Slide 1 Joseph R. Dominick University of Georgia-Athens © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 2 Part II Media © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 3 Chapter 7 Chapter Outline Radio History Radio in the Digital Age Defining Features of Radio Organization of the Radio Industry Ownership in the Radio Industry Producing Radio Programs Economics Feedback The Radio Industry © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 4 History Early Radio Milestones 1887 – Hertz sends, detects radio waves 1896 – Marconi sends wireless Morse Code 1906 – Fessenden broadcasts voice and music Post WWI – U.S. Navy takes over patents © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 5 History Big Business GE, AT&T, and Westinghouse invest in Radio Corporation of America (RCA) Sarnoff – “radio music box” Mass Audience Frank Conrad of Westinghouse begins garage radio station KDKA (1920) Better Receivers 1926 – radios more user-friendly By 1930 – 17 million sets sold © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 6 History Radio Goes Commercial WLS, WGN, WSM, WHB AT&T sells ad time on WEAF (1922) Networks Share program production – save money NBC is first network (1926) 1937 – NBC has 111 affiliated stations, CBS 105 Government Regulation Radio Act of 1927 sets up FRC FRC allocates bands and bans portable stations © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 7 History The Depression: 1930-1940 Radio grows Roosevelt creates FCC to regulate entire electromagnetic spectrum (1934) Birth of FM Armstrong demos FM to RCA – Sarnoff is not interested – so creates his own station Radio Programs Soap operas, “The Lone Ranger” Wartime radio coverage and radio news © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 8 History World War II Network news thrives as public follows war developments with “name” correspondents. Ad revenues double 1940-1945 Supreme Court (1943) NBC NBC © 2005 The McGraw-Hill Companies, Inc. All rights reserved. ABC Slide 9 History Innovation and Change: 1945-1954 FM technically superior to AM FM and TV use same bands FM moved to 88-108 MHz, making halfmillion radios useless TV affects radio networks; stations become more local © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 10 History Specialized Formats Stations lose network affiliations Local personalities emerge Station develops “Top 40” format Clock hour invented © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 11 History Growth and Stabilization: 1955-1990 # stations: 3343 (1955) 7000 (1970) DJs’ Top 40 power leads to payola FM emerges FCC’s nonduplication rule (1965) FM begins evolving different sound NPR starts up (1970) with 80-station network © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 12 History The Volatile 1990s Telecommunication Act of 1966 Unlimited station ownership Increases same-market ownership to eight stations Result: a flurry of mergers and acquisitions Consolidation and employee cutbacks Clear Channel owns stations in 190 markets Talk Radio: Rush Limbaugh, Howard Stern © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 13 Radio in the Digital Age IBOC -- in band, on channel Simultaneous analog and digital Set to debut in 2004 Satellite radio Satellite-to automobile XM radio and Sirius subscription service Mixed commercial and commercial free Music, talk, news © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 14 Radio in the Digital Age Internet radio Specialized formats Small audiences Copyright Arbitration Royalty Panel (2002) Small Webcaster Settlement Act of 2002 © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 15 Defining Features of Radio PORTABLE SUPPLEMENTAL Radio UNIVERSAL SELECTIVE © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 16 Organization of the Radio Industry ½ billion working radios in USA 12,000 radio stations in operation Local stations, networks, and syndicators Networks Local Stations Syndicators © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 17 Organization of the Radio Industry AM and FM Stations AM = Amplitude Modulation Travels farther Clear channel – single dominant station with strong signal (50 KW) Regional channel – shared by several stations Local channel – shared by many stations FM = Frequency Modulation Better quality; less interference Class C – most powerful signal (100 KW) Classes B and A less powerful © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 18 Organization of the Radio Industry [Insert Figure 7-2 here] Figure 7-2 Simplified Diagram of the Electromagnetic Spectrum © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 19 Organization of the Radio Industry Station Formats Programming chooses an audience Three basic formats Music – Urban, AC, Top 40, Contemporary, Country Black / Ethnic – Hispanic, Polish, German, etc. News / Talk © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 20 Organization of the Radio Industry Format Homogenization Consolidation – cheaper to use same programming in all regions Low-risk decisions – it worked here, it should work there Use of a limited band of radio consultants Use of focus groups and surveys © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 21 Organization of the Radio Industry Voice Tracking A single DJ records intros, extros, chatter Music mixed in later Total program delivered to local stations © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 22 Organization of the Radio Industry Noncommercial Radio 1,900 stations (2003) Most owned by educational institutions Several channels set aside NPR (National Public Radio) 530 affiliate stations Each pays NPR a usage fee Corporation for Public Broadcasting Funded by Congress Sponsors nonprofit stations Public Radio International © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 23 Ownership in the Radio Industry Telecommunications Act of 1996 5100 different owners in 1996 3800 different owners in 2002 2 companies: 33% of ad revenue in 2003 Clear Channel Communications Infinity Broadcasting © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 24 Producing Radio Programs Departments and Staff General Manager Program Director Sales department News department Programming department Engineering department © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 25 Producing Radio Programs Putting Together a Program Music Format: uses a format wheel Talk Format Topics depend on time of day Some additional electronics Moderator with delay system Screener for incoming phone calls All-News Format Also uses programming wheel and cycle Large staff and lots of equipment © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 26 Producing Radio Programs [Insert Figure 7-3 here] Figure 7-3 Format Wheel for a Contemporary Rock Station © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 27 Economics $ Advertising revenue has increased recently $ Consolidation efficiency $ Dot-com instability $ Revenue $ Rate card $ National advertising (5%) $ Regional or national spot advertising (17%) $Local advertising (78%) © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 28 Economics $ Expenses Technical – Engineering staff, equipment Programming – Talent, tape/CDs, licenses Selling – Sales staff Administration – Management and clerical staff, interest on loans $ News – Covering stories $ $ $ $ © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 29 Feedback Ratings provided by professional research organizations Major company is Arbitron Monitors 262 markets nationwide Random sample of listeners 3-4000 day-to-day diaries with 45% return rate End product is ratings book © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 30 Feedback A rating is the ratio of listeners to a particular station to all people in a given market. A share of the audience is the ratio of listeners to a particular station to all radio listeners in a given market. © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 31 Feedback Radio Audience Profiles Two radios per person in USA 1/3 are in cars Typical day 3/4 of all adults will listen to some radio Average person has radio on for about three hours Most listen during rush-hour drive-time As people age, they tend to evolve from one format to another © 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 32 The Radio Industry Entry Level Small market Versatile – any job asked to do Most jobs are in programming and sales Upward Mobility DJs – larger markets and better time slots Sales Better accounts Sales manager General manager © 2005 The McGraw-Hill Companies, Inc. All rights reserved.
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