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Agricultura l productivity Welcome to issue 58 fochem .rsc.org/in www By 2030, the than 20% world’s population to over eigh will have increased t billion! by more Stephanie Fernandes – Editor Chemnet - July 2011.indd 1 www.rsc.o rg/chemn Registere et d Charity Number 207890 21/06/201 In the late 19th century, anyone wanting to pursue the latest photographic craze had to be able to handle a bewildering array of chemicals to prepare, fix and develop photographic plates. Often, each photographer would mix their solutions to a unique recipe, tweaked as their experience grew. Whatever the recipe, what was needed was a chemical that changed colour on exposure to light. 1 12:38:13 Win £25 of Amazon vouchers RSC Student Magazine... Boring title, isn’t it? InfoChem and ChemNet News are merging to form a new, bigger, exciting student magazine. We need your help to find a title. Choose a name from this list – or perhaps you have a better suggestion? Firework ChemZone Alchemy Explosion Indicator Elements Tell us your choice at: http://svy.mk/p4vy6W by 7 October 2011. We’ll select one entry at random to receive a £25 Amazon voucher. Chemical acrostic no.20 winner The winner was Lucy Browne from St George’s School for Girls, Edinburgh, who correctly identified the metal ore as haematite. 4 Silver halide salts are ideal – when illuminated they rapidly turn black as they decompose to silver metal. The problem from a photographer’s point of view is that they are insoluble, so they’re difficult to apply in thin films to photographic plates; and too sensitive, so can’t be stored easily for a long time. The answer? Silver nitrate, AgNO3. Silver nitrate itself is not light-sensitive enough to be used directly in photography, but this is an advantage when it comes to storage. However, it is soluble and easily displaces other metals from their salts, so the sensitive silver halides could be produced just before being popped into the camera. In the earlier ‘wet plate’ processes, solutions of salts like potassium bromide were applied to glass plates, which would then be dunked into a silver nitrate bath to displace the potassium with silver before exposing it in the camera. The whole process needed to be done while the plate was still wet, which was fiddly and meant that taking a camera on holiday was a major undertaking. All of that changed when an American called George Eastman invented the Kodak process in 1880. Many photographers of the time were experimenting with dry glass plates, and Eastman developed a particularly effective way of immobilising silver salts on plates using gelatine – the same protein that gives jelly its wobbly consistency. The same silver chemistry was needed to make the sensitive silver halide salts, but the plates remained just as sensitive to light once they dried – as long as they were kept in the dark. It was Eastman’s next development that really brought photography to the masses – flexible photographic film. After 1888 this meant anyone could buy a camera, take a series of pictures, then send it back to the company to be developed. As photographic film became more complex, introducing different compounds to make colours and ever faster and finer quality crystals to make sharper images, still relied on silver salts. These salts were almost invariably prepared from silver nitrate – its solubility and lower sensitivity to light making it ideal for the job. The connection between silver nitrate and light doesn’t end there. If you want to make a glass surface into a shiny, reflective mirror, one way to do it is to coat the back side with silver metal. But how do you get the silver on there? If you dissolve silver nitrate in water and add sodium hydroxide, you form silver oxide. Adding ammonia then converts this into a diammine-silver(I) complex – a silver ion bonded to two ammonia molecules. Adding sugar to this mixture reduces the silver to its lustrous metallic form, and deposits it on the surface as a perfect, shiny mirror. All this is reminiscent of the Tollen’s reagent test for an aldehyde, often called the ‘silver mirror’ test which you may have done at school. It can be used to distinguish between ketones and aldehydes, since aldehydes are much more easily oxidised to carboxylic acids. The reagent is initially clear and colourless but add an aldehyde and the inside of the test tube is quickly coated in a layer of shiny silver metal. Check out the podcasts from Chemistry World. Each week a leading scientist or author tells the story behind a different compound. www.chemistryworld.org/compounds InfoChem 0511INFO - Magnificent molecules.indd 4 14/09/2011 16:01:59
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