English 3201 Narrative Terms Study online at quizlet.com/_2ni1ep 1. ALLEGORY 4. ATMOSPHERE/MOOD The feeling surrounding a literary work. For instance, the witches' scene in the play Macbeth is quite dark and ominous. 5. CLIMAX A form of extended metaphor in which objects, persons, and actions in a narrative, are equated with the meanings that lie outside the narrative itself. 2. ANECDOTE The moment when the action comes to its highest point of dramatic conflict 6. COMPLICATION A brief story or account of a single incident without the elaboration (character development, figurative language, symbolism, etc.) of a short story. 3. A series of difficulties forming the central action in a narrative. ANTAGONIST 7. CONFLICT The struggle between two opposing forces within a work. The character, force, or collection of forces in fiction or drama that opposes the protagonist and gives rise to the conflict of the story; an opponent of the protagonist. 8. DRAMATIC IRONY 14. FLASHBACK Occurs when the audience and/or one or more characters in a work are aware of information that another character or characters are not. 9. EPIPHANY An interruption of a work's chronology to describe or present an incident that occurred prior to the main time frame of a work's action. 15. FOIL A moment of enlightenment that may be caused by an everyday event or occurrence. 10. EXPOSITION the background material about the characters, setting, and dramatic situation; introduces the essentials of the story. A character whose qualities or actions serve to emphasize those of another character (usually the protagonist) by providing a strong contrast with that character. 16. 11. EXTERNAL CONFLICT Involves the struggle of a character with an outside force (man versus nature, man versus man, man versus society, et cetera). 12. FALLING ACTION Follows the climax and leads to the resolution and a sharp decline in dramatic tension. 13. FIRST PERSON The point of view in which the speaker uses 'I" and reveals thoughts, feelings and emotions to the reader. FORESHADOWING When hints of what is to come in the action of a play or a story are given. 17. INTERNAL CONFLICT 20. NARRATOR The voice and implied speaker of a fictional work, to be distinguished from the actual living author. Involves a struggle within (man versus himself). Examples of this include guilt, fear, indecision, et cetera. 18. 19. JUXTAPOSITION MOTIF 21. PLOT The arrangement of two or more ideas, characters, actions, settings, phrases, or words side-by-side or in similar narrative moments for the purpose of comparison, contrast, or character development. 22. POINT OF VIEW The author's arrangement of events that make up the action of a story; includes:exposition, complication, rising action, climax, falling action, and resolution. The perspective established by the narrator/speaker of a literary work. 23. PROTAGONIST A recurring important idea or image in a literary work. The main character in a literary work. 24. RESOLUTION 27. SETTING The time, place and circumstances of a literary work that establish its context. Follows the falling action and pulls together all the28. SITUATIONAL loose threads of the story; also called the IRONY conclusion or falling action. 25. RISING ACTION When something is expected to happen but the opposite occurs. 29. SUBPLOT The events in a story that build up to the climax. Often the conflict intensifies and the audience wonders what will happen to the characters. 26. SECOND PERSON A secondary or subordinate plot, as in a play, novel, or other literary work. Many sitcoms and movies rely heavily on the use of subplots. 30. SUSPENSE The point of view in which the speaker addresses the protagonist directly as "you" and never reverts back to "I". The excited anticipation of an approaching climax. 31. SYMBOLISM 36. THIRDPERSON OMNISCIENT Exists when an object or action in a literary work that means more than itself, that stands for something beyond itself. 32. TEMPORAL REFERENCE 37. A reference in a literary work that identifies the passage of time. It is also called a chronological reference and is especially important to narrative writing. 33. THEMATIC STATEMENT 34. THEME A single sentence that describes a specific interpretation of the overall meaning of a work of literature. It must be brief, focused and insightful. The central observation about life or the human condition explored in a text. 35. THIRDPERSON LIMITED The point of view in which the speaker knows and reveals everything about the characters including their feelings, thoughts, and emotions. The point of view in which the speaker's knowledge of a character is limited; uses he/she/they and can describe only what can be seen or heard. VERBAL IRONY Speech in which what is said is the opposite to what is meant. Sarcasm!
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