feature Making History: First Play in English Treads the Boards in Beijing text by Daragh Moller, photos courtesy of Tong Li The Power, a two-act play by Tong Li (Li is his surname), which will premiere at the Century Theatre on August 26, will be the first major professionally produced play written, acted and directed in the English language in Beijing. “It seems incredible, but it’s absolutely true,” Li said during a break in rehearsals in Beijing in July. Li is also director of Noble Theater Bridge, the US-based production company that is funding the play in Beijing. “It struck me as a great opportunity to show foreign visitors to Beijing some of China’s fascinating history,” Li says. The Power swing’s back hundreds of years to the romantic historical setting of the Tang 24 BEIJING THIS MONTH Dynasty (AD 618-907), a period most likely unfamiliar to the city’s 200,000 or so foreign residents and certainly completely unknown to the majority of the 2.5 million tourists that visit China each year. The Power is set during a golden age of literature and art and is concerned with the myriad tangles of love, power and tragedy in the lives of a Chinese emperor, his son and a woman they both love. Known by the name Li Shimin, Emperor Taizong, who ruled for 23 years in AD 626-649, and who was considered one of the greatest of China’s legendary emperors, is the play’s central character. Taizong’s acquisition of power was swift and merciless. Despairing of his father’s incompetence as emperor and fed up with the constant threats against him by his brothers, Taizong launched a coup at the Xuanwumen Gate in Chang’an City north of Xi’an, Shaanxi. The result brought the death of his brothers and the forced abdication of the emperor. This ruthless taking of power creates an historical setting for Li’s play. And so the play: On witnessing the murder of her brother, a young princess brings to safety a son her brother is survived by. Grown up, the boy, Prince Zhi, returns to court to avenge his father’s death, the only son of a liaison between Emperor Taizong and Dai, his mother, an imperial concubine. The emperor has since moved on to younger and sweeter things and has fallen for Mei Niang, one of his many imperial “talent” ladies. Unluckily, Prince Zhi, the only heir to the throne, also loves the young beauty. But after saving the emperor from a conspiracy to kill him, Mei Niang is caught redhanded with the young prince in her bed by the emperor. What does the emperor do? Who does he blame and who does he kill-the woman he loves or his only heir? The premiere production of The Power, directed by Elena Manuela Araoz, a New York director of theatre and opera, will use Chinese actors speaking in English. Araoz has directed Shakespeare’s Titus Andronicus and Euripides, Medea and Mozart’s Cosi Fan Tutte and Verdi’s Falstaff. She was also assistant director on Jonathan Miller’s Broadway production of King Lear, starring Christopher Plummer. Other seasoned professionals include Chinese actor Fan He playing Emperor Taizong and Australian movie star Nina Liu as Mei Niang and the concubine Dai, while Gaowei Qu plays the part of Prince Zhi, Emperor Taizong’s son. august 2005 25
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