Encontro Open Source Portugal
30 de Maio, 2016
Open Artwork
Copy, Remix, Transform
A Different Interpretation
Rita Sá
Programa Doutoral em Media Digitais
FEUP
Romy Achituv & Camille Utterback, Text Rain, 1999
David Bowen, Telepresent Wind, 2011
Oliver Laric, 3D Scan of 18th Century Statue Mars by John
Bacon , 2015
Matsys, HoneyComb Morphologies , 2004 – Fig. 1- Cut Files; Fig. 2 – Exhibition View
Shih Chieh Huang, EWIF - Exactly Where I'm from (blue + red)
Instructional Manual, 20 page view plus warning detail, 2011
“A work of art, (... ) is a complete and closed form in its
uniqueness as a balanced organic whole, while at the same
time constituting an open product on account of its
susceptibility to countless different interpretations which do
not impinge on its unadulterable specificity. Hence, every
reception of a work of art is both an interpretation and a
performance of it, because in every reception the work takes
on a fresh perspective for itself.”
Umberto Eco in Open Work, 1989, p.5
John Cage, Concert for Piano and Orchestra, 1958 (instruções)
John Cage, Concert for Piano and Orchestra, 1958 (4 exemplos de páginas)
John Cage, Concert for Piano and Orchestra, 1958 - exemplo de partituras/interpretação de
Joana Sá, 2012
F.A.T. Lab, How to Build a Fake Google Street View Car,
2010.
Instructions and files available at
http://fffff.at/google-street-view-car/
Lucio Fontana, Concetto Spaziale, 1964
Adriana Varejão, Parede com Incisões a
La Fontana, 2000
Vik Muniz, Concetto Spaziale, After Lucio
Fontana, 2008
Obrigada.
Rita Sá
Programa Doutoral em Media Digitais
Faculdade de Engenharia da Universidade do Porto
[email protected]