Activity report of visit to InGRID research infrastructures Name and last name András Lévai Project title What extend there are in the difference in creative industry definition according to job description Abstract (max 300-500 words) The classifications of creative economic activities are messy. Some of them were based on cultural industry classifications, some of them are based on new ideas. So there are overlaps or missing definitions. These definitions are industry or jobtitle based, they are not flexible, dynamic enough. Is creativity on a job level really reflected in the current classification system? According to our research the key information not in the categorisation system it’s embedded in job descriptions, which information tells what happens at a specific job in a specific industry. Our research was based on the job vacancies in region of Győr. Győr is the sixth largest city in Hungary, which was a cereal trading center in the 19th century that transformed after cereal demand decrease to an industrial city. Győr is famous for the Audi factory, which is the world’s biggest engine producing plant and for education, the Jesuit Academy founded in 1718 offered theological, philosophical and juridical training, in the 20th century Transportation and Telecommunications Faculty of Technical Sciences and since 2002 the Széchenyi István University. The graduates according to the regions are often working for the automotive industry. The creative industry classifications doesn’t contains the automotive industry, but as an Audi employee if you creating the back light desing of a car you’re not part of the creative industry according, however design is part of it. In Richard Florida classification the accountant counts as a creative worker. It seems so that some of the classification seems to wide some of them are to narrow. Győr looks not like creative city, but the economy is booming. At the Center of Jobknowledge Center we think that creativity on a job level not really reflected in the current classification systems. So we manually collected job vacancies, which were posted online and manually coded into the different classifications. After that we compared it against our classification which was based the semantic meaning of the word, creativity means create something new. As a research question for the future, we would like to compare to the most creative cities/regions to area in Europe on job description level. Introduction and motivation of visit This was my second visit at AIAS with InGrid. At the first time we developed an application, which collected job vacancies and allowed to make some research on it. We wanted to bring it to the next level so we started negotiations with job vacancy sites to cooperate and make research on their date. This is a longer process to get the data, so we decided to split the visiting grant into 3 parts. We succeed to gain the data but we ran out of time, one of the biggest said yes, but we have only the sample data and a contract. So we couldn’t run the analysis on a big data level, we used my data collection from the region of my University, Győr. Im writing my PhD about the creative city and economy, so I was very curious how can we grab the creativity on the job tasks and skill level. Scientific objectives of visit Make a research about creative jobs, try to define creative economy from job tasks and skill level. The approach to creative economic activites was until this research industry or job title level. 2 Reasons for choosing research infrastructure and datasets/surveys/... CJKR and AIAS have an approach about the economic activities in job tasks and skills level. They also have a connection to Wageindicator and Monster. Activities during your visit (research, training, events, ...) -negotiation with job portals to gain vacancy data -collecting data via API -programming/developing -manual collecting of job vacancies from the region Győr -manual coding of the vacancies -collecting the literature -writing a literature review Method and set-up of research Manual coding of web crawled job vacancies. Project achievements during visit (and possible difficulties encountered) Outline for a journal article and a dataset for the research. Preliminary project results and conclusions After the manual coding of the job vacancies, it was clear, that the job title based approach is to wide, the industry based approach is too narrow. In Győr we could find lot of engineering type of jobs, where creativity needed to solve yet not known problems and to enchance production, only the creative class classification contained it. Job tasks and skills level based creativity research shows us that the creativity is not just in the cultural industry. Outcomes and future studies We should continue the research on the Monster data, using the developed application and find the creative jobs from the skills and tasks. It would be also nice to see how the creativity is distributed in regions and compare it to economic growth. References Comunian, R., Faggian, A., és Li, Q. C. (2010): Unrewarded careers in the creative class: The strange case of bohemian graduates: Unrewarded careers in the creative class. Papers in Regional Science, 89(2), 389–410. doi:10.1111/j.1435-5957.2010.00281.x Creative Industries Mapping Document. Department for Culture, Media and Sport. Creativity, Culture and Education. 1998. http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/public ations/4740.aspx Creative Industries Mapping Documents. Department for Culture, Media and Sport. Creativity, Culture and Education. 2001. https://www.gov.uk/government/publications/creative-industries-mapping-documents-2001 (Letöltve: 2014. szeptember 16.) 3 Design Terminál (2014): A kreatívipar mint erőforrás. A kreatív ágazatok mai és jövőbeni hozzájárulása Magyarország versenyképességéhez. http://www.designterminal.hu/sites/default/files/documents/a_kreativipar_mint_eroforras.pdf Drake, G. (2003): “This place gives me space”: place and creativity in the creative industries. Geoforum, 34(4), 511–524. doi:10.1016/S0016-7185(03)00029-0 Florida, R. L. (2010): The Great Reset: How New Ways of Living and Working Drive Post-Crash Prosperity. New York: HarperCollins. Győri F. (2010): A tehetségföldrajz elméleti és gyakorlati kérdései. Magyarországi modellvizsgálatok. Pécsi Tudományegyetem Természettudományi Kar Földtudományok Doktori Iskola. Pécs. PhD. disszertáció. http://old.foldrajz.ttk.pte.hu/phd/phdkoord/nv/disszert/disszertacio_gyori_nv.pdf. Hall, P. (1998) Cities in Civilization: Culture, Technology, and Urban Order. London, Weidenfeld & Nicolson, 1998; New York, Pantheon Books. Howkins, J. (2002): The Creative Economy: How People Make Money from Ideas. Penguin Books Limited. Lengyel B., és Ságvári B. (2011): Kreatív foglalkozások és regionális tudásbázis: Fogalmak, folyamatok és területi összefüggések. Tér És Társadalom, 23(4), 1–26. Lengyel I., és Rechnitzer J. (2004): Regionális gazdaságtan. Budapest-Pécs: Dialóg Campus. Musterd, S. (2004): Amsterdam as a creative cultural knowledge city. Built Enviroment, 30(3), 225-34 Nijkamp, P., és Geenhuizen, M. S. van. (2012): Creative knowledge cities : myths, visions and realities / edited by Marina van Geenhuizen, Peter Nijkamp. Cheltenham, UK: Edward Elgar. Park, R. E. (1925): The City. University of Chicago Press. Rittgasszer I. (2011): Kreatív kistérségek Magyarországon. Tér és Társadalom, 23(4), 27–44. Romein, A és Trip, J.J. (2012) Theory and Practice of the Creative City Thesis: Experiences from Amsterdam and Rotterdam. Creative knowledge cities : myths, visions and realities / edited by Marina van Geenhuizen, Peter Nijkamp. Cheltenham, UK: Edward Elgar. Schumpeter, J. A. (1912). Theorie der Wirtschaftlichen Entwicklung (English translation, 1934: The Theory of Economic Development. Cambridge, MA: Harvard University Press). Leipzig, Duncker und Humblot. Williams, R. (1985): Keywords: A vocabulary of culture and society. Oxford University Press. http://books.google.com/books?hl=en&lr=&id=KnNWD9EYCGgC&oi=fnd&pg=PA11&dq= %22had+lost+touch+with+all+my+university+friends.+Then,+after+many%22+%22I+had+co me+to+Cambridge+from+a+workingclass+family+in+Wales.%22+%22something+more+general:+that+we+have+different+immedia te+values%22+&ots=YlRMX0vViQ&sig=ceTkgbtke7U7gg2MxHg5KHMLNow 4
© Copyright 2026 Paperzz