Newsletter May - June 2014

2014
MAY
to JUNE
May
Laura Jean McKay
16th to 30th May:
Writer-in-Residence
Laura Jean McKay
Laura Jean McKay is a Victorianbased writer of fiction, nonfiction, poetry and plays. Her
short story collection Holiday in
Cambodia is published by Black
Inc. and explores the electric
zone where local and foreign
lives meet.
Wednesday 21st:
Writers’ Workshop
with Laura Jean McKay
at Narrandera from 6pm
Thursday 22nd:
Reading with
Laura Jeam McKay
at WWCC Library
5.00pm to 7.00pm
Saturday 24th:
Writers’ Workshop
with Laura Jean McKay
at Booranga
2.00pm to 4.00pm
June
Saturday 21st:
Writers’ Workshop
at Booranga
2.00pm to 4.00pm
Laura lived in Cambodia over
a number of years where she
worked with aid and writing
organisations to understand her
own and other people’s stories
about the country. This work
resulted in her collection and
a Masters degree in creative
writing.
Laura’s work has won and
placed in international
and national awards and is
published in Australia and
Asia in literary journals and
magazines such as The Best
Australian Stories, Women of
Letters, Going Down Swinging
and The Lifted Brow. From
Holiday in Cambodia, the short story ‘Massage 8000’ won the open section of the
Alan Marshal Short Story Award in 2011 and was published in The Big Issue Fiction
Edition.
Laura is currently a PhD candidate at the University of Melbourne, working on a novel
about animal-human relationships. This year Laura was the recipient of a 2014 Martin
Bequest Travelling Scholarship, which allows her to undertake a series of research
and career-development residencies with animal-related organisations throughout
Australia, providing invaluable contact with the animals she writes about and the
people who are responsible for them.
Laura can be found online at:
www.laurajeanmckay.com or twitter @laurajeanmckay.com.
Booranga Writers’ Centre
McKeown Drive (Locked Bag 588) Wagga Wagga NSW 2678
staff are in every Monday (9.00am-3.30pm), Tuesday (9.00am-11.30am), Thursday (9.00am-2.30pm)
phone: (02) 6933 2688 – [email protected] – www.csu.edu.au/faculty/arts/humss/booranga
Extract: Holiday in Cambodia by Laura Jean McKay
A Thousand Cobs of Corn
I’ve listened to the night change every hour. At dusk men
walk with their baby sons through the streets, their songs
like dust on the air. Soon after, mothers cry, ‘Don’t play so
near the string!’ and order their children inside. Then the
animals take over. The cows call no, no and the dogs circle
each other in the dark. My kids were asleep hours ago.
Number One is in ashes at the temple. I sway my legs to
bring some air to the bed.
The green coveralls hang on a nail from the wall. Once I
found a black scorpion on my dress there – his polished tail
dripping, so he’d seen me first. If I were bitten I couldn’t go
in the morning. My neighbour would come with dust on her
face, tell me I’d lost my job, and what a shame! That much
money in a month. A thousand cobs of corn.
How many hours left? My legs ache. As I shift them a girl
enters the room and stands in the mosquito net by the bed.
Its material folds through her. She smiles a little. Her hair is
too short around her face where I cut it that way for the nits.
I see she has her legs again. I want to ask where she found
them but who could ask her daughter that? Better to smile
and hope she can see my teeth in the dark. It’s always she
who visits, never my old husband, and though I’ve been to
see the monks, she always returns.
Where am I? I ask her. On a hard bed until morning. My
second husband snores. My second child coughs. It’s quiet.
But still the sound of explosion booms through me. My first
husband was alive when I got to him. He’d been working
alongside my daughter, pulling corn for the owner. That
land has red signs on it now. A skull and crossed bones,
scarlet string. All the way down to our houses and back up
over the hill.
You will see explosions, they warned us. We were crouched
under the tree in our new green coveralls, eight women
from the village. My neighbour squeezed my hand; I
remembered she was clutching my daughter’s hand the
same way when I got to the field, as though she could save
either of us. My son coughs again. Who’ll make him soup
if he’s sick tomorrow? My girl with her too­-short hair is
translucent. She smiles again – it’s all she can do.
The landmines are presents left behind the year before I was
born. Khmer Rouge bombs, Vietnamese bombs, American.
Like the countries that made them, they’re all different.
This one is just for maiming, they explained, and this one
scatters to kill and this one … Which bomb killed my
daughter and my husband? This peg is for showing you’ve
found a mine, they continued, this peg is to show it’s safe.
We’ll wear our green coveralls and over this we’ll wear lead
vests and helmets – our dust and our detectors. Just our
legs will go free. It will be hot but that’s better, they said. In
the rainy season, mines slide under the mud. Landmines
are travellers. They shift like worms and you have to find
them again. Old ones rise to the surface and ones marked as
found sink and disappear. You could end up with one next
to your house, they warned, where your children play. We
have to work quickly.
Quickly. The night moves like mud. But not slowly enough.
My oldest boy coughs and gets up. The red string will be
invisible in the dark. My ears strain to hear him: down the
steps and across the yard, over by the corn where I’ve taught
him it’s safe. Except when the rains start. He urinates in
spurts and then crosses the yard again. The door creaks
open and closes. He settles.
It’s already tomorrow. With dawn comes noise, drowning
out the long blast that only I seem to hear. The birds wake.
The lizards sway back to their hiding places in the beams.
The rooster scratches and eyes the horizon. My daughter
fades from beside the bed. There’s just a mosquito net and,
beyond that, my sleeping children lit slowly by the day:
Two, Three and Four. Two stops coughing. My husband
shifts closer to me in his sleep, his breath blowing garlic and
booze. It’s no job for a woman, he told me yesterday. Will
you do it then? I asked and we both looked at his hands,
which have shaken since he was a boy soldier. His watery
eyes blinked out the light. I told my son to go and ask the
neighbours for beer.
I’ll get up, wash my hair, make breakfast. I’ll have my boy
get ready for school, then pull on my coveralls and wait
for my neighbour to walk with me over the hill. We’ll pass
the farm with the dying corn and the red signs dropping
like blood. I shift myself to the edge of the bed and my leg
buckles and cramps. I wait for something to tell me I’ve
slept through the day. For the men singing through the
dimming streets, the cows lowing mournfully home.
Through the wall the neighbour strikes a match, then calls
to her husband that it’s morning.
May – June 2014
|
2
Why not say what happened?
A Workshop with Ron Pretty
Our Booranga
Writers' Workshop
FREE
Saturday 24 May
2.00pm to 4.00pm
with Laura Jean McKay
all are welcome
Booranga Writers’ Centre
McKeown Drive, CSU
Ron Pretty, our first writer-in-residence
for 2014, conducted a very well
attended workshop on 26th April 2014
at the Booranga Writers’ Centre entitled
‘Why not say what happened?’
workshop participants suggested was
like rummaging through a rich man’s
rubbish – even one of Pretty’s rejects
is full of great riches of language and
imagery.
The writing of issues that are occurring
today, of a political, ecological or social
nature, can sometimes be presented
through using propaganda techniques,
such as use of rhetoric, slogans and
generalisations that lecture the reader.
Some of the main issues presented
included the preference for personal
lyricism, the privileging of complexity,
authenticity and integrity of experience,
problems associated with the genre of
political poetry, and issues surrounding
appropriation.
While some might appreciate such
works, Pretty presented the alternative
– writing in a more lyrical way that
presents a journey through imagery to
present the writer’s views in a subtle
manner.
Vigorous discussions occurred on the
day debating various techniques and
opinions quoted by Pretty during his
presentation, and it made for a lively
and informative couple of hours.
Excerpts from Destination Zero and
Blue Monody by Sam Hamill were read
and discussed to illustrate the different
techniques.
Other poems were also used for
discussion and dissection, including one
of Pretty’s ‘rejects’, which one of the
The importance of reading widely
to help shape one’s own poetry was
emphasised, along with the best way
to present one’s poetry – to play with
rhyme, metre, lines, number of syllables,
stanzas – thus finding the best form for
one’s work.
From Narrandera to Albury and
Cootamundra, it was great to see people
from all works of life there to listen and
learn at this icon of Australian poetry,
and I’m sure everyone who attended
walked away with some nugget of
knowledge that will help them write
more effectively.
Claire Baker
Save
the Date
The Australian
Poetry Slam
Wagga Wagga
Heats are on
Friday
26 September
2014
Stay tuned for more details!
May – June 2014
|
3
Booranga Gallery
May – June 2014
|
4
Publishing competitions and opportunities
2014 Patron’s Prize for Poets
Entries close 30 May 2014
Open to all Australian based writers with a
maximum of 50 lines of poetry per entry.
Prizes are $200, $100, and $50.
www.pcwc.org.au
SecondBite Poetry Competition
Entries close 30 May 2014
A first prize of $5,000 and two runner-up
prizes of $500 will be offered. Three highly
respected and acclaimed writers have
generously agreed to donate their services
as judges: Judith Beveridge, Chris WallaceCrabbe and Gay Bilson.
www.australianpoetry.org
Vice-Chancellor’s
International Poetry Prize
Entries close 30 May 2014
This is Australia’s newest poetry prize
and celebrates the enduring significance
of poetry to cultures everywhere in the
world, and its ongoing and often seminal
importance to world literatures. Anyone
over 18 years can enter with first prize
$15,000 and second $5,000.
www.canberra.edu.au
The Best of Times Short Story
Competition
Entries close 31 May 2014
Humorous short stories (any theme) up to
2500 words.
First prize: $500, second prize: $100. Entry fee
is $10 per story.
http://spiky_one.tripod.com
Eastwood/Hills Fellowship
of Australian Writers
Entries close 31 May 2014
Boree Log Award for Bush Verse 2014 –
First prize $100 plus trophy
Literary Competition with four categories:
Short Story – maximum 3,000 words 1st
$200, 2nd $100.
Poetry (all forms except Bush Poetry) –
maximum 80 lines per poem 1st $150, 2nd
$50.
Memoir – maximum 1,500 words 1st $150,
2nd $50.
Pauline Walsh Award for Short Story –
maximum 800 words 1st $100, 2nd $50.
http://hillsfaw.webs.com
The Australian/Vogel Literary Award
Entries close 31 May 2014
Do you dream of being a published writer?
The Australian/Vogel’s Literary Award is
one of Australia’s richest and the most
prestigious award for an unpublished
manuscript by a writer under the age of
35. Offering publication by Allen & Unwin,
with an advance against royalties plus prize
money totalling $20,000, the Award has
launched the careers of some of Australia’s
most successful writers, including Tim
Winton, Kate Grenville, Gillian Mears, Brian
Castro, Mandy Sayer and Andrew McGahan.
www.allenandunwin.com
Sidney Myer Creative Fellowship
Entries close 1 June 2014
First awarded in 2011, the Sidney Myer
Creative Fellowships provide unrestricted
grants of $160,000 over two years to
individual artists, arts managers and thought
leaders in the humanities. Specific outcomes
for the Fellowships are not required. The
two criteria used to select Fellows are:
outstanding talent and exceptional courage.
Specifically, this talent and courage relates to
the professional practice of the Fellows and
not to cases of personal hardship.
www.myerfoundation.org.au
The Big Issue Fiction Edition:
Take Me Away ...
Entries close 6 June 2014
This year’s theme is as simple as it is
open-ended: Take Me Away… It could be
something with a travel theme, or about
food, or neither of these. As always, lateral
thinking is encouraged; originality is gold.
Stories must be no longer than 2500 words.
www.thebigissue.org.au
The Launceston
Tasmania Literary Award
Entries close 13 June 2014
The Society of Women Writers Tasmania is
presenting a great opportunity for YOU to
demonstrate your short-story writing skills
by entering a short-story competition. The
inaugural Launceston Tasmania Literary
Award is inviting entries from all writers
(both male and female) worldwide. A first
prize of $2,500, a second prize of $750 and a
third prize of $500 is being awarded. Entries
of between 1300 and 1500 words on an
open theme.
www.swwtas.org
Newcastle Poetry Prize
Entries close 20 June 2014
Now in its 33rd year, the Newcastle Poetry
Prize is the country’s most prestigious
poetry award. The competition is judged
anonymously and you can enter as many
times as you wish. Prizes are awarded
from a prize pool of over $20,000 and the
shortlisted poems will be published in the
annual anthology.
www.hunterwriterscentre.org
The Twisted Stringybark
Short Story Award 2014
Entries close 29 June 2014
Over $860 in cash and books available to
the best entries. But there are two catches.
Firstly, the story has to have a nifty twist at
the end (or the middle, or beginning) that
surprises the reader, and secondly, that the
story has a link, no matter how tenuous, to
Australia. Writers have 1,500 words to delight
and entertain the judges.
www.stringybarkstories.net
Overland Story Wine Competition
Entries close 29 June
The competition aims to discover the finest
in original short fiction up to 1,000 words.
The winning story will receive a $3,000 first
prize and will be published on the label of
a Story Wines shiraz, as well as in Overland.
Two runners-up will each receive $500.
http://overland.org.au
John Knight Memorial
Poetry Manuscript Prize
Entries close 30 June 2014
Seeking poetry manuscripts of 40 pages,
offering publication to the winner.
www.eruditescribe.com
Cowley Literary Award
Entries close 30 June 2014
Sections for fiction and non-fiction with
no subject theme. It is for writers to decide
their subject. Your ideas. Your sources. We
just want quality stories, up to a maximum
of 1000 words. Best Story $5,000 with runner
up receiving $1,000.
www.australianartsales.com.au
May – June 2014
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5
FAWNS Vibrant Verse Poetry
Competition
Entries close 30 June 2014
Category A – Free verse, open style, open
theme.
Category B – Traditional, rhymed or
structured verse, open style, open theme.
Both categories have a maximum of 60 lines
and prizes of 1st $200 and 2nd $100.
https://sites.google.com/site/
fawnorthshoreregional
Moth International Short Story Prize
Entries close 30 June 2014
The Prize is open to everyone, as long as the
work is original and previously unpublished.
There is a 6,000 word limit. The entry fee
is €9 per story and you can enter as many
stories as you like. First: €3,000; second:
€1,000; third: week-long writing retreat at
Circle of Misse in France (including €250
towards travel).
www.themothmagazine.com
Page Seventeen Short Story and Poetry
Competitions
Entries close 30 June 2014
Page seventeen, an annual anthology of
prose and poetry, is running competitions
for short story and poetry. Cash prizes for
winners and runners-up, and both shortlists
will be published in Issue #11 of page
seventeen.
www.busybird.com.au
Questions Writing Prize
Entries close 1 July 2014
Writing can be fiction or non-fiction (1,500
to 2,000 words) and on any topic, with the
prize open to all writers aged 18 to 30 years.
Winner receives $2,000 and will have their
work published in a book and a forthcoming
issue of Questions.
www.questions.com.au
Blake Poetry Prize
Entries close 4 July 2014
Presented by the NSW Writers’ Centre and
the Blake Society, the $5,000 Prize is named
for visionary artist and poet William Blake,
and was established to give Australian poets
new possibilities to explore religion and
spirituality in the twenty-first century. Poets
can submit a new work of up to 100 lines.
www.nswwc.org.au
Vallum Award for Poetry
Entries close 15 July 2014
Poems may be on any theme or subject,
but must be original and not previously
published. Submit up to 1-3 poems
of maximum 60 lines each. 1st prize is
CAD$750, 2nd CAD$250. Both 1st and 2nd
prize-winning poems will be published in
Vallum.
http://vallummag.com
AlburyCity Short Story Award 2014
Entries close 16 July 2014
Every picture has a story to tell. This year
we present eight artworks from the Albury
Regional Art Gallery collection to act as a
stimulus for your short story. Choose one (or
more) of the selected artworks that sparks
your imagination or reminds you of a story
you’ve already written. Word limit is 3,000
and entry $10. First prize is $1,000.
www.writearoundthemurray.org.au
The Bruce Dawe National Poetry Prize
Entries close 31 July 2014
Bruce Dawe AO believed that universities
should support the study of Literature and
promote the Arts in Australian society. This
annual $2,500 award has been endowed
by Emeritus Professor Bruce Dawe, one of
Australia’s most acclaimed contemporary
poets.
The competition is open to all Australian
Citizens or permanent residents of Australia.
http://usq.edu.au/bruce-dawe-prize
Inaugral Literary Prize
Entries close 31 July 2014
The Toowoomba Wordsmiths in conjunction
with The Fellowship Of Australian Writers
QLD are holding 2 writing competitions
in the lead up to the Toowoomba Writers
Festival. The competitions are for a Short
Story and for a poem. The word limit for
the Short Story section is 2,000 words the
limit for the poetry section is 40 lines. The
entry fee is $5.00 per entry with first prize
being $250.00 for each section the winners
and runners up will also be included in the
Anthology.
http://toowoombawritersfestival.com
Mudgee Valley Writers
14th Biennial Competition
Entries close 31 July 2014
Open Categories: Short Story – 2000 words
maximum Poetry (Rhyming) – 60 lines
maximum Novice Categories: Short Story
by an author who has not previously won a
monetary prize in any competition at time
of entry - 2000 words max. Poetry (Rhyming)
by an author who has not previously won a
monetary prize in any competition at time
of entry – 60 lines max. Prizes Open Sections
– First $200 plus Trophy. Second $100. Third
$50. Novice Sections – First $100 plus Trophy.
Second $50. Third $30.
www.writingwa.org
The InkTears Flash Fiction Competition
Entries close 31 July 2014
There are six prizes available: Winner: £250
Runner Up: £50 4 x Highly Commended:
£25.00 All prize-winners will have their story
published to the InkTears Readership and
their Bio published on the InkTears website.
Submissions must be 500 words or less in
length, any theme. Full results posted on the
InkTears website by 10 November 2014.
www.inktears.com
AESTHETICA
CREATIVE WRITING
AWARD
SUBMIT
YOUR
WRITING
The Aesthetica Magazine Creative Writing Award is
dedicated to celebrating and championing creative talent,
and is an opportunity for existing and aspiring writers and
poets to showcase their work to a wider audience.
n
n
n
n
Two categories: Poetry and Fiction
£500 prize money in each category
Publication in the Anthology
Selection of books for both winners
DEADLINE 31 AUGUST
WWW.AESTHETICAMAGAZINE.COM/CREATIVEWRITING
As a writer you should not judge. You should understand.
When people talk listen completely.
Don’t be thinking what you’re going to say. Most people never listen.
– Ernest Hemingway
Remember to keep in mind those literary journals that are open for submissions all year –
A good place to start researching the major Australian ones is at: www.litmags.com.au
(Booranga receives copies of the NSW based journal Southerly, and issues are available to borrow for Booranga Members)
May – June 2014
|
6
Get your copy now!
$25 each or 5 copies for $100
We also have copies of some back issues available for sale.
Contact us for more details.
Phone: 02 6933 2688
Email: [email protected]
https://www.facebook.com/Booranga
https://twitter.com/Booranga
www.csu.edu.au/faculty/arts/humss/booranga/home
Submission Guidelines
Booranga News welcomes
contributions. They should be emailed
to the editor, Debbie Angel, at director@
booranga.com or to the president,
David Gilbey at [email protected].
We have no preference as to the
typeface as contributions will be altered
to house style when they are received.
Items may also be posted.
It is helpful if there is only one space
after a full stop or other punctuation,
and the en dash ( – ) rather than the
hyphen is used where appropriate.
The hyphen should only be used in
‘hyphenated’ words.
Original items are most welcome. We
are particularly glad to receive poetry,
prose, and lyrics.
Original reviews (yours!) of published
works by Australian authors, poets, song
writers etc. are also encouraged.
Digital photographs are acceptable. The
higher the resolution the better.
Items which have been ‘lifted’ or
copied from other sources must be
acknowledged and permission for their
reproduction obtained were required.
Unless otherwise requested your
submitted items may (also) be
reproduced on our website or social
media.
Submitting items is no guarantee of
their reproduction.
The Editor
reserves
the right to
exercise her
discretion.
Submissions
for our next
newsletter close
20 June 2014
If you have a piece of writing you would like to be considered for reproduction in our newsletter
or know of an event, competition, or information that may be of interest to Booranga’s members and friends
please email it to the editor, Debbie Angel, at [email protected]
WWWW and Booranga Writers’ Centre gratefully acknowledge the financial and other support received from:
May – June 2014
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7
2014
fourW twenty-five
An annual anthology produced by Wagga Wagga Writers Writers Inc. under the imprint of
fourW Press.
Now into its twenty fifth year, fourW is one of Australia’s longest running annual anthologies.
Guidelines for submission:







We welcome contributions of original poetry, fiction and graphics/artwork, not previously
published.
Short story word limit is 2500 words.
We ask that contributors restrict their submissions to 6 poems or 4 short stories.
Manuscripts should be typed/word-processed in Times New Roman, 12 point double-spaced on
A4 paper. Please submit an electronic copy only of your work.
We prefer electronic submissions to be forwarded in Word format on disk or by email. If your
work has specific formatting requirements we suggest it is submitted in PDF format.
Please include author biography details (2-3 lines) on your cover letter or separate sheet.
CLOSING DATE for fourW twenty-five is 30th June 2014. Submissions received after this date
will be held over to the following year.
A prize of $250.00 will be awarded to works selected as the best poem and best short story in the
anthology. The prize is generously sponsored by School of Humanities & Social Sciences in Charles Sturt
University’s Faculty of Arts.
All submissions will be read by our editorial committee during
July and all successful contributors contacted in
August/September for proofreading of their own work which
will appear in the anthology. All other contributors will be
advised of the outcome of the committee’s decision in
September. Launch of the anthology will be in November 2014.
No payment is made for publication – a free copy of the
published anthology will be forwarded to all successful
contributors.
All rights remain with the author.
Submissions should be emailed to:
[email protected]
Postal details are:
Wagga Wagga Writers Writers
Booranga Writers’ Centre
Charles Sturt University
Locked Bag 588
Wagga Wagga
New South Wales 2678
Australia
Please phone Booranga Writers’ Centre on (02) 6933 2688 or email us at [email protected] if you
require any further information.
Thank you for your interest in our publication.
Submissions close 30 June 2014
Debbie Angel
Director
Booranga Writers’ Centre
Sandra Treble
Office Manager
Booranga Writers’ Centre
May – June 2014
|
8
Wagga Wagga Writers Writers
Application
for 2013
Membership
Wagga
Wagga
Writers
Writers
Application for 2014 Membership
Wagga Wagga Writers Writers Inc. was formed in 1987 to assist and promote local authors and
their work. The group holds regular readings at local venues, conducts writing workshops,
offers writing fellowships at Booranga, the Riverina Writers’ Centre at Charles Sturt University
and publishes
an annual
anthology,
under
the to
imprint
fourW
press,
andauthors
is active
in
Wagga
Wagga Writers
Writers
Inc. wasfourW,
formed
in 1987
assist of
and
promote
local
and
promoting
writing
and
writers
throughout
the
Riverina.
their work. The group holds regular readings at local venues, conducts writing workshops,
offers writing fellowships at Booranga, the Riverina Writers’ Centre at Charles Sturt University
st December
Membership
1st January
to 31
2013:
and
publishesperiod
an annual
anthology,
fourW,
under the
imprint of fourW press, and is active in
promoting writing and writers throughout the Riverina.
Group membership (including one copy of anthology)
$55.00
st
st
Single
membership
(including
one
copy
of
anthology)
$36.00
Membership period 1 January to 31 December 2014:
Single membership (not including anthology)
$25.00
Concessional
membership
(including
one
of anthology)
$26.00
Group
membership
(including
one copy
ofcopy
anthology)
$55.00
Concessional
membership
(notone
including
$15.00
Single
membership
(including
copy ofanthology)
anthology)
$36.00
Student
membership
(under
21 years)
not including anthology
$11.00
Single
membership
(not
including
anthology)
$25.00
Concessional membership (including one copy of anthology)
$26.00
Membership also
entitles you
to: including anthology)
Concessional
membership
(not
$15.00
- Regular
newsletters
and
mailouts
Student
membership
(under
21e-list
years)
not including anthology
$11.00
- 10% discount at Collins Book Store, Wagga
- 10% discount
at Angus
& Robertson Bookworld, Wagga
Membership
also entitles
you to:
Membersnewsletters
discounts to
readings,
performances and workshops
- Regular
and
e-list mailouts
Invitations
to writing
events
and
get-togethers
- 10%
discount
at Collins
Book
Store,
Wagga
Access
to a network
of writers,
book enthusiasts
other writers’ centres
- 10%
discount
at Angus
& Robertson
Bookworld, and
Wagga
- Members discounts to readings, performances & workshops
- Invitations to writing events and get-togethers
- Access to a network of writers, book enthusiasts and other writers’ centres
-------------------------------------------------------------------------------------------------
Please fill out, detach and send application to:
 Wagga Wagga Writers Writers Inc., Booranga Writers’ Centre,
------------------------------------------------------------------------------------------------Charles
Sturt University,
Bag 588,
Please fill
out, detach
and sendLocked
application
to: Wagga Wagga NSW 2678
Phone/Fax
(02)
6933 2688
 Wagga
Wagga
Writers
Writers Inc., Booranga Writers’ Centre,
Charles Sturt University, Locked Bag 588, Wagga Wagga NSW 2678
Name: Phone/Fax
...............................................................................................................
(02) 6933 2688
Address:
Name:
...............................................................................................................
...............................................................................................................
...............................................................................................................
Address:
...............................................................................................................
Telephone: ..........................................(home) .................................................(work)
...............................................................................................................
..........................................(mobile) ...............…………………….........………...........(email)
Telephone: ..........................................(home) .................................................(work)
Enclosed:
$...................... cheque/money order for single/concession/student subscription (Please circle).
..........................................(mobile) ...............…………………….........………...........(email)
________________________________________________________________________________________________________
$...................... cheque/money order for single/concession/student subscription (Please circle).
TO PAY ELECTRONICALLY:
________________________________________________________________________________________________________
Bank:
NAB Wagga
BSB: 082 811
TO PAY ELECTRONICALLY:
Account Name: Wagga Wagga Writers Writers
Account Number: 02951 4435
Bank:
NAB Wagga
BSB: 082 811
__________________________________________________________________________________________________________
Account Name: Wagga Wagga Writers Writers
Account Number: 02951 4435
Enclosed:
__________________________________________________________________________________________________________
WWWW and Booranga Writers’ Centre gratefully acknowledge the financial and other support received from:
May – June 2014
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