Barbie Icon of Femininity “Just a Piece of Plastic”? Questions Does it makes sense to condemn Barbie as a negative role model who embodies… subordinate femininity? compulsory heterosexuality? white, blonde culture? corporate dominance? How else might we regard her? Barbie and the commodification of race and gender difference More than simple instruments of pleasure and amusement, toys and games play crucial roles in helping children determine what is valuable in and around them. Dolls in particular invite children to replicate them, to imagine themselves in their dolls’ images. What does it mean, then, when little girls are given dolls to play with that in no way resemble them? Ducille, “Dyes and Dolls” (1994) “Dream in their own image?” Regardless of what color dyes the dolls are dipped in or what costumes they are adorned with, the image they present in the same mythically thin, long-legged, luxuriously-haired, buxom beauty. Ducille, “Dyes and Dolls,” 1994 Toy Theory? objects that do the dirty work of patriarchy and capitalism . . . in the guise of child’s play. symbol and a symptom of what multiculturalism has become at the hands of contemporary commodity culture: …gives us the face of cultural diversity without the particulars of cultural difference. (Ducille, 1994) Image: https://s-media-cacheak0.pinimg.com/736x/aa/a5/65/aaa565563 30ab82cbea9c52db55a9058.jpg Barbie Fashionista collection, 2015 No matter how much scholars attempt to intellectualize it otherwise, "race" generally means "non-white", and "black" is still related to skin colour, hair texture, facial features, body type, and other outward signifiers of difference. A less neutral term for such signifiers is, of course, stereotypes. In playing the game of difference with its ethnic dolls, Mattel either defies or deploys these stereotypes, depending on cost and convenience. (Ducille, 272) “From Colored Francie of the 1960s to Soul Train Shani of the 1990s [and beyond], Mattel has seized every opportunity to profit from shifts in racial, cultural, and social politics” (Ducille, Skin Trade, 39). Mexican Barbie, 2013 We need to theorize race and gender not as meaningless but as meaningful -as sites of difference, filled with constructed meanings that are in need of constant decoding and interrogation. (Ducille, 275) Shani, Nichelle and Asha (1992) Barbie® Quinceañera Doll Pink Label® Designer: Carlyle Nuera Release Date: 2/8/2017 Feliz Quinceañera! From the beautiful ceremony presenting a young woman to family and friends, to the elaborate festivities, Quinceañera Barbie® doll is excited to celebrate a young woman's 15th birthday. This beautiful doll makes the perfect keepsake to mark this special day and celebration. •Body Type: ModelMuse •Facial sculpt: Teresa •Fashion Sewn On: No •Fashion: Royal purple quinceañera era gown with vertical tulle accents; bodice features sheer overlay with silver holographic glitter print •Accessories: Gem-drop earrings, silvery tiara, bracelet, and shoes •Doll Stand: Yes •Package Dimensions (H/D/W): 13“ x 3“x 8.5“ From navigating the skies to skating on ice, from health care to pet care, from emergency response to culinary arts, Barbie® doll's career aspirations know no bounds. Future professionals can explore their own career aspirations and many possibilities with themed dolls. Each doll wears a professional outfit with signature style and comes with an iconic accessory to expand storytelling fun. The Barbie® firefighter doll is ready to fight any fire in a red firefighter coat, black pants and boots. A red firefighter hat with a "B" emblem completes the uniform and keeps Barbie® doll safe when she’s fighting fires! Be anything with Barbie® career dolls! Barbie® firefighter doll is ready to fight any fire in a red firefighter coat, black pants and boots. A red firefighter’s hat with signature “B” emblem completes the uniform and keeps Barbie® doll safe when she’s fighting fires! Collect all the Barbie® career dolls to expand the professional storytelling fun. http://www.motherinthemix.com/singlepost/2016/02/03/The-New-Barbie-My-Mixed-Review Barbie and the straight-to-DVD market 1:03:00 – “pink, post-feminist pedagogy”? Rogers, “Hetero Barbie” In no uncertain terms Barbie demonstrates that femininity is a manufactured reality. It entails a lot of artifice, a lot of clothes, a lot of props such as cuddly poodles and shopping bags, and a lot of effort, however satisfying at times. If Barbie can join drag queens as an exemplar of the constructed character of femininity, she can also be an icon of nonheterosexual femininity. (Rogers, 95) RuPaul, “RuBarbie,” and Drag Barbie … points to what Jesse Barrett (1996) sees as “mass culture’s power to define, commodify, and mutate sexual identity.” Put more queerly in terms used in Out magazine: RuPaul’s larger-than-life, gayer-than-gay presence on runways, VH1, and New York radio and everywhere else … suggests that the mall of America has embraced him not as a novelty but as a genuine homo star. But it doesn’t take a drag queen to have an impact. (1997:96) Mattell can unintentionally sponsor the same impact, it seems.... (96) Barbie Activism Barbie Liberation Organization THE BLO -- BARBIE LIBERATION ORGANIZATION -- STRIKES By BRIGITTE GREENBERG Associated Press Writer SAN DIEGO (AP) When 7-year-old Zachariah Zelin ripped off the Christmas wrapping, he squealed with delight. Santa brought the talking G.I. Joe doll he wanted. Problem was, Joe talked like Barbie. His doll stands at the ready in its Army fatigues, machine gun and hand grenades at its side. But it says things like, "Want to go shopping?" The BLO has claimed responsibility. That's Barbie Liberation Organization. Made up of more than 50 concerned parents, feminists and other activists, the BLO claims to have surreptitiously switched the voice boxes on 300 G.I. Joe and Barbie dolls across the United States this holiday season. "We have operatives all over the country," said one BLO member, who wished to remain anonymous. "Our goal is to reveal and correct the problem of gender- based stereotyping in children's toys." Among the messages the tampered G.I. Joe utters are, "I love school. Don't you?" and "Let's sing with the band tonight." In a deep voice, the altered Barbie says, among other things, "Dead men tell no lies." Toy Theory, again. Barbie and similar dolls: objects that do the dirty work of patriarchy and capitalism in the most insidious way – in the guise of child’s play. (Ducille, 1994) a symbol and a symptom of what multiculturalism has become at the hands of contemporary commodity culture: an easy and immensely profitable way off the hook of Eurocentrism that gives us the face of cultural diversity without the particulars of cultural difference. (Ducille, 1994)
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