English III Syllabus Credits: 1.0 Course Overview/Description English III is a survey of American Literature and literary culture from its inception through the twentieth century. Students will explore the major literary forms, themes, authors, and periods of American Literature. They will understand how this literature represents the experiences of people native to America, those who immigrated to America, and those who were brought to America against their will. Emphasis is placed on a rhetorical analysis of the literature to determine how authors achieve a particular purpose or effect. Through focused readings, composition, speaking and listening activities, vocabulary study and research, students will continue to build the literacy skills they need to meet the challenges of high school and beyond. To become critical consumers of text, students will be exposed to increasingly more complex texts to which they apply those skills. In English language arts, that critical content is both rigorous and relevant and includes high‐quality contemporary works as well as the classics of literature. In English language arts, that content includes classic myths and stories from around the world, America’s founding documents, foundational American literature, and Shakespeare. Students will be enriched as they expand their skills and confidence in English language arts through a comprehensive study. Minnesota Content Standards Addressed in the Course Standard Reading Benchmarks: Literature 6-12 Key Ideas and Details 11.4.1.1; 11.4.2.2; 11.4.3.3 Craft and Structure 11.4.4.4; 11.4.5.5;11.4.6.6 Integration of Knowledge and Ideas 11.4.9.9 Range of Reading and Level of Text Complexity 11.4.10.10 Reading Benchmarks: Informational Text 6-12 Key Ideas and Details 11.5.1.1; 11.5.2.2; 11.5.3.3 Craft and Structure 11.5.4.4; 11.5.5.5; 11.5.6.6 Integration of Knowledge and Ideas 11.5.7.7; 11.5.8.8; 11.5.9.9 Writing Benchmarks 6-12 Text types and purposes 11.7.1.1; 11.7.2.2 Writing Process: Production and distribution of writing 11.7.4.4; 11.7.5.5 Research to build and present knowledge 11.7.7.7; 11.7.8.8; 11.7.9.9 Range of Writing 11.7.10.10 Speaking Viewing Listening and Media Literacy Benchmarks 6-12 Comprehension and collaboration 11.9.1.1; 11.9.3.3 Language Benchmarks 6-12 Conventions of Standard English 9.11.2.2 Vocabulary Acquisition and Use 9.11.4.4; 9.11.5.5; 9.11.6.6 Student Learning Outcomes Upon successfully completing the course, the student should have mastered the following concepts: Unit 1: Intersection in a New World Sharpen reading skills: summary, analysis, evaluation, and interpretation. Identify explicit and implicit meaning in early American works of historical and/or literary significance and in later works about this time period, including where the text leaves matters uncertain. Analyze a text from multiple perspectives (historical, literary, psychological, religious). Analyze and evaluate different presentations and interpretations of the same text. Analyze literary elements: narrative/poetic/dramatic structure, point of view, style, theme, purpose. Analyze language: figurative language, imagery, tone, persuasiveness, connotation, nuance, power, beauty. Analyze informational texts: central ideas, interaction of ideas, summarizing, point of view, purpose. Analyze arguments: rhetoric, claim development, structure, purpose. Sharpen writingskills: o explanatory: responding to literature; comparing/contrasting; synthesizing information; developing and supporting a thesis; using appropriate and varied transitions between ideas; using precise, domain‐ specific language; and o argumentative: making and supporting a claim; using valid reasoning; sequencing ideas; adapting to purpose, audience, and task; using precise, domain‐specific language; using the writing process. Conduct research: web searches, challenging usage and vocabulary. Participate in speaking and listening activities: analysis of oral and written speeches, collaboration with peers. Strengthen language skills: conventions, knowledge, vocabulary acquisition and use. Unit 2: Becoming a Nation Sharpen reading skills: summary, annotation, analysis, evaluation, and interpretation. Identify explicit and implicit meaning in early American works of historical and/or literary significance, seminal texts, and works of public advocacy. Analyze a text from multiple perspectives: historical, literary, psychological, religious. Analyze literary elements: narrative/poetic/dramatic structure, point of view, style, theme, purpose. Analyze language: figurative and technical language, imagery, tone, persuasiveness, connotation, nuance, power, beauty. Analyze informational texts: central ideas, interaction of ideas, structure, point of view. Analyze arguments: rhetoric, premises, claim development, structure, purpose. Evaluate the reason and rhetoric used in seminal texts and works of public advocacy. Sharpen writingskills: o explanatory: responding to literature; comparing/contrasting; synthesizing information; developing a thesis and evaluating evidence to support it; using appropriate and varied transitions between ideas; establishing and maintaining a formal tone; using precise, domain‐specific language; using technology; peer evaluating; and o argumentative: making and supporting a claim; using valid reasoning; using rhetorical devices to persuade; adapting a rhetorical structure; sequencing ideas; creating cohesiveness; adapting to purpose, audience and task; using precise, domain‐specific language; using the writing process. Conduct research: the challenge of usage and vocabulary; evaluation of the strengths and limitations of sources in terms of task, purpose, and audience; distinguishment between quoted material and paraphrased ideas; preparation of papers using correct MLA guidelines for formatting, citing sources within a text, and creating a works cited page. Participate in speaking and listening activities: analysis of oral and written speeches, evaluation of a speaker's use of diction and tone, collaboration with peers, presentation. Strengthen language skills: conventions, knowledge, vocabulary acquisition and use. Unit 3: American Romanticism Sharpen reading skills: summary, annotation, analysis, evaluation, and interpretation. Identify explicit and implicit meaning in American literature from a specific period in history. Analyze a text from multiple perspectives: historical, literary, psychological, religious. Analyze literary elements/devices: narrative/poetic structure, point of view, character, style, theme, purpose, irony, allegory, symbolism, suspense. Analyze language: figurative and technical language, imagery, tone, persuasiveness, connotation, nuance, power, beauty. Analyze informational texts: central ideas, interaction of ideas, structure, point of view, use of rhetoric. Sharpen writingskills: o explanatory: responding to literature; comparing/contrasting; synthesizing information; developing and supporting a thesis; organizing complex ideas; using appropriate and varied transitions between ideas; using precise, domain‐specific language; and o argumentative: making and supporting a claim; using valid reasoning; using rhetorical devices to persuade; adapting a rhetorical structure; sequencing ideas; creating cohesiveness; adapting to purpose, audience, and task; using precise, domain‐specific language; using the writing process. Conduct research: web search, vocabulary usage/etymology. Participate in speaking and listening activities: analysis of oral and written speeches, evaluation of a speaker's use of diction and tone, collaboration with peers, presentation. Strengthen language skills: conventions, knowledge, vocabulary acquisition and use. Unit 5: Regional Voices Sharpening reading skills: summary, annotation, analysis, evaluation, and interpretation Identifying explicit and implicit meaning in American literature from a specific period in history, including foundational documents Analyzing a text from multiple perspectives (historical, literary, psychological, religious) Analyzing literary elements/devices: narrative/poetic structure, point of view (esp. how it shapes content and style), character, style, theme, irony, satire, understatement Analyzing language: figurative language (esp. hyperbole and paradox), technical language, imagery, tone, diction, humor, persuasiveness, connotation, nuance, power, beauty Analyzing informational texts: central ideas, interaction of ideas, structure, point of view Evaluating the reasoning and rhetoric used in seminal texts and works of public advocacy Sharpening writing skills o explanatory: responding to literature, synthesizing information, developing an original thesis, supporting a thesis, organizing complex ideas, using appropriate and varied transitions between ideas, using precise, domain‐specific language, using the writing process o argumentative: making a claim, supporting a claim, using valid reasoning , sequencing ideas, creating cohesiveness, adapting to purpose, audience and task, using precise, domain‐specific language, using the writing process Participating in speaking and listening activities: listening to and analyzing speeches, evaluate a speaker's use of diction and tone, collaborating with peers, presenting Strengthening language skills: conventions, knowledge, vocabulary acquisition and use Unit 6: American Modernism Sharpening reading skills: summary, annotation, analysis, evaluation, and interpretation Identifying explicit and implicit meaning in American literature from a specific period in history Analyzing a text from multiple perspectives (historical, literary, psychological, religious) Analyzing literary elements/devices: narrative/poetic/dramatic structure, point of view, character, style, theme, purpose, symbolism, satire, sarcasm, irony, understatement Analyzing language: figurative language, imagery, tone, diction, dialect, connotation, nuance, power, beauty Analyzing informational texts: central ideas, interaction of ideas, structure, point of view, use of rhetoric Sharpening writing skills o o explanatory: responding to literature, , synthesizing information, developing an original thesis, supporting a thesis, organizing complex ideas, using appropriate and varied transitions between ideas, using precise, domain‐specific language, using the writing process – focus on revision narrative: using telling details, sequencing events, using the writing process – focus on revision Conducting research: web search, vocabulary usage/etymology, evaluation credibility of sources, synthesizing information from multiple sources, using correct MLA guidelines for formatting, citing sources within a text, and creating a works cited page, using digital media elements, such as graphics, illustrations, sound, and interactive elements, to enhance presentations Participating in speaking and listening activities: listening to and analyzing speeches, evaluating a speaker's use of diction and tone, collaborating with peers, preparing and presenting speeches Strengthening language skills: conventions, knowledge, vocabulary acquisition and use Unit 7: Post WW II Sharpening reading skills: summary, annotation, analysis, evaluation, and interpretation Identifying explicit and implicit meaning in American literature from a specific period in history, including works of public advocacy Analyzing a text from multiple perspectives (historical, literary, psychological, religious) Analyzing literary elements/devices: narrative/poetic structure, point of view, style, theme, purpose, sarcasm, irony, humor Analyzing language: figurative language (esp. hyperbole and paradox), technical language, imagery, tone, diction, connotation, nuance, power, beauty Analyzing informational texts: central ideas, interaction of ideas, structure, point of view, use of rhetoric Sharpening writing skills – o explanatory: responding to literature, , synthesizing information, developing an original thesis, supporting a thesis, organizing complex ideas, using appropriate and varied transitions between ideas, using precise, domain‐specific language, using the writing process – focus on revision, varying sentence structure and syntax to convey a certain style or tone and to enhance reader understanding, using appropriate references for guidance in constructing artful sentences Conducting research: web search, vocabulary usage/etymology, generating a research question, conducting research to answer a self‐generated question, drawing relevant evidence from text to answer research questions, Synthesize information from multiple sources, gathering information representing a variety of perspectives, e valuating the strengths and limitations of sources in terms of task, purpose and audience, integrating information selectively and appropriately, preparing papers using correct MLA guidelines for formatting, citing sources within a text, creating a works cited page Participating in speaking and listening activities: listening to and analyzing speeches, evaluating a speaker's use of diction and tone Strengthening language skills: conventions, knowledge, vocabulary acquisition and use Literature List The following are a sample of the literary works students will encounter Unit 1: Intersection in the New World Bradford, William o Of Plymouth Plantation Williams, Roger o A Key into the Language of America Bradstreet, Anne o “To My Dear Loving Husband” o “A Letter to Her Husband, Absent upon Public Employment” o “Upon the Burning of Our House” o “The Prologue” Berryman, John o “Homage to Mistress Bradstreet” Rowlandson, Mary o A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson Franklin, Benjamin o “Remarks Concerning the Savages of North America” Sewall, Samuel o The Selling of Joseph: A Memorial Wheatley, Phillis o “On Being Brought from Africa to America” o “An Hymn to the Evening” o “To His Excellency General Washington” Gates Jr., Henry Louis o “Mister Jefferson and the Trials of Phillis Wheatley” Edwards, Jonathan o "Sinners in the Hands of an Angry God" Unit 2: Becoming a Nation Franklin, Benjamin o “The Way to Wealth” Henry, Patrick o “Speech to the Virginia Convention” Paine, Thomas o The American Crisis Declaration of Independence Stanton, Elizabeth Cady o Declaration of Sentiments Jefferson, Thomas o “Virginia Statute for Religious Freedom” de Crevecoeur, Hector St. John o “What is an American?" from Letters from an American Farmer Freneau, Phillip o “The Wild Honeysuckle” o “The Indian Burying Ground” Equiano, Olaudah o Equiano’s Travels: The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa, The African Key, Francis Scott o “The Star Spangled Banner” “Revolutionary Tea” Madison, James o The Federalist No. 10 National Assembly of France o Declaration of the Rights of Man Sess, William & Mary o English Bill of Rights 1689 Unit 3: American Romanticism Irving, Washington o “Rip Van Winkle” Hawthorne, Nathanial o “Young Goodman Brown” Poe, Edgar Allan o “The Black Cat” Emerson, Ralph Waldo o “Self‐Reliance” o “John Brown” Fuller, Margaret o Summer on the Lakes in 1843 Whitman, Walt o “Song of Myself” Dickinson, Emily o “This is my letter to the World” o “Because I could not stop for Death” Whittier, John Greenleaf o “To William Lloyd Garrison” Douglass, Frederick o Narrative of the Life of Frederick Douglass, An American Slave Thoreau, Henry David o “Civil Disobedience” Stowe, Harriet Beecher o Uncle Tom’s Cabin Truth, Sojourner o “Ain’t I a Woman?” Harper, Frances Ellen Watkins o “The Two Offers” Melville, Herman o “Bartleby the Scrivener: A Story of Wall Street” Garrison,WilliamLloyd o The Liberator Unit 5: Regional Voices Lincoln, Abraham o “A House Divided” Speech Whitman, Walt o “Oh Captain, My Captain” Addams, Jane o “Influence of Lincoln” from Twenty Years at Hull House Twain, Mark o The Adventures of Huckleberry Finn Chopin, Kate o “Desiree’s Baby” Cooper, Anna Julia o “The Higher Education of Women” from A Voice from the South Jewett, Sarah Orne o “The White Heron” Freeman, Mary E. Wilkins o “The Revolt of Mother” Gilman, Charlotte Perkins o “The Yellow Wall Paper” o “Why I Wrote the Yellow Wall Paper” Harte, Bret o “Tennessee’s Partner” Wharton, Edith o Ethan Fromme Unit 6: Modernism in America Robinson, Edwin Arlington o “Aunt Imogen” Frost, Robert o “A Servant to Servants” Eliot, T.S. o “The Love Song of J. Alfred Prufrock” Teasdale, Sara o Love Songs Sandburg, Carl o “Grass” Fitzgerald, Scott F. o “Bernice Bobs her Hair” Hemingway, Ernest o “Hills Like White Elephants” Wilder, Thorton o Our Town Miller, Arthur o The Crucible Parker, Dorothy o “Arrangement in Black and White” Hughes, Langston o “The Negro Artist and the Racial Mountains” Hurston, Zora Neal o Their Eyes Were Watching God Baldwin, James o “If Black English isn’t a Language Then Tell Me, What is” Unit 7: Post WW II Welty, Eudora o “’Petrified Man” O’Connor, Flannery o “A Good Man is Hard to Find” Kennedy, John F. o Inaugural Speech Lowell, Robert o “For the Union Dead” Wright, Richard o “The Man Who was Almos’ a Man” Dylan, Bob o “The Lonesome Death of Hattie Carroll” Levertov, Denise o “Life at War” o “Overheard over S.E.Asia” Rukeyser, Muriel o “Poem” Goines, David Lance o “Let Sleeping Dogs Lie” from The Free Speech Movement: Coming of Age Mirikitani, Janice o “Attack the Water” Bishop, Elizabeth o “Sestina” Plath, Sylvia o “Mirror” Materials Needed The Crucible, Arthur Miller. Recommended Text: Penguin (2003), ISBN: 978-0142437339 Their Eyes Were Watching God, Zora Neal Hurston. Recommended Text: HarperCollins, ISBN 978-0-06-083867-6 Our Town, Thornton Wilder. Any version. Technology Requirements Students need to know how to create, edit, modify and submit documents (acceptable files types listed below). Because Project assignments may require students to create and modify documents for completing their work, students need to know how to use documentation programs, such as Microsoft® Office and/or Google Docs. If a student uses Google Docs, they will not be able to share the file directly from Google to their teacher. They will need to download the assignments and upload it directly into their assignment submission box in one of the accepted file type listed below. The Odysseyware Learning Management System utilized is the Odysseyware LMS. System Requirements Microsoft Internet Explorer® Mozilla Browser Firefox® Safari® Chrome® PDF Reader Adobe Acrobat Reader DC® Or the latest version of a browser that supports built-in PDF viewing, such as Chrome® or Firefox® Version 11 Version 44 and 45 or higher Version 9 or higher Version 49 or higher Version 2015 or higher Browser Settings - Browsers should be configured with these recommended settings. Passwords Disable features that automatically save passwords AutoComplete Disable AutoComplete, as it often looks like a list of answers to choose from Caching Enable caching, but set browsers to clear the cache when closed Javascript Javascript must be enabled for pages to render correctly Additionally, students have access to unlimited, toll free technical support through our Technical Support Hotline that runs MondayFriday from 7:00 am-5:00 pm CST. Assignments/Assessments Odysseyware courses are designed to have relevant course assignments that follow the state and national standards that the course has been developed to meet. The course assignments are determined by the subject matter, grade level, and lesson objectives. Assignments include guided and independent practice activities/items to assess content and concepts within each lesson. Projects, essays, labs, collaborative activities, and performance tasks are included to invite a deeper understanding and application of learned concepts. Odysseyware courses access higher order thinking skills through multiple question type structures and formats that access all levels of Depth of Knowledge. The curriculum is focused on the process of mastering content. Based on well-defined learning objectives, Odysseyware courses are organized into sequential units that build upon each other and include a complete scope and sequence. Before progressing to the next unit, students must reach a predetermined mastery benchmark. Odysseyware’s standard courses provide a range of formative and summative assessments designed to gather data regarding student progress in any given unit of study. These formative assessments are followed by summative assessments designed to provide teachers with benchmark data at regular intervals. Summative assessments include projects and unit tests. Odysseyware assessments utilize a variety of problem types to provide students with both constructed and selected response items. These include, but are not limited to, essay/paragraph, multiple choice, multiple select, click-and place, fill-in-the-blank, and graphic multiple choice. Alternative tests, randomized items, and randomized multiple choice answer order exist to preserve the integrity of the assessment. Assignments include guided and independent practice activities/items to assess content and concepts within each lesson. Where appropriate, projects are included to invite a deeper understanding or application of concepts. These lessons and projects are joined in each unit by quizzes and tests that are more summative in nature. Students are tested frequently with review questions as they move through each unit. Additionally, quizzes serve as formative assessments to ensure students are ready for the cumulative unit test. In the upper grades, cumulative semester and final exams are included. Instructional Strategies Odysseyware’s core belief is that all students are unique and deserve a personalized learning experience. We recognize that a onesize-fits-all curriculum is completely insufficient to address the needs of all students or to function in diverse instructional settings. We provide the foundation for creating instructional goals, methods, materials, and assessments that work for everyone—not a single, one-size-fits-all solution but rather flexible approaches that can be customized and adjusted for individual needs. Odysseyware curriculum materials contain interactive tools that provide students the ability to “do” on screen. Odysseyware uses live-action video in select locations to engage students, provide additional instruction, provide higher-order thinking inquiries and demonstrations in science, provide access to first-person interviews, and to visually depict complex situations. Odysseyware incorporates thousands of multimedia pieces to increase engagement and reinforce concepts for all. Media is created with academic relevance in mind for direct instruction. There are Direct Instruction videos, virtual labs, investigations videos, and many guided practice pieces to reinforce learning, maintain focus, and engage students. These include drag and drop activities, vocabulary and spelling games as well as other guided practice elements at appropriate points in a lesson. Students will have multiple opportunities to access Dynamic Learning Activities in guided practice, problem sets, and assessments. These DLAs, direct-instruction videos and interactive content emphasize real world scenarios, engage through the use of rich audio and visual components, and address diverse learning styles. Instruction is provided by trained teachers who are state-certified in their designated subject areas. The support they provide includes the following components: Grading & Feedback – Although the Odysseyware system automatically grades many items that are submitted by students, as in the case of multiple choice and matching questions, our teachers provide manual grading and targeted written feedback for constructed response items and projects. Teachers grade most items within 2 business days (sometimes longer for large projects.) Office Hours - Students can call or attend the live virtual classroom of their assigned teacher during that teacher’s weekly designated office hours. Odysseyware Academy uses Adobe Connect as the live office hour portal for teachers to interact with their students as one mode of communication and within the live lessons, students can receive additional help, feedback, and support in their course(s). Designated days/hours vary by teacher. Email Communication – Teachers respond to emails from their students in a timely manner; usually within 1 business day. Students can reach out to teachers anytime via the messaging system or the embedded “help” button. Proactive Communication – At a minimum, students will receive weekly proactive communication from their teachers, in the form of emails, phone calls, or text messages. This communication is targeted specifically to each student’s needs, so that they know what they’re doing well and what they need to work on. Communication may include encouragement, helpful hints, status updates, and resources for enrichment or remediation. Students also have the opportunity to receive synchronous help by calling the Academic Hotline, which is available each weekday and is manned by certified teachers who are subject matter experts. This gives students the chance to interact with teachers and receive assistance on their school work. Student Expectations To be most successful in their online courses, students are expected to: Log in daily and make progress in their course(s). Be willing to put forth effort and complete the course(s) in the allotted time frame. Attend regularly scheduled teacher office hours when requesting help. Receive regular instructor communication through grading, phone or messaging. Reach out to their instructor(s) for help. Contact Technical Support for any software issues. Complete student orientation. Inform Odysseyware virtual teacher ahead of time when they are not going to be active in their course for one week or more. Use proper or formal language when communicating with instructors or academy staff via messaging (this includes lessons, quizzes, projects, and tests). Complete their own course and maintain academic integrity at all times. Always use their given name when attending live sessions or training, or when turning in projects or assessments. Always respond to teacher messages and staff messages that require a response. Time Requirements Though Odysseyware does not specify the amount of time that a student works on a course each day, we do expect that students work regularly and stay on pace in their course(s). To stay on pace, students should follow the due dates for assignments listed in their Gradebook. The amount of time a student need to dedicate to stay on pace in their course(s) will be dependent upon grade level of work and subject matter. Students can only work on assignments in sequential order that are assigned to them. Projects can be worked on concurrently, but a student will not be allowed to advance to the next unit until everything for the current unit has been completed (this includes projects). Students should plan accordingly for projects that may require more than one day for completion. We do not have time limits for tests and quizzes, but do require they be completed in one sitting. Grading Policy Odysseyware full credit courses (or full school year courses) are divided in two parts (Part A – Semester 1, and Part B – Semester 2). This is in place for all grade levels (elementary, middle school, and high school). Each unit is weighted as an equal part of the semester average. Individual unit grades are calculated using the following grading scale and weighting for assessments. A+ 97.00-100% A 93.00-96.99% A- 90.00-92.99% B+ 87.00-89.99% B 83.00-86.99% B- 80.00-82.99% C+ 77.00-79.99% C 73.00-76.99% C- 70.00-72.99% D+ 67.00-69.99% D 63.00-66.99% D- 60.00-62.99% F 0-59.99% Units With Projects Tests= 30% Quizzes= 25% Projects= 25% Lessons=20% Test/Quiz Retake Policy Odysseyware students can retake one quiz per unit and one test per course. Tests and quizzes are to be completed in one sitting. Occasionally due to technical issues, a student may need a quiz or test unlocked to allow them to access it again. Student should not move onto new quizzes or tests until issue is resolved. Student must work with Tech Support to resolve current issue before proceeding. If excessive unlock requests continue, the teacher explains that quizzes and tests should be completed in one sitting. If available, the teacher can assign an alternative quiz/test. After two unlocks on the same test/quiz, the student is informed that this is their final attempt. If the student does not complete the final attempt, he/she receives a zero on the assignment. Contact Policy Teachers communicate frequently with students and their support network. Although much of the communication necessary for students to complete their coursework is asynchronous, such as emails, system messages, feedback, etc., students may often need live support, in the form of a quick phone call or a more extensive live lesson or tutoring session. Teachers hold weekly office hours (through Adobe Connect) at a schedule time posted in the Student Information System. Students and parents/guardians can contact the teacher via phone, live office hours, email, and messages sent through the Learning Management System. To send an email through the student information system, students can navigate to the Course Information page which contains an Email Teacher link that students can use to send a message to their teacher. Teachers and Odysseyware staff respond to communication sent by students and parents within one business day. Teachers respond to grading within one business day for assignments and four business days for projects/essays. Accommodation and Accessibility Odysseyware offers a number of built-in supports, instructional tools and customization features to address students with diverse learning styles. Below are the built in supports available to all students: Vocabulary- Odysseyware provides students with numerous opportunities to acquire and apply new vocabulary. Students can listen to, speak, read and write the content vocabulary in an interactive setting with activities such as Flash Cards and the Spelling Bee. Reference-The Reference function supports ELL students by helping them to understand, spell, and pronounce English words and/or phrases in the lessons. Translation-The translate function translates any selected words or phrases included in the lessons from English to a variety of supported languages, including Spanish, French, German and Chinese. Translation can help students who have literacy skills in their home language to gain fast access to the lesson content. Text-to-Speech-The Text-to-Speech function provides spoken word support for any word or phrase in the lesson. Learners can choose between a selection of voices. The text is enlarged and highlighted as the application reads the words to the student. Transcripts-Transcripts are available for every video in every course. Custom Course Thresholds-The ability to choose pass thresholds and weighting of course components empowers teachers to make individualized instructional delivery adjustments for students according to their unique needs. Academic Snapshot-Our interface is ideal for many of our students who struggle with organization. Our Academic Snapshot feature allows a student to always see how they are doing in the class and if they are ahead or behind. This feature allows students to instantly see if they are on pace/ahead, behind in their courses, logging into the course frequently enough, and are earning grades needed to pass the course. This constant stream of feedback is a perfect match for students who struggle with executive planning and organization. Odysseyware offers Extended Services for students who may lack basic skills, have significant learning gaps, or have attendance or behavior issues, resulting in the need for an increased level of support from their teachers. These students receive Basic Instructional Services (support, grading, and feedback from the Odysseyware virtual teacher, access to weekly live office hours, and access to the Academic Hotline) as well as additional, personalized help/services (adjusted course settings, a weekly phone call and weekly live tutoring sessions with their teachers, etc.) Course Outline Unit 1: Intersection in the New World Assignments 1. 2. 3. 4. 5. 6. English III 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. Course Overview Early American Literature: Themes Of Plymouth Plantation: Puritan Literature A Key into the Language of America: Analysis "To My Dear and Loving Husband" and "A Letter to Her Husband": Poetic Theme "The Prologue" and "Verses upon the Burning of the House": Poetic Devices "Homage to Mistress Bradstreet": Structure and Meaning Project: Anne Bradstreet Biography Quiz: Puritan Poetry Alternate Quiz: Puritan Poetry ‐ Form A* Alternate Quiz: Puritan Poetry ‐ Form B* The Narrative of Captivity and the Restoration of Mrs. Mary Rowlandson: Literary Perspective "Remarks Concerning the Savages of North America": Franklin's Satire Academic English Project: Discuss and Present Ideas Across Texts Using Graphic Organizers* Project: Compare and Contrast Essay on Puritans* Quiz: American Narrative Alternate Quiz: American Narrative ‐ Form A* Alternate Quiz: American Narrative ‐ Form B* 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. "The Selling of Joseph: A Memorial": Antislavery Argument "On Being Brought from Africa to America" and "To His Excellency General Washington": Poetic Structure Literary Criticism: Henry Louis Gates Jr. Project: Comparative Analysis Essay with Research* "Sinners in the Hands of an Angry God": Diction, Imagery, Style Project: Argumentative Essay ‐ "Sinners in the Hands of an Angry God" Using References to Understand Archaic Language Quiz: Wheatley and Edwards Alternate Quiz: Wheatley and Edwards ‐ Form A* Alternate Quiz: Wheatley and Edwards ‐ Form B* Special Project* Review Test: Intersection in the New World Alternate Test: Intersection in the New World ‐ Form A* Alternate Test: Intersection in the New World ‐ Form B* Glossary and Credits Unit 2: Becoming a Nation Assignments 1. English III 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. Declaration of Independence, Bill of Rights, and "The Indian Burying Ground": American Identity "The Way to Wealth": Franklin's Style and Rhetoric Patrick Henry's Speech to the Virginia Convention: Rhetoric The American Crisis: Rhetoric and Tone Project: Persuasive Essay Quiz: Rhetoric and Persuasion Alternate Quiz: Rhetoric and Persuasion ‐ Form A* Alternate Quiz: Rhetoric and Persuasion ‐ Form B* Declaration of Independence: Central Ideas and Word Meanings Declaration of Sentiments: Rhetoric and Inference Compare and Contrast: The Declaration of Independence and the Declaration of Sentiments Project: Write a Declaration* Quiz: Declaration of Independence Alternate Quiz: Declaration of Independence ‐ Form A* Alternate Quiz: Declaration of Independence ‐ Form B* Virginia Statute for Religious Freedom: Annotation and Meaning "What is an American?": Primary and Literary Sources "The Wild Honeysuckle" and "The Indian Burying Ground": Figurative Language 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. The Interesting Narrative of the Life of Olaudah Equiano: Literary Nonfiction Project: Compare and Contrast Essay: Equiano and Bradford Quiz: American Identity Alternate Quiz: American Identity ‐ Form A* Alternate Quiz: American Identity ‐ Form B* Federalist No. 10: Reasoning and Rhetoric Preamble and Bill of Rights: Purpose and Structure Project: Informative Essay: Tone with Textual Evidence* "The Star‐ Spangled Banner" and "Revolutionary Tea": Technical and Connotative Meaning Project: Research Paper: Significance of Early American Writings Sentence Structures in Archaic Writing Quiz: Meaning in Early American Writing Alternate Quiz: Meaning in Early American Writing ‐ Form A* Alternate Quiz: Meaning in Early American Writing ‐ Form B* Special Project* Review Test: Becoming a Nation Alternate Test: Becoming a Nation ‐ Form A* Alternate Test: Becoming a Nation ‐ Form B* Glossary and Credits Unit 3: American Romanticism Assignments 1. 2. 3. 4. English III 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. English III 21. 22. 23. 24. 25. 26. 27. Romanticism Reference Materials: Vocabulary Journal "Rip Van Winkle": Theme and Language "Young Goodman Brown": American Gothicism and Symbolism "The Black Cat": Inferences from the Text Project: Analytic Essay ‐ "Young Goodman Brown" Project: Analytic Essay: "Rip Van Winkle," "Young Goodman Brown," and "The Black Cat"* Quiz: Romanticism and Gothicism Alternate Quiz: Romanticism and Gothicism ‐ Form A* Alternate Quiz: Romanticism and Gothicism ‐ Form B* "Self‐ Reliance": Transcendentalism Summer on the Lakes: Themes "Song of Myself": Free Verse "Belle of Amherst": Structure and Meaning Project: Explanatory Paragraph Identifying Transcendental Elements* Quiz: Transcendentalism Alternate Quiz: Transcendentalism ‐ Form A* Alternate Quiz: Transcendentalism ‐ Form B* To William Lloyd Garrison: Inference and Historical Context Narrative of the Life of Frederick Douglass: Tone and Point of View "Civil Disobedience": Rhetoric and Structure "John Brown" Speech: Interpretation Quiz: Abolitionists Alternate Quiz: Abolitionists ‐ Form A* Alternate Quiz: Abolitionists ‐ Form B* Uncle Tom's Cabin: Stowe's Context Uncle Tom's Cabin: Characterization Through Dialogue ‐ Chapters 1‐ 5 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. Uncle Tom's Cabin: Tone and Romanticism ‐ Chapters 6‐ 10 Uncle Tom's Cabin: Figurative Language ‐ Chapters 11‐ 15 Uncle Tom's Cabin: Theme and Characterization ‐ Chapters 16‐ 20 Uncle Tom's Cabin: Denotation and Connotation ‐ Chapters 21‐ 25 Uncle Tom's Cabin: Theme and Central Ideas ‐ Chapters 26‐ 30 Uncle Tom's Cabin: Tracing Theme ‐ Chapters 31‐ 35 Uncle Tom's Cabin: Making Inferences and Predictions ‐ Chapters 36‐ 40 Uncle Tom's Cabin: Themes ‐ Chapters 41‐ 45 Quiz: Uncle Tom's Cabin Alternate Quiz: Uncle Tom's Cabin ‐ Form A* Alternate Quiz: Uncle Tom's Cabin ‐ Form B* "Ain't I a Woman?": Abolitionists and Romanticism "The Two Offers": Inferring and Ellipses Project: Explanatory Essay ‐ African American Women* "Bartleby the Scrivener": Theme and Characterization Project: Close Reading and Recorded Presentation Quiz: Truth, Harper, and Melville Alternate Quiz: Truth, Harper, and Melville ‐ Form A* Alternate Quiz: Truth, Harper, and Melville ‐ Form B* Special Project* Review Test: American Romanticism Alternate Test: American Romanticism ‐ Form A* Alternate Test: American Romanticism ‐ Form B* Glossary and Credits Unit 4: Semester Review and Exam Assignments 1. 2. Review Exam: English III Semester I 3. Alternate Exam: English III Semester I ‐ Form A* Unit 5: Regional Voices Assignments 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. English III 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. Historical Context and Universal Theme "House Divided": Lincoln's Rhetorical Devices "O Captain! My Captain!": Poetic Structures and Devices "Influence of Lincoln": Supporting a Thesis Project: Expository Essay ‐ "A House Divided," "O Captain! O Captain!," "Influence of Lincoln" Quiz: Historical Context Alternate Quiz: Historical Context: Form A* Alternate Quiz: Historical Context: Form B* The Adventures of Huckleberry Finn: Realism in America The Adventures of Huckleberry Finn: Theme and Character ‐ Chapter 1 The Adventures of Huckleberry Finn: Tone and Character ‐ Chapters 2‐ 3 The Adventures of Huckleberry Finn: Dialogue and Dialect to Characterize ‐ Chapters 4‐ 5 The Adventures of Huckleberry Finn: Setting and Word Choice ‐ Chapters 6‐ 9 The Adventures of Huckleberry Finn: Satire and Theme ‐ Chapters 10‐ 13 Quiz: The Adventures of Huckleberry Finn: Chapters 1‐ 13 Alternate Quiz: The Adventures of Huckleberry Finn: Chapters 1‐ 13 ‐ Form A* Alternate Quiz: The Adventures of Huckleberry Finn: Chapters 1‐ 13 ‐ Form B* The Adventures of Huckleberry Finn: Theme ‐ Chapters 14‐ 16 The Adventures of Huckleberry Finn: Using Sources to Understand Text ‐ Chapters 17‐ 19 The Adventures of Huckleberry Finn: Realism vs. Idealism ‐ Chapters 20‐ 22 The Adventures of Huckleberry Finn: Humor and Irony ‐ Chapters 23‐ 25 The Adventures of Huckleberry Finn: Theme of Moral Awakening ‐ Chapters 26‐ 28 The Adventures of Huckleberry Finn: Vernacular and Tone ‐ Chapters 29‐ 31 The Adventures of Huckleberry Finn: Figures of Speech and Context ‐ Chapters 32‐ 35 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. The Adventures of Huckleberry Finn: Explicit and Implicit Meaning ‐ Chapters 36‐ 39 The Adventures of Huckleberry Finn: Resolution ‐ Chapters 40‐ 43 Project: Persuasive Essay: "Defining Freedom as Found in the Theme(s) of The Adventures of Huckleberry Finn" Quiz: The Adventures of Huckleberry Finn: Chapters 14‐ 43 Alternate Quiz: The Adventures of Huckleberry Finn: Chapters 14‐ 43 ‐ Form A* Alternate Quiz: The Adventures of Huckleberry Finn: Chapters 14‐ 43 ‐ Form B* "D├⌐sir├⌐e's Baby": Themes The Essay: Understanding Format and Rhetoric "The White Heron": Narration and Figures of Speech "The Revolt of Mother": Local Color and Dialogue Quiz: Theme, Figures of Speech, and Rhetoric Alternate Quiz: Theme, Figures of Speech, and Rhetoric ‐ Form A* Alternate Quiz: Theme, Figures of Speech, and Rhetoric ‐ Form B* "The Yellow Wallpaper": Analyzing Symbolism Project: Discussion ‐ "Why I Wrote The Yellow Wallpaper" Project: Argumentative Essay: American Women Writers "Tennessee's Partner": Narrative Point of View and Local Color Project: Literary Circle: Discussion of Edith Wharton's Ethan Frome Quiz: American Women Writers Alternate Quiz: American Women Writers ‐ Form A* Alternate Quiz: American Women Writers ‐ Form B* Special Project* Review Test: Regional Voices Alternate Test: Regional Voices ‐ Form A* Alternate Test: Regional Voices ‐ Form B* Glossary and Credits Unit 6: Modernism in America Assignments 1. 2. 3. 4. English III 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. An Introduction to Modernism in America "Aunt Imogen": Theme and Structure "A Servant to Servants": Structure and Technique "The Love Song of J. Alfred Prufrock": Form, Imagery, and Theme Sara Teasdale: Lyric Poetry "Grass": Realism and War Project: Analyzing Themes of Loss and Isolation in Modernist Poetry Quiz: Modernism and Realism Alternate Quiz: Modernism and Realism ‐ Form A* Alternate Quiz: Modernism and Realism ‐ Form B* Modernism in the 1920s "Hills Like White Elephants": Analysis Project: Literary Analysis of "Hills Like White Elephants." Project: Narrative Essay Project: Revision of a Student Piece Our Town: Universality in Literature Our Town: Inference ‐ Act I Our Town: Set and Characters ‐ Act II Our Town: Set, Tone, Theme ‐ Act III Project: Our Town: Presenting an Argument Quiz: Modernism Alternate Quiz: Modernism ‐ Form A* Alternate Quiz: Modernism ‐ Form B* The Crucible: Hysteria and Propaganda The Crucible: Setting ‐ Act I The Crucible: Characterization ‐ Act II The Crucible: Themes ‐ Act III The Crucible: Symbolism ‐ Act IV The Crucible: Truth in Fiction The Crucible: Character Analysis The Crucible: Historical Context Project: Argument Essay ‐ John Proctor* 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. Quiz: The Crucible Alternate Quiz: The Crucible ‐ Form A* Alternate Quiz: The Crucible ‐ Form B* "Arrangement in Black and White": Satire and Writer Purpose "The Negro Artist and the Racial Mountain": Harlem Renaissance Project: Web Quest: The Life and Art of Zora Neale Hurston Quiz: Harlem Renaissance Alternate Quiz: Harlem Renaissance‐ Form A* Alternate Quiz: Harlem Renaissance‐ Form B* Their Eyes Were Watching God: Figurative Language Their Eyes Were Watching God: Setting Their Eyes Were Watching God: Literary Elements Their Eyes Were Watching God: Themes Their Eyes Were Watching God: Language and Imagery Project: Essay: Searching for Love and Self in Their Eyes Were Watching God "If Black English Isn't a Language, Then Tell Me What Is?": Language Structure Project: Essay with Textual Evidence ‐ Slide Show Presentation Quiz: Their Eyes Were Watching God Alternate Quiz: Their Eyes Were Watching God‐ Form A* Alternate Quiz: Their Eyes Were Watching God‐ Form B* Special Project* Review Test: Modernism in America Alternate Test: Modernism in America ‐ Form A* Alternate Test: Modernism in America ‐ Form B* Glossary and Credits Unit 7: POST‐WORLD WAR II Assignments English III 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. English III English III 17. 18. 19. The Literary Scene in Post ‐ World War II America "The Petrified Man": Southern Gothic and Language "A Good Man is Hard to Find": Drawing Inferences and Word Meaning Quiz: Southern Gothic Alternate Quiz: Southern Gothic ‐ Form A* Alternate Quiz: Southern Gothic ‐ Form B* John F. Kennedy's Inaugural Address: Analysis "For the Union Dead": Poetic Devices "The Man Who Was Almost a Man": Literary Elements Quiz: Kennedy, Lowell, and Wright Alternate Quiz: Kennedy, Lowell, and Wright ‐ Form A* Alternate Quiz: Kennedy, Lowell, and Wright ‐ Form B* "The Lonesome Death of Hattie Carroll": Meaning of Lyrics "Over S.E. Asia": Theme of War "Poem": Interpretation "Let Sleeping Dogs Lie": Analyzing Satire as a Tool of Criticism Message and Media "Attack the Water": Archetypes and Structure Quiz: Theme, Archetype, and Interpretation 20. 31. 32. 33. 34. 35. 36. Alternate Quiz: Theme, Archetype, and Interpretation ‐ Form A* Alternate Quiz: Theme, Archetype, and Interpretation ‐ Form B* "Sestina": Analyzing Form and Meaning "The Problem that Has No Name": Women and Cultural Context "Mirror": Analysis Project: "The Quilt of a Country": Slideshow Presentation Project: College and Career Research and Presentation Writing Conventions: American Standard English Quiz: Analysis of Post WWII Writing Alternate Quiz: Analysis of Post WWII Writing ‐ Form A* Alternate Quiz: Analysis of Post WWII Writing ‐ Form B* Special Project* Review Test: Post‐ World War II Alternate Test: Post‐ World War II ‐ Form A* Alternate Test: Post‐ World War II ‐ Form B* Glossary and Credits 3. Alternate Exam: English III Semester II ‐ Form A* 2. Alternate Exam: English III Final ‐ Form A* 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. Unit 8: Semester Review and Exam Assignments 1. 2. Review Exam: English III Semester II Unit 9: Final Exam Assignments 1. Exam: English III Final
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