UNIT GUIDE 2016/2017 POLI30020 How to Win a Political Argument Teaching Block: 2 Weeks: 13-24 Unit Owner: Phone: Email: Office: Dr. Jonathan Floyd 0117 3310981 (but better to use email) [email protected] G.02, 3 Priory Road Level: Credit points: Prerequisites: Curriculum area: Unit owner office hours: Tuesdays 12-1pm & Thursdays 4-5pm (Scheduled office hours do not run during reading weeks) H/6 20 None NA Timetabled classes: Lecture: Tuesdays, 11-12pm, Arts Complex: Villa 17 Woodland Road: Lecture Theatre 3 You are also expected to attend one two-hour seminar each week. Your online personal timetable will inform you to which group you have been allocated. Seminar groups are fixed: you are not allowed to change seminar groups without permission from the office. Weeks 18 and 24 are Reading Weeks; there is NO regular teaching in these weeks. In addition to timetabled sessions there is a requirement for private study, reading, revision and assessments. Reading the required readings in advance of each seminar is the minimum expectation. The University Guidelines state that one credit point is broadly equivalent to 10 hours of total student input. Learning Outcomes • • • • Produce sophisticated written political arguments Produce sophisticated verbal political arguments Demonstrate an appreciation of the relevance of truth to persuasive political argument Demonstrate an appreciation of the relevance of political argument to political practice Requirements for passing the unit: • • • Satisfactory attendance at seminars Completion of all formative work to an acceptable standard Attainment of a composite mark of all summative work to a passing standard (40 or above) Details of coursework and deadlines Assessment: Summative Presentation Word count: N/A: 5 minutes 2500 words Weighting: Deadline: 25% Week 20 – date TBC Day: TBC Week: 20 Summative Essay 75% 9.30am, 22/05/2017 Monday SE3 • Summative essay questions will be made available on the unit’s blackboard page. • Instructions for the submission of coursework can be found in Appendix A • Assessment in the school is subject to strict penalties regarding late submission, plagiarism and maximum word count. A summary of key regulations is in Appendix B. • Marking criteria can be found in Appendix C. 1 Overview If Socrates and the Sophists had ever found grounds for compromise, almost two and a half thousand years ago, then it would look something this: A course concerned with making you better at persuasive political argument, whilst also inviting reflections on how much the ‘truth’ matters in such things. Each week we will consider a different set of political arguments by prominent public figures on a particular issue, such as war, taxation, or discrimination. Each week we will analyse these arguments and see if general lessons can be learnt regarding the art of public political persuasion. Each week we will construct our own arguments during workshop-based seminars. Each week, as a result, we will enhance your ability to construct and deliver political arguments, in both written and verbal form, including your ability to discern when, if ever, it makes good rhetorical sense to begin four sentences in a row with the same phrase, e.g. ‘each week’. Now here’s a little quote to get us going… ‘Don’t tell me words don’t matter. I have a dream – just words. We hold these truths to be self-evident, that all men are created equal – just words. We have nothing to fear but fear itself – just words, just speeches. It’s true that speeches don’t solve all problems, but what is also true is that if we can’t inspire our country to believe again, then it doesn’t matter how many policies and plans we have, and that is why I’m running for president of the United States of America, and that’s why we just won 8 elections straight because the American people want to believe in change again. Don’t tell me words don’t matter!’ (Barack Obama, 2008). See here for this and a few further notable passages. Assessments As indicated above, there are two assessments for this course: First, a presentation; second, an essay. The presentation will take the form of a five minute speech, accompanied by a power-point presentation. The essay will be a 2500-word piece of work concerned with either the relevance of truth to political argument or the relevance of argument to political practice. Activities Each week there will be three elements to this course. First, a lecture on some or other aspect of ‘how to win a political argument’. Second, a cluster of readings, or indeed viewings, all of which will be available on-line so as to best reproduce the modus operandi of someone whose work it is to produce successful political arguments week-in week-out. Third, a two-hour ‘workshop’ style seminar concerned with producing a particular kind of political argument. In addition, you are expected to watch Prime Minister’s Question Time 1 each week, and to prepare a few thoughts on it for the start of our seminars (an archive of past sessions, including the most recent ones, can be found here: http://www.parliament.uk/business/news/parliament-governmentand-politics/parliament/prime-ministers-questions/). It’s on every Wednesday whilst The Commons is in session. You’re also encouraged to watch as much of the BBC’s The Daily Politics as you can manage, and to read as much of the last year of Private Eye as you can handle (I’ve ordered three copies of the ‘annual’ into the library on a 1-day loan setting). General Reading There is no set text for this course, just as there is no course-pack. The point is to have everything freely available, and available wherever you are, whether in the seminars or in transit. In this way, as in others, you are prepared for a life of real political argument. You might though find the following collections useful if you want to browse through notable speeches. For separate discussion of either the place of truth in argument or the place of argument in politics, see the further reading listed under weeks 22 and 23. 21 speeches that changed the world American Speeches 1 For info, see here: http://www.parliament.uk/about/how/business/questions/ 2 British 19th century Pamphlets collection (inc. eg. Here) British Political Speech (a brilliant archive) Daily Telegraph’s ‘Top 25 speeches of all time’ History Place collection of speeches New Statesman Top 10 speeches Political Speeches by women Speechwriters choose their favourite speeches Weekly schedule Week 13 - Introduction Lecture: An Overview of the course Reading Topic: War, pt. 1 (what could be more important than making the case for/against war?) Seminar: Speech writing for the masses Essential readings/viewings, to be completed before the seminar, are as follows: In favour… Hilary Benn on Syria: https://www.theguardian.com/politics/video/2015/dec/03/hilary-bennairstrikes-vote-speech-full-must-confront-isis-evil-video David Cameron on Syria: https://www.youtube.com/watch?v=FX8irawWdMc Thatcher on the Falklands: http://www.margaretthatcher.org/document/104948 Thatcher on Bosnia: http://www.margaretthatcher.org/document/108346 Against… Dahlia Wasfi on Iraq, pt. 1 and 2: https://www.youtube.com/watch?v=SLolNj48IP8 and https://www.youtube.com/watch?v=ELjgVq6GtPA Robin Cook on Iraq: https://www.youtube.com/watch?v=I0f8NBlmwwE&t=148s (look who’s sitting behind him!) Martin Luther King on Vietnam: http://www.hartford-hwp.com/archives/45a/058.html Further suggested reading/viewing: A ‘very quiet’ Thatcher, in video, and on the Falklands again Gandhi - ‘Let no one commit a wrong in anger’ Churchill - ‘We shall fight them on the beaches’ Obama – ‘A new beginning’ (Nobel-prize winning no less; transcript available here) Valera – Ireland neutrality speech and rebuke to Churchill (1945) – text here - (good analogy use for week 16). See also earlier statement on neutrality from 1941. See here for context. Week 14 - How to win a political argument (the expert’s view) Lecture: A riddle wrapped in a mystery inside an enigma Reading Topic: War, pt. 2 Seminar: Insults and Injuries Essential readings/viewings, to be completed before the seminar, are as follows: Hitchens vs. Hitchens: https://www.youtube.com/watch?v=ngjQs_QjSwc Hitchens vs. Galloway: https://www.youtube.com/watch?v=XLKQGwVkczg Galloway vs. The Senate: https://www.youtube.com/watch?v=b4LDQixpCa8&t=37s Further suggested reading/viewing: 3 Just a little more from ‘Gorgeous George’: https://www.youtube.com/watch?v=nKp-3jWABL8 Brief exchange between Kinnock and Thatcher Osama Bin Laden – your security is in your own hands An array of insults. Here, here and here. Week 15 - Rhetoric, pt. 1: Macro-level argument - Progressive vs. Traditional Narratives Lecture: The Politics of Hope and Fear Reading Topic: Neoliberalism and its discontents Seminar: The Priory Road Manifesto Essential readings/viewings, to be completed before the seminar, are as follows: Thatcher – The Lady’s not for turning Barry Goldwater – Extremism in the defence of liberty Kinnock – I warn you there will be pain Kinnock – no such thing as society, she says Further suggested reading/viewing: On discontent with neoliberalism, see this article by George Monbiot, this article by Remi Adekoya and this video by Mark Blyth (which if nothing else is a great feat of monologue). Here’s a final riposte from Thatcher, capturing neatly a cornerstone of the neoliberal view. For grand narratives that continue to shape our world, see: Kruschev - Stalin and the cult of the individual (transforming the Soviet Union) Nehru – A new star rises (giving birth to modern India) Churchill – The iron curtain (inaugurating the Cold War) David Ben-Gurion – this is our native land (Formative expression of Zionism) Nasser – one of many speeches expressing ‘Arab nationalism’ Harold Ickes – what constitutes an American (Why America should join WW2 with Britain) Jesus of Nazareth – blessed are the meek (inaugurating Christianity) Week 16 - Rhetoric, pt. 2: Micro-level argument - Analogies, Anchor points, and Catchphrases Lecture: Penetrating Polemic Reading Topic: Discrimination Seminar: The campaign poster that changes everything Essential readings/viewings, to be completed before the seminar, are as follows: Pankhurst – Freedom or Death Mandela – An ideal for which I am prepared to die Angelina Grimke – the spirit of slavery is here Macauley – England to the Jews has been less than half a country Enoch powell – Rivers of blood Elizabeth Cady Stanton – The male element is a destructive force Sojourner Truth – I want women to have their rights and also ‘Ain’t I a woman?’ Desmond Tutu – ‘apartheid’s final solution’ (how’s that for an analogy?) Further suggested reading/viewing: JS Mill – Suffrage for Women (couldn’t resist putting a theorist in here too; could you say this in five minutes I wonder?) 4 See also, on campaign posters: Some of the best; a few more; and perhaps we should do something like this? Week 17 - Rhetoric, pt. 3: Personal credibility & the wonders of ad hominem Lecture: The political and the personal Reading Topic: Taxes, Elites, and Oppression Seminar: Pick the next Prime Minister Essential readings/viewings, to be completed before the seminar, are as follows: Consider the following run of coverage on Cameron and the Panama tax affair: (and note that it’s all provided by The Guardian) Start here (08/04/2016) Then go here (09/04/2016) Then here (11/04/2016) Then here (also 11/04/2016) And finally here (12/04/2016) Now consider this attempt to make John Major credible, followed by this striking coverage of the day before the election. Did the attempt work? How did this play out? What went well? What went badly? Further suggested reading/viewing: Mark Blyth, concerned with wider credibility issues related to this: ‘the credibility problem is enormous’: https://www.youtube.com/watch?v=WfRImQV4Arc Another take on ‘tax-dodging’ (just a 1 minute video!) Karen Brady – this is mainly fun for the rhetorical invocation of a dog, but is also very on-trend invocation of ‘taxpayers’. See also The Taxpayers alliance (though note – the latter is only tangentially relevant to our theme of ‘personal credibility’ this week). Week 18: Reading week Week 19: The Power of the Visual Lecture: Images that make a difference Reading Topic…actually it’s an extra task this week: Find an image that ‘made a difference’, put it in a one-page power-point presentation, and present it in 1 minute to the group. Tell us: Why this image? What difference did it make? Seminar: The campaign video that changes everything Essential readings/viewings, to be completed before the seminar, are as follows Here’s a very good site – a repository of iconic photos – that you could use to complete your extra task this week, as explained above. Beyond these photos, look at the below, and note that you might find some of the following images disturbing Did the 3 million views this gathered get Trump the presidency? (Is it all about the piano music?) Coverage of boy washed up on beach The vulture and the girl Nazis meet the Nation of Islam Cameron eats a hot dog Ten US presidential campaign videos (my favourite is ‘daisy girl’) 5 Could this be applied to politics? The first four of these, plus Pistorius, are all about credibility, one way or another. Saving the world in speedos Do also bear in mind this week the visual force of ISIS ‘beheadings’. I won’t be linking to those, but do think about the effect they have. Further reading: Consider further the propaganda battle between ISIS and ‘RICU’. You might not have heard of the latter, but see here, here, here, and here. Not all of this is visual, but a large part of it is, including the beheadings mentioned above. How, with imagery, can you campaign for or against something like ISIS? Feel free also to browse this archive of Trump campaign videos. Week 20: Speech week Lecture & Seminar: The House of Uncommons This week you will each give your political speech (assessed presentation) in front of the group. There are no essential readings/viewings for this week. You are rather advised to draw inspiration from the speeches and videos included above, as well as the material covered in our lectures so far. Each of you is required to attend everybody else’s speeches. Calls of ‘here here’ and ‘order’ are optional. Week 21: Legalism and Blame Lecture: The battle between law and democracy Reading Topic: The Welfare State: When official paperwork makes a difference Seminar: The petition that changes everything Essential readings/viewings, to be completed before the seminar, are as follows: The ‘Beveridge Report’: http://news.bbc.co.uk/1/shared/bsp/hi/pdfs/19_07_05_beveridge.pdf Further suggested reading/viewing: Vladimir Putin – ‘Crimea has been an inseparable part of Russia’ (with BBC annotations) Castro – History will absolve me Maclean – I am here as the accuser of capitalism Xi Xinping – responsibility to the people Consider also both Mandela and Galloway (here in brief) from earlier weeks. Week 22: The power of truth Lecture: Facts and beyond Reading topic: Post-truth Seminar: The Crib-sheet of doom Essential readings/viewings, to be completed before the seminar, are as follows: Michael Moore – we live in fictitious times (very brief, but the phrasing is very good) Toni Morrison – Is the bird I am holding living or dead? (some analysis here) Further suggested reading/viewing – the point of the further reading this week is to provide a good starting point for your summative essay, whether it’s on the relevance of truth to argument (this week’s topic), or the relevance of argument to politics (next week’s). You are not expected to rely upon this material, or restrict yourself to it, but I hope it will be helpful, at least as a starting point. I 6 have organised the following readings into categories, in order to render them that little bit more helpful. Guidance on how to produce rhetoric Aristotle (1991) The Art of Rhetoric (London: Penguin) [bear in mind there are many other, and free, versions of this] [Arts & Social Sciences library: PA3893.R3] Cicero (w. James May), How to win an argument: An ancient guide to the art of persuasion (Princeton, NJ: Princeton University Press) [Queen’s Building library, no classmark yet] R. Dowis (2000), The lost art of the great speech: How to write one and how to deliver it (New York, NY: Amacom Books) J. Heinrichs (2010), Winning arguments: From Aristotle to Obama – everything you need to know about the art of persuasion (London: Penguin). S. Leith (2011), You talkin’ to me? Rhetoric from Aristotle to Obama (London: Profile Books) [Arts & Social Sciences library: P301 LEI] A. Schopenhauer (w. AC Grayling) (2011), The Art of Always Being Right: The 38 subtle ways of persuasion (London: Gibson Square) Tacitus, On Oratory (this is a rather difficult dialogue, so don’t look into this unless you’re very dedicated…nonetheless, if you have the stamina for it, click here) Critical analysis of rhetoric, including the presupposition that the truth ‘matters’ Arendt – ‘Totalitarian propaganda’, in The Origins of Totalitarianism, London: Harvest (1973), 341364 [Arts & Social Sciences library: JC481 ARE] J. Atkins, A. Finlayson, J. Martin, N. Turnbull (2014), Rhetoric in British Politics and Society (London: Palgrave) [an edited collection with various interesting essays]. Access here. J. Baggini (2010) Do they think you’re stupid? 100 ways of spotting spin and nonsense from the media, pundits, and politicians (London: Granta) A. Beard (2000), The Language of Politics (London: Routledge): http://pmt-eu.hosted.exlibrisgroup.com/44BU_VU1:default_scope:44BU_LMS_DS000984617 J. Charteris-Black (2005), Politicians and Rhetoric: The persuasive power of metaphor: http://pmteu.hosted.exlibrisgroup.com/44BU_VU1:default_scope:44BU_LMS_DS000984732 I. Fairclough & N. Fairclough (2012), Political Discourse Analysis: A method for advanced students (London: Routledge) N. Fairclough (2000), New Labour, New Language? (London: Routledge, 2000) [Arts and Social Sciences library: P95.8 FAI] N. Fairclough (2003), Analysing Discourse: Textual Analysis for Social Research (London: Routledge) [Arts and Social Sciences library: P302 FAI; also available here] [Note: there are various books of use by Isabelle/Norman Fairclough, several of which are in the library, if for some reason you can’t access any of the above] J. Greene (2013), Moral Tribes: Emotion, Reason, and the gap between us and them (London: Atlantic Books). Haidt, J, ‘What makes people vote republican?’ J. Mearsheimer (2012), Why Leaders Lie: The truth about lying in international politics (London: Duckworth) I. McLean (2001). Rational Choice and British Politics: an analysis of rhetoric and manipulation from Peel to Blair (Oxford: OUP) [Arts and Social Sciences library: DA566.7 MAC; also available here] J. Powell (2010), The New Machiavelli: How to wield power in the modern world (London: Bodley Head). See esp. pp. 33-56; 121-122; 139-146; 173-174; 191-192. A.O. Rorty (1996), Essays on Aristotle’s Rhetoric (London: University of California Press) [this includes an essay on how much the truth matters) [Arts & Social Sciences library: PA3903 ESS] J. Stanley (2015), How Propaganda Works (Princeton, NJ: Princeton University Press) R. Toye & J. Gottlieb (2005). Making Reputations: power, persuasion and the individual in modern British politics (London: Tauris) [Arts and Social Sciences library: JN231 MAK] 7 R. Toye (2013), Rhetoric: A very short introduction (Oxford: OUP). See also regular reporting in Private Eye regarding how consistent particular actors are in their arguments, and the extent to which their arguments and actions are bound up with particular interests, back-room deals, and so on. I have ordered three copies of the Private Eye annual into the library with this in mind. Soaring expressions of rhetoric, from left and right (and note: there’s plenty more by Hitchens and Scruton, not to mention Orwell, if you’re interested – the point with these five is to consider the more sophisticated way in which they argue, as compared to the politicians they like to critique] C. Hitchens (2001) Letters to a young contrarian (New York, NY: Basic Books) C. Hitchens (2012). Arguably (London: Atlantic Books) G. Orwell (1937). The Road to Wigan Pier (various editions) [PR6029.R8.R6] R. Scruton (2012) The Uses of Pessimism & The Danger of False Hope (London: Atlantic Books) R. Scruton (2016) Fools and firebrands: Thinkers of the New Left (London: Bloomsbury) An ideal world of rhetoric D. Braddon-Mitchell & C. West (2004), 'What is Free Speech?', Journal of Political Philosophy, 12. S. Chambers (2004) ‘Behind closed doors: Publicity, secrecy, and the quality of deliberation’. Journal of Political Philosophy, 12(4), pp.389-410. J. Cohen (2009) Philosophy, Politics, Democracy. (Cambridge, MA: Harvard University Press). Dryzek, J.S., 2000. Deliberative democracy and beyond: Liberals, critics, contestations (Oxford: OUP). [Arts and Social Sciences library: JC423 DRY] N. Cohen (2013). You can’t read this book: Censorship in an age of freedom (London: Fourth Eestate) R. Dworkin ‘Free Speech, Politics and the Dimensions of Democracy’ in Sovereign Virtue, (Cambridge, Mass.: Harvard University, 2000) [Arts and Social Sciences library: JC575 DWO] J. Elster (1998). Deliberative democracy: Vol. 1 (Cambridge: CUP) [Arts and Social Sciences library: JC423 DEL]. S. Freeman (2000) ‘Deliberative democracy: A sympathetic comment’. Philosophy & Public Affairs, 29(4), 371-418. T. Garton-Ash (2016). Free Speech: Ten principles for a connected world (London: Atlantic) A. Gutmann & D. Thompson (2009). Why deliberative democracy?. (Princeton, NJ: Princeton University Press). J. Habermas (1996). Between Facts and Norms: Contributions to a discourse theory of law and democracy (Cambridge, MA: MIT Press) [Arts and Social Sciences library: JC423 HAB] I. Hampsher-Monk (2011), ‘Politics, Political Theory, and its History’, in J. Floyd & M. Stears (eds.) Political Philosophy versus History: Contextualism and Real Politics in Contemporary Political Thought (Cambridge: Cambridge University Press) [Arts and Social Sciences library: JA78 POL] I. Hare and J. Weinstein (eds.) (2009) Extreme Speech and Democracy (Oxford: Oxford University Press) [Wills Memorial library: KM204 EXT] J.K. Miles (2012) ‘A Perfectionist Defense of Free Speech’, Social Theory and Practice, 38. J. Rawls (2005). Political Liberalism (New York, NY: Columbia University Press) – political liberalism (especially the last essay on ‘the idea of public reason revisited’) [Arts and Social Sciences library: JC578 RAW] R. Rorty (1989). Contingency, irony, solidarity [Arts and Social Sciences library: BD21 ROR] [especially the material on how one converts people by sharing instances of cruelty/suffering] J, Waldron (2012) The Harm in Hate Speech (Cambridge, MA: Harvard University Press) [available here] M. Walzer (1994). Thick and Thin: Moral Argument at Home and Abroad (Notre Dame, ID: University of Notre Dame Press) [Arts and Social Sciences library: HM277 WAL] M. Walzer (1989). The company of critics: social criticism and political commitment in the twentieth century (London: Peter Halban) [Arts and Social Sciences library: JA83 WAL] 8 N. Warburton (2009). Free Speech: A very short introduction (Oxford: OUP) Week 23: The power of argument Lecture: House of Lords or House of Cards? Reading Topic: The Black Panthers Seminar: Explaining the world – ideas versus interests Essential readings/viewings, to be completed before the seminar, are as follows: This BBC radio documentary on The Black Panthers This manifesto, as discussed in the documentary above. Further readings: The current register of UK MPs financial interests – click on the latest version available on this page (they update it each month). 9 Appendix A Instructions on how to submit essays electronically 1. 2. 3. 4. 5. 6. Log in to Blackboard and select the Blackboard course for the unit you are submitting work for. If you cannot see it, please e-mail [email protected] with your username and ask to be added. Click on the "Submit Work Here" option at the top on the left hand menu and then find the correct assessment from the list. Select ‘view/complete’ for the appropriate piece of work. It is your responsibility to ensure that you have selected both the correct unit and the correct piece of work. The screen will display ‘single file upload’ and your name. Enter your name (for FORMATIVE ASSESSMENTS ONLY) or candidate number (for SUMMATIVE ASSESSMENTS ONLY) as a submission title, and then select the file that you wish to upload by clicking the ‘browse’ button. Click on the ‘upload’ button at the bottom. You will then be shown the essay to be submitted. Check that you have selected the correct essay and click the ‘Submit’ button. This step must be completed or the submission is not complete. You will be informed of a successful submission. A digital receipt is displayed on screen and a copy sent to your email address for your records. Important notes • You are only allowed to submit one file to Blackboard (single file upload), so ensure that all parts of your work – references, bibliography etc. – are included in one single document and that you upload the correct version. You will not be able to change the file once you have uploaded. • Blackboard will accept a variety of file formats, but the School can only accept work submitted in .rtf (Rich Text Format) or .doc/.docx (Word Document) format. If you use another word processing package, please ensure you save in a compatible format. • By submitting your essay, you are confirming that you have read the regulations on plagiarism and confirm that the submission is not plagiarised. You also confirm that the word count stated on the essay is an accurate statement of essay length. • If Blackboard is not working email your assessment to [email protected] with the unit code and title in the subject line. How to confirm that your essay has been submitted • You will have received a digital receipt by email and If you click on the assessment again (steps 14), you will see the title and submission date of the essay you have submitted. If you click on submit, you will not be able to submit again. This table also displays the date of submission. If you click on the title of the essay, it will open in a new window and you can also see what time the essay was submitted. 10 Appendix B Summary of Relevant School Regulations (Further information is in the year handbook) Attendance at classes SPAIS takes attendance and participation in classes very seriously. Seminars form an essential part of your learning and you need to make sure you arrive on time, have done the required reading and participate fully. Attendance at all seminars is monitored, with absence only condoned in cases of illness or for other exceptional reasons. If you are unable to attend a seminar you must inform your seminar tutor, as well as email [email protected]. You should also provide evidence to explain your absence, such as a selfcertification and/or medical note, counselling letter or other official document. If you are unable to provide evidence then please still email [email protected] to explain why you are unable to attend. If you are ill or are experiencing some other kind of difficulty which is preventing you from attending seminars for a prolonged period, please inform your personal tutor, the Undergraduate Office or the Student Administration Manager. Requirements for credit points In order to be awarded credit points for the unit, you must achieve: • Satisfactory attendance in classes, or satisfactory completion of catch up work in lieu of poor attendance • Satisfactory formative assessment • An overall mark of 40 or above in the summative assessment/s. In some circumstances, a mark of 35 or above can be awarded credit points. Presentation of written work Coursework must be word-processed. As a guide, use a clear, easy-to-read font such as Arial or Times New Roman, in at least 11pt. You may double–space or single–space your essays as you prefer. Your tutor will let you know if they have a preference. All pages should be numbered. Ensure that the essay title appears on the first page. All pages should include headers containing the following information: Formative work Name: e.g. Joe Bloggs Unit e.g. SOCI10004 Seminar Tutor e.g. Dr J. Haynes Word Count .e.g. 1500 words Summative work **Candidate Number**: e.g. 12345 Unit: e.g. SOCI10004 Seminar Tutor: e.g. Dr J. Haynes Word Count: e.g. 3000 words Candidate numbers are required on summative work in order to ensure that marking is anonymous. Note that your candidate number is not the same as your student number. Assessment Length Each piece of coursework must not exceed the stipulated maximum length for the assignment (the ‘word count’) listed in the unit guide. Summative work that exceeds the maximum length will be subject to penalties. The word count is absolute (there is no 10% leeway, as commonly rumoured). Five marks will be deducted for every 100 words or part thereof over the word limit. Thus, an essay that is 1 word over the word limit will be penalised 5 marks; an essay that is 101 words over the word limit will be penalised 10 marks, and so on. The word count includes all text, numbers, footnotes/endnotes, Harvard referencing in the body of the text and direct quotes. It excludes, the title, candidate number, bibliography, and appendices. 11 However, appendices should only be used for reproducing documents, not additional text written by you. Referencing and Plagiarism Where sources are used they must be cited using the Harvard referencing system. Inadequate referencing is likely to result in penalties being imposed. See the Study Skills Guide for advice on referencing and how poor referencing/plagiarism are processed. Unless otherwise stated, essays must contain a bibliography. Extensions Extensions to coursework deadlines will only be granted in exceptional circumstances. If you want to request an extension, complete an extension request form (available at Blackboard/SPAIS_UG Administration/forms to download and School policies) and submit the form with your evidence (e.g. self-certification, medical certificate, death certificate, or hospital letter) to Catherine Foster in the Undergraduate Office. Extension requests cannot be submitted by email, and will not be considered if there is no supporting evidence. If you are waiting for evidence then you can submit the form and state that it has been requested. All extension requests should be submitted at least 72 hours prior to the assessment deadline. If the circumstance occurs after this point, then please either telephone or see the Student Administration Manager in person. In their absence you can contact Catherine Foster in the UG Office, again in person or by telephone. Extensions can only be granted by the Student Administration Manager. They cannot be granted by unit convenors or seminar tutors. You will receive an email to confirm whether your extension request has been granted. Submitting Essays Formative essays Summative essays Unless otherwise stated, all formative essay submissions must be submitted electronically via Blackboard All summative essay submissions must be submitted electronically via Blackboard. Electronic copies enable an efficient system of receipting, providing the student and the School with a record of exactly when an essay was submitted. It also enables the School to systematically check the length of submitted essays and to safeguard against plagiarism. Late Submissions Penalties are imposed for work submitted late without an approved extension. Any kind of computer/electronic failure is not accepted as a valid reason for an extension, so make sure you back up your work on another computer, memory stick or in the cloud (e.g. Google Drive or Dropbox). Also ensure that the clock on your computer is correct. The following schema of marks deduction for late/non-submission is applied to both formative work and summative work: Up to 24 hours late, or part thereof For each additional 24 hours late, or part thereof Assessment submitted over one week late • Penalty of 10 marks A further 5 marks deduction for each 24 hours, or part thereof Treated as a non-submission: fail and mark of zero recorded. This will be noted on your transcript. The 24 hour period runs from the deadline for submission, and includes Saturdays, Sundays, 12 • • bank holidays and university closure days. If an essay submitted less than one week late fails solely due to the imposition of a late penalty, then the mark will be capped at 40. If a fail due to non-submission is recorded, you will have the opportunity to submit the essay as a second attempt for a capped mark of 40 in order to receive credit points for the unit. Marks and Feedback In addition to an overall mark, students will receive written feedback on their assessed work. The process of marking and providing detailed feedback is a labour-intensive one, with most 2-3000 word essays taking at least half an hour to assess and comment upon. Summative work also needs to be checked for plagiarism and length and moderated by a second member of staff to ensure marking is fair and consistent. For these reasons, the University regulations are that feedback will be returned to students within three weeks of the submission deadline. If work is submitted late, then it may not be possible to return feedback within the three week period. Fails and Resits If you fail the unit overall, you will normally be required to resubmit or resit. In units where there are two pieces of summative assessment, you will normally only have to re-sit/resubmit the highestweighted piece of assessment. Exam resits only take place once a year, in late August/early September. If you have to re-sit an exam then you will need to be available during this period. If you are not available to take a resit examination, then you will be required to take a supplementary year in order to retake the unit. Appendix C Level 6 Marking and Assessment Criteria (Third / Final Year) 1st (70+) o o o o o 2:1 (60–69) o o o o o Excellent comprehension of the implications of the question and critical understanding of the theoretical & methodological issues A critical, analytical and sophisticated argument that is logically structured and well-supported Evidence of independent thought and ability to ‘see beyond the question’ Evidence of reading widely beyond the prescribed reading list and creative use of evidence to enhance the overall argument Extremely well presented: minimal grammatical or spelling errors; written in a fluent and engaging style; exemplary referencing and bibliographic formatting Very good comprehension of the implications of the question and fairly extensive and accurate knowledge and understanding Very good awareness of underlying theoretical and methodological issues, though not always displaying an understanding of how they link to the question A generally critical, analytical argument, which shows attempts at independent thinking and is sensibly structured and generally wellsupported Clear and generally critical knowledge of relevant literature; use of works beyond the prescribed reading list; demonstrating the ability to be selective in the range of material used, and the capacity to synthesise rather than describe Very well presented: no significant grammatical or spelling errors; written clearly and concisely; fairly consistent referencing and bibliographic formatting 13 2:2 (50–59) o o o o o 3rd (40–49) o o o o o Marginal Fail o o (35–39) o o o Outright Fail (0–34) o o o o o Generally clear and accurate knowledge, though there may be some errors and/or gaps and some awareness of underlying theoretical/methodological issues with little understanding of how they relate to the question Some attempt at analysis but a tendency to be descriptive rather than critical; Tendency to assert/state opinion rather than argue on the basis of reason and evidence; structure may not be entirely clear or logical Good attempt to go beyond or criticise the ‘essential reading’ for the unit; but displaying limited capacity to discern between relevant and non-relevant material Adequately presented: writing style conveys meaning but is sometimes awkward; some significant grammatical and spelling errors; inconsistent referencing but generally accurate bibliography. Limited knowledge and understanding with significant errors and omissions and generally ignorant or confused awareness of key theoretical/ methodological issues Largely misses the point of the question, asserts rather than argues a case; underdeveloped or chaotic structure; evidence mentioned but used inappropriately or incorrectly Very little attempt at analysis or synthesis, tending towards excessive description Limited, uncritical and generally confused account of a narrow range of sources Poorly presented: not always easy to follow; frequent grammatical and spelling errors; limited attempt at providing references (e.g. only referencing direct quotations) and containing bibliographic omissions. Unsatisfactory level of knowledge and understanding of subject; limited or no understanding of theoretical/methodological issues Very little comprehension of the implications of the question and lacking a coherent structure Lacking any attempt at analysis and critical engagement with issues, based on description or opinion Little use of sources and what is used reflects a very narrow range or are irrelevant and/or misunderstood Unsatisfactory presentation: difficult to follow; very limited attempt at providing references (e.g. only referencing direct quotations) and containing bibliographic omissions Very limited, and seriously flawed, knowledge and understanding No comprehension of the implications of the question and no attempt to provide a structure No attempt at analysis Limited, uncritical and generally confused account of a very narrow range of sources Very poorly presented: lacking any coherence, significant problems with spelling and grammar, missing or no references and containing bibliographic omissions 14
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