Digital Copyright Issue/ Nick Smith Copyright Advisor, Australian Libraries Copyright Committee A MARATHON The House of Representatives passed the Digital Copyright Amendment (Digital Agenda) Billl999 (Cth) on 28 June 2000 2 The Digital Agenda Bill is the largest and most comprehensive piece of copyright legislation since the current Act was enacted in 1968 It is designed not only to bring our copyright regime up to date with new technologies but also to be sufficiently neutral in its terms that technology will not scoot out too far in advance of the law again . Well, that's the hope anyway. In marathon terms, the Digital Agenda Bill has just entered the stadium and has got a couple more laps to go before reaching the finishing line . And sometimes it does feel like a marathon - this legislation was first more or less suggested by the Copyright Convergence Group (CCG) in 1994 The Government is still using the 'we're a world leader in copyright legislation' line but I am not sure that it is true anymore There do seem to be a number of other countries yet to finalise their digital copyright legislation so maybe there is something in it stilL The Digital Agenda Bill has taken a long time Dare I suggest that this has been a good thing? Copyright is usually quite complex and sometimes sickeningly complex. You can't have a national conversation about copyright over a cup of tea in an· afternoon In fact, I doubt that you can have a national conversation about copyright at all Many people will be touched by this legislation because they use libraries or because they or their family attend university, but they have no idea about this Bill or what it does. So we have had a national conversation by proxy. 1 This is an edited version of a paper that was presented at the 3rd symposium of the Australian Law Librarians' Group, Law Librarians' Sympmium 2000, Sydney, July 19-21 2 Editor's note: The Bill had been passed by both Houses on Ihmsday I 7 August 2000. At the time of editing this paper, the Bill still awaited Royal Assent 223 Australian LAW LIBRARIAN 8(3)2000 Copyright owner, user and communicator interests have been badgering the Government for long enough now to ensure that all voices have been heard . The result is more or less bipartisan agreement that the present Bill is the fairest compromise that can be reached I say more or less because the Australian Labor Party (ALP) introduced its own amendments to the Bill of which the Government accepted 2 out of 3 - but more of that later In their speeches to Parliament on the Bill, the Attorney General, Daryl Williams and the Shadow Attorney General, Robert McClelland remarked on the process to date The Attorney General said that the consultation process had been both exhaustive and exhausting, 3while Mr McClelland said This process started under the Labor government but, in fairness to this government, canied through ongoing public consultation procedures Ultimately, after the bill itself has been tabled, there has been further consideration by a parliamentary committee When you have the procedures tight, you are more likely to get the policy right 4 The result of this ongoing exhausting consultation is a better compromise between the various interests ACHIEVING 'BALANCE' In its 1994 report the CCG mentioned such things as extending the library and educational copying provisions to the digital environment, but only said that the Government should examine such issues at some point These were seen as secondary issues compared to the actual updating of the rights. In fairness to the CCG, this was really outside its terms of reference And this, as much as anything, is a sign of how far we have come. The first part of the CCG terms of reference reads The CCG is asked to consider, having regard to the fundamental changes which are occurring in the manner in which copyright materials are being used and the need to facilitate such uses while providing appropriate 3 4 Australia, House of Representatives 2000, Debate>, 27 June 2000, p 18377 Ibid , p. 18341 Au>tra/inn LAW LIBRARIAN 8(3)2000 224 protection for copyright owners and creating a positive environment for the development of industry, and having regard to Australia's international obligations. 5 What might strike you about that sentence (other than its length) is that the now obligatory copyright mantra of balance is missing . Today you cannot hear copyright policy mentioned by Government without the sacred balance being invoked. The Shadow Attorney General put it in the following way It is very important to properly protect that intellectual property Equally, on the other hand, it is important to balance the ability of ordinary Australians to access information so that they can develop skills The interaction between the protection of intellectual prope!ly and providing fair and appropriate access to the users of this material is a very difficult balance 6 Of the twelve Members of Parliament who spoke on the Bill eleven of them mentioned the importance of balance . It was left to Warren Snowdon from the Northern Territory to assert that the Bill will strip copyright owners of fundamental and exclusive rights under article 15(C) of the International Covenant on Economic, Social and Cultmal Rights by allowing third patties [meaning libraries of course] to reproduce and supply hardcopy copyright material in digital forms. 7 And even he was forced to mention balance, if only to suggest that it hasn't been struck in this case The notion of this vital balance between protection for copyright owners and reasonable access for copyright users is now a monument on the Australian copyright landscape And this is, I think, partly due to the Digital Agenda Bill's 5 Report of the Copyright Convergence Group 1994, Highways to Change, August, p. 2 Australia, House of Representatives 2000, Debates, 27 June 2000, p 18341 7 Ibid, p 18364 6 225 Australian LAW LIBRARIAN 8(3)2000 long gestation period. Had the ALP's Bill been passed in 1996 it would have delivered new technology-neutral rights for copyright owners but nothing for users . (This is not to say that the ALP was doing a bad job, just that in 1996 there had been much less thinking about digital copyright Their draft Bill was prepared even before the WIPO Internet Treaties} Exceptions would have been discussed as a separate issue later, allowing copyright owners the luxury of being able to do nothing but oppose them Indeed, the beauty of the Digital Agenda Bill is that it has something for everyone and therefore has universal support It is only the content that we fight over. THE FINER DETAILS Definition of 'library' It will be a relief to most to hear that the Government's new definition of 'library' has been removed That definition would have seen libraries owned by bodiesconducted-for-profit (such as law firms) excluded from library exemptions. Such libraries would not have been able to request material from public or university libraries nor supply material to an interstate office of the same firm Not without a licence anyway Similarly, such libraries would not have been able to use the preservation exceptions The Government itself removed this definition following the recommendation of the Andrews Committee. 8 However, this issue is still on the Government's agenda and will be revisited in the not too distant future. Technology-neutral terminology The Bill contains the kind of technology-neutral rights that the CCG envisioned in 1994 (although in somewhat different form) as well as the exceptions that it recommended be discussed at a later stage Digital copying The Bill extends the library copymg prov!Slons to the digital environment allowing libraries to communicate reasonable portions to users and other libraries. The provisions have been altered a little in the transfer; digital copies made from a print original by a library to satisfy a request must be destroyed after they have been communicated to the requesting library For example, copies 8 http://www .aph. gov .aulhouse/comrnittee/laca/digitalagenda/contents.htm Australian LAW LIBRARIAN 8(3)2000 226 made in the National Library (NLA) using ARIEL to satisfy a request from the University of Technology (UTS) must be destroyed after the transmission, leaving the NLA with only its print original and the UTS with its new digital copy Electronic source material Libraries will not be able to send even a reasonable portion to another library if that reasonable portion is otherwise commercially available. They will however be able to send such portions to users regardless of their commercial availability. Circumvention devices The Bill contains new provisions that make it illegal to manufacture, supply or import circumvention devices designed to get past protections such as software locks or password screens. This has led to concern that publishers will use these devices to lock up knowledge making it impossible to make copies under 'fair dealing' or library document supply provisions. Consequently the Government inserted exceptions to these provisions, allowing circumvention devices to be made or supplied in certain limited circumstances including the library and preservation copying provisions, but excluding fair dealing Many copyright owners have said that they do not like this form of lawful circumvention But publishers who lock their material up are also engaged in an act of circumvention, one that I suggest should be unlawful. The Copyright Act 1968 (Cth) goes into a great deal of detail about fair dealing and statutory licences in order to achieve certain public policy goals such as the dissemination of knowledge . It is not acceptable to circumvent this policy simply because it suits the commercial interests of publishers One of the ALP's amendments to the Bill was a provision that tightened the requirements for the supply or acquisition of such a device . This is not good for libraries but it could have been worse It is important that these provisions exist as a countervailing pressure on publishers who might be tempted to abuse their position, and as a last resort 227 Australian LAW LIBRARIAN 8(3)2000 Artistic worh Another ALP amendment modified the preservation copymg provisions with respect to artistic works . The Bill would have allowed galleries and museums to put preservation reproductions on kiosks for public display, provided that further copies could not be made from these kiosks. The Bill, as amended, now permits such display, which was designed to preserve the original, only when the original has deteriorated or is unstable. Senate reading The third amendment by the ALP, a change to film directors' copyright, was rejected by the Government and will be worked out in the Senate . With the exception of this amendment, which does not affect libraries, the Bill is seemingly bedded down and should hopefully pass easily through the Senate in its current form UNRESOLVED ISSUES The Bill is a pretty good outcome for libraries but there are a number of issues left umesolved by the Bill as well as issues that are lurking out there that were beyond the scope of the Bill The definition of 'library' will surface again There is also the question of contracts versus copyright The Bill tends to imply that it is perfectly legal for contracts to override what the copyright law provides. It does this by stating that some exceptions, the recent computer-programme amendments, may not be excluded by contract This strongly implies that all other exceptions may be excluded by contract This is not what the Government intended but is a consequence of how the Bill has been drafted The issue of copyright versus contract is only going to get bigger and bigger. It may not be long before Australian copyright owners, particularly software publishers, are clamouring for legislation based on the Uniform Computer Information Transactions Act (UCITA) 9 It originated in the United States and covers contracts that are generally known as shrink-wrap or click-wrap licences 9 http://www.infoworld.com/ucita/ Australian LAW LIBRARIAN 8(.3)2000 228 Finally, there rs an rssue that the Bill partially addressed, that of temporary reproductions. The Bill makes it clear that temporary reproductions, such as copies automatically made on your screen, in your hard drive or your RAM as part of a communication are excepted from the copyright owners right An example of this might be viewing material on tbe Web The copyright owner can control the communication from tbe Website but not all the automatic reproductions that come witb it However, in the case of an e-book, tbe temporary reproductions made while reading such a publication are not part of a communication and are therefore not covered by the exception . The result is that you may need a licence to read an e-book, a very disturbing precedent in terms of our society's level of access to knowledge CONCLUSION There are problems that will remain after the Bill has become law and will need to be addressed along with otber continuing copyright reform issues such as the simplification of copyright However, tbe idea of the pressing need for balance in copyright between owners and users is now firmly entrenched in Australian copyright jurisprudence. Hopefully this will serve the library sector well in future copyright debates 229 Austtalian LAW LIBRARIAN 8(3)2000
© Copyright 2026 Paperzz