Outside Reading Final Project
Select three of the following assignments and complete by due date:
1. Critique from the point of view of a special organization. Select an
organization that might have a lot to say about the actions or portrayals of
the mentor in the nonfiction book you read, and write a critique of the book
from its point of view. For example, the Society for the Prevention of Cruelty
to Animals might have a lot to say about Lennie’s treatment of animals in Of
Mice and Men, The National Association for the Advancement of Colored
People on the portrayal of Crooks, and the National Organization of Women
on the portrayal of Curley’s wife and the fact that she was never given a
name.
2. Social worker’s report. If the events in your book merit it, write up a report
as a social worker would on the conditions in the home and whether or not it
is a good environment for a child. For example, if a social worker went to the
McNabs’ house in Maniac Magee by Jerry Spinelli, how would she describe
the home and parenting style of Mr. McNab? What would her
recommendations be?
3. College application. Create the application that a character you have just
read about could write and submit to college. Use all the information you
know about the character and infer and create the rest of it. On the
application include Name, Academic Rank in Class, High School Courses Taken
and Grades, Extracurricular Activities and Personal Activities, and Work
Experience. Choose one of the following questions to answer in a two-page
essay from the character’s point of view: what experience, event, or person
has had a significant impact on your life? Discuss a situation where you have
made a difference. Describe your areas of interest, your personality, and how
they relate to why you would like to attend this college.
4. School counselor’s recommendation letter. Write a summary appraisal
from the school counselor’s point of view that assesses the character’s
academic and personal qualities and promise for study in college. The college
is particularly interested in evidence about character, relative maturity,
integrity, independence, values, special interest, and any noteworthy talents
or qualities. Why do you feel this student would be well-suited to attend
college?
5. Talk show invitation. Select a character from your nonfiction book, think
about his or her involvements and experiences, then figure out which talk
show would most want your character on as a guest. What would they want
the character to talk about? Who else would they invite on the show to
address the issues the character is involved in? Write up the correspondence
between the talk show host and the character in which the host explains
what the character should focus on while on the show. After the show, have
them exchange one more letter mentioning how they felt about what
happened.
6. Radio exchange. Your character calls into a radio show for advice. Choose
which show your character would call in to and then create the conversation
he or she would have with the radio advice giver.
7. Movie recommendations. From all the movies you’ve seen in the last couple
of years, pick five you would recommend that your character see. Give a brief
summary of each movie and explain why you think the character would see.
Give a brief summary of each movie and explain why you think the character
should see it.
8. Yearbook entries. Imagine what three or four characters from your novel
were like in high school. Cut out a picture of a person from a magazine to
represent each character. Mount one picture per page and under each picture
place the following information which you will create: first and last name,
nickname of character, activities, clubs, sports they were in and what years;
class mock award such as “class clown”; quotation that shows something
about the person and what is important to him or her; favorites such as
colors and foods; a book that has had a great impact on him or her; voted
“most-likely-to” what?; plans after high school.
9. Letter exchange. Create a letter exchange between a character and the
author or write a series of self-reflective letters from several characters on
what the character learned about himself, others, and life.
10. Awards. Create an award for each of the main characters based on their
actions in your nonfiction book. One might be awarded “most courageous”
for fighting peer pressure, another might be awarded “wisest” for the
guidance he or she gave other characters. For each award, write a paragraph
that explains why this character deserves this award.
11. Dream vacation. Where do you think your character would like to go on a
vacation? Pick a spot, describe it, and explain why he or she would want to go
there. Complete an internet research. Decide when your character is going to
take his/her trip, check availability and get pricing for the flight, rental car,
hotels, etc. Then write a day-by-day itinerary of what the character would do
each day and why you think the character would enjoy this activity. Include
the estimated cost of the trip.
12. Scrapbook. Think about all the kinds of mementos you would put in a
scrapbook if you had one. Then create a scrapbook for your character, cutting
out pictures from magazines or drawing the mementos he or she would have
in a scrapbook. Think about Willie in The Crazy Horse Electric Game by Chris
Crutcher. He would probably have something in his scrapbook to represent
his baby sister, his love of baseball, his accident, his experiences in L.A., and
so on.
13. File a complaint. Adapt the persona of one of the characters who you feel
was portrayed in a sexist or racist manner. Write up a complaint explaining
what you feel was unjust in your portrayal and explain the actions you would
like the author to take to remedy the biased portrayal.
14. Make up a word test for your nonfiction fiction book. Think of fifteen
words that are essential to the understanding of the book. Explain why you
picked the words you did and how you would define them in terms of the
story.
15. Found poem. Select a chapter from the book you have just read that you
consider powerful or interesting. Then select words, lines, and phrases that
you think project strong images and show the impact the chapter makes.
Arrange this material into a poem.
16. Name analysis. Select a few of the characters from your book. Look up each
of their names in a name book or online to see what the name means. Write
all the meanings down and then write a short essay for each character
explaining in what ways the name is suitable and in what ways the name
does not fit the character.
17. Current events. Select five current news or feature stories from television or
news magazines that you think your character would be interested in. Then
explain how your character would respond to each of the stories and the
opinions your character would have about what was happening in the story.
18. Advertisements. To show your understanding of a character, go through
several magazines and newspapers looking for advertisements of goods you
think your character would like. Cut out the pictures, mount them on a
construction paper or a small poster board, and under each picture write a
few lines about why this product would appeal to your character.
19. A pamphlet. Think of an issue that was very important to your character.
Then create a pamphlet aimed at persuading others of the importance of the
issue. Include factual information, testimonials, pictures or graphics, etc. For
instance, Charlotte from The True Confessions of Charlotte Doyle by Avi might
want to create a pamphlet explaining the reasons women should have more
life choices.
20. Draw a scene. If you are artistic, think of an important scene and draw it the
way you see it. Place the characters in the scene too and then figure out
where you were in relation to the characters when you read the book. Then
write your explanations of why you drew the scene the way you did and why
you think you were where you were in the scene. What does it tell you about
who you related to in the book?
21. New acquaintances. Select two characters. Then think about three to five
people, living or dead, that you would like your characters to meet. Write
about how you selected these new acquaintances and what you’d like the
character to learn from the people you introduced him or her to. For
instance, after reading The True Confessions of Charlotte Doyle you might
want Charlotte to meet Sojourner Truth so she can see other women who do
important work, Madame Curie who worked in a field not many women ever
entered, and so on.
22. Book choices for character. Select a character and then choose five books
for him or her , thinking about what he or she might like and also what you
think they need to know more about. Scan library shelves, the Internet, or
use the library’s computer card file. Why did you select the nonfiction books
you did? What do you hope your character will like about or get out of the
fiction?
23. Community resources for characters. After looking online, create a file of
community resources that would help a character in your book cope with an
issue. If the main character has alcoholic parents, you could collect
pamphlets, names of self-help groups, and any agencies that address the
problem. Then create a display board so others can see what is available. The
name of your book, the author, and character’s name need to be on the poster
board in addition to the issue they are facing. For examples, coping with
alcoholic parents.
24. Family history. Create the history of the family of one of the main characters
in your book. For instance, in Spite Fences, what would Mama’s life have been
like? What major events affected her family? How were such things as
holidays and birthdays celebrated? What is important to this family?
25. Detective work. If a detective or police officer suddenly showed up in your
book, who or what would they be investigating? Write about what the
detective is looking for, how he or she knew something was awry or needed
investigating, and what was recommended. For example, in Spite Fences, a
detective could show up at Maggie’s home to investigate the physical abuse
or an undercover policeman could be in town investigating civil rights
violations.
26. The Dating Game. Imagine that some of the characters are writing up
resumes so they can appear on the “Dating Game” show. What would they
say about themselves and what would they say they would like in a
significant other?
27. Create a character’s room. We learn a lot about people by what they keep
in their closets, what they have on their walls, what they select to put in a
room. Select a character you know well and create a living room, bedroom,
kitchen, or some other room that would mean a lot to the character. Draw it
or write about it, making sure to include an explanation of why you designed
the room as you did.
28. Playlist. Design a playlist for a character you know well, being sure that the
collection includes music that expresses as many aspects of the character as
you are aware of. Name the album you have created and design a cover that
your character would approve of.
29. A character alphabet. Choose a character you liked and then create
sentences based on the alphabet scheme (A-Z) that demonstrate your
knowledge of the character. If after reading Spite Fences, you decided to write
Zeke’s alphabet it could start like this: A is for the ABUSE Zeke took at the
hands of a racist mob.
30. Actual news article collection. Collect actual news articles about your
mentor. Print/cut the full articles or tear articles out of a magazine. Write an
explanation of how the articles reflect the book and/or explain what was left
out of the book and why.
31. Mapping events. Draw or print a map of where key events in the text take
place. You can draw or print the map. Be sure to pin and clearly label your
map. Also, include a sentence on the map of why this was a key location.
32. Create an advertisement. Create an advertising campaign to sell a product
that is significant to your mentor. Create an ad that you would find in a
magazine. Then do a write up explaining which of Aristotle’s appeals you
used: ethos, pathos, or logos. Explain why you used each appeal and how it is
demonstrated in the ad.
33. Timeline. Create a detailed timeline with key events from your book. You
may want to include pictures.
34. Casting calls. Select people (fictional, famous, or otherwise) to play the role
in a movie version of your nonfiction book. Explain which character traits
were considered in each selection.
35. “Sell” your book. Create a PowerPoint presentation to “sell” your book to
the class. Get them to read it!
36. Tabloid story. Exaggerate either characteristics or events from your text
and write a funny or outrageous tabloid story related to it. You may want to
include a picture to support your alleged verbal evidence.
37. Create a classified ad. Select a personal item of your mentor and create a
classified ad as seen in newspapers. Provide a photograph of this item and an
explanation as to why this character would be selling this item and its
significance as related to your nonfiction book.
38. Coat of Arms. Create a family coat of arms for a character from your
nonfiction book. Be sure to include a written explanation of the symbols
included in your coat of arms.
39. Thematic collage. Select a theme from your book and create a collage or
collection of images related to the theme. Images can be hand-drawn,
printed, or clipped from a magazine or newspaper. Then do a write up
explaining the theme and images you selected.
40. Comic strip. Create a detailed comic strip of representing events from your
nonfiction book. See examples from the newspaper. Be sure to give your
comic strip a name and then complete a write up explaining what is
happening in the comic strip and how it relates to your nonfiction book.
41. Editorials. Provide an opinion about a hot topic in your nonfiction book.
View several examples of an editorial from the newspaper and model your
article after the examples. Be sure your article clearly reflects events in your
book.
42. Flags. Create a flag representing either an actual country from your
nonfiction book (like Libya) or a fictitious place that your mentor has created
himself or herself (like Narnia). This project should be accompanied by a
brief report explaining what ideas the colors and images on the flag
represent.
43. ID badge. Create identification cards (a driver’s license, a school ID, etc.) for
your mentor. Include relevant details on the ID. Please use your own license,
school ID, or research a specific type of ID online.
44. Illustrated quotes. Choose a meaningful quote from your text. Explain why
the quote interests you and then write the quote on a blank sheet of paper
and draw related images. Be sure to include the name of your character or
author.
45. Instructions. Write instructions from the point of view of your mentor on
how to perform an operation, skill, experiment, etc. Explain how this is
significant to your book and character.
46. Inventions. Create and illustrate and invention your mentor has created or
something that you could invent to help your mentor accomplish a
challenging goal. Either way, explain the invention and why it is significant or
how it helps your character address a problem.
47. Limerick. Write a limerick about a key event from your nonfiction book.
Adhere to limerick writing rules. Please research.
48. Magazine cover. Create a magazine cover for next month featuring your
mentor. Images may be drawn or printed. Select a magazine that is already in
existence that would reasonably feature your mentor. Replicate the cover
and include feature article titles. You may want to peruse the magazine shelf
at Barnes and Noble for ideas.
49. Recipes. If applicable, create a recipe book that would be significant to your
mentor. Include a written explanation of how these recipes connect to your
mentor and your book. You may want to include pictures of the finished
product.
50. Stamps. Create a commemorative stamp honoring your mentor, depicting
elements from your book. This project should include a write up explaining
any symbols and the significance of your stamp as it relates to your book.