CompetitionRulesandRepertoire,Mid-SouthHornWorkshop2017
CompetitorsmustberegisteredfortheworkshopandpaycompetitionfeesbyFebruary17,
2017.
CommonRulesforAllCompetitions
Competingstudentsmustnothaveperformedprofessionallyunderfull-timecontract,orhavebeenpreviously
offeredsuchemploymentbyvirtueofwinningafull-time,professionalaudition.
Thejudgesreservetherightnottochooseawinner,shouldthequalityofperformancesmeritsuchadecision.The
FirstPrizewinnersofthesoloandquartetcompetitionswillbeofferedtheopportunitytoperformattheFinal
ConcertonSunday,March19,2017,anda$75.00cashprize.Eachmemberofthewinningquartetwillalsoreceive
a$75.00cashprize.
Studentsmaystandorsittoperform.Studentsarenotrequiredtoperformfrommemory.However,students
usingmusicmustperformfromlegalprintedcopies:nophotocopiesorscannedcopiesofmusicarepermitted.
Studentsneednotsupplyjudgeswithscorecopies.
Allroundswillbeopenforpublicviewing.
HighSchoolSolo
Eligibility:Studentsenteringthiscompetitionmustbecurrentlyenrolledinhighschool(grades9–12)orinahomeschoolingprogramandyoungerthan19yearsoldonMarch17,2017.
Rules:Eachentrantmustbeaccompaniedbyapianist.Thosewhoneedtouseaworkshoppianistshouldarrange
thisinadvancebyemailingDr.Kenney,[email protected].
Thiscompetitionwillbeginat11AMonSaturdayMarch18,2017.Approximatetimesofperformancewillbe
communicatedbye-mailtoentrantsinearlyMarch.
Repertoire
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ConcertoNo.1inDmajor,K.412,I.Allegro,W.A.Mozart
ConcertoNo.3inEbmajor,K447,I.Allegromoderato,W.A.Mozart
RondoinEbmajor,K371,W.A.Mozart
NocturnoOp.7,FranzStrauss
Romance,Op.36,CamilleSaint-Säens
CollegeSolo
Eligibility:Studentsenteringthiscompetitionmustbeenrolledatacollegeoruniversityasanundergraduate
student.
Rules:Thefirstroundofthecompetitionisunaccompanied.Auditionsslotswillbeassignedbyemailinearly
MarchandwilltakeplacethemorningofFriday,March17,2017.Performersadvancingtothesecondroundwill
beassignedanaccompanist.Finalroundtimebeginsat9AMonSaturdaymorning.
Finalistswillbeaccompaniedbyastaffpianist,butcompetitorsmaybringtheirownaccompanistifdesired.
Chooseoneworkforeachroundfromthefollowinglists.
Repertoire
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RoundOne
Laudatio,BernhardKrol
Intrada,OttoKetting
FantasyforSoloHorn,MalcolmArnold
CantosforSoloHorn,PaulBasler
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RoundTwo
ConcertoNo.1inEbMajor,I.Allegromoderato,RichardStrauss
Villanelle,PaulDukas
ConcertoOp.8,I.Allegromoderato,FranzStrauss
SurLesCimes,EugeneBozza
GraduateSolo
Eligibility:Studentsenteringthiscompetitionmustbeenrolledatacollegeoruniversityasagraduatestudentand
mustnotcurrentlyholdateachingpositionatacollegeoruniversity(graduateassistantshipsexcepted).
Rules:Thefirstroundofthecompetitionisunaccompanied.Auditionsslotswillbeassignedbyemailinearly
MarchandwilltakeplacethemorningofFriday,March17,2017.Performersadvancingtothesecondroundwill
beassignedanaccompanist.Finalroundwillbeginat10:00AMonSaturdaymorning.
Finalistswillbeaccompaniedbyastaffpianist,butcompetitorsmaybringtheirownaccompanistifdesired.
Chooseoneworkforeachroundfromthefollowinglists.
Repertoire
RoundOne
• Horn-Lökk,SigurdBerge
• Triathlon,PaulBasler
• Espãna,VitalyBujanovsky
• AppellInterstellair,OlivierMessiaen
RoundTwo
• ConcertoNo.2inEbMajor,I.Allegro(m.1–m.200),RichardStrauss
• ConcertoforHornandStrings,I.Allegromoderato,GordonJacob
• ConcertoNo.4inEbMajor,I.Allegro(withCadenza),W.A.Mozart
• EnFôret,EugeneBozza
HornQuartet
Eligibility:Studentsenteringthiscompetitionmustbeenrolledatacollegeoruniversityasundergraduateor
graduatestudents,andmustnotcurrentlyholdateachingpositionatacollegeoruniversity(graduate
assistantshipsexcepted).Allfourperformersinthequartetmustregisterfortheworkshopandindividuallypaythe
competitionfee.
ThiscompetitionwillbeonMarch18,2017.Approximatetimesofperformancewillbecommunicatedbye-mailto
entrantsinearlyMarch.
Repertoire
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2contrastingmovementsfromthestandardquartetrepertoire,nottoexceed12minutesofmusic.
Transcriptionsareacceptable.
MockAuditions
Eligibility:Studentsenteringthiscompetitionmustsatisfytherequirementsforeitherthehighschool,college,or
graduatesolocompetitions.
Rules:Theauditionslotswillbeassignedviae-mailinearlyMarchandwilltakeplacethemorningofFriday,March
17.
Duringtheaudition,studentswillconformtothepartsonthestand,whichwillbetakendirectlyfromthe
orchestralpartsfortheindicatedworks.
Allexcerptscanbefoundat:http://www.hornsociety.org/hornexcerpts-org
Theperformerswillbeseparatedfromthejudgesbyascreen.
Eachentrantshouldpreparealloftheexcerptsfromeitherthehighhornorlowhornauditionlist.
HighHornRepertoire(all1sthornparts)
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Beethoven—SymphonyNo.7,Op.92,I.Vivace,ms.84-101(25beforeC–2afterC)
Mahler—SymphonyNo.1,II.Kraftigbewegt,dochnichtzuschnell,ms.133-175(13–4after16)
Ravel—PavaneforaDeadPrincess,ms.1-11(beginning–4afterA).
Strauss—TillEulenspiegel,op.28,Gemächlich,(beginning–1).
Tchaikovsky–SymphonyNo.4,Op.36,I.Andantesostenuto,ms.1-20(beginning–6afterA).
LowHornRepertoire(partsindicated)
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Beethoven—SymphonyNo.3,Op.55,III.Trio:Allegrovivace,ms.169-202(2 Horn).
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Haydn—SymphonyNo.31"Hornsignal",II.Adagio,ms.1-20(beginning–8afterA)(2 Horn).
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Mahler—SymphonyNo.1,III.Feierlichundgemessen,ohnezuschleppend,ms.113-132(13–15)(2 Horn).
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Shostakovich—SymphonyNo.5,op.47,I.Moderato,(17–21)(4 Horn).
RichardStrauss,DonQuixote,Op.35.,Variation7,einwenigruhigeralsvorher,rehearsal57to5after58
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(2 Horn).