BIOTOUCH PIGMENTS
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For hair strokes, use one shade darker than the blended colour.
Never mix one manufacturer brand with another brand. All Biotouch pigments can be mixed
together. To prevent brow pigment fading over time to orange, pink or purple, add a drop of
Taupe, Olive or Purple Corrector.
For eye liner, eye shadow, lips and areola, add Orange or Strawberry to prevent pigments fading
to blue over time, except when using pre-mixed (ML) or double drop (DD) pigments in which
case Blue Corrector is the offset. For olive skinned clients, use Japanese Red (never Orange or
Strawberry) to cancel blue undertones.
BROWS, EYE LINER & EYE SHADOW
Chocolate Brown (MP)
Brows: For Asian, African American, Latino or clients with an olive
complexion. Mix with Light Brown for a softer look. Add Red or Orange as an
offset to prevent any grey/blue tones.
Eye liner: Use on clients with grey eyes who want a soft look.
Coffee Bean (DD)
Brows: A medium brown for clients with auburn, red or light to medium brown
hair colour. If needed, neutralize with Olive.
Dark Brown (MP)
Brows: Dark Brown has an ash base & is lighter than Chocolate Brown. Good
for all skin tones. Mostly used on Asian, Latino and olive complexioned clients.
Add Orange or Light Brown to effect a more natural look.
Deep Brown (DD)
Brows: A deep rich brown good for Fitzpatrick 4 - 6 skin tones.
Eyeliner: Use with Midnight Black for a natural, very dark brown eyeliner.
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MP = regular concentrate; DD = double the concentration of pigment, ML = Magic Line or pre-mixed.
Espresso (DD)
Brows & Areola: A very dark, rich brown for Fitzpatrick 4 -6 skin tones. Add
Orange to prevent colour healing too dark.
Eyeliner: Mix with Black for dark brown eyeliner.
Brown (MP)
Brows: Brown has a warm, red tone and is good for clients with red hair. If the
client’s complexion has a lot of yellow, this pigment will come up warm brown.
Golden Brown (DD)
Brows: The lightest brown available in Double Drop, good for Fitzpatrick 1 - 2
skin tones. Add Taupe as an offset colour to prevent pigment fading to orange.
Light Brown (MP)
Brows: Gold base, good for Fitzpatrick 1 – 3 skin tones. Add Yellow or Taupe
for a more blonde look. Mix Light Brown with Grey 4:1 for clients with salt &
pepper hair.
Mocha (DD)
Brows: A dark blonde color good for Fitzpatrick 1 – 3 skin tones. Mix with
Purple Corrector or Olive to create an ash base.
Raisin (DD)
Brows: A red-based brown.
Lips or areola: Add Rose Red for a neutral colour or Blush for a darker value.
Taupe (MP)
Brows: Yellow-based pigment for blondes with Fitzpatrick 1 -2 skin tones.
Gray (MP)
Brows: For clients with salt & pepper hair colour. To lighten, add Taupe or
Light Brown. To darken for Asian clients, add Dark Brown.
Eyeliner: For S&P hair colour and blue or hazel eyes, apply Gray on the bottom
lid and Gray mixed with Black on the top lid 1:1.
Blue (MP)
Shadow: Mix with Gray or Taupe and add on top of black eyeliner for a soft
blue shadow.
Green (MP)
Eyeliner: For clients with green eyes, mix with True Black or Espresso.
Shadow: Mix with Taupe, Gray or Brown for different tones of green.
Black (MP)
Eyeliner: A soft black eyeliner. Add Orange or Blue Corrector to prevent the
pigment fading to blue over time.
Jet Black (MP)
Liner: Carbon based, the blackest black. Add Orange or Red to prevent the
pigment fading to blue over time. For a soft black eyeliner mix one drop of Jet
Black + one drop of Midnight Black + one drop of Fire Red.
Midnight Black (DD)
Eyeliner: Needs Fire Red to maintain true color. For clients who want a soft
black eyeliner.
True Black (ML)
Brows: Add orange for clients who have naturally black brows and only need a
little feathering.
Eyeliner: A pre-mixed pigment offering a black matte eyeliner. Add blue brow
corrector as an offset.
Wet Black (ML)
Eyeliner: Pre-mixed pigment offers a glossy wet look.
LIPS & AREOLA (in addition to Raisin & Expresso above)
For eye liner, shadow, lips and areola, add Orange or Strawberry to prevent pigments fading to
blue over time, except when using pre-mixed (ML) or double drop (DD) pigments in which
case Blue Corrector is the offset. For olive skinned clients, use Japanese Red (never Orange or
Strawberry) to cancel blue undertones.
Blush (DD)
Lips and areola: An earthy red pigment. To soften, mix with Rose Red; darken
with Mystic Red or Raisin; lighten with Skin, Beige or Magic Colour
Rose Red (MP)
Lips and areola: neutral soft rose pigment good for Fitzpatrick 1-3 skin tones.
Mix with Skin to soften; enrich with Pink Mauve; darken with Mystic Red.
Japanese Red (MP)
Neutral red. Soften with Skin; darken with Dark Red; or try highlighting pout
area with Hot Pink.
Mystic Red (DD)
For lips and areola: An earthy brick pigment for Fitzpatrick 4 – 6 skin tones.
Lighten with Rose Red. Add Orange to neutralize blue undertone.
Real Red (MP)
True red. To maintain brightness on darker skin tones, add Orange.
Red Wine(MP)
A dark Mauve needs Orange to ensure pigment won’t be too dark..
Dark Red (MP)
Dark earthy red. On clients with darker skin tones, add Orange to prevent
pigment fading to blue over time.
Pink Mauve (MP)
Soft pink lip for Fitzpatrick 1 -3 skin tones. Add White (with caution) for a
brighter pink or to highlight pout area.
Strawberry (DD)
Lips: A rich, coral color. Ideal for clients who love orange, bronze and similar
colours.
Corrector: Very good blue lips’ corrector. Use alone on blue black lip area or
mix with other lip pigments.
Burgundy (MP)
A deep berry lip color. Add Strawberry to prevent from turning to blue on
darker skin tones.
Sunset Orange (MP)
A soft orange red lip color.
Fire Red (DD)
An intense and vibrant red for a range of skin tones, from light to dark. Add
Orange to maintain brightness on darker skin tones.
Cranberry (DD)
A dark berry color. Add Strawberry to neutralize blue tones.
Pink (DD)
A soft, gentle pink that will fade to a very natural, almost nude shade. Mix with
Rose Red for added depth.
Hot Pink (DD)
Goes on bright but softens to true pink. Mix with Japanese Red for added
vibrancy and fade resistance.
CORRECTORS (in addition to Strawberry above)
Yellow (MP)
Lightens dark brown colors for example brows that are too dark.
Taupe (MP)
Neutralizes darker values of orange, pink or purple brows. Mix with brown
colors to prevent color changes.
Olive (MP)
Neutralizes lighter values of orange, pink or purple or mix with brown pigments
to prevent pigments turning orange, pink or purple over time.
Purple Corrector (ML)
Corrects orange, pink or purple brows. Mix with brown colors to prevent
pigment changing to orange, pink or purple.
Orange (MP)
For very black, dark blue or dark grey lip correction. Neutralizes dark blue and
dark gray on brows as well. For brows, dilute with 10-20 drops of water. Add to
Black as an offset colour to prevent eyeliner fading to blue over time.
Blue Brow Neutralizer (MP)
Lightens and neutralizes blue-gray brows. Also lightens lip and areola colours.
Blue Brow Corrector (ML)
Use to correct blue, gray or green-blue brows. After correction, the brow will
turn a brown shade.
Blue Lip Corrector (ML)
Use on top of blue or brown area to neutralize. Can be used alone or mixed
with other lip pigments on darker skin tones to prevent colour fading to blue
over time. Blue Lip Corrector is not strong enough to correct very dark lips.
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We have KolorSource Fade for brows that are too dark for an effective correction. Use the Fade 3 times every six weeks, and then perform correction or
camouflage.
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Beige (MP)
For lighter skin tones, camouflage small mistakes (dilute with water 1:1. Darken
by mixing with Skin, Taupe or Magic Colour to match client’s skin tone.
Skin (DD)
A flesh color used to lighten and soften lip and areola pigment colors and to
camouflage light scars or light brow and lip mistakes. Dilute with water. Mix
with Beige or Taupe to match skin tones.
Magic Color (ML)
Use alone or mix with Beige or Taupe to match skin tones. Blends well and
leaves NO RESIDUE. Good camouflage for al procedures including scars.
White (MP)
Lighten lip colors (use with caution). Do not mix with brow colors and never
use alone