HERE’S YOUR CHANCE TO MAKE A DIFFERENCE IN COLLABORATION WITH: SUPPORTED BY: STARTER KIT FOR PARTICIPANTS Deadline for submissions: 1 May 2016 JOIN THE #REFUGEECHALLENGE WHATDESIGNCANDO.COM/CHALLENGE INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | CONTENTS CONTENTS 01 INTRODUCTION 4 – 5 02 BACKGROUND 6 – 10 03 BRIEF 11 – 18 04 PROCESS 19 – 21 05 CONDITIONS 22 – 23 06 RESEARCH 24 – 41 07 CREDITS 43 INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | INTRODUCTION 4 01. Introduction SHARED SPACE, SHARED FUTURE How can design help cities and refugees adapt to each other? With more displaced people than ever since World War II, it is clear that we need bold and inspiring solutions to the issues involving the reception and integration of so many refugees. Everybody who flees from war, violence or human rights infringements deserves shelter and solidarity. Yet the receiving communities are ill-prepared for the sudden arrival of so many people who are often distressed, traumatized, and bereft of all possessions. The What Design Can Do Refugee Challenge is a global design competition that calls on the creative community to come up with game-changing ideas for accommodating, connecting, integrating and helping the personal development of refugees. The challenge specifically focusses on refugees in urban areas, as nearly 60 per cent of the world’s 20 million refugees now live in urban areas. What Design Can Do (WDCD), the UN Refugee Agency (UNHCR) and the IKEA Foundation invite designers, creative thinkers and imaginative trouble-shooters from all countries and disciplines, to take part. Refugees are actively encouraged to participate. After all, the extensive refugee community includes many creative professionals with first-hand experience of the problems at stake. The call for ideas is open until 1 May 2016. An international jury will select five winners, who will receive up to 10,000 euros and expert support to develop their ideas into feasible plans, ready for implementation. INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | INTRODUCTION How design can help Nearly 60 per cent of the world’s 20 million refugees live in urban areas, and that figure is expected to rise. This means that both the receiving cities and the incoming refugees must adapt to a new reality. Lasting solutions are needed for problems related to housing, healthcare, education, work, cultural integration and many other areas. That’s why the brief for this challenge can be broken down into five areas that address specific questions. Designers can contribute daring and innovative ideas needed to deal with the long-term needs of those newly arrived. The WDCD Refugee Challenge will engage creative doers and thinkers from all disciplines and foster collaboration with refugees, NGOs, and national and city authorities to identify needs, come up with responses and test solutions, which could take the form of products, services, and / or technologies. 5 The challenge process The WDCD Refugee Challenge runs throughout the year of 2016. The process is divided into seven phases. 1. 2. 3. 4. Initiate: the call for proposals (19 Feb–1 May 2016) Contribute: feedback (1–14 May) Improve: time to refine entries (15 May–1 June) Nominate: public voting (2–14 June), selection by an international jury and announcement of finalists (1 July) 5. Accelerate: the finalists receive funding and expert support to develop their ideas into a working prototype (2 July–2 October) 6. Pitch: the elaborated plans are presented to possible implementation partners (3 October–3 November) 7. Make it happen: implementation of plans (from December 2016 onwards) Why should you enter? You are concerned about the refugee crisis and want to make a contribution to possible solutions. By participating in the WDCD Refugee Challenge you can use your skills, creativity and expertise to benefit the lives of refugees. You will be part of a global creative network and can benefit from its combined knowledge and creativity. You’ll also have access to the expertise and support of renowned humanitarian organizations such as UNHCR and IKEA Foundation and will have the chance of receiving exposure for your ideas through our communication channels and media partnerships. If you are one of the finalists, you’ll not only receive a grant of up to 10,000 euros, but will also join a special design lab and master class with renowned designers to help develop your ideas further, resulting in concrete prototypes and / or business plans. Finally, you’ll be connected with potential implementation partners. Who can participate? The WDCD Refugee Challenge is open to designers and creative thinkers of all disciplines across the world. WDCD advocates the game-changing abilities of design. Hence this competition seeks innovative ideas that really will make a difference. Proposals will be judged according to creativity, relevance, feasibility, scalability and potential impact. All entrants retain full ownership of their ideas. INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BACKGROUND 6 02. Background A GLOBAL CHALLENGE TOO BIG FOR GOVERNMENTS AND NGOS ALONE INTRODUCTION BACKGROUND BRIEF The year 2015 confronted the world with heartbreaking images and stories of hundreds of thousands of refugees packed into unseaworthy boats, trying to reach safer shores across the world. In most cases, for those who made it, the journey overseas was just the beginning of a long trek overland, pictures of which have also touched us. In 2015, UNHCR revealed that the number of global forced displaced people topped nearly 60 million for the first time since World War II. Tens of thousands of newly arrived refugees wandering across Europe, moving from one border opening to the next, triggered numerous volunteer efforts and citizen initiatives aimed at providing immediate relief. Yet a willingness to provide long-term help is tempered by concern about the impact of mass immigration. Caught between showing solidarity and acknowledging public anti-immigrant sentiments, the European Union and individual countries are struggling to find answers to the refugee crisis. PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BACKGROUND 7 EU policy Fleeing war The most recent figures from UNHCR show that 84 per cent of the 1 million immigrants entering Europe from the Mediterranean Sea in 2015 came from the top ten war-affected, refugee-producing countries, among them Syria, Iraq and Afghanistan. This contradicts the suggestion that many newcomers are not entitled to the status of refugee. In recent years UNHCR has observed that refugees are increasingly settling in cities. Today, over half the world’s 20 million refugees live in urban areas, and that figure is expected to rise. Only 10 per cent of the 4.7 million Syrian refugees registered are currently living in camps. All others reside in urban, peri-urban and rural areas. After intensive debating and negotiating, the EU agreed to fund Turkey with 3 billion euros to help improve the accommodation of people seeking refuge in the country. Better living conditions for these refugees, as well as intensified border controls, should subsequently prevent people from undertaking an uncertain journey to Europe. After more than five years of war, and with no sign of any improvement in the foreseeable future, Syrians are seeking safer havens to continue their lives. Refugees are often forced to abandon everything to escape bombs, destruction, violence and atrocities in their home countries. These people deserve the solidarity and support of the world as they are faced with the difficult decision of leaving their homes. This development prompted UNHCR to refocus and develop new policies to assist refugees living in urban areas. Refugees in cities are more dispersed than in refugee camps, creating all kinds of new challenges. Lasting solutions are needed for problems in housing, healthcare, education, work, integration and many other areas. The European Union is working hard to find ways to deal with humanitarian problems. The Dublin Treaty, which determines that the Member State through which an asylum seeker first entered the EU is responsible for examining his asylum application, is under pressure, just like the Schengen Agreement for free movement of residents and tourists across borders. In the meantime, the EU continues to enforce the Dublin Regulation, while agreement was made on the redistribution across the EU of 160,000 immigrants residing in Italy and Greece. From camps to urban areas KOSOVO ERITREA Europe is also planning to register asylum seekers in the Middle East or in so-called ‘hot spots’ along Europe’s borders (mainly in Italy and Greece). PAKISTAN ALBANIA SYRIA IRAQ SERBIA AFGHANISTAN European migration crisis 2015 Top countries of origin Source: Eurostat dataset INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BACKGROUND 8 WE NEED BOLD IDEAS HUNGARY UK These problems are clearly too complex for one institution to address alone. Bold and innovative ideas are needed for enduring solutions. What can designers and other creatives do to help both refugees and cities adapt to each other? This is the central question behind the What Design Can Do Refugee Challenge, for which UNHCR, IKEA Foundation and What Design Can Do are pooling their expertise and resources, and calling on the global creative community to make a difference. We want the designer’s input for a better future for all. FRANCE “Designers increasingly demonstrate their ability to act as pioneering game-changers, able to use their skills to recognize the problems and come up with unexpected solutions,” says Richard van der Laken, who founded What Design Can Do in 2011. Started as a two-day conference in Amsterdam, WDCD has developed into a platform that champions the impact of design on social innovation. “IKEA Foundation’s Better Shelter project is a good example of what design can do for life in refugee camps. Now designers have an opportunity to show exactly what they can do for refugees who reside in cities. Share the best you have!” NETHERLANDS BELGIUM SWITZERLAND ITALY AUSTRIA GERMANY SWEDEN European migration crisis 2015 Top countries of reception (in number of asylum applicants per 10,000 inhabitants) Refugees estimated in 2015 Source: Eurostat dataset INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BACKGROUND 9 THREE PARTNERS, ONE PURPOSE The What Design Can Do Refugee Challenge is a joint initiative of design platform What Design Can Do, the Office of the United Nations High Commissioner for Refugees (UNHCR) and IKEA Foundation. Together they challenge the international design community to come up with ground-breaking ideas for the current refugee crisis. What Design Can Do What Design Can Do (WDCD) is an Amsterdam-based design platform that advocates the social impact of design. WDCD raises awareness among professionals and the public of the potential of creativity and calls on designers to take responsibility and consider how their work can benefit society. It does so by showcasing best practices, raising discussion and fostering collaboration. Since its launch in 2011, WDCD has hosted six successful international design conferences in Amsterdam and São Paulo. Learn more at whatdesigncando.com/challenge UNHCR and UNHCR Innovation The Office of the United Nations High Commissioner for Refugees was established on 14 December 1950 by the United Nations General Assembly. The agency is mandated to lead and co-ordinate international action to protect refugees and resolve refugee problems worldwide. Its primary purpose is to safeguard the rights and wellbeing of refugees. It strives to ensure that everyone can exercise the right to seek asylum and find safe refuge in another State, with the option to return home voluntarily, integrate locally or to resettle in a third country. UNHCR Innovation is a multi-departmental unit established within UNHCR to work collaboratively with refugees, academia, and the private sector to creatively address challenges faced by uprooted or stateless people worldwide. UNHCR Innovation aims to empower staff to work together with refugee communities to design innovative solutions to the challenges they face. For more information about UNHCR Innovation and its work, visit innovation.unhcr.org INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BACKGROUND 10 IKEA Foundation The IKEA Foundation is the philanthropic arm of INGKA Foundation, the owner of the IKEA Group of companies. IKEA Foundation aims to improve opportunities for children and youth in some of the world’s poorest communities by funding holistic, long-term programmes that can create substantial, lasting change. It works with strong strategic partners, applying innovative approaches to achieve large-scale results. Learn more at ikeafoundation.org IKEA Foundation & UNHCR Partnership Since 2010, IKEA Foundation has partnered with UNHCR to help create better lives for thousands of refugee families and children in Asia, Africa and the Middle East. In 2015, the UNHCR, IKEA Foundation and BetterShelter.org launched the so-called “flat-pack refugee shelter”, a safer, more durable emergency shelter for refugee families, which has received widespread attention for its innovative design. Learn more at ikeafoundation.org Support by Art of Impact theartofimpact.nl and BankGiro Loterij bankgiroloterij.nl INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BRIEF 11 03. Brief SHARED SPACE, SHARED FUTURE How can design help cities and refugees adapt to each other? INTRODUCTION BACKGROUND BRIEF Refugees who seek asylum in a host country are limited in their possibilities. They have restricted access to work, not much money to spend, and sometimes even their freedom of movement is restricted. Families are torn apart and asylum seekers live under difficult circumstances that allow for little if any personal privacy. As a result, if asylum is finally granted the big task of integration still has to properly start, many months if not years after arrival. Feeling human is hard under such circumstances. A familiar design mantra asserts that “restrictions breed creativity”. Designers excel in finding creative solutions and opportunities within given limitations. Designers are also great collaborators, accustomed to tackling complex situations together. Given de complexity of the refugee crisis, the question is What Design Can Do? PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BRIEF AVAILABLE RESEARCH To shape the briefs, extensive desk research and field research was done to identify what experts say urgently requires attention, and to find out how these issues relate to the experience of refugees themselves. These two perspectives led to the identification of 12 important themes such as work, health and education, which were then used to compile relevant background articles and personal stories. All this information is available at whatdesigncando.com/challenge, enabling you to make a quick start with your own research and get an initial impression of the context. themes at the same time, as indicated in each brief. You are encouraged to take a holistic approach, research several themes for the brief you choose, and figure out how the themes connect around your chosen brief. The best solutions will probably respond to several themes. Although it would be tempting to present briefs dedicated to each theme, in reality they overlap and are interrelated. Indeed, the most pressing issues facing refugees are inextricably linked to several We hope you enjoy continuing the research. It will strengthen your ideas, solutions and interventions and those of others. The briefs are outlined on the following pages. BASIC NEEDS CONNECTION TO HOME HEALTH INTEGRATION & CULTURE EDUCATION MOBILITY REFUGEE JOURNEY FINANCE INTRODUCTION BACKGROUND WORK BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BRIEF 13 THE FIVE BRIEFS 1. WHAT DESIGN CAN DO TO IMPROVE SHELTERS AND RECEPTION CENTRES IN SOCIETY 2. WHAT DESIGN CAN DO TO FOSTER PERSONAL DEVELOPMENT WHILE WAITING FOR ASYLUM 3. WHAT DESIGN CAN DO TO BRING REFUGEES AND HOST COMMUNITIES CLOSER TO ONE ANOTHER 4. WHAT DESIGN CAN DO TO EXCHANGE ESSENTIAL INFORMATION WITH REFUGEES 5: WHAT DESIGN CAN DO TO MAXIMIZE THE POTENTIAL OF REFUGEES APPLY FOR CITIZENSHIP ASYLUM GRANTED VOLUNTARY RETURN TO HOME COUNTRY ARRIVAL CLAIM FOR ASYLUM EMERGENCY RECEPTION SHELTER CENTRE IRREGULAR STAY REJECTION FINAL REJECTION APPEAL FORCED RETURN TO HOME COUNTRY INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BRIEF 14 BRIEF 1 The challenge WHAT DESIGN CAN DO TO IMPROVE SHELTERS AND RECEPTION CENTRES IN SOCIETY Large shelter areas are opening to accommodate all the refugees arriving in Europe today. Old schools, offices and even prisons are being transformed into temporary housing units. Refugees live in crowded conditions and face a lack of privacy, often for months, if not more than a year. Also, though more than one in three of the refugees seeking asylum are children, current facilities are rarely child-friendly. At the same time, local communities are overwhelmed by the many refugees in their neighbourhood. Often, the little interaction between the two groups is a missed opportunity for quick integration. The upshot is that integration has yet to start once asylum is granted, which results in additional frustration and costs for everybody involved. The opportunity Experts argue for the creation of decentralized and smaller shelters that facilitate better integration within society from the start. Designers are capable of envisioning solutions that take various and sometimes conflicting interests into account. The multiple stakeholders affected by this problem can benefit from the co-creation skills of designers. Can we imagine a shelter that is an asset for both refugees and the local population? And how could such a shelter facilitate interaction between the two? Think, for instance, of possible interventions within the realms of architecture, interior design, service design or even public space design. Consider how you can strengthen, build on or enhance the best things already happening, or come up with an entirely new and great idea! SUBMIT YOUR IDEA FOR THIS BRIEF INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BRIEF 15 BRIEF 2 The challenge WHAT DESIGN CAN DO TO FOSTER PERSONAL DEVELOPMENT WHILE WAITING FOR ASYLUM When refugees seeking asylum arrive in their host country, they are eager to start a new life. However, in most European countries, until asylum has been granted, refugees are limited in what they can do. Laws and lack of financial means often restrict asylum seekers in their possibilities to move around, to enter education, find work or engage in other activities. There is often a lot of waiting during the asylum seeking process. This waiting causes great stress as the months go by, as refugees and their children are forced to kill time in shelters. This lost time could be used more effectively by starting the process of integrating into the new society. How can refugees continue to develop personally during this waiting period despite all the imposed limitations? The opportunity Limitations stimulate creativity because they focus the ever-exploring minds of designers. Creativity finds ways around obstacles such as laws that prohibit work, by designing activities that may not make money but give satisfaction, build reputation and generate appreciation. The waiting itself can also be redesigned to make it more purposeful and pleasurable, enabling people to make new friends and feel more in control and respected. Every human needs something meaningful to do. What can refugees do alone, together, and with others to enhance their social integration? Consider how you can strengthen, build on or enhance the best things already happening, or come up with an entirely new and great idea! SUBMIT YOUR IDEA FOR THIS BRIEF INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BRIEF 16 BRIEF 3 The challenge WHAT DESIGN CAN DO TO BRING REFUGEES AND HOST COMMUNITIES CLOSER TO ONE ANOTHER Since few people in host communities actually know refugees, most opinions of refugees are shaped by the media, rather than through first-hand contact or personal stories. This has resulted in a polarized debate in which emotion runs high. The repercussions for the integration of refugees in European society are huge. A limited or distorted understanding, by Europeans and refugees alike, of the values important in each other’s cultures can form barriers to acceptance and integration. So how can we create better connections between cultures? The opportunity Cultures can be connected in many ways. From creating activities or spaces where people can meet, to devising communication campaigns and experiences that build empathy, designers can find ways to reveal prejudices and stigmas, and address these on rational as well as emotional levels. If successful interaction can be established, there is much to be gained. Local communities can discover value in the diversity brought by refugees, while refugee communities can establish social ties that are crucial to their integration. Consider how you can strengthen, build on or enhance the best things already happening, or come up with an entirely new and great idea! SUBMIT YOUR IDEA FOR THIS BRIEF INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BRIEF 17 BRIEF 4 The challenge WHAT DESIGN CAN DO TO EXCHANGE ESSENTIAL INFORMATION WITH REFUGEES Many countries are still adapting to the large numbers of refugees entering Europe. Laws and procedures are adopted and amended at local, national and European levels on an ongoing basis. Governments, bottom-up volunteer initiatives and NGO programmes try to communicate this essential information. However, such information reaches refugees more or less randomly, making it difficult for them to obtain accurate, clear and relevant information about their rights and available services. Moreover, there is often little opportunity for refugees to provide feedback, making it unclear whether current services meet their needs. This is a missed opportunity for service improvement and innovation. How can we improve two-way communication with refugees? The opportunity Designers are good at packaging complex, dynamic information into understandable and accessible communication. Think of visualizations, digital interfaces, search engines, media campaigns or toolkits that explain the rights and duties of refugees and the services available to them. How can essential information in different countries at different stages of the asylum procedure be communicated better? And how can a successful feedback loop be established that will allow refugees to get involved in the redesign of these services? Consider how you can strengthen, build on or enhance the best things already happening, or come up with an entirely new and great idea! SUBMIT YOUR IDEA FOR THIS BRIEF INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | BRIEF 18 BRIEF 5 The challenge WHAT DESIGN CAN DO TO MAXIMIZE THE POTENTIAL OF REFUGEES Refugees arriving in Europe bring with them skills and professional experience. Large numbers of the refugee population are highly educated and possess valuable skills. However, this is not reflected in the integration of refugees who have been granted asylum in the labour market, where participation is still low. Some formal barriers like language proficiency, lack of diploma recognition and gaps in CVs exist. But what is much tougher to deal with are the ‘informal’ barriers such as prejudices and the lack of a social and professional network needed to find work. This is a missed opportunity in both the short-term (refugees can positively influence their host community by bringing new skills and generating income), and the long term (refugees who achieve some degree of self-reliance during their asylum can be an asset to their war-torn homelands once they return). How can European societies recognize and reap the rewards that refugees offer? The opportunity Discovering and creating value and meaning is key in many design professions. Designers excel at uncovering and tapping the potential that lies beyond the obvious opportunities that most people see. What skills, knowledge, capacities and capabilities do refugees bring? What could these contributions mean in the host country? Finding ways to empower refugees and showcase their talents and skills could benefit businesses and organizations, help combat prejudice and expand the professional network of refugees. Consider how you can strengthen, build on or enhance the best things already happening, or come up with an entirely new and great idea! SUBMIT YOUR IDEA FOR THIS BRIEF INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | PROCESS 19 04. Process The WDCD Refugee Challenge covers the entire year of 2016. The process falls into seven phases, including the call for proposals, feedback, time for improvement of entries, nomination, jury selection and announcement of finalists on 1 July in Amsterdam. TIME FOR ACTION After this the acceleration phase starts, in which the finalists receive the budget and expert support to develop their ideas into a working prototype, followed by the pitch phase in which the elaborated plans are presented to possible implementation partners. Finally, the outcome of the challenge is announced in December and presented in an exhibition. INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | PROCESS 1 20 2 3 4 INITIATE CONTRIBUTE IMPROVE NOMINATE OPEN CALL: 19 FEBRUARY – 1 MAY 2016 FEEDBACK: 1 – 14 MAY 2016 REFINEMENT: 15 MAY – 1 JUNE 2016 SELECTION & PRESENTATION: 1 JUNE – 1 JULY 2016 The call to participate in the WDCD Refugee Challenge will be open from 19 February 2016 until 1 May 2016. Through the challenge website whatdesigncando.com/challenge designers and creative minds from all disciplines will have access to loads of background information and inspiration. The same platform allows participants to upload their proposals, including a pitch video. Ideas improve with feedback. In this phase participants and other registered platform users from the communities of WDCD, UNHCR and IKEA Foundation are invited to rate and comment online on the proposals entered. The ultimate goal here is to help one another and get the best out of the proposed ideas. This phase also offers participants a chance to forge new collaborative partnerships. Want to join another team to strengthen their ideas? Just ask! Entrants have two weeks time to adjust their ideas based on the feedback received in the previous phase, and submit final proposals. Registered website users can now vote for the proposals they consider the best. Based on the outcome, the challenge partners WDCD, IKEA Foundation and UNHCR Innovation will establish a shortlist of 20-30 entries. This shortlist will then be put before our international jury of renowned designers / creatives from all disciplines, together with a group of refugees and experts from other relevant fields. On 1 July, during the WDCD Live Amsterdam conference, the jury will announce the five finalists. INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | PROCESS 21 5 6 7 ACCELERATE PITCH MAKE IT HAPPEN! DESIGN & PROTOTYPING: 2 JULY – 2 OCTOBER 2016 ASSESSMENT & FINAL PRESENTATION: 3 OCTOBER – 3 NOVEMBER 2016 IMPLEMENTATION: STARTING DECEMBER 2016 This is probably the most important phase of the challenge, in which design really must demonstrate that it can be a force for social change. Each of the five finalists will receive a grant of up to 10,000 euros to develop their proposal into a working prototype, supported by a business plan. A group of coaches from various design disciplines will be available to support the teams during this phase. IKEA Foundation and UNHCR will host workshops with experts and refugees to test the prototypes and help with feasibility studies. This phase will be extensively covered on WDCD and partner blogs and social media, enabling the public to see the designers at work. The finalists present their prototypes and business plans to a group of potential implementation partners and investors, brought together by the challenge partners. This session should conclude with their commitment to adopt one or more of the proposed designs. The five solutions and the overall winner(s) will be presented at a What Design Can Do event in November / December 2016. Although this phase unfolds beyond the remit of WDCD, both WDCD and the challenge partners will follow and report on developments relating to the implementation of the finalists’ plans through their established channels. Once the implementation is a fact, WDCD and the challenge partners will announce this in style! INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | CONDITIONS 22 05. Conditions WHAT ARE WE LOOKING FOR? INTRODUCTION BACKGROUND BRIEF Millions of refugees deserve the best solutions the international design community has to offer. We need bold, innovative, disruptive, feasible and scalable ideas, which can be products, spaces, services, programmes, systems or technologies. Participants can choose to answer to one or more of the specified briefs on the previous pages. They may propose new ideas or come up with existing concepts that require further refinement. A proactive attitude in collaborating with stakeholders (refugees / asylum seekers, public authorities, NGOs, host communities, companies) during the ideation process is appreciated. As is a generous mind and willingness to share your ideas with specialists and the general public throughout the Challenge (although you can also submit ideas directly to the jury without disclosing them to the public). PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | CONDITIONS New and improved ideas For this challenge you can submit entirely new ideas, but also improvements for existing concepts. Collaboration is key in the entire challenge process, so don’t hesitate to react to ideas of others. How will the ideas be judged? The proposals will be judged according the following criteria: • Creativity / originality • Relevance (for refugees and other stakeholders) • Feasibility • S calability • Potential impact The decisions of the jury will be legally binding and are not in any way contestable. Who can enter? • Designers, creatives and innovative thinkers & doers of any age from all countries and disciplines • I ndividuals, companies, agencies, institutions, collectives, universities, art schools, high schools, elementary schools, yes, even kindergartens INTRODUCTION BACKGROUND 23 How to enter? All proposals should be entered via challenge website: whatdesigncando.com/challenge Entrants who don’t have frequent access to internet or don’t wish to share their ideas publically (for competitive reasons) can download this entry form and send us their proposal to: [email protected] Proposals should include: • Max 250-word explanatory text • One key image to illustrate your idea • A PDF of maximum 5 A4 pages, with a further explanation and visuals of your idea • One-minute pitch video, introducing yourself or your team and your idea Why enter? • You are concerned about the refugee crisis and want to make a contribution to a possible solution. • You will be part of a global creative network and can benefit from its combined knowledge and creativity • You have access to the expertise and support of renowned humanitarian organizations such as UNHCR and IKEA Foundation. • You have the chance of receiving exposure for your ideas through our communication channels and media partnerships. • I f you are one of the finalists, you’ll not only receive a grant of up to 10,000 euros, but will also join a special design lab and master class with renowned designers to help develop your ideas further, resulting in concrete prototypes and / or business plans. What happens to your ideas? • A s an entrant, you retain full ownership of your idea • Should you choose to publish your proposal on the online platform, you give WDCD and its partners the right to publish your idea on all possible media channels throughout the challenge. • Should you choose to make your proposal available to the jury only, your entry will be presented publically if you are shortlisted or selected as one of the five finalists. • Should a potential implementation partner or investor express an interest in developing or supporting your idea (even if you are not among the five finalists), you are free to decide how to share your intellectual property. If desired, we can assist and advise you. BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 24 06. Research SUPPORTING MATERIAL AND ADDITIONAL CONTEXT INTRODUCTION BACKGROUND BRIEF From the moment we decided to start this Challenge, in May 2015, the refugee issue has developed into a full-blown crisis, urging political leaders, NGOs and citizens to take action and join hands. Over the course of half a year we have gathered a lot of interesting research through both desk and field research. We won’t bore you with a huge amount of annotated data, but we do want to share with you some facts divided into eight separate themes. Furthermore, you can check our blog at whatdesigncando.com/challenge where we will publish best design and innovation practices, inspiring refugee stories and thought-provoking ideas by leading thinkers. PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH EXPLORATION OF THEMES 25 To shape the briefs, extensive desk and field research was done to identify what experts say urgently needs to be addressed, and how these issues relate to what refugees themselves experience. These two perspectives led to important themes such as work, health and education, which were used to collect relevant background articles and personal stories. This information is accessible if you enter the challenge, to make a quick start with your own research and get a first impression of the context. Even though it would be tempting to create separate briefs related to each theme, in reality the themes overlap and are interrelated, and the most pressing issues facing refugees relate to several of the themes, as indicated in each brief. You are encouraged to take an holistic approach, research several themes for the brief you choose, and figure out how the themes connect around your chosen brief. The best solutions will probably respond to several of the themes. BASIC NEEDS HEALTH CONNECTION TO HOME MOBILITY FINANCE WORK EDUCATION & TRAINING INTEGRATION INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 26 THEME 1 The context BASIC NEEDS Basic needs, or a person’s livelihood, refers to their ‘means of securing the basic necessities of life: water, food, clothing and shelter. Upon arrival, refugees are generally accommodated in temporary shelters until their request for asylum is processed. This can take several months or even years. Families often get a private house unit, while refugees travelling alone get to share a house unit with others. Having a safe home is an urgent necessity for refugees. Refugee shelters, and especially emergency shelters, provide for the minimum needs but often lack privacy, meaningful pursuits, and freedom of choice (food, clothing). Refugees are dependent on what is provided to them by NGOs and volunteers. The quality of these shelters varies from country to country across Europe, and can even differ within a single city. Refugees might hear about better conditions somewhere else, but are, by law, not allowed to choose their shelter or move to another one. They might, however, be moved to other shelters, as a result of authorities trying to distribute refugees better across the available shelters. After the status is granted, refugees can get access to social housing. This, however, takes time, and the available housing can be in a totally different area to where they have spent their time while their request for asylum was pending. From there they can finally make a new start and try to become self-sustainable. Amer: ‘When I arrived at Central Reception Centre I was very tired. Unfortunately the centre was full. So during the first three days I couldn’t shower and had to sleep on a table.’ INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 27 THEME 1 BASIC NEEDS NGOS B REFUGEES & CHILDREN E LOCAL COMMUNITY NATIONAL AUTHORITIES EU AUTHORITIES INTRODUCTION A. Refugees & Children • Create the best possible living space for themselves and their family • Regain independence and control and become self-sufficient • Need to adapt to people from various nationalities and religions living in the same shelter B. Local Community • I nvolvement in provision of donations and support • A pprehensive of the effect of allocating social housing to refugees C F Interests & needs of stakeholders D E. National Authorities • Distribute refugees evenly across cities and neighbourhoods • Discourage economic refugees by keeping shelters basic • Control costs related to the provision of basic refugee needs F. EU Authorities • Distribute the refugees evenly across countries • Create standards C. NGOs • Coordinate efforts of volunteers • L obby for change in policy D. Local Authorities • Open flexible shelters to accommodate growing demand and cater for periods of low occupation • Distribute available social housing • Control housing costs (construction and management) • Maintain a good atmosphere among citizens LOCAL AUTHORITIES BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 28 THEME 2 The context HEALTH Refugees seeking asylum may suffer from physical symptoms related to untreated illness or wounds. Additionally, many refugees have suffered from traumatic experiences and suffer from high levels of stress related to their past, and to their uncertain future. The access refugees have during the asylum request to national health services differs across EU countries. Knowing what services are available in the host country and how to access them can be quite a challenge. This is not just the case for refugees; often, healthcare providers themselves are not quite sure what rules and regulations apply to refugees seeking asylum. During the asylum request period, there is a tendency to concentrate on acute complaints. Attention for psychological help is insufficient. This short-term mindset can cause problems in the long term. Also, language barriers and cultural differences make interaction with healthcare providers difficult and cause misunderstandings. As a result, refugees seeking asylum might feel their health and mental wellbeing is not getting the attention it deserves. Inas: ‘But it was only once I got to the asylum centre that I truly realized what I’d been through. I felt awful. I spent entire days crying, for my parents, for my country, my house, all that I had left behind. And even though I was safe now, I was still scared. That fear stays with you for a very long time.’ INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 29 THEME 2 Interests & needs of stakeholders HEALTH A. Refugees • K now where to go for help • Get medical care or mental support when needed • Feel cared for: their health is as important as that of other citizens • Deal with language barriers and cultural differences NGOS B E HEALTHCARE PROVIDERS REFUGEES D E. National Authorities • Each EU country has different rules regarding access to healthcare for refugees seeking asylum • Control healthcare costs • Control the spread of diseases B. Healthcare providers • I mprove awareness of rules and regulations regarding refugee care and insurance • Deal with growing demand • Deal with language barriers and cultural differences C NATIONAL AUTHORITIES D. Local Authorities • Facilitate access to healthcare C. NGOs • Monitor the quality of healthcare to refugees • I nform refugees so they know where to turn to in case of need • I nfom healthcare providers about rules and regulations LOCAL AUTHORITIES INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 30 THEME 3 The context CONNECTION TO HOME Often refugees travel alone because the journey is too dangerous to undertake with their family. For considerable time, families are separated and live far apart. The smartphone acts as a lifeline. It allows refugees to stay in contact with family and friends, they can capture their journey and experiences, and through social media, they can share information about areas to avoid and where to find support. Reuniting their family as soon as possible is generally the most important aim for refugees travelling alone, but this process can take long and the conditions are strict. Until this has been achieved, staying in touch with their loved ones is not only important from a personal perspective, but knowing the location of family members is also crucial during the reunification process. Finding a good balance between staying in touch with the home country and integrating in the host country is key. Attention for integration in the host country is important obviously. But keeping a connection with their home country and culture is also important and meaningful. Inas: ‘I joined my husband and my daughter nine months later. I had not seen my daughter during all that time. She did not remember who I was when I saw her. She didn’t want me to hold her or pick her up. I had become a stranger to her.’’ INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 31 THEME 3 CONNECTION TO HOME Interests & needs of stakeholders A. Refugees • Keep in touch with those left behind • L ocate family members remotely • Reunite the family as soon as possible • Don’t lose touch with home culture B. NGOs • Support family reunification procedure by informing and helping refugees • L obby for change in policy • P repare for return C C. Local Authorities • Mediate between refugees and local community D. National Authorities • I nvestigate whether families are entitled to be reunited (can take long) • Control costs • P repare for future return LOCAL AUTHORITIES REFUGEES D B NGOS NATIONAL AUTHORITIES INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 32 THEME 4 The context MOBILITY Mobility is a means of contact, discovery and freedom. One of the main driving forces of refugees’ mobility is the wish to reach other family members and friends hosted in other centres, cities and countries and get to know their new living environment. Refugees often encounter mobility friction on both a local and international scale. These frictions are linked to their legal status, the place where they are hosted (a remote village or city) and the cost and availability of transportation. While the asylum application is being processed, a refugee can’t leave the country where the claim for asylum was made. But he is, in theory, free to move in the city and country where he is hosted. However, in practice this is often difficult due to financial limitations. As a result, refugees often just stay in the place where the asylum centre is located and cannot explore their new living environment. This is especially frustrating when their centre is based in a remote area. After being granted a status, a refugee faces no legal limitations on his movement. However, finances are still very limited, and thus is access to transport. This can cause problems in daily activities, for instance getting to appointments (integration courses, doctor, work). Essam: ‘I would like to visit my wife, daughter and sister. They are in another asylum centre, but I do not have enough money to take the train.’ INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 33 THEME 4 Interests & needs of stakeholders MOBILITY A. Refugees • Reach family members and friends in the city, country or other countries • Discover their new host country • Broaden their social network • Be able to do normal daily activities that might require mobility B. Local Community • I mpressed by groups of refugees strolling around their neighbourhood • S et up private initiatives, for instance to offer tools for mobility or ‘welcome’ tours to refugees C NGOS D B LOCAL AUTHORITIES LOCAL COMMUNITY E REFUGEES D. Local Authorities • Balancing the needs of ‘regular’ citizens and those of refugees and experiment with solutions to do so (for instance free public transport) E. National Authorities • Distribute refugees evenly across cities F. EU Authorities • Find common agreement to distribute refugees evenly across countries C. NGOs • Mediate between refugees and local authorities • Encourage and support private initiatives • K now where refugees are based in order to provide support NATIONAL AUTHORITIES F EU AUTHORITIES INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 34 THEME 5 The context FINANCE Refugees often have spent all of their money to flee from their home country to reach Europe. By the time they arrive, many have not much money left. Before asylum is granted, access to remunerated work is very restricted in European countries, and refugees are for most part dependent on what is provided to them by the host country and volunteers. When asylum is granted, refugees have the right to work and they can pursue economic independence, but access to the labour market is difficult and often takes some time (see ‘work’ theme). Overall, refugees are very eager to become financially reliant as soon as possible to gain more control, be less dependent on others, and become selfsufficient. There is also much to be gained from the perspective of authorities, who currently face rising costs in providing the basic needs. Halat: ‘My husband and I were very eager to get work. You do not want to be dependent on benefits. I also wanted to give my children a bright future.’ INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 35 THEME 5 Interests & needs of stakeholders FINANCE C D. Local Authorities • Facing costs to manage the refugee crisis B. Local Community • Address fear that refugees are taking advantage of national welfare systems: refugees are perceived as an economic burden and not a resource • Donate E. National Authorities • Manage costs related to basic needs C. NGOs • Offer basic economic support and basic needs • Support initiatives that lead to self-sufficiency NGOS D F. EU Authorities • Divide costs by distributing refugees across Europe • Discourage refugees from coming to Europe by providing for basic needs only B LOCAL AUTHORITIES E A. Refugees • Support their families needs • P ursue economic independence LOCAL COMMUNITY REFUGEES NATIONAL AUTHORITIES F EU AUTHORITIES INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 36 THEME 6 The context WORK When you work, you contribute to society. Work (either voluntary or paid) allows you to stay active and be involved. Additionally, earning an income makes you independently engaged and appreciated. The rules concerning access to work for refugees seeking asylum differ between the European states. In some countries, refugees seeking asylum are not allowed to work at all. In other countries, they can have access to work after a period of time and under strict conditions. Yet in other countries they are allowed to work. The challenge related to this topic thus differs in each European country. When asylum has been granted, working is allowed, but a couple of factors make finding a suitable job difficult: language barriers, unrecognized diplomas, gaps in CVs, lack of network and prejudices, to name just a few. So the challenge becomes quite different. The various barriers facing refugees in terms of accessing the jobs market mean missed opportunities on many levels. Refugees could positively contribute to national and local economies in Europe. Their involvement could spark new local businesses and entrepreneurship and provide answers to local community problems. Also, it has been shown that refugees who remain active will feel empowered to return to their home country to rebuild their country. Khalid: ‘The challenge in Sweden is that I have to forget that I was a diplomat. Initially I was looking for academic jobs. But the viable jobs for me now are in restaurants or cafes.’ INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 37 THEME 6 Interests & needs of stakeholders WORK A. Refugees • Financial independence • I nvolvement and empowerment • Contribution to host community • Creation of network • Skills / approaches to bring back to their countries B. Local Community • Jobseekers fear competition from refugees on labour market • Opportunity for the creation of new jobs to take care of the growing number of refugees C E NGOS B NATIONAL AUTHORITIES D LOCAL AUTHORITIES F REFUGEES LOCAL COMMUNITY G C. NGOs • L obby for access to work • Matchmaking between businesses and refugees • Coaching of job seekers (by volunteers) • Facilitate the entry of refugees on the job market • Start work initiative to activate refugees • P revent exploitation of refugees D. Local Authorities • Facilitate access to job market according to local needs • Mediate between local community and refugees E. National Authorities • Enhance contribution of refugees to national economic systems • Stimulate refugees’ independence • Counter exploitation • Limit number of unemployed refugees who need economic support • L imit rights of refugees seeking asylum in order to prevent rapid integration and settlement F. EU Authorities • Advisory role G. Companies • P redjudiced in hiring refugees • Use the potential of a talented workforce COMPANIES EU AUTHORITIES INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 38 THEME 7 The context EDUCATION & TRAINING Education is not only a platform for gaining knowledge and skills, but also the basis for integration, cultural and social exchange, mutual understanding and friendship. It is as such a key aspect for all age groups. For children, education is a right. However, for refugee children various barriers exist. For instance, finding a place in schools near the shelter where they live. Schools might have difficulties in addressing the special needs required to help refugee children take part in school activities. These barriers make it difficult for refugee children to receive the education they deserve. For adults, basic language and cultural integration training is generally offered after the status is granted (see Integration theme), but there is room for a broader exploration of what education could mean for refugees, how it could prepare them better for local employment opportunities, and how it could be made more accessible. Around Europe, citizen initiatives have arisen in which informal training (i.e. language, skills, sport, art, music, drama classes, etc) is given to refugees on a voluntary or exchange basis. There is also room to explore what educating or training refugee communities could offer to local communities. Amer: ‘I think learning Dutch is important but in the asylum seekers centre no education is offered. That is why, during the past six months, I’ve thought myself one word a day. I used the internet and YouTube to teach myself Dutch words.’ INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 39 THEME 7 EDUCATION & TRAINING Interests & needs of stakeholders A. Refugees • Cultural integration: language, culture, local customs • P repare for local work demand / improve skills B. Local Community • Offer informal training • Mutual integration and adaptation C. NGOs • I nform about access to education • Offer training • Mediate between refugees and schools C E NATIONAL AUTHORITIES D LOCAL AUTHORITIES NGOS B D. Local Authorities • Facilitate access to formal and informal education systems • Help local community in providing training E. National Authorities • P rovide access to basic education and training F. EU Authorities • Advisory role G. Children • Go to school • Make new friends H. Schools • Deal with children / adults who had traumatic experience • Deal with worried parents of native children • Access subsidies LOCAL COMMUNITY REFUGEES G H CHILDREN F SCHOOLS EU AUTHORITIES INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 40 THEME 8 The context INTEGRATION Arriving in a host country means arriving in a totally new culture, with a new language, new customs and new (unwritten) codes. In order to participate in this new society, refugees need to integrate in the new culture. Authorities often provide ‘basic education’ to refugees in the form of languag and integration courses. Learning the new language is really key: the need to understand and speak the host country’s language is immediate from the perspective of the refugees. However, access to language courses differs among European countries, and some countries only provide language courses after a status has been granted. Putting these ‘basic’ courses into practice and connecting with the local population is another challenge. Life in a refugee shelter is quite protected: everything is provided and making contact with the local community is difficult. Therefore real ‘integration’ often starts at the moment the asylum request has been granted and refugees have their own living space and can become independent again. Better and earlier integration would be beneficial on many levels. For refugees obviously, as it would enable them to really start building a new life and future. Also, better integration could also alleviate existing prejudices by establishing personal contacts between host communities and refugees and thereby help build stability in future societies. Inas: ‘After a while, we were offered a house. No one really spoke to us when we moved there. The fact that I wore a hijab wasn’t helping. That’s why I took it off, to get more of a connection with the people in my area.’ INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | RESEARCH 41 THEME 8 INTEGRATION Interests & needs of stakeholders A. Refugees • L earn the language • Understand the host-country culture and codes • Build a social network • Become part of local community B. Local Community • Polarized debate: Some might have negative prejudices while others might want to help C. NGOs • Support the quick integration of refugees (formal and informal) • Offer trainings C D. Local Authorities • Facilitate access to formal education systems • Ensure smooth integration for both refugees and local community E. National Authorities • I ntegration before a status is granted is in some countries seen as a risk: refugees might settle too quickly and stay for too long • Stimulate integration through education & training F. Media • I mportant role in shaping opinions NGOS E REFUGEES NATIONAL AUTHORITIES B LOCAL COMMUNITY D LOCAL AUTHORITIES F MEDIA INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS SUBMIT YOUR IDEAS UNHCR is kindly hosting this challenge on the UNHCR Ideas platform that is part of the UNHCR Innovation portal. Register and upload your ideas on https://refugeechallenge.unhcrideas.org/ INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS WHAT DESIGN CAN DO REFUGEE CHALLENGE | CREDITS CREDITS The WDCD Refugee Challenge is a collaboration of: Supported by: Media partner: Research partner: de zeen Photography by: Cover: © UNHCR / Achilleas Zavallis Page 5 & 23: © Achilleas Zavallis / Gordon Welters Page 10: © UNHCR / IKEA Foundation Back cover: © UNHCR / Achilleas Zavallis Design & Art direction by: www.designpolitie.nl For more information, contact: [email protected] www.whatdesigncando.com/challenge INTRODUCTION BACKGROUND BRIEF PROCESS CONDITIONS RESEARCH CREDITS IN COLLABORATION WITH: SUPPORTED BY: JOIN THE #REFUGEECHALLENGE WHATDESIGNCANDO.COM/CHALLENGE
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