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Theatre Performance E D U C A T I O N SDP315110: TQA Level 3, Size Value = 15 THE COURSE DOCUMENT This document contains the following sections: LEARNING STATEMENT ............................................................................................................................. 1 COURSE SIZE AND COMPLEXITY ............................................................................................................. 2 COURSE DESCRIPTION ............................................................................................................................. 2 DELIVERY REQUIREMENT ......................................................................................................................... 2 LEARNING OUTCOMES .............................................................................................................................. 2 COURSE CONTENT .................................................................................................................................... 3 WORK REQUIREMENTS .............................................................................................................. 5 ASSESSMENT .............................................................................................................................................. 5 QUALITY ASSURANCE PROCESSES ......................................................................................... 6 EXTERNAL ASSESSMENT REQUIREMENTS ............................................................................. 6 CRITERIA ....................................................................................................................................... 7 STANDARDS .................................................................................................................................. 8 QUALIFICATIONS AVAILABLE .................................................................................................. 17 AWARD REQUIREMENTS .......................................................................................................... 18 COURSE EVALUATION ............................................................................................................................. 18 COURSE DEVELOPER .............................................................................................................................. 18 ACCREDITATION ....................................................................................................................................... 18 VERSION HISTORY ................................................................................................................................... 18 LEARNING STATEMENT The creative arts encompass a rich tapestry of creative endeavour across a wide variety of visual and performing arts courses and are an integral and essential component of education. Through undertaking learning in the creative arts, students develop skills, knowledge and understanding that will enable them to: communicate and cooperate with others; adapt to change; and develop strategies for personal growth. Arts education develops people who are resilient, creative, versatile and self-assured. Through the study of the creative arts, students learn to express themselves in varied and original ways. They acquire new skills and learn specialised techniques. At the same time they have the opportunity to engage in creative decision-making processes. Students will also examine the impact of new technologies and techniques in their chosen field of specialisation and consider these in the context of the contemporary arts. Study of arts is a significant means of defining Australian culture and, by their unique nature, the arts enrich the lives of all in our society. A knowledge and understanding of the arts will enable students to participate more effectively in, and contribute to, the diverse aspects of Australian cultural life. © Copyright for part(s) of this document may be held by individuals or organisations other than the TQA Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 2 Theatre Performance TQA 3 COURSE SIZE AND COMPLEXITY This course has been assessed as having a complexity level of TQA level 3. At TQA level 3, the student is expected to acquire a combination of theoretical and/or technical and factual knowledge and skills and use judgment when varying procedures to deal with unusual or unexpected aspects that may arise. Some skills in organising self and others are expected. TQA level 3 is a standard suitable to prepare students for further study at the tertiar y level. VET competencies at this level are often those characteristic of an AQF Certificate III. The TQA level 3 course has a size value of 15. COURSE DESCRIPTION This course is designed to provide students with practical and creative opportunities to ac quire skills, knowledge, understanding and experience. The course encompasses a comprehensive programme of theatre performance. Working individually and as a member of a group, students present polished performances and dramatic monologues to a variety of audiences. Vocal skills are developed and students explore a range of texts and dramatic techniques. Live theatre performances are attended and critically analysed. Within the context of these various studies students are expected to operate as much as possible like members of a theatre company, while teachers operate much like directors. DELIVERY REQUIREMENT Due to the significance placed on ensemble work a minimum of three (3) students is required for a provider to offer this course. A group of at least three candidates is required for external assessment purposes. LEARNING OUTCOMES In studying Theatre Performance students will develop: • skills, knowledge and understanding that will enable them to work together as a company on a public performance season and the presentation of drama works to an audience • skills, knowledge and understanding of the elements of drama (voice, movement, improvisation, role play and ensemble) • knowledge and understanding of theatre habits, etiquette and methods • skills, knowledge and understanding regarding the development of characterisation • skills, knowledge and understanding of the range of activities and processes that constitute theatrical practice • skills in communicating ideas and information, selecting and using technologies, planning, organising and completing activities, • working effectively as an individual, with others and in ensembles • knowledge and understanding of historical context, genre and style of drama works • skills, knowledge and understanding that will enable them to observe, critically appraise theatrical works and reflect upon the drama works and performances of themselves and others. Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 3 Theatre Performance TQA 3 COURSE CONTENT The intention in the course is for a whole class to work together on TWO public performance seasons, one performance of which will be externally assessed. Ideally, the class will present one full length play but, given the difficulties in matching available performers to an appropriate script, it is equally acceptable to present two or even three short plays, or even a compilation performance of scenes from different plays all by, for example, the same author, or all linked in some other way. The important feature is that it is a single performance and that it operates as part of a public performance season. Normal theatre habits, etiquette and methods of operation will apply: • the teacher is expected to operate as a director • the class is expected to operate as much like a theatre company as possible. Through studying this course students will explore and experiment with the elements of drama: • voice • physical characterisation • improvisation • role play • ensemble. Special emphasis is placed on: • development of character and written detailed reflection of process • demonstration of individual and ensemble performance skills • making and creating theatre works • presenting theatrical performances • research to develop an understanding of past and present contexts • engaging in arts criticism and aesthetics and apply learning to performance • recorded personal reflection • critical analysis of theatrical productions in order to increase their repertoire of sources for their own performances CHARACTERISATION The development of characterisation through research, analysis and reflection during the rehearsal process including: • the contribution of costume and personal properties to the development of role • the individual role within the context of the wider production • relevant historical, social, genre or thematic contexts • physical and vocal techniques appropriate to character • intellectual understanding of motivation and intention of character within a production. Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 4 Theatre Performance TQA 3 PERFORMANCE SKILLS The development of core skills in voice, movement, improvisation, role play and ensemble playing, including: • voice: the selection and use of aspects of vocal technique as a means of interpretation and communication for a range of purposes and effects; • movement: the development and use of movement skills in developing and refining physicalisation of character and character relationships; • improvisation: the use of improvisation for a variety of purposes including exploration of character, text and sub-text; • role: the development of character using credible dialogue, timing and physicalisation in the role throughout the drama; and • ensemble: the ability to participate generously as a member of an ensemble, with sensitivity to the needs of the group in performance. MAKING AND CREATING Using skills, techniques and processes to explore and communicate ideas in a drama form, including: • the use of imagination and initiative in contributing to the group goal • the manipulation of text and sub-text to interpret and communicate a particular intention • the ability to recognise and work within different styles or genres Elizabethan) (for example, absurdism, • an exploration of ways of communicating meaning through the manipulation of appropriate elements of stagecraft • the development of skills in ensemble playing with sensitivity to the needs of the group drama. PERFORMING AND PRESENTING The presentation of polished theatrical performance works to an appropriate audience, involving: • accurately memorised text • well-prepared and confident presentation of individual work to audiences • well-prepared and confident participation in group dramatic presentations • the control of performance techniques to sustain belief for a variety of audiences in conventional, found or improvised performance spaces • the development of an understanding of audience/performer dynamics. HISTORICAL CONTEXT, GENRE AND STYLE The ability to identify, explore and discuss theatre from different cultures and contexts, including: • the exploration in practice of the way drama can change, shape and be influenced by past and present contexts • appropriate style used to present genre of production. ARTS CRITICISM AND AESTHETICS The ability to observe, identify, discuss and research the student's own work and the work of others, including: • a critical examination of the meanings and values associated with particular theatre experiences • the identification and discussion of artistic choices in practice Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 5 Theatre Performance TQA 3 • the ability to place the discussion in the wider context of theatre as an art form • the ability to build an understanding, through analysis, of other performers and performances to use in the development of their own skills and theatre works • both written and verbal analysis of theatrical experiences. PERSONAL REFLECTION The ability to reflect and comment on personal theatre experiences, including: • recording and reflecting on the processes and outcomes of theatrical tasks • the ability to identify, comment on and analyse aspects of theatre experiences and tasks in a formal written tasks • the documentation and demonstration of an understanding of the processes involved in creating, making and presenting theatrical tasks • the completion of two individual reflective studies (IRS) based of the two public play productions undertaken throughout the year. WORK REQUIREMENTS Theatre Performance students will work as an individual, as a member of small groups and a part of two whole class productions to a public audience. Theatre Performance students will participate in a range of practical drama tasks, develop work, both selfdevised and based on text, as an individual and as a member of an ensemble. It is recommended that solo performance work involve at least three performances of a monologue from a published play text for internal assessment over the course of the year. Theatre Performance students will work accurately from memory for all performance work. Theatre Performance students will keep a reflective journal of their learning, performance and theatrical experiences over the year. It is recommended students complete an Individual Reflective Study based on their class major production. A second IRS will be completed for external assessment purposes, which will include a reflection on their exam monologue. Theatre Performance students will undertake a role as part of an ensemble in the rehearsal and performance of two text based productions to a public audience. Theatre Performance students will engage in research of the history of theatrical styles and genres in relation to the texts studied, and demonstrate this understanding through written presentations and practical interpretation. ASSESSMENT Criterion-based assessment is a form of outcomes assessment which identifies the extent of student achievement at an appropriate end-point of study. Although assessment – as part of the learning program - is continuous, much of it is formative, and is done to help students identify what they need to do to attain the maximum benefit from their study of the course. Therefore, assessment for summative TCE reporting should focus on what both teacher and student understand to reflect end point achievement. The primary audience for internal assessment is students and the teacher, but major performance assessment must involve a public audience. The standard of achievement each student attains on each criterion is recorded as a rating ‘A’, ‘B’, or ‘C’, according to the outcomes specified in the standards section of the course. Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 6 Theatre Performance TQA 3 A ‘t’ notation must be used where a student demonstrates any achievement against a criterion less than the standard specified for the ‘C’ rating. The ‘t’ notation sits outside the continuum of ratings and is thus not described in course standards. A ‘z’ notation is to be used where a student provides no evidence of achieve ment at all. Providers offering this course must participate in the quality assurance processes. Internal assessment of all criteria will be made by the provider. Assessment processes must gather evidence that clearly shows the match between individual student performance, the standards of the course and the student’s award. Providers will report the student’s rating for each criterion to the Tasmanian Qualifications Authority. The Tasmanian Qualifications Authority will supervise the external assessment o f designated criteria (*). The ratings obtained from the external assessments will be used in addition to those provided from the provider to determine the final award. QUALITY ASSURANCE PROCESSES The following processes will be facilitated by the TQA to ensure there is: a match between the standards for achievement specified in the course and the standards demonstrated by students community confidence in the integrity and meaning of the qualification. Processes – the Authority gives course providers feedback about any systematic differences in the relationship of their internal and external assessments and, where appropriate, seeks further evidence through audit and requires corrective action in the future. EXTERNAL ASSESSMENT REQUIREMENTS The externally assessed criteria for this course are: 5; 6; 7; & 8. Details regarding the external assessment of this course are given in the TQA’s External Assessment Guidelines document. Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 7 Theatre Performance TQA 3 CRITERIA The assessment for Theatre Performance TQA level 3 will be based on the degree to which the student can: 1. Work as a member of a theatrical ensemble 2. Research and communicate understanding of theatrical practice 3. Demonstrate commitment to rehearsal processes and performance outcomes 4. Use stagecraft to enhance performances. 5. *Use a range of vocal techniques to create and communicate character, mood and meaning 6. *Develop, perform and sustain a range of credible characters 7. *Perform to the public in polished performances 8. *Reflect on the acquisition and employment of knowledge, understanding and skills required for performance 9. Observe, critically appraise and evaluate theatrical performances 10. Demonstrate an understanding of appropriate historical context, genre and style in performances. * = externally assessed criteria Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 8 Theatre Performance TQA 3 STANDARDS CRITERION 1 WORK AS A MEMBER OF A THEATRICAL ENSEMBLE Rating ‘C’ A student can: Rating ‘B’ A student can: listen with respect to others contribute a variety of ideas, processes and outcomes to develop a piece of work cooperate with the teacher/director and members of the ensemble modify own views in order to achieve ensemble outcomes respond willingly to directorial advice actively seek the advice of others undertake the role of actor in a manner appropriate to a theatre company. Tasmanian Qualifications Authority Version 1 listen with respect to others initiate planning and polishing of group work cooperate with the teacher/director and be supportive of members of the ensemble modify own views and contribute solutions to achieve positive ensemble outcomes respond to and use directorial advice to enhance own performances actively seek and respond to the advice of others undertake the role of actor in a manner appropriate to a theatre company and fulfil given expectations on stage. Rating ‘A’ A student can: listen with respect to others lead a group in anticipating and overcoming practical problems cooperate with the teacher/director and be a supportive, contributing member of the ensemble voluntarily modify own views and facilitate collaborative processes to achieve effective ensemble outcomes respectfully contribute ideas and use directorial advice to develop and enhance own performances respect criticism and use feedback from others to develop own work undertake the role of actor in a manner appropriate to a theatre company, fulfil all given expectations on stage and contribute positively to the ensemble. Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 9 Theatre Performance TQA 3 CRITERION 2 RESEARCH AND COMMUNICATE UNDERSTANDING OF THEATRICAL PRACTICE Rating ‘C’ A student can: Rating ‘B’ A student can: identify and use some research sources appropriate to exploring theatrical practice relevant to the particular dramatic task make adequate connection between the research undertaken and plans for performance of the particular dramatic task present findings in either written and/or oral and/or illustrated and/or demonstrated form show some connections between theory and practice reference all sources using a generally accepted reference system. Tasmanian Qualifications Authority Version 1 identify and use a range of sources appropriate to researching theatrical practice relevant to the task make a number of connections between research into performance elements such as genre and style and plans for personal practice present findings in either written and/or oral and/or illustrated and/or demonstrated form make connections between theory and practice reference all sources using a generally accepted reference system. Rating ‘A’ A student can: take a resourceful and imaginative approach to research, using a variety of material including published texts, online and primary sources communicate a thorough understanding of the essential elements of the theatrical tradition and practices relevant to a particular performance present findings in a manner appropriate to the research findings in either written and/or oral and/or illustrated and/or demonstrated form make comprehensive connections between theory and practice reference all sources using a generally accepted reference system. Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 10 Theatre Performance TQA 3 CRITERION 3 DEMONSTRATE COMMITMENT TO REHEARSAL PROCESSES AND PERFORMANCE OUTCOMES Rating ‘C’ A student can: Rating ‘B’ A student can: prepare for set tasks adequately meet deadlines participate in the preparation of plans for performances remain focused on tasks with directorial guidance. liaise with director regarding personal progress memorise literary works from a range of styles with reasonable accuracy commit time and effort to the rehearsal usually be reliable, and punctual to classes, rehearsals and performances responsibly solve problems and issues in rehearsal and performance share task-related work loads with others in a positive manner. Tasmanian Qualifications Authority Version 1 manage personal time in order to complete tasks meet deadlines participate in and contribute to the plans for performances remain focused on tasks with minimal directorial guidance recognise the need for and seek director assistance with personal progress memorise literary works from a range of styles with accuracy show an understanding of the importance of, and commit time, effort and energy to, the rehearsal process be punctual and reliable and committed to classes, rehearsals and performances identify and responsibly solve problems and issues in rehearsal and performance share task-related work loads with others in a positive manner and with consideration for others. Rating ‘A’ A student can: set goals, plan and manage time effectively to complete tasks meet deadlines participate in and contribute artistically to the plans for performances remain focused on all tasks without directorial guidance actively seek director support and advice with regard to personal goals and progress memorise literary works from a wide range of styles with accuracy understand the importance of the rehearsal process and commit time, effort and energy to, the process for the duration of the project be punctual, reliable and strongly committed to all class, rehearsals and performances anticipate, identify and responsibly solve problems and issues in rehearsal and performance share task-related work loads with others in a positive manner and with equity across the ensemble. Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 11 Theatre Performance TQA 3 CRITERION 4 USE STAGECRAFT TO ENHANCE PERFORMANCE Rating ‘C’ A student can: Rating ‘B’ A student can: use elements of stagecraft including set, properties, lighting, costume and sound in performance use stagecraft to support text and dramatic interpretation explain aesthetic and production decisions evaluate the effectiveness of stagecraft decisions and alter or adapt them in performances follow safe workplace procedures with directorial guidance demonstrate an awareness of an audience manage minor unexpected changes on stage without losing focus. Tasmanian Qualifications Authority Version 1 use elements of stagecraft including set, properties, lighting, costume and sound effectively in performance use stagecraft appropriately to support text and dramatic interpretation identify and explain production decisions evaluate the effectiveness of stagecraft decisions and alter or develop them to further enhance performances follow safe workplace procedures demonstrate an awareness of and sensitivity to an audience manage unexpected change on stage without losing focus. Rating ‘A’ A student can: select and use elements of stagecraft including set, properties, lighting, costume, sound and stage business to enhance performance use stagecraft sensitively and creatively to support text and dramatic interpretation identify, explain and justify aesthetic and production decisions critically evaluate the effectiveness of stagecraft decisions and alter, adapt or develop them to further enhance performances always follow safe workplace procedures demonstrate an awareness of and sensitivity to an audience and adapt performance accordingly manage significant unexpected changes on stage without losing focus and whilst sustaining character. Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 12 Theatre Performance TQA 3 CRITERION 5 *USE A RANGE OF VOCAL TECHNIQUES TO CREATE AND COMMUNICATE CHARACTER, MOOD AND MEANING Rating ‘C’ A student can: Rating ‘B’ A student can: project voice* appropriate to performance space perform with clear voice and well articulated vocal patterns that assist communication use pitch to indicate some mood and emotion in characterisation use pace to convey aspects of character appropriate to the text communicate meaning of text use tone and accent appropriate to character and style of production use adequate breath support in performance. project voice* appropriate to performance space with ease perform with clear, well articulated and modulated voice, with all sounds discernable use pitch to indicate mood and emotional range in character development use variety in vocal pace in performance to enhance character portrayal communicate authorial intention use and sustain accent and tone appropriate to character and style of production use breath support in performance to enhance delivery of text. Rating ‘A’ A student can: project voice* appropriate to performance space with ease and in a way that engages the audience perform with full vocal control of modulation and articulation use pitch to indicate a variety of moods and emotional range in character development use pace to convey aspects of character and relationships with sensitivity to the text interpret and communicate authorial intention use and sustain well developed accent and tone to support characterisation within a production control and manipulate the breath in performance to enhance delivery of text. These Standard descriptors refer to vocal skills such as: vocal skills and techniques - pitch, pace, pause, volume, inflection, stress, clear articulation and breath support dramatic elements - dramatic tension, mood, language, tone and accent. *Project voice (projection) implies safe delivery of the voice through good diaphragmatic breathing. Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 13 Theatre Performance TQA 3 CRITERION 6 *DEVELOP, PERFORM AND SUSTAIN A RANGE OF CREDIBLE CHARACTERS Rating ‘C’ A student can: Rating ‘B’ A student can: develop and present characters of different age, context and physical mannerisms to self present characters so as to reveal their basic motivation perform a range of monologues of characters different to self memorise lines with a reasonable degree of accuracy use the performance space with some artistic consideration for the context of the monologue, scene or play sustain a character on stage with directorial support, adapt and shape characters within ensemble scenes. Tasmanian Qualifications Authority Version 1 develop and present a range of credible characters use verbal and non-verbal clues to communicate the sub-text and inner monologue of a character perform with confidence and drama skills a range of monologues of characters different to self accurately memorise work for a range of performances use the performance space with artistic consideration for the context of the monologue, scene or play sustain and vary the energy of a character of stage with little directorial support, adapt and shape characters within ensemble scenes. Rating ‘A’ A student can: create and present fully developed characters with different physical, social and emotional characteristics use voice, physicalisation and personality traits of the character to communication motivation communicate through the performance of monologues the sub-text and context of a wide range of characters different to self accurately memorise a wide range of texts for performance use the performance space with careful artistic consideration for the context of the monologue, scene or play sustain a range of characters and adjust the dramatic energy throughout the performance as required by the context use a high degree of skill and independent of directorial support adapt and shape characters within ensemble scenes. Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 14 Theatre Performance TQA 3 CRITERION 7 *PERFORM TO THE PUBLIC IN POLISHED PRODUCTIONS Rating ‘C’ A student can: Rating ‘B’ A student can: use control and concentration while sustaining focus and appropriate levels of energy in performance demonstrate some awareness of audience be sensitive to the needs of other performers use eye contact when directed to in performances listen to other performers on stage demonstrate generosity to fellow cast members use drama skills to present a polished performance. use control and concentration while sustaining focus and appropriate levels of energy for the duration of a performance demonstrate an awareness of audience, and make appropriate contact and engagement with audience actively support other group members in performance use and sustain eye contact during performances listen and react to other performers on stage demonstrate active support of other group members in performance and is usually sensitive to the needs of other performers use drama skills to imaginatively support the form, style and intention of the performance. Rating ‘A’ A student can: use concentration and sensitivity while sustaining focus and appropriate levels of energy for the duration of a performance demonstrate an awareness of audience, and make sensitive and appropriate contact and engagement with audience actively support with generosity and sensitivity, others within the ensemble* use and sustain appropriate eye contact in performances listen, respond and react to other performers on stage consistently and actively support, with generosity and sensitivity others within the ensemble* use drama skills with control and commitment as an integral part of the form, style and intention of the performance. * Ensemble here means the whole company, including designers, technician, support staff, actors and the director/s. Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 15 Theatre Performance TQA 3 CRITERION 8 *REFLECT ON THE ACQUISITION AND EMPLOYMENT OF KNOWLEDGE, UNDERSTANDING AND SKILLS REQUIRED FOR PERFORMANCE Rating ‘C’ A student can: Rating ‘B’ A student can: reflect on knowledge gained thorough research observe and analyse the drama works of self and others in relation to performance select and apply concepts and some dramatic terms when appraising the work of others or developing own work identify some performance techniques used others to apply to own performance work use constructive feedback to develop plans for own work reflect on the theatrical process from script to performance. Tasmanian Qualifications Authority Version 1 reflect on knowledge gained thorough research attentively observe and analyse the drama works of self and others in the relation to the performance ensemble select and apply relevant concepts and dramatic terms to appraise the work of others in order to develop own work identify a range of performance techniques used by others to further develop own performance work in response to critical feedback, identify dramatic techniques to develop own work reflect on and analyse the theatrical process from script to performance. Rating ‘A’ A student can: reflect on and analyse knowledge acquired through gained attentively observe and critically analyse the drama works of self and others in relation to the performance ensemble critically select and apply relevant concepts and performance specific terms to clarify communication identify a wide range of performance techniques and reflect on how these could be adapted to develop own performance work in response to critical feedback, identify dramatic technique and strategies to develop own work reflect on and critically analyse the theatrical process from script to performance in the context of their own work. Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 16 Theatre Performance TQA 3 CRITERION 9 OBSERVE, CRITICALLY APPRAISE AND EVALUATE THEATRICAL PERFORMANCES Rating ‘C’ A student can: Rating ‘B’ A student can: demonstrate the ability to observe and analyse the theatre work of others use relevant concepts and terms to convey appropriate meaning when discussing theatre works of others assess the degree to which some production and/or performance techniques were successful, and provide some justification for opinions critically analyse theatre as a performance art with reference to a some dramatic elements and cultural contexts identify different purposes of theatre use some theatrical terminology to discuss the effectiveness of a performance. demonstrate the ability to attentively and conscientiously observe and analyse the theatre work of others select and apply relevant concepts and terms to convey appropriate meaning when discussing theatre works of others critically assess the degree to which a wide range of production and/or performance techniques were successful, and provide justification for opinions critically analyse theatre as a performance art with reference to a range of appropriate dramatic elements and cultural contexts identify and comment on different purposes of theatre use appropriate theatrical terminology to discuss the effectiveness of a performance. Rating ‘A’ A student can: demonstrate the ability to attentively and conscientiously observe, analyse and critically appraise the theatre work of others critically select relevant concepts and terms to clarify ideas and convey appropriate meaning when discussing theatre works of others critically assess the degree to which a wide range of production and/or performance techniques were successful, and provide detailed, informed and justification for opinions critically analyse theatre as a performance art with reference to a wide range of appropriate dramatic elements and cultural contexts identify and evaluate the success or otherwise of different purposes of theatre use the language and conventions of theatrical criticism to discuss the effectiveness of a performance. Students will use a range of means to share and express their opinions and observations, which may include: written formal critiques; anecdotal notes; forum discussion; one-on-one interviews; recorded analysis; presentations to peers; and reflective journal entries. Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 17 Theatre Performance TQA 3 CRITERION 10 DEMONSTRATE AN UNDERSTANDING OF APPROPRIATE HISTORICAL CONTEXT, GENRE AND STYLE IN PERFORMANCES Rating ‘C’ A student can: Rating ‘B’ A student can: demonstrate some knowledge of historical and social conventions relevant to the text use elements of acting style appropriate to the genre use appropriate style of performance for the overall production intention use improvisation, acting games, research and discussion to develop understanding and skills to communicate style show capacity to follow directorial intention use movement, voice and sense of style to create character appropriate to production intentions. incorporate appropriate historical and social convention into on performance use acting style appropriate to the genre operate as a member of the ensemble with a common style intention in performance adapt and experiment through improvisation to develop style respond to directorial intention effectively use movement, voice and sense of style to create character that enhances production intentions. Rating ‘A’ A student can: select and use appropriate historical and social conventions in own performance incorporate elements of style into own performance appropriate to the genre select and use appropriate skills to achieve the production style intentions initiate exploration of a variety of methods to develop an appropriate and effective style of performance show flexibility in individual interpretation of directorial intention develop and sustain a character that is a complete creation of genre, style and period intended in the production. QUALIFICATIONS AVAILABLE Theatre Performance (with the award of): EXCEPTIONAL ACHIEVEMENT HIGH ACHIEVEMENT COMMENDABLE ACHIEVEMENT SATISFACTORY ACHIEVEMENT PRELIMINARY ACHIEVEMENT Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 18 Theatre Performance TQA 3 AWARD REQUIREMENTS The final award will be determined by the Tasmanian Qualifications Authority from the 1 4 ratings (10 ratings from the internal assessment and 4 ratings from the external assessment). The minimum requirements for an award in this course are as follows: EXCEPTIONAL ACHIEVEMENT ( EA ) 12 ‘A’, 2 ‘B’ ratings (3 ‘A’, 1 ‘B’ from external assessment) HIGH ACHIEVEMENT ( HA ) 5 ‘A’, 7 ‘B’, 2 ‘C’ ratings (1 ‘A’, 2 ‘B’, 1 ‘C’ from external assessment). COMMENDABLE ACHIEVEMENT ( CA ) 8 ‘B’, 5 ‘C’ ratings (2 ‘B’, 2 ‘C’ from external assessment). SATISFACTORY ACHIEVEMENT ( SA ) 12 ‘C’ ratings (3 ‘C’ from external assessment). PRELIMINARY ACHIEVEMENT ( PA ) 7 ‘C’ ratings. A student who otherwise achieves the ratings for a CA (Commendable Achievement) or SA (Satisfactory Achievement) award but who fails to show any evidence of achievement in one or more criteria (‘z’ notation) will be issued with a PA (Preliminary Achievement) award. COURSE EVALUATION Courses are accredited for a specific period of time (up to five years) and they are evaluated in the year prior to the expiry of accreditation. As well, anyone may request a review of a particular aspect of an accredited course throughout the period of accreditation. Such requests for amendment will be considered in terms of the likely improvements to the outcomes for students and the possible consequences for delivery of the course. The TQA can evaluate the need and appropriateness of an accredited course at any point throughout the period of accreditation. COURSE DEVELOPER The TQA acknowledges the significant leadership of Ms Maggie Gillham and Ms Tammy Giblin in the development of this course. ACCREDITATION The accreditation period for this course is from 1 Jan 2010 until 31 Dec 2014. Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009 19 Theatre Performance TQA 3 VERSION HISTORY Version 1 – Accredited on 10 Nov 2009. This course replaced SDP5C Theatre Performance. VERSION CONTROL This document is a Word version of the course. It is not a TQA controlled version. The current PDF version of the course on the TQA website is the definitive one. Tasmanian Qualifications Authority Version 1 Period of Accreditation: 1 Jan 2010 – 31 Dec 2014 Date of Printing: 16 November 2009
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