Leaf Credo WS Good to Know Facts The new Leaf Credo WS backs are available in 80 and 60 megapixels and in both Mamiya and V mounts. They deliver the renowned image quality of the standard Leaf Credo back but extend their capability by enabling you to capture a wider light spectrum. This document covers the basic guidelines for using Credo WS backs. Spectrum and Wavelengths — Basic Numbers (approximate, in nanometers) 380-740 nm: Visible light 740 -1,400 nm: Near Infrared (NIR) 350-380 nm Ultraviolet Most digital cameras and sensors are designed to emulate and record what the human eye sees and thus incorporates an IR+UV cut filter that prevents Infrared and Ultraviolet light from being recorded. Typically, the sensitivity of the sensor can be described using the Quantum Efficiency vs Wavelength chart (see Image 1). The green section represents what a standard Credo back records. Image 1: QE vs. Wavelength Standard Credo On Leaf Credo WS backs, we have replaced the IR+UV cut filter with a “plain” glass filter, which allows the sensor to record from 380 nm to about 1,100 nm: 2 Image 2: QE Vs Wavelength Credo WS And this is what a Leaf Credo WS back records when using a 720 nm pass filter: Filters External filters can be utilized to selectively block specific wavelengths and let other wavelengths be recorded. These are offered by companies such as B+W, Heliopan, Hoya and Lee and can be purchased from pro camera resellers and online retailers. They are often labeled according to the specific wavelength for example, 720, 780, 830, 950 or 72, 78, 83 etc. 3 Image 3: Leaf Credo 60 WS and a set of ø 72 mm filters. The darker ones are IR pass filters. The majority of the current Mamiya lenses use a ø 72 mm filter. We recommend that you check your lenses before ordering filters. If you buy ø 72 mm filters and you have lenses with a smaller thread you can use an adapter or stepdown ring. However if your lenses are larger then you can consider using larger filters or looking for a universal filter holder and using square filters. Image 4: Lee filter holder and adapter rings © Lee Filters We carry a standard ø 72 mm IR+UV cut filter which you can order from your Mamiya Leaf dealer (Part No. 70720). It will allow you to capture “normal” colors with your Leaf Credo WS back. Below is a comparison of using a Leaf Credo WS with a standard IR+UV cut filter and without. The image on the left was taken with a standard IR+UV cut filter and the one on the right without any filters. 4 Image 5: Using a standard IR+UV cut filter Image 6: Without any filter Applications The most common application for a wide-spectrum camera is landscape photography, where using different filters, such as red, orange or yellow creates false colors and a “dreamy” look. Image 7: Using an R695 filter 5 Image 8: Using an R720 filter There are some scientific applications where high nm IR pass filters are being used and help detecting certain types of diseases in vegetation. Another application is art conservation, where certain types of pigments can be detected in old masters’ paintings and their origins can be traced. 6 Image 9: Using a 950nm filter to reveal hidden layers in paintings (right) Focusing The change in wavelength results in a shift of the focus plane. This means that when you use IR pass filters you have to adjust by focusing a bit closer to compensate for the focus shift. Infrared light creates a slightly different plane of sharpness compared to visible light, so when shooting with a 720 nm filter, you should always manually correct focus. Instead of using the white mark on the lens' focus scale, use the red mark, which is found on most Mamiya lenses. Image 10: Red IR focusing mark on Mamiya Sekor 80mm /f2.8 LS D lens 7 Live View The Live View function on Leaf Credo backs helps you to adjust focus accurately, whether you are shooting tethered in the studio or out on location. When shooting under bright sunlight conditions, many Leaf Credo users find neutral density filters to be helpful in cutting some of the light when framing or focusing in Live View. In the case of the Leaf Credo Ws, the dark IR pass filters serves as neutral density filters and helps focusing in bright sunlight. Exposure By using IR pass filters, you are essentially blocking longer wavelengths from being recorded; as a result the red channel can be overexposed. To properly set exposure when shooting with a Leaf Credo WS back, it is important to pay attention to what the histogram says and compensate by using a smaller aperture, lower ISO, higher shutter speed or adjust the EV compensation on the body. If you use other filters (e.g. blue) you should follow the same practice. The high dynamic range of the back allows you to recover shadow detail if necessary. Image 11: An Overexposed Red Channel Image 12: Properly Exposed Histogram On the back’s LCD you can use the full screen mode of the histogram to view the separate channels: Image 13: Full Screen View of the Histogram on the LCD 8 Differentiating between a WS back and a standard Credo back The glass filter that covers the sensor on WS backs has a different color compared to the one on a standard Credo back, which has a slight blue-green tint to it. Image 13: Physical difference between the Credo WS and the standard Credo 9
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