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le t S im o n p u t t h a t r in g o n h e r
li n g e r , n o t u n t i l h e r h a n d s w e r e
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tim e to be o n h is w a y , t h e n
m ov ed o u t Of th e d o o rw ay a n d
a lo n g t h e s tr e e t.
S h e s to o d fo r a w h ile a c r o s s
th e sq u a re fro m th e P r in te r y .
S h e c a r r ie d it t o th e - fir e p la c e .
S h e cro ssed th e s q u a re th e n a n d
o p e n e d th e d o o r.
S h e w e n t c a u t i o u s ly u p s t a i r s , T h a t onfe t h i n g w a s f ix e d in h e r s a id t h e w o r d s s h e s a id .
fe e lin g h e r w ay .
A nse
w as
th e re ,
ta ll a n d
m in d .
.
F in d in g th e m a n u s c rip t, s h e
S h e s a i d f i n a l ly : “I t ’s a l l o v e r , s t r a i g h t a n d v e r y m u c h o n p a r ­
l a i d i t o n S i m o n ’s d e s k , p u l l e d i t
• -fr o m t h e e n v e l o p e a n d c a r r i e d A n s e — b e t w e e n S i m o n a n d m e " a d e . H e l o o k e d a t h e r in t h e p a l e
d ress sh e
w o re
and
i t t o t h e f ir e p la c e . S h e f o u n d a S h e l a u g h e d . “J a f f r y C la y l e f t g r e e n
b o o k o f m a t c h e s i n h e r p o c k e t a m a n u s c r i p t t h a t - I r e a d , t h a t t h o u g h t - t h a t he h a d n e v e r s e e n
a n d s t r u c k o n e a n d c a r r i e d t h e I w o u ld n o it h a V e S i m o n r e a d
h e r lo v e lie r t h a n a t
th is m o ­
Tonight I
f l a m e t o t h e to p s h e e t . I t c a u g h t I will not .say why.
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lo o k in g
t h e b l a c k li n e s , lik e
th e
t i d e S i m o n f o u n d o u t . T h e t i t l e of
and Jon
a c r o s s t h e s a n d , b l o t t i n g t h e m t h e b o o k w a s ’J o u r n a l o f M y a l o o f a n d m o u r n f u l ,
L o v e s ,” ’
H illy e r w a s t h e r e , s h a r in g th e ir
o u t fo re v e r.
“Y o u s t i l l c a r e
fo r S im o n — h a p p in e s s , f o r g e t t i n g h is
ow n
F a s te r, fa s te r, sh e
u rg e d —
lo s s in s e e i n g G i l l i a n h a p p y .
B u rn
fa s te r. J o u rn a l
o f M y y o u k n o w y o u d o .”
I .t h i n k i ’l l h a v e to
go m y
T h e re c e p tio n w as a t
R ydal
L o v e s— o n e b y o n e t h e w o r d s o f
t h e t i t l e w ere e a te n a w a y , as h is w a y a n d l e t h im go h is . I — I H o u se . I t w a s a h a p p y h o u r a n d
n a m e h a d been
e a te n
b e f o r e a m n o t g o i n g b a c k to t h e p r i n t ­ i f t h e g h o s t s of J a f f r y C l a y a n d
e r y a n y m o r e . I c a n ’t s t a y h e r e , H i l a r y w e r e t h e r e a t ,th e lo n g ,
th e m .
“ T h a n k G o d ! ” s h e w h i s p e r e d . A n s e . C a n ’t w e g o b a c k t o R y ­ w h i t e , g l i t t e r i n g t a b l e w i t h i t s
\ “ T h a n k G o d , i t ’s d o n e n o w , a n d d a l ? ”
t a l i 'c a k e , n o o n e s a w t h e m .
“.We’l l g o .”
“I ' a d o r e y o u , G i l l i a n , ” S i m o n
n o th in g
can
ever
b rin g
it
“W e c a n ’t s t a r t to o s o o n
to w h i s p e r e d d a r i n g A n s e ’s lo v e ly
hack— ’
sp e e c h , o f w h ic h s h e
h eard
T h e l i g h t s w e n t o n . F b r a m o ­ s u i t m e , A n s e ’,”
s c a r c e ly a w o r d . “ F o rg iv e m e i f
m e n t, d a z z le d , s h e d i d n o t r e a lJ o n , ^ i f l y e r .'-Cam eot'd -se e --th 'e m e v e r 1 h u f t 'y o u . ” ’ ’
V -Jze w h a t h ad' h ap p en ed .
She
“M a y b e I a m t h e o n e t o a s k
s to o d u p , t u r n e d s lo w ly , t o m e e t a f t e r t h e y h a d b e e n a t R y d a l
l e s s t h a n a m o n t h . G i l l i a n 'f e l t f o r g iv e n e s s , - S i m o n . L e t u s s a y
S i m o n ’s s t a r t l e d e y e s .
" W h y , G i l l i a n ! W h a t e v e r a r e a b s u r d l y g l a d w h e n s h e o p e n e d t h a t o n b o t h s i d e s a ll t h i n g s a r e
t h e d o o r a n d ' s a w h i m s t a n d i n g f o r g i v e n . T h a t ’s - t h e w a y
it
yo u d o in g ? ”
s h o u l d b e —t o d a y . ”
“I w a s b u r n in g —so m e
ru b - th e re .
“ I a m g l a d to s e e y o u , J o n .
“T o d a y a n d f o r e v e r . ”
.. b is h . O h , s o m e o d d s a n d e n d s .
W h a t is g o i n g o n in M o n t r e a l ?
A t th e b e n d o f th e ro ad „ o n
N o th in g im p o rta n t.”
“ B u t w h y i n t h e d a r k , G i l ­ I — I ’m s t a r v e d f o r n e w s . I c a m e M a l v e r n H ill w h e r e o n e , l o o k i n g
l i a n ? I l e f t m y b r i e f c a s e h e r e d o w n h e r e , to f o r g e t a l l a b o u t b a c k , h a s t h e l a s t g l i m p s e o f
a n d re m e m b e re d w h en I
w a s t h e p l a c e ,' b u t I ’m a f r a i d t h e r e ’s R y d a l , h e s t o p p e d t h e c a r a n d
d re w h e r in to h is a rm s a n d
p a r t w a y h o m e, so m e th in g s
1 n o g e t t i n g b a c k .”
“Y o u m e a n i t ’s a l l o v e r b e ­ k i s s e d h e r .
He
sa id , h o ld in g
w a n t e d t o lo o k a t . ”
c lo s e , lo o k in g
e a r n e s tly
" O h , i t ’s n o t h i n g , S i m o n . I — " t w e e n y o u a n d K il l i g r e w ? " J o n ’s h e r
h e r h a n d fle w to h e r t h r o a t , a n d v o ic e w a s e a g e r , t h e h a n d t h a t d o w n a t h e r , “ I c o u l d n ’t w a i t
h e r e y e s d i l a t e d a n d a l l h e r l if e h e l d h i s c i g a r e t t e , tr e m b le d . “ I f a n y l o n g e r f o r t h a t . I t ' s s o h a r d
you
k n o w to
r e a l iz e t h a t w e’r e m a r r i e d
s e e m e d t o s to p . S h e c o u ld p o t t h a t ’s s o , G i l l i a n ,
a t la s t, G illia n ,
th a t n o th in g
m o v e , c o u ld n o t s p e a k ,
c o u ld t h a t I — ”
“D a r lin g J o n ! ”
S h e p u t h e r c a n t a k e y o u f r o m m e n o w .”
n o t t e a r h e r gaze fro m th e e n ­
“N o t h i n g c a n , S i m o n .”
v e lo p e o n S i m o n ’s d e s k .
F ro m h a n d o v e r h is .
“ I w a n t o n l y t h e r i g h t to p r o ­
T h e y -d ro v e in to th e d u sk of a
w h e re s h e s to o d s h e c o u ld s e e
jh e b o l d l e t t e r s o f t h e
l a b e l — t e c t y o u , G i l l i a n ; t o m a k e y o u b l e a k a n d w in d y d a y .
“W e ’ll d r i v e u n t i l t h e
m oon
W o n ’t y o u g iv e m e t h e
’’J o u r n a l o f M y
L o v e s .”
A nd h appy.
chance?”
“ J a f f r y C la y ” b e lo w i t.
C o m e s ,” h e
s a id
g a y ly ,
“a n d
“ I t w o u l d n ’t b e f a i r t o y o u , t h e n t h e r e ’s a l i t t l e l o s t v i l l a g e
S i m o n w a lk e d o v e r
to
th e
J o n . N o ; t h a t ’s a l l p a s t
a n d I w e n t t o y e a r s a g o — a lo n e .
I
d e s k a n d p ic k e d i t u p .
w a s h a p p y t h e r e a n d I ’d lik e t o
“Y o u b u r n e d t h e s t o r y J a f f r y d o n e w i t h . ”
l e f t . Y o u f lu n g i t - i n .t h e f i r e
“ I f h e c o m e s b a c k t o y o u — ” t a k e y o u to it."
S i n g i n g , t h e y c a m e to t h e i n n
“ I f h e c o m e s b a c k t o m e o r if
r a t h e r t h a n le t m e k n o w a n d
y ard a n d
th e a n d d r o v e i n t o t h e
l e t t h e w o r ld k n o w w h a t y o u h e d o e s n 't , I ’l l f e e l j u s t
no. tr o u b le
f in d in g th e
r e a l l y w ere, t o J a f f C l a y . I —i t is s a m e t o w a r d s h i m . I f o u n d lo v e , h a d
h a r d to b e lie v e !”
a n d o n c e y o u f i n d i t y o u n e v e r l a n d l o r d , fo r he c a m e , f a t a n d
jo lly a n d w a s h in g h is
hands
'S h e m a n a g e d t o s p e a k a t l a s t . l o s e i t . ”
w a te r,
“ I ’v e l e a r n e d t o t a k e i t , f r o m
“T h e re a r e t h i n g s b e tw e e n S i­ w ith in v is ib le s o a p a n d
y o u . N ow y o u c a n ta k e it, fo r m o n a n d m e ”—s h e sp o k e v e ry to g r e e t th e m .
M a d a m e e t m ’s i e u r ! Y o u a r e
n e tfe r
he
o n c e a n d a ll, f r o m m e ; I b u r n e d sH owfy— “ t h a t m a y
h i s s t o r y , y e s ! A n d i f h e ’d w r i t ­ c l e a r e d u p . I f hfe w a n t s ’ m e h e m o s ’ w e lc o m e . A n ’ m y b e s t r o o m
y o u r d is p o s a l.
t e n a t h o u s a n d lik e i t , I ’d h a v e m u s t t a k e a g r e a t d e a l o n t r u s t . is , c e r t a i n l y , a t
now an d
f m r h e d t h e m to o . A n d i f y o u I t h i n k h e i s b ig e n o u g h t o do W e w ill g o u p t h e r e
t h i n k t h e w o r ld i s a n y w o r s e o f f t h a t . I f h e r e a l l y lo v e s m e w h i l e y o u r e s t I w i l l m a k e r e a d y
f o r n o t b e i n g a b l e t o r e a d t h e e n o u g h , h e w ill c o m e b a c k to s o m e g o o d s u p p e r , n o ? "
I t w as a la rg e
a n d p le a s a n t
reco rd s o f a
s m a ll- tim e
D o n m e. I w a n t h im t o com e b a c k —
ro o m in to w h ic h
he
u sh e re d
T u a n , y o u ’r e
m a k in g
a
s a d w a n t h im o n a n y . te r m s .”
m is ta k e .”
“He told me to ask you, Gil­ t h e m .
G illia n w a s lo o k in g a t t h e
“ I h a t e y o u f o r t h i s , ” h e s a i d lian.”
h o o k s .o h t h e l i t t l e - ta b le b y t h e
“ H e— h e s e n t y o u h e r e ! ”
q u ie tly .
“Y o u
w o u l d n 't
have
J o n n o d d e d . “ I s h o u l d h a v e b e d . S im o n l o o k e d t o o . " H e l l o , ”
g o n e o u t o f y o u r w a y to lie to
to h e A aid. "‘H e r e i s a c o p y o f J a f f
m e , y o u w o u l d n ’t h a v e b u r n e d t o l d y o u a t f i r s t , b u t I h a d
f irs t
p o em s— a n d ,
by
about
it. C l a y ’s
t h a t m a n u s c r i p t , if
you
w ere k n o w h o w y o u f e lt
n o t a f r a i d o f i t , o f w h a t i t A n d n o w I k n o w ! . S h a l l I te ll J o v e , w i t h h i s a u t o g r a p h t o o l ” ;
T h e in n k e e p e r n o d d e d d e ­
m i g h t d o f o r y o u . Y o u c o u l d n ’t h i m t o c o m e ? ” '
“ He s ta y h e r e o n e
a f f o r d t o le t it s e e
th e
li g h t,Y es’? p l e a s e , J o n — t e l l h i m to l i g h t e d l y .
young
c o u ld v o u ? I t a c c u s e d y o u , d i d ­ c o m e . T e l l h i m I ’l l b e w a i t i n g . ” t i m e ' f o r a w e e k , • t h a t
n ’t i t ? "
H e C a m e t h e n e x t d a y , w h e n p o e t . H e a n ’ h is ' w i f e . H e f o r g o t
S h e s a i d , " I 'l l g o n o w , S im o n . o n l y A n s e w a s in
t h e , c o t t a g e , t h i s b o o k . M ’s t e u r a n d M a d a m e
I — I su p p o se
t h a t ’s
th e
o n l y a n d A rise s h o o k h i s ’ h a n d a n d J o n e s , t i e t e l l s m e , , b u t I s e e h i s '
t h i n g t o d o .”
s h o w e d h i m t h e p a t h a c r o s s th e p i c t u r e i n t h a t b o o k H e l e f t . A h ,
“ W h a t e ls e ? "
H e t h r e w t h e f i e l d s G i l l i a n h a d t a k e n . “ I f y o u t h e y w e r e h a p p y _ th o s e t w o — so
lo v e —J a f f ,
e m p t y e n v e lo p e op- t h e d e s k a n d f o llo w t h a t p a t h y o u 'r e b o u n d y o u n g , s o m i a c h ' I n
s h e e'a ll h i m a n ’ h e
c a ll h e r
lo o k e d f o r l o r n l y ' a t ' i t a n d
a t t o m e e t h e r .”
H e w a l k e d s lo w ly t h r o u g h t h e H i l a r y . ”
h e r . “ T h i s w a s w h y y o u w o u ld
; T h e d o o r c lo s e d b e h i n d h im .
n o t t a k e t h e r i n g f r o m m e t h i s f a l l o w f i e ld s .
tu rn e d
to
G i l l i a n s t o o d s t i l l a n d e x p e c t ­ :S im o n s t o o d as if
a f t e r n o o n . Y o u h a d to d o t h i s
r o t t e n t h i n g f ir s t.
T hen
y o u a n t w h e n s h e s a w h i m . • -S ty e s t o n e a n d t h e b o o k d id . slo w ly
c o u ld h a v e w o r n it w i t h
w h a t s a id , “ I a m s o g la d y o u c a m e , fro m h i s h a n d a n d f e l l ' t o t h e
at
h im
y o u c a l l a c l e a r c o n s c ie n c e . Y o u S i m o n . I — I d o n 't t h i n k I c o u ld f lo o r . G i l l i a n l o o k e d
aw ay.
E ven sh e
h a v e n o c o n s c ie n c e , n o
h e a r t , h a v e w a i t e d a n y l o n g e r . I d o n ’t a n d lo o k e d
no—”
c a r e w h a t y o u th i n k o f m e, S i­ c o u ld n o t I n tr u d e u p o n w h a t h e
in
“ B i t t e r t h i n g s , S im o n .”
H e r m o n , j u s t s o l o n g a s y o u lo v e f e l t i n t h i s m o m e n t . H e r e ,
th is f o rg o tte n p la c e , h e
had
v o ic e w a s s o f t . “ I h a v e t o g o . 1 m e . "
la s t, t h e
I th in k o n ly th e b e s t of y o u , fo u n d t h e t r u t h at
w o n ’t c o m e b a c k h e r e .
So i t ’s
G i l l i a n . I w o u ld n o t
ask
y o u c r u e l t r u t h t h a t sh e h a d r is k e d
g o o d - b y , S i m o n .”
a g a i n t o m a r r y m e i f I c o u l d n ’t h e r h a p p i n e s s to k e e p f r o m h i m .
“I — I ’f t i s o r r y , S i m o n . I f o u g h t
S h e c o u ld
never
re m e m b e r t a k a y o u w ith a h e a r t fre e fro m
w h a t A tisesa id
w hen
s h e d o u b t . I b e lie v e i n y o u — b e lie v e a l w a y s t o k e e p i t f r o m y o u . I t
w a s a ll i n h i s b o o k , t h e s t o r y o f
g ro p ed h e r w ay
up
t h e d a r k i n y o u w i t h a l l m y s o u l.”
“As you'ye always believed in - t h e i r lo v e , t h a t w a s w h y I
s ta ir s a n d in to th e q u ie t, c o m ­
f o r t a b l e r o o m , w h e r e h e s a t s u r ­ those you. lov'e,” . she said, and b u r n e d i t . H e t u r n e d f r o m h e r
m e th e n ;
r o u n d e d b y h i s b o o k s a n d m a p s . came into his arms and raised to m e . S h e c a m e to
a n d t h a t w a s w h y I ’d h a v e n o
S h e b ecam e c a lm e r a f te r
a her face to his kiss.
B u t fo r
T h e y W ere m a r r i e d ' t h r e e d a y s : m o r e to do w i t h h i m .
l i t t l e w h ile . S h e s a t t h e r e , w e a k
S h e c a u g h t,
little g ra y s to n e th e m it w as o v er.
a n d s p e n t , w i t h n o s t r e n g t h , in l a t e r in • t h e
h e r, no
d e s ire , n o
pow er
to c h u r c h in R y d a l w h e r e m a n y c o l d , t o o k n o c a r e o f h e r s e l f —
h e i ' h a d a n d he, w e ll you k n o w n o w .”
s t r a i g h t e n ; o u t t t i e t a n g l h o f her- o t h e r M e a d e s b e f o r e
of th e m il-iought:.-,. S h e h a d l o s t S i m o n s t o o d b e f o r e t h e h i g h a l t a r a n d I 'T ’rn. .n o t th in k in g
a h o m e i t o r n a p a r t by the
o f t w o w o m e n .for evil a ‘
H e r e ,'- a r e s i x l i f e stories
p o w e rfu l sto ry . .
slx ■iiia
b r e a k s a n d a s m a n y re
o-
By Mac Arthur
HOUSE OF HAZARDS
G illia n ,” h e sa id , h i s .h e a d b o w ­
e d . " I ’ll n e v e r a g a i n
- th in k o f
t h e m . I t ’s o f y o u I ’m t h i n k i n g —
o f w h a t y o u d id , o f w h a t y o u
su ffe re d — ”
H e to o k h e r i n h i s a r m s a n d
h e l d h e r c lo s e , h e r w d t c h e e k s
a g a i n s t h is . “I t w a s w o r th w h ile ,
S im o n ,” s h e s a id , “ I w a n te d y o u
t o k e e p y o u r f a ith in lo v e a n d
i n th e th in g s y o u lo v e d ”
"I h a v e fa ith now .
I ’v e s e e n
s o m e t h i n g t h a t I d i d n ’t .k n o w
e x i s t e d i n t h i s w o r ld .
I t’ is in
y o u r h e a r t , G i l l i a n , a n d i t ’s a
s h r i n e a t w h i c h .I can , a lw a y s
w o r s h i p n o w a n d k n o w t h a t ..no
f a ls e n e s s c a n e n te r th e r e .”
<TH E E N D )
H E AMfGOVERN
LTH
A fte r F o rty , W h a t?
T h e re is s o m e th in g
aabou
b q iit a
f o rtie th b irth d a y t h a t m $ rk s a
d e f in ite tu r n in g p o in t i n
th e
l iv e s o f m o s t m e n a n d w o m e n .
T hey
r e a liz e
q u ite
s u d d e n ly
t h a t m id d le a g e
has
a rriv e d ,
t h a t th e y h a v e lo s t t h e p e p a n d
v ig o r th e y k n e w in s c h o o ld a y s.
M o st of th e m fe e l th e u rg e to
“ d o s o m e t h i n g ” a b o u t i t . I n to o
m a n y c a s e s, “ d o in g s o m e th in g ”
m e a n s p l u n g i n g i n t o a v ig o r o u s
r o u t i n e ; o f ,e x e r c i s e w h e t h e r i t
b e t o re d u c e w e ig h t t h a t h a s
b e e n i n c r e a s i n g s lo w ly o v e r a
n u m b e r O f y e a r s , o r to
Shake
o f f t h e f e e lin g o f s lu g g is h n e s s
t h a t - fo llo w s to o ” T o h t ’ a p e rltS d
o f in a c tiv ity .
F o r m o r e t h a n 25
y ears, I
h a v e d ir e c te d t h e e x e rc is e r o u ­
tin e s o f th o u s a n d s o f m e n a n d
w o m e n . E x e rc is e h a s b e e n
my
liv e lih o o d . B u t I c a n sa y w ith ­
o u t e x c e p t i o n t h a t I w o u ld f a r
r a t h e r se e a p e r s o n g e t a lo n g
w ith no
e x e fc is e
w h a ts o e v e r
t h a n to u n d e r t a k e , a t 40, th e
p h y s ic a l a c tiv ity t d w h ic h m a n y
o f th e m s u b s c rib e a f t e r y e a rs o f
c o m p a r a tiv e id le n e s s . I t m a k e s
n o d iffe re n c e t h a t a m a n w a s
on ce a s ta r a th le te .
I f f ig h a s g iv e n u p h is
r e g u l a r e x e r e js e .
f o r a s e d e n t a r y o c c u p a t i o n ,' h e
c a n n o t w ith s a f e ty r e tu r n to th e
s a m e s tre n u o u s tr a in in g m e th ­
o d s t h a t se rv e d h im
in
e a rly
life,.
T h i s s o r t o f w a r n i n g is n e v e r
n e c e s sa ry - fo r t h e p erso n w ho
h a s l i v e d a m o d e r a t e e x i s te n c e
f r o m c h ild h o o d .
A
m an
o r;
w o m a n w h o h a s b e e n c o n s c ie n ­
tio u s a b o u t h i s liv in g — c a n
go
o n t o 60, 7 0 o r e v e n 8 0 w i t h l i t t l e
c h a n g e i n h i s r o u t i n e . 'B u t t h e
p e r s o n w h o a t t e m p t s td r e g a in
h i s lo s t y o u th b y g o in g b a c k to
fcen
h a n d b a ll
, n i£
. , s q- u a s h. ,
or
s tre n u o u s
’c a l i s t h e n i c s
in
a
s u d d e n b u r s t o f e n th u s ia s m is
g o i h g to s h o r t e n , n q t l e n g t h e n ,
h i s life .
.------------- o _ —--------C h a n g e s C o lo r i n R a in
'
P e o p le w h o liv e i n ■W a s h i n g ­
t o n , D . C ., d r i v e d o w n t o w n w h e n
i t r a i n s t o s e e th e m a g n if ic e n t
M e llo n A r t G a lle r y b e c a u s e th e
s t o n e off w h i c h i t is b u i l t t u r n s
a b e a u tifu l
s h e ll p in k
c o lo r
w h e n w e t.
Alice Faye (left),' Don Ameche and Carmen Miranda
feature cast of ‘‘That Night in Rio’r, musicale extravaganza
in technicolor, which Comes to the Capitol Theater Sunday.
‘That Night in Rio’ Filmed;
Full of Romance, Glamor
T h e t o r r i d t e m p o o f t h e S a m b a , t h e e n c h a n t i n g m e lo d ie s o f
A lio e F a y e , t h e s u a v e l o v e - m a k i n g o f D o n A m e c h e , a n d t h e d a n c ­
i n g o f C a r m e n M i r a n d a , w e r e a l l f i lm e d i n g l o r i o u s t e c h n i c o l o r a s
t h e y t o o k p a r t i n “T h a t N i g h t
in R io ,” w h i c h o p e n s S u n d a y a t
Demonstrates Hypnotism.
th e C a p fto l T h e a tr e .
F o r in fo rm a tio n o n th e p h e n ­
A s t h e A m e r i c a n - b o r n w if e o f o m e n o n 'o f h y p n o s i s , s t u d e n t s in
a w e a l t h y B r a z i l i a n b a r o n , A lic e m o s t c o l l e g e p s y c h o l o g y c o u r s e s
F aye h a s
an
o p p o r tu n ity
to a r e r e f e r r e d t o te x t b o o k s . P r o f .H a ro ld
A. S w e n s o n , h o w e v e r ,
w e a r m a n y so p h is tic a te d u ltr a ­
p ro v id e s c la s s ro o m d e m o n s tr a ­
m o d e r n g o w n s, w h ic h p ro v id e a tio n s f o r h i s s t u d e n ts a t th e
s p e c t a c u l a r . b a c k g r o u n d f o r h e r U n i v e r s i t y o f C h ic a g o . A n a m a ­
te u r
m a g ic ia n ,, h e
le a r n e d
d e l i g h t f u l .s i n g i n g .
h y p n o t i s m 15 y e a r s a g o . W h e n ,
D o n ’s r o l e w a s o n e o f t h e
m o s t , ’d i f f i c u l t t o f ilm .
H i s w a s • th e q u e s t i o n i s r a i s e d , P r o f e s ­
th e - f i r s t d u a l t e c h n i c o l o r p a r t - , s o r S w e n s o n c a l l s a li k e l y s t u - :
t h a t Of a ' B r a z i l i a n b a r o n ' a n d d e n t t o t h e f r o n t o f t h e r o o m ,
p u ts h im q u ic k ly in to a tra n c e ,
a n A m e ric a n ' n ig h t c lu b p e r ­
W h ile
th e
s tu d e n t p e rfo rm sfo rm e r. T h e p ro b le m c o n f r o n t­
h y p n o tic fe a ts of m e m o ry a n d
in g th e c a m e ra m e n w a s t h a t o f
e n d u ra n c e , * P ro fe sso r S w en so n'
■ m a k in g t h e d e n s i t i e s a n d c o lo r
c o n tin u e s h i s le c tu r e , .e x p la in ­
q u a litie s o f e a c h
o f A m e c h e ’s
in g t h a t u n d e r
h y p n o sis , th e
tw o
c h a ra c te riz a tio n s
m a tc h
s u b j e c t ’s m i n d i s f r e e o f a l l e x ­
e x a c tly w h e ri th e y a p p e a r to ­
te r n a l s tim u li e x c e p t th e
su g ­
g e th e r o n -th e "sam e
p ie c e
of
g e s t i o n s of t h e h y p n o t i s t .
c e llu lo id . ” '
\
o -------------S a id t o s u r p a s s t h e e le g a n c e
o f 2 0 th C e n t u r y - F o x ’s l a s t L a t i n
T w e e d R in g
A m e ric a n
m u s if ia l
e x tra v a ­
A g ro u p
of T a m m a n y H a ll
g a n z a , “ D o w n A r g e n t i n e W a y ,”
p o litic ia n s u n d e r
th e
le a d e r ­
"W hich
in tro d u c e d
g la m o ro u s
s h ip o f W illia m M. T w e e d , b e ­
C a rm e n M ira n d a to th e
Am­
t w e e n 1865 a n d 1871, w a s k n o w n
e r i c a n s c r e e n , “T h a t N i g h t i n
a s th e T w e e d R in g .
T hey got
R i o ” g iv e s t h e e x o t i c s o n g s t r e s s
p o litic a l c o n tr o l of N ew Y o rk
an
o p p o r tu n ity
to
e m o te
C ity a n d r o b b e d ' i t o f m a n y
t h r o u g h o u t t h e fu ll le n g th
of
m illio n s o f
d o lla rs .
It
w as
t h e f ilm .
b ro k e n u p in 1871. a n d
T w eed
T o m a k e c e r ta in t h a t n o th in g
w a s c o n v ic te d a n d im p ris o n e d .
o ffe n s iv e to B r a z ilia n s e n s ib ili­
tie s o r u n re p re s e n ta tiv e o f n a ­
t i v e c u s t o m s w o u ld f i n d t h e i r
W ay i n t o t h e f ilm , t h e
s tu d io
s u b m itte d th e
s c rip t to
th e
B r a z ilia n E m b a ss y in W a s h in g ­
to n fo r a p p ro v a l.
A s a d o u b le
ch e c k , a B ra z ilia n
n ew sp ap er­
m a n i n H o lly w o o d w a s h i r e d a s
a te c h n ic a l d ire c to r.
T h e S a m b a , B r a z i l ’s n a t i o n a l
d a n c e , is i n t r o d u c e d t o t h e A m ­
Thur. - Fn.
May 8-9
e r ic a n m o tio n p i c t u r e p u b lic f o r
B IN G C R O S B Y
t h e f i r s t t i m e b y M is s M i r a n d a
B O B H O PE
a n d a tro u p e o f tra in e d S a m b a
D O R O T H Y L A M O U R in
d a n c e r s . A c c o rd in g to t h e le a d -,
in g d a n c e m a s te r s , t h i s w ild y e t
g r a c e f u l d a n c e w ill b e c o m e t h e
b a llro o m r a g e
o f th e
U n ite d
Saturday
May 10
S ta te s d u rin g t h e n e x t y e a r.
G EN E AUTRY
J I M M Y D U R A N T E in
THE
NEW
F r i . - S a t .,
M a y 3 -1 0
G E N E A U T R Y in
“B A C K I N T H E S A D D L E ”
S m ile y B u r n e t t e - M a r y L ee
— A lso —
“ S IX L E SSO N S FR O M
M A D A M E LA Z O N G A ”
w ith
w ith I.oi>e V elez - I.eon r.rrtnl
H e le n P a r tia l;
A
r o llic k in g m u s ic a l co m ed y
CABTOOX
S u n ., M e n ., T u e s ., M a y 1 1 -1 3
E rro l F ly n n , B r e n d a M a rs h a ll
“F O O T S T E P S I N T H E D A R K ”
tflynn'a .firs t m odern d ra m a fri
y e a rs. A S m ash M y stery D ram a,
N ew s o f D a y , P o p u la r S c ie n c e
W ed. - T h u r.
M a y 1 4 -1 5
“T H E B A N K D I C K ”
A hMothpHUIng; vohierly, w itil
W. CV F IE L D S
rr^AlsO-Hi
P a s s in g P a r a d e
. 2 R eel B and' A ct
z ib a r” w h ic h p la y s
at
th e
S tra n d , P a lm y ra ,' fo r t h e l a s t
tim e s to n i g h t a rid to m o rro w .
A g a in B in g C ro sb y , B o b H o p e ,
a n d D o ro th y L a m o u r a r e t e a m ­
ed - t o igive o n l o o k e r s t h e k i n d o f
e n jo y m e n t fro m
com edy
and;
so n g s t h a t d is p e ls a ll c a r e s .
G ro sb y s in g s ,
M is s
L am our
s in g s , a n e g r o c h o r u s s i n g s , a n d
fo r a m o m e n t e v e n H o p e s in g s .
M e ssrs. H o p e a n d C ro sb y c o m ­
p e te f o r t h e a f f e c tio n s o f M is s
L a m o u r, th o u g h n o t e v e n
th e
r o m a n c e is p e r m i t t e d t o
su p ­
p la n t com edy
in
p r o m in e n c e
fo r o n e m o m e n t.
T h e H o lly w o o d c r i t i c s
h a ile d
“A d a m H a d F o u r S o n s ” a s
a
c o n te n d e r
fo r
th e
A cadem y
A ^ a r d i n a s g lo w in g a g r o u p o f
r e v ie w s a s t h e y h a v e p e n n e d i n
m a n y m o n th s .
A nd now as a
s p e c ia lly
p re p a re d
p ro g ra m
f o r “ M o t h e r ’s D a y ,” t h e S t r a n d
T h e a tr e p re s e n ts th is o u ts ta n d ­
in g p ic tu r e . . . “A d a m H a d F o u r
S o n s ” , a r e a l w o m a n ’s p i c t u r e ,
u n iv e rs a lly
a p p e a lin g ,
u n fo r­
g e tta b ly
s tir r in g
and
o v er­
w h e lm in g ly e n te r ta in in g .
T h i s p i c t u r e w ill p l a y S u n d a y
a n d M o n d ay a n d sta rs W a rn e r
B a x te r, I n g r id B e rg m a n , S u s a n
H a v w a rd , F a y W ra y , a n d R ic h ­
a r d D e n n in g . O u t o f th e p a g e s
of. C h a r l e s B o n n e r ’s b e s t s e l le r ,
“L e g a c y ,” c o m e s t h e d r a m a o f
Jersey - Guernsey
M I L K
A Quality Dairy
A Quality Milk
QUALITY DAIRY
HAROLD C. W ELCHER
P h o n e 2 2 -F -2
N ew ark , N. Y.
“BUCK PRIVATES”
— P iu s —
Judy C anova
- B o b C rO sb y
a n d B a n d - J e r r y C o lo n a
“SIS HOPKINS GOES
TO TOWN”
3 D a y s — S m a rts S u n d a y
T o a i l f r i e n d s o f M r. D e e d s . . .
M e e t M r. D o e
F r a n k C a p r a ’s
“MEET JOHN DOE”
w ith G a r y C o o p e r - B a r b a r a
S ta n w y c k
W ed. - T h u r.
M a y 1 4 -1 5
W ARNER BAX TER
IN G R ID B E R G M A N
“ADAM HAD FOUR
SONS”
m ilm
“The Jacobs Brothers”
( T h r e e W iz a rd s o f H a rm o n y )
1 S h o w - O n l y a t 9 :0 0 P . M .
Sun. - Mon.
May 11-12
T r e a t M o t h e r to t h i s E s p e ­
c ia lly P r e p a r e d
M O T H E R ’S D A Y P R O G R A M
m o th e rs th r o u g h
la y .
h h a s a l w a y s bi
Ih e re th a t
: vvar w o u l d n e .v e
B u t in a d d i t i o n
m e r ic a n m o t h e r h
te rv v o v e n w i t h h e i
m n try w a s fo « n d <
a
iOte f r e e d o m , m o r
A s a m ild tliurpti«‘ »
a n d s to m a c h ic . \V 11: i ,•
th e s p le n d id m e d u tm
y o u r n e ig h b o rs re.••••*'
l y m ? y b e ju s t tin* n
need fo r tin - i <-li< f
,
te m p o r a r y constipation •ind i
a n t d is tre s s . M is s I w v .
- McC
626 A s h S t ., Jo h n a to w n I’a.
“ I fin d t h a t W illia m * Kormuitj
b r i n g i n g m e sp le n d i.] iH ie ff
grassy stom a cl^ pains, uhidi.ri
m a d e me feel uncomfortable'?
e a t in g . I t has also
in te s tin a l ■e lim in a tio n .
thal'a
h e ad ach e s and dizzim -s* auir
d o W n f e e lin g re s u ltin g from c&l
p a t to n h a v e b een r e litw d .
^
“ I t 's su c h a pleasiit
b e in g m o re a c tiv e , and l
e n j o y m y w o r k m o re , i ,
t y o p e r a t o r a n d m u **
fe e t c o n tin u a lly ,
a m s o pleased w ith in*
W illia m s F 'o r m u l a is i*r
. See fo r yo u rse lf \\^
F o r m u l a m a y m ean i.
c o m e to t h e H e n r y i
^-Jilhaa
C o r n e r D r u g S to re and
S o m e W illia m s Fo rm u i.
n o m ic a l s ize s .
Fu r
d r u g g is ts a ll o v e r t h .
he p r e s e n t A m e r i
m e ra tio n s o f m o tl
intial t o t h e p e r m :
No m o th e r w ai
ice w a r b r a v e l y r:
a y o f lif e a n d th<
a n tly s t r u g g l e d .
;ss f o r h e r c h i l d r e i
,e f o u n d a t i o n o f f
L et u s h o p e
th
o th e r s o f t h e w o i
f lick e n d
a n d th a t
;ain, a g a i n s t a
b
o th e r s m a y p l a n
The
ive b e e n w r i t t e n ,
:en r e v i s e d a n d
h g io n in a c c o r d i
O ne of th e m
P layground o f the Finger Lakes
N O W
th e n e w T a l k i n g
itio n o f N e w Y o r
O P EN !
In a r e c o r d i n g
:to rs a n d a c t r e s s e
*.
*
iting o u t t h e f a rm
(cords, w h ic h
w il
ible s to r ie s , a r e b i
ry o t h e r i n t e r e s t e
E V E R Y SA TU R D A Y AND
SUNDAY NIGHT
T h e B ib le F o u l
rg a n iz a tio n s u p p o
I its w o r k .
Its wl
; to c r e a t e n e w in
T h e s e r e c o if d ir
e re d , w i t h o u t ai
M any of u s w
/ }
S c A
i ^ t e
^ U
e a k i e
i
h e a r th e b e a u tif
C n p iT O L
THUR. - FRI.
■MAY 8vS |
The Master Adventure of
the M aster A dventurer!
JA C K
L O N D O N ’S
It*
W A L T D I S N E Y ’S D O N A L D D U C K i n
“ G O L D E N EGGS”
M A Y lflj
SATU RD A Y
C o m e d y ! D rtm to !
L a u g h te r!
E d g ar K ennedy C om edy
“D r a f t e d i n t h e D e p o t ”
S P O T L IG H T O N C H IN A
SUN. MON.
1941’s
T e a rs !
G U Y
K 1B B EE
CARTOON
MAY
GREAT
GLAM OUR
M U S IC A L !
T H E SH O W O F
Y O U R D REA M S!
f i lm e d i n g o r g e o u s
T E C H N IC O L O R !
llllROIlDR
mat
TUE.
PA LI
A g irl th ir tc
sc h o o l.
She
pon t h e f a m o
he b ig n i g h t c
ro th e rs w e r e t
id n 't d o h e r s e
ecam e s ic k a t
d is g r a c e .
1
rost p r o m i s i n g
rine H e p b u r n .
She w a n te d . 1
lovie a c tr e s s , b u
h is to ry h a d ; •
dor. o r a n a c t r
her m o t h e r ’s fa
ien o n t h e s t a (
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f luck, s h e g o t
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he n e x t d a y ;
1e p a p e r b r e a t
h a t i t s a i d ata
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in a d e q u a te .”
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tom e v e ry o n e
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with
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t h e i r c)
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“THUNDER AFLOAT”
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B o b M o n tg o m e ry in <
T h e th e m e o f tl
I s o ld ie r" m u s t b e
R O S E L A N D PARK
May 13-14
May 15-16
M
Lady Tells How William,,F l
navfla Brought Promo!
Relief
M any a tte m p ts
A S T IM E L Y AS T O M O R ­
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m a n , S u s a n H a y w a rd ,
F a y W ray
— L a t e s t M a r c h o f T im e —
N ew s
C a rto o n
W ALLACE B EER Y
C H E S T E R M O R R IS
published T h u rsd a
w eek a t th e Get
in s a n d e n te r e d ,,
office a t N e w a r)
tit*I*ond class Jhft!
Headaches - Gai
Attacks - Nervi
From Constipatii
“ADAM HAD FOUR
SONS”
Tues. - Wed. ,
B u s in e ss a n d E d
;is: r e l a t e d , t o h o r m o n e i
“MELODY RANCH”
N iow F l a y i n g — T h r u S a t .
F o rg e t y o u r cares- a n d g et a
“ L A U G H P IC K -U P ” w ith th e
y e a r ’s t w o g r e a t e s t m u s i c a l
c o m e d ie s !
A BB O TT a n d COSTELLO
A N D R E W S S IS T E R S
Iii th e firs t A rm y ('a m p .Comedy
H o ra c e G f e e l e y B
Paul B. C ra p s e y
j. F ra n k L y n ch
D o n a ld R . B i r d .
Weight Rhythm
Johns
Hopkins Univ.,
scientists find that about *
cent of-,all women gam
/pounds during one week
month. This temporanTfajjl
W ith A n n M ille r, M a ry L e e
—P l u s — •
K e n t T a y lo r - L in d a H a y e s
A n d C h a p . 1 0 , “D e a d ! E n d ”
K i d s i n “J u n i o r G - M e n ”
—A dded—
S T A G E A T T R A C T IO N
New ar’
;w life t o t h e B ib
“THE ROAD TO
ZANZIBAR”
“I’M STELL ALIVE”
A jllodorn,
C o m fo rta b le and
A ttr a c tiv e T h e a tre . IVljtlitly 7
•t O. ContlnnoaiK fro m 2i!t0 i>. in.
S a tu r d a y a n d S n ndny. A d u lts,
-B e; C hildren, ,10c.
P h o n e 127
L ep HONE 710
tELEPHONE
NEWARK, N, Y. THURSDAY, MAY 8, 1941
-
WED.
K A Y F R A N C IS
B R IA N A H E B N E in
‘THE MAN WHO LOST
HIMSELF
- ''
13' I I
‘DEAD MEN TELL’ j
C h a r l i e C h a n Aboard
-A .’T r e a s u r e ’ S h ip _
W ith
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S ID N E Y TOI.F.R
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