P2JW193000-4-A01700-1--------NS URBAN GARDNER A18 | CITY NEWS A18, A19 | PROPERTY A20 | HEARD & SCENE A21 GETTY IMAGES JASON MILLER/GETTY IMAGES Down but Not Quite Out Yankees disappoint, Mets battle injuries at the break | A22 WSJ.com/NY **** THE WALL STREET JOURNAL. Monday, July 11, 2016 | A17 Governor looks to help defeat de Blasio in 2017 but is wary of the risks; no serious challengers Mr. Cuomo has dissected Mr. de Blasio’s poll numbers with political allies, weighing whether the mayor can be defeated, according to people familiar with the matter. The governor has attended fundraisers for potential challengers to Mr. de Blasio. And he has told Democratic officeholders that Mr. de Blasio is politically vulnerable, people familiar with the conversations said. “The governor would be happy to see someone other than de Blasio running the city,” said Johnnie Green, a Harlem pastor and ally of Mr. Cuomo who is holding a forum BY JOSH DAWSEY AND MIKE VILENSKY As New York City Mayor Bill de Blasio’s 2017 re-election bid draws closer, Gov. Andrew Cuomo is strategizing whether and how to work against his fellow Democrat, a move that would pose a threat to the mayor’s campaign but carry its own political risks for the governor. next month with pastors to field an opponent to Mr. de Blasio. “Whether the governor will go as far as trying to identify a candidate who will run against de Blasio, I don’t know. A lot of people aren’t revealing their hands just yet.” Asked if Mr. Cuomo would support Mr. de Blasio’s reelection, a spokesman for the governor said “the only election the governor is focused on is the 2016 race and ensuring Hillary Clinton becomes the next president.” Dan Levitan, a spokesman for the mayor’s re-election campaign, said it would be “pretty shocking to a lot of progressives and struggling New Yorkers if the governor was trying to undermine the progress the mayor has made on crime, pre-K for everyone [and] affordable housing.” Mr. Cuomo’s deliberations have the mayor’s allies on edge. People close to Mr. de Blasio said they don’t believe there is currently a serious Democratic challenger, but that the dynamic could change if the governor threw his fundraising and political apparatus behind a candidate. The primary is to be held in September 2017. Interviews with a dozen Please see CUOMO page A18 Cardinal Asks for Peace, Justice BY ZOLAN KANNO-YOUNGS TODAY’S HIGH Weather Real Feel 9 a.m. 71° 5 p.m. 83° Record High 98° (1998) MOSTLY SUNNY Sunrise/Sunset 5:35 a.m./8:28 p.m. Tuesday’s High 85° N.Y. Sports Lineup 7:05 p.m. Monday S.I. Yankees @ Spinners 7:05 p.m. Monday Cyclones @ IronBirds For N.Y. sports coverage, see A22 Developers Find Materials of Old Give Towers Buzz Cardinal Timothy Dolan sought prayers for African-Americans and for police officers on Sunday. took turns condemning police brutality. One man grabbed a microphone and began singing Sam Cooke’s “A Change is Gonna Come,” eliciting loud applause. Lily Gantt, 24 years old, of Brooklyn, said the recent shootings made her afraid to attend a protest. But after talking with her friends, she said she decided to participate. “Other people are together with you, and that feeing of togetherness can be really comforting right now,” said Ms. Gantt, whose shirt quoted civil-rights activist Rosa Parks saying simply, “Nah.” Brandon Schreck, 46 years old, of Brooklyn, said he attended the protest because the recent violence made him sick. He said he hoped the demonstrations would continue in the weeks to come. “It’s too painful,” Mr. Schreck said of the recent shootings. “I’ve been crying every morning and I don’t know what to do.” Police shoot, injure man with gun in Brooklyn incident... A19 Developer Scott Shnay wanted his new condominium building to pay homage to the industrial roots of its NoHo neighborhood in Manhattan while also standing out among the city’s forest of glasssheathed towers. He found his PROPERTY solution when his architect, Annabelle Selldorf, showed him a small piece of pumpkin-colored terra cotta that had been lying around her office. That was five years ago, and Mr. Shnay eventually used the terra cotta for the facade of his new building, known as 10 Bond Street, which sold out earlier this year. “It’s not a glass sort of ethereal building, it has a gravitas to it,” said Mr. Shnay, a SK Development principal. “I think a lot of that comes back to the materials.” Throughout the city, some developers are increasingly relying on terra cotta and other materials used extensively in the construction of buildings in the late 19th and early 20th centuries. For apartment buyers and developers, the old materials can evoke a certain authenticity and appeal to sustainability, especially in an era of shimmering contemporary towers made of aluminum and glass. The old materials can already be seen in historic buildings across the city. The decorative exterior of the Woolworth building is fashioned in terra cotta, and the material outlines the brick facade of the De Vinne Press Building in Manhattan. The Puck Building in the Nolita neighborhood of Manhattan was constructed in 1885 with terra cotta—along with granite, brick and sandstone. New projects under way us- ing old materials include SK Development’s 301 East 50th Street, a 30-story tower with a limestone facade. JDS Development’s American Copper Buildings on the Upper East Side opens its doors later this year. Its founder, Michael Stern, said the firm was developing the 10-story Fitzroy in Chelsea, with a terra-cotta facade and copper-framed windows, because customers appreciate materials that look better—and change color—as they age. Christine Jetten, whose studio specializes in natural materials, said she was conscious of the future when she designed 1 Great Jones Alley in NoHo with a facade of terracotta pilasters. ‘It’s not a glass sort of ethereal building, it has a gravitas to it,’ said a developer. “We consider the lifespan of a building again with more and more close attention,” Ms. Jetten said in a phone call from the Netherlands. “Clay, ceramics, is really an environmental-friendly material that lasts for centuries and ages beautiful. So now we’re thinking about what footprint we make on the Earth.” Ms. Jetten has gotten busier over the past decade. In 2011, she said, her studio had six projects at most. She now has 19 developments or restorations planned around the world. A similar rise in demand has been seen at Boston Valley Terra Cotta in Orchard Park, N.Y., near Buffalo, according to international sales manager Bill Pottle. Mr. Pottle said before 2000 the company only Please see DESIGN page A20 How the Art World Reacted To the Plague Years of AIDS BY SUSAN DELSON It looks like something you might pick up in any well-stocked toy store. But the teddy bear in Charles LeDray’s untitled 1991 sculpture is no toddler’s companion. Dressed in a white funeral suit, it lies in a tiny, silk-lined coffin—another victim of the AIDS crisis that was then tearing through the art world, and the world at large. How artists grappled—and continue to grapple—with the epidemic is the focus of “Art AIDS America,” opening Wednesday at the Bronx Museum of the Arts. In some 120 works by close to 100 artists, the show captures the rage, anguish and overwhelming sense of loss that accompanied the epidemic at its height, along with the activism it sparked and its continuing reverberation through the culture. “At first it was, ‘What the hell is happening and why isn’t anyone doing anything about it?’ ” recalled Hunter Reynolds, one of the artists included in the show. “It was like a war. You’re in your 20s and everyone around you is dying.” There is anger, among other things, in “Love, AIDS, Riot,” Marlene McCarty’s unprintable riff on Robert Indiana’s tilted-O “Love” icon. A profound sense of mourning suffuses Keith Haring’s bronze-and-white, goldleafed “Altar Piece,” its silhouette echoing medieval religious art. A dreamlike unreality haunts “Babies with AIDS (Bebés con SIDA),” Luis Cruz Azaceta’s vision of the epidemic’s youngest victims. And Mr. Reynolds’s “Survival AIDS Series 2 ACT UP Chicago with Memorial Dress photographed by Maxine Please see ART page A21 LUIS CRUZ AZACETA/GEORGE ADAMS GALLERY 81° Mayor Bill de Blasio and Gov. Andrew Cuomo at an event in June. BY ZOLAN KANNO-YOUNGS PETER J. SMITH FOR THE WALL STREET JOURNAL Cardinal Timothy Dolan urged the congregation inside St. Patrick’s Cathedral on Sunday to pray for both the African-American and law-enforcement communities following the fatal shootings of two black men and five police officers last week. “From Minnesota to Louisiana to Texas this one nation under God examines its soul and asks God for healing, peace, justice, reconciliation,” said Cardinal Dolan, the Roman Catholic archbishop of New York. The cardinal’s comments came on the first Sunday after five officers were killed by a lone gunman Thursday in Dallas during a protest sparked by the fatal police shootings of black men in Louisiana and Minnesota. “God is our creator and we are his creatures and we’re broken. So we listen to his instructions to repair,” Cardinal Dolan said to parishioners, including New York City Mayor Bill de Blasio, who sat in the front row. Mr. de Blasio, who also attended an earlier church service in Harlem, praised the New York Police Department but also said the nation continued to suffer from racism. “We have a problem in this country, in this city, and a problem we have inherited no doubt, stained upon our nation,” Mr. de Blasio, a Democrat, told parishioners at St. Patrick’s Cathedral in Midtown. “It is the norm and it still inflicts us to this day. But we must make a choice to overcome that.” The shootings by police officers in Minnesota and Louisiana prompted protests in New York City and elsewhere in the nation. On Saturday, 23 protesters were arrested in Manhattan for alleged disorderly conduct. On Sunday, a crowd of about 200 people gathered in Union Square to protest the police shootings. Seven people held one large sign displaying “Black Lives Matter,” as others ANDY KATZ/PACIFIC PRESS/ZUMA PRESS Cuomo Weighs Next Move Luis Cruz Azaceta’s ‘Babies With Aids (Bebés con SiDA),’ (1989) in ‘Art AIDS America.’
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