The modern period: The Renaissance Background Socially, broke up feudal relations, established the foundations of capitalism. Economy developed quickly; politically absolute monarchy was formed; king broke up with Pope; culturally, great changes happened, free ideas; reason\nationality (opposed to medieval age); personality, freedom, dignity, potential Definition of the Renaissance meaning “rebirth”, rebirth of letters, is applied to the movement or period which marks the transition from the medieval to the modern world in western Europe. It first sprang in Italy, then spread all over Europe. The new humanistic learning which resulted from the rediscovery of classical literature is frequently taken as the beginning of the Renaissance on its conscious, intellectual side, since people of Renaissance turned to the treasures of classical culture and the authority of classical writers for inspiration. Features of Renaissance It has two striking features: one is a thirsty curiosity for classical literature; the other is the keen interest in life and human activities. People ceased to look upon themselves as living only for God and for a future world. Humanism Broadly, this term suggests any attitude which tends to exalt the human element or stress the importance of human interests, as opposed to the supernatural, divine elements, or as opposed to the grosser, animal elements. In a more specific sense, it suggests a devotion to those studies supposed to promote human culture most effectively, in particular, those dealing with life, thought, language, and literature. Humanism is the key-note of the Renaissance. William Shakespeare (1564-1616) Elizabethan playwright, poet, professional actor and businessman Considered greatest writer in English, if not in any language Writes historical plays, romances, and comedies Writes on the human condition Hamlet Hamlet Soliloquy in Hamlet ● ● ● Soliloquy: or monologue, a dramatic speech delivered by one character speaking aloud while under the impression of being alone. The soliloquist thus reveals his or her inner thoughts and feelings to the audience, either in supposed self-communion or in a consciously direct address. It is also known as interior monologue.内心独白 For such a figure as Hamlet, soliloquy is a natural medium, a necessary release of his anguish; and some of his questioning monologues possess surpassing power and insight, which have survived centuries of being torn from their context. The most famous soliloquy is perhaps “to be or not to be” in Act III, Scene I, Hamlet. To be or Not to Be ● Functions of the soliloquy: – – ● 1) to give expression to a complicated state of mind and feeling of a character 2) to provide a point of view on the events of the play. Main Idea: – This is an internal philosophical debate on the advantages and disadvantages of existence, and whether it is one's right to end his or her own life. It presents a most logical and powerful examination of the theme of the moral legitimacy of suicide in an unbearably painful world. To be or not to be Argumentative Structure question raised→reasons given and choice made→choice rejected→suspended 1. To die or not to die: 2. To die: death---sleep---dream (unreal) 3. Not to die: world of the dead unknown 4. Undecided Theme ● Hamlet Shakespeare retained the revenge subject and the subject of struggle for the throne within the court, but the main purpose was for the revelation of something more profound and realistic: contradiction between humanist ideals and the reality. To be or not to be The main idea ● The speech conveys a sense of world-weariness as well as the author’s incisive comments on the social reality of his time. Unlike the earlier single-minded avengers, Hamlet lives between action and resolution. He is so contemplative that he examines the nature of the action only to deny its possibility. He considers it better for people to die, but then says nobody knows what happens in the afterlife. • Hamlet is generally regarded as the greatest of all tragedies. The tragedy is a milestone in Shakespeare's dramatic development The main idea: the playwright achieved artistic maturity in this work through his brilliant depiction of the hero's struggle with two opposing forces: moral integrity and the need to avenge his father's murder. It emphasized the hero's dilemma rather than the depiction of bloody deeds. . Hamlet Character study of Hamlet: 1. 2. 1. Intellectual genius: 1) a great observer----well aware of the evil of the time: “Time is out of joint.” “Denmark is a prison.” In his monologue he enlists all kinds of social injustice and evils in the society. ‘Tis an unweeded garden/ That grows to seed; things rank and gross in nature/ Possess it merely. 那是一个荒芜不治的花园,长满了恶毒的莠草 Hamlet Character study of Hamlet: 2) an idealist thinker --- capable of calculated cruelty and intrigue; rather than an active avenger or reformer, subject to inactivity or impulsive rashness 2. Melancholy resist /die or not feeling of world weariness, a sea of troubles unable to change the situation • The cast of Hamlet’s mind is so speculative, so questioning, and so contemplative. Hamlet’s Character Hamlet Character study of Hamlet: ● 3. hesitation/delay: how he links the personal revenge with the responsibility of social change, and how he contemplates and hesitates confronted by the distance between ideal and reality. He hesitates again and again, his tragedy is one of the time. Hamlet Character study of Hamlet: 4.humanist: university student with the most progressive ideal of humanism, prince of Denmark and heir to the throne. His praise of man and human nature is a manifestation against the supernatural power/divinity, and against the old doctrine that man was born evil and must suffer in the world, and against the feudal religious system. Hamlet The master art: ● ● ● ● ● ● madness real and sham; intentional killing and unintentional; play within the play; reversion or surprise turn of events; hesitation: his love and hatred for the mother, killing and delay; the language and characterization, etc. His achievements 1. success in character-creations: a) typical characters under typical circumstances. Have some common features but there are striking differences from each other. b) used contrast to give characters greater vividness c) emphasis on the psychological make-up of his major characters, thinking process in a detailed, analytical way, like soliloquies and undertones in dialogue. 2. Plot construction His achievements 3. His language freedom, ease. All the speeches fit all the characters who speak them. Large vocabulary, skilful in forming new expressions out of common words; different writing style—sonnets, blank verse, rhymed couplet, song
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