CALIFORNIA STATE UNIVERSITY, NORTHRIDGE
FULL CIRCLE
A graduate project submitted in partial fulfillment of the requirements
For the degree of Masters in Fine Arts,
in Screenwriting
By
Jamie Burton-Oare
December 2014
Copyright by Jamie Burton-Oare 2014
ii
The thesis of Jamie Burton-Oare is approved:
_________________________________________
Professor Scott Sturgeon
______________
Date
_________________________________________
Professor Alexis Krasilovsky
______________
Date
_________________________________________
Professor Eric Edson, Chair
______________
Date
California State University, Northridge
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ACKNOWLEDGEMENTS
For the women who gave me the breakthrough I needed in my writing, I would like
to thank:
Alexis Krasilovsky
Temma Willey
Julia Swift
Thank you from the bottom of my heart.
Jamie Burton-Oare
December 2014
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DEDICATION
This screenplay is dedicated to my number one supporter, my mother. The love,
spiritual fortitude, and encouragement you have given me throughout my life is
priceless. God bless you Mama.
Maxine Joyce Burton
I'd also like to dedicate my John Muir Middle School Family, led by Neil Kleiner.
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Table of Contents
Signature Page
iii
Acknowledgement Page
iv
Dedication Page
v
Abstract
vi
Full Circle
1
ABSTRACT
FULL CIRCLE:
A GRADUATE SCREENPLAY
BY
Jamie Burton-Oare
Master of Fine Arts in Screenwriting
Bradley Jennings is a grass roots, well-respected teacher at Central High School,
who created a digital literacy program for the community, called Global Citizen
Project. Just as he and his program become the focus of the First Lady of the
United States' outreach efforts, his student Satori accuses him of sexual abuse.
vi
FULL CIRCLE
FADE IN
EXT. GRAND BLANC, MI - SUBURB - PRESENT DAY
Lush green grass are like plush carpet in front of beautiful, large, brick homes. Big houses
with columns that accent the front doors are on every corner. Evergreen and Oak trees
block the sky’s view, while beds of colorful flowers fill in the remaining empty spaces.
Fancy cars are parked in driveways and help decorate this upper middle-class
neighborhood in of Flint, Michigan
EXT. FLINT, MI - INNER CITY - DAY
Deeper into the city of Flint, the view quickly changes. Boarded and empty houses, full of
graffiti align these streets. Burn residue on roofs and beat-up cars are parked on the streets.
Matte grass and leaves, that need to be raked, decorate the yards. Windows taped with duct
tape offer an inside view to an abandon house. This is definitely the other side of town.
EXT. BROWNELL K-2 STEM ACADEMY - DAY
A broken, paint-chipped jungle gym sits in the middle of the school yard. The parking lot
is full of Chevrolet, Cadillac, and Pontiac vehicles, from 1979 to present models.
1
A sign that reads, BROWNELL ELEMENTARY SCHOOL, stands haggard in the burnt
out lawn of the school’s entrance.
INT. BROWNELL K-2 STEM ACADEMY LIBRARY - DAY
BRADLEY JENNINGS, an ambitious, thirty-four year old African-American teacher,
wears his best and only suit as he speaks to a group of about sixty people. He points to the
Power Point presentation slide, on the screen.
Super: The Global Citizen Project
BRADLEY
I’m so grateful to each of you for completing The
Global Citizen Project.
APPLAUSE from the group. Bradley clicks to the next slide. A split screen displays a
Black Family and A Hispanic Family.
Super: Together, We spend 2.2 Trillion dollars annually.
BRADLEY (CONT’D)
Between the Black and Hispanic communities, in
2013, we totaled 95 million people in America and
spent 2.2 Trillion dollars.
2
Bradley clicks to the next slide that contains a picture of Black and Hispanic people
standing in a circle holding hands.
Super: Join together to demand that companies re-invest into our communities.
BRADLEY (CONT’D)
We can change the world with that kind of buying
power. But in order to do that, we must learn a very
basic skill. Reading and writing and the net. We still
have 32 million Americans who can’t read according
to the US Dept. of Education.
Bradley clicks to the next slide.
A picture of a split screen of Black and Hispanic men behind bars.
BRADLEY (V.O.)
85 percent of all juveniles are functionally illiterate,
and over 70 percent of inmates in America's prisons
cannot read above a fourth grade level.
The same image as the previous slide but with a Red X drawn through each image and
replaced by the same men, in a library, with books in their hands. Students sit next to them,
teaching them to read, with smiles on their faces.
3
Bradley’s soon-to-be ex-wife, and fellow co-worker, LISA JENNINGS enters the room
and stands in the back. Bradley notices.
BRADLEY
So if we can eliminate illiteracy, we can reduce crime
and truly start using our buying power in a much
more effective way.
APPLAUSE from the group.
BRADLEY (CONT’D)
At this time, I want to acknowledge the strength of
this program, my high school trainers. Please come
forward. Paul...
The STUDENTS come to the podium. Bradley steps aside and gives the podium to his
student, PAUL FORD, an African-American sixteen-year old, who’d rather read the Wall
Street Journal than watch television.
APPLAUSE. Bradley joins Lisa in the back of the room.
PAUL
Thank you. My name is Paul Ford and I am a junior
at Central High School.
4
We would like to present certificates of literacy to
our participants. Please come forward when your
name is called.
LISA
Nice speech.
BRADLEY
Thanks.
LISA
Too bad you don’t include the rate it takes to
accomplish this goal and how much people in your
life are expected to sacrifice.
BRADLEY
Whatever you need must be important if you came to
interrupt our presentation.
LISA
Well, I just needed you to know that I think it’s
bullshit for you to try and stop me from selling the
house. I’m the one who paid the taxes for the past
three years while you’ve been busy with this.
5
BRADLEY
That house was given to me by my grandmother.
Besides, we need to finalize custody.
LISA
Fine. But you should know I’m moving in with
Greg at the end of the week.
She hands him the papers. He puts them inside his suit jacket.
LISA (CONT’D)
See if it works for you. Also, tell my daughter I said
hello. I’ve gotta get to the school board meeting.
Bradley recovers in time to applaud his students.
EXT. GRAVESITE - DAY
SATORI TURNER, a beautiful young lady reminiscent of Lisa Bonet, from the Cosby
Show years, stands above a gravesite. RENEE FENDA TURNER, WIFE and MOTHER
is written on the headstone. Satori squats and rests her head on her arms. After a few
moments, she rises, and suddenly stomps all over the headstone screaming in anger.
SATORI
I hate you! I hate you! You ruined my life! You’re
so fucking selfish!!
6
A GRAVEDIGGER looks up at her. Stunned from her own actions, Satori runs off.
INT. BROWNELL K-2 STEM ACADEMY - DAY
Bradley peeks into the door of his eight year-old daughter, EMIKO’s, third grade class
room.
BELL RINGS.
Bradley hides behind the door. Emiko and her friends, LATINA and ILLYA run out of the
classroom. Bradley sneaks up behind them.
EMIKO
Daddy!!
They all jump on Bradley.
ILLYA
Mr. J!!!
Emiko’s teacher, MR. BELLVIEW, an older Caucasian, warm-faced man greets Bradley.
BRADLEY
Can you help me Mr. Bellview?
MR. BELLVIEW
I’m afraid you’re on your own.
7
INT. BROWNELL K-2 STEM ACADEMY, HALLWAY - DAY
Bradley walks the girls down the hallway.
BRADLEY
Park date?
EMIKO
Yes!! Can Illya come?
BRADLEY
As long as her Mommy and Daddy say yes.
ILLYA
Can you call my Daddy, please?
EXT. PARK - DAY
The park is nearly empty. The playground has a set of rings, monkey bars, and a slide.
There are a few babies and their parents in the sandbox.
Bradley pushes Emiko and Illya on the swings.
EMIKO
Let’s race!
Bradley pulls them back slowly, one in each hand.
8
BRADLEY
Remember, hold on tight, bend your legs back as far
as you can, and on your way up, stretch out as far as
you can.
Bradley pulls both girls back at equal distance.
BRADLEY (CONT’D)
Ready, set, go!
Bradley lets them go and steps back. The girls race each other on the swings.
ILLYA
Whoa! I’m getting higher!!
BRADLEY
10,9,8,7,6,5,4,3,2,1.
Emiko jumps off the swing into the sand.
BRADLEY (CONT’D)
Emiko!
Emiko rolls around in the ground, laughing.
ILLYA
Wow, how’d you learn to do that.
9
BRADLEY
Alright Gabby Douglas!
They celebrate. Illya’s Dad, BO, walks up.
ILLYA
Daddy!! Did you see Emiko jump off the swing?
BO
I did!
The girls run off to the slide. Bradley pulls out a cigarette.
BRADLEY
Do you mind?
Bo shakes his head, “no.”
BO
I just quit a year ago.
BRADLEY
I just started a week ago.
BO
Get outta here.
10
BRADLEY
I haven’t smoked in twelve years.
BO
Why now?
BRADLEY
I’ll stop when the papers are signed.
BO
I hear you man. So Lisa’s dragging it out?
BRADLEY
She’s making it hard for me. Trying to take money I
don’t have.
BO
Take it from me man. Peace of mind over dollars
and cents.
Bradley tosses his cigarette on the ground and stomps it out.
BO (CONT’D)
Illya! Illya, we gotta go babygirl.
Emiko and Illya run to Bradley and Bo.
11
BO (CONT’D)
Keep your head up man. I appreciate what you
doing. Changing lives for real, when most people
just talk about it.
BRADLEY
Thanks, man.
The girls wave goodbye. Bradley puts Emiko on his back.
EMIKO
For old times sake Daddy!
Bradley laughs.
BRADLEY
Listen to you! For old times sake. You hungry?
EMIKO
If I can have pizza and ice cream, I’m hungry!
BRADLEY
Pizza it is. We’ll see about the ice cream later.
Bradley and Emiko walk through the park.
12
EXT. BROWNELL K-2 STEM ACADEMY - NEXT DAY
Bradley parks his car in front of Emiko’s school. He walks around to the passenger door
and opens it.
BRADLEY
Alright baby, have a good day at school.
EMIKO
Ok Daddy, are you picking me up or is Mommy?
BRADLEY
Mommy’s picking you up today.
EMIKO
Ok.
Bradley kisses her on the cheek. Emiko throws up the two finger peace sign. Bradley
laughs.
BRADLEY
Peace baby.
Emiko runs toward the school’s entrance. Bradley watches until she enters the school.
CUT TO:
13
EXT. EAST VILLAGE, FLINT - MORNING
The Planetarium, Flint Institute of the Arts, and the Flint Public Library are surrounded by
maple trees full of red, brown, and orange leaves, on Kearsley Street. A bright blue, 1965
Chevy Impala drives down the street.
INT. CHEVY IMPALA - MORNING
Bradley grips the steering wheel, taps his thumbs to the SOUNDS of hip hop. B-MAC, a
deejay on 92.7 FM, WDZZ Flint, chimes in.
B-MAC (V.O.)
Yes, yes y’all, had to drop this most official, hiphop, throwback classic, Award Tour, from A Tribe
Called Quest.
Bradley bops his head and SINGS along.
BRADLEY
(SINGS)
WE ON AWARD TOUR WIT MUHAMMAD
MY MAN, GOING EACH AND EVERY PLACE
WITH A MIC IN MY HAND, NEW YORK, NJ,
N.C., FLINTTOWN!!
14
EXT. CENTRAL HIGH SCHOOL PARKING LOT-MORNING
Central High School, once a beautiful, brick building needs a complete overhaul. Trash is
scattered along the school’s worn lawn. The American Flag swings lazily on the flagpole.
Bradley pulls into a parking spot in between two empty spots.
Two pretty teenage girls, TRISCHE’ and KATRINA walk along the sidewalk toward the
school’s entrance.
Bradley walks with the girls up the stairs.
TRISCHE’ AND KATRINA
Hi Mr. Jennings!!!
BRADLEY
Hi ladies. How is your morning?
TRISCHE’ AND KATRINA
Fine.
One of the girls whispers under her breath.
KATRINA
Like you.
BRADLEY
Have a good day ladies!
15
Principal DORI TOLEN, an attractive, well-dressed, no-nonsense Asian woman, watches
the ladies and Bradley, on the stairs.
BRADLEY (CONT’D)
Good morning Principal Tolen.
DORI
Good morning.
Bell RINGS
INT. CENTRAL HIGH SCHOOL HALLWAY-MORNING
Bradley strolls down the hall and his students Paul and EDGAR, a Latino jokester
camouflaged as a tough seventeen-year-old boy, run up to him.
EDGAR
What up Mr. J!
PAUL
Mr. J, sir!
BRADLEY
Gentleman.
They reach the classroom.
16
INT. CENTRAL HIGH SCHOOL CLASSROOM-MORNING
Bradley enters alone and flicks on the lights of the brightly decorated room. He sits at his
desk and lights a candle, and turns the radio to KJAZZ 88.1 FM. Puts his feet on the desk
and leans back, and reads from the book Jesus Calling.
INT. CENTRAL HIGH SCHOOL HALLWAY-MORNING
KNOCK, KNOCK, KNOCK
Bradley turns to the door and Satori stares through the small window. Bradley opens the
door.
BRADLEY
Hi Satori, did the bell ring?
SATORI
No. I just want to help out.
Bradley allows Satori into his room. He hands her the paper in his hand.
BRADLEY
Copy the agenda on the board, please.
Bradley reaches for the broom in the corner and sweeps. He places a doorstop in the door
to prop it slightly open.
17
BRADLEY (CONT’D)
What’s on your mind Satori?
SATORI
I don’t know what you mean, Mr. Jennings.
BRADLEY
I find it very hard to believe that a pretty, smart,
young lady, such as yourself, would rather help me
prepare the room than walk around with her friends
before school starts.
Satori blushes.
SATORI
You know me so well, Mr. J.
BRADLEY
I’ve just been teaching a long time. Wanna talk about
it?
Satori stops writing and places a cap on the marker.
SATORI
I’ve been trying to give people a chance, like you
told me, but it’s not working. They judge me.
18
BRADLEY
Remember, you are talking about teenagers, Satori.
That’s what you all do at this age.
SATORI
I already know people don’t know what they will do
until they’re in that situation, so I don’t judge.
BRADLEY
Sometimes in life, your thinking is beyond your
years and your peers, so have to wait for them to
catch up. Have you been going to counseling, on a
regular basis?
SATORI
Yes, and no. I went to see my Mom this morning.
Bradley stops sweeping. He puts his hand on her shoulder.
Bell RINGS
BRADLEY
We’ll finish this conversation later.
Satori returns to writing on the board. Bradley walks over to the door to open it
completely.
19
INT. CENTRAL HIGH SCHOOL - CLASSROOM HALLWAY-MORNING
Bradley faces the students lined against the wall in two lines; one for the girls, and one for
the guys. Edgar is the first student in line. Bradley leans over and speaks in a hushed tone.
BRADLEY
Edgar, why don’t you walk Satori to her class?
Bradley gives Edgar a hall pass.
EDGAR
Mr. J, you funny. You know she don’t like me.
BRADLEY
Practice your game.
Edgar hangs by the door.
BRADLEY (CONT’D)
Thank you, Edgar.
Bradley waves his hand to the girls.
BRADLEY (CONT’D)
Ladies.
The last girl walks into the room.
20
BRADLEY (CONT’D)
Gents.
The boys enter, while Satori walks out.
SATORI
Thanks for the talk Mr. J.
BRADLEY
You’re welcome.
Edgar holds his hand out to guide Satori. She rolls her eyes.
A beautiful female teacher, with glasses, JOHNNA HARLOW, has been watching
Bradley and his class from across the hall. Bradley notices.
JOHNNA
Mr. Jennings. A student crushing on you?
BRADLEY
I don’t know about that. But hopefully, a teacher is
Ms. Harlow.
Johnna blushes.
BRADLEY (CONT’D)
How is your morning going?
21
JOHNNA
Zero down, six classes to go. And for you?
BRADLEY
Today is a good day.
JOHNNA
Alright, O’Shea.
She walks into her classroom. Bradley watches Johnna. His last student, Paul enters the
classroom.
PAUL
Dang, Mr. J, you are starin’....
INT. CENTRAL HIGH SCHOOL HALLWAY - LATER THAT DAY
Principal Dori patrols the halls.
DORI
Get to class people! Let’s go!
JOHN COLEMAN, a history teacher, joins Dori. The hall is nearly empty.
JOHN COLEMAN
You heard the lady, let’s go!
22
John enters the boys bathroom.
Dori walks in the girls’ bathroom. Dori gets a whiff of marijuana smoke.
INT. CENTRAL HIGH SCHOOL GIRLS’ BATHROOM - DAY
Dori opens the first door. Nothing. She opens the second door. Nothing. She opens the
third door. Locked. Satori sits on a stool smoking a joint.
INSIDE THE STALL
SATORI
No vacancy.
DORI
Oh really?
INSIDE THE STALL
Satori quickly FLUSHES the marijuana down the toilet. She straightens her clothes and
sticks a piece of gum in her mouth. She slowly opens the door.
SATORI
Sorry, I had to do the number two.
DORI
Really?
23
Satori walks to the sink to wash her hands.
DORI (CONT’D)
Look up.
Satori picks her head up in the mirror. Dori stands behind her.
DORI (CONT’D)
Your eyes are bloodshot.
SATORI
My stomach was hurting.
DORI
Let’s go. My office.
INT. PRICIPAL TOLEN’S OFFICE LOBBY - DAY
Dori and Satori walk into the office.
DORI
Sit down.
Satori sits. The motherly secretary, MRS. SUPPOL, an east Indian woman who takes no
mess stares at Satori.
24
DORI (CONT’D)
Mrs. Suppol, keep an eye on her, please.
MRS. SUPPOL
Not a problem at all. She’ll be fine right here.
Satori avoids Mrs. Suppol’s eyes.
INT. PRINCIPAL TOLEN’S OFFICE - DAY
Dori on the phone at her desk.
DORI
She’s in my lobby, waiting.
INT. CORPORATE OFFICE - DAY
A well dressed African-American, businessman, JACKSON TURNER, leans back in his
chair on the speakerphone as he tosses and squeezes a stress ball.
JACKSON
What now?
INTERCUT - PHONE CONVERSATION
25
DORI
I just caught her in the girls’ bathroom smoking
marijuana.
JACKSON
Did you see her smoking?
DORI
She was the only one in the bathroom and would not
open the stall until she heard my voice.
JACKSON
After work today, make sure she comes home with
you.
DORI
Baby, do you want to speak to her now?
JACKSON
Not now. I need to see her face. She needs to see
mine.
DORI
Ok.
26
JACKSON
Call me if something else happens before you make
it home.
INT. PRINCIPAL TOLEN’S OFFICE - DAY
HERMAN KNOWLER, a Caucasian, neatly dressed, friendly guy, enters Dori’s office.
HERMAN
Excuse me Principal Tolen, but we are ready to start
the meeting.
DORI
Ok, Herman. Coming right out.
Herman reaches for the binder on her desk. Dori stops him.
DORI (CONT’D)
I’ll bring it, Herman. See you inside in a few
seconds.
Dori walks out to the lobby.
DORI (CONT’D)
In my office, quickly.
Dori closes the door.
27
DORI (CONT’D)
Are you aware of the school’s policy for smoking
marijuana?
SATORI
You get kicked out?
DORI
Expelled. Even possibly expelled from the district. I
want you in all your classes on time. Mrs. Suppol
will check on you each period. After school, you
come home with me. Get a note from her and get to
class now.
SATORI
I have Global Citizen, with Mr. J after school.
DORI
Meet me in front of the school after that.
28
INT. CENTRAL HIGH SCHOOL CONFERENCE ROOM - DAY
John Coleman, Vice-Principal BERNARD WILLIAMS, JILL ARTERO, a Spanish
teacher, YOLANDA ALLEN, a science teacher, HYACINTH PERRY, an on-site
counselor, and Johnna are the STEERING COMMITTEE for the school. Dori and
Herman enter the room.
DORI
Good afternoon ladies and gentleman. Please excuse
my fractional tardiness. I do appreciate you time.
Dori sits down quickly.
DORI (CONT’D)
Let’s call this meeting to order.
Dori picks up the gavel and bangs it down.
ALLEN
Our focus is on pushing the agenda items.
However, there has been a rather exciting
opportunity that came our way this past week.
DORI
Continue.
29
ALLEN
Well, one of our agenda items is to connect our
school to the community. Apparently, we aren’t the
only ones who share that agenda. So does the First
Lady.
PERRY
Thee First Lady? The President’s wife?
ALLEN
The one and only - FLOTUS.
Allen rises and walks to the diagram of the map of the US.
ALLEN (CONT’D)
She has created a list of ten cities across the country,
that need social outreach program funding the most.
Flint, MI is number 3 on the list.
JOHN
Well, the good news is that she’s not looking to
reinvent the wheel. She wants to find programs that
are working already, promote and fund them and
replicate them throughout the country.
30
JILL
I think it’s exciting. We haven’t seen anything close
to this kind of attention, ever.
DORI
Has anyone shared this with Mr. Jennings?
ALLEN
Not yet.
DORI
Let’s keep it that way. We’ll share the news at the
faculty meeting.
INT. CENTRAL HIGH SCHOOL CLASSROOM - END OF THE SCHOOL DAY
Bradley reads the homework written on the board to his last class.
BRADLEY
Please complete the language and religion research,
for the country you’ve chosen. Fill out the form on
my desk and turn it in tomorrow.
Bell RINGS
The students file out of the room except Paul, Teriann, Satori and Edgar.
31
EDGAR
Mr. J, I’ll go get everybody.
BRADLEY
Take Satori and Teriann, with you please. Paul I
need you to help me in here.
Satori goes reluctantly.
EXT. CENTRAL HIGH SCHOOL - DAY
Global Citizen students include an elderly man and woman, BILL and SARAH; single
mothers, TANDY and WANDA; and two middle-aged men, TORQUE and YUSUF.
They enter Central High School.
Edgar, Satori and Terriann greet them, check them in, and walk them toward Bradley’s
room.
INT. CLASSROOM-DAY
Bradley and Paul rearrange the desks, while the others set up a few vegetable trays, potato
chips, apples, small plates and napkins on the counter.
BRADLEY
Make sure you put out enough chips, Paul.
Edgar stuffs a handful of chips into his mouth.
32
EDGAR
I’m a little hungry, Mr. J.
BRADLEY
Um hm. That’s what I’m afraid of. Wash your
hands man.
Bradley puts the books on the tables and props the door open. His CELL PHONE
RINGS. It’s Lisa is on the other end of the phone.
BRADLEY (CONT’D)
You here?
LISA
Coming in now.
Emiko bursts through the door, Lisa follows behind her. Emiko runs to her Dad.
EMIKO
Daddy!!
Bradley swings her around.
LISA
She’s getting too big for that. Put her down.
Bradley swings her around again, then puts her down.
33
BRADLEY
My babygirl! We’re getting ready to start. Wanna
help Paul finish with the snacks?
EMIKO
Yes.
BRADLEY
Ok, take your stuff off and put it in my closet.
Emiko puts her stuff away.
LISA
Sunday, right after church please.
BRADLEY
I know.
Lisa tries to embrace Emiko. Emiko ignores her.
LISA
She gets around you and forgets who I am.
EMIKO
Bye, Mommy.
Lisa walks out the door and nearly bumps into Satori.
34
SATORI
Excuse me.
LISA
Um hm.
BRADLEY
Emiko, I have to talk to Mommy. Mind Mr. Paul,
ok.
(to Paul)
Get this started and keep a close eye on her. I’ll be
right back.
Paul takes Emiko by the hand. Paul initiates the meeting.
PAUL
Good afternoon. Put your things down, come grab
your snacks and let’s get started. Your Global Guide
will meet you at your desk.
Everyone gathers snacks and take their seats.
35
EXT. CENTRAL HIGH SCHOOL PARKING LOT - EARLY EVENING
Lisa closes the door on her all white Honda Accord. Lisa CRANKS on the engine.
Bradley KNOCKS on the driver’s side window.
BRADLEY
I read the papers. Can we talk this weekend?
Lisa rolls the window down.
LISA
We can’t. We’re not free until Sunday, and Sunday
is your day of rest, remember?
BRADLEY
I can make an exception if that’s the only day you
have.
LISA
I’m gonna be late. We can finish this later.
Lisa peels out of the parking lot burning rubber. Bradley throws his hands up and turns to
walk into the school.
36
INT. SCHOOL-HALLWAY-EARLY EVENING
Dori strolls down the hall. Bradley sees her in the distance and quickens his pace. Dori
quickens her pace. Johnna opens her door and intercepts Dori.
JOHNNA
Principal Tolen, may I please ask you to take a look
at something for me?
Principal Tolen is hesitant.
JOHNNA (CONT’D)
It will only take a minute, I promise.
Bradley smiles at Johnna, as Dori and enters his room.
INT. SCHOOL - CLASSROOM-EARLY EVENING
Paul shows Bill how to read the newspaper on the net, Edgar listens to Torque read to him
from Raz-Kids, and Terriann teaches Sarah how to use Netflix. Satori sits with Emiko
and plays with her dolls. Satori notices Mr. J walk toward her.
BRADLEY
Satori, thank you. I can take over with Emiko.
Bradley locks eyes with Paul. Paul shrugs his shoulders.
37
BRADLEY (CONT’D)
I want you to coach Wanda.
Wanda hovers near the snack table.
BRADLEY (CONT’D)
She’s a bit shy. Why don’t you see if she’ll let you
help her today.
SATORI
Ok. I’m gonna go to the bathroom first Mr. J.
Women’s issues.
Bradley addresses the group.
BRADLEY
Do we have any volunteers today that want to lead
and read the research you found on involuntary
servitude ?
Bill raises his hand.
BRADLEY (CONT’D)
Bill! That’s great. Let’s go up to the main
computer?
Bill walks up to the main computer, with the assistance of Paul.
38
BILL
Thank you, young fella.
Bill starts clicking away with the mouse. Principal Dori enters the room.
BILL (CONT’D)
Neither slavery nor involuntary servitude, except as
punishment for a crime whereof the party shall have
been duly convicted, shall exist within the Unites
States, or any place subject to their jurisdiction.
The room erupts in applause. Dori motions her hand for Bradley to join her at the door.
DORI
I need you to meet me in my office fifteen minutes
before school tomorrow.
BRADLEY
That’s gonna be tough. I have my daughter and I
have to get her to school in the morning.
DORI
I’ll see you bright and early.
Dori walks out of the room.
39
EXT. CENTRAL HIGH SCHOOL PARKING LOT - EARLY EVENING
Satori walks down the school steps into the parking lot. She takes out her cell phone. She
looks up Terriann in her contacts, and calls.
SATORI
Teriann, you ready to go home?
INT. BRADLEY’S CLASSROOM-EARLY EVENING
Teriann is on her phone next to the snack table. She looks around the room and sees
everyone paired up reading with each other. Wanda sits alone awaiting Teriann.
TERIANN
(into the phone)
Not really.
PHONE CONVERSATION-INTERCUT
Satori uses a keyless remote to open a car door. She sits inside, turns the music on, and
waits for the lighter to heat up. She opens the visor and uses the mirror. She takes out a
cigarette.
SATORI
Well, I’m gonna go to your house and wait for you
in the backyard.
40
TERIANN
Don’t do that. My Mom’s gonna want us to come
home together.
SATORI
That’s why I want to go now, just so that she
doesn’t think I’m being disrespectful. I want her to
know I was with you.
TERIANN
I’ll be out there in five minutes. You out front?
SATORI
Yes.
INT. CLASSROOM-EARLY EVENING
Teriann approaches Bradley.
TERIANN
Mr. J, I need to leave early.
41
BRADLEY
Ok, but tomorrow we’re watching the Cuban literacy
documentary, Maestra. I need you and the others to
be on time and to stay to watch the film.
TERIANN
Ok, sorry.
BRADLEY
Good job today.
Teriann grabs her things.
BRADLEY (CONT’D)
Do me a favor? If you see Satori, tell her the same
thing.
TERIANN
Ok. I will.
BRADLEY
Be safe getting home.
Teriann grabs her things and exits the classroom.
42
EXT. CENTRAL HIGH SCHOOL PARKING LOT - EARLY EVENING
Satori gets out of the car, and waits for Teriann. She puffs on a cigarette. She exhales like
a pro.
Teriann approaches. They walk off, through the parking lot.
TERIANN
I thought you stopped.
SATORI
I started again.
TERIANN
I can’t stand cigarette smoke. You’re not gonna be
able to walk in my house with that on your breath or
clothes.
Satori smashes the cigarette under her shoe. She takes out air sanitizer. She sprays a bit on
her clothes.
SATORI
Done. I got it covered. I’m gonna go over a friend’s
house for the night.
43
Tell your Mom I’m going to stay with my Aunt for
the night. Give her a number to my cousin just in
case she decides to call.
Teriann looks on suspiciously.
TERIANN
Where are you going?
SATORI
To my boyfriend’s house.
TERIANN
Boyfriend who?
SATORI
Don’t worry. Your Mom is cool and I may not even
stay the night, but just in case.
TERIANN
I’m not lying to my Mom for you.
SATORI
Just ask you to call me if something funny happens.
TERIANN
This is crazy.
44
INT. DORI’S CAR- EARLY EVENING
Dori looks at her clock. She sits in her car and listens to the radio. She checks her rearview
mirror. She looks over her shoulder. No Satori. She looks at her clock. She drives off.
INT. CHEVY IMPALA - EVENING
Bradley and Emiko ride along in the car. Emiko has her seat belt on in the back seat. The
SOUNDS of Whitney Houston blare from the speakers. Bradley and Emiko sing along.
BRADLEY AND EMIKO
(sings)
THE GREATEST LOVE OF ALL, IS EASY TO
ACHIEVE, I FOUND THE GREATEST LOVE
OF ALL IS INSIDE OF ME
Bradley claps and Emiko takes a bow in the back seat.
EMIKO
Thank you. Thank you.
BRADLEY
Hey, what about me?
EMIKO
Good job, Daddy.
45
BRADLEY
Thank you.
EMIKO
Daddy, what’s her name again?
BRADLEY
The late great Whitney Houston.
EMIKO
She died?
BRADLEY
Yep.
EMIKO
How did she die?
BRADLEY
Well, they never really found out.
INT. CHEVY IMPALA - EVENING
Bradley pulls into his driveway.
46
EMIKO
(screams)
Daddy!! Look out!!!
Bradley slams on the brakes. Satori stands directly in front of the car.
Bradley jumps out of the car. He grabs Satori by her arms.
BRADLEY
Are you ok? Did I hit you?
SATORI
No, you didn’t. I’m a little startled, but I’ll be ok.
BRADLEY
What are you doing here?
EMIKO
Is Satori ok Dad?
SATORI
I’m fine Emiko. I need to talk Mr. J.
BRADLEY
About what Satori? Are you ok?
SATORI
I got kicked out.
47
A neighbor, MRS. ODESSA, stands on her porch and waves to Bradley.
MRS. ODESSA
Hi Bradley, how you doin?
BRADLEY
I’m fine Mrs. Odessa, thanks.
MRS. ODESSA
Ya baby is getting so big so fast. Looks like she
was just a baby yesterday.
BRADLEY
It sure does.
Bradley grabs Emiko by the hand.
MRS. ODESSA
Have a good evening son, be safe.
BRADLEY
Thank you Mrs. Odessa.
BRADLEY (CONT’D)
(to Satori)
I can take you home Satori.
48
SATORI
But Mr. J, I can’t. Please can I come in and talk to
you?
Mrs. Odessa still watches from her porch.
BRADLEY
C’mon inside Satori.
INT. BRADLEY’S HOUSE-NIGHT
Bradley piles all his things onto the couch. Satori has a seat there.
BRADLEY
Go wash up for dinner sweetie.
EMIKO
Ok. Satori, I hope you feel better.
SATORI
Thank you, Emiko!!
Emiko smiles.
Bradley sits down across from Satori in the living room.
49
BRADLEY
What are you doing here? What’s going on with
you, Satori?
SATORI
Well, I’m sorry I scared you. I just didn’t know
who else to talk to.
BRADLEY
Satori, next time, talk to me at school. Then I can
help you better.
SATORI
I know. I’m sorry. I would never want to get you in
trouble Mr. J.
BRADLEY
Let’s not worry about me. What is going on with
you? Why were you kicked out?
SATORI
My Dad put me out on the streets.
BRADLEY
I’m sure it can be worked out.
50
SATORI
It can’t Mr. J. It’s complicated.
BRADLEY
I’m listening.
SATORI
Well, my Dad and I have always been very close.
He and I have been inseparable, until recently.
BRADLEY
Go on..
SATORI
My Dad got remarried. I don’t get along with her.
It’s no secret. She doesn’t like me either.
BRADLEY
That must be hard on your Dad.
SATORI
It is. And so I’ve tried to be the bigger person and
be cordial to her, but it doesn’t work.
51
BRADLEY
Satori, with all due respect. There are kids who deal
with many, many issues of severity. I’m not
belittling yours, but this is no reason to be out of
your house.
SATORI
My Dad told me I had to like her or leave.
BRADLEY
I’m sure he was just angry.
Satori begins to cry.
SATORI
I don’t have anywhere to go.
Bradley puts his hand on her shoulder.
BRADLEY
What about other family members?
SATORI
All my family is back in North Carolina.
BRADLEY
Satori, we need to call your Dad.
52
SATORI
Ok, but he’s not gonna answer my call.
BRADLEY
Well if we have to, we can call the police.
SATORI
Please don’t Mr. J. As much as I’m mad at my Dad,
I don’t want him in any trouble.
Bradley softens. Emiko comes back.
BRADLEY
Look. I’ll get you something to eat and we’ll call
your Dad.
INT. TERIANN’S HOUSE - NIGHT
Pink walls display Usher, LL Cool J, and Michael Jackson posters. Several plaques and
certificates are also on the walls. Teriann lies on her bed in her room with earbuds in her
ears. She bobs her head to the music and does math homework simultaneously.
A series of unanswered KNOCKS at the door
Teriann’s Mom, CYNTHIA RYAN, a forty-something scholarly woman, enters. Teriann
doesn’t look up. Cynthia waves in her face.
53
CYNTHIA
Hello. Anybody home?
Teriann takes the earbuds out of her ears.
TERIANN
Sorry Mom. I’m studying.
CYNTHIA
How you are able to do that with music blasting in
your ear, is beyond me. (beat) Anyway, Satori is at
her aunt’s house?
TERIANN
Yes, she told me she let you know.
CYNTHIA
Yeah, well, hopefully, her aunt is gonna let her stay
there.
TERIANN
Yeah, hopefully.
CYNTHIA
I plan on calling her cousin in a while.
54
TERIANN
Ok. Or, I can call her now just to make sure she
made it there.
CYNTHIA
Go ‘head.
Cynthia’s Mom sits on the bed and waits. Teriann dials Satori’s number.
RING RING RING
INT. BRADLEY’S HOUSE-NIGHT
RING...
Teriann’s name appears on the screen. She runs to the bathroom and answers.
SATORI
Hey T, what’s up?
TERIANN
Um, oh, there you are. You made it to your aunt’s
ok?
SATORI
Your Mom must be right there.
55
TERIANN
Yep.
SATORI
Put her on the phone.
Teriann hands Cynthia the phone.
SATORI (CONT’D)
Hi Mrs. Ryan. Glad to be home from work?
CYNTHIA
I am child. Very. Let me speak to your aunt.
SATORI
Oh, ok, I need to take her the phone.
Satori looks around Bradley’s home. She grabs her backpack. She enters the bathroom.
She turns on the faucet. She clears her throat a few times in the phone.
SATORI (V.O.)
Hello, Mrs. Ryan. What can I do for you?
CYNTHIA
Hi, I’m just making sure Satori made it to you safely.
56
SATORI (V.O.)
Oh yeah. She’s here, sitting on the couch letting the
idiot box entertain her.
CYNTHIA
Ok. Well, I don’t wanna keep you. The connection
is kind of choppy. Have a good night!
SATORI (V.O.)
Thank you Mrs. Ryan. I sure will. Take care.
Cynthia hands the phone back to her daughter.
CYNTHIA
You know you gotta eat sometime soon right?
TERIANN
I know Ma. I’ll be down in a minute.
Cynthia exits the bedroom.
TERIANN (CONT’D)
Satori? What did you do?
SATORI
I was my aunt.
57
TERIANN
I can’t believe that worked.
SATORI
It did. Good looking out. I gotta go though.
TERIANN
Be safe girl.
SATORI
Always.
INT. BRADLEY’S HOUSE KITCHEN - AFTER DINNER
Bradley, Emiko and Satori sit at the table. Bradley begins to clear the table. Satori stops
him.
SATORI
Mr. J. I can clean up. That’s the least I can do.
Bradley, exhausted, complies.
BRADLEY
Ok, c’mon Emiko. Let’s get ready for bed.
EMIKO
Daddy is Satori spending the night?
58
BRADLEY
No, we’re gonna help her get home tonight.
EMIKO
I want her to stay Daddy.
Satori overhears from the kitchen.
BRADLEY
She can’t sweetie. Put your pajamas on.
Satori washes dishes.
INT. KITCHEN
Satori pulls out her phone and pulls up her contacts. She switches her Dad’s work number
to his mobile number. Bradley enters the kitchen.
BRADLEY
I need your Dad’s number.
Satori pulls up her Dad’s contact number and gives the phone to Bradley. Bradley dials the
number and puts the phone on speaker.
59
JACKSON (V.O.)
Jackson Turner here, thanks for the call, but I’m not
available at this time. Please leave a detailed message
and your call will be returned promptly.
BRADLEY
Hi Mr. Turner. This is Satori’s teacher, Mr.
Jennings. She showed up here at my home. I am
trying to bring her home. I can be reached at 323-5557885. Thank you.
Bradley returns Satori’s phone to her.
BRADLEY (CONT’D)
We’ll wait no more than an hour to hear back from
your Dad, then I’m taking you to the police station.
SATORI
Ok, Mr. J. Thank you.
Bradley goes over to the cabinet and grabs the tea.
BRADLEY
Do you want some tea?
60
SATORI
Yes. Please. Do you have peppermint?
BRADLEY
Go have a seat in the living room. The remote is on
the couch. You can wait there. I’ll bring the tea in.
SATORI
Thank you Mr. J. You have no idea how much this
means to me.
Satori exits.
Bradley puts water in the teapot and puts it on the stove.
INT. LIVING ROOM - NIGHT
Bradley sits down in his chair. He places the tea cups on coasters. Satori watches Real
Housewives of Atlanta.
BRADLEY
There’s nothing else that interests you on TV?
SATORI
Yes, Mr. J, but sometimes mindless TV is just what
you need.
61
Bradley sips his tea. He keeps checking his phone.
BRADLEY
What time does your Dad usually get home?
SATORI
At different times, but usually not before 9pm.
BRADLEY
9pm?
Bradley looks at the clock. It reads 7:00 pm.
Moments later...
The clock reads 7:20 pm.
The clock reads 8:00 pm.
Bradley drifts off to sleep.
INT. LIVING ROOM - NIGHT
Satori peeks over at Bradley. She grabs the tea cups and takes them to the kitchen.
INT. HALLWAY-SAME
Satori tiptoes down the hallway. She arrives at a bedroom door.
62
INT. EMIKO’S ROOM
Satori peeks into the room. She sees Emiko sprawled across her bed sleeping soundly
with her coat on over her pajamas.
INT. LIVING ROOM
Satori stands in the doorway and watches Bradley. She removes her shirt and only wears a
tank underneath. She saunters over to Bradley. She faces him. He still sleeps. Satori
bends down to her knees. She scoots in close to Bradley. She brings her face to his
without touching but close enough to feel his breath against her face. She closes her eyes.
She leans in and begins to kiss him slowly, tenderly. He responds without opening his
eyes. Satori touches his groin. Bradley’s eyes pop open and he jumps, pushing Satori off
of him. Satori hits her head on the table.
BRADLEY
What are you doing Satori?
SATORI
I thought you liked me Bradley.
BRADLEY
Mr. J, Mr. Jennings to you.
Bradley paces the floor. He grabs his car keys.
63
BRADLEY (CONT’D)
Get your stuff Satori. Everything you have. Now.
Bradley leaves the living room and walks down the hallway decisively.
INT. EMIKO’S ROOM
Bradley opens the door. Emiko is fast asleep. Bradley grabs hat, shoes, and a few books.
He dresses Emiko. He picks her up and carries her out of the room. She remains asleep.
INT. BRADLEY’S LIVING ROOM
Satori stands in the living room leaning up against the wall.
SATORI
I’m sorry Mr. J. Jennings.
BRADLEY
(whispers)
We’re going to the police station. Your father can
pick you up there.
SATORI
Ok, ok, Mr. J. I’ll go home. Please don’t take me to
the police.
64
Bradley watches her suspiciously.
SATORI (CONT’D)
Please.
Satori cries and begs.
BRADLEY
Let’s go.
INT. BRADLEY’S CAR - NIGHT
Bradley and Satori sit in the front while Emiko is strapped in her seat belt in the back seat.
She awakens. She rubs her eyes.
EMIKO
Where are we going Daddy?
Bradley looks in the rearview mirror.
BRADLEY
Oh, go back to sleep baby. We’re just taking Satori
home.
Bradley turns on the radio. Jazz plays lightly through the car. Satori stares out the window.
Bradley looks straight ahead. Bradley turns his car into an upscale neighborhood.
65
SATORI
Go to the end of the block and make a right.
Bradley follows her instructions. Sprawling estate-type homes line the street.
SATORI (CONT’D)
Make a left at the house with the navy blue trim.
Bradley pulls into the driveway and keeps the car’s ignition on.
BRADLEY
Emiko, stay here baby. You can watch me through
the window. I’m only going to take Satori to the
front door and meet her Dad, Ok?
EMIKO
Ok, Daddy. Bye Satori.
Bradley gets out of his car, quickly.
SATORI
Bye baby girl.
EXT. SATORI’S HOUSE - NIGHT
Satori hastens ahead of Bradley to the front door.
66
Bradley turns around to watch Emiko. Satori pushes the doorbell.
BRADLEY
You don’t have the key?
SATORI
My Dad took it away from me a long time ago.
They wait on the door step. Bradley looks over at Emiko. Bradley rings the doorbell this
time. Satori takes out her phone and dials her Dad’s number.
No answer. Bradley notices a piece of mail on the mailbox that reads:
JACKSON TURNER
928 Woodside Dr.
Flint, MI 48503
Bradley RINGS the doorbell again.
They wait for a long time.
INT. BRADEY’S CAR - NIGHT
They sit in the car and wait.
67
BRADLEY
Let’s go. I can’t leave you out here.
Satori follows Bradley to the car.
INT. BRADLEY’S CAR - NIGHT
Bradley drives. The police station is in sight.
SATORI
Mr. J. Mr. Jennings, just a thought, but won’t it be
strange that you brought me here so late. Especially
with this knot on my head. I mean, I was at your
house over five hours ago, after all.
Bradley looks at Satori, dumbstruck. She returns the stare. Bradley turns his eyes to the
police station, then back at Satori. He rides past the police station.
INT. BRADLEY’S HOUSE-NIGHT
Bradley places a folded blanket and pillow on the couch for Satori.
SATORI
Thanks Mr. J. I’m sorry I...
Bradley lifts his hands.
68
BRADLEY
Don’t thank me. I have no choice. I’ll be in the
room with Emiko. I’ll wake you at 5am, so we can
get to school before everyone else.
SATORI
Good night. Please don’t be mad at me.
Bradley says nothing.
INT. EMIKO’S ROOM-MORNING
Emiko’s alarm clock goes off. Bradley awakens. The clock reads:
5:00 am
Emiko shifts in her bed. Bradley quickly shuts off the clock. He rises.
INT. BRADLEY’S CAR - EMIKO’S SCHOOL
Bradley pulls the car in slowly to the curb. He puts the car in park and checks Emiko’s
backpack.
EMIKO
Daddy, you don’t have to do that. I have everything.
69
BRADLEY
Where’s your lunch?
Emiko holds up a brown paper bag with a flower drawn on it.
Bradley smiles and leans in to kiss her on the cheek.
BRADLEY (CONT’D)
Have a great day baby! When I pick you up, be out
front instead of lollygagging with Illya.
Emiko opens the car door and gets out. She turns back briefly.
EMIKO
Bye Satori!!! See you later!
SATORI
Bye Emiko!! Have fun at school.
Bradley watches Emiko walk into the school. He pulls off.
BRADLEY
Satori, I’m gonna drop you at the corner. The only
thing I ask of you is that you talk to your counselor
today to get help with your situation at home.
70
And I know you know this, but you can’t tell anyone
about last night. Do you understand?
Bradley pulls up to the corner.
SATORI
I understand Mr. Jennings. I’m sorry if I put you in
a bad position.
Satori begins to cry.
BRADLEY
Mr. J. Satori. Mr. J. And don’t worry, you’ll get
through this, phase.
Bradley hands her a Kleenex. He PRESSES unlock on the car doors. Satori grabs her bag,
exits the car.
INT. CENTRAL HIGH SCHOOL - HALLWAY - DAY
Dori walks the halls, walkie-talkie in hand. Students dash to class. She scans the sea of
kids. Satori pulls a few books out of her locker.
BELL RINGS
Dori approaches Satori.
71
DORI
I need to see you in my office now.
Satori rolls her eyes, closes her locker door, and walks down the hall. Dori follows.
Bradley leans his head out the door to check the halls. He and Satori lock eyes as she
walks past his door. Dori’s walkie-talkie alerts him to her presence.
DORI (CONT’D)
(to Bradley)
I need to see you after first period. I have some
news I think you’ll want to hear from me.
BRADLEY
Will do.
Bradley closes his door.
INT. BRADLEY’S CLASSROOM-DAY
Bradley places oversized legal-pad Post-It sheets over the maps in the room. He places
two podiums next to each other. He takes his bell out of his desk.
EDGAR
What you doin’ Mr. J?
He stands in front of the class.
72
BRADLEY
Today we are playing a game I like to call “Geo
Bowl.” Any clue what it’s about?
EDGAR
Somethin’ to do with the planet?
BRADLEY
Yep. Good ole fashioned geography.
PAUL
Aw Mr. J. We ain’t fifth graders.
BRADLEY
You may not be, but if I hear another person in this
country refer to Africa, as a language or a country,
I’m gonna lose my mind.
Bradley grabs the bell and places it on Edgar’s desk, in front of the podium.
BRADLEY (CONT’D)
Edgar, you be the time keeper. We’ll divide this side
of the room into one team and that side of the room,
another. I need two captains, one from each team.
73
A few students raise their hands. Paul almost hits a student with glasses, YVETTE
BROONER, in the face swinging his hand.
BRADLEY (CONT’D)
C’mon Paul, before you hurt somebody with that
arm.
Bradley surveys the room.
BRADLEY (CONT’D)
And Yvette.
Yvette saunters to the podium.
PAUL
I take no prisoners.
YVETTE
Good, because it would be weird to see you lock
yourself up.
The other students chuckle.
BRADLEY
Ok, enough small talk. Now, I’ve prepared Geo
Bowl questions on index cards. The cards will be
face down and I’ll ask the questions.
74
Edgar will ring the bell after ten seconds and
whosever turn it is, has to answer. If you’re are
right, your team scores the points that are written on
the card. If they are wrong, no one scores.
YVETTE
Do we get a chance to answer their question
correctly?
BRADLEY
That is what Round 2 is about. There will be five
questions per round and each team must swap
players each round. No one can repeat a round
unless it’s the final. Then you can choose one player
to represent the whole team. There can be no help
from your teammates other than cheering. Any
questions?
TERIANN
Mr. J, what if they don’t answer when the bell rings?
BRADLEY
We treat it the same as giving a wrong answer. Any
more questions?
75
The students shake their heads from side to side, saying “no.”
BRADLEY (CONT’D)
Let the games begin.
Bradley gives Edgar a digital timer.
EDGAR
Ok, on your marks, get set...
PAUL
Man, this ain’t no track meet!
EDGAR
On your marks, get set..go!
BRADLEY
Yvette’s team goes first.
Bradley draws a card from the pile.
BRADLEY (CONT’D)
This question is worth ten points. Which African
country is President Obama’s father from? Your ten
seconds starts now.
76
YVETTE
Kenya.
BRADLEY
That is correct.
Yvette’s team claps a little bit. Bradley turns to his class.
BRADLEY (CONT’D)
You guys made me resort to this tactic. So show
some enthusiasm.
PAUL
Man, that was easy. Everybody knows that. I want
a challenge Mr. J. Let’s go!
INT. PRINCIPAL DORI’S OFFICE - DAY
Satori sits at her desk across from Dori. Satori’s arms and legs are crossed.
DORI
Satori, your father and I have made a decision about
how to handle your disappearing acts.
Satori turns and faces Dori.
77
DORI (CONT’D)
It’s obvious that I’m not going anywhere.
SATORI
(under her breath)
Too bad.
DORI
And it’s equally obvious that you are not gonna try
and work out your issues.
SATORI
What about you? What about your issues?
DORI
Like this. The mere fact in your mind that it is okay
to speak to me as if I am your peer.
SATORI
I’m tired of this.
DORI
Good, because we have enrolled you into Emma
Willing Boarding School in Troy, NY.
78
SATORI
What?!
INT. BRADLEY’S CLASSROOM-DAY
Bradley pulls a card from the pile.
BRADLEY
This question is worth ten points. What African
country is home to the Zulu tribe? Your time starts
now.
PAUL
That ain’t fair! She had the easy question.
Edgar hums the Jeopardy theme song. He hits the bell.
EDGAR
Times up.
PAUL
Hip hop taught me this. South Africa, home of
Shaka Zulu. What!! What!!
BRADLEY
That is correct.
79
YVETTE
Whatever. That was easy too.
Paul mimes a cat clawing in Yvette’s direction.
A KNOCK at the door
BRADLEY
Take my place Teriann. Keep playing.
Bradley walks to the door. He opens the door.
JOHNNA
Mr. J, I’m sorry to interrupt you but will you stop by
my room during lunch?
BRADLEY
Yes. Is everything alright?
JOHNNA
Yes, it is.
She smiles at Bradley. He closes the door.
INT. PRINCIPAL DORI’S OFFICE - DAY
Dori stares at Satori.
80
SATORI
You can’t tell me what to do. I know my Dad had
nothing to do with this idea.
DORI
You can talk to your father after school today, at
home. Anson, will escort you to each class and your
Dad will be here to meet you at the end of your last
class.
BELL RINGS
ANSON, muscular, statuesque, security guard, steps into the office. Dori gives him a copy
of Satori’s schedule.
Satori storms out of the office. Anson follows. Dori sits back in her chair.
KNOCK KNOCK KNOCK
INT. PRINCIPAL DORI’S OFFICE - DAY
Bradley sticks his head in the door.
BRADLEY
You wanted to see me? I have a court date in 1.5
hours.
81
DORI
Ms. Harlow’s covering your last class. Have a seat.
This won’t take long.
Bradley sits.
DORI (CONT’D)
First Lady, Michelle Obama, as you may or may not
be aware of, has created a list that contains the name
of ten cities who need social outreach funding the
most.
BRADLEY
I heard. We’re number 3.
DORI
We were waiting to reveal all the details at the faculty
meeting until we got a bit of new information.
BRADLEY
You most certainly have my attention.
DORI
Global Citizen Project has been cited as a program
that has the potential to make the cut.
82
Dori tosses a copy of the local newspaper to Bradley. He picks it up. A headline reads:
LOCAL Flint Community Outreach Programs Who May Make FLOTUS’S LIST:
1. Urban Ethics
2. Urban Yoga
3. Global Citizen Project
BRADLEY
This is incredible! Wow!
DORI
It’s on the news stands in the morning. This is a
local newspaper with readership of more than 30%
of the city. Obviously, your program being selected,
benefits all of us. So, I want you to imagine that
FLOTUS is watching your every move. Is there
anywhere you can improve? Any thing in your
personal life that could embarrass or tarnish the
school’s image?
BRADLEY
No, not at all.
83
DORI
Good. I just want to make sure we’re all on the
same page. I’m going to show the article at the
faculty meeting, tomorrow, so be prepared. More
importantly, this is an opportunity for both of us to
go to a new level. I want to make sure you recognize
that.
BRADLEY
I recognize. And I really appreciate you sharing this
with me, in this way.
DORI
That’s all for now.
Bradley gets up and walks out the door.
BRADLEY
Thank you.
EXT. COURTHOUSE - LATER THAT DAY
The Superior Court of Flint, Michigan, sits on the same campus as City Hall and the Flint
Police Department. Bradley walks on the sidewalk to the double doors of the entrance.
84
INT. COURTHOUSE - SAME
Bradley puts his items from his pocket, CELL PHONE, WALLET, and KEYS in the
container. The SECURITY GUARD waves Bradley through. Lisa empties her
belongings into the container and walks through the metal detector. It beeps. Bradley walks
through the metal detector. The Security Guard uses a wand to assure she has no
dangerous items on her person. Bradley chuckles to himself.
LISA
What are you laughing at?
BRADLEY
Even the metal detector knows who to double check.
Bradley walks off. Lisa catches up with him.
LISA
What’s that supposed to mean?
BRADLEY
You know damn well what I mean. That contract
you drew up leaves me with nothing but ten percent
of the house.
85
LISA
Why you feel you deserve anything is beyond me. If
I’d stopped paying the taxes, there would be no
house to sale.
Bradley shakes his head and walks into the double doors of the courtroom.
INT. COURTROOM - SAME
There are several other COUPLES seated in the courtroom. The air is stale and there is no
ventilation. The chairs are wooden, hard, and dated. The BAILIFF enters.
BAILIFF
Will everyone please rise.
Everyone stands.
BAILIFF (CONT’D)
Please welcome the Honorable Judge Melvin
Ballard, of the 32nd municipal court of Genesee
County.
JUDGE MELVIN BALLARD, an African-American, salt and pepper haired handsome,
sixty something year old man, enters the courtroom.
86
JUDGE BALLARD
You may be seated. Today we have four cases on the
docket. Hopefully, we will complete all four.
Judge Ballard opens the first folder.
JUDGE BALLARD (CONT’D)
At this time, I will call my first case.
JUDGE BALLARD (CONT’D)
This is a divorce settlement between Bradley
Jennings and Lisa Jennings. Please come forward.
The Bailiff takes the Bible in his left hand and raises his right.
BAILIFF
(to Lisa)
Place your right hand on the Bible.
Lisa places her right hand on the Bible.
BAILIFF (CONT’D)
Do you swear to tell the truth, the whole truth and
nothing but the truth, so help you God?
LISA
I do.
87
BAILIFF
(to Bradley)
Same procedure.
Bradley places his right hand on the Bible.
BAILIFF (CONT’D)
Do you swear to tell the truth, the whole truth and
nothing but the truth, so help you God?
BRADLEY
I do.
BAILIFF
You may be seated.
Everyone in the courtroom sits.
JUDGE BALLARD
Mr. and Mrs. Jennings, the last time we were in
front of one another, you committed to finalizing
visitation for Emiko. Were you able to come to an
agreement?
Lisa Jennings rises.
88
LISA
Your Honor, we did have conversations regarding
visitation, per your instructions.
CUT TO:
INT. CAFE (FLASHBACK) - DAY
Lisa, who sits at a coffee table across from Bradley, holds the cup tightly in her hand.
BRADLEY
(whispering loudly)
You must be out of your mind if you think you’re
going to keep my daughter away from me for weeks
at a time!
LISA
You are being unrealistic. With your job and
program being a priority, how are you gonna have
time to drop her off, pick her up, take her to
gymnastics, feed her, make sure she does her
homework, put her to bed...
89
BRADLEY
You know good and damn well I have and can do
that better than you. You’re busier than I am
working your way up the corporate education ladder.
How’s the new ride treating you?
Lisa throws her coffee at Bradley. Bradley jumps back from the table and out of harm’s
way just in the nick of time.
CUT TO:
INT. COURTROOM - DAY
LISA
But we were not able to reach an agreement.
Bradley fumes. Judge Ballard notices.
JUDGE BALLARD
Mr. Bradley, would you like to expound on that?
Bradley rises.
90
BRADLEY
Absolutely your honor. It is true that we had a
disagreement during our attempt to resolve the
custody issue. However...
CUT TO:
EXT. LISA’S NEW HOUSE (FLASHBACK) - DAY
Bradley gets out of his car and closes the door. He walks past a semi-circle driveway, with
plush green grass, up to a fancy house. He rings the doorbell. The door opens. Lisa is
standing there.
BRADLEY
Hi Lisa. How are you?
LISA
Good. Emiko’s in her room. She doesn’t know
you’re here as we agreed. Come in.
INT. LISA’S NEW HOUSE (FLASHBACK) - DAY
Bradley walks in to the impressive home. Before Lisa walks off, he grabs her elbow.
BRADLEY
Before you get her, is Gregory here?
91
Lisa doesn’t acknowledge his comment.
LISA
Gregory’s in the bar area. Why?
BRADLEY
I want to talk to him. Now is as good a time as any.
Bradley follows Lisa. Lisa’s phone rings.
LISA
He’s right over there. I gotta take this call.
INT. LISA’S NEW HOUSE (FLASHBACK) - DAY
BAR
GREGORY HUNTER, a fifty-seven year old, distinguished, African-American man,
extends his hand to Bradley, for a handshake. They share a firm handshake. Gregory
offers Bradley a seat.
GREGORY
What can I get you to drink?
BRADLEY
I’ll have something light. I gotta drive my kid home.
92
GREGORY
How about a glass of wine?
BRADLEY
A glass of Pinot Noir, red will work, if you have it.
GREGORY
Coming right up.
BRADLEY
So Gregory, I’m glad we have a few moments alone.
I need to talk to you about my daughter.
GREGORY
If you hadn’t insisted, I would’ve. I was married
before, and I know how I felt the first time another
man was around my child.
Gregory hands Bradley his drink. Gregory offers Bradley a seat.
BRADLEY
My daughter means the world to me. I need you to
really understand that. And I need you to know that
I’m very protective of her.
93
GREGORY
I have every intention of treating her the way I treat
my own children.
BRADLEY
To be honest, I prefer her to live with me, but Lisa
feels the same.
Lisa enters the bar area.
LISA
So what are we talking about?
GREGORY
Just a few things that we need to talk about.
LISA
Like what? What is that you two have to talk about
that I can’t be a part of?
GREGORY
Baby, don’t over react. It’s just a few things
regarding Emiko.
LISA
Whatever regards Emiko, regards me.
94
BRADLEY
This was a private conversation between the two of
us. Man to man.
LISA
You agreed to having a private conversation with my
man regarding our daughter? Why don’t you think I
should be allowed to listen?
BRADLEY
I don’t need the interruptions Lisa. It’s simple.
LISA
You act like I would allow my daughter to be around
a man that would mistreat her. That’s insulting.
BRADLEY
I knew it.
Bradley rises.
GREGORY
Let me work this out.
(to Bradley)
Give me a minute.
95
Bradley stops and waits.
LISA
I be damn if he’s gonna control the situation in the
house I lay my head. It doesn’t make any sense.
Bradley speaks to Gregory.
BRADLEY
Excuse me man, would you mind going to get my
daughter. We’ll do this another day.
LISA
How rude? You talk to him as if I’m not here.
Gregory goes to get Emiko. Bradley ignores Lisa.
INT. COURTROOM - DAY
Bradley stands before Judge Ballard pleading his case.
BRADLEY
...it’s almost impossible to have a productive
conversation with Lisa turning it into something
about her.
96
I just needed to speak to the man that would
potentially be spending a lot of time around my child.
Even he understood that.
Judge Ballard addresses Lisa.
JUDGE BALLARD
Mrs. Jennings, it is a good sign and a necessary
conversation due to the circumstances. It is
important that all adults, directly influencing Emiko’s
life, be on the same page.
The Judge closes his folder.
JUDGE BALLARD (CONT’D)
However, due to the difficulty both of you have
acknowledged of coming to a custody decision that
is in the best interest of the child, I will have to
interview Emiko and find out what she wants to do.
Bradley and Lisa are both stunned. They look at the Judge, then at each other.
CUT TO:
97
EXT. SCHOOL - DAY
Satori stands next to Anson, the security guard. A black Audi A5 pulls to the curb in front
of them. Jackson parks and gets out of the car. He walks up to Anson to shake his hand
and Satori stares at her Dad, irate. She storms past Anson to the car. She slams the car
door. Jackson walks back to his car and gets in.
INT. SCHOOL - HALLWAY - DAY
Bradley walks down the hallway. A few STUDENTS are scattered at their lockers,
including CARL.
CARL
Hey Mr. J!
BRADLEY
Hey Carl, you stayin’ out of trouble?
CARL
You know it. Just finished taking my ACT.
BRADLEY
Good stuff. Stop by and see me if you need a letter
of recommendation.
98
CARL
Will do!
Bradley opens a door that reads “Counseling Office,” on the window.
INT. SCHOOL - COUNSELING OFFICE - DAY
Bradley enters the small room that contains three different offices side-by-side. The doors
to the offices are closed. A withered plant stands in the corner. A huge desk separates
DELILA, a student service worker, and Bradley.
DELILA
High Mr. J! How can I help you?
BRADLEY
Hi Delila. Is Mrs. Peters in?
DELILA
Yes, she’s in there. Just knock on her door.
BRADLEY
Thank you. Good job in here young lady.
DELILA
Thanks for hooking me up with it Mr. J, cause I
couldn’t stand another class with Ms. Young. I can’t
have nobody messing up my G.P.A.
99
Bradley knocks on MRS. PETERS, a veteran, well-liked, teacher turned counselor’s door.
MRS. PETERS (V.O.)
Come in!
INT. SCHOOL - COUNSELING OFFICE - MRS. PETERS’S OFFICE - DAY
Bradley enters and takes a seat next to Mrs. Peters’s desk.
BRADLEY
Hi Mrs. Peters, how’s the day treatin’ ya?
MRS. PETERS
Well, better now that it was you at the door and not
another whining teenager who’s trying to get out of a
hard class.
Bradley chuckles.
BRADLEY
Is it that bad Mrs. Peters?
MRS. PETERS
Sit here long enough and you’ll witness two or three
with your own eyes.
100
But what’s new? What can I do for you Mr.
Jennings?
BRADLEY
I have a student, Satori Turner. Do you know her?
MRS. PETERS
Of course I know her. She likes to get sick and miss
school a lot. I’ve been trying to get a meeting with
her father, but he’s always working.
BRADLEY
Well, I don’t think she’s a good fit for my class.
Like you said, she misses a lot and when she’s there,
she distracts the other students. I think she’d do a lot
better in Mrs. Hughley’s class.
MRS. PETERS
Close the door.
Bradley closes the door.
MRS. PETERS (CONT’D)
You might be on to something Mr. Jennings,
because her mother died a few years ago. Were you
aware of that?
101
BRADLEY
I am aware of it. But I never knew how she died?
Mrs. Peters opens her file cabinet. She pulls out a file labeled, SATORI TURNER. She
reaches inside the file and pulls out an article. She puts it in front of Bradley.
The article reads: Wife’s Infidelity Ends in Murder
Bradley scans the article.
BRADLEY (CONT’D)
So this was Satori’s mother?
MRS. PETERS
Yes. Poor girl was thirteen years old when it
happened. Her mother is from here, so they buried
her here. Her father packed up and moved out here,
so Satori could be near her Mother’s memory. I
wanted you to know because you’re so good with
kids. You sure you can’t help her?
Bradley ponders.
BRADLEY
I don’t think so. She comes to my after school
program when she’s at school.
102
MRS. PETERS
Do you still recommend she work with Mrs.
Hughley instead?
BRADLEY
See what you can do. It might be good for her to
have a female role model like Mrs. Hughley.
MRS. PETERS
Understood.
INT. JACKSON’S CAR - DAY
Jackson and Satori ride in silence. Satori stares out her window. Jackson looks over at her,
unsure of what to say. The silence is painful.
SATORI
How could you?
JACKSON
Excuse me?
SATORI
You let her finally convince you to get rid of me for
good, huh?
103
JACKSON
Stop being dramatic Satori. You were the one who
said you always wanted to go live in New York.
You said you hate it here and I thought you might be
happy.
SATORI
Happy? How can I be happy when my father
chooses his new wife over me?
JACKSON
You are not in competition with my wife. You’re my
daughter, and no one can take your place.
SATORI
Who’s idea was it to send me to New York? To
boarding school?
JACKSON
We both agreed that it was the best thing for you
since you think it’s okay to stay out all night and
have me worried sick.
104
SATORI
You always know I’m at Teriann’s . And I
wouldn’t have to stay out if I felt comfortable in my
own home.
Jackson pulls the car over.
JACKSON
Look baby, something has got to change. You have
to understand that I have a right to move on. I have a
right to be happy. I wish your Mother had been
different. I wish she would have chose us, but she
didn’t. I love you and I only want what is best for
you. But I’m not a woman and I was hoping you
could enjoy Dori and what she has to offer you.
SATORI
Dad, how can you be so blind? She is not who you
think she is. I’ve tried with her. She just wants your
money.
JACKSON
We’re not gonna go into this Satori. We’ve been
down this road too many times.
105
I have to know in my heart that I’ve given you the
best opportunities out there. I think New York is
one of them.
SATORI
Dad, please don’t send me away. Please.
JACKSON
Babygirl, I don’t want to but what kind of choice
have you given me?
SATORI
Let me stay! What do I need to do to show you I’m
serious about changing? Just name it. Give me
another chance. Please.
Jackson looks into the eyes of his child. It’s impossible to refuse her.
JACKSON
You’re are set to leave in three weeks. I have your
ticket purchased and your enrollment is complete. If
you can show me in three weeks time that you will
be in all your classes, do all your homework, and be
home by 7:00 pm each night, we’ll see.
106
Satori wraps her arms around her Dad. She is truly happy.
JACKSON (CONT’D)
There’s one more catch.
SATORI
What?
JACKSON
You have to ride to school with Dori in the morning.
SATORI
But Dad, I thought you agreed with me that it was
better for me if people didn’t know she was married
to my Dad.
JACKSON
Your stepmother can drop you off a block away
from the school. No one has to know, but it will give
you two a little bit of bonding time.
SATORI
But Dad??!!!
107
JACKSON
No butts. Remember, you said you’d do anything.
No negotiations here.
Jackson pulls off in his car.
INT. BRADLEY’S HOUSE-NIGHT
Bradley sits in his chair with his head in his hands and a book in his lap. He goes to his
computer. On the computer screen, he types in “digital ilteracy.” He finds a few articles.
He clicks on a statistic that reads:
DOOR BELL RINGS
Bradley goes to the door and stares through the peephole. He sees Johnna with something
in her hand. Bradley yells through the door.
BRADLEY
Who is it?
JOHNNA
It’s me.
BRADLEY
Me who?
108
JOHNNA
Me open up the door.
BRADLEY
What’s the password?
JOHNNA
Cilantro Salmon on seasoned brown rice.
Bradley opens the door. Johnna enters.
JOHNNA (CONT’D)
You had thirty seconds to open that door.
BRADLEY
Or what?
He quickly takes the casserole dish out of her hands.
JOHNNA
Or me and my Salmon would’ve found somewhere
else to go.
BRADLEY
I’m sorry. You actually picked the perfect time to
come.
Bradley places the dish on his kitchen table. He grabs Johnna by the hand.
109
BRADLEY (CONT’D)
Come look at this new stat for the National Institute
for Literacy.
SUPER
In the city of Flint, the literacy rate is 35 percent, one of the highest across Michigan and
almost double the statewide average of 18 percent.
JOHNNA
Wow! I bet Global Citizen has something to do with
that number in Flint.
BRADLEY
If, if we are having that kind of impact, can you
imagine what would happen if we set up shop in
Saginaw, Grand Rapids, and Detroit?
JOHNNA
It would be great if we can get that number to the
ultimate goal, 85%.
BRADLEY
Did you just say “we?”
110
JOHNNA
No I did not say we.
BRADLEY
Yes you did.
JOHNNA
No I didn’t.
BRADLEY
Yes, you did!
JOHNNA
Maybe I did.
Johnna rises from the computer.
JOHNNA (CONT’D)
Seriously, Bradley, that’s fantastic. May I use your
kitchen to heat our dinner?
BRADLEY
Absolutely. I’ll set up the plates in here, so we can
work while we eat.
111
INT. BRADLEY’S KITCHEN-NIGHT
Johnna turns on the oven. She allows it to preheat and she grabs two wine glasses out of
the cupboard. Bradley grabs two plates out of the cupboard next to her. He reaches
around her waist to open the drawer with utensils. Johnna attempts to scoot herself out the
way.
Bradley reaches successfully into the drawer and grabs two forks and two knives without
touching Johnna.
INT. SATORI’S HOUSE - NIGHT
Satori and Jackson enter the house. Dori sits on the sofa in the living room. She has
books and papers sprawled across her lap.
SATORI
Hi Dori.
Satori prances right past her before she can respond. Dori watches then turns her stare
toward Jackson.
JACKSON
Honey, have you eaten?
Jackson walks past Dori before she responds.
112
INT. SATORI’S HOUSE KITCHEN - NIGHT
Jackson throws his coat on the kitchen chair. He opens the refrigerator. Dori stands in the
doorway of the kitchen. Jackson knows she’s standing there. Jackson pulls food out of
the refrigerator and takes them to the kitchen sink. Dori walks up behind him.
DORI
You mind telling me what the cynical smile from
Satori was all about?
JACKSON
Do you want a salad?
DORI
No, I ate. Thank you.
Dori approaches Jackson.
DORI (CONT’D)
Did you talk to her about boarding school?
JACKSON
I did.
DORI
And what did she say?
Jackson stops making the salad and turns to Dori.
113
JACKSON
She’s supposed to go three weeks from now, right?
DORI
Yes.
JACKSON
Well, I told her that I had already purchased her
plane ticket.
DORI
How did she take it?
JACKSON
She presented a good offer. She promised to be on
time for school everyday, to come home by curfew
each night, and to do what she knows she needs to
do in the next three weeks. She offered that in
exchange of not going.
He turns to the sink to continue making his salad.
JACKSON (CONT’D)
And she has to ride with you and get dropped off a
block away from school in the morning.
114
DORI
If three weeks comes upon us, and Satori is still
exhibiting the same behavior and you allow her to
talk you out of boarding school, I’ll be the one
leaving.
Dori walks out of the kitchen. Jackson drops the bowl in the sink.
EXT. BRADLEY’S HOUSE-NIGHT
Bradley opens the car door for Johnna.
BRADLEY
So tomorrow you’ll help me with the registration
table?
JOHNNA
I get to do the hard work while you get to serve ice
cream?!
BRADLEY
You can do whatever you want to do. I just hope
you’re there.
Johnna smiles.
115
JOHNNA
I’m there.
BRADLEY
Thanks for all your help tonight.
JOHNNA
My pleasure.
Bradley leans in, and kisses her on the cheek. Johnna blushes and rolls up her window.
Bradley waves good bye. Johnna backs out of the driveway. Bradley stands in the
driveway for a little longer.
INT. DORI’S CAR - NEXT DAY
Dori and Satori ride while Classical MUSIC PLAYS from the radio.
DORI
I am not your father. I, however, must respect his
right to parent you the way he chooses. Please know
that the moment you miss class, and decide to go a
different route, I will notify him immediately.
SATORI
Don’t worry, I will be on my best behavior..
116
Dori pulls to the curb. Dori unlocks the doors. Satori exits the car.
EXT. CORNER ONE BLOCK AWAY FROM THE SCHOOL - DAY
Dori drives off. Satori stands for a moment. Dori watches Satori from the rearview mirror
at the stop sign. Satori catches Dori’s gaze and walks toward the school. Dori turns the
corner.
INT. CLASSROOM-DAY
Bradley pulls the projector down from the ceiling. Edgar turns off the lights and Bradley
plays the projector. There is a knock at the door.
Edgar opens the door. A STUDENT hands him a note. Edgar reads it and closes the door.
Edgar walks the note to Bradley. The note says, Satori Turner, please report to Mrs.
Peters’s office ASAP.
BRADLEY
Give that to Satori.
EDGAR
For you.
Satori reads the note and grabs her purse and walks out of the classroom.
117
INT. SCHOOL - COUNSELING OFFICE - DAY
Satori opens the door to the Counseling Office. Delila is at the desk. Satori tosses her note
on the desk to Delila. Delila looks at Satori with disdain and then at the note. Delila walks
around the desk to Mrs. Peters’s door.
DELILA
Mrs. Peters, Satori Turner is here to see you.
MRS. PETERS (O.S.)
Send her in.
DELILA
You can go in.
INT. SCHOOL - COUNSELING OFFICE - MRS. PETERS’S OFFICE -DAY
Mrs. Peters clears books off the chair next to her desk.
MRS. PETERS
Have a seat Satori.
Satori sits.
SATORI
Mrs. Peters I know I’ve been doing good. Why did
you call me down here this time?
118
MRS. PETERS
Young lady, relax. Yes, I too know you’ve been in
school, for one, and I haven’t had any complaints. I
just have an idea.
Satori relaxes.
SATORI
Ok.
MRS. PETERS
How about changing your history class from Mr.
Jennings to Mrs. Hughley?
SATORI
Why?
MRS. PETERS
Well, I think Mrs. Hughley has a lot to offer a young
lady like yourself. I think you may do exceptionally
well in her class, under her guidance.
SATORI
I’m doing ok in Mr. J’s, I mean Mr. Jennings’s
class.
119
MRS. PETERS
I don’t call a ‘D’ ok.
SATORI
That’s only because of absences, which is not gonna
happen anymore.
MRS. PETERS
Well, we just think it might be a better fit for you.
SATORI
We?
MRS. PETERS
I did discuss it with Mr. Jennings and he agreed.
SATORI
Did he come talk to you?
MRS. PETERS
I don’t see why that’s relevant. We spoke to each
other.
120
SATORI
Mrs. Peters, I am in an after school program with
Mr. Jennings, also. Does he want me to quit that?
MRS. PETERS
No, Satori, he didn’t say that at all. It just might be a
better fit for you in history to be in Mrs. Hughley’s
class. That way you will have a better chance to
improve your G.P.A.
Satori is hurt.
SATORI
Whatever, Mrs. Peters. You know best, right?
MRS. PETERS
Good. I’ll make the change this afternoon. For
now, you can return to class.
Mrs. Peters signs her note and gives it back to her. Satori takes the note and walks out the
office.
INT. BRADLEY’S CLASSROOM-DAY
A trailer of a documentary, From the Outside Looking In, is projected onto the screen. The
trailer highlights the literacy problem in America.
121
BRADLEY
Global Citizen has been put on a watch list of
programs to be duplicated throughout the United
States, by the First Lady of the United States of
America!
Cheers and applause fills the room.
EDGAR
I’m gone be famous!!!!
TERIANN
Do we get to meet her?
PAUL
You know everybody will try to be down with us,
now that we have a little bit of fame.
BRADLEY
If we can get more students to join, we can get more
people reading and writing. Right?
PAUL
True, true. But still!
122
BRADLEY
So, this news comes at a good time. I want us to
make a video of our group, similar to what you just
saw.
There is a knock at the door. Bradley answers the door. It’s Satori. She hands him the note.
BRADLEY (CONT’D)
Come on in.
SATORI
Did you want me out of your class?
BRADLEY
We’ll talk about this later, Satori. Have a seat.
Satori enters the classroom. Bradley returns to the front of the room.
BRADLEY (CONT’D)
I want to celebrate all your hard work, so
congratulations, but we haven’t been chosen yet.
Take out your notebooks. I’m gonna go fast, so
keep up.
123
INT. SCHOOL PRINCIPAL’S OFFICE - LOBBY - DAY
Johnna walks into the lobby. She places flyers for the ice cream social/fundraiser in
teacher’s boxes. The school secretary, OLIVIA HINES, sits behind her desk and opens
email on her computer. She gets an email titled: Test Scores Revealed.
OLIVIA
Principal Tolen, are you here?
DORI
I’m here Olivia, come into my office.
Olivia runs into Dori’s office. Johnna walks in closer to hear the conversation between
Olivia and Dori.
OLIVIA
The test scores are in.
DORI
Come login on my computer.
Olivia logs in. She opens the email. It reads:
SUPER: The school’s overall proficiency level is at 34%. This falls below the required
50% proficiency for the city of Flint. As a result, your school will be restructured under
the Mayor’s Plan, in time for the subsequent school year.
124
Dori sits back into her chair. Olivia is devastated. Johnna enters.
OLIVIA
I’m gonna lose my job.
DORI
We all are gonna lose our jobs.
OLIVIA
Is there anything we can do to change their minds?
JOHNNA
Professor Tolen, we’re number two on FLOTUS’s
list. If we win that top spot, with all the visibility
we’ll have, they’ll have to know we’re doing
something right and do everything possible to save
our school.
OLIVIA
What do we have to lose. This says we’re being
restructured, not that we might be.
DORI
I’m gonna put everything we’ve got behind Mr.
Jennings.
125
Johnna, please let Mr. Jennings know I want to see
him immediately after his last class today.
JOHNNA
Right away.
INT. BRADLEY’S CLASSROOM-DAY
The students work in groups at their tables. Bradley walks around the room. He looks at
the clock.
BRADLEY
Ok, everybody, it’s time to start cleaning up. Good
work today.
BELL RINGS
Satori picks up her books slowly. She lingers and waits for most students to leave the
room. Bradley is near the door. He looks back into the class and sees Satori.
BRADLEY (CONT’D)
Satori, we can talk over here.
He motions her toward the doorway. Satori smirks. She walks to the door. Bradley bends
over to put the door stop under the door properly, to keep it open.
126
SATORI
I’m listening.
BRADLEY
Satori, I think it’s best for you to switch into Mrs.
Hughley’s history class, because she’d be able to
spend more time with you one-on-one in her tutoring
program.
SATORI
Mr. Jennings, I know the real reason you want me
out of here. I’m a big girl. I get it, but what about
Global Citizen Project?
BRADLEY
You’re a big help, and as long as your focus can stay
on the reason we are all there, you and the program
can continue to benefit from you being a part of it.
Johnna enters the room and interrupts Bradley and Satori.
JOHNNA
Bradley, Principal Tolen...
Satori walks past Johnna quickly.
127
SATORI
Hi Ms. Harlow. Bye Mr. Jennings.
JOHNNA
Bye Satori.
Johnna watches Satori.
JOHNNA (CONT’D)
What’s going on with her?
BRADLEY
What’s up? You came in here bubbling with
excitement.
JOHNNA
I’m just here to make sure you get to Principal
Tolen’s right now.
BRADLEY
But I have a class about to come in.
JOHNNA
I’ll cover for you. She wants to see you now.
Bradley walks down to the Dori’s office quickly.
128
INT. SCHOOL PRINCIPAL’S OFFICE - LOBBY
Satori stands behind the counter with Olivia. Olivia is at her desk on the phone.
OLIVIA
Yes, the Principal’s breakfast is Saturday, at 10
am...Yes...You’re welcome. Have a good day.
Olivia hangs up the phone.
OLIVIA (CONT’D)
These parents need to read the newsletters. Satori, I
need you to handle the phones and the counter.
Olivia grabs a tampon out of her purse and hands the purse to Satori.
OLIVIA (CONT’D)
Put that in that on the shelf, please.
Satori opens the doors to the counter. The top shelves are full. She bends over and puts
Olivia’s purse down below. Bradley walks into the office. He sees no one in the lobby, so
he goes to Dori’s door.
INT. SCHOOL PRINCIPAL’S OFFICE - DAY
It’s open, but he knocks anyway.
129
BRADLEY
Principal Tolen, you wanted to see me?
INT. SCHOOL PRINCIPAL’S OFFICE - LOBBY
Satori hears his voice. She scoots toward Dori’s door.
INT. SCHOOL PRINCIPAL’S OFFICE
Dori looks up from her desk. Bradley remains at the door.
DORI
Come in, Mr. Jennings. Have a seat.
Satori stands at the edge of Dori’s door.
DORI (CONT’D)
Mr. Jennings, we just got the test scores back.
BRADLEY
How did we do?
DORI
We are scheduled to be restructured.
BRADLEY
So you’re starting with me?
130
DORI
Not so fast. Johnna reminded me that we are number
2 on the First Lady’s list. That means we have a
good chance of being number 1 when it counts.
DORI
I think it’s worth a shot for all of us, if I can put full
school and financial support behind your program.
BRADLEY
With all due respect, I never thought I’d hear that
come from your mouth.
DORI
If we all work together, it can help you and definitely
help me. Can I have your vote of confidence that
when you are recognized, I, too, will be recognized?
Dori extends her hand.
BRADLEY
I have no problem speaking the truth about anyone
who helps us further our cause.
Bradley shakes her hand.
131
INT. SCHOOL PRINCIPAL’S OFFICE - LOBBY
Olivia comes back from the bathroom and sees Satori near Dori’s door.
OLIVIA
What are you doing?
Satori is startled.
SATORI
Oh, nothing. Can I borrow one of your tampons?
Olivia reaches into the counter’s shelves and pulls out a tampon and gives it to Satori.
SATORI (CONT’D)
Thanks. I’ll be right back.
Satori enters the rest room. Bradley exits Dori’s office.
INT. SCHOOL - RESTROOM- DAY
Satori stands inside the stall. She tosses the tampon into the small, side trash bin on the
wall. She leans against the door for a few moments. A light bulb moment happens. Satori
comes out of the stall. She washes her hands and leaves.
INT. SCHOOL PRINCIPAL’S OFFICE - LOBBY
Satori barges into the office and enters. Olivia is still present.
132
SATORI
(to Dori)
I need to talk to you right now. It’s important.
Olivia quickly leaves the room.
DORI
Sit down. What is it, this time, Satori?
SATORI
If a teacher touches you inappropriately, what are
you supposed to do?
Dori rises and closes the door.
INT. SCHOOL - HALLWAY
Dori, the SCHOOL POLICE OFFICER, the teachers’ union rep, Yolanda Allen, Johnna,
and Anson walk down the hallway to Bradley’s room. Bradley stands at the board,
writing.
BRADLEY
The discovery of Martin Luther threatened to
demolish the authority the Catholic Church had
established.
133
The door is opened. Dori, the Security Guard and School Police Officer stand on either
side of her.
BRADLEY (CONT’D)
Principal Tolen is something wrong?
DORI
Johnna will cover your class. I need you to come
with me and gather all your personal belongings.
Johnna steps inside and grabs Bradley’s arm and gives it a squeeze. The students watch
every move.
BRADLEY
Class, Ms. Harlow will take over from here.
Bradley grabs his bag from the chair. He walks to the hallway.
INT. SCHOOL PRINCIPAL’S OFFICE
Dori sits in her seat. Vice-Principal Bernard Williams and Yolanda stand to her right and
the School Police Officer and Anson stand outside the door.
BRADLEY
What is this about Principal Tolen?
134
DORI
Mr. Jennings, you have been accused by a student of
sexual molestation.
BRADLEY
What?! That’s impossible.
DORI
It is possible and it has been reported to the School
Board and Child Protective Services, per mandate.
BRADLEY
Who? Who accused me of this nonsense?
DORI
I am not at liberty to say, for the protection of the
student.
Bradley turns to Yolanda.
BRADLEY
What rights do I have?
Yolanda hands him a card.
135
YOLANDA
Here’s the number to our legal rep. I suggest you
contact him immediately, before responding to
anything.
Bradley stunned, takes the card.
DORI
You are suspended immediately. You have the right
to your job pending investigation. You have to be
escorted off campus by the School Police Officer
and a witness. You will have the right to respond to
the allegations in writing. Do you have any
questions?
BRADLEY
What about my program?
DORI
All activities related to students specifically ones that
utilize school facilities are not able to be conducted
until the investigation is complete.
136
BRADLEY
This is some bullshit!
DORI
Mr. Jennings, make it easier on all of us and
cooperate peacefully.
BRADLEY
What about my students?
DORI
We will notify them of your temporary leave
effective immediately. I do need you to sign these
documents stating that you understand the
accusations.
Dori pushes the documents across the table and offers her pen.
Bradley shoves the pages to the floor. The School Officer and Security Guard step into the
office. Bradley rises from the chair, grabs his bag, and walks past both of them, through
the door.
EXT. CONVENIENCE STORE - DAY
Bradley drives his bright blue, 1965 Chevy Impala into the parking lot of the store.
137
INT. CONVENIENCE STORE - DAY
The store is small and cluttered, like all convenience stores. Bradley walks up to the
counter. An Arab man with a wrap neatly around his head, JAMAL, forty-ish, knows
Bradley.
JAMAL
Long time no see Bradley. Came to visit?
Bradley shakes his head, no.
JAMAL (CONT’D)
Well, what can I do for you?
BRADLEY
You know J.
Jamal stares at Bradley for a long moment.
BRADLEY (CONT’D)
Don’t make this harder than what it is man.
Bradley puts his $20 bill on the counter. Jamal stares at Bradley one last time and then
takes the money off the counter. He disappears for a moment. He returns and tosses a
pack of Camel Cigarettes on the counter and Bradley’s change.
JAMAL
Have it your way, man.
138
Bradley grabs the pack and his change and leaves.
INT. BLUE CHEVY IMPALA - DAY
The Camel cigarettes are in the pack on the dashboard. Bradley drives into his driveway.
Two local news vans are parked in front of his house.
BRADLEY (O.S.)
What the...?
Bradley grabs the pack of cigarettes, puts them in his pocket, and puts his hat on his head.
He quickly gets out of the car and walks to his front door.
Two reporters and their cameramen rush Bradley. Bradley picks up his pace.
REPORTER 1
Mr. Bradley Jennings, did you sexually assault your
student?
REPORTER 2
How do you respond to the sexual molestation
accusations?
INT. BRADLEY’S HOUSE-DAY
Bradley ignores them and quickly enters his house and slams the door. He grabs his head
and falls back into the door.
139
Bradley quickly recovers and closes the blinds in the living room. He goes to every room
in the house and closes the blinds and curtains. He goes to his bedroom and turns on the
television.
ON TELEVISION
REPORTER 1
We are outside the home of Bradley Jennings. He is
the high school History Teacher accused of sexually
molesting one of his female students. The School
Board has placed him on leave until the investigation
is complete.
Bradley sees a picture frame of Emiko’s picture on his dresser. He turns the TV off and
takes out his cell phone. He calls Lisa.
Phone RINGS.
LISA (O.S.)
Yes, Brad, how can I help you?
BRADLEY
I need you to pick Emiko up from school today.
140
LISA (O.S.)
You know I can’t do that. I’m working. Why can’t
you do it?
BRADLEY
Will you ask Gregory to pick her up, it’s important.
LISA (O.S.)
You’re scaring me, what’s going on?
BRADLEY
I’ll meet you at your house as soon as possible and
explain everything.
LISA
Is everything alright with you?
BRADLEY
It will be. I’ll see you in a few hours.
Bradley hangs up the phone. Bradley takes out the card from his pocket. The card reads:
Legal Rep - Teacher’s Union
Bill O’Nelson 810-555-3232
Bradley looks through the living room window. The news trucks are gone.
141
Bradley grabs a hat and his keys and walks out the door.
INT. LAW OFFICE - DAY
BILL O’NELSON, the teachers’ union attorney, sits in his office. He is watching the local
news listening to the report on Bradley Jennings.
A BUZZ sounds. Bill mutes the TV. His Secretary, PATTI, chimes in.
PATTI (O.S.)
Mr. O’Nelson, there is a Bradley Jennings here to
see you. He says it’s urgent, shall I patch him
through?
BILL
Absolutely.
INT. LAW OFFICE LOBBY - DAY
Bradley sits in the chair waiting to go into the office. The SECRETARY hangs up the
phone.
PATTI
You may go in now, Mr. Jennings.
142
BRADLEY
Thank you.
Bradley enters the room.
INT. LAW OFFICE - DAY
Bill pulls the chair out, in front of his desk, for Bradley. Bradley doesn’t sit.
BRADLEY
I can’t sit down.
BILL
I know this is a lot. You might want to take a seat.
Bill extends the chair, again, to Bradley. Bradley sits.
BRADLEY
How did the press find out? Isn’t that illegal to use
my name?
BILL
All the privacy protection is for the child, not the
adult.
143
BRADLEY
This is ridiculous. My life is in shambles and
nobody, not one person has asked me what
happened.
BILL
That’s what I’m here for. I want you to quickly read
this, sign it, and then we can speak freely and
everything you say is protected.
BRADLEY
Aren’t you automatically my attorney?
BILL
Your dues pay for me to represent you, yes. But
your needs are a bit beyond the normal scope of that
representation. So just in case you move in another
direction, this form will protect you, moving on.
Bradley signs the form.
BRADLEY
What are my rights? I can’t believe someone can just
make an accusation against you, and I can’t defend
myself?
144
BILL
Mr. Jennings, I understand. But, this is the way it’s
done when it comes to education. What you can do,
is tell me your side. I want to know what happened
from your point of view.
BRADLEY
Well, I think the accusation comes from Satori
Turner. Can you at least confirm that much?
BILL
That is correct, Mr. Jennings.
Bill pulls a piece of paper off his desk. He hands it to Bradley.
BILL (CONT’D)
This is the formal report. Please take a moment to
read it.
Bradley scans the letter slowly.
SATORI (V.O.)
I needed Mr. Jennings’s help because I got confused
on my way to my friend, Teriann’s house, where I
was staying.
145
I was walking down the street when Mr. Jennings
and his daughter pulled up in the driveway, in the
car. He almost hit me. Mr. Jennings got out of the
car and wanted to help me right away. His daughter
was around so I felt safe. I accepted a meal and then
we tried to go to my Dad’s house. No one was
home. After that, Mr. Jennings asked if I wanted to
stay over on his couch, until I could reach someone.
I fell asleep. I assumed he and his daughter also fell
asleep. Next thing I know, Mr. Jennings was
touching me and kissing me awake. I pushed him
off of me right away and got my things and got out
of there. He insisted that I get in the car and let him
give me a ride to school. He apologized and asked
me not to tell anyone. He didn’t mean to make me
feel uncomfortable.
Bradley tosses the letter onto Bill’s desk. He gets up and paces.
BRADLEY
This is some bullshit! Wow!
146
BILL
Mr. Jennings, we need to respond to this letter,
professionally and strategically.
BRADLEY
I have a daughter and I’m right in the middle of a
custody battle.
BILL
Life is complicated. But my goal is to make it less
complicated for you.
Bill pulls out the chair.
BILL (CONT’D)
Have a seat. Do you drink coffee?
BRADLEY
Tea.
Bradley sits. Bill sits at his desk. He calls Patti on the SPEAKER phone.
BILL
Patti, will you bring Mr. Jennings a cup of herbal
tea.
147
PATTI
Yes sir.
BILL
So let me just give you a timeline. First thing we’ll
do, is write a statement. Second thing we’ll do is
hold a press conference. It’s become a local high
profile case, so the school board will respond. It will
simply be said that the school has suspended the
teacher accused and will perform the necessary
investigation. It will take 24-36 hours for a response.
The investigation has already begun. It will take
another 24 hours to have the first meeting with you
and the school board. I know you’re not prepared
for the media attention, but it’s a blessing in disguise.
BRADLEY
How so?
BILL
It causes the school board to move a lot faster, with
the press watching. In the meantime, your response
to the press is silence.
148
Try to look as normal as possible and keep your
cool. All eyes will be on your reactions.
BRADLEY
What about my custody case?
Patti knocks at the door and enters. She carries a cup of tea. She sets it on the desk atop a
coaster for Bradley.
BILL
Thank you Patti.
(to Bradley)
I can’t lie. This won’t help you. Let’s take one day
and one step at a time. Right now, let’s get this
statement completed.
Bradley picks up his tea from the desk.
EXT. EMIKO’S SCHOOL - DAY
Lisa drives into the school’s parking lot. There are a few cars scattered in the lot. She gets
out of her car and runs to into the school.
149
INT. EMIKO’S SCHOOL - COMMUNITY ROOM - DAY
Lisa peeks through the door of the community room. Emiko is in the community room with
three other KIDS. The kids are running around the room playing freeze tag. She is
relieved, smiles. Lisa opens the door.
EMIKO
Mommy!!!
LISA
Hey baby!
Lisa and Emiko embrace.
EMIKO
Where’s Daddy?
LISA
He had a meeting and asked me to pick you up baby.
Lisa grabs Emiko’s hand and they walk out the door.
INT. LISA’S NEW HOUSE - NIGHT
Gregory sits in the living room in front of the TV. The local news shows a picture of
Bradley. Gregory is stunned. He stands up and turns the volume on the TV up.
150
REPORTER 1
Today, Bradley Jennings, a well-respected Global
Citizen Project, founder and teacher was accused of
sexual molestation. The identity of the student is
being protected as the investigation ensues.
Gregory picks up his cell phone and calls Lisa.
Phone RINGS
INT. LISA’S CAR - NIGHT
Lisa picks up the phone, answers.
EMIKO
Mommy you’re not supposed to touch the phone
when you drive.
LISA
I know baby, but it’s Greg.
(to Gregory)
Hold on babe.
Lisa puts her earpiece on.
151
LISA (CONT’D)
Hey babe. I forgot to tell you Bradley asked me to
pick up Emiko.
INT. LISA’S NEW HOUSE - NIGHT
Gregory holds the phone to his ear.
GREGORY
Are you on speaker phone?
LISA
No, I have on my earphones. Did you hear me?
Bradley asked me to pick up Emiko.
GREGORY
I bet he did.
INT. LISA’S CAR - NIGHT
LISA
What’s that supposed to mean?
GREGORY
Babe, just get here. We’ll talk.
152
LISA
You’re scaring me, is everything alright?
INT. LISA’S NEW HOUSE - NIGHT
GREGORY
Everything’s OK, just get here safely. Do me a
favor, if Bradley calls, don’t answer the phone.
LISA
What? I can’t do that Greg. What if he wants to
speak to Emiko.
GREGORY
Babe, just for once, trust me and wait until you get
home. Let it go to voice mail. You’ll be here soon
enough.
INT. LISA’S CAR - NIGHT
LISA
In about thirty minutes babe.
GREGORY
I’ll see you soon. Drive safely.
153
LISA
OK. Bye babe.
Lisa hangs up the phone, looks into the rearview mirror at her daughter.
EXT. DRIVE THRU - NIGHT
Bradley drives into the Taco House’s parking lot. He pulls up to the speaker.
WORKER (O.S)
Welcome to Taco de Casa, may I take your order
please?
BRADLEY
Yes, I’d like 3 turkey tacos with Provologne Cheese
and mild sauce please.
WORKER (O.S.)
Would you like any side orders and drinks with your
order?
BRADLEY
No thank you, that’s all.
WORKER (O.S.)
Your total is $6.87 please pull to the window.
154
Bradley puts on his glasses and pulls his hat down tighter on his head. He arrives at the
window. The WORKER opens the window.
WORKER (CONT’D)
$6.87 sir.
Bradley gives the worker his card. The worker examines the card.
WORKER (CONT’D)
Debit or credit?
BRADLEY
Credit.
WORKER
May I see your ID, please?
Bradley gives the worker his ID. She examines the card and notices his name. She looks
up at the TV screen.
BRADLEY
May I have my ID back please?
The worker hands him his ID. She gets his food and gives it to him.
BRADLEY (CONT’D)
Thank you.
155
INT. LISA’S NEW HOUSE - NIGHT
The doorbell RINGS.
Gregory opens the door and Bradley walks in. Bradley and Gregory give each other a
handshake aka a grown man’s pound.
GREGORY
What’s going on man?
BRADLEY
Are Lisa and Emiko here yet?
GREGORY
They’re about five minutes away.
BRADLEY
This has got to be the worst day of my life.
GREGORY
Want a drink?
Gregory walks toward the bar. Bradley follows.
GREGORY (CONT’D)
What can I get you?
156
BRADLEY
Just a beer man. Do you have a Heineken?
Gregory reaches in the bar refrigerator and pulls out a Heineken. He takes a can opener
and pops off the top. He hands the bottle to Bradley. Bradley takes a long swig. Greg
guides him to the sofa. They sit.
GREGORY
So you gonna tell me why you’re on the news, or do
I have to ask?
BRADLEY
It’s a long story, but just know that it’s the wrong
story. I want to tell you and Lisa together, because
I’m gonna really need your help. You know it’s
hard for us to see eye-to-eye over simple things, let
alone this.
GREGORY
Enjoy your beer man. She’ll be here by the time you
finish.
157
INT. SATORI’S HOUSE - NIGHT
Jackson and Dori stand in the dining room. Satori is in the other room watching television.
She can hear them discuss she and the teacher.
DORI
See, if you would’ve listened to me sooner, we
wouldn’t be going through this.
JACKSON
Now is not the time for “I told you sos.”
DORI
But I did. She needs 24 hour, 7 days a week
supervision.
JACKSON
Right now she needs to be heard. I will kill this man
Dori, so it’s real important for me to know what
really happened.
Jackson walks to the television room to speak to Satori. Dori follows.
TV ROOM
Jackson turns the television off. Satori sits in silence. Jackson and Dori sit next to Satori.
158
JACKSON (CONT’D)
Baby, we need to talk. I wanted to give you some
space, give me some space, but I really need to know
what happened.
SATORI
I told you Dad.
JACKSON
I know, but I have some questions of my own.
SATORI
OK.
JACKSON
Why didn’t you come to the office, that night, if you
came here and we weren’t home?
SATORI
Because Dad. I wasn’t thinking straight.
JACKSON
But that doesn’t make sense. If the man was trying
to drive you home, you knew where we were. You
knew Dori was helping me at the office. And you
had your key.
159
SATORI
So this happened because of me?
JACKSON
I’m not saying that baby. I’m sorry. You just don’t
know how hard this is for me. You’re my baby girl.
It’s my job to protect you.
SATORI
It’s not your fault Daddy.
DORI
Your father is very angry right now. He just needs
to talk this out with you.
SATORI
So is it OK if we talk? Just the two of us?
Dori rubs Jackson’s back. He gives her a nod. Dori leaves the room.
SATORI (CONT’D)
I never get time with you Dad. Never. I always have
to share you with her.
160
JACKSON
Baby, you know I’m working hard so that I can
spend all the time with you in the world.
SATORI
Yeah, but you’ve been saying that since I was six.
I’m sixteen now, Dad! If you were gonna change, it
would’ve already happened.
Satori gets up and storms off to her room. She SLAMS the door.
INT. LISA’S NEW HOUSE - NIGHT
Lisa and Emiko pull into the driveway of the house. She sees Bradley’s car parked nearby.
Lisa gathers her things and gets out the car.
EMIKO
Daddy’s here!
Emiko runs to the door. Lisa grabs her key and opens the door.
INT. LISA’S NEW HOUSE - BAR/FAMILY ROOM
Bradley and Gregory can hear Lisa and Emiko enter the house. Bradley puts the Heineken
down on the coffee table.
161
EMIKO (O.S.)
Daddy!! Daddy!! Let’s go!!
BRADLEY
I’m down here baby.
Emiko skips into the family room. Bradley meets her halfway. Lisa comes right behind
Emiko. Bradley picks up Emiko and hugs her to him tightly. He is teary-eyed. Lisa
notices. Gregory beckons to Lisa. Lisa gives him space.
EMIKO
Daddy, let’s go! We’re gonna miss Baskin’
Robbins!
Bradley kneels before her.
BRADLEY
I have to change my plans babygirl. Some things
came up, so you’re gonna stay here tonight.
EMIKO
No! Daddy you promised.
BRADLEY
I know, but have I ever broken a promise to you.
Emiko puts her hand under her chin to think. Bradley, Lisa, and Gregory laugh.
162
EMIKO
Maybe once.
BRADLEY
I don’t think so!
EMIKO
OK, no.
BRADLEY
So help me out. I had some serious things come up
that I need to handle, so I need you to be good for
Mommy and Greg. That would really help me out,
and call for triple scoops!
EMIKO
Deal!
She hugs Bradley.
LISA
Baby go upstairs and get ready for bed.
Emiko runs to give Greg a hug, then runs upstairs.
163
EMIKO
Bye Daddy!
BRADLEY
Bye baby.
Emiko disappears.
LISA
What’s going on Bradley?
BRADLEY
I’ve been accused of molesting one of my students.
It’s all over the news.
Lisa looks to Gregory. He nods, yes.
BRADLEY (CONT’D)
And I don’t want our child to suffer, because
someone at her school may recognize me and take it
out on her.
GREGORY
That’s what I wanted to tell you honey.
164
BRADLEY
Look, I can assure you both, it’s a lie. Lisa, you
know one of my Global Citizen students, the one
who Emiko talks about, Satori?
LISA
Yes. Why did she accuse you of that Bradley?
BRADLEY
Because she came to the house the other night. She
showed up in my driveway. Emiko was with me.
She claimed she’d been put out on the streets by her
Dad.
LISA
And?
BRADLEY
So I stupidly let her in and tried to help her reach her
Dad. Emiko was hungry, so my plan was to feed
her and take her to her Dad. That’s what I did, but inbetween the meal and her not being able to reach her
Dad, I dozed off for a minute. Next thing I know,
she’s straddled me and kissing me awake.
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LISA
What? Where was my baby?
Gregory shakes his head.
BRADLEY
In her room. She didn’t see anything.
LISA
How do you know, you were sleep!
BRADLEY
I got her off of me immediately. I told her to grab
her things and I got Emiko dressed and was headed
straight to the police station.
GREGORY
And what happened that you didn’t make it there?
INT. CAR-NIGHT (FLASHBACK)
Bradley drives. Satori sits beside him. Emiko sits in the back seat.
SATORI
Emiko, do you have your headphones?
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EMIKO
Yes.
SATORI
I want you to listen to your favorite song.
EMIKO
How?
SATORI
I put it for you on your phone while you were
napping.
EMIKO
Yes!! Thank you.
Emiko puts her headphones on.
BRADLEY (O.S.)
And she says to me...
SATORI
You know the police may not look at you so well, if
you’re bringing me to the station after I’ve been at
your house all this time. If my parents may have
reported me missing and it could mean trouble for
you. Can we just try my house first please?
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INT. LISA’S NEW HOUSE - NIGHT
LISA
And you got scared and listened to her?
BRADLEY
What choice did I have? She did have a point and I
didn’t need any more drama at the job.
LISA
Well, it’s too late for that now!
GREGORY
Have you spoken to an attorney? Union rep?
BRADLEY
That’s where I was all afternoon. I had to respond to
the statement she filed and now just wait for a reply
before the process gets started. They placed me on
leave with no pay.
GREGORY
No matter what, Emiko comes first.
LISA
Of course.
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BRADLEY
Look, I just need you guys to keep her until all this
mess dies down. The press vans have been showing
up at my house.
LISA
Is there any chance you led her on?
BRADLEY
Are you out of your mind Lisa? I don’t want to
overstay my welcome. I’m gonna head home. Is it
OK if I go upstairs and kiss her good night?
LISA
I have every right to ask you that question.
Bradley nods goodbye to Greg.
GREGORY
Go say goodnight.
EXT. BRADLEY’S HOUSE - NIGHT
Bradley puts the keys in the door to his house. He opens the door.
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INT. BRADLEY’S HOUSE-NIGHT
Bradley turns to close the door. Johnna walks up on the porch.
BRADLEY
What are you doing here?
JOHNNA
Can I come in?
BRADLEY
Sure.
Bradley lets Johnna in. He closes the door. Johnna has two bags of food in her hands. She
goes to the couch. She takes off her coat and puts it behind the chair. She takes the food
out the bags and sets it up in front of the couch.
JOHNNA
Eat.
Bradley takes off his coat, hat, and kicks off his shoes.
BRADLEY
I can’t.
JOHNNA
Didn’t ask you that. Eat.
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Bradley stares at her for a moment. Too tired to fight, he sits. She hands him his wrap.
JOHNNA (CONT’D)
Chicken schwarma with extra garlic sauce.
Bradley takes the wrap and begins eating. Johnna says nothing. She turns on the
television, to watch HGTV. Bradley eats a bit faster. Bradley reaches for a purple pickle
next to her wrap.
INT. BRADLEY’S HOUSE-NIGHT - MOMENTS LATER
Bradley looks at Johnna like a lost puppy dog. He begins to open his mouth to speak.
Johnna reaches over and places her finger atop his lips, to silence him.
Bradley closes his eyes and puts his head down. Johnna walks over to the couch to sit next
to him. She caresses his face. He places his hand atop hers. She holds his head in her
arms. Tears fall from his face.
JOHNNA
I know who you are.
Bradley kisses Johnna passionately. Johnna responds. Bradley lays Johnna down on his
couch.
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INT. SATORI’S HOUSE - NIGHT
Satori turns up the music loud in her bedroom.
LIVING ROOM
Jackson and Dori sit side-by-side reading books. Jackson looks up toward Satori’s room
when he hears the loud music. Dori looks at him and shakes her head, no. Jackson tries to
concentrate on his book again.
BEDROOM
Satori flails around the room, dances strangely. She stares in the mirror and puts black eye
pencil cat-style on her eye corners. She puts on red lipstick and kisses her mirror. She
takes a selfie with her camera phone. She sends it to Twitter, and tweets: Life is precious
and #lonely both at the same time. God can save me now, since y’all couldn’t. #humanrace
She opens her drawer and takes out a bottle of pills. The label says DORI TOLEN. She
opens the pills and puts the bottle in her mouth and emptying them into her mouth. She
grabs a bottle of water and drinks it. She turns her music up even louder. She begins to
dance again around the room. She cries out loud.
SATORI
Mama, take me with you! Take me with you!
She dances wildly until she falls to the floor.
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LIVING ROOM
Jackson puts his book down. Dori grabs his arm. He shakes her hand off. Jackson darts
upstairs.
INT. SATORI’S HOUSE - NIGHT
Jackson knocks on the door. No answer. Jackson knocks again. No answer.
JACKSON
I’m coming in!
Jackson opens the door. Satori is on the floor, unconscious.
JACKSON (CONT’D)
No!!!!
INT. HOSPITAL - NEXT DAY
Jackson and Dori sit in the waiting room. The DOCTOR comes into the waiting room.
DOCTOR
Mr. and Mrs. Turner?
JACKSON
Yes.
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DOCTOR
Satori is going to be fine. She gave us a real scare.
But she’s in the clear. We’re gonna monitor her in
ICU for 24 hours, just to be sure we got everything
out of her stomach.
JACKSON
Thank God.
DOCTOR
Due to the nature of what she’s in for, we did contact
the Social Worker. That’s protocol.
He beckons to a glasses-rimmed wearing, SOCIAL WORKER behind him to step
forward.
SOCIAL WORKER
Mr. and Mrs. Turner, I know that this is a difficult
time, but we have to discuss Satori’s reason for
being here.
JACKSON
We understand.
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INT. BRADLEY’S HOUSE-NEXT DAY
Johnna wakes up to her alarm clock, on her phone. It reads 6:00 a.m. She pops up out of
the bed. She looks around the room. She quickly puts her clothes on. She walks out of
the room.
INT. BRADLEY’S KITCHEN-DAY
Bradley has bought breakfast. He gives Johnna a plate. He has a smile on his face.
BRADLEY
I want to thank you for last night.
JOHNNA
My pleasure.
BRADLEY
I really mean it. I want you to know that I’ve
thought about you long before I was having an issue
in my life.
JOHNNA
I know.
BRADLEY
You know?
175
JOHNNA
Yes.
BRADLEY
How’d you know.
JOHNNA
Women just sense things like that.
Bradley kisses Johnna softly on her lips.
BRADLEY
Now, you have to get to work.
JOHNNA
And what will you do?
BRADLEY
I am going to contact the attorney and have him help
me come up with a way to keep my program afloat.
I can’t meet at the school, but I hope my kids can
keep the program going. I just have to find out what
I can and can’t do as far as communication.
JOHNNA
Well, let me know when you do. I can always help.
176
Johnna smiles. Bradley follows her out the door.
INT. BILL’S LAW OFFICE - DAY
Bradley enters Bill’s office. Bill sits behind his desk. Bill rises and comes to Bradley.
BILL
I have some sad, but incredibly good news to give
you.
BRADLEY
What?
BILL
Dori Tolen called my office this morning. Satori
Turner attempted suicide last night.
BRADLEY
Oh no! Is she alright?
BILL
She’s fine. She’s recovering.
BRADLEY
How’s that good news? That makes my situation
worse.
177
BILL
On the contrary. She confessed to the Social Worker
that she was lying about the accusation. She told the
truth, that she came on to you and you rejected her.
BRADLEY
Thank you Jesus!
BILL
So, this means your job will be re-instated and your
name cleared.
BRADLEY
But what about the press?
BILL
Well, unfortunately, the school board will release a
statement, stating that you’ve been cleared of all
charges, but they can’t disclose Satori’s private
information.
BRADLEY
So people will still have the imprint in their mind that
I’m guilty.
178
BILL
Some people will. Some people won’t. The good
news is that the law is on your side.
BRADLEY
Now.
INT. SCHOOL - NEXT DAY
MONTAGE
Bradley, Johnna, and his STUDENTS leave the school building. Lisa, Greg, and Emiko
meet them outside. Emiko grabs Bradley’s hand. Greg and Lisa join them. They take a
walk to the neighborhood. They knock on doors and pass out pamphlets. They talk to
people about the program. They read to some people. They write with people.
Bradley and Johnna read to young CHILDREN and their PARENTS in the park.
INT. SATORI’S HOUSE - DAY
Satori and her Dad laugh with each other and play chess. Dori brings them food to eat.
INT. WHITE HOUSE - MONTHS LATER
The First Lady of the United States of America (FLOTUS) stands at a podium on the
White House Lawn, and announces her program choices.
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FLOTUS
And the number one social outreach program in
America, is...Global Citizen Project, based out of
Flint, Michigan. We will be implementing the
program across the country.
There are three people standing beside FLOTUS. Bradley is on the end.
FLOTUS (CONT’D)
Mr. Bradley Jennings, we salute you!
Bradley walks toward FLOTUS and shakes her hands. She gives him an AWARD and
they pose for pictures. Emiko is allowed to shake FLOTUS’s hand. Bradley waves to
Johnna who sits in the audience beaming.
FADE OUT
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