The Fitzwilliam Museum & Hamilton Kerr Institute
Annual Report 2013-14
About Us
Founded in 1816, the Fitzwilliam Museum is the principal museum of the University of
Cambridge and the lead partner of a group of 8 museums comprising the University
of Cambridge Museums consortium (UCM). Its collection of more than half a
million priceless artefacts and works of art stretches across a vast cultural landscape
spanning 5 continents and more than 5,000 years of human history.
The Museum’s mission is to contribute to society through the pursuit of education,
learning and research, to preserve and extend its world-class collections and to
engage the widest possible audiences through its exhibitions, public programmes
and digital provision.
As one of the city’s leading cultural attractions, the Museum serves both the
academic and wider communities. We also work with regional and national partners
to promote Cambridge as a major centre of culture and creativity. Admission to the
Museum is free.
At a Glance
Between 1 August 2013 and 31 July 2014,
the Fitzwilliam Museum:
Welcomed 309,000 visitors through its doors of which almost 25,000
were children
Attracted almost 3 million unique online visits
Delivered 1,418 education sessions to 15,000+ school children
Engaged 8,502 adults and 8,000+ children and their families in tours,
talks and workshops at the Museum
4,000+ adults and children in off-site outreach activities
Facilitated more than 60 special events with almost 11,000 guests
Loaned more than 120 objects to over 50 venues in 12 countries
As lead partner of the UCM Major Partner Museum group, we supported the
development and implementation of 50 projects and initiatives in the areas of
conservation, collections care, outreach, work with children and young people,
digital engagement, employment and workforce opportunities in the community,
and professional development.
THIS WAS MADE POSSIBLE BY:
22 Curatorial staff, 9* conservators (including the dedicated team at the Hamilton
Kerr Institute), 8 technicians, 8 assistant staff and 16 Honorary Keepers who care for
the 500,000+ objects in our collections
8* Education staff who deliver our public programmes
Taught 2,000+ higher education students
41 Front of house staff who welcome and provide assistance to visitors
Hosted 3,150 research and higher education visits for students and
scholars from the UK and beyond
Core funding from the University of Cambridge and Higher Education Council for
England Museums and Galleries Fund
Provided guided visits for 13,000+ further education visitors
Offered training to 900+ volunteers, young people and museum
professionals nationally and internationally
Mounted 10 exhibitions attracting more than 165,000 visitors
Major Partner Museum (MPM) funding from the Arts Council of England and support
from Cambridge City Council
Around £2 million of philanthropic giving and commercial activity which contributed
to 25% of our total revenue in this period
Buildings And Galleries
The magnificent neo-classical façade of the Museum’s historic Founder’s Building is
one of Cambridge’s best-known architectural landmarks. This summer saw the longawaited unveiling of the newly restored portico, timed to coincide with the passing
of the Tour de France on 7 July 2014. It was the culmination of a year-long project to
clean and conserve the ornate but crumbling plasterwork coffering and ornamental
friezes. The roof was also repaired and the railings – whose intricate detailing had
been obscured by layers of uniform black paint applied over the last century - were
returned to their original bronze-green, with features such as the giant pineapple
finials, picked out in 23½ carat gold leaf. The restoration was praised by experts for
the meticulous research that went into ensuring the integrity of the final appearance:
prior to painting, for example, the railings were analysed in order to establish the
exact shade of green that would have been used in the 19th century to imitate
patinated bronze.
This is the first of a series of ambitious projects that will transform our facilities and
public spaces, ensuring that the Fitzwilliam’s world-class collections and the buildings
which house them can continue to bring enjoyment and inspiration for generations
to come.
We are incredibly grateful to the University of Cambridge for making
this restoration possible. The Fitzwilliam is a much-loved local landmark,
internationally recognised for its beauty and importance. We hope that
visitors to the City will enjoy seeing the building returned to its original
splendour and revel in the opulence of the setting.
Tim Knox, Director and Marlay Curator
Hendrick van Anthonissen (1601-1656)
View of Scheveningen Sands, c.1641
Also re-opened this year was the newly refurbished Dutch gallery. This was closed
as part of a major infrastructure project to improve environmental conditions and
reduce the Museum’s carbon footprint. New, energy-efficient lighting has been
installed and the faded brown silk wall coverings, which had not been changed for
over 30 years, were replaced with a lighter, celadon green silk. The new displays
include rarely seen metre-high blue and white Delft-ware vases, rare prints, paintings
and furniture, juxtaposed to give a sense of how they might have been displayed and
enjoyed in their original context.
One of several landscape paintings bequeathed to the Museum by Richard Kerrich
in 1873, the painting depicts a beach and surrounding sand dunes on which groups
of people appear to be randomly clustered. It was considered to be unremarkable
until the form of a beached whale – the original focal point of the painting - was
uncovered by conservator Shan Kuang at the Hamilton Kerr Institute, the Museum’s
Department for easel painting conservation.
As conservators, we take off the now-darkened resin varnish that was
applied to protect and saturate the paint… As I worked across the
surface a man appeared – and then next to him a shape that looked
like a sail. By this time I could also make out an area of the sea which
had been painted more crudely than the rest of the ocean… At the end
of the treatment, the whale had returned as a key component of the
composition, just as the artist had intended.
Shan Kuang, Conservator
Acquisitions
Known and noted for its beauty, breadth and quality, the Fitzwilliam’s permanent
collection has grown continually since its foundation by gift, purchase and bequest.
We are particularly grateful to the Friends of the Fitzwilliam Museum, the Monument
Trust and HM Government’s Acceptance in Lieu Scheme, which makes it possible
for us to continue to pursue an active policy of acquisition, ensuring that important
works of art can be enjoyed and studied in perpetuity.
For Mr. James Pryde...all
the world’s a stage, but in
his Death Bed he give us
his own scenic version of
the last act as if he were a
god and the absurd deaths
of mortals amused him.
The Times, 4 April 1913
Utagawa Kunisada (1786-1864),
Sumagoto: Inaka genji
(Suma koto: Rustic Genji)
Hanshibon format woodblock
book printed in colour with
gold leaf, metallic printing,
blind-embossing, burnishing,
and other special printing
effects, illustrations by
Kunisada, signed Matahei,
to a text by Ryutei Tanehiko,
complete in 3 volumes with
fukurotoji binding and silk
labels, in original colourprinted
wrapper (fukuro) and wooden
case (chitsu), c.1838.
Given by the Friends of the
Fitzwilliam, 2013
Edmund de Waal (1964 - )
In plain sight I-III
Porcelain vessels in three
aluminium and plexiglass
vitrines, English, 2013.
Given by the artist, 2013]
Gussage All Saints Hoard
James Pryde (1866-1941), The Death Bed, 1913
Acquired in July 2014, this rare Scottish artist’s sombre masterpiece formed part of a
series of paintings entitled “The Human Comedy” and has been in collections in the
United States of America since it left the artist’s studio. The acquisition was made
possible from a bequest by the late John Cornforth and enriches the Fitzwilliam
Museum’s collection of early 20th century British art.
(late 4th - early 5th century
AD), Container and 33 silver
Roman coins. Given by Richard
Beleson (2013)
Edmund de Waal (b.1964)
In plain sight I-III, 2013
Research
With its rich collections, strong tradition of rigorous enquiry and exceptional
curatorial expertise, the Fitzwilliam is at the forefront of museums-led research and
a thriving, interdisciplinary hub for the study of art, material culture and heritage. In
the last year, our staff hosted 3,150 research visits and presented 43 conference and
seminar papers, of which 31 were at international events outside the UK. We are also
involved in 7 externally funded projects, outcomes of which include edited volumes
and monographs as well as major exhibitions and digital resources.
Dr. Paola Ricciardi is a Conservation
Scientist currently working on the
MINIARE project. Launched in
spring 2012, MINIARE (Manuscript
Illumination: Non-Invasive Analysis,
Research and Expertise) uses a
range of non-invasive imaging
and spectroscopic techniques
to examine and analyse painting
techniques and materials used
in the production of medieval
illuminated manuscripts.
With most analytical techniques, you have to take small samples to
identify the pigment…but with manuscripts you don’t really want to do
that, so we have been using a completely non-invasive approach. This
Psalter was painted in the 13th century, in Breslau, Central Europe. Using
microscope imaging, we can examine minute details in these faces: the
artists who decorated this manuscript, for example, used 3 different blue
pigments mixed with reds and whites to paint the flesh tones – and these
different blues can help us distinguish artists from one another.
At different wavelengths, pigments become more or less transparent,
which means that sometimes, imaging can show that we can’t see in the
manuscript. Our research, which combines scientific and art-historical
analysis, is showing that this manuscript was probably decorated by
at least 9 artists, who produced these extraordinary illuminations with
the help of numerous assistants. We are starting to understand the
relationships between these illuminators, and we hope to shed more
light on how they worked together.
Paola Ricciardi, Conservation Scientist
Led by the Department of Coins and Medals, Medieval European Coinage (MEC) is
a major international work of reference for medieval numismatists, archaeologists,
historians and collectors. Published by Cambridge University Press, the completed
series will contain some 17 volumes and will cover 1,000 years of medieval European
coinage from c.450 to 1500 and will be the first comprehensive survey of European
medieval coinage since the Traité de numismatique du moyen age by Engel and
Seurrure (1891-1905).]
Caroline Watson and Female Printmaking in Late Georgian England was the first
monographic exhibition of works by Caroline Watson (1760/61-1814), Britain’s
first female professional printmaker. Watson worked at a time when women were
becoming more important print buyers and some of her work reflected this change,
with subjects that clearly catered to more ‘feminine’ tastes. She owed her success
to her skill and dedication as an engraver, as is demonstrated by her connection to
Sir Joshua Reynolds, patronage from Queen Charlotte and the Bute family and in
surviving letters to her last patron, William Hayley, held in the Fitzwilliam Museum's
archive. The accompanying book by Honorary Keeper David Alexander, examines
Watson’s career and the work of other female print makers, both professional and
amateur, shedding light on patronage, publishing and professional women in late
Georgian England. The Museum is grateful to the Marlay Group and the Paul Mellon
Centre for Studies in British Art for their generous support.
Caroline Watson (1760/1-1814)
Contemplation, 1790
Higher Education
As a Department of the University of Cambridge, HE teaching is part of what
defines the Fitzwilliam as a museum and core to what we do. In the last academic
year, staff from our curatorial, conservation and education divisions delivered 86
lectures, classes, seminars and handling sessions to more than 1,200 students across
9 University departments. In addition to History of Art, History and Classics, subject
areas included East Asian Studies, Education and Chemistry. Teaching was also
offered to a further 700 HE students from institutions both British and international.
All our curatorial staff take the opportunity to include objects from the Museum’s
collections in their teaching. Here, curator Dr. Anastasia Christophilopoulou uses
replicas of Classical, black-glazed wares from the Museum’s collection in a session
with undergraduate students taking a course in Classical Art and Archaeology.
Even a single object can reveal a wealth of information, offering insights
into trade and trade routes, processes of manufacture and use. In
Classical Antiquity, entirely black -glazed lekythoi – or oil flasks - were
the most-durable of this type of vessel and preferred for everyday use,
whereas their highly decorated white-ground counterparts were used
to hold oil or perfume, especially during religious ceremonies. Objects
such as this lekythos, therefore, invite students to think of the value both economic and symbolic - that successive owners placed on them,
not only in ancient times but also during their more ‘recent’ lives as part
of a collection.
Dr Anastasia Christophilopoulou, Curator
In June 2014, 18 Modern Foreign Language (MFL) trainee teachers from the
University of Cambridge’s Faculty of Education participated in a 2-day programme
organised by the Museum’s Education Department. The group was tasked with
planning a series of activities in our Impressionist and Egyptian galleries using
the Content Language Integrated Learning (CLIL) approach. Developed in 1994,
the CLIL methodology introduces students to ideas and concepts in traditional
curriculum subjects - such as science and history - using the foreign language as the
medium of communication. After a morning of planning and discussion, the group
returned to the Museum 2 days later with 40 secondary students from 4 schools to
put their ideas into practice.
It was really good to actually use French in context rather than in the
classroom where it’s just like, ‘what’s in my pencil case?’
Secondary pupil
Overall, they had an excellent day and I felt that the impact on their
learning was significant. The combination of well-planned, creative
activities in an environment where they could see genuine artefacts and
original masterpieces was fantastic.
Secondary schoolteacher
Public Engagement
Public Engagement at the Fitzwilliam encompasses our exhibition programmes,
gallery tours, public talks and workshops; events for children and young people,
and our work with vulnerable, deprived or geographically isolated groups. In the
last year, we mounted 10 exhibitions attracting more than 165,000 visitors. Curators,
conservators and educators delivered 197 tours, workshops and gallery talks reaching
almost 9,000 members of the public, of which almost half were young people and
children. More than 1,700 participated in 67 facilitated sessions for groups within the
community who would not normally visit Museums. Initiatives included Portals to the
World, a programme for people with Dementia and their carers, now in its third year;
studio-led workshops for Wintercomfort, a local charity supporting the homeless and
vulnerably housed and touch tours for blind and partially sighted adults and children.
A further 54 sessions reaching more than 900 community members were delivered
off-site as part of our outreach programme. Groups included Black, male prisoners
and staff in more than 20 prisons and children with life-limiting conditions.
The UCM Open Doors Project is
an initiative supported by the Arts
Council that offers opportunities
for young people and adults of all
backgrounds to become involved
in the work of the University
museums. Among the opportunities
organised by the Fitzwilliam were 2
Creative Apprenticeships, enabling
both participants to gain Level 2
Qualifications and Credit Framework
(QCF) certificates in Cultural Venue
Operations. We also hosted 11 students
aged 16-18 for a one-week joint Work
Experience Placement programme
involving 5 University museums,
providing insights into conservation,
object handling, marketing and visitor
services . Over 100 young people
aged 13-18 also took part in 3 Work
Experience Taster Days throughout the
year.
The Arts Award scheme offers children and
young people between the ages of 5 and 25 a
structured way of working towards 5 nationally
accredited awards. The Fitzwilliam has offered
Arts Awards as part of its schools, families
and outreach programme since 2010, joining
forces with 7 other University museums and the
Botanic Garden to establish a new Arts Award
Centre in 2013. This year, as well running a
Bronze Arts Award for 14 young or expecting
mothers supported by local charity Romsey
Mill Family Centre, we also devised a new
programme for a group of 15 Looked After
Children between the ages of 12 and 20. 11
achieved Bronze and 4 the entry level Discover
award. The project was delivered with Kettle’s
Yard in collaboration with Realise, an initiative
set up by the Cambridge University Admissions
Office to encourage young people in care to
consider Higher Education.
It was nice to hear that I can go
to University if I want to. Now I
know what’s out there and who
can help me.
participant
After-hours events present opportunities
for the public to see the Museum and
its displays in a whole new light. At this
year’s Twilight at the Museums, a free
UCM event for families, more than 1,500
visitors were treated to a light show
where images of highlights from all 8
University museums were projected onto
the Fitzwilliam’s facade. Collectively, the
event attracted more than 10,000 visitors
to all 8 museums.
Exhibitions
Exhibitions are one of our most visible outputs and often represent the culmination
of years of research, thought and planning. This year our curators mounted 10
exhibitions drawing over 160,000 visitors.
Origin of the Afro Comb: 6,000 years of culture, politics and identity grew out of 12
years’ research and outreach work with Black prisoners in more than 20 prisons by
Egyptologist Dr. Sally-Ann Ashton.
The Night of Longing: love and desire in Japanese prints featured exquisite woodcut
prints of lovers in art and life by some of the finest artists of the Edo and Meiji
periods (c. 1600-1900). “The Night of Longing” complemented an exhibition of
Japanese erotic art at the British Museum.
A World of Private Mystery: John Craxton RA (1922-2009) brought together more
than 60 of Craxton’s finest works, tracing his evolution from “Neo-Romantic” - a label
he is said to have disliked - to mature artist and was the first major retrospective
exhibition of his life and work.
John Craxton (1922-2009)
Shepherd on Rocks, 1943 (detail)
Schools
At the heart of our public engagement programme is our long-established schools
service. We offer sessions for all age-groups from pre-school to sixth form and
will work closely with a school to ensure that content can be tailored to need.
Between 1 August 2013 and 31 July 2014, our Education team gave 1,418 taught
sessions to more 14,500 school pupils. Of these, approximately one third were
visits from secondary schools and colleges. Also included in our schools service
are INSET (in-service training) days for practicing teachers. These sessions provide
opportunities for teachers to explore ways in which museum objects can be used as
an initial stimulus both for specific subjects such as history and literacy, and in crosscurricular teaching. In 2013-14, 16 primary school and 50 secondary school teachers
participated in 5 events.
One of our major priorities is to engage
school children from socio-economically
deprived and geographically isolated
communities. For the past 4 years, the
Fitzwilliam’s Education team has worked
in partnership with teachers at Soham
Village College and 5 local primary
schools, using the collections and visits
to the Museum to raise aspirations
and levels of achievement. For many
children and their families, this project
was their first experience of a museum
and its collections. This year, 10 taught
sessions were delivered to 250 pupils in
Year 8 (ages 13-14). Training was also
offered to teachers to enable them to
plan and lead their own sessions in our
galleries.
One area in which the Fitzwilliam
has established a reputation for
excellence is conservation and
conservation science. Here, Dr.
Spike Bucklow, Senior Lecturer
and Director of Research at
the Hamilton Kerr Institute,
demonstrates to a group of A Level
Chemistry students how analytical
chemistry and digital imaging
techniques are used to identify the
pigments and materials used in
paintings.
Digital
As is evident from the more than 2 million visits to the Museum’s website each year,
digital technology has already transformed access to our collections and resources.
Collections Explorer, our free online catalogue, contains entries for more than
180,000 objects. Also available to view are 55 online exhibitions and a range of
educational materials.
Our aim is for Cambridge to be at the forefront of innovation for digital technologies
in the cultural sector. Our team of Digital Associates works closely with researchers
and leading technological partners on tools that will engage new audiences,
enhance visitor experience in the galleries, inspire learning and enable research.
Understanding user requirements is key to this, and during 2014 the Museum has
been involved in the Let’s Get Real action research programme run by Culture24 and
aimed at producing online content that is fit for purpose.
CultureFinder is a project to
develop a mobile App that will
enable users to plan and create
their own tours around Cambridge.
Developed in partnership
with Deep Visuals, Knowledge
Integration Ltd, Gooii Ltd, The
Collections Trust, and CRASSH,
CultureFinder encourages visitors
to focus on things - which could
be museum objects, artworks,
or cultural events - rather than
venues. Users can either choose
from a selection of ready made
tours, or create their own using the
App’s image browser. Each tour
selection is then plotted on a map
for download onto a smartphone or
tablet, and can then be used during
the tour without the need for a
network connection. CultureFinder
is supported by the Digital R&D
Fund for the Arts - funded by the
Nesta, the Arts and Humanities
Research Council (AHRC) and
public funding by the Heritage
Lottery Fund through Arts Council
England.
Part of the MINIARE project, Digital Layers, funded by the Arts Council of England,
is a project to develop an online resource for a selection of illuminated manuscripts
in the Museum’s collection. The project draws on cutting-edge research in art history,
economic and intellectual history together with the identification of artists’ materials
and techniques in illuminated manuscripts through the most advanced non-invasive
analytical methods. Integrating art, science and technology, Digital Layers will offer
interpretation on multiple levels for a wide range of audiences.
MS.36-1950, fol.113v (detail) infrared image.
Dr Paola Ricciardi, Conservation Scientist, examines a manuscript using an x-ray fluorescence spectrometer.
Communications
The Museum’s Marketing and Communications team ensure that our wide array
of programmes and activities are appropriately promoted to the widest possible
audience. Over the course of the year, an ambitious communications strategy and
individual campaigns achieved widespread media coverage at home and abroad.
Partnerships with tourism portals such as Visit Cambridge and Great Days Out
generate broader coverage and visibility throughout the region.
Art Recreations is an annual event organised in partnership with John Lewis,
Cambridge. Conceived in 2011 as part of the marketing campaign for blockbuster
exhibition Vermeer’s Women: Secrets and Silence, it involves the recreation of
one or more artworks from the Fitzwilliam’s collections using live models from the
community and props – clothing, furniture, tableware – supplied by John Lewis. An
artist is commissioned to capture the recreation or ‘enactment’ on canvas. This
year saw the staging of Pierre Bonnard’s Le Repas in John Lewis’s China and Glass
Department. Customers were encouraged to enter a draw to win some of the
featured props, enabling the Museum to expand our e-news list.
Annie Roberts in the recreation of Vermeer’s The Lacemaker, 2012
Partnerships
The Fitzwilliam could not achieve the impact that it does alone. Most, if not all our
major activities are delivered in partnership with other organisations.
One of our principal partnerships is, of course, with the University of Cambridge
Museums (UCM) - a consortium of Cambridge’s 8 University Museums and the
Botanic Garden. As the host museum for the partnership, we have supported,
enabled and contributed to the delivery of a ground breaking programme of
exhibitions, events, conservation and collections care, audience development,
digital engagement, work with children and young people, training and employment
opportunities, bringing together the unrivalled collections of the University of
Cambridge and the combined creativity and expertise of its staff.
Locally, we work with Cambridge City Council through the Visit Cambridge
portal to improve Cambridge’s cultural offering. We also contribute regularly
to events organised by Share Museums East, with Fitzwilliam staff offering more
than 30 training, mentoring and peer-supported networking sessions for museum
professionals across the region.
Internationally, staff are involved in collaborative projects in more than 100 countries:
with the Musée Bourdelle in Paris, for example, for the Paris showing of the
exhibition Silent Partners: Artist and Mannequin from Function to Fetish. With the
Amarna Project in Egypt, to conserve the wooden coffins excavated at the ancient
city of Tell-el-Amarna. And with the Palace Museum in Beijing on a catalogue of key
pieces from the Museum’s Chinese collection.
The Whipple Museum of the History of Science
Discoveries: Art, Science and Exploration was the first exhibition to bring together
treasures from all 8 University museums. Following a highly successful run at 2
Temple Place in London, a slightly smaller version of the exhibition was shown at the
Fitzwilliam. The exhibition challenged and responded to the theme of discovery,
with objects that revealed extraordinary feats of human endeavour and ingenuity.
Among the exhibits was a tinamou egg brought back by Charles Darwin from his
voyage on HMS, cracked when the then young naturalist attempted to push it into a
box that was too small to hold it. In all, almost 50,000 visited the 2 exhibitions, with
school pupils from 14 schools and colleges participating in a programme of more
than 30 events in London alone.
Tinamou egg, found c.1830 in Uruguay by Charles Darwin, Museum of Zoology.
One of the highlights of the
2013-14 cultural calendar was
the passing of Le Tour de France
on 7 July 2014: 200 pupils and
more than 100 adults amassed
on the steps and newly restored
portico of the Museum’s historic
Founder’s Building to perform the
Cycle of Songs, a set of 9 songs
and sound poems inspired by the
City’s iconic buildings, landmarks
and hidden histories.
Conclusion
We were delighted to learn in January that the University of Cambridge Museums
had been successful in its bid to secure Major Partner Museum funding from the
Arts Council for the years 2015-18. As one of 21 museums and museum consortia in
England and Wales to have achieved this, the grant, of almost £4.5 million over three
years, is a welcome endorsement of the quality and importance of the University
museums' collections and the contribution of museum staff to research, teaching
and outreach, both within the University and further afield. We would like to record
our thanks to the staff of the Fitzwilliam Museum for delivering an outstanding
programme of exhibitions, in particular the invaluable support they provided to
ensuring the success of the first joint UCM exhibition, Discoveries: Art Science
and Exploration. Our thanks also, to colleagues for their contribution to University
teaching, learning and research and for their untiring commitment to working with
communities that have not traditionally visited the Museum or engaged with its
collections. In view of continuing economic uncertainty and pressures on funding,
we welcome proposals and developments for the Museum to expand its business
operations and share knowledge and services with other University museums.
Once again, we are particularly grateful to the organisations and individuals whose
continuing support and generosity are so vital to the Museum's future.
The Syndicate Of The Fitzwilliam Museum
Professor Geoffrey Ward (Chair)
Professor Paul Binski
Professor Paul Cartledge
Professor Dame Caroline Humphrey
Dr Mary Laven
Dr Rebecca Lingwood
Professor Jean Michel Massing
Professor Martin Millett
Mr Roger Mosey
Professor David McKitterick
Lady Proby
Mr Nicholas Ray
Dr David Saunders
Appendix A
Fitzwilliam Museum - Summary Of Income And Expenditure (2013-14)
Year Ended Year Ended
31 July 201431 July 2013
£'000
£'000
University Contributiona1,852 1,850 Higher Education Funding Council for England
b
1,420 1,420 Investment Income and bank interest
1,416 1,352 Arts Council Major Partner Museum (MPM) Funding
c
1,488 1,456 MLA Renaissance in the Regions
Object Acquisitions
- MLA/V&A Purchase Grant Fund
4 30 - National Heritage Memorial Fund
2,946 - The Art Fund392 - Fitzwilliam Museum Development Trust
331 - Other donations for object acquisitions
41 97 45 3,796 Grants/Donations Heritage Lottery Fund14 102 Trinity College Cambridge29 29 Cambridge City Council19 18 Exhibitions74 81 Other Grants, Donations & Sponsorship
789 295 Research Grants1 Collection Box Donations33 47 Fitzwilliam Museum Development Trust
d
150 74 Marlay Group117 91 Monument Trust262 468 Fitzwilliam Museum Enterprises Ltd
e
69 373 Image Library46 50 Hire of Galleries, Filming etc77 76 Friends subscriptionsf84 102 Miscellaneous35 133 8,119 11,814 Staff Costs -University/HEFCE funded(2,943)(2,828)
Staff Costs - Externally funded(2,050)(1,862)
(4,993)(4,690)
Research Non Salary(1)
Arts Council MPM Projects (UCM from 1 April 2012)
(600)
(416)
Exhibitions(227)(485)
Conservation(83)(101)
Collection Costs(24)(13)
Library(33)(31)
Education Programmes(33)(23)
IT/Web/Digital Services/Documentation(163)(116)
Marketing(33)(29)
University Overhead charge(297)(274)
Other recurrent expenditure(154)(138)
Other non recurrent expenditure(374)(484)
(2,021)(2,111)
Acquisitions for the Collection(134)(4,247)
Gallery Refurbishment/ Capital Equipment(351)(832)
(485)(5,079)
(7,499)
(11,880)
g620
(66)
Balance b/f 1 Aug 13 Mvmt in Yr
Investment gains/ (losses)
£’000£’000 £’000
157
(93)
36,028
469
1,109
4,148
147
50
257
2
h
737
71
3
h
7012410
42,028
620
1,172
Notes
a In addition to personnel and payroll support, the University provides personnel and payroll support, heat, light, power, rates, insurance and
essential repairs and maintenance to the fabric of the Museum buildings. This indirect contribution is estimated at £1.531m in the University
Resource Allocation Model.
b This grant comes from the Higher Education Funding Council for England to the University for the support of its museums.
c Arts Council Major Partner Museum funding covers activity across University of Cambridge Museums (UCM).
d The Fitzwilliam Museum Development Trust is a registered charity which supports the work of the Fitzwilliam Museum. Expenditure incurred
directly by the Trust is not included in the above figures. Monument and Marlay funds are managed by the Trust.
e Fitzwilliam Museum Enterprises Ltd was established as a trading company to develop and sell merchandise related to the Museum's
collections. Its profits are covenanted to the Museum.
f
Friends subscriptions were transferred into the Museum accounts in 2010/11 with the final balances brought in in 2011/12 and 2012/13. The
subscriptions can only be spent on acquisitions.
g Net (outgoing)/incoming resources is due to timing differences on project income and expenditure.
h Included within general donations and other are funds which are earmarked for specific purposes, leaving a balance of reserves of 2 months
of operating expenditure.
Funding sources for year ended 31 July
Total £9.660m
(1.531m) University indirect contribution
8.119m Total income
HEFCE £1.420m
3%
University - Direct contribution
£1.852m
15%
17%
University - Indirect contribution
£1.531m
19%
15%
Investment income &
bank interest £1.488m
Arts Council MPM funding £1.488m
15%
16%
Other grants/donations £1.618
Trading income £0.327m
Hamilton Kerr Institute
Appendix B - Visitor Figures
Appendix D – Exhibitions
Year ended 31 July 2014
£'000
Income
University Contribution
170
External trading
297
Internal trading (incl support from Fitzwilliam)
56
Endowments
206
Research grants
Specific donations
245
General donations
Total income974
Expenditure
Stipends & wages
522
Other expenses (incl support for students/interns)
338
Research grants (direct)
Total expenditure860
Surplus/(deficit)
114
Total reserves b/fwd6,139
Surplus/(deficit) for year
114
Unrealised capital revaluation
192
Total reserves c/fwd6,445
Total visitors
309,000
Adult visits245,268
Children visits (under 16)
24,342
School visits
14,083
Higher Education groups
3,079
Guided groups
8,49
Other booked groups
13,038
Visitors to the museum website 2,724,612
Education and Events
Adult courses & Talks
102 events
Attendance2,842
02/07/13 – 03/11/13
Origins of the Afro Comb: 6,000 years of Culture, Politics and Identity
Children and family events
57 events
Attendance2,781
Special Events
12 events
Attendance2,871
Family visits using Fitz Kits
01/10/13 – 12/01/14
The Night of Longing: Love and Desire in Japanese Prints
29/11/13 – 23/02/14
Edmund de Waal: On White – Porcelain Stories from the Fitzwilliam
01/12/13 – 02/03/14
Wickham Market Hoard
02/12/13 – 21/04/14
A World of Private Mystery: John Craxton, RA (1922 – 2009)
28/01/14 – 11/05/14
From Root to Tip: Botanical Art in Britain
18/03/14 – 18/05/14
The Rampant Lions Press: A Letterpress Odyssey
1,075 (estimated)
27/05/14 – 27/07/14
Discoveries: Art, Science and Exploration from the University of Cambridge Museums
20/05/14 – 28/09/14
La Grande Guerre: French Prints of the First World War
03/06/14 – 03/08/14
Building an Empire: Money, Trade and Power in the Age of Charlemagne
Appendix C – Teaching, Learning and Outreach Summary
Research
2%
28%
12%
Higher education
4%
Community
5%
12%
Adult
Family
Young people
Schools
25%
14%
Professional development
ActivityParticipation %
Research6,20312%
Higher Education2,0564%
Community2,6955%
Adult6,73712%
Family7,36214%
Young People13,47325%
Schools14,55227%
Professional Development
820
2%
TOTAL53,898
Appendix E – Acquisitions
Department of Antiquities
Gifts
The Church of Scotland, as residuary legatee of the estate of Mr Nigel Lennox Crawford Park:
Four ancient Cypriot and two Apulian red-figure vases, formerly in the nineteenth-century collections of Lord Belper, AHLF Pitt-Rivers and Luigi
Palma di Cesnola. Mr Park left his entire collection of Greek and Cypriot pottery to the Fitzwilliam but these six were the only items with traceable
pre-1970 provenance.
Department of Applied Arts
Gifts
Jane Ewart:
Dessert spoon, silver, Victorian, marks: Monarch’s head (for Queen Victoria) ; date letter: gothic, probably a ‘k’ (for 1845-46); Leopards head (for
London); maker’s mark ‘EE’ for Elizabeth Eaton, widow of William Eaton of 16 Jewin Street, Adlesgate Street London journeyman’s mark: an
arrowhead. English, 1845-46 Engraved ‘W’ on cartouche on spoons handle, is likely to be contemporary with the date of manufacture. Unit entry
form no. 1090.
Mr P. R. Glazebrook:
A pair of William & Mary silver rat-tail trefid spoons, hallmarked in London in 1693-94, with the maker’s mark of I. L over a mullet in a wavy-edged
shield-shaped cartouche, possibly for John Ladyman, the back of the handles scratch engraved with the initials L / A * P, probably for the owners.
London, 1693-94.
Nicholas and Judith Goodison through the Art Fund:
Robin Welch (b. 1936), Tall Vase, mature work of uncertain date. Stoneware, textured brushed white with green and purple surface with bronze
glaze to the flared rim, a rectangular orange panel with incised marks front and back, impressed with maker’s seal (‘RW’). H. 32.4 cm; diam. 16 cm.
Nicholas and Judith Goodison through the Art Fund:
Nicholas Rena (b. 1963), Persephone (Rites of Spring II), pair of ceramic flared forms painted in green and silver grey, and polished. English, 2012.
Nicholas and Judith Goodison through the Art Fund:
Necklace, perspex, gold and titanium by Emmeline Hastings, 2014 part of a five piece set.
Brooch perspex, gold and titanium with sterling silver and stainless steel pin by Emmeline Hastings, 2014 part of a five piece set.
Ring perspex, gold and titanium with oxidized sterling silver loop by Emmeline Hastings, 2014 part of a five piece set.
Earrings perspex, gold and titanium by Emmeline Hastings, 2014 part of a five piece set.
Nicholas and Judith Goodison through the Art Fund
Amanda Simmons, Feather from the Swallows, a group of six kiln-formed glass vessels, c. 2013
Prof. David McMullen:
Large fish bowl, hard-paste porcelain, underglaze blue and white, decorated in iron-red, green, turquoise, black and gilt enamels with three gold
fish inside. Japanese, 18th century.
Philippa Neilson, Originating from the joint collections of Prof. Peter H. Plesch and Mrs Gerta R. (Traudi) Plesch OBE:
A bronze Kundika of usual shape with octagonal spout, lid on lateral spout intact, covered with even pale-green patina. Korean, Koryo
A pair of black bronze Korean chop sticks, at the top of square cross section, the lower part round, with owners mark for two pairs of notches;
beautifully balanced.
A pear-shaped vase with elegant flaring mouth, a slight ridge-collar at narrowest part, on cylinder. Foot rim, of bronze, green patinated over silvery
surface. Korean, Koryu
in polychrome enamels, and the edges gilt. The principal pieces bear the names of the botanical specimens depicted. Mark: painted in puce or
red enamel, ‘SPODE/ 2004’. Stoke-on-Trent, Spode, c. 1825.
The Cunliffe Fund:
Ewer, bone china, of Madras shape, decorated with jewelling in blue, green, and red enamels within gilded borders reserved in a dark blue
ground, and with further gilding on the handle and mouth. Mark: printed in green, interlaced Cs over ‘COPELAND’. Stoke-on-Trent, Copeland, c.
1850-1.
Pair of bottle-shaped ewers with twisted handles, bone china decorated in the Kashmir style with enamel jewelling and gilding reserved on areas
of pale pink and turquoise ground colour. Stoke-on-Trent, Copeland, c. 1870-1.
Tazza, felspar porcelain, moulded, and painted in polychrome enamels with a view of the Port of Messina, bordered by a pale peach ground
overlaid by raised tooled gilding. Mark: printed in green, ‘COPELAND & GARRETT/LATE SPODES/ FELSPAR/ PORCELAIN’. Stoke-on-Trent,
Copeland & Garrett; painted by Daniel Lucas (1788-1867), c. 1850-51.
Dessert plate, bone china, decorated with a turquoise-green ground, painting in polychrome enamels, and tooled gilding. Design based on
the Sèvres’ Empress Catherine Service of 1778 with floral motifs substituted for cameos. Mark: imitation Sèvres factory and workmen’s marks:
interlaced Ls enclosing 'aa' (for 1778) with .S.S. below, all in brown; CP above and B below both in black. English, factory unidentified, c. 1840-45.
Plate, bone china decorated in Kashmir style with polychrome enamels and gilding. Marks: printed in green, ‘Copeland’; painted in black enamel,
‘B. POTTS/1879/AGED 74’. Stoke-on-Trent, Copeland, painted or gilded by B. Potts, (active 1872-97), dated 1879.
A Korean spoon of very elegant shape in black bronze - bifid handle and oval-pointed flat bowl. Koryo or earlier
A slightly patinated Korean bronze spoon with pointed shallow bowl and barbed bifid tail decorated longitudinal grooves near tail. Koryo or earlier
Plate, bone china, decorated in Kashmir style with pink and green ground colours, polychrome enamels and gilding. Mark: printed in green,
interlaced Cs with ‘COPELAND’ below. Stoke-on-Trent, Copeland, c. 1870-8.
A deep bowl of spun bronze with slightly in-curved sides, shallow backed on foot secured with two rivets, with loosely fitting cover carrying shallow
rim of central knop. Green mottled and patchy patination, blue-grey, body gold. Mouth of bowl 15cm in diameter, lid 16.5 cm.
Plate, bone china, painted in polychrome enamels with two fish and water weeds, and gilded. Signed ‘Mussill’. Mark: printed in green,
‘COPELANDS CHINA/ENGLAND’. Stoke-on-Trent, Copeland, painted by William Mussill, c. 1891-1900.
Bronze mirror with stylish flower pattern fine green patination on both sides. Korean, 11 cm square and 3mm thick
Plate, bone china, decorated with a pink border with reserved raised and gilded scrolls, and painted in polychrome enamels with a fish and water
weeds. Signed ‘T. HASSALL.’ Mark: printed in green, ‘COPELANDS CHINA/ENGLAND’ and ‘Rd No 317815’. Stoke-on-Trent, Copeland, painted by
Tom Hassall (1878-1940), c. 1891-1900.
A candlestick of brown, bronze in the shape of a lotus leaf with wavy edge as the vase in which is a small tortoise with hole in its carapace, limited
be a kinked section to another similar ball-shaped lotus leaf, the wide mouth of which is covered by a plate with a 4.5cm hole, the plate and both
lotus leaves copiously inlaid in silver. Korean? 17th/18th Century?
Nancy and Andrew Ramage:
Michael Cardew (1901-1983), earthenware slipware cider jug with its original wood tap, stamped both with the MC and early Winchcombe marks,
c. 1930
David Scrase:
Seal fob, French, brass with ivory or bone female head, date uncertain but likely to be later nineteenth century, or early twentieth century.
David Scrase, in memory of Rick Mather:
Bronze censer, moulded, cast, decorated with two pairs of lions confronting each other on the surface. Underneath the censer is inscribed with
nine characters ‘Murata Seimin (1761-1837) cast in the year of 文政 (1818-29) of the Great Japan ’. Japanese, early 19th century.
Bertil Vallien (b. 1938), Glass vessel, clear glass, sandcasted, with abstract floral motifs. Engraved on the bottom: ‘Boda – Åfors V190: 110 Z [with
wavy horizontal bars] B. Vallien’ and maker’s mark (?). Swedish, 1960s.
Mr Clive K. Smith:
A large tinned copper bowl with incised floral decorations and inscriptions; probably Iran (or North India?), 17th century. H. 30 cm.; diam. 43.8 cm.
Edmund de Waal:
Edmund de Waal (b. 1964), in plain sight I-III porcelain vessels in three aluminium, glass and plexiglass vitrines, English 2013.
Mr Zhao Xin:
Zhao Xin (b.1982), Series of Life, porcelain with blue underglaze, decorated with ginger flowers. Chinese, 2012. Given by the artist.
Purchases
Applied Arts General Funds:
Richard Batterham (b. 1936), large stoneware jug with grey-green ash-glaze, of uncertain date (c.1980s-mid-1990s). H. 28 cm.
Cambridge Antiques Society, The Friends of the Fitzwilliam Museum:
Tureen and cover (lot 486), stoneware, modelled as a trussed chicken with upturned feet, the bird garnished with parsley and bay leaves which
form the handle of the cover, the cream-coloured body shaded in a reddish brown. Impressed with ‘TURNER’, the mark of John Turner, Lane End,
Longton, Staffordshire, c. 1800.
Duplicates Fund and the Cunliffe Fund:
Dessert service, comprising two tureens, covers and stands, a centrepiece, four large rectangular dishes, four oval dishes, four lozenge-shaped
dishes and eighteen plates. Bone china, the rims moulded with reliefs reserved in a pale blue ground, the centres decorated with flowers painted
Plate, bone china, decorated with roses and foliage in polychrome enamels reserved in a solid gold ground with a raised green floral edging.
Mark: printed in green, ‘COPELANDS CHINA/ENGLAND’; pattern no. ‘R 1178/111’. Retailer’s mark printed in gold, a crown with ‘BURLEY & CO./
CHICAGO’ below. Stoke-on-Trent, Copeland, painted by John Arrowsmith (active 1880s to 1930s), c. 1895-1905.
Plate, bone china painted with flowers and foliage in polychrome enamels within a green ground border, and gilt. Mark: Signed ‘T. SADLER’ in pale
brown. Retailer’s mark, in gold, ‘Davis Collamore & Co. Ltd./FIFTH AVE & 37TH ST/NEW YORK’. Stoke-on-Trent, Copeland, painted by Thomas
Sadler (active 1892-after 1906), c. 1895-1905.
Cabinet cup and saucer of ‘Queen Anne’ shape, bone china, decorated with a claret ground, reserves painted in polychrome enamels with birds in
landscapes, and gilding. Mark: printed in green, interlaced Cs with ‘COPELAND; below. Stoke-on-Trent, Copeland, c. 1880-85.
Cabinet cup and saucer, bone china, decorated with turquoise ground colour, jewelling in red and white enamels, and gilding. Unmarked. Stokeon-Trent, Copeland, c. 1880-85.
Cup and saucer (1st part, lot 713), bone china, decorated with a brown ground, reserves painted with landscapes in polychrome enamels, and
gilding. Marks: in red enamel, pattern no. ‘R7127/4’; printed in green, ‘SPODE/COPELANDS CHINA/ENGLAND’. Retailer’s mark printed in brown,
‘TIFFANY & Co/NEW YORK’. Stoke-on-Trent, Copeland, painted by Arthur Perry (1871-1973), c. 1920.
Cabinet cup and saucer of ‘Queen Anne’ shape (2nd part, lot 713), bone china, decorated with a claret ground, reserves painted with butterflies
and flowers in polychrome enamels, and gilding. Mark: printed in green, interlaced Cs with COPELAND below. Stoke-on-Trent, Copeland, c.
1885-90.
.
Coffee can and saucer (3rd part, lot 713), bone china, decorated in the style of the Mecklenburg Strelitz service with dark blue ground colour,
painting in polychrome enamels with exotic birds, insects and flowers, and gilding. Marks on both: in red enamel, ‘PAINTED BY/J. ARROWSMITH.
1932’ and pattern no. ‘C200’; printed in green, ‘SPODE/COPELAND’S CHINA/ENGLAND’;
and ‘T. GOODE & Co LTD/LONDON’ below a crown. Stoke-on-Trent, Spode-Copeland, painted by John Arrowsmith (active 1880s to 1930s), dated
1932.
Miniature coffee can and saucer (4th part, lot 713), bone china, decorated in the style of the Tournai duc d’Orléans service with a dark blue ground,
painting in polychrome enamels, and gilding. Marks: painted in red, pattern no. ‘C1006/W’; printed in green, a crown with ‘T. GOODE &Co/
LONDON/COPELAND’S CHINA/ENGLAND’. Stoke-on-Trent, Copeland, painting attributed to John Arrowsmith (active 1880s to 1930s), early 20th
century.
Cup and saucer (5th part, lot 713), bone china, decorated with a turquoise ground, reserves painted in green and dark puce enamels with roses
and buds, and gilding. Marks: on the cup, printed in green, Oriental seal with SPODE above and COPELAND below; on the saucer in gold,
‘COPELAND’S CHINA/ENGLAND’, and in blue enamel, ‘C.B.B.’ Stoke-on-Trent, Copeland, painted by Charles Brayford Brough (1855-1922). c.
1891-1903.
Cup and saucer (6th part, lot 713), bone china decorated with red Van Dyked borders, gilt spots and plant motifs. Mark: on both pieces, printed in
green, interlaced Ls with ‘COPELAND’. Stoke-on-Trent, Copeland, c. 1885-90.
Mug (7th part, lot 713), bone china, decorated with a pale grey ground, a reserve painted in enamels with a snowy English landscape, flanked by a
robin (?) perching on branch and a flowering branch in gold in Japanese style. Marks: printed in green, Oriental seal mark with SPODE above and
COPELAND below. Stoke-on-Trent, Spode, c. 1890.
The Alan Green Bequest Fund:
Two Chinese lacquer bowls and covers, the design is carved into the surface and then filled in with lacquer of a different colour; the technique is
known as tianqi in Chinese. They are some of the most elaborately decorated wares of the Ming dynasty, 16th century, D: 15.8 cm.
The Alan Green Bequest Fund:
A pair of Chinese blanc de chine figures (lot 92), Adam & Eve, porcelain, each figure standing partially draped on rocky plinths, early Qing Dynasty,
c. 1660. H: 23 cm.
The Museums Acquisition Fund:
Hercules slaying Cerberus, Unknown South German workshop limewood, late 17th/ early 18th century
Department Of Coins & Medals
Gifts
Dr Martin Allen, in memory of Michael Bonser (1939-2013):
Six coins from the collection of the late Michael Bonser:
1. Armenia, Hetoum (1226-71), AR tram (Bedoukian 1962, p. 237, no. 856d), 2.73g.
2. Armenia, Hetoum, AR tram (cf. Bedoukian 1962, p. 244, no. 925), 2.75g.
3. Loos, Arnold V (1279-1323), AR sterling, Hasselt mint (?) (Mayhew p. 51, no. 70), 1.24g.
4. Namur, William of Namur (1337-91), AR sterling, Namur (Mayhew pp. 13203, no. 361), 1.22g.
5. Ireland, Elizabeth I (1558-1603), Æ penny, 1601 (Spink p. 153, no. 6510), 1.71g.
6. Ireland, Elizabeth I, Æ penny, 1602 (Spink p. 153, no. 6510A), 1.17g.
Dr Martin Allen (W), Senior Assistant Keeper, Department of Coins and Medals:
Fourteen medieval coins and one medieval jetton:
1. England, Henry II (1154-89), AR cut halfpenny, Short Cross class 1a2; Northampton, Filipe (same dies as next coin). Dix Noonan
Webb auction 2 April 2014, lot 232; ex J. Sazama; ex J. P. Mass (SCBI 56, no. 119); ex Granta Coins 1988, 0.65g.
2. England, Henry II, AR cut halfpenny, Short Cross class 1a2, Northampton, Filipe (same dies as last coin), Dix Noonan Webb auction 2
April 2014, lot 232; ex J. Sazama; ex J. P. Mass (SCBI 56, no. 120); ex David Palmer, 0.67g.
3. England, Henry II, AR cut halfpenny, Short Cross class 1a1, Wilton, Rodbert. Dix Noonan Webb auction 2 April 2014, lot 232; ex J.
Sazama; ex J. P. Mass (SCBI 56, no. 164); ex David Palmer, 0.60g.
4. England, Henry II, AR cut halfpenny, Short Cross class 1a1/1a2, Wilton, Rodbert (mint signature altered from Winchester to Wilton).
Dix Noonan Webb auction 2 April 2014, lot 232; ex J. Sazama; ex J. P. Mass (SCBI 56, no. 167); ex David Palmer, 0.60g.
5. England, Henry II, AR cut halfpenny, Short Cross class 1a4, Winchester, Adam. Dix Noonan Webb auction 2 April 2014, lot 232; ex J.
Sazama; ex J. P. Mass (SCBI 56, no. 176); ex Alan Dawson, 0.56g.
6. England, Henry II, AR penny, Short Cross class 1a5, Winchester, Adam. Dix Noonan Webb auction 2 April 2014, lot 184; ex J. Sazama;
ex J. P. Mass (SCBI 56, no. 180); ex M. Allen, 0.87g (clipped).
7. England, Henry II, AR penny, Short Cross class 1a2, Winchester, Clement. Dix Noonan Webb auction 2 April 2014, lot 184; ex J.
Sazama; ex J. P. Mass (SCBI 56, no. 184); ex M. Allen, 1.13g (pierced).
8. England, Henry II, AR cut halfpenny, Short Cross class 1a1, Winchester, Gocelm. Dix Noonan Webb auction 2 April 2014, lot 232; ex
J. Sazama; ex J. P. Mass (SCBI 56, no. 189); ex D. Ruskin, 0.67g.
9. England, Henry II, AR cut halfpenny, Short Cross class 1a4/1a3, Winchester, Osber. Dix Noonan Webb auction 2 April 2014, lot 232;
ex J. Sazama; ex J. P. Mass (SCBI 56, no. 202), 0.56g.
10. England, Henry II, AR penny, Short Cross class 1a1/1a2, Winchester, Rodbe(r)t. Dix Noonan Webb auction 2 April 2014, lot 232; ex J.
Sazama; ex J. P. Mass (SCBI 56, no. 208), 1.46g.
11. England, Richard I (1189-99), AR penny, Short Cross class 2, London, Raul. Dix Noonan Webb auction 2 April 2014, lot 192; ex J.
Sazama; ex ‘Elkins’ Nov. 2007, 1.37g.
12. England, Richard I, AR penny, Short Cross class 2, London, Raul. Dix Noonan Webb auction 2 April 2014, lot 192; ex J. Sazama; ex
TimeLine October 2005, 1.33g.
13. England, Richard I, AR penny, Short Cross class 2, London, Stivene. Dix Noonan Webb auction 2 April 2014, lot 192; ex J. Sazama;
ex TimeLine October 2005, 1.25g.
14. England, John (1199-1216), AR cut halfpenny, Short Cross class 5a2/5b1, Durham, Pieres. Dix Noonan Webb auction 2 April 2014,
lot 232; ex J. Sazama; ex J. P. Mass (SCBI 56, no. 1299), 0.62g.
15. England, Æ jetton, 1320/1330s, obv. Bust of Edward II/III with chaplet of roses; rev. Chequer Board, 2.30g. Dix Noonan Webb
auction 4 December 2013, lot 2276; ex George Berry.
The estate of the late Dr Mark Blackburn (CAI):
Two jettons:
1. Nuremberg, Hans Schultes II (fl. 1586-1603), copper alloy jetton, Rose/Orb type, rev. GLICK IST WALCZ VND FL (cf. Mitchiner pp.
407-8), 23 mm, 1.15g. Acquired by Dr Blackburn in Tunbridge Wells, 1970.
2. Nuremberg, Hans Krauwinckel II (fl. 1586-1635), copper alloy jetton, Rose/Orb type, rev. GOTT ALLEIN DIE EIRESEI (cf. Mitchiner pp.
439-41, nos 1518-36), 22 mm, 1.08g. Acquired by Dr Blackburn in Oxford, 1970.
Mrs Dorothy Bonser, in memory of Mike Bonser (1939-2013):
One medieval coin:
Continental imitation of England, Henry III (1216-72), AR Long Cross cut farthing, 0.27g.
Miss Amy Brown, Département d’Anglais, Université de Genève, 1211 Genève 4, Switzerland:
Six modern coins and two banknotes:
1. French New Caledonia, Ni 50 francs, 1992 (Krause Mischler p. 1575, no. 13), 14.95g.
2. French New Caledonia, Ni 20 francs, 1999 (Krause Mischler pp. 1574-5, no. 12), 10.09g.
3. French New Caledonia, Ni 10 francs, 1999 (Krause Mischler p. 1574, no. 11), 6.08g.
4. French New Caledonia, Al 2 francs, 1982 (Krause Mischler p. 1574, no. 14), 2.20g.
5. New Zealand, Elizabeth II (1952- ), CuNi 10 cents, 1978 (Krause Mischler p. 1583, no. 41), 5.69g.
6. Samoa, Malietoa Tanumafili (1962- ), CuNi 10 sene, 1996 (Krause Mischler p. 1856, no. 15), 5.69g.
7. Australia, 5 dollars, no date, signatures of R.A. Johnston and B.W. Fraser (1985-90) (Cuhaj p. 75, no. 44e).
8. French Pacific Territories, Institut d’Émission d’Outre-Mer, 500 francs, no date (1992) (Cuhaj p. 376, no. 16).
Mr Peter Budgen:
Five modern coins:
1. Maldive Islands, Muhammad Imad Ad-din VI Iskandar (1893-1903) Æ Larin, Mahle, AH 1318 = AD 1900 (cf Krause Mischler p. 894, no.
38), 1.07g.
2. Maldive Islands, Muhammad Imad Ad-din VI Iskandar (1893-1903) Æ 2 Lariyat, Mahle, AH 1319 = AD 1901 (Krause Mischler p. 1408,
no. 39), 2.36g.
3. Maldive Islands, Muhammad Imad Ad-din VI Iskandar (1893-1903) Æ 4 Lariyat, Mahle, AH 1320 = AD 1902 (Krause Mischler p. 1408,
no. 40.1), 3.90g.
4. Maldive Islands, Muhammad Shams Ad-din III Iskandar (1903-1934) Æ Larin, Mahle (struck in Birmingham), AH 1331 = AD 1913
(Krause Mischler -), 0.97g.
5. Maldive Islands, Muhammad Shams Ad-din III Iskandar (1903-1934) Æ 4 Lariyat, Mahle (struck in Birmingham), AH 1331 = AD 1913
(Krause Mischler p. 1409, no. 42), 3.78g.
Prof. T. V. Buttrey (CLH), Honorary Keeper of Ancient Coins:
Seventy-four coins, three medals and fourteen banknotes:
1. France, Provence, Alfonso of Aragon (1196-1209), AR denier (Poey d’Avant, II, p. 318, no. 3933), 0.88g. Ex Műnzen und Medaillen
auction 29, 27 November 1964, lot 744.
2. Italy, Aquileia, Patriarchs, AR denaro, 2nd half of 12th century (Bernardi 3b; Biaggi 132), 1.06g. Ex Kűnker elive auction 20, lot 163.
3. Albania, Italian occupation, Vittorio Emanuele III (1939-43), stainless steel 1 lek, 1939 R (Rome mint) (Krause Mischler p. 18, no. 31),
7.99g.
4. Albania, Italian occupation, Vittorio Emanuele III, stainless steel 0.50 lek, 1939 R (Rome mint) (Krause Mischler p. 18, no. 30), 5.95g.
5. Austria, Ferdinand II (1619-37), AR 3 kreuzer, 1628, Graz mint (Krause Mischler p. 39, no. 626), 1.37g.
6. Canada, Victoria (1837-1901), AR 5 cents, 1897 (Krause Mischler p. 158, no. 2), 1.15g.
7. Canada, Edward VII (1901-10), AR 5 cents, 1903 (Krause Mischler p. 282, no. 13), 1.14g.
8. Canada, George V (1910-36), AR 25 cents, 1933 (Krause Mischler p. 286, no. 24a), 5.75g.
9. Canada, George V, AR 10 cents, 1912 (Krause Mischler p. 284, no. 23), 2.33g.
10. Canada, George V, AR 5 cents, 1917 (Krause Mischler p. 282, no. 16), 1.15g.
11. Costa Rica, AR real, countermarked coinage type VI (1849-57), countermark on United Kingdom, Victoria (1837-1901), AR sixpence,
1842 (Krause Mischler p. 269, no. 90), 2.40g.
12. France, Cu-Ni 10 centimes, 1924, Poissy mint (Krause Mischler p. 743, no. 866a), 4.18g.
13. France, Al 2 francs, 1945 C (Castelsarrasin mint) (Krause Mischler p. 746, no. 886a.3), 2.22g.
14. France, Al 2 francs, 1946 B (Beaumont-le-Roger mint) (Krause Mischler p. 746, no. 886a.2), 2.21g.
15. Germany, Brunswick-Luneburg-Calenberg, Ernest Augustus I (1679-98), AR 2 Mariengroschen, 1697 (Krause Mischler p. 383, no.
336), 0.99g.
16. India, Danish, Frederik VI (1808-39), AE 4 cash, 1837 (Krause Mischler p. 739, no. 159.1), 2.54g.
17. India, Travancore, Rama Varma IV (1860-80), AR velli fanam, no date [1864] (Krause Mischler p. 738, no. 24.1), 1.51g.
18. India, George V (1910-36), AR 1 rupee, 1913, Calcutta mint (Krause Mischler p. 1071, no. 524), 11.56g.
19. India, George V, AE one-twelfth anna, 1923 (Krause Mischler p. 1064, no. 498a), 1.60g.
20. India, George V, AE one-twelfth anna, 1930 (Krause Mischler p. 1064, no. 498a), 1.64g.
21. Ireland, Irish Free State, AR florin, 1928 (Krause Mischler p. 1118, no. 7), 11.30g.
22. Jersey, Elizabeth II (1952- ), 20 pence, 1996 (Krause Mischler p. 1272, no. 66), 5.04g.
23. Jersey, Elizabeth II, 20 pence, 1997 (Krause Mischler p. 1272, no. 66), 5.02g.
24. Jersey, Elizabeth II, 20 pence, 2005 (Krause Mischler p. 1272, no. 107), 5.03g.
25. Jersey, Elizabeth II, 20 pence, 2009 (Krause Mischler p. 1272, no. 107), 4.94g.
26. Mexico, Ferdinand VII (1808-21), acclamation coinage, ‘jura’ counterstamp on Charles IV (1788-1808), AR half real, 1807 (Krause
Mischler -), 1.54g.
27. Mexico, AR quarter real, Durango mint, 1842 (Krause Mischler p. 924, no. 368.2), 0.80g.
28. Mexico, AR quarter real, Guadalajara mint, 1845 (Krause Mischler p. 924, no. 368.3), 0.80g.
29. Mexico, AR quarter real, Mexico City mint, 1863 (1863 over 1853) (Krause Mischler p. 925, no. 368.6 var.), 0.84g.
30. Mexico, Cu-Ni 5,000 pesos, no date [1988], 50th anniversary of oil exploration (Krause Mischler p. 1466, no. 531), 17.20g.
31. Mexico, bimetallic (AR in Al-bronze ring) 50 new pesos, Mexico City, 1994 (Krause Mischler p. 1474, no. 571), 33.93g.
32. Mexico, bimetallic (AR in Al-bronze ring) 20 new pesos, Mexico City, 1993 (Krause Mischler p. 1473, no. 561), 16.94g.
33. Mexico, bimetallic (Al-bronze in stainless steel ring) 1 new peso, Mexico City, 1995 (Krause Mischler p. 1467, no. 550), 4.01g.
34. Mexico, stainless steel 5 centavos, 1995 (Krause Mischler p. 1467, no. 546), 1.59g.
35. Mexico, AR 1 onza (bullion coin), Mexico City, 1986 (Krause Mischler p. 1476, no. 494.1), 31.07g.
36. Mexico, ?Cristeros [political-religious movement], AE 20 (centavos?), 1926 (Krause Mischler -), 1.92g.
37. Newfoundland, George VI (1936-52), AR 10 cents, 1942 (Krause Mischler p. 1593, no. 20), 2.34g.
38. Nicaragua, AE 1 centavo, 1919 (Krause Mischler p. 1595, no. 11), 3.89g.
39. Papal States, Innocent XI (1676-89), AR half scudo, Rome, year 7 [1682] (Serafini, p. 303, nos 68-9), 15.53g.
40. San Marino, AR 20 lire, 1931 (Krause Mischler p. 1870, no. 11), 14.99g.
41. San Marino, bimetallic (Al-bronze in stainless steel ring) 500 lire, 1987, Rome mint, 150th anniversary of resumption of coinage
(Krause Mischler p. 1877, no. 209), 6.72g.
42. Sardinia, Carlo Alberto (1831-49), AV 20 lire, 1831 (Krause Mischler p. 843, no. C115.1), 6.40g.
43. Sweden, Gustaf II Adolphus (1611-32), AE half őre, 1626 (Krause Mischler p. 1338, no. 104.2), 26.49g.
44. United Kingdom, Victoria (1837-1901), AR fourpence, 1880 (Spink p. 456, no. 3916), 1.89g.
45. United Kingdom, George V (1910-36), AR sixpence, 1926, Modified Effigy (Spink p. 488, no. 4025), 2.82g.
46. United Kingdom, Elizabeth II (1952- ), Cu-Ni 50 pence, 2011, Olympic and Paralympic cycling commemorative (Spink p. 600 no.
4961), 8.12g.
47. United Kingdom, Elizabeth II, Cu-Ni 50 pence, 2011, Olympic and Paralympic wrestling commemorative (Spink p. 607 no. 4988),
7.99g.
48. U.S.A., AR 50 cents, 1819 (Yeoman p. 191), 13.27g.
49. U.S.A., AR 50 cents, 1920, Pilgrim Tercentenary commemorative (Yeoman, p. 283), 12.48g.
50. U.S.A., AR 50 cents, 1923 S (San Francisco), Monroe Doctrine
51. U.S.A., AR 50 cents, 1946, Booker T. Washington commemorative (Yeoman, p. 299), 12.49g.
52. U.S.A., AR 50 cents, 1946 D (Denver), Booker T. Washington commemorative (Yeoman, p. 299), 12.44g.
53. U.S.A., AR 50 cents, 1946 S (San Francisco), Booker T. Washington commemorative (Yeoman, p. 299), 12.45g.
54. U.S.A., AR 25 cents, 1876 S (San Francisco) (Yeoman p. 166), 6.22g.
55. U.S.A., AR 10 cents, 1837 (Yeoman p. 146), 2.59g.
56. U.S.A., Ni 5 cents, 1911 (Yeoman p. 128), 5.05g.
57. U.S.A., Æ 1 cent, 1822 (Yeoman p. 101), 9.47g.
58. U.S.A., Æ 1 cent, 1836 (Yeoman p. 104), 10.74g.
59. U.S.A., Æ half cent, 1806 (Yeoman, p. 90), 5.34g.
60. Vatican City, Pius XI (1922-39), AR 10 lire, Rome, 1930/year IX (Krause Mischler p. 2259, no. Y8), 9.99g.
61. Vatican City, Pius XII (1939-58), stainless steel 2 lire, Rome, 1941/year III (Krause Mischler p. 2257, no. Y27a), 10.12g.
62. Vatican City, Pius XII, stainless steel 1 lira, Rome, 1941/year III (Krause Mischler p. 2256, no. Y26a), 8.10g.
63. Vatican City, Pius XII, stainless steel 20 centesimi, Rome, 1941/year III (Krause Mischler p. 2256, no. Y24a), 3.82g.
64. Vatican City, John XXIII (1958-63), stainless steel 100 lire, Rome, 1962/year IV (Krause Mischler p. 2265, no. Y64.2), 8.02g.
65. Vatican City, John XXIII, aluminium bronze 20 lire, Rome, 1959/year I (Krause Mischler p. 2261, no. Y62.1), 3.60g.
66. Vatican City, John XXIII, Al 10 lire, Rome, 1960/year II (Krause Mischler p. 2259, no. Y61.2), 1.61g.
67. Vatican City, Paul VI (1963-78), AR 500 lire, Rome, no date [1967] (Krause Mischler p. 2269, no. Y99), 10.97g.
68. Vatican City, Paul VI, stainless steel 100 lire, Rome, 1967/year V (Krause Mischler p. 2265, no. Y98), 8.06g.
69.Vatican City, Paul VI, stainless steel 50 lire, Rome, 1967/year V (Krause Mischler p. 2263, no. Y97), 6.25g.
70. Vatican City, Paul VI, aluminium bronze 20 lire, Rome, no date [1967] (Krause Mischler p. 2261, no. Y96), 3.58g.
71. Vatican City, Paul VI, Al 10 lire, Rome, no date [1967] (Krause Mischler p. 2260, no. Y95), 1.61g.
72. Vatican City, Paul VI, Al 5 lire, Rome, 1967/year V (Krause Mischler p. 2259, no. Y94), 1.00g.
73. Vatican City, Paul VI, Al 2 lire, Rome, 1967/year V (Krause Mischler p. 2258, no. Y93), 0.80g.
74. Vatican City, Paul VI, Al 1 lira, Rome, 1967/year V (Krause Mischler p. 2257, no. Y92), 0.63g.
75. Mexico, Hidalgo, AE medal for bicentenary of Hidalgo, 1953, 43 mm, 29.14g.
76. United Kingdom, Royal Academy of Music, AR medal by B. Wyon, 41 mm with mount and ring for suspension, obv. Bust of Apollo
with lyre beneath left shoulder, rev. ‘MAY PENSON ELOCUTION 1907’ impressed in wreath (Eimer 1165), 37.52g, in John Pinches case
of issue. Ex B. Frank & Son Numismatic Auction Sale 88, 10 August 2012, lot 832.
77. United Kingdom, Royal Academy of Music, AR medal by B. Wyon, 41 mm with mount and ring for suspension, obv. Bust of Apollo
with lyre beneath left shoulder, rev. ‘MAY PENSON SINGING 1907’ impressed in wreath (Eimer 1165), 37.19g, in John Pinches case of
issue. Ex B. Frank & Son Numismatic Auction Sale 88, 10 August 2012, lot 832.
78. St Helena, Government of St Helena, £20, no date [1986] (Cuhaj p. 814, no. 10).
79. St Helena, Government of St Helena, £20, 2004 (Cuhaj p. 814, no. 13).
80. St Helena, Government of St Helena, £10, no date [1985] (Cuhaj p. 813, no. 8).
81. St Helena, Government of St Helena, £10, 2004 (Cuhaj p. 814, no. 12).
82. St Helena, Government of St Helena, £5, no date [1981] (Cuhaj p. 813, no. 7).
83. Confederate States of America, 10 dollars, 2 December 1862 (Shafer and Bruce p. 356, no. 52).
84. U.S.A., Silver Certificate, 1 dollar, 1923 (Shafer and Bruce p. 1132, no. 342).
85. U.S.A., 5 dollars, 1963 (Cuhaj p. 1010, no. 383).
86. U.S.A., 1 dollar (replacement note), 1969 B (New York) (Cuhaj p. 1011, no. 449).
87. U.S.A., 1 dollar (replacement note), 1969 B (New York) (Cuhaj p. 1011, no. 449).
88. U.S.A., 1 dollar (replacement note), 1969 B (New York) (Cuhaj p. 1011, no. 449).
89. U.S.A., 1 dollar (replacement note), 1969 K (Dallas) (Cuhaj p. 1011, no. 449).
90. U.S.A., 1 dollar (replacement note), 1969 K (Dallas) (Cuhaj p. 1011, no. 449).
91. U.S.A., 1 dollar (replacement note), 1969 K (Dallas) (Cuhaj p. 1011, no. 449).
Prof. T. V. Buttrey (CLH), Honorary Keeper of Ancient Coins:
Six ancient, twenty-one modern coins, one medal and twenty-two banknotes:
1. Crete, Gortyn, AR stater, after 430 BC, rev. Bull standing to right (McClean, II, p. 495, no. 7106), 11.90g. Overstruck on a stater of
Cnossus of McClean, II, p. 487, no 7054 type.
2. Vespasian for Domitian, AR denarius, Rome, 76-77, rev. Spes standing to left (RIC II.1, p. 125, no. 917), 3.47g.
3. Vespasian for Titus, Æ, Ephesus (?), 77-78, rev. Eagle standing to left on thunderbolt (RIC II.1, p. 172, no. 1511), 8.04g.
4. Nerva (96-98), Æ sestertius, Rome, 96, rev. Annona seated to left (RIC II -), 22.33g. Ex Münz Zentrum Lagerkatalog 117, July 2013, lot
402. Apparently unique.
5. Elagabalus (218-222), AR radiate, Rome, 218, rev. Roma seated to left (RIC IV.2, p.28, no. 1e), 6.24g.
6. Aemilian, AR radiate, Rome, 253, rev. Mars standing to left (RIC IV.3, p. 195, no.6), 2.80g.
7. Ireland, Al-bronze 20 euro cent, 2003 (Krause Mischler p. 1120, no. 36), 5.68g
8. Ireland, Al-bronze 10 euro cent, 2003 (Krause Mischler p. 1120, no. 35), 4.11g
9. Ireland, Al-bronze 10 euro cent, 2005 (Krause Mischler p. 1120, no. 35), 4.05g.
10. Ireland, Al-bronze 10 euro cent, 2007 (Krause Mischler p. 1120, no. 35), 4.12g
11. Ireland, Al-bronze 10 euro cent, 2008 (Krause Mischler p. 1120, no. 35), 4.09g.
12. Ireland, Cu-plated steel 5 euro cent, 2004 (Krause Mischler p. 1120, no. 33), 3.97g.
13. Ireland, Cu-plated steel 5 euro cent, 2008 (Krause Mischler p. 1120, no. 33), 3.96g.
14. Ireland, Cu-plated steel 1 euro cent, 2011 (Krause Mischler p. 1120, no. 32), 2.30g.
15. United Kingdom, Victoria (1837-1901), AR crown, 1893, ANNO REGNI LVII edge (Spink p. 460, no. 3937), 28.30g.
16. United Kingdom, Victoria, AR crown, 1896, ANNO REGNI LIX edge (Spink p. 460, no. 3937), 27.85g.
17. United Kingdom, Edward VII (1901-10), AR halfcrown, 1903 (Spink p. 479, no. 3980), 13.86g.
18. United Kingdom, Edward VII, AR halfcrown, 1905 (Spink p. 479, no. 3980), 13.87g. Ex Dix Noonan Webb, 18 September 2013, lot
1574.
19. United Kingdom, Edward VII, AE penny, 1903, wide 3 variety (Spink p. 481, no. 3990), 8.89g. Ex Lockdales Auction 107, 14
September 2013, lot 1652.
20. United Kingdom, Elizabeth II (1952- ), Cu-Ni in Ni-brass ring 2 pounds, 2012, 200th anniversary of birth of Charles Dickens
commemorative (Spink p. 554, no. 4590), 12.00g.
21. U.S.A., AR trade dollar, 1877 S (San Fransisco mint) (Yeoman p. 220), Chinse ‘chop marks’ on both sides, 27.24g.
22. United Kingdom, City of London, Medal for the [planned] Coronation of Edward VIII, 1937, gold-painted white metal, 38 mm with
loop for suspension (Whittlestone and Ewing, vol. 6, no. 6805, 3), 22.48g.
23. China, People’s Bank of China, 100 yuan, 2005 (Cuhaj p. 237, no. 907).
24. China, People’s Bank of China, 50 yuan, 2005 (Cuhaj p. 237, no. 906).
25. China, People’s Bank of China, 20 yuan, 2005 (Cuhaj p. 237, no. 905).
26. China, People’s Bank of China, 10 yuan, 2005 (Cuhaj p. 237, no. 904).
27. China, People’s Bank of China, 5 yuan, 2005 (Cuhaj p. 237, no. 903).
28. China, People’s Bank of China, 1 yuan, 1999 (Cuhaj p. 236, no. 895).
29. China, People’s Bank of China, 5 jiao, 1980 (Cuhaj p. 235, no. 883).
30. Gibraltar, Government of Gibraltar, 50 pounds, 27 November 1986 (Cuhaj p. 402, no. 24).
31. Gibraltar, Government of Gibraltar, 10 pounds, 21 October 1986 (Cuhaj p. 402, no. 22b).
32. Gibraltar, Government of Gibraltar, 5 pounds, 4 August 1988 (Cuhaj p. 402, no. 21b).
33. Gibraltar, Government of Gibraltar, 1 pound, 4 August 1988 (Cuhaj p. 402, no. 20e).
34. Gibraltar, Government of Gibraltar, 50 pounds, 1 December 2006 (Cuhaj p. 404, no. 33).
35. Gibraltar, Government of Gibraltar, 20 pounds, 1 July 1995 (Cuhaj p. 403, no. 27).
36. Gibraltar, Government of Gibraltar, 20 pounds, 4 August 2004 (Cuhaj p. 403, no. 31).
37. Gibraltar, Government of Gibraltar, 20 pounds, 1 December 2006 (Cuhaj p. 404, no. 32).
38. Gibraltar, Government of Gibraltar, 10 pounds, 1 July 1995 (Cuhaj p. 403, no. 26).
39. Gibraltar, Government of Gibraltar, 10 pounds, 1 December 2006 (Cuhaj p. 404, no. 32).
40. Gibraltar, Government of Gibraltar, 5 pounds, 2000 (Cuhaj p. 403, no. 29).
41. Gibraltar, Government of Gibraltar, 100 pounds, 1 January 2011 (Cuhaj -).
42. Gibraltar, Government of Gibraltar, 50 pounds, 1 January 2010 (Cuhaj -).
43. Gibraltar, Government of Gibraltar, 20 pounds, 1 January 2011 (Cuhaj -).
44. Gibraltar, Government of Gibraltar, 10 pounds, 1 January 2010 (Cuhaj -).
45. Gibraltar, Government of Gibraltar, 5 pounds, 1 January 2011 (Cuhaj -).
46. United Kingdom, Birmingham, National Equitable Labour Exchange, 1 hour note, 22 July 1833, unissued. Ex Lockdales Auction 107,
14 September 2013, lot 1058.
47. United Kingdom, Bank of England, 50 pounds, 15 May 1935, ‘Operation Bernhard’ counterfeit [printed in German concentration
camps, 1942-5] (cf. Shafer and Bruce p. 547, no. 338).
48. United Kingdom, Bank of England, 5 pounds, 25 September 1935, ‘Operation Bernhard’ counterfeit (cf. Shafer and Bruce p. 547,
no. 335).
50. United Kingdom, Bank of England, 5 pounds, Chief Cashier D.H.F. Somerest [1980-7] (Cuhaj p. 406, no. 378e).
Prof. T. V. Buttrey (CLH), Honorary Keeper of Ancient Coins:
Forty-nine coins and three banknotes:
1. Cappadocia, Ariarathes V (163-130 BC), AR drachm, rev. Athena standing to left (cf. Simonetta, p. 27, no. 8), 4.14g.
2. Bactria, Antialcidas (c. 115-95 BC), AR drachm, rev. Zeus on throne to left (SNG ANS 1085), 2.39g.
3. Crete, Crassus, Cnossus (?), Æ, 30s BC, rev. Crocodile to right (RPC I, p. 220, no. 914), 9.08g.
4. Cyrenaica, Scato, uncertain mint, Æ, c. 20-12 BC, rev. Laurel wreath (RPC I, p. 228, no. 944), 5.08g.
5. Gaul, Augustus (27 BC – AD 14), Æ cut as, Nemausus, c. 16/15? – 10 BC, rev. Crocodile chained to a palm tree (RPC I, p. 153, no.
523), 4.21g.
6. Alexandria, Aurelian (270-275), Billon tetradrachm, 274/275, rev. Eagle standing to right (Dattari, p. 365, no. 5488), 8.35g.
7. Roman Republic, M. SILA, AR denarius, Rome, 116 or 155 BC, rev. Jupiter in quadriga to right (Crawford, p. 300, no. 285/2), 3.74g.
8. Copy of denarius of P. SERVILLI M.F RVLLI, uncertain mint, after 90 BC, rev. Victory in biga to right (cf. Crawford, p. 329, no. 328/1),
3.98g. Ex Roma Numismatics, May 2013 auction, lot 7.
9. Octavian, Æ, Italian mint, c. 38 BC, rev. Inscription within laurel wreath (Crawford, p. 535, no. 535/2), 16.81g.
10. Augustus (27 BC – AD 14), Æ quadrans, Lugdunum, c. 15-10 BC, rev. Eagle standing facing (RIC I, p. 57, no. 287), 3.26g.
11. Anonymous, Æ quadrans, Rome, 1st to 2nd century AD, rev. Winged caduceus (RIC II, p. 219, no. 32), 3.22g.
12. Nerva (96-98), Æ as, Rome, 97, rev. Fortuna standing (RIC II, p. 229, no. 98), 9.72g.
13. Trajan (98-117), Æ halved as, Rome, rev. Victory advancing to left (RIC II, p. 273, no. 395), 4.31g.
14. Hadrian (117-134), Æ dupondius or as, Rome, 132-134, rev. Hadrian on horseback (RIC II, p. 433, no. 717c), 11.45g.
15. Maximian (286-305), Billon nummus, Siscia, officina B, c. 300, rev. Genius standing to left (RIC VI, p. 468, no. 114), 9.55g.
16. Maximinus II (310-313), Æ, Antioch, officina Є, 311-2, rev. Apollo standing to left (van Heesch 1993, p. 66, no 3a), 2.00g. Ex CNG
e-Auction 315, lot 508.
17. Constantius II (324-361), Æ nummus, Arles, officina S, 332, rev. Two soldiers standing (RIC VII, p. 273, no. 360), 1.94g.
18. Constantius Gallus (351-354), Æ, Alexandria, officina B, 351-4, rev. Soldier spearing fallen horseman (RIC VIII, p. 543, no. 74), 4.34g.
19. Valens (364-378), AR siliqua, Thessalonica, 364-7, rev. Emperor standing facing (cf. RIC IX, p. 175, no. 12b), 3.74g. Ex CNG e-Auction
314, lot 473.
20. Leo I (457-474), Æ, Constantinople, rev. Emperor standing to right (cf. RIC X, p. 291, no. 654), 5.72g. Ex CNG e-Auction 314, lot 480.
21. Italy, Venice, Paolo Renier (1779-89), AR osella, anno VI, 1784 (Wernig 265), 39 mm with mount for suspension, 10.80g. Ex
Numismatik Lanz Műnchen, auction 157, 9 Dec. 2013, lot 840.
22. Italy, Venice, Paolo Renier (1779-89), AR osella, anno VII, 1785 (Wernig 266), 42 mm with mount for suspension, 11.40g. Ex
Numismatik Lanz Műnchen, auction 157, 9 Dec. 2013, lot 841.
23. Italy, Vittorio Emanuele III (1900-1946), AR 10 lire, Rome, 1936 (Krause Mischler, p. 1229, no. 80), 9.91g.
24. Italy, Vittorio Emanuele III (1900-1946), AR 2 lire, Rome, 1916 (Krause Mischler, p. 1228, no. 55), 9.99g.
25. USA, Cu-Zn-Manganese-Ni clad copper 1 dollar, 2012 D (Denver), President Grover Cleveland (second term) commemorative
(Yeoman -), 8.00g.
26. USA, Cu-Zn-Manganese-Ni clad copper 1 dollar, 2013 D (Denver), President William McKinley commemorative (Yeoman -), 8.02g.
27. USA, Cu-Zn-Manganese-Ni clad copper 1 dollar, 2013 P (Philadelphia), President Theodore Roosevelt commemorative (Yeoman -),
7.98g.
28. USA, Cu-Zn-Manganese-Ni clad copper 1 dollar, 2013 P (Philadelphia), President William Howard Taft commemorative (Yeoman -),
8.00g.
29. USA, Cu-Zn-Manganese-Ni clad copper 1 dollar, 2013 P (Philadelphia), President Woodrow Wilson commemorative (Yeoman -),
7.99g.
30. USA, Cu-Zn-Manganese-Ni clad copper 1 dollar, 2012 D (Denver), Native American (Trade Routes) commemorative (Yeoman -),
8.00g.
31. USA, Cu-Zn-Manganese-Ni clad copper 1 dollar, 2013 P (Philadelphia), Native American (Treaty with the Delawares)
commemorative (Yeoman -), 8.01g.
32. USA, Cu-Ni clad copper 25 cents, 2010 D (Denver), Grand Canyon, Arizona commemorative (Yeoman p. 184), 5.67g.
33. USA, Cu-Ni clad copper 25 cents, 2010 D (Denver), Yosemite National Park, California commemorative (Yeoman p. 184), 5.71g.
34. USA, Cu-Ni clad copper 25 cents, 2010 D (Denver), Yellowstone National Park, Wyoming commemorative (Yeoman p. 184), 5.59g.
35. USA, Cu-Ni clad copper 25 cents, 2011 P (Philadelphia), Chickasaw National Recreation Area, Oklahoma commemorative (Yeoman
p. 185), 5.67g.
36. USA, Cu-Ni clad copper 25 cents, 2011 P (Philadelphia), Vicksburg National Military Park, Mississippi commemorative (Yeoman p.
184), 5.69g.
37. USA, Cu-Ni clad copper 25 cents, 2011 P (Philadelphia), Olympic National Park, Washington commemorative (Yeoman p. 184),
5.70g.
38. USA, Cu-Ni clad copper 25 cents, 2011 P (Philadelphia), Glacier National Park, Montana commemorative (Yeoman p. 184), 5.66g.
39. USA, Cu-Ni clad copper 25 cents, 2011 D (Denver), Gettysburg National Military Park, Pennsylvania commemorative (Yeoman p.
184), 5.70g.
40. USA, Cu-Ni clad copper 25 cents, 2012 D (Denver), Denali National Park and Reserve, Alaska commemorative (Yeoman -), 5.64g.
41. USA, Cu-Ni clad copper 25 cents, 2012 P (Philadelphia), Hawaii Volcanoes National Park, Hawaii commemorative (Yeoman -), 5.69g.
42. USA, Cu-Ni clad copper 25 cents, 2012 P (Philadelphia), Acadia National Park, Maine commemorative (Yeoman -), 5.70g.
43. USA, Cu-Ni clad copper 25 cents, 2012 D (Denver), Chaco Culture National Historical Park, New Mexico commemorative
(Yeoman -), 5.66.
44. USA, Cu-Ni clad copper 25 cents, 2012 D (Denver), El Yunque National Forest, Peurto Rico commemorative (Yeoman -), 5.73g.
45. USA, Cu-Ni clad copper 25 cents, 2013 S (San Francisco), White Mountain, New Hampshire commemorative (Yeoman -), 5.69g.
46. USA, Cu-Ni clad copper 25 cents, 2013 P (Philadelphia), Perry’s Victory, Ohio commemorative (Yeoman -), 5.69g.
47. USA, Cu-Ni clad copper 25 cents, 2013 D (Denver), Great Basin, Nevada commemorative (Yeoman -), 5.73g.
48. USA, Cu-Ni clad copper 25 cents, 2013 D (Denver), Fort McHenry, Maryland commemorative (Yeoman -), 5.70g.
49. Argentina, Banco Central de la Republica Argentina, 100 pesos, no date [2012], series A (Cuhaj -).
50. Argentina, Banco Central de la Republica Argentina, 100 pesos, no date [2012], series B (Cuhaj -).
51. United Kingdom, Treasury Note, 1 pound, no date [23 October 1914] (Shafer and Bruce p. 548, no. 349). Ex Lockdales auction 109
(16 November 2013), lot 810.
52. USA, Federal Reserve Note, 100 dollars, series 2009.
Prof. T. V. Buttrey (CLH), Honorary Keeper of Ancient Coins:
Forty-three coins, twenty-five school medals and seven banknotes:
1. Imitation of Audoleon type, AR tetradrachm, 3rd century BC, rev. Rider with crest to right (CCCBM I, p.56, no. 114), 12.46. Ex CNG
Electronic Auction 314, lot 201.
2. Heraclea, AR plated diobol, 4th century BC, rev. Heracles to right fighting lion (HN Italy, p. 126, no 1379), 0.82g. Ex Roma
Numismatics, May 2013 Auction, lot 14.
3. Rhegium, AR tetradrachm, c. 480-462 BC, rev. Hare running to right (HN Italy, p. 187, no 2472), 16.89g.
4. Catana, AR tetras, c. 455-450 BC, rev. Cithara, around three pellets (SNG ANS 1315), 0.18g. Ex Roma Numismatics, May 2013
Auction, lot 112.
5. Himera, Æ hemilitron, c. 413-408 BC, rev. Six pellets within laurel wreath (SNG Cop 320), 3.74g. Ex Gitbud & Naumann, e-Auction 6,
lot 112.
6. Syracuse, AR pentokion, c. 475-470 BC, rev. Five pellets (Boehringer p. 183, no.371), 0.24g. Ex Roma Numismatics, May 2013 Auction,
lot 125.
7. Syracuse, AR hemilitron, c. 440-430 BC, rev. Wheel, six pellets between spokes (Boehringer p. 226, no. 682), 0.35g. Ex Roma
Numismatics, May 2013 Auction, lot 128.
8. Koson, AR drachm, second half of the 1st century BC, rev. Eagle on sceptre (cf RPC I, p. 313, no 1701A), 4.08g. Ex Roma Numismatics,
e-Auction 2, lot 231; ex Dorotheum 2010.
9. Bizye, Otacilia Severa, Æ, 244-249, rev. Artemis standing to left (cf. Jurukova, p. 74, nos 147-148), 5,95g.
10. Philip II, Posthumous issue, AR 1/5 tetradrachm, Amphipolis, c. 323/2-316/5, rev. Young male rider to right (SNG ANS 8, no. 711),
2.59g. Ex Gitbud & Naumann, e-Auction 6, lot 96.
11. Philip III (323-317), Æ, Miletus, c. 323-319 BC, rev. Horseman to right (Price p. 283, no. P64), 5.46g. Ex Gitbud & Naumann, e-Auction
6, lot 108.
12. Athens, AR tetradrachm, c. 450’s -404 BC, rev. Owl standing to right; Aramaic countermark‘M’ in field (Kroll, p. 17, no. 8), 17.08g. Ex
Roma Numismatics, May 2013 Auction, lot 242.
13. Tegea, AR tetartemorion, c. 423-400 BC, rev. T (LHS Numismatics 96, lot 1721), 0.20g. Ex Roma Numismatics, May 2013 Auction, lot
201.
14. Tisna, Æ, 4th century BC, rev. Sword in sheath (SNG von Aulock no 1681), 1.64g. Ex Gitbud & Naumann, e-Auction 6, lot 193.
15. Croesus, El 1/24 stater, Sardes, c. 550-546/520 BC, rev. Incuse square punch (Carradice p. 94, no. 5), 0.45g. Ex CNG Electronic
Auction 306, lot 133.
16. Mylasa, AR drachm, 2nd century BC, rev. Rose with bud on stalk (SNG Cop 921), 2.29g. Ex Gert Hornung Mønthandel København.
17. Tarsus, AR, 4th century BC, rev. Forepart of wolf to right (BMC 19, p. 176, no 84), 0.66g. Ex Claude Burgan Numismatique, Paris.
18. Alexander I Balas (150-146 BC), AR hemidrachm, Atioch on the Orontes, rev. Apollo standing to left (Seleucid Coins II, 1, p. 223, no.
1786.3c), 1.70g.
19. Neapolis, Volusian (251-253), Æ, rev. Mount Gerizim supported by eagle (cf. Harl p. 95, no 147), 13.46g. Ex CNG Electronic Auction
309, lot 187.
20. Darius II – Artaxerxes II, AR 1/6 siglos, Type IIIb, group c, c. 420-375, rev. incuse (cf. Carradice p. 95, no. 36-41), 0.97g. Ex Roma
Numismatics, May 2013 Auction, lot 572.
21. Alexandria, Diocletian (284-305), Billon tetradrachm, 284/5, rev. Tyche on lectisternium to left (Geissen IV, p. 78, no. 3208), 7.09g.
22. Alexandria, Maximian (286-305), Billon tetradrachm, 287/8, rev. Homonia standing to left (Geissen IV, p. 102, no. 3292), 7.50g.
23. CN. DOMI, AR denarius, Rome, 116- or 115, rev. Jupiter in quadriga to right (Crawford 285/1), 3.51g.
24. L. PISO L. F. L. N FRUGI, AR denarius, Rome, 90 BC, rev. Horseman with palm-branch (Crawford p. 340, no. 340/1), 3.63g. Obv. die
no 14; rev. die no. 19.
25. L. PISO L. F. L. N FRUGI, AR denarius, Rome, 90 BC, rev. Horseman with palm-branch (Crawford p. 340, no. 340/1), 4.01g. Obv. die
no 46; rev. die no. 71.
26. L. IULI BURSIO, AR denarius, Rome, 85 BC, rev. Victory in quadriga to right, above XV (Crawford p. 368, no. 352/1c), 3.94g. Ex
Numismatica Martin.
27. C. MARI C.F CAPIT, AR denarius, Rome, 81 BC, rev. Ploughman with yoke of oxen to left (Crawford p. 392, no. 378/1a), 3.87g. Obv.
die no 138; rev. die no. 138.
28. M. VOLTEI M.F, AR denarius, Rome, 78 BC, rev. Cybele in biga to right, above N (Crawford p. 399, no. 385/4), 3.82g.
29. M. PLAETORIUS CEST, AR denarius, Rome, 69 BC, rev. Jug and torch (Crawford p. 415, no. 405/4b), 3.56g.
30. Vespasian (69-79), AR denarius brockage, Rome, after AD 70, rev. Incuse of obverse, 3.14g. Ex CNG Electronic Auction 306, lot 306.
31. Gallienus (253-260), Bill radiate, Lugdunum, rev. Jupiter standing on cippus (RIC V, 1, p. 70, no. 22), 3.34g. Ex Gert Hornung
Mønthandel København.
32. Gallienus (253-260), Bill radiate, Rome, 257-258, rev. Victory standing to left (RIC V, 1, p. 82, no. 175), 3.39g.
33. Gallienus (253-260), Bill radiate, Rome, 254, rev. Soldier standing to left (cf. RIC V, 1, p. 83, no. 181), 3.33g.
34. Gallienus (260-268), Bill radiate, Rome, rev. Mars standing to left (RIC V, 1, p. 151, no. 236K), 2.47g.
35. Gallienus (260-268), Bill radiate, Rome, rev. Hippocamp to right (cf. RIC V, 1, p. 152, no. 245), 4.08g.
36. Constantinopolis, Æ nummus, Lugdunum, officina P, AD 330-1, rev. Victory on prow (RIC VII, p. 138, no 246), 2.15g.
37. Magnus Maximus (383-388), Æ, Arelate, rev. Emperor standing facing, raising kneeling female (RIC IX, p. 68, no. 26(a).2), 4.33g. Ex
London Ancient Coins, Auction 30, lot 248.
38. Argentina, Brass in CuNi ring 1 peso, 2010, Glaciar Perito Moreno reverse (Krause Mischler -), 6.37g.
39. Argentina, Brass in CuNi ring 1 peso, 2010, Pucara de Tilcara reverse (Krause Mischler -), 6.30g.
40. United Kingdom, Victoria (1837-1901), AR fourpence, 1854 (Spink p. 466, no. 3917), letters ‘J.K’ stamped on portrait of Victoria,
1.86g.
41. United Kingdom, Edward VII (1910-10), AV sovereign, 1904, London mint (Spink p. 487, no. 3969), 8.00g. Ex Lockdales auction 111,
25 January 2014, lot 1602.
42. United Kingdom, George V (1910-36), AV sovereign, 1914, London mint (Spink p. 493, no. 3996), 7.98g.
43. United Kingdom, George V, AV sovereign, 1920 P (Pretoria mint) (Spink p. 494, no. 4001), 7.99g. Ex Lockdales auction 111, 25
January 2014, lot 1614.
44. Berkshire Education Committee, Æ medal for ‘NEVER ABSENT NEVER LATE’, named on edge to ‘HENRY GEORGE’, 38 mm, ring
for suspension (Dry p. 12, no. 192), 21.30g.
45. Berkshire Education Committee, Æ medal for ‘NEVER ABSENT NEVER LATE’, named on edge to ‘HAROLD BLUNDY’, 38 mm,
pierced for suspension (Dry p. 12, no. 192), 22.59g.
46. Cambridgeshire County Council Education Committee, Æ medal for ‘FOR GOOD CONDUCT, INDUSTRY AND PUNCTUAL
ATTENDANCE’, awarded to ‘BLANCHE FEW 1913’, 38 mm, loop for suspension (Dry p. 17, no. 325), 23.51g.
47. Cumberland County Council Education Committee, Æ medal, awarded to ‘MARY ANN ARMSTRONG 1903’, with bar inscribed
‘1905 TWO YEARS PERFECT ATTENDANCE’, 40 mm, loop for suspension, ribbon, pin and bar (Dry p. 21, no. 476), 42.15g.
48. Folkestone, Borough, White Metal medal ‘AWARDED FOR REGULAR ATTENDANCE’, 31 mm, pierced for suspension (Dry p. 30,
no. 705), 9.88g.
49. Halifax, Recreative Evening Classes, AR medal ‘AWARDED FOR REGULAR AND PUNCTUAL ATTENDANCE’, by Vaughton & Son,
Birmingham, hallmark for Birmingham, 1914, 33 mm, loop for suspension (Dry p. 33, no. 812), 19.00g.
50. Hampshire County Council Education Committee, Æ medal for ‘ABSENT NOT MORE THAN 5 TIMES DURING THE SCHOOL
YEAR’, by Vaughton & Son, Birmingham, shield-shaped, 23 x 30 mm, loop for suspension (Dry p. 36, no. 822), 7.14g.
51. Hastings Education Authority Elementary Schools, Ni-alloy medal for ‘REGULAR ATTENDANCE’, 1903, by Perrins, Hastings, cross
shaped, 40 mm, loop for suspension, ribbon, pin and bars (Dry p. 38, no. 891), 18.07g.
52. Kent Education Committee, AR medal ‘FOR ONE YEAR’S Perfect Attendance & Good Conduct’, 25 x 30 mm, loop for suspension
(Dry p. 52, no. 1080), 9.98g.
53. Kettering School Board, AE medal ‘FOR PUNCTUAL ATTENDANCE EVERY TIME THE SCHOOL WAS OPENED DURING THE 3
SCHOOL YEARS ENDED 1899’, by Spink & Son, awarded to ‘A. BARLOW’, 40 mm (Dry p. 53, no. 1100), 21.24g.
54. Liverpool Council of Education, Public Elementary Schools, White Metal medal ‘FOR REGULARITY OF ATTENDANCE & GENERAL
GOOD CONDUCT DURING TWO SCHOOL YEARS’, awarded to ‘May McClanachan Park Hill Ch[urc]h’, 44 mm, pierced for suspension
(Dry p. 66, no. 1226), 30.06g.
55. London, Anerley, Edmundsbury, AR Drill Prize, 1895, ‘Presented to Florence Larminie CLASS LEADER’, hallmark for Birmingham,
1892, eight-pointed star, 35 mm, loop for suspension, ribbon and pin (Dry -), 10.27g..
56. London, Cordwainders and Bread Street Ward Schools, AR ‘REWARD OF MERIT’, impressed on edge to ‘FREDERICK G. H. TUBB,
28TH JUNE, 1898.’ 40 mm (Dry -), 31.41g.
57. London, East Ham Education Authority, Æ medal for ‘PERFECT ATTENDANCE’, awarded to ‘R. GATHIER 1905-6’, 40 mm, loop for
suspension (Dry p. 27, no. 589), 30.81g.
58. London, East Ham Education Authority, Æ medal for ‘PERFECT ATTENDANCE’, awarded to ‘E. WALLISS 1906’, 40 mm, pierced for
suspension (Dry p. 27, no. 589), 30.56g.
59. London, Finchley Education Committee, White Metal medal for ‘ONE YEAR’S PERFECT ATTENDANCE’, 32 mm, loop for
suspension, ribbon and pin (Dry p. 30, no. 695), 12.87g.
60. London, Hendon Education Committee, AR medal, by Wright & Son, Edgware, awarded to ‘G. LINDSELL 1913’, hallmark for
London, 1913, cross-shaped, 30 mm, loop for suspension (Dry -), 8.14g.
61. Nottingham School Board, White Metal medal ‘FOR EXEMPLARY PUNCTUALITY AND ATTENDANCE DURING AN ENTIRE
SCHOOL YEAR, 1896, awarded to ‘L. LYON’, 40 mm, pierced for suspension (Dry pp. 102-4, no. 1534), 4.18g.
62. Oxfordshire Education Committee, Æ medal for ‘NEVER ABSENT NEVER LATE’, awarded to ‘Z. CHURCHILL 1906-7’, loop for
suspension, 38 mm (Dry p. 107, no. 1575), 22.41g.
63. Salisbury, Diocese, White Metal medal ‘FOR UNBROKEN ATTENDANCE DURING A SCHOOL YEAR’, oval, 55 x 42 mm, loop for
suspension (Dry p. 130, no. 1813), 27.81g.
64. Wellingborough School, White Metal medal for shooting. awarded to ‘G. S. NORTH BISLEY 1939’, 32 mm (Dry -), 20.09g.
65. West Ham [Essex] School Board, AR medal ‘FOR PUNCTUAL ATTENDANCE EVERY TIME THE SCHOOL WAS OPENED DURING
THE SCHOOL YEARS ENDED 1894 1895 1896’, awarded to ‘W. THOMAS’, 32 mm (Dry p. 140, no. 2533), 20.36g..
66. West London Central Schools, Æ medal, awarded to ‘F. BACON’, cross-shaped, 30 x 35 mm (Dry -), 10.60g.
67. Worcestershire County Council, Æ medal ‘FOR UNBROKEN SCHOOL ATTENDANCE’, awarded to ‘ARTHUR KNIGHT 1904-5’,
38 mm (Dry p. 150, no. 2750), 33.22g.
68. White Metal medal ‘FOR REGULAR ATTENDANCE’, obv. View of Eton College, cross-shaped, 32 mm, loop for suspension (Dry -),
14.28g.
69. Argentina, Banco Central de la Republica Argentina, 100 pesos, no date [2003] (Cuhaj, p. 67, no. 357).
70. Argentina, Banco Central de la Republica Argentina, 50 pesos, no date [2003] (Cuhaj, p. 67, no. 356).
71. Argentina, Banco Central de la Republica Argentina, 5 pesos, no date [2003] (Cuhaj, p. 67, no. 353).
72. Argentina, Banco Central de la Republica Argentina, 2 pesos, no date [2002] (Cuhaj, p. 67, no. 352).
73. United Kingdom, Treasury Note, 1 pound, 1st issue, no date [August 1914] (Shafer and Bruce p. 547 no. 347).
74. United Kingdom, Treasury Note, 10 shillings, 2nd issue, no date [January 1915] (Shafer and Bruce p. 548 no. 348).
75. United Kingdom (Northern Ireland), Bank of Ireland, 10 pounds, 1 May 2005 (Cuhaj p. 717, -).
Prof. T. V. Buttrey (CLH), Honorary Keeper of Ancient Coins:
Seventy seven coins, one clay mould, five tokens, twenty medals, two plaques, and six
banknotes:
1. Thraco-Macedonian Region, Uncertain mint, AR tritartemorion, 5th century BC, rev. Square incuse (Tzamalis, NK 17, p. 17, no. 51),
0.56g. Ex Roma Numismatics, e-Sale 6, lot 139.
2. Thraco-Macedonian Region, Uncertain mint (Aegae?), AR, 5th century BC, rev. Quadripartite square incuse (Tzamalis -), 0.17g. Ex
Roma Numismatics, e-Sale 6, lot 135.
3. Thraco-Macedonian Region, Uncertain mint (Aegae?), AR trihemiobol, 5th century BC, rev. Quadripartite square incuse (SNG
Fitzwilliam 1899), 0.96g. Ex Roma Numismatics, e-Sale 6, lot 137.
4. Persian kings in Lydia, AR 1/6 stater, c. 546-520 BC, rev. Two square incuse punches (SNG Keckman 360), 1.69g. Ex Hirsch 296, lot
1882.
5. M. BAEBI Q.F TAMPIL, AR denarius, Rome, 137 BC, rev. Apollo in quadriga (Crawford 236/7), 3.82g.
6. C. MALL, A. ALBINVS S.F, L. METEL, AR denarius, Rome, ?96BC, rev. Roma seated left on pile of shields (Crawford 335/1a), 3.89g.
7. L. TITVRI L. F, Æ as, Rome, 89 BC, rev. Prow to right (Crawford 344/1a), 12.58g.
8. L. IVLI BVRSIO, AR denarius, Rome, 85 BC, rev. Victory in quadriga (Crawford 352/1c), 3.66g.
9. Q. ANTO BALB PR, AR denarius, Rome, 83-82 BC, rev. Victory in biga to right (Crawford 364/1c), 3.67g.
10. TI. CLAVD TI.F AP.N, AR denarius, Rome, 79 BC, rev. Victory in biga to right (Crawford 383/1), 3.90g.
11. C. EGNATIVS CN.F CN.N MAXSVMVS, AR denarius, Rome, 75 BC, rev. Distyle temple; within two figures (Crawford 391/2), 3.86g.
12. C. PISO L.F FRVGI, AR denarius, Rome, 67 BC, rev. Horseman to right with whip (Crawford 408/1a), 3.84g.
13. M. PLAETORIVS M.F CESTIANVS AED.CVR, AR denarius, Rome, 67 BC, rev. Curule chair (Crawford 409/2), 3.77g.
14. L. ROSCI FABATI, AR denarius, Rome, 64 BC, rev. Girl and snake facing each other (Crawford 412/1), 3.91g.
15. MN. ACILIVS IIIVIR, AR denarius, Rome, 49 BC, rev. Valetudo standing to left (Crawford 442/1b), 3.94g.
16. MN. CORDIVS RVFVS, AR denarius, Rome, 46 BC, rev. Venus standing to left (Crawford 463/1a), 3.92g. Rusty obverse die.
17. L. VALERIANVS ACISCVLVS, AR denarius, Rome, 45 BC, rev. Luna in biga (Crawford 474/5), 3.79g.
18. Vespasian for Titus, AR denarius, Rome, AD 75, rev. Securitas seated to left (RIC II.1, p. 115, no. 784), 3.38g. Ex H.J. Berk 82, lot 633.
19. Vespasian for Titus, AR denarius, Ephesus, AD 71, rev. Ceres seated to left (RIC II.1, p. 165, no. 1440), 3.28g.
20. Titus (79-81), Æ dupondius, Rome, 79, rev. Ceres standing to left (RIC II.1, p. 203, no. 67), 3.28g.
21. Titus for Divus Augustus, Æ as, Rome, 80-81, rev. Eagle on globe (RIC II.1, p. 230, no. 462), 7.97g.
22. Domitian (81-96), AR denarius, Rome, 81, rev. Curule chair (RIC II.1, p. 267, no. 24), 3.23g.
23. Domitian for Divus Titus, Æ sestertius, Rome, 81-82, rev. Felicitas standing to left (RIC II.1, p. 273, no. 129), 22.72g.
24. Domitian (81-96), AR denarius, Rome, 84, rev. Minerva standing to left (RIC II.1, p. 279, no. 189), 3.38g. Ex Munzen & Medaillen list
485, lot 131.
25. Domitian (81-96), Æ as, Rome, 85, rev. Virtus standing to right (RIC II.1, p. 291, no. 390), 13.65g.
26. Domitian (81-96), AR denarius, Rome, 86, rev. Minerva standing to right (RIC II.1, p. 296, no. 451), 3.45g.
27. Domitian (81-96), AR denarius, Rome, 86, rev. Minerva advancing to right (RIC II.1, p. 296, no. 454), 3.25g.
28. Domitian (81-96), Æ as, Rome, 88, rev. Domitian standing to left, sacrificing over altar (RIC II.1, p. 308, no. 623), 13.08g.
29. Domitian (81-96), AR denarius, Rome, 95-96, rev. Minerva, winged, flying to left (RIC II.1, p. 324, no. 791), 2.68g. Ex Spink & Son Ltd.
30. Domitian (81-96), Æ dupondius, Rome, 95-96, rev. Virtus standing to right (RIC II.1, p. 325, no. 804), 12.55g.
31. Domitian (81-96), AR plated denarius, uncertain mint, after AD 95, rev. Minerva advancing to right (RIC II.1, p. 322, no. 770 or p. 323,
no. 787 or p. 326, no. 818), 2.42g.
32. Nerva (96-98), Æ as, Rome, 96, rev. Fortuna standing to left (RIC II, p. 228, no. 73), 10.51g. Ex VAuctions Sale 304, lot 324.
33. Gordian III (238-244), AR denarius, Rome, 240, rev. Gordian on horseback (RIC IV.3, p. 24, no. 81), 4.51g. Ex CNG e-Auction 322, lot
594.
34. Gordian III (238-244), AR radiate, Rome, 241-243, rev. Jupiter standing (RIC IV.3, p. 25, no. 84), 3.71g.
35. Gordian III (238-244), AR radiate, Rome, 241-243, rev. Hercules standing to right (RIC IV.3, p. 25, no. 95), 4.13g.
36. Philip I (244-249), AR radiate, Rome, 248, rev. Low column inscribed COS/III (RIC IV.3, p. 71, no. 24c), 4.17g.
37. Philip I for Otacilia, AR radiate, Rome, 246-248, rev. Pudicitia seated to left (RIC IV.3, p. 83, no. 123c), 4.97g.
38. Trajan Decius for Herennia Etruscilla, AR radiate, Rome, 249-253?, rev. Pudicitia seated to left (RIC IV.3, p. 127, no. 59b), 4.24g.
39. Valerian I (253-260), AR radiate, Gaul, 258-9, rev. Sol 3 (cf. RIC V.1, p. 39, no. 12c), 2.61g, broken.
40. Valerian I for Valerian II, AR radiate, Gaul, 256-258, rev. Jupiter 3 (cf. RIC V.1, p. 116, no. 3c), 4.32g.
41. Gallienus (253-268), AR radiate, Gaul, 258-9, rev. Trophy 1a (cf. RIC V.1, p. 70, no. 18F), 3.13g.
42. Gallienus (253-268), AR radiate, Gaul, 258-9, rev. Trophy 1a (cf. RIC V.1, p. 70, no. 18F), 2.35g.
43. Gallienus (253-268), AR radiate, second eastern mint, 256-257, rev. Emperors 2 (RIC V.1, p. 103, no. 443C), 3.84g.
44. Valerian I for Saloninus, AR radiate, second eastern mint, 256, rev. Prince and Spes 1 (RIC V.1, p. 127, no. 36), 4.46g.
45. Gallienus (253-268), Billon radiate, Rome, 260-268, rev. Mars standing to left (RIC V.1, p. 115, no. 1149), 3.38g.
46. Gallienus (253-268), AR radiate, Antioch, 267, rev. Fortuna standing to left (cf. RIC V.1, p. 185, no. 613), 4.25g.
47. Gallienus (253-268), AR radiate, Antioch, 260-268, rev. Trophy between two captives (RIC V.1, p. 188, no. 652L), 3.00g.
48. Gallienus for Salonina, AR radiate, Antioch, 267, rev. Venus standing to left (RIC V.1, p. 200, no. 86), 3.45g.
49. Claudius II (268-270), Æ radiate, Rome, rev. Securitas 2b (cf. RIC V.1, p. 218, no. 2228), 3.42g.
50. Claudius II (268-270), Æ radiate, Antioch, rev. Serapis standing to left (RIC V.1, p. 228, no. 201), 3.41g.
51. Postumus (260-269), Æ radiate, Principal mint, 260-261, rev. Hercules 2b (Cunetio, p. 143, no. 2383), 3.09g.
52. Postumus (260-269), AR radiate, Principal mint, c. 263-265, rev. Providentia 1 (Cunetio, p. 144, no. 2412), 3.01g.
53. Postumus (260-269), Æ radiate, Principal mint, 268, rev. Pax 1 (Cunetio, p. 145, no. 2450), 3.08g.
54. Postumus (260-269), Æ radiate, Principal mint, 269, rev. Nemesis 1 (Cunetio, p. 146, no. 2464), 2.93g.
55. Victorinus (269-271), Æ radiate, Mint I, rev. Virtus 3a (Cunetio, p. 149, no. 2553), 2.21g.
56. Victorinus (269-271), Æ radiate, Mint II, rev. Salus 2 (Cunetio, p. 150, no. 2567), 2.69g.
57. Constantine II (316-340), Æ nummus, Antioch, officina A, 324-325, rev. CONSTAN/TINVS/CAESAR (RIC VII, p. 687, no. 59), 2.42g.
58. Urbs Roma/Constantinopolis, Æ copy, as Lyons, officina P, after 330-331, rev. Victory on prow (cf. RIC VII, p. 138, no. 242 (obv.) and
241 (rev.)), 1.48g.
59. Constantine II (316-340), Æ copy, as Lyons, officina P, after 330-331, rev. Two soldiers standing facing (cf. RIC VII, p. 138, no. 244),
1.29g.
60. Urbs Roma, Æ copy, as Lyons, officina P, after 330-331, rev. She-wolf and twins (cf. RIC VII, p. 138, no. 247), 1.37g.
61. Constantius II (337-361), Æ, Antioch, officina Γ, 350-354, rev. Soldier spearing falling horseman (RIC VIII, p. 523, no. 135), 5.83g.
62. Clay mould for casting Æ nummi of Maximinus II (305-313), reverse of mint of Alexandria, officina S, after AD 308 (RIC VI, p. 675, no
78), 4.20g, 27.2mm. Ex CNG e-Auction 321, lot 711.
63. Byzantine Empire, Justin II (565-578), Æ follies, Nicomedia, officina A, year 10 = 574/5, rev. M; NIKO; A; X (MIBE II, p. 96, no 46a),
12.62g.
64. Byzantine Empire, Anonymous follies, Class C, Constantinople, 1042-c. 1050, rev. IC-XC/NI-KA (DOC III.2, p. 681, no. C), 8.44g.
65. Australia, Victoria (1837-1901), AV sovereign, 1888 S (Sydney mint) (Spink p. 453, no. 3868A), 7.99g.
66. Australia, Victoria, AV sovereign, 1901 M (Melbourne mint) (Spink p. 457, no. 3875), 7.99g.
67. Australia, Victoria, AV half sovereign, 1871 S (Sydney mint) (Spink p. 451, no. 3862), 3.95g.
68. Australia, Victoria, AV half sovereign, 1893 M (Melbourne mint) (Spink p. 454, no. 3870B), 3.89g.
69. Australia, Victoria, AV half sovereign, 1900 P (Perth mint) (Spink p. 458, no. 3880), 3.95g.
70. Australia, Victoria, AV half sovereign, 1900 S (Sydney mint) (Spink p. 458, no. 3881), 3.98g.
71. Australia, Edward VII (1901-10), AV sovereign, 1908 S (Sydney mint (Spink p. 488, no. 3973), 7.98g.
72. Australia, Edward VII, AV half sovereign, 1906 M (Melbourne mint (Spink p. 488, no. 3975), 3.97g.
73. Australia, Edward VII, AV half sovereign, 1910 S (Sydney mint (Spink p. 488, no. 3977), 3.97g.
73. Australia, George V (1910-36), AV sovereign, 1917 M (Melbourne mint) (Spink p. 494, no. 3999), 7.99g.
74. Australia, George V, AV sovereign, 1919 S (Sydney mint) (Spink p. 495, no. 4003), 7.98g.
75. United Kingdom, Victoria (1837-1901), AR fourpence, 1850 (Spink p. 466, no. 3917), 1.89g.
76. United Kingdom, Victoria, AR fourpence, 1898 (Spink p. 472, no. 3944), 1.90g.
77. United Kingdom, Victoria, AR two pence, 1850 (Spink p. 466, no. 3919), 0.95g.
78. United Kingdom, Elizabeth II (1952- ), CuNi 50 pence, 2010, 100 years of Girl Guides commemorative (Spink p. 542, no. 4626), 7.99g.
79. London, W Griffin, 25 Change Alley, Cornhill, White Metal advertising token, mid 19th century, 31 mm, 9.23g. Ex Whitmore.
80. London, W Griffin, 25 Change Alley, Cornhill, AE advertising token, mid 19th century (1843 or later), 25 mm, 9.70g. Ex Whitmore.
81. London, T.G. Middlebrook, Edinburgh Castle Museum, Camden Town, AE advertising token, c.1890-1900, 32 mm (Davis and
Walters p. 68, no. 177), 13.14g. Ex Whitmore.
82. London, Benjamin Nightingale, AR token, 1843, rev. Moneta seated by coin cabinet (Bell A3), 16.82g. Ex Whitmore.
83. London, Whelan, ‘Dealer in Ancient & Modern Coins & Medals Opposite British Museum London’, brass advertising token, 1848,
26 mm, 6.19g. Ex Whitmore.
84. Yorkshire Numismatic Society, White Metal copy of Henry III of England (1216-72) penny, Long Cross class 3, by David Greenhalgh,
rev. IAN DOWTHWAITE around voided long cross, 1/ 9 /9 / 6 in angles of cross, 1.78g.
85. U.S.A., Conder Token Collectors Club, AE medal, 2004, obv. Swan (as Dalton and Hamer Middlesex 174), rev. Druid’s head (as
Dalton and Hamer Anglesey 15), 38 mm, 26.33g. Ex Whitmore.
86. Cambridge, Labute Printers Cambridge Festival Half Marathon, 1986, participator’s medal, AE 39 mm, with ring for suspension and
ribbon, 27.00g.
87. Cambridge, Labute Printers Cambridge Festival Half Marathon, 1987, participator’s medal, AE 39 mm, with ring for suspension and
ribbon, 27.30g.
88. Cambridge, Labute Printers Cambridge Festival Half Marathon, 1988, participator’s medal, AE 39 mm, with ring for suspension and
ribbon, 27.43g.
89. Cambridge, Labute Printers Cambridge Festival Half Marathon, 1989, participator’s medal, AE 39 mm, with ring for suspension and
ribbon, 34.61g.
90. Cambridge, Labute Printers Cambridge Festival Half Marathon, 1990, participator’s medal, AE 39 mm, with ring for suspension and
ribbon, 23.78g.
91. Cambridge, Labute Cambridge National Half-Marathon, 14th July 1991, participator’s plaque, AE 72 x 74 mm on resin base 90 mm
square, by Paul Eastabrook Designs, High Wycombe, Bucks, 151.47g.
92. Cambridge, Marshall of Cambridge Half Marathon, 1993, participator’s medal, AE octagonal, 49 mm, with ring for suspension and
ribbon, 34.59g.
93. Cambridge, Chariots of Fire, 17th September 1996, participator’s medal, AE 35 x 48 mm, with rings for suspension and ribbon,
24.20g.
94. Ramsey [Cambridgeshire] Half Marathon, 1997, participator’s medal, AE 59 mm, with rings for suspension and ribbon, 64.09g.
95. Ramsey [Cambridgeshire] Half Marathon 1998, plaque for 2nd man over 65, 127 x 177 cm.
96. Willingham [Cambridgeshire] Domino Fathers Day Run, participator’s medal, AE 39 mm, with ring for suspension and ribbon,
15.70g.
97. Colchester, Borough of Colchester School Board, White Metal medal ‘FOR FULL ATTENDANCE PUNCTUALITY AND GOOD
CONDUCT’, 38 mm, ring for suspension and bar ‘1903’ (Dry p. 19, no. 430), 18.91g. Ex Peter Morris.
98. Colchester, Borough of Colchester Education Committee, White Metal medal ‘FOR REGULAR ATTENDANCE PUNCTUALITY AND
GOOD CONDUCT’, oval, 31x44 mm, ring for suspension, ribbon and bar ‘1904’ (Dry p. 20, no. 432), 16.26g. Ex Peter Morris.
99. Colchester, Borough of Colchester Education Committee, AE medal ‘FOR FULL ATTENDANCE PUNCTUALITY AND GOOD
CONDUCT’, 38 mm, ring for suspension, ribbon and two bars ‘1907’ and ‘6 YEARS’ (Dry p. 20, no. 433), 29.71g. Ex Peter Morris.
100. Colchester, Borough of Colchester Education Committee, AE gilt medal ‘FOR FULL ATTENDANCE PUNCTUALITY AND GOOD
CONDUCT’, 38 mm, ring for suspension, ribbon and two bars ‘1908’ and ‘7 YEARS CONSECUTIVE’ (Dry p. 20, no. 435), 31.51g. Ex
Peter Morris.
101. Isle of Wight, White Metal medal ‘FOR ONE YEAR’S PERFECT ATTENDANCE’, 28 mm, loop, bar and ribbon for suspension (Dry
p. 49, no. 1030), 10.99g. Ex Peter Morris.
102. Isle of Wight, AE medal ‘FOR THREE YEARS PERFECT ATTENDANCE’, 28 mm, loop, bar and ribbon for suspension
(Dry pp. 49-5-, no. 1031), 13.57g. Ex Peter Morris.
103. Norfolk Education Committee, White Metal medal ‘FOR ONE YEAR’S REGULAR ATTENDANCE’, 38 mm, ring for suspension,
ribbon and bar ‘1906’ (Dry p. 97, no. 1450), 21.87g. Ex Peter Morris.
104. Norfolk Education Committee, AE gilt medal ‘FOR THREE YEARS REGULAR ATTENDANCE AT SCHOOL’, 38 mm, ring for
suspension, ribbon and bar ‘1907’ (Dry p. 97, no. 1451), 31.83g. Ex Peter Morris.
105. Stockport Sunday School, White Metal medal for Centennial Celebration 1884, 53 mm, ring for suspension, 38.99g. Ex Peter
Morris.
106. European Union, 500 euro, 2002, series N (Austria) (Cuhaj p. 352, no. 7n).
107. European Union, 200 euro, 2002, series X (Germany) (Cuhaj p. 352 no. 6x).
108. European Union, 100 euro, 2002, series S (Italy) (Cuhaj p. 352, no. 5s).
109. South Africa, South African Reserve Bank, 200 rand, no date [2013] (Cuhaj -).
110. South Africa, South African Reserve Bank, 100 rand, no date [2013] (Cuhaj -).
111. South Africa, South African Reserve Bank, 50 rand, no date [2013] (Cuhaj -).
Prof. T. V. Buttrey (CLH), Honorary Keeper of Ancient Coins:
Forty-five coins, one seal and eight banknotes:
1. Dacia, Gallienus (253-268), Æ, AD 255/256, rev. Personification of Dacia between eagle and lion (Martin, p. 106, no. 7.65.1), 8.25g.
2. Tomis, without emperor’s head, Æ, 1st century AD, rev. Winged caduceus (AMNG I.2 -), 1.21g.
3. Pherae, Alexander (369-359), AR obol, rev. Wheel (Moustaka, p. 137, no. 180), 0.78g.
4. Colophon, AR hemiobol, 530/25-500 BC, rev. Square incuse (SNG Kayhan 342), 0.44g.
5. Persis, Darev I, AR obol, rev. Fire-temple (Alram, p. 172, no. 559), 0.64g.
6. Peris, Pakor I, AR ½ drachm, rev. Diademed bust (Alram, p. 176, no. 593), 1.75g.
7. Alexandria, Herennius Etruscus (250-251), Billon tetradrachm, AD 250/251, rev. Roma standing to left (Dattari, p. 344, no. 5107),
14.17g.
8. Nerva (96-98), Æ as, Rome, AD 96, rev. Fortuna standing to left (RIC II, p. 228, no. 73), 10.38g.
9. Septimius Severus (193-211), AR denarius, Emesa, 194-195, rev. Fortuna standing to left (RIC IV.1, p. 142, no. 377), 2.68g.
10. Septimius Severus (193-211), AR denarius, Emesa, 194-195, rev. trophy and arms (RIC IV.1, p. 143, no. 389), 2.40g.
11. Julia Domna (193-217), AR denarius, Laodicaea ad Mare, c. 196-202, rev. Isis standing to right (RIC IV.1, p. 178, no. 645), 3.60g.
12. Caracalla (196-217), AR double denarius, Rome, 216, rev. Jupiter standing front (RIC IV.1, p. 252, no. 275b), 4.91g.
13. Caracalla (196-217), AR double denarius, Rome, 215-217, rev. Venus standing to left (cf. RIC IV.1, p. 259, no. 311; on obv. cuirassed
bust), 4.81g.
14. Elagabalus (218-222), AR denarius, Rome, rev. Elagabalus standing to left, sacrificing over altar (RIC IV.2, p. 34, no. 88b; on obv. no
horn), 3.08g.
15. Constantine I (306-337), imitation of Æ nummus, probably of mint of Siscia, c. 318-320, rev. Two Victories holding a shield, 2.64g.
16. Justinian I (527-565), Lead seal, rev. Victory on globe seen from front (Seibt, p. 58, no. 6), 6.57g.
17. Austria, AR 2 schilling, 1932, Joseph Haydn 1832-1932 commemorative (Cuhaj and Michael p. 142m no. 2848), 11.83g.
18. Belgium, Filip (2013- ), bimetallic Ni-brass in CuNi ring 2 euro, 2014 (Cuhaj and Michael -), 8.50g.
19. Belgium, Filip, bimetallic CuNi in Ni-brass ring 1 euro, 2014 (Cuhaj and Michael -), 7.50g.
20. Belgium, Filip, Cu alloy 50 euro cents, 2014 (Cuhaj and Michael -), 7.80g.
20. Belgium, Filip, Cu alloy 20 euro cents, 2014 (Cuhaj and Michael -), 5.74g.
21. Belgium, Filip, Cu alloy 10 euro cents, 2014 (Cuhaj and Michael -), 4.10g.
22. Belgium, Filip, Cu-plated steel 5 euro cents, 2014 (Cuhaj and Michael -), 3.92g.
23. Belgium, Filip, Cu-plated steel 2 euro cents, 2014 (Cuhaj and Michael -), 3.06g.
24. Belgium, Filip, Cu-plated steel 1 euro cent, 2014 (Cuhaj and Michael -), 2.30g.
25. Belgium, King Filip and Queen Mathilde, Cu alloy medal, 2014, 36 mm diameter.
26. France, Louis Philippe (1830-48), AR 25 centimes, 1848 A (Paris) (Cuhaj and Michael p. 334, no. 755.1), 1.25g.
27. Monaco, Rainier III (1949-2005), bimetallic Ni-brass in CuNi ring 2 euro, 2001 (Cuhaj and Michael p. 658, no. 174), 8.47g.
28. Monaco, Rainier III, bimetallic CuNi in Ni-brass ring 1 euro, 2001 (Cuhaj and Michael p. 658, no. 173), 7.51g.
29. Monaco, Rainier III, Cu alloy 50 euro cents, 2001 (Cuhaj and Michael p. 658, no. 172), 7.84g.
30. Monaco, Rainier III, Cu alloy 20 euro cents, 2001 (Cuhaj and Michael p. 658, no. 171), 5.79g.
31. Monaco, Rainier III, Cu alloy 10 euro cents, 2001 (Cuhaj and Michael p. 658, no. 170), 4.08g.
32. Monaco, Rainier III, Cu-plated steel 5 euro cents, 2001 (Cuhaj and Michael p. 658, no. 169), 3.91g.
33. Monaco, Rainier III, Cu-plated steel 2 euro cents, 2001 (Cuhaj and Michael p. 657, no. 168), 3.04g.
34. Monaco, Rainier III, Cu-plated steel 1 euro cent, 2001 (Cuhaj and Michael p. 657, no. 167), 2.31g.
35. Spain, Juan Carlos (1975-2014), bimetallic Ni-brass in CuNi ring 2 euro, 2011, Granada UNESCO Word Heritage Site
commemorative (Cuhaj and Michael p. 927, no. 1184), 8.49g.
36. Switzerland, brass 10 rappen, 1918 B (Bern) (Cuhaj and Michael p. 2062, no. 27a), 2.99g.
37. Switzerland, brass 10 rappen, 1919 B (Bern) (Cuhaj and Michael p. 2062, no. 27a), 2.97g.
38. United Kingdom, George V (1910-36), AR halfcrown, 1926, Modified Effigy (Spink p. 499, no. 4032), 14.05g.
39. United Kingdom, George V, AR threepence, 1920 (Spink p. 497, no. 4015), 1.42g.
40. United Kingdom, Elizabeth II (1952- ), CuNi in brass ring 2 pounds, 2010, Florence Nightingale commemorative (Spink p. 563, no.
4587), 12.01g.
41. Uzbekistan, brass in CuNi ring 2 manat, 2010 (Cuhaj and Michael p. 982, no. 104), 11.01g.
42. Uzbekistan, brass 20 tenge, 2009 (Cuhaj and Michael p. 982, no. 99), 6.46g.
43. Uzbekistan, brass 10 tenge, 2009 (Cuhaj and Michael p. 982, no. 98), 5.05g.
44. Denmark, Danmarks Nationalbank, 200 kroner, 2009 (Cuhaj p. 294, no. 67).
45. Denmark, Danmarks Nationalbank, 100 kroner, 2009 (Cuhaj p. 294, no. 66).
46. Northern Ireland, Danske Bank, 10 pounds, 25 January 2013 (Cuhaj -).
47. Turkmenistan, Central Bank of Turkmenistan, 20 manat, 2012 (Cuhaj -).
48. Turkmenistan, Central Bank of Turkmenistan, 10 manat, 2009 (Cuhaj -).
49. Turkmenistan, Central Bank of Turkmenistan, 5 manat, 2012 (Cuhaj -).
50. Turkmenistan, Central Bank of Turkmenistan, 1 manat, 2012 (Cuhaj -).
51. Uzbekistan, Central Bank of Uzbekistan Republic, 5,000 sum, 2013 (Cuhaj and Michael -).
52. Uzbekistan, Central Bank of Uzbekistan Republic, 1,000 sum, 2001 (Cuhaj and Michael p. 1032, no. 82).
53. Uzbekistan, Central Bank of Uzbekistan Republic, 500 sum, 1999 (Cuhaj and Michael p. 1032, no. 81).
54. Uzbekistan, Central Bank of Uzbekistan Republic, 200 sum, 1997 (Cuhaj and Michael p. 1032, no. 80).
The Department of Culture, Media and Sport, administering the Treasure Act 1996:
One medieval object:
Anglo-Saxon England, c.750-950 AD, AR rectangular plate, probably a fragment of a strap end, traces of three rivets on one side, 18.24 x 8.22 mm,
1.26 mm thick, 0.97g. Found Brampton, Lincolnshire, by January 2012, and administered under the Treasure Act 1996 (Treasure Case 2012 T61).
The Department of Culture, Media and Sport, administering the Treasure Act 1996:
One medieval object:
Anglo-Saxon England, AR terminal (lace tag or aglet?) with a polyhedral head and rivet holes in the hollow shaft, 17.5 mm long, 1.49g. Found
Brampton, Lincolnshire, 20 March 2011, and administered under the Treasure Act 1996 (Treasure Case 2011 T174; PAS: SWYOR-BIFFB4).
Len Eeles:
One medieval object and one medieval coin:
1. Anglo-Saxon, cut fragment of AR artefact, possibly an arm of an equal arm/ansate brooch of north-west Frankish Domburg type,
9th to early tenth century, 11 mm wide, 18 mm long, 2.5-3.5 mm thick, 4.22g. Found by the donor at Weston Colville, Cambs, 9 April
2012, and reported under the Treasure Act 1996 (2012 T318; Portable Antiquities Scheme CAM-949254).
2. England, Edward I (1272-1307), AR penny, London mint, class 9bC (North vol. II, p. 30, no. 1037/1), 1.35g (double bent). Found by the
donor at Weston Colville, Cambs, 4 June 2013.
Richard Farleigh, Newton Paper Conservator, Department of Paintings, Drawings and Prints:
One modern coin:
United Kingdom, Elizabeth II (1952- ), AR 5 pounds, proof, 2013 (Spink -), 28.33g, in case of issue.
Jeremy Francis:
Three modern coins and four banknotes:
1. Bermuda, Elizabeth II (1952- ), Ni-brass 1 dollar, 2008 (Cuhaj and Michael p. 150, no. 111), 7.37g.
2. Bermuda, Elizabeth II, Cu-Ni 25 cents, 2007 (Cuhaj and Michael p. 150 no. 110), 5.92g.
3. Bermuda, Elizabeth II, Cu-Ni 10 cents, 1988 (Cuhaj and Michael p. 225, no. 46), 2.43g.
4. Bermuda, Bermuda Monetary Authority, 20 dollars, 1 January 2009 (Cuhaj).
5. Bermuda, Bermuda Monetary Authority, 10 dollars, 1 January 2009 (Cuhaj).
6. Bermuda, Bermuda Monetary Authority, 5 dollars, 1 January 2009 (Cuhaj).
7. Bermuda, Bermuda Monetary Authority, 2 dollars, 1 January 2009 (Cuhaj).
Peter Gomm, Senior Accounts Clerk:
Four banknotes:
1. United Kingdom, Bank of England, 10 pounds, no date [1970-91], chief cashier G.E.A. Kentfield [1991-2] (Cuhaj p. 406, no. 379f).
2. United Kingdom, Bank of England, 10 pounds, 1993, chief cashier G.E.A. Kentfield [1993-8] (Cuhaj p. 407, no. 386a).
3. United Kingdom, Bank of England, 5 pounds, no date [1970-91], chief cashier D.H.F. Somerset [1980-7] (Cuhaj p. 406, no. 378c).
4. United Kingdom, Bank of England, 1990, chief cashier M. Lowther [1999-2002].
David Hall:
Ten modern coins and one banknote:
1. Australia, Elizabeth II (1952- ), Cu-Ni 10 cents, 2002 (Krause Mischler p. 73 no. 402), 5.67g.
2. Canada, Elizabeth II, Ni 25 cents, 1972 (Krause Mischler p. 286 no. 62b), 4.91g.
3. Canada, Elizabeth II, Ni 25 cents, 1975 (Krause Mischler p. 286 no. 62b), 5.11g.
4. Canada, Elizabeth II, Ni 25 cents, 1976 (Krause Mischler p. 286 no. 62b), 5.00g..
5. Canada, Elizabeth II, Ni 25 cents, 1984 (Krause Mischler p. 287 no. 74), 5.07g.
6. Canada, Elizabeth II, Ni 5 cents, 1972 (Krause Mischler p. 283 no. 60.1), 4.58g.
7. Canada, Elizabeth II, Cu-Ni 5 cents, 1985 (Krause Mischler p. 283 no. 60.2a), 4.52g.
8. Canada, Elizabeth II, Cu-Ni 5 cents, 1989 (Krause Mischler p. 283 no. 60.2a), 4.52g.
9. Gibraltar, Elizabeth II, Ni-brass 1 pound, 2002 (Krause Mischler p. 912 no. -), 9.57g.
10. Gibraltar, Elizabeth II, Ni-brass 1 pound, 2010 (Krause Mischler p. 912 no. -), 9.59g.
11. Bulgaria, Bulgarian National Bank, 100 leva, 1951 (Shafer and Bruce p. 177 no. 86).
John Keatley (Syndic):
Seven coins and one medal:
1. Australia, Elizabeth II (1952- ), CuNi 10 cents, 1980 (Krause Mischler p. 72, no. 65), 5.64g.
2. Australia, Elizabeth II, CuNi 5 cents, 1967 (Krause Mischler p. 72, no. 64), 2.86g.
3. Australia, Elizabeth II, Æ 2 cents, 1966 (Krause Mischler p. 72, no. 63), 5.21g.
4. Australia, Elizabeth II, Æ 2 cents, 1966 (Krause Mischler p. 72, no. 63), 5.07g.
5. Canada, George VI (1936-52), AR 25 cents, 1941 (Krause Mischler p. 286, no. 35), 5.69g.
6. Spain, Philip V (1700-46), AR 2 reales, Madrid, 1720 (Cuhaj p. 1213, no. 296), 5.41g.
7. Spanish Netherlands, Æ liard, 3.32g.
8. Acton [London], Æ gilt medal for the Coronation of George V and Queen Mary, 22 June 1911, 35 mm diameter, pierced for
suspension, 23.77g.
Dr Richard Kelleher, Assistant Keeper, Department of Coins and Medals:
One medieval coin:
French Feudal, Déols, Raoul IV, V or VI (1052-1176), Billon obol (mule of Poey d’Avant vol. I, p.273, 1950/1948), 0.24g. Metal detector find from
Thetford, Norfolk, before 2008.
Dr Richard Kelleher, Assistant Keeper, Department of Coins and Medals:
One medieval item:
England, Æ repousse nummular brooch, imitating the reverse of a penny of Henry I (1100-35) type 5, Gloucester, moneyer Saewine, 0.88g. From
Timeline Originals.
Mr. Tim Knox FSA (CAI), Director:
United Kingdom, box for Royal Mint proof set of six coins, 2014, 150 x 206 mm, with transparent and black plastic insert, explanatory leaflet and
cardboard outer case.
1. United Kingdom, Elizabeth II, Cu-Ni 5 pounds, 2014, Queen Anne 300th anniversary commemorative, proof (Spink -), 28.28g.
2. United Kingdom, Elizabeth II, bimetallic (Cu-Ni in nickel-brass ring) 2 pounds, 2014, Outberak of the First World War
commemorative, proof (Spink -), 12.00g.
3. United Kingdom, Elizabeth II, bimetallic (Cu-Ni in nickel-brass ring) 2 pounds, 2014, 500 years of Trinity House commemorative,
proof (Spink -), 12.00g.
4. United Kingdom, Elizabeth II, nickel-brass 1 pound, 2014, Scotland reverse, proof (Spink -), 9.50g.
5. United Kingdom, Elizabeth II, nickel-brass 1 pound, 2014, Northern Ireland reverse, proof (Spink -), 9.50g.
6. United Kingdom, Elizabeth II, Cu-Ni 50 pence, 2014, XX Commonwealth Games commemorative, proof (Spink -), 8.00g.
Maj.-Gen. Adrian Lyons, in memory of Dr Mark Blackburn (1953-2011):
Eighteen medieval coins and two modern forgeries of medieval coins:
1. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, no moneyer’s name (North p. 109, no. 483/1), 1.05g. Ex Keith
Chapman 14.2.2008; found Timworth, Suffolk.
2. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, no moneyer’s name (North p. 109, no. 483/1), 1.15g. Ex Keith
Chapman 14.2.2008; ex Dean Rooke; ex J. Linzalone.
3. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, no moneyer’s name (North p. 109, no. 483/1), 0.83g. Ex Timeline
Originals 14.6.2004.
4. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, Acitneus (North pp. 108-9, no. 483), 1.46g. Ex Baldwin 27.9.2001;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 3.
5. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, Ansigar (North pp. 108-9, no. 483), 1.52g. Ex Baldwin 20.2.2002;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 9.
6. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, no moneyer’s name (North p. 109, no. 483/1), 1.33g. Ex Baldwin
29.5.2002; ‘Baldwin parcel’; Blackburn and Pagan 2002, no. 16.
7. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, Cerbert (North pp. 108-9, no. 483), 1.44g. Ex Baldwin 26.10.2001;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 17.
8. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, ‘Cibvino’ (North pp. 108-9, no. 483), 1.34g. Ex Ebay 12.4.2008.
9. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, ‘Datdoi’ (North pp. 108-9, no. 483), 1.59g. Ex Baldwin 26.11.2001;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 21.
10. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, Huscam (North pp. 108-9, no. 483), 1.45g. Ex Baldwin 20.2.2002;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 25.
11. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, ‘Icaois’ (North pp. 108-9, no. 483), 1.40g. Ex Baldwin 19.6.2002;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 26.
12. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, ‘Iearci’ (North pp. 108-9, no. 483), 1.32g. Ex Baldwin 20.2.2002;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 28.
13. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, Inga? (North pp. 108-9, no. 483), 1.38g. Ex Baldwin 19.6.2002;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 32.
14. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, Odulbert? (North pp. 108-9, no. 483), 1.28g. Ex Baldwin 29.5.2002;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 36.
15. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, Reart (North pp. 108-9, no. 483), 1.34g. Ex Baldwin 26.10.2001;
‘Baldwin parcel’; Blackburn and Pagan 2002, no. 40.
16. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, Ansigar? (North pp. 108-9, no. 483), 1.12g. Ex Timeline Originals
20.6.2003.
17. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, no moneyer’s name (North p. 109, no. 483/1), 1.04g. Ex Mike Vosper
9.2.2008; found Thetford parish, Norfolk, 1.10.2007 (EMC 2007.0243; BNJ Coin Register 2008, no. 240).
18. Anglo-Scandinavian, St Edmund Memorial coinage, AR penny, moneyer’s name both sides? (North p. 109, no. 483/2), 1.40g. Ex
Baldwin 26.10.2001; ‘Baldwin parcel’; Blackburn and Pagan 2002, no. 24.
19. Anglo-Saxons, modern counterfeit of Burgred of Mercia (852-74), AR penny, Lunettes type D, Hussa, 1.39g.
20. Anglo-Saxons, modern counterfeit of Æthelred I of Mercia (865/6-71), AR penny, Lunettes type (b), Cenred (Lyons and MacKay, BNJ
2007, pp. 97-8), 1.39g.
Mr & Mrs McBain Allan, Nonsuch, Rushmore Hill, Pratts Bottom, Orpington, Kent BR6 7NQ:
One modern coin:
Peru, Cu-Ni 1 Nuevo Sol, Lima, 1996, rev. Value in letters and Braille, mintmark in monogram (Krause Mischler p. 1680, no. 308.1), 7.43g.
Ms Erica McDonald:
Seven banknotes:
1. Belgium, Banque Nationale de Belgique, 20 francs, 26 July 1941 (Shafer and Bruce p. 132, no. 111).
2. Germany, Stabilization Bank, 2 rentenmark, 30 January 1937 (Shafer and Bruce, p. 527, no. 174).
3. Germany, Reichsbanknote, 20 reichsmark, 22 January 1929 (Shafer and Bruce, p. 529, no. 181).
4. Germany, Reichsbanknote, 10 reichsmark, 22 January 1929 (Shafer and Bruce, p. 529, no. 180).
5. Germany, Kriegsgefangenen Lagergeld, 5 reichsmark, no date [1939-45] (Shafer and Bruce -).
6. Germany, Kriegsgefangenen Lagergeld, 2 reichsmark, no date [1939-45] (Shafer and Bruce -).
7. Germany, Allied Military Currency, 1 mark, 1944 (Shafer and Bruce p. 530, no. 193).
Philip Mernick:
Two medieval jettons:
1. England, Æ jetton, 1320s/1330s, obv. Chequer board, rev. three lions passant gardant (arms of England), 2.11g.
2. England, Æ jetton, 1320s/1330s, obv. and rev. Pear and two leaves of pear tree (arms of the Peruzzi) (Barnard, p. 107, no. 8), 3.25g.
Mrs Lesley Nolan, Director’s Secretary:
Two tokens:
1. United Kingdom, New Bromwich Economical Industrial and Providential Society Limited, brass half sovereign token, manufactured
by John Ardill, Leeds, 1870s-early 1900s (R.N.P. Hawkins, A Dictionary of Makers of British Metallic Checks, Medalets, Tallies, and
Counters 1788-1910, pp. 533-6), 2.08g.
2. United Kingdom, brass religious medalet, 19th century, obv. ‘THE SINNERS FRIEND THE BURDEN BEARER’ around ‘JESUS’ in
centre, rev. ‘I WILL GIVE YOU REST’ around ‘COME’ in centre, pierced for suspension, 3.83g.
Michael O’Bee:
One medieval item:
Anglo-Scandinavian, lead or lead-alloy striking of Danelaw imitation of Alfred (871-99), AR penny, Two-Line type (North p. 107, no.
475/1), 2.69g. Found by the donor at Riby Cross Roads, near Laceby, Lincs (EMC 2013.0253).
Dr Adrian Popescu, Keeper of Coins and Medals:
Three modern coins, a banknote and one medal:
1. Romania, Carol I (1866-1914), AR 1 leu, Hamburg, 1900, rev. Coat of arms of Romania (MBR, p. 261, no. 55), 4.87g.
2. Romania, Carol II (1930-1940), White metal 100 lei, pressure cast forgery, after 1932, rev. Laurel wreath with coat of arms of Romania
within (cf. MBR, p. 268, no. 103a), 12.07g.
3. Romania, Carol II (1930-1940), Nickel 100 lei, Bucharest, 1936, rev. Wreath with coat of arms of Romania within (MBR, p. 269, no. 104),
8.24g. Striations on both side; demonetized in 1940.
4. Iran, Reza Shah (SH1304-1320/AD1925-1941), 10 Rials 1938 issue, blue date stamp 1321 (AD 1942) on back (Shafer & Bruce II 2000, p.
670, no. 33A.d)
5. Romania, Carol I (1866-1914), Second Balkan War medal (known as ‘Avântul ţării’ medal), 1913, White metal with original ribbon,
marked on edge R.
John Heartfield, by Ronald Searle, 1979, struck bronze medal by the Monnaie de Paris, 72 mm.
Romeyn de Hooch, by Ronald Searle, 1979, struck bronze medal by the Monnaie de Paris, 72 mm.
Tim Bobbin, by Ronald Searle, 1981, struck bronze medal by the Monnaie de Paris, 66 mm.
Otto Dix, by Ronald Searle, 1981, struck bronze medal by the Monnaie de Paris, 66 mm.
Dr Adrian Popescu, Keeper of Coins and Medals:
Three modern coins, a token and thirteen banknotes:
1. Belgium, Leopold II (1865-1909), Æ 1 centime, Brussels, 1907, rev. Lion holding 1831 Constitution (KM, p. 165, no. 33.1), 1.99g.
2. Netherlands, Wilhelmina I (1890-1948), Æ ½ cent, Utrecht, 1940, rev. Value within wreath (KM, p. 1555, no. 138), 1.23g.
3. Switzerland, Cu-Ni 5 rappen, Bern, 1879, rev. Value within wreath (KM, p. 1158, no. 26), 1.99g.
4. Singapore merchant token, Æ 1 keping, Heaton mint, Birmingham, AH 1247 = AD 1831, rev. Satu keping/1247 (Pridmore II, p. 162,
no 26), 2.20g.
5. Curaçao, Curaçaosche Bank, 5 gulden, 1930 issue (Shaffer and Bruce, II, p. 381, no 15).
6. Egypt, Egypt Central Bank, 10 pounds, 1978 issue, 1999 (Cuhaj, p. 326, no 51).
7. Malta, Government of Malta, 2 shillings 6 pence, 1940 issue (Shaffer and Bruce, II, p. 782, no 18).
8. Netherlands, Wilhelmina (1890-1948), Muntbiljet, 1 gulden, 1945 issue (Shaffer and Bruce, II, p. 831, no 70).
9. Netherlands Indies, Japanese Occupation, The Japanese Government, 1 cent, 1942 issue (Shaffer and Bruce, II, p. 840, no 119b).
10. Philippines, Japanese Occupation, The Japanese Government, 1 centavo, 1942 issue (Shaffer and Bruce, II, p. 904, no 102a).
11. Philippines, Japanese Occupation, The Japanese Government, 5 centavos, 1942 issue (Shaffer and Bruce, II, p. 904, no 103a).
12. Philippines, Japanese Occupation, The Japanese Government, 10 centavos, 1942 issue (Shaffer and Bruce, II, p. 904, no 104b).
13. Philippines, Japanese Occupation, The Japanese Government, 50 centavos, 1942 issue (Shaffer and Bruce, II, p. 904, no 105b).
14. Philippines, Japanese Occupation, The Japanese Government, 10 pesos, 1943 issue (Shaffer and Bruce, II, p. 905, no 111).
15. Qatar, Qatar Central Bank, 1 riyal, 2003 issue (Cuhaj, p. 788, no 20).
16. Trinidad and Tobago, Government of Trinidad and Tobago, 1 dollar, 1935 issue, 1939 (Shaffer and Bruce, II, p. 1096, no 5b).
17. Yugoslavia, National Bank of Yugoslavia, 1000000000 dinara, 1993 issue (Cuhaj, p. 1081, no 126).
Marc J. Quigley-Ferriday, 135 Manor View, Par, Cornwall PL24 2EN:
Four medals:
1. United Kingdom, Ford Dagenham, Cu-alloy medal for 1,000,000 Ford Cortinas, 9 July 1970, 30 mm diameter, 8.43g.
2. United Kingdom, Hampshire Friendly Society, white metal medal, temp. Edward VII (1901-10) or George V (1910-36)?, 39 mm with
ring for suspension, 16.25g.
3. United Kingdom, Royal Masonic Hospital, London, white metal medal, oval (44 x 33 mm), with curved bar for suspension
surmounted by five-pointed star and ribbon, impressed on reverse in two lines ‘BRO.J.G.COOPER / NO.1373’, 38.46g.
4. United Kingdom, Wiltshire Friendly Society, white metal medal, obv. Bust of ‘H. S. SOTHERON ESTCOURT’, 45 mm, pierced for
suspension, 30.65g.
David Scrase (ME), in memory of Rick Mather:
One modern bullion coin:
Canada, Elizabeth II (1952- ), AV 50 dollars (Krause Mischler p. 312, no. 125.2), 31.13g.
The family of Ronald Searle:
Ronald Searle, by Ronald Searle, 1975, struck bronze medal by the Monnaie de Paris, 76 mm.
André François, by Ronald Searle, 1981, struck bronze medal by the Monnaie de Paris, 66 mm.
Charles Philipon, by Ronald Searle, 1981, struck bronze medal by the Monnaie de Paris, 66 mm, 189.51g.
Francis Grose, by Ronald Searle, 1981, struck bronze medal by the Monnaie de Paris, 69 mm.
James Thurber, by Ronald Seale, 1981, struck bronze medal by the Monnaie de Paris, 66 mm.
José Guadalupe Posada, by Ronald Searle, struck copper medal by the Monnaie de Paris, 66 mm.
Bernini Getting the Message from the Angel of the Baroque, by Ronald Searle, 1985, cast bronze medal by the Pobjoy Mint for the British Art
Medal Society, 76 mm.
Cannibal Medal, by Ronald Searle, 1986, cast bronze medal for the British Art Medal Society, 108 mm.
Bye Bye Eye, by Ronald Searle, 1991, cast bronze medal by Tallix Morris Singer for the British Art Medal Society, 65 x 90 mm.
Kwai 50th Anniversary Medal, by Ronald Searle, 1991, struck silvered bronze medal by Thomas Fattorini Ltd for the British Art Medal Society, 72
mm, 227.80g.
James Boswell, by Ronald Searle, 2000, struck bronze medal by Thomas Fattorini Ltd for the British Art Medal Society, 75 mm, 179.80g.
Antonio Pisanello – 23rd FIDEM Congress London 1992, by Ronald Searle, struck bronze medal, 79 mm, 222.60g.
The Clos du Val Award, by Ronald Searle, struck bronze medal for Clos du Val, California, 96 mm.
The Taltarni Wine Award, by Ronald Searle, 1993, struck bronze medal for Taltarni Vineyards, Australia, 96 mm
Matthew and Katrina Shillam, ROMANORUM, P.O.Box 251, Grafton NSW, Australia:
One coin:
Byzantine Empire, Manuel I (1143-1180), Bill Aspron Trachy, neatly clipped, Constantinople, 3rd coinage, c. 1160-1164, rev. Full length of emperor
(DOC 4.1, p. 309, no. 12a), 1.06g.
Albert W. Taylor:
One early modern token:
England, Lothbury, Michael Wolrich, copper alloy farthing token, 1656 (Williamson p.667, London 1840), 1.14g. Found by the donor in the garden
of 63 Parkhall Road, West Dulwich, London, 1980s.
Watteau, by Ronald Searle, 1975, struck bronze medal by the Monnaie de Paris, 87 mm.
Annibale Carracci, by Ronald Searle, 1975, struck bronze medal by the Monnaie de Paris, 85 mm.
James Gillray, by Ronald Searle, 1976, struck bronze medal by the Monnaie de Paris, 85 mm.
Pier Leone Ghezzi, by Ronald Searle, 1976, struck bronze medal by the Monnaie de Paris, 85 mm.
William Hogarth, by Ronald Searle, 1976, struck bronze medal by the Monnaie de Paris, 85 mm.
Thomas Rowlandson, by Ronald Searle, 1976, struck bronze medal by the Monnaie de Paris, 85 mm.
George Cruikshank, by Ronald Searle, 1977, struck bronze medal by the Monnaie de Paris, 85 mm.
Kenneth Warner:
One Roman coin, six military medals in box of issue, and an MBE awarded to Stanley
Harold Boughen (1912-87), with related documentation and photographs:
1. Commodus (177-192), Æ sestertius, Rome, 179, rev. Minerva standing to left (RIC III, p. 342, no. 1602), 23.92g.
2. George VI (1936-52), CuNi 1939-1945 Defence Medal (Hayward pp. 550-1, no. 140), with ribbon, 33.14g.
3. George VI, CuNi 1939-1945 War Medal (Hayward pp. 551-2, no. 141), with ribbon, 33.16g.
4. George VI, AE 1939-1945 Star (Hayward pp. 540-1, no. 132), with ribbon, 18.97g.
5. George VI, AE Africa Star (Hayward pp. 544-5, no. 135), with ribbon, 18.50g.
6. George VI, AE Burma Star (Hayward p. 547, no. 137), with ribbon, 18.78g.
7. George VI, AE Italy Star (Hayward p. 548, no. 138), with ribbon, 19.04g.
8. Elizabeth II (1952- ), Member of the British Empire (MBE), medal and miniature in case of issue.
9. Citation for the award of the MBE to Stanley Harold Boughen, 14 June 1969, signed by Her Majesty the Queen and Prince Philip.
10. File of thirteen sets of documents and photographs relating to the award of the MBE to Stanley Harold Boughen.
L’Humour, by Ronald Searle, 1976, struck copper medal by the Monnaie de Paris, 66 mm.
Edward Lear, by Ronald Searle, 1977, struck bronze medal by the Monnaie de Paris, 78 mm.
Edward Lear, by Ronald Searle, 1977, uniface lead alloy impression from die for reverse of struck bronze medal, 85 mm.
Wilhelm Busch, by Ronald Searle, 1978, struck bronze medal by the Monnaie de Paris, 79 mm.
Otto Dix, by Ronald Searle, 1978, struck bronze medal by the Monnaie de Paris, 72 mm.
George Grosz, by Ronald Searle, 1979, struck bronze medal by the Monnaie de Paris, 72 mm.
Mr Rick Witschonke:
Six ancient coins:
1. Copy of denarius of P. CREPVSI, AR, uncertain mint, after 82 BC, rev. Horseman to right (cf. Crawford, p. 375, no. 361/1), 3.64g. Ex
Gemini IX, lot 634.
2. Copy of denarius of P. CREPVSI, AR, uncertain mint, after 82 BC, rev. Horseman to right (cf. Crawford, p. 375, no. 361/1), 4.37g. Ex
Gemini IX, lot 635.
3. Copy of denarius of P. CREPVSI, AR, uncertain mint, after 82 BC, rev. Horseman to right, to left numeral XXX (cf. Crawford, p. 375, no.
361/1), 4.52g. Ex Gemini IX, lot 636.
4. Copy of denarius of P. CREPVSI (obverse) and of L. LIC., CN. DOM and associates (reverse), AR, uncertain mint, after 82 BC, rev.
Warrior in biga to right (cf. Crawford, p. 282, no. 282/2-5 for reverse and p. 375, no. 361/1 for obverse), 4.63g. Ex Gemini IX, lot 637.
5. Copy of denarius of Q. TITI (obverse) and of P. CREPVSI (reverse), AR, uncertain mint, after 82 BC, rev. Horseman to right (cf.
Crawford, p. 344, no. 341/1 for obverse and p. 375, no. 361/1 for reverse), 2.93g. Ex Gemini IX, lot 638.
6. Copy of denarius of C. NAE BALB (obverse) and of P. CREPVSI (reverse), AR, uncertain mint, after 79 BC, rev. Horseman to right (cf.
Crawford, p. 397, no. 382/1a for obverse and p. 375, no. 361/1 for reverse), 3.77g. Ex Gemini IX, lot 671.
Museum collection boxes:
Three modern coins:
1. Hong Kong, Special Administrative Area, Ni-brass 20 cents, 1998 (Krause Mischler p. 1005, no. 73), 2.55g.
2. United Kingdom, Elizabeth II (1952- ), Cu-Ni 50 pence, 2011, Olympic Handball commemorative (Spink p. 604, no. 4974), 8.03g.
3. United Kingdom, Elizabeth II (1952- ), Cu-Ni 50 pence, 2011, Olympic Modern Pentathlon commemorative (Spink p. 604, no. 4977),
8.07g.
Museum collection boxes:
Thirteen modern coins:
1. Bulgaria, Cu-Ni in Ni-brass ring 1 lev, 2002 (Kosinski and Kosinski p. 93, no. BGL IL18), 7.00g.
2. Bulgaria, Ni-brass 2 stotinki, 2000 (Kosinski and Kosinski p. 93, no. BGL 02s5), 2.50g.
3. Denmark, Margarethe II (1972- ), Al-bronze 10 kroner, 2006, H.C. Andersen 1805-2005, ‘Snow Queen’, commemorative (Kosinsky and
Kosinsky p. 136, DEN10K15), 7.01g.
4. India, Bi-metallic 10 rupees, 2012 (Krause Mischler -), 7.74g.
5. India, Cu-Ni 2 rupees, 2012 (Krause Mischler -), 4.88g.
6. Ireland, Al-bronze 50 euro cent, 2004 (Krause Mischler p. 1120, no. 37), 7.81g.
7. Jamaica, Cu-Ni 10 dollars, 1999 (Krause Mischler p. 1252, no. 181), 6.00g.
8. Jamaica, Cu-Ni 10 dollars, 2000 (Krause Mischler p. 1252, no. 181), 5.99g
9. United Kingdom, Elizabeth II (1952- ), Cu-Ni in Ni-brass ring 2 pounds, 2012, London 2012 Rio 2016 commemorative (Spink -), 11.88g.
10. United Kingdom, Elizabeth II, Cu-Ni 50 pence, 2011, Paralympic goalball commemorative (Spink p. 603, no 4972), 8.04g.
11. United Kingdom, Elizabeth II, Cu-Ni 50 pence, 2011, Olympic and Paralympic commemorative (Spink p. 603, no 4978), 8.06g
12. United Kingdom, Elizabeth II, Cu-Ni 50 pence, 2011, Olympic and Paralympic Taekwondo commemorative (Spink p. 606, no 4982),
8.12g.
13. United Kingdom, Elizabeth II, Cu-Ni 50 pence, 2011, Paralympic Wheelchair Rugby commemorative (Spink p. 606, no 4987), 7.99g.
Museum collection boxes:
Six modern coins and one banknote:
1. Australia, Elizabeth II (1952- ), Ni-Al-Cu 1 dollar, 2009 (Krause Mischler -), 9.11g.
2. East Carribbean States, Elizabeth II (1952- ), CuNi 1 dollar, 2000 (Krause Mischler p. 653, no. 20), 8.02g.
3. Ireland, Cu-plated steel 5 euro cent, 2007 (Krause Mischler p. 1120, no. 34), 3.97g.
4. New Zealand, Elizabeth II (1952- ), Cu-plated steel 10 cents, 2009 (Krause Mischler -), 3.27g.
5. Quatar, Hamad bin Khalifah (1995- ), CuNi 50 dirhams, AD 2012/AH 1433 (Krause Mischler p. 1756, no. 5), 5.82g.
6. United Kingdom, Elizabeth II (1952- ), CuNi 50 pence, 2013, Benjamin Britten commemorative (Spink p. 543, no. 4629), 8.12g.
7. Malaysia, Bank Negara Malaysia, 1 ringgit, polymer, no date (Cuhaj -).
From the Museum collection boxes:
Nine modern coins and one banknote:
1. Gibraltar, Elizabeth II (1952- ), Ni-brass 1 pound, 2012 (Cuhaj and Michael p. 424, no. 1091), 9.47g.
2. India, Ni-brass 5 rupees, 2011, Noida mint (Cuhaj and Michael p. 471, no. 399.1), 5.98g.
3. Isle of Man, Elizabeth II, Cu-plated steel 2 pence, 2005 (Cuhaj and Michael p. 480, no. 1254), 7.04g.
4. Jersey, Elizabeth II, CuNi 20 pence, 2006 (Cuhaj and Michael p. 530, no. 107), 5.00g.
5. Tuvalu, Elizabeth II, bronze 1 cent, 1985 (Cuhaj and Michael p. 2200, no. 1), 2.62g.
6. United Kingdom, Elizabeth II, CuNi in brass ring 2 pounds, 2013, 150th anniversary of London Underground commemorative (Spink
p. 565, no. 4733), 11.97g.
7. United Kingdom, Elizabeth II, CuNi 50 pence, 2011, Olympic and Paralympic Football commemorative (Spink p. 616, no. 4971),
7.89g.
8. United Kingdom, Elizabeth II, CuNi 50 pence, 2011, Olympic and Paralympic Hockey commemorative (Spink p. 617, no. 4975), 7.98g.
9. Uruguay, stainless steel 50 centesimos, 1998 (Cuhaj and Michael p. 2266, no. 106), 3.02g.
10. Ecuador, Banco Central del Ecuador, 1,000 sucres, 8 June 1988 (Cuhaj p. 321, no. 125b).
PURCHASES
The Burn Fund:
One ancient coin:
Istrus, AR trihemiobol, 4th century BC, rev. Eagle on dolphin to left, to right A (AMNG I.1, -), 1.57g.
The Burn Fund:
Two ancient coins:
1. Mesembria, AR diobol, 4th century BC, rev. Wheel with four spikes (SNG BM 268), 1.22g.
2. Istrus, AR obol, 4th century BC, rev. Eagle on dolphin to left, beneath P over reversed P (AMNG I.1, -), 0.58g.
The Burn Fund:
Four ancient coins:
1. Istrus, Æ, 2nd century BC, rev. Eagle on dolphin to left (AMNG I.1, p. 167, no. 464), 2.46g.
2. Tomis, Æ, 1st century AD, rev. Eagle between caps of Dioscuri (AMNG I.2, -), 4.65g.
3. Tomis, Caracalla (196-217), Æ, rev. Artemis standing to right (AMNG I.2, p. 740, no 2854), 12.14g.
4. Gratian (367-383), Æ, 383, Constantinople, officina Γ, rev. Emperor standing facing (RIC IX, p. 226, no. 53b), 5.18g.
The Burn Fund:
One ancient coin:
Dacia, Valerian (253-259), Æ, 253/4, rev. Female personification standing between eagle and lion (Martin, p.76, no. 7.56), 12.13g.
The Burn Fund:
One modern coin:
United Kingdom, Victoria (1837-1901), AV sovereign, 1892 S (Sydney mint) (Spink p. 449, no. 3868C), 7.92g.
The Burn Fund:
One Iron Age coin:
Early Potin – ‘Thurrock’ Type, Cu/Sn cast bronze, 2nd – 1st century BC, rev. Stylized bull 2.76g. Found in Kent.
butting to right (BMCIA p. 82, no. 665),
The Burn Fund:
Seven ancient coins:
1. Istrus, AR obol, 4th century BC, rev. Eagle on dolphin to right (AMNG I.1, -), 0.47g.
2. Istrus, AR obol, 4th century BC, rev. Eagle on dolphin to left, to right Y (AMNG I.1, p. 165, no. 452), 0.56g.
3. Callatis, AR tetradrachm, c. 250-225 BC, rev. Zeus seated on throne to left (Price -), 16.56g.
4. Callatis, Æ, 3rd – 2nd century BC, rev. Club and corn-ear (AMNG I.1, -), 2.70g.
5. Callatis, Nero (54-68), Æ, rev. Ethnic within wreath (RPC I, p. 324, no 1802), 6.22g.
6. Odessus, Æ contemporary copy, late 3rd – 2nd century BC, rev. Great God reclining to left (cf. AMNG I.2, p. 541, no 2177), 2.60g.
7. Antoninus Pius (138-161), Æ as, Rome, 143-144, rev. Victory to right holding trophy in both hands (RIC III, p. 120, no 732a), 12.07g.
The Burn Fund:
1. Istrus, AR obol, 4th century BC, rev. Eagle on dolphin to left (cf. AMNG I.1, p. 165, no. 453), 0.54g.
2. Istrus, AR obol, 4th century BC, rev. Eagle on dolphin to left, beneath P (AMNG I.1 - ), 0.44g.
The Buttrey Fund:
Seven Italian coins:
1. Italy, Venice, Andrea Gritti (1523-38), AV ducato (F. 1246), 3.44g.
2. Italy, Venice, Gerolamo Priuli (1559-67), AV zecchino (F. 1257), 3.45g.
3. Italy, Venice, Domenico Contarini (1659-75), AV zecchino (F. 1332), 3.50g.
4. Italy, Venice, Domenico Contarini (1659-75), AV zecchino (F. 1332), 3.54g.
5. Italy, Venice, Marc’Antonio Giustan (1684-88), AV zecchino (F. 1341), 3.50g.
6. Italy, Venice, Alvise II Mocenigo (1700-09), AV osella da 4 zecchini, 14.14g.
7. Italy, Venice, Francesco Loredano (1752-62), AV osella da 4 zecchini, 13.68g.
The Buttrey Fund:
One banknote and one medal:
1. United Kingdom, Treasury Note, 10 shillings, no date [August 1914] (Shafer and Bruce p. 547, no. 346).
2. United Kingdom, Oundle School, AR medal, obv. Arms of Oundle School, rev. Standing figure of Sir William Laxton (founder of the
school), engraved on edge ‘THE COTTERSTOCK RACE 1927’, 42 mm, 43.64g, in case of issue.
The Coins and Medals Purchase Fund:
A hoard of forty-eight clippings from the edges of silver coins, found Millthorpe area, Derbyshire, in June 2012, and allocated to the Fitzwilliam
Museum under the terms of the Treasure Act 1996 (Treasure Case 2012 T858):
1. England, Elizabeth I (1558-1603), AR shilling, privy mark Cross Crosslet (1560-1) (North p. 133, no. 1985), 0.85g.
2. England, Elizabeth I, AR shilling, 1.10g.
3. England, Elizabeth I, AR shilling, 0.58g.
4. England, Elizabeth I, AR shilling, 0.53g.
5. England, Elizabeth I, AR shilling, 0.42g.
6. England, Elizabeth I, AR shilling, 0.23g.
7. England, Elizabeth I?, AR shilling, 0.61g.
8. England, Elizabeth I?, AR shilling, 0.39g.
9. England, Elizabeth I?, AR shilling, 0.19g.
10. England, Elizabeth I?, AR shilling, 0.18g.
11. England, Elizabeth I?, AR shilling, 0.17g.
12. England, Elizabeth I?, AR shilling, 0.11g.
13. England, James I (1603-25), First Coinage (1603-4), AR shilling (North p. 144, nos. 2072-3), 0.31g.
14. England, James I, First Coinage, AR shilling (North p. 144, nos. 2072-3), 0.17g.
15. England, James I, First Coinage, AR shilling (North p. 144, nos. 2072-3), 0.09g.
16. England, James I, Second Coinage (1604-19), AR shilling, privy mark Escallop (1606-7) (North p. 146, no. 2100), 0.94g.
17. England, James I, Second Coinage, AR shilling, privy mark Escallop (1606-7) (North p. 146, no. 2100), 0.22g.
18. England, James I, Second or Third Coinage (1604-25), AR shilling, 0.54g.
19. England, James I, Second or Third Coinage, AR shilling, 0.34g.
20. England, James I, Second or Third Coinage, AR shilling, 0.24g.
21. England, James I, Second or Third Coinage, AR shilling, 0.19g.
22. England, James I, Second or Third Coinage, AR shilling, 0.17g.
23. England, James I, uncertain coinage, AR shilling, 0.57g.
24. England, James I, uncertain coinage, AR shilling, 0.15g.
25. England, James I or Charles I, AR shilling, 0.10g.
26. England, Charles I (1625-49), AR shilling, Group B, privy mark Anchor (1628-9) (North p. 159, no. 2220), 0.14g.
27. England, Charles I, AR shilling, Group E or F, privy mark Triangle-in-Circle (1641-3) (North p. 160, nos. 2230/3 and 2231), 0.52g.
28. England, Charles I, AR shilling, Group E or F, privy mark Triangle-in-Circle (1641-3) (North p. 160, nos. 2230/3 and 2231), 0.27g.
29. England, Charles I, AR shilling, group F (North p. 160, nos. 2231-2), 0.34g.
30. England, Charles I, AR shilling, 0.54g.
31. England, Charles I, AR shilling, 0.31g.
32. England, Charles I, AR shilling, 0.22g.
33. England, uncertain ruler, AR shilling, 0.49g.
34. England, uncertain ruler, AR shilling, 0.44g.
35. England, uncertain ruler, AR shilling, 0.32g.
36. England, uncertain ruler, AR shilling, 0.27g.
37. England, uncertain ruler, AR shilling, 0.24g.
38. England, uncertain ruler, AR shilling, 0.23g.
39. England, uncertain ruler, AR shilling, 0.22g.
40. England, uncertain ruler, AR shilling, 0.18g.
41. England, uncertain ruler, AR shilling, 0.16g.
42. England, uncertain ruler, AR shilling, 0.15g.
43. England, uncertain ruler, AR shilling, 0.12g.
44. England, uncertain ruler, AR shilling, 0.10g.
45. England, uncertain ruler, AR shilling, 0.08g.
46. England, uncertain ruler, AR shilling, 0.08g.
47. England, uncertain ruler, AR shilling, 0.06g.
48. England, uncertain ruler, AR shilling, 0.05g.
The Grierson Fund:
Forty-three medieval coins from the collection of the late Dr David J. de Sola Rogers (1946-99):
1. Anglo-Saxons, Coenwulf of Mercia (796-821), AR cut halfpenny, Tribrach type (North p. 92, no. 342), Canterbury, moneyer Eoba,
0.65g; found Walsingham, Norfolk?
2. Anglo-Saxons, Plegmund, archbishop of Canterbury (890-923), AR cut halfpenny (North p. 80, no. 253), Canterbury, moneyer
Diorweald, 0.82g (chipped).
3. Anglo-Saxons, Edgar (957/9-75), AR cut halfpenny, Reform type (North pp. 149-50, no. 752), York, uncertain moneyer, 0.72g.
4. Anglo-Saxons, Edward the Martyr (975-78), AR cut farthing (North pp. 157-8, no. 763), Warwick(?), moneyer Howard(?), rev. …
OVPÆ…, 0.46g.
5. Anglo-Saxons, Edward the Martyr, AR cut halfpenny (North p. 92, no. pp. 157-8, 763), York, moneyer Gu[nnulf], 0.80g.
6. Anglo-Saxons, Æthelred II (978-1016), AR cut halfpenny, Second Hand type (North p. 158, no. 768), London, uncertain moneyer,
0.60g.
7. Anglo-Saxons, Æthelred II, AR cut halfpenny, Second Hand type (North p. 158, no. 768), London, uncertain moneyer, 0.54g.
8. Anglo-Saxons, Æthelred II, AR cut halfpenny, Second Hand type (North p. 158, no. 768), Lydford, uncertain moneyer, 0.79g.
9. Anglo-Saxons, Æthelred II, AR cut halfpenny, Last Small Cross type (North p. 160, no. 777), Lincoln(?), moneyer Bruntat(?), rev.
+BRH…OLN, 0.55g; found Sion Reach (north bank), Isleworth.
10. Anglo-Saxons, Cnut (1016-35), AR cut halfpenny, Quatrefoil type (North p. 167, no. 781), Chester, moneyer Æthelnoth or Ælfsige?,
0.50g (chipped).
11. Anglo-Saxons, Harold I (1035-7, 1040-2), AR cut halfpenny, Jewel Cross type (North p. 170, no. 802), Derby, uncertain moneyer,
0.41g (chipped).
12. Anglo-Saxons, Harthacnut (1035-40), AR cut halfpenny, Arm and Sceptre type (North p. 171, no. 811) Oxford, uncertain moneyer,
0.46g; found 1986-7.
13. Anglo-Saxons, Harthacnut, AR cut halfpenny, Arm and Sceptre type (North p. 171, no. 811), London(?), moneyer Aslac(?), rev.
RNLÆCLON…, 0.50g.
14. Anglo-Saxons, Harthacnut, AR cut farthing, Arm and Sceptre type (North p. 171, no. 811), London, uncertain moneyer, 0.28g.
15. Anglo-Saxons, Edward the Confessor (1042-66), AR cut halfpenny, Radiate/Small Cross type (North p. 179, no. 816), Stamford,
uncertain moneyer, 0.50g.
16. Anglo-Saxons, Edward the Confessor, AR cut halfpenny, Radiate/Small Cross type (North p. 179, no. 816), Cricklade, moneyer
Æ[lfwine], 0.58g.
17. Anglo-Saxons, Edward the Confessor, AR cut farthing, Trefoil Quadrilateral type (North p. 179, no. 817), uncertain mint and
moneyer, rev.…ÆCÆS… (?), 0.23g (chipped); found London (Thames Exchange or Vintry), 1989.
18. Anglo-Saxons, Edward the Confessor, AR cut halfpenny, Small Flan type (North p. 179, no. 818), Huntingdon, moneyer Æl[fwine],
0.64g.
19. Anglo-Saxons, Edward the Confessor, AR cut halfpenny, Expanding Cross type, heavy issue (North p. 180, no. 823), Cambridge,
moneyer [Wul]fwine, 0.69g.
20. Anglo-Saxons, Edward the Confessor, AR cut farthing, Expanding Cross type, heavy issue (North p. 180, no. 823), Thetford,
uncertain moneyer. 0.43g; found Bawsey, Norfolk, by Steve Brown.
21. Anglo-Saxons, Edward the Confessor, AR cut halfpenny, Sovereign/Eagles type (North p. 180, no. 827), Thetford, moneyer
Sumarlede, 0.54g.
22. Anglo-Saxons, Edward the Confessor, AR cut halfpenny, Sovereign/Eagles type (North p. 180, no. 827), uncertain mint (Dorchester
or Guildford?), moneyer Blaceman, 0.56g; found Sion Reach (north bank), Isleworth.
23. Anglo-Saxons, Edward the Confessor, AR cut halfpenny, Hammer Cross type (North p. 180, no. 828), Chichester, uncertain moneyer,
0.55g (chipped).
24. Anglo-Saxons, Edward the Confessor, AR cut halfpenny, Facing Bust type (North p. 181, no. 830), Cambridge, uncertain moneyer,
0.37g (chipped).
25. Anglo-Saxons, Edward the Confessor, AR penny, Pyramids type (North p. 181, no. 831), Wilton, uncertain moneyer, 0.54g (fragment,
about half of the coin).
26. Anglo-Saxons, Harold II (1066), AR cut halfpenny, Pax type (North p. 182, no. 836), Stamford, moneyer Leofric, 0.56g.
27. England, William I (1066-87), AR cut halfpenny, type 2 (North p. 191, no. 842), ‘Maint’(?), uncertain moneyer, 0.46g (cracked); found
London (Thames Exchange or Vintry), 1989.
28. England, William I, AR cut halfpenny, type 4 (North p. 191, no. 844), Hereford, moneyer (?)Edwi, 0.55g.
29. England, Henry I (1100-35), AR cut halfpenny, type 1 (North p. 196, no. 857), Sudbury, moneyer Wulfric, 0.54g.
30. England, Henry I, AR cut halfpenny, type 1 (North p. 196, no. 857), Bristol, moneyer Barcuit, 0.53g; found London (Thames Exchange
or Vintry), 1990.
31. England, Henry I, AR cut halfpenny, type 4 (North p. 197, no. 860), Winchester, moneyer Warmund, 0.65g; ex Dr W. Conte; ex Spink.
32. England, Henry I, AR cut halfpenny, type 8 (North p. 197, no. 864), York, moneyer Harthulf, 0.55g (snicked).
33. England, Henry I, AR cut halfpenny, type 15 (North p. 198, no. 871), Carlisle, moneyer Erebald, 0.73g; found between Worksop
(Notts.) and Sheffield (S. Yorks.).
34. England, Henry I, AR cut halfpenny, type 15 (cf. North p. 198, no. 871), contemporary counterfeit of uncertain mint and moneyer
(false dies and apparently base alloy), 0.54g.
35. England, Stephen, AR cut halfpenny, type 1, local dies (North p. 210, no. 916), Durham, moneyer Fobund, 0.27g (chipped).
36. England, Stephen, AR cut farthing, type 1, local dies (cf. North p. 203, no. 873-4), uncertain mint and moneyer, 0.27g.
37. England, Stephen, AR cut halfpenny, type 4 (North p. 208, no. 897), Lincoln?, uncertain moneyer, 0.49g.
38. England, Henry II (1154-89), AR cut halfpenny, Cross-and-Crosslets class C3 (North p. 217, no. 956-7 var.), Canterbury, moneyer
Goltep, 0.53g (chipped).
39. England, Henry II, AR cut halfpenny, Cross-and-Crosslets class D3/C3 (North p. 217, no. 959/956-7 var.), Newcastle, moneyer Willam,
0.56g.
40. Scotland, David I (1124-53) or Earl Henry in the name of Stephen (1135-54), AR cut halfpenny, as Stephen type 1, local dies (cf.
North p. 210, no. 910), Carlisle, moneyer Erebald, 0.67g.
41. Scotland, David I (1124-53), AR cut halfpenny, Cross Fleury type (Spink p. 10, no. 5008), uncertain mint and moneyer, 0.71g.
42. Scotland, William I (1165-1214), AR cut halfpenny, Short Cross and Stars coinage, Phase B (Spink p. 14, no. 5029), moneyers Hue
Walter, 0.74g; found Cambridge area.
43. Scotland, Alexander III (1249-86), AR cut halfpenny, Long Cross and Stars coinage, type III (Spink p. 16, no. 5043), Stirling, moneyer
Henri, 0.58g; found Cambridge area.
The Grierson Fund:
Three medieval coins:
1. Byzantine empire, Isaac II (1085-1095), Electrum Aspron Trachy Nomisma, Constantinople, rev. Emperor crowned by archangel
Michael (DOC 4.1, p. 377, no. 2c.7), 3.58g.
2. Byzantine empire, Theodore I (1208-1222), Electrum Aspron Trachy Nomisma, Magnesia, 1208-1212?, rev. Emperor and St Theodore
(DOC 4.2, p. 457, no. 2.4), 3.57g.
3. Uncertain mint in Lombardy, Æ forgery of zecchino, 14th century, rev. Jesus in mandorla, 2.14g.
The Grierson Fund:
One medieval coin:
Roman Senate, AV ducat, Rome, 1350-1439, rev. Jesus in mandorla, 3.54g.
The Grierson Fund:
Two medieval coins:
1. Harz, AR pfennig, anonymous Otto-Adelheid, Hatz type V, 5e3, 1.42g.
2. Hildesheim, archbishopric, Adelhog of Dorstadt (1170-90), AR bracteate, Mehl 53, Lőbbecke 64, 0.70g.
The Grierson Fund:
Four medieval coins:
1. Saxony, Otto-Adeleid AR pfennig, Hatz type IV, 14h, 1.10g.
2. Saxony, Otto-Adeleid AR pfennig, Hatz type IV, 13c, 1.37g.
3. Saxony, Otto-Adeleid AR pfennig, Hatz type IV, 21f, 1.27g.
4. Saxony, Otto-Adeleid AR pfennig, Hatz type IV, 21f, 1.43g.
The Grierson Fund:
One medieval coin:
Norway, Olaf Kyrre (1067-93), base AR penny, Phase II (c.1070-80), Trondheim mint? (cf. Kolbjørn Skaare, Norges Mynthistorie, vol. 2, (Oslo, 1995),
p. 13, no., 34; C.I.Schive, Norges Mynter i Middelalderen, (Christiania, 1865), e.g. nos 25-6), 0.75g. Found by the vendor near Saxilby, Lincolnshire,
September 2013 (EMC 2013.0299).
The Grierson Fund:
One medieval coin:
England, William I (1066-87), lead alloy striking from dies of AR penny, type 7, London, Edwi (Spink p. 142, no. 1256), found London (Guildhall),
1982 (EMC 2013.0369), 1.67g.
The Grierson Fund:
One medieval coin:
Anglo-Gallic, Edward the Black Prince (1362-72), silver demi-gros, 2nd issue, Figeac (Elias September 2013.
176), 2.07g. Ex Spink Sale 13.10.82, 24
The Grierson Fund:
One medieval coin:
England, Henry III (1216-72), AR penny, Long Cross class 5a4, Canterbury mint, moneyer Nicole (North p. 227, no. 991 var.), 1.15g.
Seven medieval English coin weights:
1. Copper alloy weight for gold noble, after 1421, obv. Crown over Lis in two concentric circles, rev. blank (Withers p. 12, no. 92, this
item), 6.88g.
2. Copper alloy weight for gold half noble, after 1421, obv. Crown over Lis in two concentric circles, rev. blank (Withers p. 12, no. 105),
3.16g. Found Norfolk by 20 June 2006.
3. Copper alloy weight for gold quarter noble, after 1421, obv. Crown over Lis in two concentric circles, rev. blank (Withers p. 13, no.
120), 1.42g. Found Godmanchester, Cambs. by 12 August 2006.
4. Copper alloy weight for gold noble, obv. Ship with Lis to left and leopard to right, rev. blank (Withers p. 15, nos. 167-170),
5.81g.
5. Copper alloy weight for gold half noble, obv. Ship with Lis to left and leopard to right, rev. blank (Withers p. 15, no. 172b),
3.29g.
6. Copper alloy weight for gold rose noble, obv. Crown over Rose in circle, rev. blank (Withers p. 13, no. 140), 7.45g.
7. Copper alloy weight for Florentine gold florin, obv. Fleur de Lis, rev. blank (Withers p. 24, no. 276), 3.12g.
The Jeeps Fund:
Two Iron Age coins:
1. Cantiaci, AR unit, 1st century BC, rev. Horse to left (BMCIA -; ABC, p. 36, no 216), 0.95g.
2. Uninscribed East-Anglian, ‘Boar/Horse’ type, AR ½ unit, 1st century AD, rev. Horse to right (BMCIA p. 193, no. 3513), 0.43g.
The Jeeps Fund:
Three ancient coins:
1. Callatis, AR tetradrachm, 250-225 BC, rev. Zeus seated on throne (Price, p. 178, no 935), 16.59g.
2. Istrus, AR drachm, 4th – 3rd century BC, rev. Eagle on dolphin to left (AMNG I.1, -), 5.69g.
3. Moesia Superior, Trebonianus Gallus (251-253), Æ, 252/253, Viminacium, rev. Female personification standing between bull and lion
(cf. Martin, p.72, no. 5.20), 10.27g.
The Jeeps Fund:
One ancient coin:
Istrus, AR drachm, 4th – 3rd century BC, rev. Eagle on dolphin to left; gilt (cf. AMNG I.1, p. 164, no. 435), 5.47g. From auction 293, lot
2114.
The Jeeps Fund:
One Greek coin:
Scythian kings, Kanites, Æ, 2nd century BC, rev. Tripod (SNG Stancomb 308), 4.76g. From auction 243, lot 4587.
The Jeeps Fund:
One ancient coin:
Istrus, Commodus (180-192), Æ, rev. Rider-god to right (AMNG I.1, -), 21.04g.
Department of Manuscripts and Printed Books
Gifts
Sebastian Carter:
In the Beginning, Rampant Lions Press, 2006
Professor T Buttrey, Honorary Keeper of Coins & Medals:
The Great Hours of Anne of Brittany, ed. M. Miró, commentary volume for a facsimile edition, Barcelona: Moleiro, 2008
David Hall:
1. Wilfrid Blunt, Sweet Roman hand: five hundred years of italic cursive script, London: James Barrie, 1952; copy presented by Sydney
Cockerell to Joan Hassall
2. Alfred Fairbank, A Book of Scripts, Harmondsworth: Penguin, 1949; proof of the first edition with manuscript corrections by the
author and a separate dust wrapper signed by the designer, Jan Tschichold
3. Alfred Fairbank, A Book of Scripts, Harmondsworth: Penguin, 1949
4. Alfred Fairbank, A Book of Scripts, Harmondsworth: Penguin, 1949; copy presented by Alfred Fairbank to Vera Law
5. Alfred Fairbank, Ecritures, Paris: Deberny et Peignot par Penguin Books, 1952; copy presented by Alfred Fairbank to Dorothy Hutton
6. Alfred Fairbank, A handwriting manual, Leicester: Dryad Press, 1932
7. Alfred Fairbank, A handwriting manual, London: Faber, 1954; copy presented by Alfred Fairbank to Vera Law
8. Alfred Fairbank, The story of handwriting, London: Faber, 1970; copy presented by Alfred Fairbank to Dorothy Hutton
9. Alfred Fairbank’s correspondence: letter to Dr. Ballard dated 25.10.1948; letter to Dorothy Hutton dated 10.12.1969; two postcards to
Dorothy Hutton dated 3.12.1958 and 19.8.1975; letter to Vera Law dated 15.1.1969
10. Letter from Beatrice Warde to Ruari McClean (undated)
11. Two samples of calligraphic scripts
David Scrase, Assistant Director, Collections:
Roger Wagner, The Book of Praises, a translation of the Psalms, Book 3, Oxford: Besalel Press, 2013
Mr J.M. Sharman:
Peter Whalley, The history and antiquities of Northamptonshire compiled from the manuscripts collections of … John Bridges, 2 vols., Oxford:
[Clarendon Press], 1791; with miscellaneous insertions including maps, engravings and a Bill to enclose land.
Dr Herman Wax:
Letter from John Disney to C. Ranken dated 1 October 1823 and concerning the sale of his estate. Among various bequests to Cambridge, John
Disney left his collection of sculpture to the Fitzwilliam Museum in 1850.
Department of Paintings, Drawings & Prints
Bequests
H.P.Patrick Lindsay:
Thomas Gainsborough (Sudbury 1727-1788 London), Portrait of Mr Chubbe in a fictive oval, oil on canvas Nicolas Maes (Dordrecht 1634-1693
Amsterdam), Portrait of a gentleman in a red cloak, oil on canvas
Gifts
Drawings
Jane Munro, Acting Keeper, Department of Paintings, Drawings & Prints, in memory of Rick Mather:
Two drawings by George Chinnery (1774-1852), Military uniform of ‘Lord George Stewart’ (possibly Admiral George Stewart, 8th Earl of Galloway
KT; 1768-1834); and Woman in a feathered turban, graphite on paper.
Jane Munro, Acting Keeper, Paintings Drawings and Prints, to celebrate the Keepership of David Scrase:
Anne-Louis Girodet de Roussy-Trioson (1767-1824), Aeneas pleading with Anchises to flee Troy c.1823, graphite on paper
David Scrase, to celebrate the achievements of Jane Munro:
Paul Delvaux (Antheit 1897-1994 Veurne), Girl sitting down, her head resting against her knee, pen and black ink and wash, 1950s
Jacob Simon, 59, College Cross, London N1 1PT:
Sir James Thornhill (Malcombe Regis 1675-1734 Weymouth), Design for part of the decoration of the Dome of St Paul's, Paul and Barnabas at
Lystra, graphite and grey wash, c.1710, from the Henry Scipio Reitlinger Collection
Carl Marcus Tuscher (Nuremberg 1705-1751 Copenhagen), Portrait of Baron Philip von Stosch, black chalk, drawn in Florence in the 1730s
James Northcote (Plymouth 1746-1831 London), Design for a monument, Edward Plantagenet, Earl of Warwick, beheaded in reign of Henry 7th 21
of November 1499, graphite, pen and brown ink, watercolour, squared in graphite
Sir George Hayter (London 1792-1871 London), Study for 'The Banditti of Kurdistan assisting Georgians in surprising and carrying off Circassian
women', pen and brown ink, April 20th 1826
William Holman Hunt (London 1827-1910 London), Studies of and designs for frames, graphite, pen and sepia and Indian ink and red chalk
William Holman Hunt (London 1827-1910 London), Studies of and designs for frames, graphite, red and black chalk, with white heightening on
brown paper
George Romney (Beckside, Dalton-in-Furness 1734-1802 Kendal), Study for the painting 'Mrs Yates as the Tragic Muse', pen and brown ink.
The family of Ronald Searle:
59 drawings:
Rencontre au sommet, pen and black ink, black wash and graphite on white card. Signed in black ink, lower right: 'Ronald Searle'. Inscribed in
graphite, lower left: 'summit meeting'. A preliminary drawing for Le Monde, 31 May 1996.
Atlas, pen and black (and brown?) ink, graphite and brown wash on white card, spattered with black ink. Signed in black ink, lower left: 'Ronald
Searle'. Inscribed in graphite, lower left: 'Atlas'. Inscribed verso in black ink: 'Atlas (1st version)'. A preliminary drawing for Le Monde, 20 November
1996.
La danse des G 7 voiles, pen and ink, graphite on white card. Signed in black ink, lower right: 'Ronald Searle'. Inscribed in graphite, lower left: 'la
danse des G 7 voiles'.
A preliminary drawing for Le Monde, 21 May 1997.
EuroCoon (entitled L'Eurodanse in the caricature published in Le Monde), pen and black ink, black wash and traces of graphite on white card,
spattered with black ink. Signed in black ink lower left: 'Ronald Searle'. Inscribed in graphite, lower left: 'Eurocoon'. A preliminary drawing for Le
Monde, 6 September 1996.
L'ange de la guerre (entitled Les anges guardiens - 4 in the caricature published in Le Monde) pen and black ink with traces of graphite on white
card, splattered with black ink. Inscribed in graphite, lower left: 'L'ange de la guerre'. A preliminary drawing for Le Monde, 12 July 1997.
La diplomatie (entitled Guerre et paix in the caricature published in Le Monde) 1996, pen and black ink, black (and brown?) wash, traces of
graphite and charcoal or black chalk on white card, mounted on board. Signed in black ink lower: 'Ronald Searle'. Inscribed in graphite, lower left:
'La diplomatie'. A preliminary drawing for Le Monde, 26 July 1996.
Carpet snake rather wishing it were something else, 1984, pen and black ink, watercolour and colour pencil on paper. Signed and dated in black
ink lower right: '© Ronald Searle 1984'. Inscribed in graphite, lower left: 'Carpet snake rather wishing it were something else'.
How to bid at auction, 1995, pen and black ink, watercolour washes, colour pencils and crachis (splattered) black ink on paper. Signed in black ink,
lower right: 'Ronald Searle'. Inscribed in black ink, lower left: 'How to bid at auction'.
Alice, 1992, pen and black ink, watercolour washes, coloured pencils and white highlights on paper. Signed in black ink in lower right corner:
'Ronald Searle'. Inscribed in graphite, lower left: 'Alice'.
Untitled ('Raven with parachute…'), 1990, pen and black ink, watercolour washes and colour pencils white highlights on paper. Signed in black ink,
lower right: 'Ronald Searle'.
I got it from Agnes, 1981, pen and black ink and black wash on paper. Signed in black ink in lower left corner: 'Ronald Searle'. Inscribed in
graphite, lower left: 'I got it from Agnes...' and, verso: 'Unpublished illustration for 'Too many songs by Tom Lehrer with not enough drawings by
Ronald Searle’, Eyre Methuen: London 1981./ I got it from Agnes/(Refused by publisher)'.
Untitled (Dancer in desert), 1989, pen and black ink and prefabricated black crayon on paper. Signed in black ink, lower right: 'Ronald Searle'.
Swan Lake, 1994, pen and black ink and prefabricated black crayon on paper. Signed in black ink, lower right: 'Ronald Searle’. Inscribed in
graphite, lower left: 'Swan Lake'. Inscribed in graphite, verso: ‘Swan Lake / New York Times’.
Untitled (Bird Orchestra), 1994, pen and black ink and black wash on paper. Signed in black ink, lower right: 'Ronald Searle'. Dated in graphite,
lower left: '1994'.
Untitled (Woman going for walk with baby), graphite on paper. Verso: Sketch for ‘En guerre’. A preliminary drawing for Le Monde, 31 August 1995,
verso in black ink, black wash and graphite.
Untitled (Four police officers), prefabricated black crayon (?), pen and black ink on white drawing paper (Papeterie Montgolfier StMargel les
Annonay).
Casablanca, beach near the town, 1965, watercolour on card. Signed and dated in black ink, lower left: 'Ronald Searle / Casablanca Jan 1965'.
Exhibited at a retrospective of Searle’s work held at the Bibliothèque Nationale de France, Paris, 1973.
Lord Goddard, 1956, watercolour washes and graphite on light-grey drawing paper. Signed and dated in black ink, lower left: 'Ronald Searle,
1956'.
The Anatomy Lesson, watercolour washes and prefabricated colour crayons on white card. Signed in black ink lower edge: 'Ronald Searle'.
Inscribed in graphite along the lower margin: 'Rembrandt / The Anatomy Lesson; Almanach / Top right, p. 15'.
The Ballerina, Paris, 16th May 1966, pen and black ink and black wash on white card. Signed in black ink, lower right: 'Ronald Searle'. Inscribed in
black ink, lower right: ‘all for Wendy / with love, / Paris 16th May 1966 / Ronnie.'
It’s in the bag, 1960, pen and black ink and black wash on white card. Signed in black ink, lower left: 'Ronald Searle' and dated in graphite below
signature: '1960'. Inscribed in red ink along the lower margin: 'Theatre June 1st / (It's in the bag) / Christian Martin.... RICHARD BRIERS / Bertrand
Barnier... TERRY-THOMAS'. Inscribed, verso: Ronald Searle / PUNCH Theatre, 1st June 1960 / IT'S IN THE BAG / Duke of York's Theatre, London /
Christian Martin.... RICHARD BRIERS / Bertrand Barnier... TERRY-THOMAS'.
The Postcard 2, pen and black ink, watercolour and bodycolour on white paper attached to board. Signed in black ink, lower left: 'RS'. Inscribed in
black ink, upper left: 'Punch summer issue’.
Palais Royal, Paris, 1951, pen and black or brown ink and watercolour washes on white paper. Signed and dated in black or brown ink, lower left:
'RS / March 12 1951 / Palais Royal Paris'. Inscribed in black or brown ink, lower right: 'Particularly for my wife'.
Midnight in Maddox Street, c.1953, pen and black ink and watercolour washes on paper, glazed with gum or varnish. Signed in graphite, lower left:
'Ronald Searle'. Inscribed in graphite on mount: 'Ronald Searle… for Wendy / Midnight in Maddox Street’.
Hindu Woman, 1945, graphite on paper attached to board. Signed and dated in graphite, lower left: 'Ronald Searle. Colombo 1945'.
Punch, 1954, bodycolour, oil-paint and varnish on grey paper, loosely attached to a board support. Signed and dated, lower left (visible only by
using UV): 'Ronald Searle 1954'.
The Chef, pen and black ink and soft black crayon on tracing paper.
Untitled (Cat lecturing in art gallery), 1998, pen and black ink, watercolour and coloured crayon over graphite on paper. Signed in black ink, lower
right: ‘Ronald Searle’. A preliminary drawing for New Yorker Magazine, 19 August 2002.
Untitled (Museum attendant guarding a painting), 1998, pen and black ink, coloured crayon and colour wash on paper. Signed in black ink, lower
right: ‘Ronald Searle’. Published in Paris Match, 15 October 1998.
Molesworth, 1999, pen and black ink, watercolour, coloured crayon and white heightening with spattered black ink (crachis on paper). Signed, in
black ink, lower right: ‘Ronald Searle’.
Great moments in music, 2000, graphite, pen and black ink, watercolour with black ink crachis and white highlights on paper. Signed in pen and
black ink, lower right ‘Ronald Searle’.Inscribed in graphite, lower left: ‘Great Moments in Music’.
Great moments in music (snake), 2000, pen and black ink, watercolour, and crayon over graphite with white highlights on paper. Inscribed in
graphite, lower left: ‘Great Moments in Music’; signed in pen and black in ‘Ronald Searle’.
Our Christmas card, 2011/12, pen and black ink, blue crayon, watercolour, coloured crayon and body colour (white heightening) with graphite on
paper.
Father Christmas and reindeer, Christmas card design, 2010, pen and black ink, coloured crayon, watercolour and white highlights on paper, with
scratching out.
Light work, 2008, pen and black ink, watercolour and coloured crayon on paper. Signed in black ink, lower left: ‘Ronald Searle’. Inscribed in
graphite, lower left: ‘…Light work’.
Family tree of historical caricaturists (undated) pen and black, blue and red ink, with watercolour, felt pen and graphite on graph paper.
News Chronicle, pen and black ink over graphite on artist’s board. Inscribed in red ink upper left: ‘News Chronicle Searle-Wess feature 3’.
Mr. Bumble, c. 1962, pen and ink with traces of graphite on white card (?). Signed in black ink, centre left: 'RS'. Inscribed in black ink, lower left:
'Oliver Twist. / Bumble. Not used.' Unused drawing for Oliver Twist (Longmans, 1962)’.
Sketch of Bill Sikes, c. 1962, pen and black ink and traces of graphite on white card. Signed in blue ink in lower left corner: 'RS.' Inscribed in blue
ink, lower left: 'Oliver Twist, Sketch of Bill Sikes'. For Oliver Twist (Longmans, 1962).
Alice Through the Looking Glass, pen and black ink and black wash on white card. Signed in black ink, lower right: 'Ronald Searle'. Dated in
graphite, lower right: 'Feb 11th'. Inscribed in graphite with dimensions and title in brown ink: 'Alice Through the Looking Glass'; 'Red Queen...
MISS BINNIE HALE, White King... Mr MICHAEL DENISON, White Queen... MISS MARGARET RUTHERFORD'.
Paddington, 1952, pen and black ink and blue crayon with traces of graphite on white paper. Signed and dated in black ink, lower left: 'Ronald
Searle / Paddington, 15 Feb 52'.
Punch, Cover, 9 May 1962. Pen and ink and gouache and traces of graphite on card. Signed in black ink, lower left: 'Ronald Searle'. Inscribed in
graphite, lower edge: 'Cover for May 9th, The Title and price in colour as on April 4th'.
Self-portrait, c.1940, pen and brown ink with brown wash on paper.
Ezra Pound, black felt pen on paper.
Cartoon no. 144, 1938, pen and black ink, traces of Tippex (or equivalent) on two sheets of paper with black and white photochemical
reproductions (portraits) on verso, some inscribed in pen and ink, graphite and blue crayon. A preliminary drawing for Cambridge Daily News, c.
August 1938.
Ceiling recently unveiled by G. Tiepolo to celebrate the arrival of Her Majesty in the New World, 1957, pen and brown ink, brown wash, graphite
on a white primed paper. Signed in black ink, lower right: ‘Ronald Searle’. Inscribed in graphite, lower left: ‘Ceiling recently unveiled by Tiepolo to
celebrate / the arrival of Her Majesty in the New World.’Dated in graphite, lower right: ‘[1957]’. A preliminary drawing for Punch, 16 October 1957.
Girl with an umbrella, 1962, pen and black ink, on paper, laid down. Signed and dated in black ink, lower left: ‘Ronald Searle 1962’.
Untitled (Sleeping man) ?1950s, bodycolour on coloured paper (buff green) laid down on paper.
Design for Young Elizabethan, 1954, pen and ink, gouache and white highlights on card faced with white paper. Signed in black ink, lower left:
'Ronald Searle'. Inscribed in black ink: 'YOUNG / ELIZABETHAN / The magazine to grow up with'.
Trafalgar Square, 1951, pen and black ink and black wash on white paper. Signed and dated in black ink, lower left: 'Ronald Searle / Nov 1951'.
Sa Chapman, 1952, pen and black ink and black wash on white paper, laid down. Signed and dated in black ink, lower left: 'Ronald Searle 1952'. A
preliminary drawing for ‘People worth meeting’, News Chronicle, 16 October 1952.
The Postcard 1, pen and black ink, watercolour and bodycolour on white paper attached to board. Signed in black ink in lower right corner: 'RS'.
Inscribed in black ink upper left: 'Punch summer number’. Inscribed in black ink, lower left: ‘The Postcard 1. “Ideal spot … absolute solitude.
Worthy of the brush of a Constable…”’.
Untitled (Four cats), pen and black ink with watercolour wash on paper.
The Model or A bad day for ideas, pen and black ink with coloured crayon and blue ink on paper. Inscribed in black ink, lower left: ‘A Bad day for
ideas’. Inscribed in black ink, lower right: ‘The Model’.
Untitled (Cat walking across a room), pen and black ink on paper.
Untitled (Seated cat), pen and black ink on paper.
Untitled (Anguished cat between two walls), pen and black ink on paper.
Nobody wants me, pen and black ink with graphite on paper, Inscribed in graphite, lower left: ‘Nobody wants me’. Inscribed in black ink, lower
right: ‘Forsaken – / [Nobody loves me]. Unloved. The great unloved / I need affection – All I need is affection – / Life is just a hollow mocking.
Prints
David Alexander:
256 lithographs printed in Le Charivari from 1839 to 1866 by Paul Gavarni (1804-1866) and Édouard de Beaumont (1821-1888), comprising for the
most part images of social satire but also a small number of scenes of the 1848 Revolution, and fashion plates from the series Modes Parisiennes.
David Alexander, Honorary Keeper of British Prints, 14 South Parade, York, YO23 1BF:
41 prints by Caroline Watson (1760-1814):
Garrick speaking the ode, after Robert Edge Pine, 1784, stipple printed in red, published by Pine; Ophelia, after Robert Edge Pine, 1784, stipple
printed in colours, published by John and Joshiah Boydell; Miranda, after Robert Edge Pine, 1784, published by John Boydell; Mrs Siddons after
Robert Edge Pine, 1784, stipple, published by John Boydell; Ozias Humphrey, after George Romney, 1784, stipple; Prince William Frederick,
after Joshua Reynolds, 1784, stipple, published by John Boydell; Birtha, after Samuel Shelley, 1785, stipple; Eleanor, after Samuel Shelley, 1785,
stipple; Princess Mary, after Hoppner, 1785, stipple, printed in red; Princess Sophia, after Hoppner, 1785, stipple; [Siddons and Kemble], after
Charles Shirreff, 1785, stipple; John Milton, after a miniature said to be by Samuel Cooper, 1786; stipple; Benjamin West Esq.r/ Historical Painter
to His Majesty, after a picture by Stuart ‘in the Proprietor’s Gallery’, 1786, stipple. Published by John & Josiah Boydell; Sir John Harris, KB,
after Joshua Reynolds, 1786, stipple, published by Caroline Watson; Dr Jeffries, after John Russell, 1786, stipple, published by James Robson;
Catherine II Empress of Russia, after Alexander Roslin, 1 September 1787, stipple, frontispiece to the Houghton Gallery, published by John and
Josiah Boydell; Viola/ She never told her love/ Twelfth Night, after a miniature by Samuel, 1788, stipple, published by Caroline Watson; Sir Joshua
Reynolds, after a self portrait, 1789, stipple, published by T. Cadell; Contemplation, after Joshua Reynolds, 1 Jan 1790, stipple, published John &
Josiah Boydell; Maternal Tuition, ‘Catherine Maria Fanshawe delt’, 1793, published by Anthony Molteno; John Lord Viscount Mountstuart, after
Thomas Gainsborough, 1796, private plate; Marquis of Bute, 1796 after a painting by Thomas Lawrence, private plate; Sarah Countess of Kinnoull,
after a miniature by Shelley, 1798, stipple, pendant to following; Robert Auriol, Earl of Kinnoull, after a miniature by Shelley, 1799, stipple; Ann
Holme seated holding a miniature, after Smith and Morland; Heloise at a table reading letters and Heloise in a chapel, after Catel, 1802, stipples,
published by Rothstein; Lady Wortley Montagu, 1803, stipple, frontispiece. to vol.I of her Works, published by Richard Phillips; La Colombe
Retrouvee, after William Beechey, 1804, stipple; John Wilkes, after Robert Edge Pine, 1804, stipple, published by Richard Phillips; The Most Noble
Richard Cowley Wellesley Marquis Wellesley, after Charles Andras, 1804, stipple, published by Mary Parr; Samuel Jackson Pratt, after Lawrence,
1805, stipple, printed in colours, published by Richard Phillips, fr. to Pratt’s Harvest Home; William Woollett, after Gabriel Stuart, 1805, stipple,
state before all lettering; William Woollett after Gabriel Stuart, 1805, stipple, published John Boydell, (different state to P.9423-R); Richard, 2nd
earl Temple, pl to Letters of Junius, 1806, published by R. Phillips; Elizabeth Carter, after Thomas Lawrence, 1808, stipple, published by Mary Parr;
Alexander Pope, stipple, pl. to vol. 3 of The Cabinet of Poetry containing the best entire pieces … from Milton to Beattie … selected by J.S. Pratt,
1808, 6 vols; Two plates to Life of George Romney, Portrait of Romney, and Sensibility, 1809, stipples, published by T. Payne; Mary Tighe, after
George Romney, 1811, stipple, published by Longman; The Rev.d D.r Iohn Hough, after Kneller, pub. John George Cochrane and Longman, 1 Oct
1811; Euphrasie Picquenot (fl. 1800-1820), Le Chev. Josué Reynolds, copy after Watson’s 1789 stipple listed above.
Pamela Clarkson and Atta Kwami:
Pamela Clarkson (born 1946) and Atta Kwami (born 1956), Drawing Combs: Davunu / ‘Afe Nutata, 2013, set of 12 linocuts on paper (nos. 1 to 6 by
Kwami, and 7 to 12 by Clarkson), from an edition of 9.
The Gerhart Frankl Memorial Trust:
Seven works by Gerhart Frankl (Vienna 1901-1965 Vienna):
1. The Cinque Torri in the mist, watercolour on beige-grey paper, 1926
The Cinque Torri (Five Towers) is a group of more than five 'towers' that lies on the southern slopes of Falzanzo Pass above Cortina
d'Ampezzo. They epitomise the Italian Dolomites.
2. The Cinque Torri in spring, graphite and watercolour, 1926
3. The Cinque Torri in summer, watercolour, 1926
4. The Dolomites, pastel and watercolour, 1960
5. In the West Alps, pastel and bodycolour, 1960
6. Christ, Lord of the World, I, charcoal, pastel and bodycolour, 1962
After the bronze doors of San Zeno, Verona
7. 'In Memoriam' sketch-book, pastel, black ink, charcoal, c.1947-1950
An early series of studies for the 'In Memoriam' which Frankl abandoned and to which he returned in 1961-65
The Friends of the Fitzwilliam Museum with a contribution from the Chadwyck-Healey Charitable Trust:
Jane Dixon (born 1963), Evidence of Doubt, 2011, set of 16 photograms, two of them made uniquely for the Fitzwilliam Museum, together with the
two graphite preparatorydrawings on Truegrain drawing film made for the two extra ‘Fitzwilliam’ prints.
The Friends of the Fitzwilliam Museum
Jane Stobart (born 1949), Firing at Whitechapel II, 2013, etching and aquatint from an edition of 15.
The Friends of The Fitzwilliam Museum:
Adriaen Collaert (c.1560-1618), Living images of fish (Piscium vivae icones), 24 engravings from the set of 26, first edition (before the numbers)
published by Adriaen Collaert, Antwerp, c.1600-10.
George Shaw (born 1966), Fuck Me Fuck You Tree, and Fuck You Fuck Me Tree, pair of lithographs, each printed from a single stone on Fabriano
Tiepolo paper, no. 13 from an edition of 50, signed and numbered on the verso: George Shaw 13/50, and with Hole Editions’ embossed chop
mark in the lower left corner, and the printer’s chop mark in the lower right corner.
Israel Goldman, in honour of David Scrase:
Utagawa Kunisada (1786-1864), Chapter 34: Spring Shoots 1 (Sanjūyon no maki – Wakano no jō), from the series Lasting impressions of a late Genji
collection (Genji goshū yojō), woodcut printed in colours, with blind embossing (karazuri), burnishing (shōmenzuri) and textile-printing from silk
(nunomezuri), ōban format diptych, published by Wakasaya Yoichi, 09/1858.
Tim Knox, Director, and Dr Todd Longstaffe-Gowan:
Robert Martin (fl.1770s-1837), A Specimen of Ink Lithography, lithograph printed on India paper (chine collé), published by Martin at 124 High
Holborn, 1 January 1832.
Tim Knox and Dr Todd Longstaffe-Gowan:
Benjamin Cole (1697-1783), Trade card for Mary Knight & Son, Fish Hook Makers, c.1760, etching and engraving.
William Heath (1795-1840), The Galoppade, published 1 February 1830, etching with hand colouring, published by Thomas McLean (1788-1875).
Joe Lubbock:
Joe Lubbock, Landfall, Bellbrook Park, Uckfield: Pure print, October, 2012, privately printed by the artist’s daughter, Catherine Jennings, in a
limited edition of 100 copies.
Given by the Executors of Mr Alan Richard Martin:
Michael Rothenstein (1908-1993), Cockerel with spread wings, 1959-60, woodcut and linocut printed in red, black and blue ink, signed and
numbered XVI in ink, printer’s proof, printed by Christopher Foss and published by the artist and Shenval Press Ltd for Motif 5, 1960, Sidey 124.
Eric Slater (1896-1963), An Autumn Morning, 1934, colour print from woodblocks.
The Print Studio:
Mr Penfold, untitled geometric composition, screenprint in four colours on Somerset velvet cream 300gsm, in the form of a New Year card from
the Print Studio Cambridge.
David Scrase:
Utagawa school, A love fortune, c.1860, trick print (shikaka-e) of a pillow with interactive parts, colour printed from woodblocks, with cut paper
parts assembled with paste in the form of a pillow.
David Scrase, to celebrate the achievements of Craig Hartley:
Edouard Vuillard (Cuiseaux 1868-1940 La Baule), Design for a programme for Ibsen's play The Pillars of Society (Les Soutiens de la Societe),
lithograph, 1896. Claude Roger-Marx, L'Oeuvre grave de Vuillard, No.24 ,2nd state, of 3
David Scrase:
Graham Reynolds, Symmetries, printed for private circulation, Stowlangtoft, 2013
Christian Bonnefoi (born 1948), untitled abstract composition, 2013, lithograph, in the form of a 2014 New Year card for Hubert, Michèle, Annie
and Sylvie Prouté. Printed at the atelier A Fleur de Pierre, Paris.
Unknown artist, Earthquake print, colour print from woodblocks, 04/1854, no publisher’s mark or censor’s seal.
Jane Stobart:
Jane Stobart (b. 1949), Nightshift I, 2007, sugar-lift aquatint with hand colouring in blue watercolour, from an edition of 10.
Donors
The Art Fund
Arts Council England
Arts & Humanities Research Council
Mr Adrian Binks
William Blake Trust
Dr Jerome Booth
Deborah Brice
British Academy
Professor T Buttrey
Cambridge Community Foundation
Cambridge City Council
Cambridge County Council
Cambridge University Press
Christine Mary Chilton deceased
The John S Cohen Foundation
DCMS/Wolfson Museums & Galleries Improvement Fund
Diana Delbridge
Shawn M Donnelley & Christopher M Kelly
Economic & Social Research Council
Eridge Trust
Finnis Scott Foundation
Fitzwilliam Museum Enterprises
The Friends of the Fitzwilliam Museum
Grocers' Charity
Headley Trust
Heritage Lottery Fund
The Henry C Hoare Charitable Trust
International Partners Charity Fund
Isaac Newton Trust
Christopher Jeeps
James and Claire Kirkman
Marlay Group
Prof James Marrow & Dr Emily Rose Marrow
Paul Mellon Publicaton Grant
MLA/V & A Purchase Fund
The Monument Trust
John Murray Foundation
Sir Douglas Myers
NADFAS
Prince's Foundation for Children and the Arts
The Radcliffe Trust
Zeno Karl Schindler Foundation
Johnny van Haeften Ltd
Christopher Walkinshaw
Mr William Weiller
Weinstock Fund