell’editoria d’architettura questa nuova serie di
pubblicazioni intende ritagliare un proprio spazio specifico proponendo ai lettori saggi, ricerche, riflessioni su temi di architettura legati allo studio del costruito e agli strumenti progettuali che dalla sua lettura derivano.
L’architettura è, oggi, un universo in movimento che contiene molte, diverse
accezioni del termine “progettare”. Buona parte di essa, quella che occupa maggiore spazio nella pubblicistica, sembra essersi progressivamente distaccata dai
temi più urgenti della costruzione della città reale, per indagare problemi legati
alle arti visive e alla comunicazione, al mercato e al consumo dell’immagine.
D’altra parte, nel clima che questa condizione provoca, nell’ansia di diversità, i
progetti contemporanei finiscono, quasi sempre, per essere tutti somiglianti tra
loro senza che alcun principio comune ne motivi la trasformazione, come una
rivoluzione che abbia dimenticato, nella preoccupazione del cambiamento, la
spiegazione dei propri fini. Sottraendosi alla vasta deriva di un’interpretazione
individualistica dell’espressione architettonica, la serie intende proporre quegli
studi che si sono posti in modo significativo il problema del rapporto concreto
con l’esistente: con le trasformazioni della città contemporanea, con i tessuti
consolidati studiati nei loro processi formativi, con il territorio letto, pur tra le
molte contraddizioni, come espressione collettiva e fondamentalmente architettonica. Intende presentare, in breve, sudi sull’architettura considerata nel suo
significato civile.
Un secondo aspetto che individuerà i volumi della serie sarà il loro rapporto con
le attuali condizioni di crisi della città e del territorio. In pochi periodi della storia dell’architettura come il nostro si riscontra un’accettazione tanto acritica delle condizioni che determinano la costruzione dell’architettura. Il problema investe anche evidenti questioni di linguaggio: ci avviamo verso l’impiego di una
lingua metastorica e senza luogo, semplificata, asettica, cava. Un processo in
larga parte dovuto all’enorme dilapidazione di risorse che caratterizza le società
del mondo occidentale, all’affrancamento dai vincoli di elementare necessità tra
le cose, che ha finito col rendere illeggibili le vere diversità, i rapporti di congruenza tra gli elementi che compongono un edificio, un aggregato edilizio, una
città, un territorio. Per questo la serie comprenderà anche studi sul buon uso delle risorse, sul ruolo fondante della giusta proporzione tra mezzi impiegati e fini
da raggiungere, ricerche su organismi architettonici e urbani formatisi attraverso
processi di correzioni e aggiornamenti continui i quali testimoniano come l’uso
sapiente ed equilibrato delle risorse produca vera innovazione, e anche bellezza.
Tutti i lavori pubblicati nella serie sono sottoposti a un processo di double blind
peer review.
,QTXHVWa serie:
1. G. Strappa (a cura di), Studi sulla periferia est di Roma (2012)
2. M. Maretto, Saverio Muratori. Il progetto della città/A legacy in urban design
(2012)
3. M.R.G. Conzen, L’analisi della forma urbana. Alnwick, Northumberland. Edizione
italiana a cura di Giancarlo Cataldi, Gian Luigi Maffei, Marco Maretto, Nicola
Marzot, Giuseppe Strappa (2012)
Elisabetta Barizza
Marco Falsetti
Roma e l’eredità
di Louis I. Kahn
Presentazione di Giuseppe Strappa
Nuova serie di architettura
FRANCOANGELI
Il volume è stato pubblicato con il contributo del Dipartimento di Architettura e progetto
(Diap) dell’Università degli Studi di Roma “Sapienza”.
L’editore e gli autori ringraziano i proprietari delle immagini riprodotte nel presente volume per
la concessione dei diritti di riproduzione. Si scusano per eventuali omissioni o errori di citazione. Assicurano di apportare le dovute correzioni nelle prossime ristampe in caso di cortese segnalazione.
In copertina: Louis I. Kahn, pianta della piazza della Midtown development city tower.
Philadelphia, Pa (1952-1957).
Copyright © 2014 by FrancoAngeli s.r.l., Milano, Italy.
L’opera, comprese tutte le sue parti, è tutelata dalla legge sul diritto d’autore. L’Utente nel momento in cui
effettua il download dell’opera accetta tutte le condizioni della licenza d’uso dell’opera previste e comunicate sul sito www.francoangeli.it.
Indice
,O¿ORURVVRFKHOHJDOHFRVHGLGiuseppe Strappa
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0\IDWKHUDQGDGD\LQ5RPHGLSue Ann Kahn
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Lettera da Roma
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Kahn e il lascito di Roma
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Parte I
Roma e Kahn
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Let me show you my Rome
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Kahn e Roma
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