DSC Grades 6–8 Making Meaning 2000 Embarcadero, Suite 305 Oakland, CA 94606-5300 800.666.7270 * fax: 510.842.0348 devstu.org ® An Uncommon Response to the Common Core Page 2 Nonprofit. Mission Driven. Research Based. Since 1980. facebook.com/thedscway twitter.com/thedscway youtube.com/thedscway Strategies That Build Comprehension and Community DSC MM-BROCH68-2012 Cover photo © Ereloom Studios devstu.org Table of Contents 2 Overview An Uncommon Response to the Common Core—Reading . . . . . . . 2 Learning to Read and Work Together. . . . . . . . . . . . . . . . . . . . . . . . . . . 4 What’s Included. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Grade-level Components. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Alternative Making Meaning® Books: Comprehension Strategies Libraries . . . . . . . . . . . . . . . . . . . . . . . . . 8 Individualized Daily Reading Libraries . . . . . . . . . . . . . . . . . . . . . . . . . 9 Grade-level Packages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Research Basis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Social Skills and Community Building . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Class Meetings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Cooperative Structures. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 The Instructional Plan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 What’s So Special? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Program Assessment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Program Support for English Language Learners. . . . . . . . . . . . . . . . 19 20 Sample Pages 50 Resources Sample Week for Grade 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Sample Week for Grade 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Sample Week for Grade 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Alternative Making Meaning Books: Comprehension Strategies Libraries . . . . . . . . . . . . . . . . . . . . . . . . . Individualized Daily Reading Libraries Grade 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grade 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grade 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Professional Development . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 52 56 60 64 An Uncommon Response to the Common Core—Reading The Common Core State Standards define what all students are expected to know and be able to do, but “not how teachers should teach.”1 The Making Meaning® program offers student-centered, deeply interactive instruction that incorporates the CCSS vision for student listening and speaking, close reading of varied and increasingly complex texts, and personal writing expression. The Common Core State Standards expect students to: • Read a wide variety of high-quality, increasingly complex text across disciplines and genres • Read for key ideas, details, craft, and structure, and integrate knowledge and ideas • Synthesize, evaluate, and conduct comparative textual analysis • Refer to texts in increasingly complex ways and cite textual evidence to support their thinking • Be productive members of conversations that require them to engage in provocative talk about texts with their teacher and peers in order to compare and synthesize ideas within and across texts Electronic Correlation Database DSC offers an in-depth correlation to the Standards of DSC’s literacy programs to help teachers create lessons that prepare students for success. This online database is searchable by standard, program unit, and lesson. To access it, visit devstu.org/ccss. Common Core State Standards Initiative, Common Core State Standards for English Language Arts & Literacy in History/ Social Studies, Science, and Technical Subjects, “Introduction,” June 2, 2010, 6. 1 2 DEVELOPMENTAL STUDIES CENTER Making Meaning® What in the text makes you think that? In Making Meaning®, the structured partner work and daily social interaction with collaborative structures deepen the learning. Students work together and “go back to the text” to discuss, confirm, and extend their ideas. Photo © Ereloom Studios The Making Meaning program provides: • 11–20 selected read-aloud trade books and additional varied texts A dual academic and social focus invites students to: • An explicit focus on social development • Read closely and critically, weigh evidence, form opinions, and develop habits of mind • Rigorous lessons developed intentionally to build consistency within and across units and grade levels • Participate in substantive discussions, understand relevance, and connect with and debate ideas of others on text-related topics • Opportunities for teachers to confer with students and probe for evidence in the text to support their thinking • Read, re-read, and reflect on their understanding, strategy use, and text selection from a variety of complex reading materials For orders, information, and samples, visit devstu.org or call 800.666.7270. 3 Learning to Read and Work Together The Making Meaning ® program uses powerful texts that capture students’ attention and stimulate their thinking. Compelling read-aloud selections have been carefully chosen to explicitly teach the comprehension strategies known to be used by good readers. The program is a yearlong curriculum for grades 6–8 that teaches students to make sense of text. The reading materials compel students to share their passions and concerns. Students work together to create meaning and to connect with each other. Structured partner work creates an environment where students reveal strengths, expose weaknesses, and grow together as the class becomes a community of readers. Using Comprehension Strategies Developing Socially The program asks students to think on their own, express their ideas, and be in charge of their own learning. Explicit strategy instruction and practice help students own and use the following comprehension strategies: Each lesson has social objectives that help students develop confidence in their ideas and which give them opportunities to develop discussion and communication skills. Social development includes: • Making connections/Using schema • Appreciating other people’s ideas • Visualizing • Discussing ethical issues in texts • Wondering/Questioning • Disagreeing in a respectful way • Making inferences • Asking clarifying questions • Determining important ideas • Justifying opinions • Understanding text structure • Taking responsibility for one’s own learning and behavior • Summarizing • Synthesizing 4 DEVELOPMENTAL STUDIES CENTER • Working together cooperatively Making Meaning® Making Meaning is something that integrates into everything you do each day. It is about creating a sense of community and allowing the children to be equal partners in what’s happening in the classroom and in the learning. You will see that the students take ownership. You have to allow time in your classroom to do it, to develop the lessons. You need to make a commitment to it, and the rewards are far, far greater than you expect.” — Gail Fay, grade 6 teacher, Newark, California For orders, information, and samples, visit devstu.org or call 800.666.7270. 5 What’s Included Grade-level packages include: • Teacher’s Manual (2 volumes) • Selected books, short stories, and articles • Student Books (consumable) • Assessment Book (consumable) • Program orientation materials Also Available Alternative Books for Making Meaning Lessons: Comprehension Strategies Libraries Individualized Daily Reading (IDR) Libraries Libraries of alternative read-aloud books enable teachers to provide additional strategy practice or repeat a week of strategy instruction using a different book (see pages 50–51). Making Meaning CD-ROMs For subsequent years of Making Meaning instruction, optional grade-level CD-ROMs contain all the reproducible materials needed for teachers and students. They are an alternative to purchasing consumable materials. The independent strategy practice lessons in the Making Meaning® program provide students with valuable practice in using comprehension strategies independently, but more independent practice is needed if students are to become truly proficient readers. The IDR Libraries, organized by grades and readability, provide books for students to use in independent reading. For a list of IDR titles, see pages 52–63. Making Meaning Leadership Support Kit The Making Meaning Leadership Support Kit provides the tools and support for effective leadership and program implementation to effect meaningful school change. While the kit focuses primarily on implementation at grades K–6, the support materials contained in the kit can be very helpful to middle school teachers. NOTE: For current pricing, please contact your local DSC representative, visit devstu.org/making_meaning, or call 800.666.7270. 6 DEVELOPMENTAL STUDIES CENTER Making Meaning® Grade-level Components Teacher’s Manual SECOND EDITION Student Book STUDENT RESPONSE BOOK Making Meaning ® SECOND EDITION STUDENT RESPONSE BOOK The Making Meaning program provides a Student Book for each student. It includes activity sheets correlated to lessons that students use to record their thinking and an IDR journal in which students record their thoughts about their reading during IDR. Consumable. DSC Strategies That Build Comprehension and Community ® SECOND EDITION Making Meaning The Teacher’s Manual provides detailed lessons for strategy instruction, as well as a scope and sequence for teaching reading comprehension at each grade level. The daily lessons revolve around clearly defined teaching objectives and partner work that build in complexity as students move through the program. In two volumes. Illustration by Vivienne Flesher VOLUME 1 TEACHER’S MANUAL Making Meaning® Grade 6 MM2-SB6-NFS Project Name: Making Meaning 2e TM Cover— Grade 6 vol. 1 Trim size: 8.375” x 10.875” Artist: Garry Williams Round: FINAL pages Date: 09/18/08 File Name: MM2-TM6-V1_cover.indd Page #: 1 Colors used: 4c + PMS 485 Printed at: 100% Editor: Erica Hruby Comments: Read-aloud Trade Books Grade 6 Students’ listening comprehension typically exceeds their reading comprehension. Listening to and discussing texts together enables them to build background knowledge and vocabulary, enjoy a common experience, build community, share ideas, and collaborate to construct meaning. Making Meaning y(7IB5J8*TMRPMS( +;!z!”!z!” Illustration by Vivienne Flesher SECOND EDITION ISBN 978-1-59892-752-8 2000 Embarcadero, Suite 305 Oakland, CA 94606-5300 800.666.7270 * fax: 510.464.3670 www.devstu.org Assessment Book ASSESSMENT RESOURCE BOOK ® The assessment in the Making Meaning program is designed to help teachers make informed instructional decisions as lessons are taught and track students’ reading comprehension and social development over time. Consumable. Strategies That Build Comprehension and Community MM2-AB6 Project Name: MM 2E G6 ARB Cover Trim size: 8.375” x 10.875” Artist: Garry Williams Round: FINAL pages Date: 10/01/08 File Name: MM2-AB6_cover.indd Page #: 1 Colors used: PMS 485 + PMS 2945 Printed at: 80% Editor: Erica Hruby Comments: Preflight DONE NOTE: For a list of components available separately and for current pricing, please contact your local DSC representative, visit devstu.org/making_meaning, or call 800.666.7270. For orders, information, and samples, visit devstu.org or call 800.666.7270. 7 Alternative Making Meaning® Books: Comprehension Strategies Libraries Lessons in the Making Meaning® program include suggestions for alternative books that are suitable for reteaching the comprehension focus of the week. DSC has compiled grade-level trade book sets—the Comprehension Strategies Libraries (CSL)—that include many of these alternative books along with trade books that are paired with specific comprehension strategies. You can use these suggested books to repeat the week of instruction by replacing the lesson’s read-aloud with the alternative book selection, chosen specifically to work with the prior week’s strategy instruction. For a list of titles, see pages 50–51. Alternative books can be used two ways: 1. Reteaching Making Meaning Lessons The alternative books allow teachers to reteach each lesson in the Making Meaning program using the alternative book from the Comprehension Strategies Library for a second lesson on the same strategy. Each grade level has a customized library of teacherrecommended books carefully chosen for teaching specific strategies. A list of comprehension strategies paired with specific titles is provided with purchase. Use a book from the library to repeat a week of instruction. Teach the comprehension strategy again, replacing the lesson’s read-aloud book with the alternative selection. 2. Independent Reading Invite students to use the alternative books for their independent reading to apply the instructional strategy work. The CSL titles are a resource for tying independent reading practice to specific comprehension strategy instruction. Grade 6 Library, Set 1 8 DEVELOPMENTAL STUDIES CENTER Making Meaning® Individualized Daily Reading Libraries Weekly lessons conclude by asking students to apply the comprehension strategy being studied to their independent reading. They are held accountable for doing it and for sharing the application with others. These libraries are organized by grade level and readability to enable teachers to provide “just-right” fiction and nonfiction books for their students. Guided Reading and Lexile levels for IDR books can be found on pages 52–63 and at devstu.org/idr. What’s Included Three grade-level libraries (6–8) contain a total of 720 books. Each library represents a range of genres and cultures—as well as a balance of female and male characters and authors. Many of the books model community-building values such as responsibility and cooperation. How the Libraries Are Organized Each grade has a separate library that contains multiple 10-book collections (24 collections per grade level). For grade 6, the collections are organized by level (easy, on-level, and challenging) and type (fiction and nonfiction). Easy books are below grade level by 1–1½ grades, on-level books are on grade level, and challenging books are 1–1½ grades above grade level. The collections for grades 7–8 are organized by level (very easy, easy, and onlevel and above) and type (fiction and nonfiction). Sample of grade 7 fiction titles Very easy books are below grade level by 3 grades, easy books are below grade level by 1–1½ grades, and on-level and above books are on grade level. How the Libraries Were Created DSC scoured book sources to find engaging, teacher-recommended titles for children. Reading experts reviewed relevant leveling information (Lexile, Guided Reading, or Teachers College levels) and evaluated each title individually to determine its grade-level appropriateness. The collections were refined based on feedback given by librarians, teachers, and their students. Purchase All or Some Use these libraries to start an excellent independent reading classroom library or to round out an existing library with one or more targeted collections. Sample of grade 8 nonfiction titles For orders, information, and samples, visit devstu.org or call 800.666.7270. 9 Grade-level Packages: Grades 6–8 Grade 6 Classroom Package 10 MM2-CP6 Grade 7 Classroom Package MM-CP7 Contents include: Teacher’s Manual (2 volumes), Orientation Handbook and DVDs, Class Set (30 Student Response Books, Assessment Resource Book), 18 read-aloud trade books (listed below). Contents include: Teacher’s Manual (2 volumes), Orientation Handbook and DVDs, Class Set (30 Student Books in 2 volumes, Assessment Record Book), 19 read-aloud trade books (listed below). Title America Street: A Multicultural Anthology of Stories And Still the Turtle Watched Asian Indian Americans Baseball Saved Us Chato’s Kitchen Dear Benjamin Banneker Encounter Every Living Thing Life in the Oceans New Kids in Town Out of this World: Science Fiction Stories Rosie the Riveter: Women in a Time of War The Strangest of Strange Unsolved Mysteries, Volume 2 Train to Somewhere Voices from the Fields: Children of Migrant Farmworkers Tell Their Stories Volcano Whales Why Mosquitoes Buzz in People’s Ears Title Ancient Ones Children of the Wild West Death of the Iron Horse The Dream Keeper and Other Poems Finding Our Way the flag of childhood The Friendship It’s Our World, Too! The Land I Lost Life in the Woodlands New and Selected Poems Only Passing Through Roberto Clemente Shattered Sports Stories The Village That Vanished What If...? : Amazing Stories Wolves The Wretched Stone Author Mazer, ed. MacGill-Callahan Yoder Mochizuki Soto Pinkney Yolen Rylant Baker Bode Blishen, ed. DSC Emert Bunting Atkin Lauber Simon Aardema DEVELOPMENTAL STUDIES CENTER Author Bash Freedman Goble Hughes Saldaña, Jr. Nye, ed. Taylor Hoose Huynh Hooper Soto Rockwell Winter Armstrong, ed. Durant, ed. Grifalconi Hughes, ed. Simon Van Allsburg Making Meaning® Do you have enough books for each student to have choices at the right reading level? Grade 8 Classroom Package MM-CP8 Contents include: Teacher’s Manual (2 volumes), Orientation Handbook and DVDs, Class Set (30 Student Books in 2 volumes, Assessment Record Book), 11 read-aloud trade books (listed below). Title the composition The Giver Immigrant Kids In the Land of the Lawn Weenies Life in the Polar Lands Nellie Bly The People Could Fly Satchel Paige Sharks She Dared When I was Your Age, Volume One Author Skarmeta Lowry Freedman Lubar Byles Krensky Hamilton Cline-Ransome Simon Butts Ehrlich, ed. IDR Research says: • The amount of independent reading a student does has consistently been found to relate to growth in vocabulary, reading comprehension, verbal fluency, and general information. • Students who read independently become better readers, score higher on achievement tests in all subject areas, and have greater content knowledge than those who do not. DSC’s Individualized Daily Reading Libraries • Can be purchased in sets of ten by fiction or nonfiction • Are leveled easy, on-level, and challenging (grade 6) • Are leveled very easy, easy, and on-level and above (grades 7–8) CSL Library of books to reteach lessons. See Comprehension Strategies Libraries, pages 50–51. IDR Library of independent reading material for your students. See Individualized Daily Reading Libraries, pages 52–63. • Can help your students build a reading life NOTE: For more information about Individualized Daily Reading, please contact your local DSC representative, visit devstu.org/idr, or call 800.666.7270. For orders, information, and samples, visit devstu.org or call 800.666.7270. 11 Research Basis Good readers construct meaning. Reading aloud is key. Isabel Beck says, “Building understanding is currently viewed as what a reader needs to do to read successfully. It is important to consider that building understanding is not extracting information from the page, which is how reading was once characterized. Rather, building understanding involves determining what information means. Reading is constructing meaning.” 1 According to Lucy Calkins, “In the teaching of reading, there are only a handful of things that everyone agrees are essential. Perhaps the most important of these is the fact that children need to listen to the best of children’s literature read aloud to them.” 5 Teaching comprehension strategies works. According to the National Reading Panel, “Explicit or formal instruction in the application of comprehension strategies has been shown to be highly effective in enhancing understanding.” 2 Cooperative learning improves comprehension. The National Reading Panel says, “Having peers instruct or interact over the use of reading strategies leads to an increase in the learning of the strategies, promotes intellectual discussion, and increases reading comprehension. This procedure saves on teacher time and gives the students more control over their learning and social interaction with peers.” 6 In an International Reading Association publication, David Pearson and Nell Duke say, “Comprehension improves when teachers provide explicit instruction in the use of comprehension strategies.” 3 Student discussions are important. Providing good literature is essential. Classrooms should be listening communities. Ellin Keene says, “Teachers need to use authentic and challenging texts (high-quality children’s literature and well-written nonfiction) to help their students move along the continuum from novice to proficient reader.” 4 Michael Pressley says, “Children’s comprehension of the ideas in text increases when they have conversations about literature with peers and teachers.” 7 Lucy Calkins says, “If we want children to know what it is to take in the words and thoughts and stories of another person and to let those words leave a lasting mark, then we need to mentor children to become citizens in a listening community.” 8 References 1. Isabel Beck, Margaret G. McKeown, Rebecca L. Hamilton, and Linda Kucan, Questioning the Author: An Approach for Enhancing Student Engagement with Text (Newark, DE: International Reading Association, 1987). 4. Ellin Oliver Keene and Susan Zimmermann, Mosaic of Thought: Teaching Comprehension in a Reader’s Workshop (Portsmouth, NH: Heinemann, 1997). 2. National Reading Panel, Teaching Children to Read: An Evidence-Based Assessment of the Scientific Research Literature on Reading and Its Implications for Reading Instruction (Bethesda, MD: National Institute of Child Health and Human Development, 2000). 5. Lucy McCormick Calkins, The Art of Teaching Reading (New York: Longman, 2001). 3. International Reading Association, “Effective Practices for Developing Reading Comprehension” in What Research Has to Say About Reading Instruction (Newark, DE: IRA, 2002). 7. Michael Pressley, Effective Beginning Reading Instruction: The Rest of the Story from Research (Washington: National Education Association, 2002). 6. National Reading Panel, Teaching Children to Read. 8. Lucy McCormick Calkins, The Art of Teaching Reading. 12 DEVELOPMENTAL STUDIES CENTER Making Meaning® Social Skills and Community Building The program teaches social skills and community building strategies directly, teaching students to be effective partners who can express their own ideas and appreciate and respect the ideas of others. Social Skills and Community Building Examples of social skills and where they are emphasized 6 7 8 Giving reasons to support thoughts and opinions Talking and listening to one another Using prompts to add to another person’s thinking Asking clarifying questions Reaching agreement Discussing opinions respectfully Confirming that you understand another person Including one another Contributing to group work Giving and receiving feedback For orders, information, and samples, visit devstu.org or call 800.666.7270. 13 Class Meetings The program includes three different kinds of class meetings to build and sustain the reading community: Norm-setting Class Meetings Problem-solving Class Meetings At the beginning of the year, students establish norms for their life together in the classroom. Students gain a shared perspective on a problem and work to reach a common understanding or solution. Check-in Class Meetings Students evaluate their interactions against the norms they set for themselves at the beginning of the year. Supporting the Needs of All Students For ELL students there is a lot of new vocabulary used in the stories. But the way the lesson works, where students are talking to each other and helping each other and asking questions, it’s very easy for ELL kids to understand the stories. And they like them.” — Kim Gray, grade 7/8 teacher, Albany Middle School 14 DEVELOPMENTAL STUDIES CENTER Making Meaning® Cooperative Structures Structured partner work enables students to stop, think, discuss, and internalize what they have read. The cooperative structures provide opportunities for students to generate questions, visualize what they have been reading, and determine what is important in the text. They learn the power of their own thinking and begin taking responsibility for their own learning. Partner work includes: Turn to Your Partner Think, Pair, Write Students turn to a partner sitting next to them to discuss an issue or question. Pairs may then share and discuss their thinking with the class. Students think for a few minutes individually before talking with a partner. They then write down their ideas. They may share their writing with another pair or with the class. Think, Pair, Share Students think individually about a question or issue and then discuss their thoughts with a partner. Pairs may report their thinking to another pair or to the class. Heads Together Groups of four students discuss a question or issue among themselves. Groups may share their thinking with the class. Group Brainstorming Groups of four list as many ideas as they can about a question or topic as a group member records. For orders, information, and samples, visit devstu.org or call 800.666.7270. 15 The Instructional Plan The program uses a combination of read-aloud selections, facilitated discussions, collaboration, partner work, guided practice with text, and independent reading to help students and teachers become a supportive community of interested readers. Each lesson is built on the assumption that academic and social learning flourish when they are integrated naturally rather than pursued separately. 16 Using Read-aloud Selections Using Individualized Daily Reading (IDR) The program uses powerful texts that open up and change student thinking. There are stopping points for discussion and engagement. Students create meaning together and connect with each other and the text. The program includes a level of questioning that invites students to interact with the text to clarify information and ideas. The program includes time each day for structured independent reading. Students read books at their own reading level, using appropriate comprehension strategies to manipulate their thinking and understand the text. They also share their ideas with reading partners, which reinforces their own capacity to read and comprehend. Developing Social Skills and Community Learning Along with the Students The program challenges students to find their own capacity to think while they read. Dynamic partner work allows all students to bring their thinking to life and communicate clearly with others. Students reveal strengths, expose weaknesses, and grow stronger as the class becomes a community of enthusiastic readers. The social development in the Making Meaning® program is deliberately structured and sequenced to scaffold teachers’ learning as well as students’ learning. Integrating academic achievement with social and ethical development is a powerful instructional model. The strategies and patterns of instruction build in complexity and depth across units within a year, and across years as students move through the grades. For example, the logistics of working together are taught before students learn about agreeing and disagreeing respectfully. Skills such as visualizing are taught before making inferences and summarizing. DEVELOPMENTAL STUDIES CENTER Making Meaning® What’s So Special? The Making Meaning ® program goes beyond the basic literacy skills of the early elementary grades to the more challenging and rewarding literacy understanding and analysis of middle school. The program has two goals: teaching the comprehension strategies that good readers use and developing students’ ability to communicate clearly and be responsible partners. Academic rigor and collaborative learning are consistently integrated in the following ways: Explicit Strategies Student Empowerment Students learn explicit comprehension strategies to help them understand what they read and construct meaning on their own. The program is built on the research that defines the thinking strategies proficient readers use to comprehend and interpret text. Reading is thinking. The program makes students responsible for understanding what they have read. It helps students monitor their own comprehension. Students become conscious of the thinking taking place inside their heads. Text Interaction Content Area Support Students are asked to discuss, analyze, mark up, interpret, and draw inferences from text to support their thinking and communicate their ideas. The content area material that middle school students encounter is complicated and not understood by just “reading the words.” The program teaches specific thinking processes that enable students to approach content area text and understand what is important. For orders, information, and samples, visit devstu.org or call 800.666.7270. 17 Program Assessment The Making Meaning ® program provides ways to monitor students’ reading comprehension and social development over time. Three kinds of assessments help teachers make informed decisions about instruction. The Teacher’s Manual provides a written assessment alert in each lesson whenever an assessment is suggested. The Assessment Book provides specific forms on which to record assessments. Type of Assessment 18 Who’s Assessed? What’s Monitored? How Often? Class Comprehension Assessment Whole class • General evidence of students’ use of the comprehension strategy taught during the week • Class success with partner work Weekly Individual Comprehension Assessment Individual students • Written student work • Student application of the unit strategy • Evidence of student’s comprehension • The teacher incorporates information from ongoing IDR conferences End of each unit Social Skills Assessment Individual students • Application of the program’s social skills to partner work • Participation in lessons • Integration of social values into student behavior Three times a year: beginning, middle, and end DEVELOPMENTAL STUDIES CENTER Making Meaning® Program Support for English Language Learners The program’s instructional design includes many elements that researchers have identified as “best practice” in comprehension instruction for English Language Learners. Research Suggests Program Features Reading aloud to students Program employs read-aloud pedagogy as the basis for all lessons. Exposing students to various genres and styles Read-aloud texts include fiction, nonfiction, poetry, fantasy, folklore, biography, expository text, articles, and essays. Selecting materials that reflect students’ backgrounds Texts represent a wide range of cultures. Introducing students to unfamiliar vocabulary Read-aloud lessons include vocabulary for all students as well as additional words for English Language Learners (ELLs), with an emphasis on academic language. Checking comprehension by asking questions and encouraging students to talk about their reading Teachers encourage students to discuss their thinking about texts. Asking higher-level questions during and after the reading Teachers ask open-ended questions before, during, and after the reading. Providing frequent opportunities for group work and peer collaboration Pair or group activities are incorporated into every lesson, promoting student talk. Building background through discussions of key concepts before reading Lessons include text previews and other activities before reading to assure adequate “frontloading.” Talking and listening to one another Program promotes oral fluency. For orders, information, and samples, visit devstu.org or call 800.666.7270. 19 Sample Week for Grade 6 Week 1 Overview UNIT 6: MAKING INFERENCES Fiction and Expository Nonfiction Train to Somewhere by Eve Bunting, illustrated by Ronald Himler (Clarion, 1996) Traveling west on an orphan train, Marianne seems to be the child nobody wants—until she arrives in Somewhere. A LT E R N AT I V E B O O K S Rose Blanche by Roberto Innocenti Ghost Train by Paul Yee Unit 6 Week 1 Making Inferences Fiction and Expository Nonfiction Strategy Development Comprehension Focus • Studentsmake inferences to understand causes and effects in narrative text. Every weekly lesson focuses on a specific comprehension strategy. Follow the gold call outs to track strategy development. • Studentscontinuetouse text structure to explore narrative text. 240 • Studentsreadindependently. Making Meaning® Social Development Focus Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Trim size: 8.375” x 10.875” Artist: Scott Benoit Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Studentsanalyzetheeffectoftheirbehavioronpartnerwork. Round: Final•pages Date: 10/03/08 Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd File Name: MMR_TM_6.6.1.indd Page #: 241 Page #: 240 • Studentsdevelopthegroupskillofusingpromptstoextend Printed at: 80% a conversation. Editor: Erica Hruby Colors used: PMS 2622, PMS 392 Trim size: 8.375” x 10.875” Artist: Scott Benoit Comments: Preflight DONE Comments: Preflight DONE DO AHEAD •PriortoDay1,decidehowyouwillrandomlyassignpartnerstowork together during the unit. •Preparethe“CluestoInferencesinTrain to Somewhere” chart (see Day 2, Step 2, on page 247). •Maketransparenciesofthe“ExcerptfromTrain to Somewhere” (BLM21–BLM22). IfyouareteachingDevelopmental Studies Center’s Making Meaning Vocabulary program, teachVocabularyWeek12this week.Formoreinformation, seetheMaking Meaning Vocabulary Teacher’s Manual. •PreparethedirectionschartforGuidedStrategyPractice(seeDay3, Step3,onpage252). Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Round: Final pages Date: 10/03/08 Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 240 File Name: MMR_TM_6.6.1.indd Page #: 241 Colors used: PMS 2622, PMS 392 Printed at: 80% Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby Artist: Scott Benoit Editor: Erica Hruby Comments: Preflight DONE 20 DEVELOPMENTAL STUDIES CENTER Every weekly lesson focuses on specific social skill development. Follow the green call outs to track social development. is an optional supplement for grades K–6. Grade Six Trim size: 8.375” x 10.875” Printed at: 80% Editor: Erica Hruby Making Meaning® Vocabulary •Preparetomodelaskingwhy questions in independent reading (see Day4,Step3,onpage255). Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Social Development Colors used: PMS 2622, PMS 392 241 Making Meaning® Unit 6 Week 1 Day 1 Read-aloud Materials • • Train to Somewhere Chartpaperandamarker In this lesson, the students: • Beginworkingwithnewpartners • Make inferencesastheyhearastory • Discusscharacter,setting,andplot Making Inferences • Use prompts to extend a conversation Fiction and Expository Nonfiction • Read independently for up to 30 minutes Unit 6 Week 1 Day 2 Pair Students and Teach Prompts to Extend Conversations Randomlyassignpartnersandhavethemsittogether.Explainthat duringthenextfewweeksthestudentswillworkinthesepairs. Being a Writer Teacher ™ Youcaneitherhavethe studentsworkwiththeirBeing Guided Strategy Practice Materials Reviewthatinpreviouslessons,thestudentslearnedtoask Making Inferences Unit 6 Week 1 clarifyingquestions,confirmthattheyunderstoodtheirpartners’ Fiction and Expository Nonfiction thinkingbyrepeatingbackwhattheyheard,andusepromptsto Conversation”chartfrom helpthemlistenandconnecttheirideastotheirpartners’ideas. Day1 Remind thestudentsthattheyshouldbeusingtheseskillsas Teacher Note • “Clues to Inferences in neededintheirpartnerconversations. Thepromptsare: a Writer partner or assign • Train to Somewhere themadifferentpartnerfor theMaking Meaning • lesson. “Prompts to Extend a In this lesson, the students: • • • • Day 3 Make inferencesastheyhearastory Discussconflictinthestory Read independently for up to 30 minutes • • • Use prompts to extend a conversation Review Using Prompts to Extend Conversations Train to Somewhere”chart, preparedahead(seeStep2) I agree with you, because… • ”ReadingComprehension In addition to what you said, Strategies”chart I think… Guided Strategy Practice PromptstoExtendQ What suggestions do you have to help partners keep their • Train to Somewhere • “Prompts to Extend a In this lesson, the students: conversation going? aConversation Remindthestudentstofocusontalkingforthewholetimeduring partnerconversations,usingthepromptsonthe“PromptstoExtend aConversation”chartasneeded.Tellthestudentsthatyouwill checkinwiththemattheendofthelessontoseehowtheydid. Conversation”chart • Explore causes of events in a story - Tellmemoreofyour • Student Response Book Explainthatkeepingaconversationgoingcanbechallenging,but • Read independently for up to 30 minutes thinkingabout… pages 36–37 thatbydoingsopartnersoftengainnewinsightsintothereading. • Use prompts to extend a conversation - Let’stalkalittle • Directionschart,prepared Tellthestudentsthattodaytheywilllearnpromptstohelpthem ahead(seeStep3) moreabout… extendtheirconversations. Highlight Clues to Inferences in Train to Somewhere Review Using Prompts to Extend Conversations RemindthestudentsthattheyheardTrain to Somewhere read aloud yesterday.Directtheirattentiontothe“CluestoInferencesinTrain to Somewhere”chart,onwhichyouhavewrittenthefollowing sentencesfromthebook: “Theyfeeltheboys’musclesthroughtheircoats.Theysay Pointoutthatsometimespartnersfinishwhattheyaresaying quicklyandendupsittingwithoutsayinganythingfortherestof thepartnerdiscussiontime.Ask: Materials I disagree with you, because… 242 Explainthattodaypartnerswillcontinuetofocusonusingprompts toextendconversations.Reviewtheitemsonthe“Promptsto ExtendaConversation”chart. Making Meaning® Teacher Note thingslike:‘Thishere’sagoodone.’And,‘He’llbeuseful Introduce Exploring Causes Notethatboththefirstand comeharvest.’” second clues appear on Unit 6 Week 1 Day 4 “MissRandolphwipeshereyes.‘Anything’sbetterthanbeing onthestreetsofNewYork,’shesays.‘Alotofyouwill Making Inferences Independent Strategy Practice In this lesson, the students: • Explorecausesofeventsasthey read independently • Use prompts to extend a conversation Round: FinalWeek pages Review the Date: 10/03/08 • Q Smallself-sticknotesfor eachstudent Why does Marianne give Mrs. Book the feather? File Name: MMR_TM_6.6.1.indd Page #: 247 • Colors used: PMS 2622, PMS 392 Printed at: 80% andexploredcharacter,setting,conflict,andplot.Reviewthatthey attentiontotheexcerptfromTrain to Somewhere on Student Editor: Erica Hruby alsomadeinferencesastheythoughtaboutwhycertainthings Comments: Preflight DONE Response Book pages36–37,andexplainthattheexcerptisthepart happened.Explainthattodaytheywillexplorecausesinthebooks theyarereadingindependentlybyaskingwhy questions. Artist: Scott Benoit Remindthestudentsthattheyalsopracticedusingpromptsto extendtheirconversations.Encouragethemtocontinuetopractice Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 theseskillstoday. Trim size: 8.375” x 10.875” Artist: Scott Benoit Comments: Preflight DONE Editor: Eri Comments: Preflight DONE Teacher Note Havestudentswhoareunable toreadtheexcerptontheir ownreaditquietlyaloudwitha partner, or read it aloud yourself asthestudentsfollowalong.Then havethemgobackandunderline thecluesinthepassage. Grade Six Date: 10/03/08 Round: Final pages Date: 10/03/08 Page #: 250 File Name: MMR_TM_6.6.1.indd Page #: 251 Colors used: PMS 2622, PMS 392 Printed at: 80% Colors used: PMS 2622, PMS 392 Printed at: 80% Read Independently Without Stopping 251 Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Round: Final pages File Name: MMR_TM_6.6.1.indd Editor: Erica Hruby Colors used: PMS 2622, PM Artist: Scott Benoit Materials Book for modeling why questions (see Step 3) RemindthestudentsthatthisweektheyheardTrain to Somewhere Withoutdiscussingthequestionasaclass,directthestudents’ Trim size: 8.375” x 10.875” Round: Final pages Trim size: 8.375” x 10.875” • Narrative texts at Explore Causes inappropriate Train tolevels Somewhere for independent reading Remindthestudentsthatattheendofthestory,Marianne Grade Six 247 • “Prompts to Extend a gives Mrs.Bookafeather.Havepartnerstalkbrieflyaboutthe followingquestion: Conversation”chart Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Printed at: 80% Project Name: Making Mea File Name: MMR_TM_6.6.1 Explainthattodaytheywillexplorewhysomethingshappenas theydoinTrain to Somewhere. “Ipullmyselfbackintothecorneroftheseat.‘No,’I Page #: 246 Student Response Book, IDRJournalsection Comments: Preflight DONE dofine.’” Date: 10/03/08 • Transparenciesofthe “Excerpt from Train to Somewhere”(BLM21–BLM22) Projectand Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Remindthestudentsthattheyhavebeenmakinginferencesto Fiction Expository Nonfiction Round: Final pages Date: 10/03/08 helpthemunderstandwhatishappeninginstoriessuchasTrain File Name: MMR_TM_6.6.1.indd Page #: 242 to Somewhere and Encounter.Pointoutthattheycanalsousethe Trim size: 8.375” x 10.875” Colors used: PMS 2622, PMS 392 Printed at: 80% strategytohelpthemfigureoutwhysomethinghappens—what Artist: Scott Benoit Editor: Erica Hruby causesaneventtohappenthewayitdoesinthebook. agentcomingroundtomakesurethechildrenareallright.’” — Grade 6 Unit 6 Week 1 Assessment Resource Book page12ofthebook. “Shehasherlipspressedtightlytogether.‘There’llbean whisper.‘No.’” • • Trim size: 8.375” x 10.875” Artist: Scott Benoit Editor: Erica Hruby Askthestudentstouseself-sticknotestomarktheplacetheybeginComments: Preflight DONE readingandhavethemreadindependentlyfor10minutes. Model Asking Why Questions Stopthestudentsafter10minutes.Explainthatyouwouldlike themtorereadanduse“StopandAskQuestions”toidentifyplaces wheretheycanaskwhyquestions.Theywilluseadditionalself-stick notestomarktheplaceswherequestionscometomind,andthey willwritethequestionsonthenotes. Teacher Note Toprepareforthemodeling,have thewhyquestionyouwillaskin mindaheadoftime.(Forexample, usingthebookEncounter, you Modeltheprocedurebybrieflyintroducingthetextyouselected. Readseveralsentencesaloud,andthinkaloudaboutawhy question thatcomestomind.Jotthequestiononaself-sticknote,andplace thenoteinthemarginwhereyoustoppedreading. mightreadpage9andask, “Whydoestheboybecome moreafraidwhenthestrangers pushsticksintothesand?”) Grade Six oject Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 und: Final pages Date: 10/03/08 Round: Final pages Date: 10/03/08 e Name: MMR_TM_6.6.1.indd Page #: 254 File Name: MMR_TM_6.6.1.indd Page #: 255 lors used: PMS 2622, PMS 392 Printed at: 80% Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby 255 Trim size: 8.375” x 10.875” Artist: Scott Benoit Editor: Erica Hruby For orders, information, and samples, visit devstu.org or call 800.666.7270. Comments: Preflight DONE 21 Sample Week for Grade 6, Day 1 Social Development Partners learn to use prompts to enrich and extend their conversations. Unit 6 Week 1 Day 1 Read-aloud Materials • • Train to Somewhere Chartpaperandamarker In this lesson, the students: • • • • • Beginworkingwithnewpartners Make inferencesastheyhearastory Discusscharacter,setting,andplot Use prompts to extend a conversation Read independently for up to 30 minutes Pair Students and Teach Prompts to Extend Conversations Being a Writer™ Teacher Youcaneitherhavethe Randomlyassignpartnersandhavethemsittogether.Explainthat duringthenextfewweeksthestudentswillworkinthesepairs. studentsworkwiththeirBeing a Writer partner or assign themadifferentpartnerfor theMaking Meaning lesson. Teacher Note Thepromptsare: • • • I agree with you, because… I disagree with you, because… In addition to what you said, I think… Reviewthatinpreviouslessons,thestudentslearnedtoask clarifyingquestions,confirmthattheyunderstoodtheirpartners’ Unit 6 Week 1 Day 1 thinkingbyrepeatingbackwhattheyheard,andusepromptsto helpthemlistenandconnecttheirideastotheirpartners’ideas. Remind thestudentsthattheyshouldbeusingtheseskillsas Writethefollowingpromptsonasheetofchartpaperentitled neededintheirpartnerconversations. “PromptstoExtendaConversation”: Making Inferences Fiction and Expository Nonfiction Pointoutthatsometimespartnersfinishwhattheyaresaying - Tellmemoreofyourthinkingabout… quicklyandendupsittingwithoutsayinganythingfortherestof - Let’stalkalittlemoreabout… thepartnerdiscussiontime.Ask: Q - Anotherwaytothinkaboutitmightbe… What suggestions do you have to help partners keep their conversation going? Stateyourexpectationthatduring“TurntoYourPartner”or “Think,Pair,Share”partnerswillcontinuetalkinguntilyousignal Explainthatkeepingaconversationgoingcanbechallenging,but forthemtoendtheirconversations.Encouragethemtousethe thatbydoingsopartnersoftengainnewinsightsintothereading. promptsandtheskillstheylearnedpreviouslyastheyworkintheir Tellthestudentsthattodaytheywilllearnpromptstohelpthem partnershipstoday. extendtheirconversations. Introduce Train to Somewhere 242 Making Meaning® Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Trim size: 8.375” x 10.875” Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 242 Colors used: PMS 2622, PMS 392 Printed at: 80% Artist: Scott Benoit Remindthestudentsthattheyhavebeenusingthestrategyof making inferencestohelpthemmakesenseofstoriesandpoems. Explainthatthisweektheywillcontinuetomakeinferences,and willreviewstoryelements,includingcharacter,setting,conflict, and plot. Youmaywanttoremind thestudentsthatwhenthey make inferences,theyuse Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 clues from a story or poem TellthestudentsthatyouwillreadTrain to Somewhere.Showthe coverofthebookandreadthenamesoftheauthorandillustrator. Trim size: 8.375” x 10.875” Editor: Erica Hruby Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 243 Colors used: PMS 2622, PMS 392 Printed at: 80% tofigureoutsomething thatisnotstateddirectly. Artist: Scott Benoit Explainthatthestorytakesplacein1878andisbasedonhistorical Comments: Preflight DONE events.Fromthemid-1850stothelate1920s,thousandsof homelesschildrenandorphansfromNewYorkCityweresentby traintotownsintheMidwesttofindfamiliesthatmightadopt them.Thetrainswereknownasorphantrains.Theseorphantrains no longer exist. Train to Somewhereisthefictionalstoryofagroup ofhomelesschildrenandtheirjourneyonanorphantrain. Comments: Preflight DONE Teacher Note Editor: Erica Hruby Teacher Note To provide additional backgroundaboutorphan trains,youmightreador paraphrasethe“Introduction” onpage3ofthebook. Grade Six Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 22 Trim size: 8.375” x 10.875” Artist: Scott Benoit Date: 10/03/08 Round: Final pages Date: 10/03/08 Page #: 242 File Name: MMR_TM_6.6.1.indd Page #: 243 Colors used: PMS 2622, PMS 392 Printed at: 80% Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby DEVELOPMENTAL STUDIES CENTER Comments: Preflight DONE Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Round: Final pages File Name: MMR_TM_6.6.1.indd Trim size: 8.375” x 10.875” Artist: Scott Benoit Comments: Preflight DONE Editor: Erica Hruby 243 Making Meaning® Unit 6 Week 1 Day 1 Making Inferences Fiction and Expository Nonfiction Students might say: “Thestorytellshoworphansweretreatedbackinthe1800s.” “Thisstorycouldn’thappentoday.Itcouldonlyhappenbackin thedayswhentheyhadorphantrains.” “NottoomanypeoplelivedoutWestbackthen.Thereweren’ta lotofchildrenaroundtoadopt.That’sprobablywhytheysent orphansfromNewYorkCity.” Making Inferences Fiction and Expository Nonfiction Unit 6 Week 1 Day 1 Read Train to Somewhere Aloud Q What do you think it might have been like to be Marianne during the train ride to Somewhere? Explain your thinking. Q What kind of person was Miss Randolph? What did you hear that makes you think that? Readthebookaloud,showingtheaccompanyingillustrations. Youmightpreviewthetextand illustrationswiththestudents Duringthewhole-classdiscussion,bereadytorereadpassages fromthetextandshowillustrationsagaintohelpthestudentsrecall whattheyheard.Inaddition,pointoutinferencesabouttheplot, setting,andcharactersasthestudentsmakethem.(Forexample, youmightsay,“TheauthordoesnotdirectlystatethatMiss Randolphwaskindheartedorthatshefeltbadforthechildren,but youinferredthatfromcluesinthestory.”) Suggested Vocabulary priortoreadingthebookaloud larkspur: plant sometimes used to make medicines (p. 4) totheclass.Duringthereading, New West: part of the United States now known as the Midwest (p. 4) youmightstopperiodicallyto tenements: old, crowded apartment buildings in the poor part of a city (p. 8) havethestudentsbrieflydiscuss whatishappeninginthestory. Possiblestopsareatthebottom the Great Plains: enormous flat area of land stretching across the Midwest(p.10) of pages 8, 17, and 24. scrawny:verythin(p.12) Explainthatinthenextlessonthestudentswillcontinuetothink aboutsetting,plot,andcharacter,andexploremakinginferences. muff:tube-shapedcoveringforhands,usedtokeepthemwarm(p.14) Teacher Note Facilitateinteractionamongthe studentsduringthewhole-class discussionwithquestionssuchas: Q Who will confirm [Travis’s] thinking by repeating back what you heard [him] say? Q Turn to your partner and talk about whether you agree or disagree with what [Travis] just said. ELL Vocabulary Q EnglishLanguageLearnersmaybenefitfromdiscussingadditional vocabulary,including: Reflect on Partner Conversations orphans: children with no parents (p. 4) Brieflydiscusshowpartnersdidextendingtheirconversationsusing prompts.Shareyourownobservations,andask: stowaway: person or animal who hides on a vehicle to get a free ride (p. 4) pry:removewithdifficulty(p.14) Q sassy:showingbadmanners;disrespectful(p.18) down in the dumps: (slang) sad (p. 24) a mite:(idiom)alittlebit(p.30) Did you agree or disagree? Explain your thinking. What prompt on the “Prompts to Extend a Conversation” chart did you try using today? How did that help to keep you and your partner talking? Discuss the Plot, Setting, and Characters in the Story Teacher Note Aspartnerstalk,circulateand notewhetherthestudentsare talkingforthewholetime,using theprompts,andconfirmingand clarifyingeachother’sthinking.Be readytoshareyourobservations attheendofthelesson. Trim size: 8.375” x 10.875” Firstinpairs,andthenasaclass,havethestudentsdiscussthe followingquestions.Duringpartnerdiscussions,remindthe Making Inferences Fiction and Expository Nonfiction studentstocontinuetalkinguntilyousignalforthemtoendtheir conversation.Remindthemtousethepromptsonthe“Promptsto ExtendaConversation”chart,asneeded.Ask: Q What happens in this story (what is the plot)? Q Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 244 Colors used: PMS 2622, PMS 392 Printed at: 80% Artist: Scott Benoit Round: Final pages TellthestudentsthatattheendofIDRtheywilltalkinpairsabout File Name: MMR_TM_6.6.1.indd thecharacters,setting,andplotintheirbooks. Trim size: 8.375” x 10.875” Editor: Erica Hruby Colors used: PMS 2622, PMS 392 Date: 10/03/08 Page #: 245 Printed at: 80% Attheendofindependentreading,havepartnersdiscussthe setting,characters,andplotoftheirbooks.Aspairstalk,circulate Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 andcheckinwiththem.Ifstudentsarestruggling,askthem Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 245 questionssuchas: Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 244 Colors used: PMS 2622, PMS 392 Printed at: 80% Strategy Development Artist: Scott Benoit 245 Usethe“IDRConferenceNotes”recordsheettoconductand document individual conferences. Making Meaning® Trim size: 8.375” x 10.875” Grade Six Artist: Scott Benoit Editor: Erica Hruby Havethestudentsreadbooksatappropriatereadinglevels Comments: Preflight DONE independently for up to 30 minutes. Comments: Preflight DONE 244 I N D I V I D U A L I Z E D D A I LY R E A D I N G Document IDR Conferences/Have the Students Talk About Character, Setting,Project and Name: Plot Making Meaning 2E TM— Grade 6 Unit 6 Week 1 the setting and place)? is it1 an important part of Project What Name: is Making Meaning(time 2E TM— Grade 6 UnitWhy 6 Week Round: this Final story? pages Unit 6 Week 1 Day 1 Trim size: 8.375” x 10.875” Q Editor: Erica Hruby Comments: Preflight DONE Colors used: PMS 2622, PMS 392 Benoit of your story? Who is theArtist: mainScott character Printed at: 80% Editor: Erica Hruby Comments: Preflight DONE Students use prompts to discuss the inferences they are making about the story. 246 Q How would you describe the main character? Q What is the setting of the story? Is the setting important? Why? Q What is the plot so far? Q What do you think will happen to the main character? Why? Making Meaning® Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 246 Colors used: PMS 2622, PMS 392 Printed at: 80% For orders, information, and samples, visit devstu.org or call 800.666.7270. Trim size: 8.375” x 10.875” Artist: Scott Benoit Comments: Preflight DONE Editor: Erica Hruby 23 Trim size: 8.375” x 10.875” Artist: Scott Benoit Comments: Preflight DONE Sample Week for Grade 6, Day 2 Strategy Development Students make inferences to discuss the conflicts that characters in the story face. Unit 6 Week 1 Making Inferences Fiction and Expository Nonfiction Day 2 Guided Strategy Practice Materials In this lesson, the students: • • • • • • Train to Somewhere • “Clues to Inferences in Train to Somewhere”chart, preparedahead(seeStep2) • ”ReadingComprehension Strategies”chart Make inferencesastheyhearastory Discussconflictinthestory Read independently for up to 30 minutes Use prompts to extend a conversation Review Using Prompts to Extend Conversations “Prompts to Extend a Conversation”chartfrom Day1 Making Inferences Fiction and Expository Nonfiction Remindthestudentstofocusontalkingforthewholetimeduring partnerconversations,usingthepromptsonthe“PromptstoExtend aConversation”chartasneeded.Tellthestudentsthatyouwill checkinwiththemattheendofthelessontoseehowtheydid. PromptstoExtend aConversation - Tellmemoreofyour thinkingabout… - Let’stalkalittle Highlight Clues to Inferences in Train to Somewhere moreabout… theyusecluesfromthestory tofigureoutsomething Reread Train to Somewhere Rereadthestory,stoppingaftereachpassageonthechart (pages12,18,and26).Ateachstop,rereadthepassageandhave thestudentsuse“Think,Pair,Share”todiscusswhattheyinfer. Teacher Note thingslike:‘Thishere’sagoodone.’And,‘He’llbeuseful Notethatboththefirstand comeharvest.’” second clues appear on “Shehasherlipspressedtightlytogether.‘There’llbean theyinfer, or make inferences, Explainthatthesearesentencesfromwhichareadercaninfer meaningsthatarenotstateddirectly.Readthepassagesaloud, andexplainthatyouwillreadthestoryaloudagain,andwillstop ateachofthelinesonthechart.Ateachstop,thestudentswilluse “Think,Pair,Share”totalkaboutwhattheyinferfromthepassage. thatisnotstateddirectly. RemindthestudentsthattheyheardTrain to Somewhere read aloud yesterday.Directtheirattentiontothe“CluestoInferencesinTrain to Somewhere”chart,onwhichyouhavewrittenthefollowing sentencesfromthebook: “Theyfeeltheboys’musclesthroughtheircoats.Theysay Remindthestudentsthatwhen Unit 6 Week 1 Day 2 Haveoneortwopairsreporttheirinferencetothewholeclass.Then rereadthepassageandcontinuereadingtothenextstop.Donot spend too long at any one stop. page12ofthebook. agentcomingroundtomakesurethechildrenareallright.’” “MissRandolphwipeshereyes.‘Anything’sbetterthanbeing Students might say: onthestreetsofNewYork,’shesays.‘Alotofyouwill “Weinferredthatsomepeoplejustwantedthekidstodothe work.Theydidn’treallywantkidstolove.” dofine.’” “Ipullmyselfbackintothecorneroftheseat.‘No,’I “WethinkMissRandolphisworriedthatthescrawnyladyis goingtobemeantoMavis.Shewantstheladytoknowthat someonewillbecheckingonMavis,sotheladyhadbetter be nice.” whisper.‘No.’” “MissRandolphthinksthatevenbeingadoptedbymeanpeople isbetterthanhavingnohomeatall.” Grade Six 247 “Marianneisafraidhermotherwon’tbewaitingforheratthe last stop.” Ifthestudentsdisagreesignificantlyoninferencesthatmakesense atanyofthestoppingpoints,discussthisbeforecontinuingwith thelesson.Askthestudentstorefertothetexttosupporttheir opinions,andaskprobingquestionssuchas: Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 eek 1 3/08 Round: Final pages Date: 10/03/08 6 File Name: MMR_TM_6.6.1.indd Page #: 247 Colors used: PMS 2622, PMS 392 Printed at: 80% : 80% Trim size: 8.375” x 10.875” Artist: Scott Benoit Editor: Erica Hruby Comments: Preflight DONE 248 Q What do you think [Miss Randolph/Marianne] might be thinking at that moment? What in the book makes you think that? Q Why do you think Miss Randolph cries when she says, “A lot of you will do fine”? Do you think she believes that? Why does that make sense based on other things you know about the book? Making Meaning® Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Trim size: 8.375” x 10.875” Artist: Scott Benoit Comments: Preflight DONE 24 DEVELOPMENTAL STUDIES CENTER Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 248 Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby Making Meaning® I N D I V I D U A L I Z E D D A I LY R E A D I N G Document IDR Conferences/Review the Reading Comprehension Strategies Directthestudents’attentiontothe“ReadingComprehension Strategies”chartandremindthemthatthesearethestrategiesthey havelearnedsofarthisyear.Askthemtonoticewhichstrategies theyuseandwheretheyusethemduringtheirreadingtoday.At theendofIDR,theywillsharewiththeclass. ReadingComprehension Strategies - recognizingtext features - questioning Havethestudentsreadindependentlyforupto30minutes. Usethe“IDRConferenceNotes”recordsheettoconductand document individual conferences. Attheendofindependentreading,havethestudentssharetheir readingandastrategytheyused—thenameofthestrategyand wheretheyusedit—withtheclass.Havestudentswhocannotthink ofacomprehensionstrategytheyuseddiscusswhattheyread. EXTENSION Unit 6 Week 1 Day 2 Learn More About Orphan Trains Making Inferences Fiction and Expository Nonfiction Discuss the Story as a Whole Class FAC I L I TAT ION T I P Facilitateadiscussionusingthefollowingquestions.Use“Turnto YourPartner”duringthisdiscussiontoincreaseparticipation,and encouragethestudentstousethepromptsonthe“Promptsto ExtendaConversation”chartastheytalk. Duringthisunit,weencourage Rereadthepassageonpage14beginningwith“‘Oh,Herbert.How sweetthatlittlegirlis!’”andendingwith“I’msniffling,too.”Ask: Q you to avoid repeating or paraphrasing students’ Havethestudentsworkindividuallyorinpairstoresearchand reportonorphantrains.Thestudentscanfindinformationonthe Internet,usingasearchengineandthekeyword“orphantrains.” Thesebooksforyoungreadersarealsogoodresources:Children of the Orphan TrainsbyHollyLittlefield,andOrphan Train Rider: One Boy’s True Story and We Rode the Orphan TrainsbyAndreaWarren. responses.Repeatingwhat studentssaywhentheyspeak toosoftlyorparaphrasing themwhentheydon’tspeak clearlyteachesthestudents to listen to you but not to one What conflicts or problems does Marianne face in this scene? another.Helpthestudents learn to take responsibility by Students might say: askingoneanothertospeak “MarianneknowsthatshehastoletNorago,butshedoesn’t reallywantto.” up or by asking a question “Iagreewith[Antonio].PartofMarianneprobablydoesn’twant Noratobeadoptedbecauseshe’llmissher.Butsheknowsthat gettingadoptedisthebestthingforNora.” iftheydon’tunderstand 250 whataclassmatehassaid. Making Meaning® Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 “Noradoesn’twanttogowiththecouple,butMariannemakes hergo.Thatmusthavebeenreallytough.” Q Marianne says she “waited through so many Christmases” for her mother to return for her. What do you think that might have been like for Marianne? Trim size: 8.375” x 10.875” Artist: Scott Benoit Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 250 Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby Comments: Preflight DONE Trim size: 8.375” x 1 Artist: Scott Benoit Comments: Preflig PointoutthatthereadermustinfertheconflictsthatMarianne faces,becausetheyarenotstateddirectlyinthestory.Explainthat manyofthestudentsnaturallymadeinferencesthroughoutthe story,andremindthemthatoneofthegoalsofstudyinginference istobecomemoreawareofmakinginferencesastheyread.Being awareofmakinginferenceswillhelpthemthinkmoreaboutwhat theyread. Social Development Reflect on Partner Conversations Facilitateabriefdiscussionofhowpartnersworkedtogether,and shareexamplesyounoticedofhowpartnersconfirmedandclarified eachother’sthinkingandusedpromptstoconnecttheirideasor extendtheconversation. Partners reflect on how they confirmed each other’s thinking and use prompts to add to their conversations. Grade Six 249 Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Unit 6 Week 1 te: 10/03/08 Round: Final pages Date: 10/03/08 ge #: 248 File Name: MMR_TM_6.6.1.indd Page #: 249 Colors used: PMS 2622, PMS 392 Printed at: 80% nted at: 80% Unit 6 Week 1 Day 2 Making Inferences Fiction and Expository Nonfiction Trim size: 8.375” x 10.875” Artist: Scott Benoit Editor: Erica Hruby Comments: Preflight DONE For orders, information, and samples, visit devstu.org or call 800.666.7270. 25 Sample Week for Grade 6, Day 3 Unit 6 Week 1 Making Inferences Fiction and Expository Nonfiction Day 3 Strategy Development Guided Strategy Practice Materials In this lesson, the students: • • • Students use inferences to understand cause and effect of events in the story. Explore causes of events in a story Read independently for up to 30 minutes Use prompts to extend a conversation Review Using Prompts to Extend Conversations Explainthattodaypartnerswillcontinuetofocusonusingprompts toextendconversations.Reviewtheitemsonthe“Promptsto ExtendaConversation”chart. Introduce Exploring Causes • • Train to Somewhere • Student Response Book pages 36–37 • Directionschart,prepared ahead(seeStep3) • • Assessment Resource Book • Student Response Book, IDRJournalsection EnglishLanguageLearnersmay “Prompts to Extend a Conversation”chart Making Inferences Transparenciesofthe Fiction and Expository Nonfiction “Excerpt from Train to Somewhere”(BLM21–BLM22) ofthestoryinwhichMariannegivesMrs.Bookthefeather.Explain thefollowingdirections,whichyouhavewrittenonchartpaper: benefit from extra support to makesenseoftheexcerpt.Show Remindthestudentsthattheyhavebeenmakinginferencesto helpthemunderstandwhatishappeninginstoriessuchasTrain to Somewhere and Encounter.Pointoutthattheycanalsousethe strategytohelpthemfigureoutwhysomethinghappens—what causesaneventtohappenthewayitdoesinthebook. Withoutdiscussingthequestionasaclass,directthestudents’ attentiontotheexcerptfromTrain to Somewhere on Student Response Book pages36–37,andexplainthattheexcerptisthepart toanswerthisquestion:WhydoesMariannegiveMrs.Book thenreadtheexcerptaloud thefeather? astheyfollowalong,stopping intermittently to talk about 3. Talkwithyourpartneraboutthesentencesyouunderlinedand whatishappening.Thestudents theinferencesyoumade. may benefit from explanation ofthefollowingpassages: • “…eventhoughIwaswaiting Why does Marianne give Mrs. Book the feather? 2. Rereadtheexcerpt,andunderlinesentencesthathelp on pages 29 and 31 again; insidemyselfformymother Explore Causes in Train to Somewhere Remindthestudentsthatattheendofthestory,Marianne gives Mrs.Bookafeather.Havepartnerstalkbrieflyaboutthe followingquestion: 1. Readtheexcerptquietlytoyourself. anddiscusstheillustrations Explainthattodaytheywillexplorewhysomethingshappenas theydoinTrain to Somewhere. Q Unit 6 Week 1 Day 3 to come.” • “‘Sometimeswhatyougetturns Asthestudentsworkindividuallyandinpairs,circulateandhelp themthinkabouttheinferencestheyaremakingandconfirmand clarifyeachother’sthinkingbyasking: Q You underlined [“I’d thought my mother would look at me like that”]. What did you infer from that sentence about why Marianne gives Mrs. Book the feather? Q Can you confirm [Julia’s] thinking by repeating back what you heard [her] say? Q Do you agree or disagree with [Julia]? Why? Q What question do you want to ask [Julia] to better understand what [she’s] thinking? outtobebetterthanwhatyou Teacher Note wantedinthefirstplace.’” Havestudentswhoareunable • “It’sfunnythewayitnestles toreadtheexcerptontheir there,asifitbelongs,asifithas ownreaditquietlyaloudwitha found its place at last.” partner, or read it aloud yourself asthestudentsfollowalong.Then havethemgobackandunderline thecluesinthepassage. Grade Six 251 Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 CLASS COMPREHENSION 3/08 Round: Final pages Date: 10/03/08 ASSESSMENT 0 File Name: MMR_TM_6.6.1.indd Page #: 251 Colors used: PMS 2622, PMS 392 Printed at: 80% eek 1 : 80% Trim size: 8.375” x 10.875” Artist: Scott Benoit Asyoucirculateamongthestudents,noticewhichsentences theyunderlineandaskyourself: Editor: Erica Hruby Comments: Preflight DONE Q Are the students identifying clues about why Marianne gives Mrs. Book the feather? Recordyourobservationsonpage16oftheAssessment Resource Book. 252 Making Meaning® Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Trim size: 8.375” x 10.875” Artist: Scott Benoit Comments: Preflight DONE 26 DEVELOPMENTAL STUDIES CENTER Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 252 Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby Tr A C Making Meaning® Duringthisdiscussion,pointoutthattheauthordoesnotdirectlysay whyMariannegivesMrs.BookthefeatherorhowMariannechanges, butthestudentscaninferthesethings.Explainthatwritersoften don’texplainwhyeventshappeninastoryorwhycharactersbehave astheydo.Instead,readershavetomakeinferencestofigureoutwhy. Explainthatinthenextlessonthestudentswillpracticemaking inferencesaboutwhythingshappenthewaytheydointheir independent reading books. I N D I V I D U A L I Z E D D A I LY R E A D I N G Read Independently/Write in Their IDR Journals About Strategies They Used Havethestudentsreadindependentlyforupto30minutes. Beforethestudentsbeginto Asthestudentsread,circulateamongthem.Observetheirreading behaviorandengagementwiththetext.Askindividualstudents questionssuchas: readindependently,previewthe questionsyouplantoaskthemas theyarereading. Unit 6 Week 1 Day 3 Making Inferences Fiction and Expository Nonfiction Q What is your book about? Q What made you decide to read this book? Q (Nonfiction book) What do you already know about [planets]? How does knowing this information about [planets] help you understand this book? Q (Fiction book) Who is the main character in your book? How would you describe him? Q What comprehension strategies are you using to help you understand the character and what is happening? Discuss as a Whole Class Whenmostpairshavefinished,placethetransparenciesofthe excerpt from Train to Somewhereontheoverheadprojector.Repeat thequestion“WhydoesMariannegiveMrs.Bookthefeather?”Then, askafewstudentstosharethesentencestheyunderlinedandthe inferencestheymade.Facilitateadiscussionamongthestudents, usingquestionssuchas: Q Do you agree or disagree with what [Jamil and his partner] shared? Why? Attheendofindependentreading,haveeachstudentwriteinher IDRJournalaboutherreadingandastrategysheused—thename ofthestrategyandwheresheusedit.Havestudentswhocannot thinkofastrategywriteabouttheirreading.Haveafewstudents sharetheirwritingwiththeclass. IfyourEnglishLanguage Learnersstruggletowrite,have Students might say: themdrawtoexpresstheir “Iunderlined‘I’dthoughtmymotherwouldlookatmelikethat.’ Mariannegotthefeatherfromhermother.IthinkshethoughtMrs. Bookwouldbelikeamothertoher,soshegivesherthefeather.” “Ichose‘Somehowthiswomanunderstandsaboutme’because Mariannethinkstheladyunderstandsher—likeherrealmomwould.” thoughtsabouttheirreading. 254 Making Meaning® “ThesentenceIunderlinedis‘Mymother’snotinSomewhere. She’snotwaitinghereoranywhere.’Ithinkitshowsthat Mariannehasgivenuponhermomandisreadyforanewmom.” Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Trim size: 8.375” x 10.875” Reread“Mrs.Booksticksthefeatherinthebandofherdroopyhat. It’sfunnythewayitnestlesthere,asifitbelongs,asifithasfoundits placeatlast.”Ask: Q Artist: Scott Benoit Why do you think the author chooses to describe the feather in this way? Date: 10/03/08 Page #: 254 Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby Trim size: 8.375” x 10.875” Artist: Scott Benoit Comments: Preflight DON Social Development Reviewthatcharactersinstories,likepeopleinreallife,often changeasaresultoffacingandresolvingconflicts.Drawthe students’attentiontothesentence“There’sasortofcrumbling insideofme,”andexplainthatthisisadramaticpointatwhich Mariannechanges.Ask: Q Round: Final pages File Name: MMR_TM_6.6.1.indd Comments: Preflight DONE Reflection helps partners learn to disagree respectfully. What was the crumbling that happened inside of Marianne? How does she change as a result of this crumbling? Students might say: “Ithinkthecrumblingmeansthatshegaveupherideathatshe wouldeverfindhermother.” “Inadditiontowhat[Michael]said,Ithinksherealizesthat maybeshecanbehappywithMr.andMrs.Book.” Grade Six 253 Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Week 1 /03/08 Round: Final pages Date: 10/03/08 252 File Name: MMR_TM_6.6.1.indd Page #: 253 Colors used: PMS 2622, PMS 392 Printed at: 80% at: 80% Unit 6 Week 1 Day 3 Making Inferences Fiction and Expository Nonfiction Trim size: 8.375” x 10.875” Artist: Scott Benoit Editor: Erica Hruby Comments: Preflight DONE For orders, information, and samples, visit devstu.org or call 800.666.7270. 27 Sample Week for Grade 6, Day 4 Unit 6 Week 1 Making Inferences Fiction and Expository Nonfiction Day 4 Independent Strategy Practice Materials • Narrative texts at appropriate levels for independent reading In this lesson, the students: • Explorecausesofeventsasthey read independently • • Use prompts to extend a conversation “Prompts to Extend a Conversation”chart • Smallself-sticknotesfor eachstudent • Book for modeling why questions (see Step 3) Review the Week RemindthestudentsthatthisweektheyheardTrain to Somewhere andexploredcharacter,setting,conflict,andplot.Reviewthatthey alsomadeinferencesastheythoughtaboutwhycertainthings happened.Explainthattodaytheywillexplorecausesinthebooks theyarereadingindependentlybyaskingwhy questions. Strategy Development Students apply the strategy of inferring and discuss how it relates to their independent reading. Remindthestudentsthattheyalsopracticedusingpromptsto extendtheirconversations.Encouragethemtocontinuetopractice theseskillstoday. Read Independently Without Stopping Askthestudentstouseself-sticknotestomarktheplacetheybegin readingandhavethemreadindependentlyfor10minutes. Model Asking Why Questions Stopthestudentsafter10minutes.Explainthatyouwouldlike themtorereadanduse“StopandAskQuestions”toidentifyplaces wheretheycanaskwhyquestions.Theywilluseadditionalself-stick notestomarktheplaceswherequestionscometomind,andthey willwritethequestionsonthenotes. Teacher Note Toprepareforthemodeling,have thewhyquestionyouwillaskin mindaheadoftime.(Forexample, usingthebookEncounter, you Modeltheprocedurebybrieflyintroducingthetextyouselected. Readseveralsentencesaloud,andthinkaloudaboutawhy question thatcomestomind.Jotthequestiononaself-sticknote,andplace thenoteinthemarginwhereyoustoppedreading. mightreadpage9andask, “Whydoestheboybecome moreafraidwhenthestrangers pushsticksintothesand?”) Grade Six Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Trim size: 8.375” x 10.875” % Artist: Scott Benoit Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 255 Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby Comments: Preflight DONE 28 DEVELOPMENTAL STUDIES CENTER 255 Making Meaning® Unit 6 Week 1 Day 4 Making Inferences Fiction and Expository Nonfiction Reflect on This Week’s Partner Work Facilitateabriefdiscussionabouthowpartnersworked together.Ask: Social Development Q What did you enjoy about working with your partner this week? Q What is one way your partner work is improving? What is one thing you want to keep working on as you continue to work together? Talk to your partner about your thinking. Partners review and discuss how they worked together this week. Nextweekyouwillrevisit thisweek’sreadingtoteach VocabularyWeek13. Making Inferences Fiction and Expository Nonfiction Unit 6 Week 1 Day 4 Reread Independently and Ask Why Questions Thismaybeespeciallydifficult Havethestudentsrereadindependentlyfor10minutes.Circulate andlookforevidencethatthestudentsareabletowritewhy questions. Somestudentsmayhavedifficultygeneratingquestions. Tohelpthesestudents,youmightask: foryourEnglishLanguage Learners.Theymayneedextra Q What is happening in this part of the book? What question that begins with why can you ask about this part of the book? Q What is the main character doing, or how is the character behaving? What question that begins with why can you ask about the character? support to generate questions. Have Partners Discuss Their Questions After10minutes,stopthestudents.Askthemtochooseoneof theirquestionsanduse“Think,Pair,Share”todiscusswhetherthe questionwasanswered,andifitwas,how.Remindeachstudentto tellhispartnerthetitleandauthorofthebookandafewsentences about Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Weekits 1 topic. Trim size: 8.375” x 10.875” Grade Six Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Round: Final pages Date: 10/03/08 Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 256 File Name: MMR_TM_6.6.1.indd Page #: 257 Colors used: PMS 2622, PMS 392 Printed at: 80% Discuss Colors used: PMS 2622, PMS 392 Printed at: 80% Artist: Scott Benoit Editor: Erica Hruby Comments: Preflight DONE 256 Questions as a Class Trim size: 8.375” x 10.875” Artist: Scott Benoit Haveafewvolunteerssharetheirquestionswiththeclass.Remind Comments: Preflight DONE eachstudenttosaythetitleandauthorofherbook.Probethe students’thinkingbyasking: Q What was happening in the text when your question came to mind? Q Is the question answered? If so, is it answered directly, or did you figure out the answer by making an inference? Read us the passage where it is answered. Q What do you want to ask [Alicia] about [her] book or what [she] shared? 257 Editor: Erica Hruby Making Meaning® Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Trim size: 8.375” x 10.875” Artist: Scott Benoit Comments: Preflight DONE Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 256 Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby Project Name: Making Meaning 2E TM— Grade 6 Unit 6 Week 1 Trim size: 8.375” x 10.875” Artist: Scott Benoit Round: Final pages Date: 10/03/08 File Name: MMR_TM_6.6.1.indd Page #: 257 Colors used: PMS 2622, PMS 392 Printed at: 80% Editor: Erica Hruby Comments: Preflight DONE For orders, information, and samples, visit devstu.org or call 800.666.7270. 29 Sample Week for Grade 7 Unit 2 A Overview of Week 2 Exploring Expository Text [Questioning] Comprehension Focus Strategy Development • Studentsuse questioningtohelpthemmake senseoftexts. Wolves* by Seymour Simon (Scholastic, 1998) Synopsis Readerslearnabout thecharacteristics andhabitsofvarious speciesofwolves. *This book will also be used in Week 3. Every weekly lesson focuses on a specific comprehension strategy. Follow the gold call outs to track strategy development. • Studentsuse schematoarticulateall theythinktheyknowaboutatopicbefore theyread. Social Development Focus • Studentsanalyzewhyitisimportantto berespectful. •Studentsdevelopthegroupskillofexplaining theirthinking. AlternativeBook • Gorillas bySeymourSimon 53 30 DEVELOPMENTAL STUDIES CENTER Social Development Every weekly lesson focuses on specific social skill development. Follow the green call outs to track social development. Making Meaning® Unit 2 A Week 2 Day 1 Materials Read-Aloud • Wolves(pp.5–11) • Chartpaperandamarker Lesson Purpose Teacher Note Students: A Brainstormwhattheythinktheyknowabout atopic. ThepagesofWolves are unnumbered.Foreasyreference, A Use questioningtomakesenseofatext. youmaywishtopencilinpage A Explaintheirthinking. numbers,beginningwiththe Exploring Expository Text: Questioning number1ontheright-handtitle page.Page5begins“Imagine About Questioning snowfallingsilentlyinthegreat Day 2 woodlands…” Strategy Lesson Materials Questioningisaneffectivecomprehensionstrategybecause ithelpsreadersactivelyengagewithtextandthinkabout anauthor’sintent.Thestudentsexternalizetheirthinkingby discussingtheirquestionsinWeek2andwritingtheminWeek3. • Wolves(pp.12–17) Theeventualgoalisthatthestudentsinternalizethestrategyof • “QuestionsAboutWolves”chart formingquestionsandreadingforanswersanduseitregularlyto fromDay1 makesenseoftheirindependentreading.(Formoreinformation Lesson Purpose • “ReadingComprehension aboutquestioning,pleaseseepagexiv.) Exploring Expository Text: Questioning Strategies”chartfromWeek1 Students: A Use questioningtomakesenseofatext. A Explaintheirthinking. Day 3 A Actrespectfullytowardtheirpartner. REVIEW WOLVES AND DISCUSS QUESTIONING Q Which questions were discussed in the reading yesterday? How Materials Guided Strategy Practice Havepartnerssittogether.Remindthestudentsthatyesterday theydiscussedquestionstheyhadaboutwolvesandheardyou readfromthebook Wolves.Remindthemthattheyareexploring questioning,areadingcomprehensionstrategyinwhichreaders usequestionstohelpthemmakesenseoftext. Reviewthequestionsonthe“QuestionsAboutWolves”chart, andask: GET READY TO WORK TOGETHER Havepartnerssittogether.Explainthatduringtoday’slesson theywilltalkaboutabookthatyoureadaloud.Encouragethem • Wolves(pp.18–25) tocontinuetofocusonexplainingtheirthinkingclearlytotheir • Chartpaperandamarker partner.Youwillaskthemtoreportontheirpartnerconversations attheendofthelesson. • Student Book,IDRJournalsection Lesson Purpose Students: A Use questioningtomakesenseofatext. INTRODUCE WOLVES A Explaintheirthinking. Remindthestudentsthatinthepastweektheyhavebeenexploring A Actrespectfullytowardtheirpartner. akindofnonfictioncalledexpositorytext.Inthenexttwoweeks Questions ABOUT theywilluseexpositorytexttolearnaboutoneofthemostmisWOLVES understoodanimalsinnature.Showthecoverofthebook,readthe - Howfastcanwolvesrun? - Arewolvesanddogs titleandtheauthor’sname,andexplainthatduringthenexttwo DISCUSS RESPECT FOR PARTNERS related ? weeksyouwillreadthebookinsections. Explainthattodayyouwillreadmorefrom Wolves,andthe studentswilltalkaboutthereadingwiththeirpartner.Remind themthatattheendofthepreviouslesson,theythoughtabout 54 Making Meaning howtheywereshowingrespectforotherpeople’sthinking, especiallyifitwasdifferentfromtheirown.Ask: Q What other questions about wolves can we add to the chart? were they discussed? Q Which questions were not discussed? Exploring Expository Text: Questioning Quicklylistadditionalquestionsonthechart.Explainthatyouwill continuereadingfromWolvestoday,andthatyouwillstopseveral timestohavepartnerstalkaboutwhattheylearn. READ ALOUD Day 4 Q As you talk and listen to each other today, what do you want to keep in mind in order to be respectful of other people’s thinking? Q How does not showing respect for your partner’s thinking get in Materials Guided Strategy Practice Readpages12–17aloud,showingthephotographs,andstopping asdescribedonthenextpage.Dealwitheachsuggested vocabularywordbrieflyasyouencounteritinthetext. Lesson Purpose Students: A ReadtheexcerptfromWolvesthey heardyesterday. A Use questioningtomakesenseofthetext. A Explaintheirthinking. A Actrespectfullytowardtheirpartner. Teacher Note Thesequestionshelpthe studentsthinkabouttheeffect oftheiractionsontheirwork, the way of partners working together? feelings,andrelationships.If • Wolves(pp.18–25) Students might say: theyhavedifficultyanswering • “QuestionsAboutWolfPacks” “Ifmypartnerdoesn’trespectwhatI’mthinkingabout,ithurts myfeelings.” chartfromDay3 thequestions,suggestsome answers,suchasthoseinthe “Studentsmightsay”note. “Whenpartnersdon’trespecteachother,theydon’twantto • Student Bookpages8–9 worktogether.” • Assessment Record Book “Partnerswhodon’trespecteachothermightnotgettheirwork Gradedonebecausetheydon’twanttohelpeachother.” Seven 59• Student Book,IDRJournalsection Encouragethestudentstobeawareofhowtheyareshowing respectfortheirclassmatesduringthislesson. DISCUSS RESPECT FOR DIFFERING OPINIONS Havepartnerssittogether.Explainthattodaypartnerswilltalk againaboutquestionstheyhaveaboutwolvesandhowthose questionsareaddressedinthetext.Pointoutthatpartnersmay havedifferingopinionsaboutthequestionsandhowtheyare answered.Remindthemthatrespectingeachother’sthinking, eveniftheydisagree,ispartofbeingagoodpartner.Tellthem thatyouwillaskthemhowtheydidattheendofthelesson. Grade Seven 63 FOCUS ON QUESTIONS ABOUT WOLF PACKS ShowthecoverofWolves.Remindthestudentsthattheyheard aboutwolfpacksandaskedquestionsbeforeandduringthereading tohelpthembetterunderstandthetext.Explainthattodaytheywill practiceusingquestionsastheyreadapassagefromWolves. Refertothe“QuestionsAboutWolfPacks”chartcreatedyesterday, andask: Q Let’s look at the questions we asked about wolves. Which questions do you remember being discussed in the reading yesterday? Which were not discussed? Teacher Note Thestudentsarenotlikelyto remembermanydetailsfrom thereadingafterhearingitjust once.Thisquestionisintended Q Which questions are we still curious about? onlytostimulatetheirthinking andpreparethemtoreadthe passageontheirown. Grade Seven 67 For orders, information, and samples, visit devstu.org or call 800.666.7270. 31 Sample Week for Grade 7, Day 1 Unit 2 A Week 2 Materials • Wolves(pp.5–11) Day 1 Read-Aloud Strategy Development • Chartpaperandamarker Students use the strategy of questioning to reinforce what they already know about the topic. Lesson Purpose Teacher Note ThepagesofWolves are unnumbered.Foreasyreference, youmaywishtopencilinpage numbers,beginningwiththe number1ontheright-handtitle page.Page5begins“Imagine snowfallingsilentlyinthegreat woodlands…” Students: A Brainstormwhattheythinktheyknowabout atopic. A Use questioningtomakesenseofatext. A Explaintheirthinking. About Questioning Questioningisaneffectivecomprehensionstrategybecause ithelpsreadersactivelyengagewithtextandthinkabout anauthor’sintent.Thestudentsexternalizetheirthinkingby discussingtheirquestionsinWeek2andwritingtheminWeek3. Theeventualgoalisthatthestudentsinternalizethestrategyof Exploring Expository Text: Questioning formingquestionsandreadingforanswersanduseitregularlyto makesenseoftheirindependentreading.(Formoreinformation aboutquestioning,pleaseseepagexiv.) Ask: GET READY TO WORK TOGETHER Q What do you think you know about wolves? Havepartnerssittogether.Explainthatduringtoday’slesson Have a few volunteers share their thinking with the class; then ask: theywilltalkaboutabookthatyoureadaloud.Encouragethem tocontinuetofocusonexplainingtheirthinkingclearlytotheir Q Based on what you think you know, what questions do you have partner.Youwillaskthemtoreportontheirpartnerconversations about wolves? attheendofthelesson. Students might say: INTRODUCE WOLVES Making Meaning thinking, you may want to have them brainstorm words that “Where do wolves live?” commonly begin questions. “How fast can wolves run?” List their responses on a sheet Remindthestudentsthatinthepastweektheyhavebeenexploring “Are wolves and dogs related?” akindofnonfictioncalledexpositorytext.Inthenexttwoweeks theywilluseexpositorytexttolearnaboutoneofthemostmisList a few of the students’ questions on chart paper labeled understoodanimalsinnature.Showthecoverofthebook,readthe “Questions About Wolves.” (Listing only a few responses will keep titleandtheauthor’sname,andexplainthatduringthenexttwo the lesson moving. The students will have opportunities during the weeksyouwillreadthebookinsections. reading to add more questions.) 54 Teacher Note To stimulate the students’ Explain that the first section of the book, which you will read today, tells about characteristics shared by all species, or kinds, of wolves. Ask them to keep their questions in mind as they listen to the reading. of chart paper labeled “Words That Can Begin Questions.” The students may suggest a number of words, including who, what, when, where, why, how, if, do, is, are, and what if. Post the chart where everyone can see it during these lessons. READ ALOUD Read pages 5–11 aloud, showing the photographs, and stopping as described on the next page. Deal with each suggested vocabulary word briefly as you encounter it in the text. Suggested Vocabulary treacherous: not to be trusted (p. 5) livestock: farm animals (p. 5) descended from: originally from (p. 7) domesticated: made to live with humans (p. 7) traits: characteristics (p. 7) adaptable: able to change (p. 8) muzzle: the jaw and nose of an animal (p. 11) Grade Seven 32 DEVELOPMENTAL STUDIES CENTER 55 Making Meaning® Unit 2 A Week 2 A Day 1 Individualized Daily Reading GET TO KNOW THE STUDENTS’ READING LIVES Have the students read books at their appropriate reading levels independently for up to 30 minutes. Continue to monitor whether the students are reading books at appropriate reading levels and whether they are making sense of what they read. Probe their thinking with questions like those listed under “Monitor the Students’ Reading” on page 40. Exploring Expository Text: Questioning As you confer with individual students and monitor their reading levels, also talk to them about their reading lives to help you get to know their reading attitudes, preferences, and experiences. To guide your discussion, use one or two questions from Student Book DISCUSS THE READING own questions, Note such as: Facilitate a whole-class discussion about the reading. Be ready to page 3 or your Teacher reread passages and show illustrations again to help the students Use your “Teacher’s Facilitation Q Tell me about yourself as a reader. What do you like to read? recall what they heard. Ask: Social Development Students practice the skill of explaining their thinking. Bookmark” to help you facilitate the discussion in a way Q Do you have favorite authors or books? What do you like Q What did you find out about the physical characteristics of wolves? that creates opportunities about them? Q The author tells us that wolves are among the most intelligent animals in nature. What reasons does he give for this? Q How are wolves similar to domestic dogs? Refer to the “Questions About Wolves” chart and ask: Unit 2 A Week 2 A Day 1 Q Which questions got you thinking today as you listened to the reading? How? for the students to respond to one another and that Q What would you like to read this year? increases student accountability. For example: Q How do you feel about reading? Why do you [like/dislike] reading? • Use “Turn to Your Partner” when only a few students Q How would you like me to help you this year? are responding or if many students want to talk. Make notes about individual students and use this information • Askmake questions that help the instruction and your classto help you decisions about students respond to one room library. another, such as: Do you agree Explain that in the coming days the students will explore or disagree with [Danny]? English Language Learners may benefit from discussing additional questioning, a reading comprehension strategy in which readers At the end of independent reading, give the students a few What questions could we ask vocabulary, including: use questions to help them make sense of text. Tell them that you minutes to share what they read, either with a partner or as [Emily] about what she said? werewolf: person who turns into a wolf 5) more from Wolves tomorrow, and they will have another a class. Once again, circulate as the students share and note will(p.read their conversations. savage: violent and dangerous (p. 5) opportunity to think about their questions about wolves. ELL Vocabulary fables: short stories in which animals speak and act like humans (p. 5) reputation: character as seen by some people (p. 7) loyal: faithful (p. 7) REFLECT ON HOW THE STUDENTS EXPLAINED THEIR THINKING lone wolves: wolves who prefer to be alone (p. 8) Stop after: p. 7 Turn to Your Partner Facilitate a whole-class discussion about how partners did explaining their thinking. Ask: 58 Making Meaning “It seems strange that people love dogs and admire lions Q How did you and your partner explain your thinking to each other but dislike wolves.” today? Were there times you did not understand each other? What did you do when that happened? How did that help? Have the students use “Turn to Your Partner” to discuss what they have learned so far about wolves. After a moment, refer to the Students might say: “Questions About Wolves” chart and ask the class: “At one point my partner didn’t understand what I was saying, and he asked me to say it again. I said it a little differently and Teacher Note Listen in while the pairs talk. Check to see whether they are referring to the book and explaining their thinking. 56 Q Which of these questions have been discussed in the reading he understood.” so far? Save the “Questions About Wolves” chart for Day 2. Q What other questions do you have that can be added to the chart? Quickly record any additional questions on the chart, then reread the last sentence before the stop and continue reading. Follow this same procedure at the next two stops: p. 8 “Wolves can also eat almost anything they catch, from a moose to a mouse.” p. 11 “The wolf’s closest relatives are the domestic dog, the coyote, the jackal, and a dog of Australia called the dingo.” Grade Seven 57 Making Meaning For orders, information, and samples, visit devstu.org or call 800.666.7270. 33 Sample Week for Grade 7, Day 2 Exploring Expository Text: Questioning Day 2 Strategy Lesson Materials • Wolves(pp.12–17) • “QuestionsAboutWolves”chart fromDay1 Lesson Purpose Students: • “ReadingComprehension Strategies”chartfromWeek1 A Use questioningtomakesenseofatext. A Explaintheirthinking. Strategy Development Students use questioning to make sense of text. A Actrespectfullytowardtheirpartner. REVIEW WOLVES AND DISCUSS QUESTIONING Havepartnerssittogether.Remindthestudentsthatyesterday theydiscussedquestionstheyhadaboutwolvesandheardyou readfromthebook Wolves.Remindthemthattheyareexploring questioning,areadingcomprehensionstrategyinwhichreaders usequestionstohelpthemmakesenseoftext. Unit 2 A Week 2 A Day 2 Questions ABOUT WOLVES Reviewthequestionsonthe“QuestionsAboutWolves”chart, andask: Q Which questions were discussed in the reading yesterday? How - Howfastcanwolvesrun? Suggested Vocabulary - Arewolvesanddogs related? biologists: scientists who study living things (p. 12) litter: group of baby animals born at the same time to the same mother (p. 12) were they discussed? spindly: very thin (p. 14) chance encounters: accidental meetings (p. 16) Q Which questions were not discussed? ELL Vocabulary Q What other questions about wolves can we add to the chart? English Language Learners may benefit from discussing additional vocabulary, including: Quicklylistadditionalquestionsonthechart.Explainthatyouwill continuereadingfromWolvestoday,andthatyouwillstopseveral timestohavepartnerstalkaboutwhattheylearn. breeding: mating animals to produce babies (p. 12) well-suited: useful (p. 16) Stop after: Teacher Note READ ALOUD Readpages12–17aloud,showingthephotographs,andstopping asdescribedonthenextpage.Dealwitheachsuggested vocabularywordbrieflyasyouencounteritinthetext. p. 14 Notice how partners are talking “Wolves are the largest members of the dog family, bigger than any wild dogs and most domestic dogs.” and listening to each other. Use “Turn to Your Partner” to have the students discuss what they have learned. After a moment, refer to the “Questions About Wolves” chart and ask the class: Look for examples of students being respectful of each other’s thinking. Share these with the class at the end of the lesson. Grade Seven 59 Q Which of these questions have been discussed in the reading so far? Teacher Note The intent of this part of the lesson is to help the students get in the habit of generating questions. Have them generate any questions they can think of related to the reading. Accept their questions without discussion. Hearing others’ questions gives the students examples of the kinds of questions that can be asked. If a student offers an idea that is not in the form of a question, ask the class, “How can we state that idea as a question?” 60 34 Making Meaning DEVELOPMENTAL STUDIES CENTER Q What other questions could we ask at this point? Quickly record additional questions on the chart. If the students have trouble generating questions, model some. (For example, “Are some dogs, like huskies, a closer relative to the wolf than other kinds of dogs?” “Why were there so few red wolves in the 1970s?” “How could a wolf hunt a moose?”) Without stopping to answer the questions, reread the last sentence before the stop and continue reading. Follow this same procedure for the next stop: p. 16 “Like lions’ and tigers’, wolves’ teeth are well-suited for catching and eating other animals.” Continue reading to the end of page 16, showing the photograph on page 17. Making Meaning® Unit 2 A Week 2 A Day 2 Teacher Note In Making Meaning, respect for a range of opinions and ideas is an important part of developing reading compre- You might point out some ways you saw the students being respectful of each other’s thinking during the lesson. (For example, “Some partners did not interrupt each other. They did not criticize each other’s questions. They looked interested in what their partner was saying.”) hension. It allows the students to discuss their reading and use of comprehension strategies Explain that in the next lesson they will hear another section of the book and have another opportunity to practice asking questions. safely and openly, both with a partner and with the class. If the students have difficulty offering ideas for ways to show respect Individualized Daily Reading for their partner’s thinking, give several suggestions yourself. GET TO KNOW THE STUDENTS’ READING LIVES Have the students read independently for up to 30 minutes. Continue to talk with individual students about their reading lives using the ideas and questions on page 58. Also continue to monitor whether the students are reading books at appropriate reading levels and whether they are making sense of what they read. At the end of independent reading, give the students a few minutes to share what they read, either with a partner or as a class. Once again, circulate as the students share and note their conversations. Exploring Expository Text: Questioning DISCUSS THE READING AND QUESTIONS Extension Facilitate a whole-class discussion. Be ready to reread passages and show photographs again to help the students recall what they heard. Ask: ASK QUESTIONS IN CONTENT-AREA READING Ask the students to bring their social studies, science, or other textbook to class, and have them use that textbook to practice asking questions. Have partners share their questions with each other; then have them share their questions with the class. Chart the questions and facilitate a discussion about how the questions are addressed in the reading. Q What is one thing you learned from the reading today? Refer to the “Questions About Wolves” chart and ask: Q What is a question on the chart that was discussed in the reading today? How was it discussed? Q How did asking this question help you pay close attention to the reading? Q Which questions were not discussed? How do you know? 62 Making Meaning ADD QUESTIONING TO THE “READING COMPREHENSION STRATEGIES” CHART Point out that questioning can be especially useful when reading expository texts like Wolves, which are full of information that can be hard to understand or remember. Direct the students’ attention to the “Reading Comprehension Strategies” chart and add questioning to it. Remind them that the chart is meant to help them remember the comprehension strategies they have learned so they can practice them in their own reading. Explain that they will continue to explore questioning together in the coming weeks, and encourage them to look for opportunities to question in their independent reading. reading comprehension strategies - Recognizing textfeatures - Questioning Social Development DISCUSS HOW PARTNERS SHOWED RESPECT FOR EACH OTHER Facilitate a brief discussion about how partners worked together. Ask: Students reflect on working together in a respectful way. Q If your questions were different from your partner’s, how did you show that you respect your partner’s thinking? How did your partner show that she respects your thinking? How was that helpful to your work today? Grade Seven 61 For orders, information, and samples, visit devstu.org or call 800.666.7270. 35 Sample Week for Grade 7, Day 3 Social Development Exploring Expository Text: Questioning Day 3 Guided Strategy Practice Students practice showing respect for each other’s thinking. Materials • Wolves(pp.18–25) • Chartpaperandamarker Lesson Purpose • Student Book,IDRJournalsection Students: A Use questioningtomakesenseofatext. A Explaintheirthinking. A Actrespectfullytowardtheirpartner. DISCUSS RESPECT FOR PARTNERS Explainthattodayyouwillreadmorefrom Wolves,andthe studentswilltalkaboutthereadingwiththeirpartner.Remind themthatattheendofthepreviouslesson,theythoughtabout howtheywereshowingrespectforotherpeople’sthinking, especiallyifitwasdifferentfromtheirown.Ask: Q As you talk and listen to each other today, what do you want to keep in mind in order to be respectful of other people’s thinking? Q How does not showing respect for your partner’s thinking get in the way of partners working together? Students might say: “Ifmypartnerdoesn’trespectwhatI’mthinkingabout,ithurts myfeelings.” Unit 2 A Week 2 A Day 3 Teacher Note Thesequestionshelpthe studentsthinkabouttheeffect oftheiractionsontheirwork, feelings,andrelationships.If theyhavedifficultyanswering thequestions,suggestsome answers,suchasthoseinthe “Studentsmightsay”note. INTRODUCE THE READING Show the cover of Wolves, and explain that in today’s selection they will learn how wolves live together in packs, and how wolves communicate and hunt with their pack. Explain that you will stop several times during the reading to have partners talk about what they learn about these two groups, and to think of questions they can ask. “Whenpartnersdon’trespecteachother,theydon’twantto worktogether.” READ ALOUD AND ASK QUESTIONS “Partnerswhodon’trespecteachothermightnotgettheirwork donebecausetheydon’twanttohelpeachother.” Read pages 18–25 aloud, slowly and clearly, showing the photographs, and stopping as described below. Deal with each suggested vocabulary word briefly as you encounter it in the text. Encouragethestudentstobeawareofhowtheyareshowing respectfortheirclassmatesduringthislesson. Suggested Vocabulary startle: surprise (p. 19) ELL Vocabulary English Language Learners may benefit from discussing additional vocabulary, including: Grade Seven 63 unfamiliar territory: unknown area (p. 20) seasonally: during one part of the year, either spring, summer, fall, or winter (p. 20) Stop after: p. 20 Turn to Your Partner “Of all of the sounds a wolf makes, its howl is the most familiar.” Use “Turn to Your Partner” to have the students discuss what they have learned. After a moment, ask the class: Q What questions could we ask at this point in the reading? Teacher Note Alternatively, you can continue to list questions on the “Questions About Wolves” chart from Days 1 and 2 if the chart is not already too long. 64 36 Making Meaning DEVELOPMENTAL STUDIES CENTER Quickly record the questions on a sheet of chart paper entitled “Questions About Wolf Packs.” Without answering the questions at this point, reread the last sentence before the stop and continue Making Meaning® Strategy Development Unit 2 A Week 2 A Day 3 Students use questioning to understand expository text. Individualized Daily Reading GET TO KNOW THE STUDENTS’ READING LIVES/ HAVE THEM WRITE IN THEIR “IDR JOURNAL” Have the students read independently for up to 30 minutes. Continue to monitor the students’ reading levels and understanding and also continue to talk to individual students about their reading lives. At the end of independent reading, have the students write in their “IDR Journal” about their reading. Extension READ A NEWS STORY Exploring Expository Text: Questioning Tell the students that reporters often try to answer five questions when they investigate a news story: Who? What? Where? When? and Why? (How? can sometimes replace Why?) When they read a newspaper story, they can use the same questions to identify and remember the story’s key information. Have the students read a news article in a newspaper to find answers to the five questions. Give the students a chance to share their findings with the class. to the next stopping point. Follow this procedure at each of the following stops: p. 20 “Howling increases seasonally during the winter months, and the sound may carry for six or more miles in cold, clear air.” p. 23 “This ‘dominance order’ helps prevent fighting within the pack.” p. 25 “Wolves hunt animals in different ways.” Continue reading to the end of page 25. DISCUSS THE READING AND THE STUDENTS’ QUESTIONS Facilitate a whole-class discussion. Be ready to reread passages and show illustrations again to help the students recall what they heard. Ask: Q What is one thing you learned from the reading today? Q What are some of the different sounds wolves make to 66 Making Meaning communicate with other wolves? What do the sounds communicate? Q The author tells us that each wolf pack has a specific hierarchy. How does this hierarchy help the pack function? Refer to the “Questions About Wolf Packs” chart and ask: Q Which questions got you thinking today as you listened to the reading? How? Social Development Explain that they will revisit the list of questions tomorrow. Students practice the skill Save the “Questions About Wolf Packs” chart for Day 4. of explaining their thinking. Grade Seven 65 For orders, information, and samples, visit devstu.org or call 800.666.7270. 37 Sample Week for Grade 7, Day 4 Social Development Exploring Expository Text: Questioning Day 4 Guided Strategy Practice Partners focus on how to disagree respectfully. Materials • Wolves(pp.18–25) • “QuestionsAboutWolfPacks” chartfromDay3 Lesson Purpose Students: A ReadtheexcerptfromWolvesthey heardyesterday. A Use questioningtomakesenseofthetext. • Student Bookpages8–9 • Assessment Record Book • Student Book,IDRJournalsection A Explaintheirthinking. A Actrespectfullytowardtheirpartner. DISCUSS RESPECT FOR DIFFERING OPINIONS Havepartnerssittogether.Explainthattodaypartnerswilltalk againaboutquestionstheyhaveaboutwolvesandhowthose questionsareaddressedinthetext.Pointoutthatpartnersmay havedifferingopinionsaboutthequestionsandhowtheyare answered.Remindthemthatrespectingeachother’sthinking, eveniftheydisagree,ispartofbeingagoodpartner.Tellthem thatyouwillaskthemhowtheydidattheendofthelesson. FOCUS ON QUESTIONS ABOUT WOLF PACKS ShowthecoverofWolves.Remindthestudentsthattheyheard aboutwolfpacksandaskedquestionsbeforeandduringthereading tohelpthembetterunderstandthetext.Explainthattodaytheywill practiceusingquestionsastheyreadapassagefromWolves. Refertothe“QuestionsAboutWolfPacks”chartcreatedyesterday, andask: Q Let’s look at the questions we asked about wolves. Which questions do you remember being discussed in the reading yesterday? Which were not discussed? Teacher Note Thestudentsarenotlikelyto remembermanydetailsfrom thereadingafterhearingitjust once.Thisquestionisintended Q Which questions are we still curious about? onlytostimulatetheirthinking andpreparethemtoreadthe passageontheirown. Grade Seven 38 DEVELOPMENTAL STUDIES CENTER 67 Making Meaning® Exploring Expository Text: Questioning Q Do others agree that this question is answered in this way? Why or why not? Q How did thinking about the questions as you read the passage help you pay close attention to the text? Strategy Development The teacher assesses the students’ ability to find information about the questions they have raised. Discuss any other questions about which the students found information in the excerpt. Remind the students that the purpose of learning the questioning strategy is to use it as a tool to pay close attention to their independent reading. Encourage them to be aware of their questions as they read on their own throughout the day. DISCUSS WORKING TOGETHER Over the past two weeks, the students have focused on explaining their thinking and on showing respect for one another’s thinking. Ask: Q How have you improved in your ability to explain your thinking Unit 2 A Week 2 A Day 4 clearly? When have you done that? Q When you notice your partner or classmates treating you Circle the questions that the students are still curious about, then add the following question to the chart (or if it is already on the chart, circle it): Teacher Note This question is not answered directly in the selection, but the answer to the question can be inferred. - Whydowolvesliveinpacks? Explain that you have been thinking about this question, and that you would like the students to read for information about it, as well as other questions they are still curious about, as they reread the section of Wolves that discusses wolf packs. Direct their attention to the excerpt on Student Book pages 8–9. Ask them to underline sentences that discuss the question, and any other circled questions on the chart, and to be ready to share their thinking with their partner and the class. READ FOR ANSWERS USING AN EXCERPT Teacher Note If the students have trouble dently, you might have them aloud to them yourself as they follow along. Individualized Daily Reading GET TO KNOW THE STUDENTS’ READING LIVES/ HAVE THEM WRITE IN THEIR “IDR JOURNAL” Have the students read independently for up to 30 minutes. Continue to monitor the students’ reading levels and understanding and also continue to talk to individual students about their reading lives using the ideas and questions on page 58. At the end of independent reading, have the students write in their “IDR Journal” about their reading. Have the students read the excerpt independently; then have pairs discuss what they found out about the circled questions. reading the excerpt indepenread it with a partner, or read it respectfully, how does that feel? Why is it important that we feel that way in our reading community? Grade Seven 69 Class Comprehension Assessment Circulate as partners talk. Listen for evidence that they understand the text, and that they are looking for information about the questions as they read. Ask yourself: Q Do the students understand the text? Q Are they underlining sentences that address the questions? Record your observations on page 9 of the Assessment Record Book. DISCUSS THE READING AND QUESTIONS Facilitate a whole-class discussion by asking: Q What information did you find about the question, “Why do wolves live in packs?” Read aloud a sentence that you underlined. 68 Making Meaning For orders, information, and samples, visit devstu.org or call 800.666.7270. 39 Sample Week for Grade 8 Unit 3 A Overview of Week 5 Analyzing Elements of Fiction Comprehension Focus Strategy Development • Studentsanalyze relationships among character, setting, and plotinanovel. The Giver by Lois Lowry (Laurel-Leaf Books, 2002) Synopsis Jonas’sworldseemsperfectuntil heisselectedtoreceivespecial trainingandfindsoutthetruth abouthiscommunity. Every weekly lesson focuses on a specific comprehension strategy. Follow the gold call outs to track strategy development. • Studentsexploretheroleoftheclimaxin theplot. • Studentsmake inferencesandthinkabout explicitandimplicitmeaningsintext. • Studentsexplore literary devices, includingsymbolism. Social Development Focus AlternativeBook • Freak the MightybyRodmanPhilbrick • Studentstakeresponsibilityfortheirlearning andbehavior. • Studentsdevelopthegroupskillofasking clarifyingquestions. Unit 3 covers an entire novel in five weeks. The class experiences and discusses the literary devices of a full-length book together. 165 40 DEVELOPMENTAL STUDIES CENTER Social Development Every weekly lesson focuses on specific social skill development. Follow the green call outs to track social development. Making Meaning® Unit 3 A Week 5 Day 1 Materials Read-Aloud • The Giver(pp.152–166) • “PlotOutlineforThe Giver”chart fromWeek4 Lesson Purpose Students: A Make inferencestounderstandastory. Analyzing Elements of Fiction A Analyze relationships among character, setting, and plotinanovel. A Continueoutliningtheplotofthestory. Day 2 A Explorecharacterchangeasaresultof conflictandresolutionintheplot. Materials Read-Aloud and Guided Strategy Practice A Exploretheroleofclimaxinaplot. • The Giver(pp.165–169) A Use“HeadsTogether.” • Chartpaperandamarker • “WhatWeInferAboutJonas” chartfromWeek2 • Student Bookpages31–33 Lesson Purpose Analyzing Elements of Fiction BRIEFLY REVIEW THE STORY USING “HEADS TOGETHER” • Student Book,IDRJournalsectionTellthestudentsthattheywilluse“HeadsTogether”asthey Students: A Make inferencestounderstandastory. A Analyze relationships among character, setting, and plotinanovel. A Explorecharacterchangeasaresultof conflictandresolutionintheplot. Day 3 A Use“HeadsTogether.” A Askclarifyingquestions. reviewthepartsofThe Givertheyheardlastweek.Readeachof thefollowingsentencesaloud.Foreachsentence,brieflyhave Materials Heads groupsuse“HeadsTogether”tosharewhattheyremember • The Giver(pp.170–179) Together Read-Aloud aboutthestoryfromthatsentence: Lesson Purpose p. 117 “Hedecidednottotell.” • “PlotOutlineforThe Giver”chart (fromWeek4) p. 120 “‘Forgiveme,’hesaid.” • Student Book,IDRJournalsection Students: p. 134 “‘What’swrong,Jonas?Itwasonlyagame….’” A Finishoutliningtheplotofastory. A Analyze relationships among character, setting, p. 143 “‘It’sinyourrules,Jonas.Butitwasn’tinhers.’” and plotinanovel. DISCUSS ASKING CLARIFYING QUESTIONS Remindthestudentsthatthisweektheyarefocusingon understandingoneanotherduring“HeadsTogether.”Ask: A Explorecharacterchangeasaresultof p. 151 “‘Well,thereyouare,Jonas.Youwerewonderingabout conflictandresolutionintheplot. release,’hesaidinabittervoice.” A Exploreanexampleofsymbolism. Q Have you ever had trouble communicating exactly what you were A Use“HeadsTogether”andaskclarifying questions. thinking with your group? What happened? What makes it hard sometimes to communicate clearly? REVIEW THE PLOT OUTLINE CHART Directthestudents’attentiontothe“PlotOutlineforThe Giver” chart.Reviewtheitemsonthechartunder“Jonas’slifeafterthe Q What kinds of questions could your groupmates ask you to help Teacher Note ADD TO THEceremony.” PLOT OUTLINE CHART you communicate more clearly? Ifthestudentshavedifficulty Teacher Note Directthestudents’attentiontothe“PlotOutlinefor The Giver” generatingclarifyingquestions, Ifnecessary,addthefollowing chart,andreadtheitemsonthechartunder“Jonas’slifeafterthe Students might say: suggestafewyourselfsuchas eventstothechart: 166 Making Meaningceremony.”Ask: “Wecouldaskthepersontorepeatwhatshesaid. thoseinthe“Studentsmight “Wecouldask,‘Canyousayitanotherway?’” “Wecouldsay,‘Doyoumean…?’andsaywhatweheard.” say”note;thenask,“Whatother Q What has happened since the climax of the story? questionscouldyouask?” Analyzing Elements of Fiction “Jonashasabreakdownwhenherealizesthetruth.” “TheGiverandJonasstartplanninghisescape.” Day 4 Materials “JonasfindsoutthatGabeisgoingtobereleasedin themorning.” • Fictiontextsatappropriatelevels Independent Strategy Practice forindependentreading Asthestudentsshare,recordtheircommentsonthechartunder “Jonas’slifeaftertheceremony.” • “ReadingComprehension Lesson Purpose Students: A Reviewthereadingcomprehension strategiestheyhavelearned. A Applystrategiesrelatedtofictiontotheir independentreading. A Use“HeadsTogether”andaskclarifying questions. A Haveacheck-inclassmeeting. Grade Eight 171 Jonas’sescape. - JonaslearnsthatGabe Students might say: “Wecouldsaywhatpartweunderstandandwhatpartwe don’tget.” - JonasandTheGiverplan isgoingtobereleasedin themorning. - HetakesGabeandescapes withoutsayinggoodbyeto TheGiver. - Theyhidefromsearchplanes astheytravelfartheraway. Strategies”chart Explainthatyouwillreadthelasttwochaptersofthebooktoday. • Medium-sizedself-sticknotes Referringtotheplotoutline,ask: foreachstudent Assessment Recordmight Book end? Why would that make Q How do you• think this story sense for this story? • (optional)Spacefortheclassto sitinacircle Encouragethestudentstolistenforhowtheauthorendsthestory andanymoreevidencethatJonashaschanged. Grade Eight REVIEW STRATEGIES LEARNED IN THE UNIT Directthestudents’attentiontothe“ReadingComprehension Strategies”chartandreviewthatthestudentsusedquestioning, inferring,andvisualizingtothinkandtalkaboutThe Giver.They alsousedunderstanding elements (character, setting, and plot) and devices (flashback, foreshadowing, symbolism).Ask: 175 reading comprehension strategies - Recognizing textfeatures - Questioning Q What have you learned about what happens to main characters in fiction? Q What have you learned about setting? How is setting important to what happens in the story? Q What have you learned about how plots are put together? Ifnecessary,remindthestudentsthattheyhaveexploredmany relationshipsamongcharacter,setting,andplotastheyheard The Giver.Theythoughtabouthowcharacterschangeasaresult ofwhathappenstothem,howconflictisdevelopedinaplot,and theroleoftheclimaxofastory.Theyalsothoughtabouthowthe settingaffectsthecharactersandwhathappenstothem. Grade Eight 179 For orders, information, and samples, visit devstu.org or call 800.666.7270. 41 Sample Week for Grade 8, Day 1 Materials • The Giver(pp.152–166) Unit 3 A Week 5 Strategy Development Day 1 Students read the next chapter and a half to explore character change and develop a plot outline. Read-Aloud • “PlotOutlineforThe Giver”chart fromWeek4 Lesson Purpose Students: A Make inferencestounderstandastory. A Analyze relationships among character, setting, and plotinanovel. A Continueoutliningtheplotofthestory. A Explorecharacterchangeasaresultof conflictandresolutionintheplot. A Exploretheroleofclimaxinaplot. A Use“HeadsTogether.” Analyzing Elements of Fiction BRIEFLY REVIEW THE STORY USING “HEADS TOGETHER” Heads Together Tellthestudentsthattheywilluse“HeadsTogether”asthey reviewthepartsofThe Givertheyheardlastweek.Readeachof Ask: thefollowingsentencesaloud.Foreachsentence,brieflyhave groupsuse“HeadsTogether”tosharewhattheyremember Q What do you think are the most significant things that have aboutthestoryfromthatsentence: happened so far in the plot? Why do you think so? p. 117 “Hedecidednottotell.” p. 120 “‘Forgiveme,’hesaid.” As the students respond, place a small star next to the items on the chart. p. 134 “‘What’swrong,Jonas?Itwasonlyagame….’” Point out that in most fiction plots, there are a number of significant events, or “high points,” that lead to the “highest point” p. 143 “‘It’sinyourrules,Jonas.Butitwasn’tinhers.’” or climax of a story. The author builds the conflict in the story through these high points. In the climax, the most dramatic action p. 151 “‘Well,thereyouare,Jonas.Youwerewonderingabout release,’hesaidinabittervoice.” occurs. This climax and what happens right after it result in the most significant change for the main character. Explain that in this story, Jonas’s viewing of the video showing the killing of the baby is REVIEW THE PLOT OUTLINE CHART the climax. Place a large star next to this item, and ask: Directthestudents’attentiontothe“PlotOutlineforThe Giver” chart.Reviewtheitemsonthechartunder“Jonas’slifeafterthe Q How do you think Jonas will change as a result of seeing the video? ceremony.” Teacher Note Some of the most significant points in the plot include: - Jonasisselectedtobe TheReceiver. - TheGivergivesJonasavery painfulmemoryofwar. - Jonasreceivesamemoryin whichhelearnsaboutlove. - Jonaswatchesavideoofhis father“releasing”anewchild andrealizesthathekilledit. Students might say: 166 Making Meaning “I think Jonas will start hating his father now that he knows the truth.” “I think Jonas will run away from the community. Maybe he will ask to be released, like Rosemary.” “I disagree with [Lyndon]. Now that he knows what ‘release’ means, I doubt he will want to do that.” READ CHAPTER 20 AND PART OF CHAPTER 21 ALOUD Explain that you will read the next one-and-a-half chapters aloud. You will stop four times as you read today, and at each stop the students will use “Heads Together” and talk about the thoughts and questions they have. Read aloud from page 152 to the break on page 166 after “And he had taken Gabriel, too.” Stop as described on the next page. Suggested Vocabulary acquire: get (p. 156) violation: breaking of a rule or law (p. 158) solace: comfort (p. 161) meticulously: carefully (p. 163) Grade Eight 42 DEVELOPMENTAL STUDIES CENTER 167 Making Meaning® Analyzing Elements of Fiction Social Development DISCUSS UNDERSTANDING ONE ANOTHER DURING “HEADS TOGETHER” Partners discuss the importance of understanding each person’s contribution. Explain that over the past two weeks the students have been focusing on contributing their ideas and including everyone during “Heads Together.” This week, they will think about whether they are really understanding one another in the group, and what they can do if they don’t understand. Ask: Q Have you had any experiences in which the group didn’t understand what someone in the group was saying? What happened? What did you do as a group? Q Why is it important that everyone in the group understand what everyone else is saying? Explain that tomorrow the students will think about clarifying questions they can ask to help them understand one another in the group. Individualized Daily Reading Unit 3 A Week 5 A Day 1 READ INDEPENDENTLY AND MAKE INFERENCES Have the students read fiction texts at their appropriate reading levels independently for up to 30 minutes. ELL Vocabulary As the students read, circulate among them and talk to individual English Language Learners may benefit from discussing additional vocabulary, including: students about their reading. Ask questions such as: fleeing: running away (p. 158) absence: not being there (p. 160) Q What do you think this [story] is about? Why do you think that? in unison: all together (p. 161) opposite side: other side (p. 165) Heads Together Q What inference did you make as you read today? What clues helped you make the inference? Use “Heads Together” at each of the following stopping points: At the end of independent reading, have the students share their p. 155 “Jonas watched him, and listened.” inferences with the class. Have them share the inference and then read the passage that helped them infer. p. 161 “The Giver would help them.” p. 164 “The Giver would know that Jonas had said goodbye.” p. 165 “‘It’s bye-bye to you, Gabe, in the morning,’ Father had said, in his sweet, sing-song voice.” Grade Eight 169 Continue reading to the break on page 166. DISCUSS THE STORY AS A CLASS Facilitate a whole-class discussion using the following questions: Q What have Jonas and The Giver decided to do? Why do you think they’re doing it? Q What happens to force Jonas to flee the night before they planned? Q (Reread the following sentence on page 165: “‘It’s bye-bye to you, Gabe, in the morning,’ Father had said, in his sweet, singsong voice.”) What’s unusual about the father’s behavior here? Students might say: “Jonas is forced to escape the night before because he finds out that Gabe is going to be released in the morning.” “I think the author wrote the passage that way because she wants us to feel really horrified that the father is so sweet toward a child he’s going to kill.” 168 Making Meaning For orders, information, and samples, visit devstu.org or call 800.666.7270. 43 Sample Week for Grade 8, Day 2 Strategy Development Analyzing Elements of Fiction Day 2 Read-Aloud and Guided Strategy Practice Lesson Purpose Students: Materials • The Giver(pp.165–169) • Chartpaperandamarker Students explore and discuss character changes as a result of conflict. • “WhatWeInferAboutJonas” chartfromWeek2 • Student Bookpages31–33 • Student Book,IDRJournalsection A Make inferencestounderstandastory. A Analyze relationships among character, setting, and plotinanovel. A Explorecharacterchangeasaresultof conflictandresolutionintheplot. A Use“HeadsTogether.” A Askclarifyingquestions. Unit 3 A Week 5 A Day 2 DISCUSS ASKING CLARIFYING QUESTIONS Remindthestudentsthatthisweektheyarefocusingon understandingoneanotherduring“HeadsTogether.”Ask: As the students brainstorm questions, record these on a sheet of chart paper entitled “Clarifying Questions I Can Ask.” Ask: Q Have you ever had trouble communicating exactly what you were thinking with your group? What happened? What makes it hard sometimes to communicate clearly? Q If you don’t understand what someone says in your group today, Q What kinds of questions could your groupmates ask you to help you communicate more clearly? Students might say: “Wecouldaskthepersontorepeatwhatshesaid. “Wecouldask,‘Canyousayitanotherway?’” “Wecouldsay,‘Doyoumean…?’andsaywhatweheard.” “Wecouldsaywhatpartweunderstandandwhatpartwe don’tget.” Teacher Note Ifthestudentshavedifficulty generatingclarifyingquestions, suggestafewyourselfsuchas Teacher Note whose responsibility is it to make sure you do understand? Why is it important to take that responsibility? Encourage the students to make sure they understand one another in their group today and to ask clarifying questions to help them. Tell them that you will check in with them at the end of the lesson. thoseinthe“Studentsmight Some passages from the excerpt say”note;thenask,“Whatother that indicate character change questionscouldyouask?” include: • “‘I won’t! I won’t go home! You can’t make me!” • “Jonas looked up wildly. ‘No one heard that little twin cry, DISCUSS CHARACTER CHANGE Remind the students that in fiction stories, the main character changes as a result of facing conflict. The most significant change usually happens after the climax, or the most dramatic event in the story. Remind the students that in The Giver, the climax is when Jonas watches the video of the baby’s “release.” either! No one but my father!’” will take care of that, sir,’ Jonas Direct the students’ attention to the “What We Infer About Jonas” chart they created early in the story. Ask: voice…. He couldn’t seem Q What was Jonas like at the beginning of the story? • “‘I will take care of that, sir. I Grade Eightsarcastic 171 mimicked in a cruel, to stop.” • “‘But he lied to me!’ Jonas wept.” • “Jonas wrapped his arms around himself and rocked his own body back and forth. ‘What should do? I can’t go Have the students turn to Student Book pages 31–33. Point out that the excerpt is from the part of the story they heard earlier. Ask the students to individually reread the excerpt, and then work in their group to underline passages that show how Jonas has changed from the beginning of the story. Remind them to make sure they are understanding one another and to ask clarifying questions, if necessary. back! I can’t!’” • “Jonas found himself using the nasty, sarcastic voice again. ‘Then we’ll have a sharing of feelings?’” • “‘And love,’ Jonas added, remembering the family scene that had so affected him. ‘And pain.’ He thought again of the soldier.” 172 44 Making Meaning DEVELOPMENTAL STUDIES CENTER After allowing sufficient time for groups to work, signal for their attention and ask volunteers to share passages their group underlined. Follow up with questions such as: Q What does this passage tell us about how Jonas has changed? Q Would the old Jonas have acted this way? Why does it make sense that he has changed in this way? Q Do you agree or disagree with what [Corazon] said? Explain. Making Meaning® Unit 3 A Week 5 A Day 2 Social Development Students might say: Partners focus on understanding one another and asking clarifying questions. “Jonas is really loving toward Gabe and he takes care of him. At the beginning of the story he ignored him more.” “In addition to what [Marcus] said, at the beginning of the book, Jonas counts on the community to tell him what to do when the plane flies overhead. Now he has to figure it out on his own. He hides and tries to make Gabe and himself cold.” BRIEFLY REFLECT ON ASKING CLARIFYING QUESTIONS Ask, and briefly discuss: Q Did you have the opportunity to ask any clarifying questions in your group today? Tell us about it. Encourage the students to continue to look for opportunities to ask clarifying questions to help them understand one another in the group. Analyzing Elements of Fiction Individualized Daily Reading DOCUMENT IDR CONFERENCES/ HAVE THE STUDENTS WRITE IN THEIR “IDR JOURNAL” READ THE REST OF CHAPTER 21 ALOUD Have the students read independently for up to 30 minutes. Explain that you will reread part of what you read yesterday in The Giver, then continue reading several more pages. You will stop twice as you read so the students can use “Heads Together” and talk about the thoughts and questions they have. Encourage them to continue to listen for ways that Jonas has changed from the beginning of the story. Use the “IDR Conference Notes” record sheet to conduct and document individual conferences. At the end of independent reading, have the students write in their “IDR Journal” about their inferences and the clues they used to infer. Reread from “Jonas reached the opposite side of the river” on page 165, then continue reading to the end of page 169, stopping as described below. Suggested Vocabulary isolated place: a place without people (p. 167) fugitives: people who run away or escape a place (p. 167) taut: tight, stiff (p. 168) vigilant: watchful (p. 169) ELL Vocabulary English Language Learners may benefit from discussing additional vocabulary, including: 174 Making Meaning stir: movement (p. 166) Use “Heads Together” at each of the following stopping points: p. 167 “Together the fugitives slept through the first dangerous day.” Heads Together p. 169 “Finally there was an entire day and night when they did not come at all.” DISCUSS THE STORY AS A CLASS Facilitate a whole-class discussion using the following questions. Be ready to reread from the text to help the students recall what they heard. Ask: Q What other evidence did you hear that Jonas has changed from the beginning of the story? Grade Eight 173 For orders, information, and samples, visit devstu.org or call 800.666.7270. 45 Sample Week for Grade 8, Day 3 Strategy Development Analyzing Elements of Fiction Day 3 Read-Aloud Students complete the plot outline for the entire novel. Materials • The Giver(pp.170–179) • “PlotOutlineforThe Giver”chart (fromWeek4) Lesson Purpose • Student Book,IDRJournalsection Students: A Finishoutliningtheplotofastory. A Analyze relationships among character, setting, and plotinanovel. A Explorecharacterchangeasaresultof conflictandresolutionintheplot. A Exploreanexampleofsymbolism. A Use“HeadsTogether”andaskclarifying questions. ADD TO THE PLOT OUTLINE CHART Directthestudents’attentiontothe“PlotOutlinefor The Giver” chart,andreadtheitemsonthechartunder“Jonas’slifeafterthe ceremony.”Ask: Q What has happened since the climax of the story? Students might say: “Jonashasabreakdownwhenherealizesthetruth.” “TheGiverandJonasstartplanninghisescape.” “JonasfindsoutthatGabeisgoingtobereleasedin themorning.” Asthestudentsshare,recordtheircommentsonthechartunder “Jonas’slifeaftertheceremony.” Unit 3 A Week 5 A Day 3 Teacher Note Ifnecessary,addthefollowing eventstothechart: READ CHAPTERS 22 AND 23 ALOUD - JonasandTheGiverplan Read chapters 22 and 23 aloud (pp. 170–179), stopping as described below. Jonas’sescape. - JonaslearnsthatGabe isgoingtobereleasedin Suggested Vocabulary themorning. - HetakesGabeandescapes withoutsayinggoodbyeto TheGiver. diminished: lessened and disappeared (p. 170) cultivated fields: farmed fields (p. 171) inadequate: not good enough (p. 174) lethargy and resignation: tiredness and giving up (p. 176) - Theyhidefromsearchplanes impeded: slowed down (p. 176) astheytravelfartheraway. ELL Vocabulary English Language Learners may benefit from discussing additional vocabulary, including: Explainthatyouwillreadthelasttwochaptersofthebooktoday. Referringtotheplotoutline,ask: flagging: weakening (p. 172) summit: highest point (p. 177) Q How do you think this story might end? Why would that make sense for this story? Heads Together Encouragethestudentstolistenforhowtheauthorendsthestory andanymoreevidencethatJonashaschanged. Grade Eight Use “Heads Together” at each of the following stopping points: p. 173 “He no longer cared about himself.” 175 p. 179 “But perhaps it was only an echo.” DISCUSS THE STORY AS A CLASS Facilitate a whole-class discussion using the following questions. Be ready to reread from the text to help the students recall what they heard. Ask: Q What happens at the end of the story? Why do you think so? Q What has happened to the memories Jonas had? What effect do you think this will have on his community? Q The author intentionally begins and ends the story in December. Why do you think that is? How is Jonas’s December different at the end, compared with the beginning? 176 46 Making Meaning DEVELOPMENTAL STUDIES CENTER Making Meaning® Unit 3 A Week 5 A Day 3 Social Development Q Now that you have heard the whole novel, what would you say Students reflect on their contribution to working in a group. The Giver is really about? Why do you think so? Q What did you learn about fiction that you think will help you when you read your own novels? Q What did you learn about working in groups that will help you the next time you work in a group? Encourage the students to continue to look for opportunities to ask clarifying questions of one another when they work in their group. Individualized Daily Reading DOCUMENT IDR CONFERENCES/ HAVE THE STUDENTS WRITE IN THEIR “IDR JOURNAL” Have the students read fiction texts independently for up to 30 minutes. Analyzing Elements of Fiction Use the “IDR Conference Notes” record sheet to conduct and document individual conferences. At the end of independent reading, have the students write in their “IDR Journal” about how they did using self-monitoring and rereading with their independent reading. Students might say: “At the end of the story, Jonas finds a community where people have feelings and love. It’s hard to tell whether it really happens or he dreams it, though.” “I think Jonas saves his community. They get to have memories now, and feelings.” “I disagree with [Peter]. At the end it says maybe the music he heard from the place he left was only an echo.” “At the beginning of the story, Jonas feels apprehensive about December. At the end, it’s about family and love and hope.” Ask: Q Where have we heard about the sled before? Point out that sometimes when an author intentionally repeats an image, the image comes to mean something in the story. Explain that this is called symbolism. Ask the following question, and be ready to reread earlier passages about the sled from pages 80–82 and 108–109: 178 Making Meaning Q What do you think the sled has come to symbolize, or mean, in the story? Why? Students might say: “I think the sled symbolizes life beyond the community. Everything in the community was gray, but Jonas saw the sled in color.” “In addition to what [Felicia] said, Jonas didn’t even know what a sled was at first. But now he knows it’s waiting for him. It shows how Jonas changed.” “The sled is also something that moves fast. It symbolizes his escape to a new world.” REFLECT ON THE GIVER AND ON ASKING CLARIFYING QUESTIONS Ask, and briefly discuss: Q What did you enjoy about hearing and talking about The Giver over the past few weeks? Grade Eight 177 For orders, information, and samples, visit devstu.org or call 800.666.7270. 47 Sample Week for Grade 8, Day 4 Strategy Development Analyzing Elements of Fiction Day 4 Independent Strategy Practice Lesson Purpose Students: A Reviewthereadingcomprehension strategiestheyhavelearned. A Applystrategiesrelatedtofictiontotheir independentreading. A Use“HeadsTogether”andaskclarifying questions. Students identify and discuss the literary devices in fiction and then mark the devices they find in their independent reading. Materials • Fictiontextsatappropriatelevels forindependentreading • “ReadingComprehension Strategies”chart • Medium-sizedself-sticknotes foreachstudent • Assessment Record Book • (optional)Spacefortheclassto sitinacircle A Haveacheck-inclassmeeting. REVIEW STRATEGIES LEARNED IN THE UNIT Directthestudents’attentiontothe“ReadingComprehension Strategies”chartandreviewthatthestudentsusedquestioning, inferring,andvisualizingtothinkandtalkaboutThe Giver.They alsousedunderstanding elements (character, setting, and plot) and devices (flashback, foreshadowing, symbolism).Ask: reading comprehension strategies Unit 3 A Week 5 A Day 4 - Recognizing textfeatures - Questioning Remind the students that the purpose of studying elements and devices of fiction is to help them use the elements and devices to better understand the fiction they read on their own. Q What have you learned about what happens to main characters in fiction? PREPARE TO MARK ELEMENTS AND DEVICES IN INDEPENDENT READING Q What have you learned about setting? How is setting important to what happens in the story? Explain that today the students will read their own fiction texts independently. As they read, they will use self-stick notes to mark places where they recognize elements or devices of fiction that they have learned. Encourage them to be ready to share what they marked in their group. Q What have you learned about how plots are put together? Ifnecessary,remindthestudentsthattheyhaveexploredmany relationshipsamongcharacter,setting,andplotastheyheard The Giver.Theythoughtabouthowcharacterschangeasaresult ofwhathappenstothem,howconflictisdevelopedinaplot,and theroleoftheclimaxofastory.Theyalsothoughtabouthowthe settingaffectsthecharactersandwhathappenstothem. READ INDEPENDENTLY AND MARK ELEMENTS AND DEVICES Heads Together Grade Eight 179 Have the students read fiction texts independently for 20–30 minutes. Stop them at ten-minute intervals and have them use “Heads Together” to briefly share any elements they have marked using self-stick notes. At the first stop, remind the students to tell their group the title of their book and the name of the author, and to say a few sentences about its plot. Circulate among the students and notice whether they are recognizing different elements of fiction in their reading. Probe the thinking of individual students by asking questions such as: Q What’s happening in your story? Q Have you gotten to the climax of your story yet? If so, what happens? Q How is the character changing, or how do you think she will change? What in the text makes you think so? Q Are you noticing the author using [flashback/foreshadowing/ symbolism] in your story? How? 180 48 Making Meaning DEVELOPMENTAL STUDIES CENTER Making Meaning® Analyzing Elements of Fiction Social Development The teacher leads a class meeting to discuss responsible behavior in group work. Individual Comprehension Assessment Before continuing with Unit 4, take this opportunity to assess individual students’ progress in analyzing elements of fiction to make sense of what they read. Refer to pages 36–37 in the Assessment Record Book for instructions. IDR Conference Week Take a break from the Making Meaning lessons in the upcoming week and use your daily reading block for5IDR. As 4the students read independently, you will Unit 3 A Week A Day have an opportunity to confer with every student and to document these conferences using the “IDR Conference Notes” record sheet. (See page 49 in the Assessment Record During the year, CLASS each student’s accumulated IDR HAVE Book.) A BRIEF CHECK-IN MEETING conference record sheets will become a record of her ABOUT WORKING IN GROUPS time.will have a brief check-in class meeting, Tell the progress students over that they and have them sitwith so they all see1,one another. Review the class Continue Unitcan 4, Week in the following week. meeting ground rules. Remind the students that they have learned and practiced “Heads Together” and thought about taking responsibility for their group work. Help the students reflect on their work together by asking: Extension Q What have youSYMBOLISM learned about how well-functioning group LOOK FOR IN aOTHER STORIES Analyzing Elements of Fiction Class Comprehension Assessment Listen for evidence that the students are making sense of their reading. Ask yourself: Q Do the students recognize when they are making inferences? Q Do they recognize relationships among character, setting, and plot? Q Do they notice literary devices such as flashback, foreshadowing, and symbolism? Teacher Note This is the last week in Unit 3. works? Invite the students to look for examples of symbolism in stories they read, hear, or see (on television or at the movies) and to bring Q How you learned to take for the functioning thesehave examples to share withresponsibility the class. Encourage discussion about of yourthe group? what symbols mean in the stories, and why those symbols make sense for their stories. Q What else have you learned about working in groups that will help you the next time you work in a group? Encourage the students to continue to look for opportunities to take responsibility when working in groups by contributing ideas, including everyone, and asking clarifying questions of one another. Have the students briefly discuss how they did following the ground rules during the class meeting. If necessary, review the procedures for returning to their seats, and adjourn the meeting. You will reassign Record your observations on page 15 of the Assessment Record Book.partners for Unit 4. Grade Eight DISCUSS ELEMENTS AND DEVICES USING “HEADS TOGETHER” After the independent reading, use “Heads Together” to have the students talk about the elements and devices they marked. Remind them to take responsibility for the group work by contributing their ideas, including everyone, and asking clarifying questions if necessary. Tell them that you will check in to see how they did at the end of the lesson. 183 Heads Together After allowing sufficient time for groups to share, signal for the students’ attention and have a few volunteers share elements they marked with the class. Probe the students’ thinking by asking: 182 Making Meaning Q Read aloud the passage that you marked. How is that an example of [foreshadowing]? Q Why does it make sense that your character would change in that way, based on what has happened in your story? Q You marked a passage that describes the setting. How do you think the setting affects the characters in your story? Encourage the students to continue to mark elements they notice as they read fiction independently. Grade Eight 181 For orders, information, and samples, visit devstu.org or call 800.666.7270. 49 Alternative Making Meaning® Books: Library for Grade 6 Grade 6 Library, Set 1 Grade 6 Set 1 (17 titles) MM2-CSL6-S1 Grade 6 Set 2 (18 titles) MM2-CSL6-S2 Breaking Through Jiménez Babushka’s Doll Polacco Brown v. Board of Education Good The Ch’i-Lin Purse Fang Classic Poems to Read Aloud Berry, ed. Cuban Americans Peterson Coolies Yin Destination: Mars Simon Crocodiles & Alligators Simon Dia’s Story Cloth Cha Filipino Americans Yoder The First Moon Landing Anderson Five Brillant Scientists Jones Garbage Creek Valgardson Freedom’s Children Levine Ghost Train Yee Home to Medicine Mountain Santiago Iditarod Dream Wood Just a Dream Van Allsburg Life in a Dolphin Pod Kalman Mysteries of Alien Visitors and Abductions Walker & Innes Local News Soto Nothing Ever Happens on 90th Street Schotter Mutants & Monsters Ho Oceans Simon Once a Wolf Swinburne Rose Blanche Innocenti A Picture Book of Sojourner Truth Adler Story Painter Duggleby Sad Underwear and Other Complications Viorst Why the Sky Is Far Away Gerson Shingebiss: An Ojibwe Legend Van Laan The Wildlife Detectives Jackson Tea with Milk Say The Wretched Stone Van Allsburg Individual titles may be replaced. See the DSC website for current titles. 50 DEVELOPMENTAL STUDIES CENTER Making Meaning® Alternative Making Meaning® Books: Libraries for Grades 7 and 8 Grade 7 Library Grade 7 (23 titles) Grade 8 Library MM-CSL7-S1 Grade 8 (15 titles) MM-CSL8-S1 50 Short Science Fiction Tales Asimov & Conklin, eds. The Cats in Krasinski Square Hesse America Street: A Multicultural Anthology of Stories Mazer, ed. Cesar Chavez Soto The Courage to Be Yourself Desetta, ed. American Dragons Yep, ed. Crocodiles & Alligators Simon Black Cowboy, Wild Horses Lester Freak the Mighty Philbrick A History of US: The First Americans Hakim Growing Up in Coal Country Bartoletti Gorillas Simon Life in the Plains Bradley Adoff, ed. Luba: The Angel of Bergen-Belsen McCann I Can Hear the Sun Polacco The Mysteries of Animal Intelligence Steiger & Steiger Kids on Strike! Bartoletti A History of US: The New Nation Hakim A History of US: Making Thirteen Colonies Joy Hakim Sixteen Years in Sixteen Seconds Yoo Malcolm X Myers Spiders Simon My Own True Name Mora Uncommon Champions Kaminsky The Ocean Biome Smithyman & Kalman The Vintage Bradbury Bradbury Waifs and Strays de Lint I Am the Darker Brother Orson Scott Card’s InterGalactic Medicine Show Card Patrol Myers Show Me a Hero Schinto, ed. Sixteen Gallo, ed. Song of the Trees Taylor The Stranger Van Allsburg Tree of Life Bash Waifs and Strays de Lint What Have You Lost? Nye, ed. When Marian Sang Ryan For orders, information, and samples, visit devstu.org or call 800.666.7270. 51 Library for Grade 6 Complete Grade 6 Library (240 titles) IDR-FNF6-S14 Grade 6 Set 1 Library (60 titles) IDR-FNF6-S1 Easy Fiction Set 1 IDR-F6-E-S1 IDR-NF6-E-S1 The Boy Who Owned the School Paulsen U 1070 Galaxies Simon T 1010 Crazy Lady! Conly U 570 The Gettysburg Address Richards V 810 The Ghost of Cutler Creek DeFelice T 790 Hardwood Heroes Simpson S 1120 The Half-a-Moon Inn Fleischman V 1010 Ivan the Terrible Price Q 710 Into the Land of the Unicorns Coville V 850 Mary Tudor Buchanan S 700 A Jar of Dreams Uchida R 970 Michael Rosen’s Sad Book Rosen T — Out Standing in My Field Jennings R 730 The Mystery of the Bermuda Triangle Oxlade V — Sammy Keyes and the Skeleton Man Van Draanen T 890 Snowboard! Masoff V 880 Sasquatch Smith X 680 Volcanoes Morris P 870 The Summer of the Swans Byars U 830 World’s Weirdest Critters Packard R 980 On-level Fiction Set 1 IDR-F6-OL-S1 On-level Nonfiction Set 1 IDR-NF6-OL-S1 Belle Prater’s Boy White V 760 Freedom Train Sterling T 910 The Cay Taylor V 860 Gray Wolf, Red Wolf Patent V 1060 Holes Sachar V 660 Hiding to Survive Rosenberg X 910 A House of Tailors Giff V 750 Micro Machines Jefferis R — Lyddie Paterson V 860 Panda Rescue Bortolotti X — Sammy Keyes and the Runaway Elf Van Draanen T 710 Revolutionary John Adams Harness P — The Samurai’s Tale Haugaard X — Salamander Rain Pratt-Serafini O 850 The Secret of Platform 13 Ibbotson S 910 Stealing Home Denenberg V 930 The Skin I’m In Flake W 670 Surviving Hitler Warren Y 820 Walk Two Moons Creech W 770 Thieves! Schroeder X — Challenging Fiction Set 1 52 Easy Nonfiction Set 1 IDR-F6-C-S1 Bat 6 Wolff Z Dragon’s Gate Yep The Hobbit Tolkien Izzy, Willy-Nilly Let the Circle Be Unbroken Challenging Nonfiction Set 1 930 Blizzard! W 730 Z 1000 Voigt X Taylor X Skeleton Key Horowitz A Stone in My Hand Clinton Under the Blood-Red Sun When Zachary Beaver Came to Town The Wreckers Lawrence IDR-NF6-C-S1 Murphy Y 1080 The Boys’ War Murphy Y 1060 The Changing Role of Women Ross Z — 790 Digital Revolutionaries Lohr X — 850 The Greatest Myers Z 1030 X 630 Lincoln Freedman V 1110 W 540 Secrets of Sound Sayre Y — Salisbury W 640 Tell Them We Remember Bachrach Y 1190 Holt Y 700 Unbuilding Macaulay Y 1250 X 640 The Wright Brothers Freedman Y 1160 Guided Reading levels are in red and Lexile levels are in blue. Individual titles may be replaced. See the DSC website for current titles. DEVELOPMENTAL STUDIES CENTER Making Meaning® Grade Grade 6 Set 2 Library (60 titles) Easy Fiction Set 2 IDR-F6-E-S2 Baseball Fever Hurwitz O 760 The Breadwinner Ellis V 630 Eagle Song Bruchac S 680 The Gift-Giver Hansen S 490 Hikaru no Go, Vol. 1 Hotta V — Hoop Queens Smith W — Night of the Twisters Ruckman U 790 Sixth Grade Can Really Kill You DeClements S 700 Snap McGhee V — When the Tripods Came Christopher V 760 On-level Fiction Set 2 IDR-F6-OL-S2 The Boggart Cooper U 1030 Bud, Not Buddy Curtis T Fair Weather Peck T Going Home Mohr Max the Mighty Philbrick Sammy Keyes and the Hotel Thief The Thief and the Beanstalk IDR-FNF6-S2 Easy Nonfiction Set 2 6 IDR-NF6-E-S2 100 Most Disgusting Things on the Planet Claybourne V — Bones Simon T 1020 Comets, Meteors, and Asteroids Simon T 1050 Earthquake Alert Mehta-Jones Q — The Egyptian News Steedman W 1000 Frozen Man Getz T 860 Leopold II Olson Q 750 The Mysteries of UFOs Innes W — Nascar Eagen R — A Walk in the Rainforest Pratt S 950 On-level Nonfiction Set 2 IDR-NF6-OL-S2 Burn Kyi W 950 The Clock Mara V — 670 The Diary of Latoya Hunter Hunter X 690 T 680 Life in Ancient China Challen S — W 930 Michelangelo Stanley X 940 Van Draanen T 840 The Moon and I Byars W 870 Catanese X — Raptor! X — Toning the Sweep Johnson Y 760 Laubach, Laubach, & Smith The Wanderer Creech V 830 Sojourner Truth McKissackz & McKissack V 960 A Wrinkle in Time L’Engle W 740 True Spy Stories Dowswell & Fleming X — Whale Rescue Hoyt — Challenging Fiction Set 2 IDR-F6-C-S2 Challenging Nonfiction Set 2 W — IDR-NF6-C-S2 Habibi Nye V 850 100 Baseball Legends Roberts Y — Homecoming Voigt X 630 Children of the Dust Bowl Stanley Y 1120 Jacob Have I Loved Paterson X 880 Destination: Space Simon V 1160 The Mouse Rap Myers W 720 The Dog Who Wouldn’t Be Mowat W — Over Sea, Under Stone Cooper X 830 Great Fire Murphy W 1130 Roll of Thunder, Hear My Cry Taylor W 920 Hidden Worlds Kramer U 1040 A Summer Life Soto Z 990 Nelson Mandela Denenberg Y 950 Tangerine Bloor U 680 Red Scarf Girl Jiang Z 780 Touching Spirit Bear Mikaelsen Y 670 Three Cups of Tea Mortenson X — A Wizard of Earthsea Le Guin Z 1150 When I Was Your Age, Volume Two Ehrlich, ed. W 930 For orders, information, and samples, visit devstu.org or call 800.666.7270. 53 Library for Grade 6 Grade 6 Set 3 Library (60 titles) Easy Fiction Set 3 IDR-F6-E-S3 Easy Nonfiction Set 3 IDR-NF6-E-S3 Anastasia at Your Service Lowry Q 670 Aliens Herbst Z 820 Baby MacLachlan T 670 Face to Face with Grizzlies Sartore R — Coraline Gaiman W 740 The Great Ships O’Brien V — Everest, Book One Korman R 690 It’s All in Your Head Funston & Ingram W — Maroo of the Winter Caves Turnbull V 840 On the Court with... Shaquille O’ Neal Christopher S 950 My Name Is Seepeetza Sterling V 720 Outside and Inside Giant Squid Markle U — Only You Can Save Mankind Pratchett V 600 The Roman Colosseum Mann T 1030 Tadpole White U 760 The Tarantula in My Purse George S 830 Taking Sides Soto S 750 W — Peck V 750 Under the Ice: A Marine Biologist at Work Conlan The Teacher’s Funeral A Voice of Her Own Lasky S 940 On-level Fiction Set 3 IDR-F6-OL-S3 On-level Nonfiction Set 3 Basketball (or Something Like It) Baskin T 570 The All-New Book of Lists for Kids Choron & Choron X — The City of Ember Duprau W 680 Anne Frank: Beyond the Diary 1030 Levine V 490 van der Rol & Verhoeven X Dave at Night Jazmin’s Notebook Grimes Z 980 Elephant Rescue Morgan W — P.S. Longer Letter Later Danziger U 750 The Endless Steppe Hautzig Y 940 Silverwing Oppel U 660 Gandhi Pastan V 1080 Stories to Solve Shannon Q 790 Hillary & Norgay Whipple R — The Swan Kingdom Marriott Z 910 Nature Shockers Thomas X — Tulsa Burning Myers W 690 Nightjohn Paulsen W 770 Twelve Impossible Things Before Breakfast Yolen T 760 Of Beetles and Angels Asgedom X — Project Ultraswan Osborn U 970 Challenging Fiction Set 3 54 IDR-FNF6-S3 IDR-F6-C-S3 The Convicts Lawrence Y — Here Today Martin W 790 Kira-Kira Kadohata T Kiss the Dust Laird The Last Dragon IDR-NF6-OL-S3 Challenging Nonfiction Set 3 IDR-NF6-C-S3 Achoo!: The Most Interesting Book You’ll Romanek Ever Read About Germs X 990 740 Anne Frank’s Tales from the Secret Annex Frank Z 950 W 850 Extraordinary African-Americans Altman T 1040 De Mari W 950 Y — Schmidt Y 1000 Fractals, Googols, and Other Mathematical Tales Pappas Lizzie Bright and the Buckminster Boy Peter and the Starcatchers Barry & Pearson X 770 Leonardo da Vinci Krull Z 1010 Princess Academy Hale T 890 The Magical Worlds of Harry Potter Colbert X — Aaseng V 1170 The Road to Memphis Taylor X 670 Navajo Code Talkers Year of Impossible Goodbyes Choi W 840 Penguins! Lynch Y — Q Is for Quark Schwartz X 940 The World According to Dog Sidman Y — Guided Reading levels are in red and Lexile levels are in blue. Individual titles may be replaced. See the DSC website for current titles. DEVELOPMENTAL STUDIES CENTER Making Meaning® Grade Grade 6 Set 4 Library (60 titles) Easy Fiction Set 4 IDR-F6-E-S4 IDR-FNF6-S4 Easy Nonfiction Set 4 6 IDR-NF6-E-S4 Any Small Goodness Johnston T 600 Ancient Greek Art Hodge Z 860 Bindi Babes Dhami V — Extreme Structures Jefferis Q — The Boxes Sleator V — Footprints on the Moon Siy T 920 The Graduation of Jake Moon Park U 680 Global Warming Alert! Cheel R — Juliet Dove, Queen of Love Coville T 670 The Great Serum Race Miller V 910 Math Talk Pappas W — The Inuksuk Book Wallace V — Project Mulberry Park U 690 Monsters Herbst Z — Rimshots Smith V 690 Six Million Paper Clips W — Tales from the Brothers Grimm and the Sisters Weird Vande Velde V 920 Schroeder & SchroederHildebrand The Time Hackers Paulsen V 880 There Are Bugs in Your Bed Catchpole & Woods R — R 940 On-level Fiction Set 4 IDR-F6-OL-S4 Elijah of Buxton Curtis W 1070 The Game of Silence Erdrich W 900 Getting Near to Baby Couloumbis V 740 Gossamer Lowry V 660 Gregor the Overlander Collins V 630 Lily’s Crossing Giff S 720 Locomotion Woodson V — No More Dead Dogs Korman U 610 Stories from the Silk Road Gilchrist X 860 True Lies Shannon V 660 Challenging Fiction Set 4 IDR-F6-C-S4 Bloody Jack Meyer Y — The Boys of San Joaquin Smith V 950 The Enchanted Castle Nesbit W — Flip Lubar X 550 Grand Mothers Giovanni, ed. Y — Inkheart Funke T 780 King of Shadows Cooper Z 1010 Sir Thursday Nix T 980 Throwing Shadows Konigsburg T 1010 Where the Broken Heart Still Beats Meyer Y 1000 You Wouldn’t Want to Sail on the Titanic Stewart On-level Nonfiction Set 4 IDR-NF6-OL-S4 All of the Above Pearsall U 1000 Anne Frank: Her life in words and pictures Metselaarz & van der Rol Y — Battle Stations! Shapiro X — Behind the Secret Window Toll Y 910 Bodies from the Bog Deem X 1100 Freaky Flowers Souza S 1110 The Man-Eating Tigers of Sundarbans Montgomery S 890 Princess Diana Mattern X — Stonewall Fritz X 1030 To the Top of Everest Skreslet & MacLeod T 930 Challenging Nonfiction Set 4 IDR-NF6-C-S4 Across America on an Emigrant Train Murphy Y 1180 The Adventures of Sojourner Wunsch Y 1090 City Macaulay Z 1100 Hmm? The Most Interesting Book You’ll Ever Read About Memory Swanson Y 1170 Sasquatches from Outer Space Yule Y — The Story of My Life Keller X — The Tarantula Scientist Montgomery W 890 To Be a Slave Lester Z 1080 Traitor Fritz X 1020 Sea Adventures Brook W 1070 For orders, information, and samples, visit devstu.org or call 800.666.7270. 55 Library for Grade 7 Complete Grade 7 Library (240 titles) IDR-FNF7-S14 Grade 7 Set 1 Library (60 titles) IDR-FNF7-S1 Very Easy Fiction Set 1 IDR-F7-VE-S1 IDR-NF7-VE-S1 Bone: Out from Boneville Smith — 360 Alia’s Mission Stamaty — 850 The Comeback Challenge Christopher M 750 Atlantis, the Lost City ? Martin — 980 The Dark Pond Bruchac — 820 Backstage at a Movie Set Wessling — 720 Dear Dumb Diary, Let’s Pretend This Never Happened Benton — 1120 Big Bucks Mattern — 900 Drawing Lessons Mack — 650 Fear This Book Szpirglas — — Joey Pigza Loses Control Gantos T 800 Guinness World Records: Incredible Collection — — 800 Neighborhood Odes Soto — — Microlife That Rots Things Parker Q — Skellig Almond — 490 My Life in Dog Years Paulsen S 1150 SOS Titanic Bunting V 690 Storms Simon — 940 Stand Tall Bauer U 520 A Whale Biologist at Work Collard — 970 Easy Fiction Set 1 IDR-F7-E-S1 Dizzy Cassidy — — Fever 1793 Anderson Z 580 I Never Said I Wasn’t Difficult Holbrook — — The Lightning Thief Riordan — Maniac Magee Spinelli W Pictures of Hollis Woods Giff Sammy Keyes and the Hollywood Mummy Van Draanen Scorpions Easy Nonfiction Set 1 — — Backstage at an Animated Series Fingeroth — 790 Behind Rebel Lines Reit T 830 740 ¡Béisbol! Winter — 960 820 Cleopatra Stanley & Vennema T 1000 V 650 Crime Scene Bowers — — — 750 Great Teams in Pro Football History Giglio X — Myers Z 610 Money, Money, Money Drobot — — Singularity Sleator — 740 The Mystery of UFOs Oxlade V — Stormbreaker Horowitz Z 670 Woodsong Paulsen T 990 IDR-F7-OLA-S1 First Meetings Card — 850 Indigo’s Star McKay — 740 The Last Book in the Universe Philbrick W 740 A Mango-Shaped Space Mass — — Miracle’s Boys Woodson Z 660 Oddballs Sleator X 1010 Once Upon a Marigold Ferris W 840 Scorpia Horowitz — 680 The Wave Walkers Meyer — — Witness Hesse — — Animal Grossology IDR-NF7-E-S1 Branzei On-level and Above Fiction Set 1 56 Very Easy Nonfiction Set 1 On-level and Above Nonfiction Set 1 IDR-NF7-OLA-S1 Aha! The Most Interesting Book You’ll Ever Read About Intelligence Romanek — 1020 Gross Universe Szpirglas — — Hello, America Bitton-Jackson — — I Want to Be...a Veterinarian Maze & Grace — 1070 Internet Jefferis — — Kids at Work Freedman T Picture This: How Pictures Work Bang — — Tiger Rescue Bortolotti — — Top Secret Janeczko — — True Survival Stories Dowswell — 1080 Guided Reading levels are in red and Lexile levels are in blue. Individual titles may be replaced. See the DSC website for current titles. DEVELOPMENTAL STUDIES CENTER 1140 Making Meaning® Grade Grade 7 Set 2 Library (60 titles) Very Easy Fiction Set 2 IDR-F7-VE-S2 IDR-FNF7-S2 Very Easy Nonfiction Set 2 7 IDR-NF7-VE-S2 All Alone in the Universe Perkins S 720 Can Snakes Crawl Backward? Berger & Berger — 750 Anastasia’s Chosen Career Lowry Q 730 Cheerleading in Action Crossingham — — Disappearing Act Fleischman — 550 Croc and Gator Attacks Fitzgerald — — Hugging the Rock Brown — — Extreme Skydiving — — Loser Spinelli U 650 Kalman & Crossingham Rules Lord — 780 How Do We Dream? Myers — — The Schernoff Discoveries Paulsen T 1030 How to Be a Samurai Warrior Macdonald Q — Secrets Jocelyn, ed. — — Microlife That Makes Us Ill Parker Q — Skeleton Man Bruchac V 730 Military Robots White — 1000 Swimming Upstream George — — Michael Jordan Christopher — 930 You Wouldn’t Want to Be a Roman Gladiator! Malam — 810 Easy Fiction Set 2 IDR-F7-E-S2 Easy Nonfiction Set 2 IDR-NF7-E-S2 Al Capone Does My Shirts Choldenko — 600 Abraham Lincoln Stone W — The Boy Who Reversed Himself Sleator Y 710 Always Inventing Matthews — 960 Eagle Strike Horowitz — 690 Cars Graham — 890 Heartbeat Creech W — Digging for Bird-Dinosaurs Bishop — 1000 Heaven Johnson — 790 How Angel Peterson Got His Name Paulsen U 1180 Hoot Hiaasen W 760 Mandela Kramer — — Samir and Yonatan Carmi Z 810 My Season with Penguins Webb — 1040 Sammy Keyes and the Art of Deception Van Draanen T 660 V Weeks — 860 The Mystery of the Abominable Snowman Wallace So B. It Whales on Stilts Anderson — 760 Tony Hawk Hawk & Mortimer — 1000 You Wouldn’t Want to Be a Pyramid Builder! Morley — 940 On-level and Above Fiction Set 2 IDR-F7-OLA-S2 On-level and Above Nonfiction Set 2 The Art of Keeping Cool Lisle — 730 Andy Warhol Dovey Coe Dowell — 980 Dragon’s Blood Yolen X 870 A Girl Named Disaster Farmer X 730 Lionboy Corder — 850 Mister Monday Nix — 800 The Schwa was Here Shusterman — 790 Seven Daughters and Seven Sons Cohen & Lovejoy — 800 Tending to Grace Fusco — 760 Travel Team Lupica — 930 — IDR-NF7-OLA-S2 Bolton — Attack of the Killer Video Book Shulman & Krog — Brainstorm! Tucker P 1070 Burp! The Most Interesting Book You’ll Ever Read About Eating Swanson — 1050 Cowboys of the Wild West Freedman X 1160 Do Cats Really Have Nine Lives? Myers — Dolphin Man Pringle — — Made You Look Graydon — 620 Surviving the Extremes Kamler — — The Matchless Six Hotchkiss X — For orders, information, and samples, visit devstu.org or call 800.666.7270. 1050 — — 57 Library for Grade 7 Grade 7 Set 3 Library (60 titles) Very Easy Fiction Set 3 IDR-F7-VE-S3 Almost Forever Testa V — The Crow-Girl Bredsdorff — 810 The Girls Koss — 710 Journey of the Sparrows Buss — 760 The Lambkins Bunting — 580 Life, Love, and the Pursuit of Free Throws Rallison — 800 The Mzungu Boy Mwangi — — Sees Behind Trees Dorris T Shipwreck Korman — Swear to Howdy Van Draanen — — Easy Fiction Set 3 Very Easy Nonfiction Set 3 IDR-NF7-VE-S3 Advertising Milton — 930 Amazing but True Sports Stories Hollander & Hollander Q 1120 How It Was with Dooms Hopcraft & Hopcraft — — I Found a Dead Bird Thornhill — — Pele Buckley — — Shannon: An Ojibway Dancer King — 810 Shark Attacks Fitzgerald — 890 840 Switched On, Flushed Down, Tossed Out Romanek — — 610 Tasmanian Devils Markle — 860 Yao Ming Hareas — 680 IDR-F7-E-S3 Easy Nonfiction Set 3 IDR-NF7-E-S3 Fast Sam, Cool Clyde, and Stuff Myers Y 860 Baseball’s Biggest Bloopers Gutman — 1000 The Folk Keeper Billingsley — 690 Buried in Ice Beattie & Geiger — 1010 I Am Regina Keehn U 720 Equal Opportunities MacDonald — — Notes from a Liar and Her Dog Choldenko — 580 A Frenzy of Sharks Hall An Ocean Apart, a World Away Namioka — — Petty Crimes Soto — The Slave Dancer Fox Y Squashed Bauer Surviving the Applewhites Tolan Thunder Cave Smith On-level and Above Fiction Set 3 58 IDR-FNF7-S3 — — In Disguise! Stories of Real Women Spies Hunter — — 800 Rescues! Lloyd Kyi — — 970 Robotics Beyer — 900 — 930 Rosa Parks: My Story Parks & Haskins U 970 — 820 Throw Like a Girl Frost & Troussieux — — — 620 The World of Flight Graham — 1080 IDR-F7-OLA-S3 On-level and Above Nonfiction Set 3 IDR-NF7-OLA-S3 City of One DeDonato, ed. — — Blame It on the Rain Lee — — Heaven Eyes Almond — 420 The Blue Bear Schooler — — Interstellar Pig Sleator — 810 The Cat Handbook Davis — — The Legend of Buddy Bush Moses — 760 Drink Cultura Burciaga — 1090 A Little Piece of Ground Laird — 830 — — Hooper — — Extraordinary People of the Civil Rights Movement Hardy & Hardy Petals in the Ashes Pirates! Rees — 800 Ice Bound Nielsen & Vollers — — Skybreaker Oppel — 750 Jewish Sports Stars Goldman — — Snow Lynn — — Left for Dead Nelson — — When the Emperor Was Divine Otsuka — 810 Marie Curie Krull — — The North Pole Was Here Revkin — — Guided Reading levels are in red and Lexile levels are in blue. Individual titles may be replaced. See the DSC website for current titles. DEVELOPMENTAL STUDIES CENTER Making Meaning® Grade Grade 7 Set 4 Library (60 titles) Very Easy Fiction Set 4 IDR-F7-VE-S4 IDR-FNF7-S4 Very Easy Nonfiction Set 4 7 IDR-NF7-VE-S4 Boris Rylant — — Colin Powell Englar S — Chicken Boy Dowell — 860 Coming Distractions Baker — — Danger in the Narrows Graf — — Duel of the Ironclads O’Brien — 970 A Dog’s Life Martin — 870 Elsie’s War Dabba Smith — — The Falcon’s Malteser Horowitz — 640 First Response: By Land Weintraub — — Gold Dust Lynch — 690 Football Stars Buckman — — Homeless Bird Whelan X 800 Perspective Flux P — Kickoff King — — This Land Is My Land Littlechild — 700 Some of the Kinder Planets Wynne-Jones — 720 Urban Roosts Bash — 1080 Worlds Afire Janeczko — — Who Was Harry Houdini? Sutherland — 780 Easy Fiction Set 4 IDR-F7-E-S4 Easy Nonfiction Set 4 IDR-NF7-E-S4 12 Again Corbett — 800 All About Adoption Lanchon — — Bound Napoli — 800 Brian’s Song Blinn Z — The Ear, the Eye, and the Arm Farmer Y 660 Father Water, Mother Woods Paulsen V The Fire Thief Deary — — Four Perfect Pebbles Perl & Lazan — Frenchtown Summer Cormier — — Harry Houdini Cobb — — Johnny and the Dead Pratchett — 680 Into the Volcano O’Meara — 960 Letters from Wolfie Sherlock — 760 Looking for Life in the Universe Jackson — — Swan Sister Datlow & Windling, eds. — — Renewable Energy Saunders & Chapman P — Twists and Turns McDonald — 880 Skater Girl Segovia & Heller — — Zap Fleischman — — Three Wishes Ellis — — On-level and Above Fiction Set 4 IDR-F7-OLA-S4 On-level and Above Nonfiction Set 4 — 1080 IDR-NF7-OLA-S4 Across Five Aprils Hunt — 1100 Chew on This Schlosser & Wilson — 1110 The Boggart and the Monster Cooper U 1040 The Cold War Taylor — — The Borribles de Larrabeiti — — The Cowboy and His Elephant MacPherson — — Children of the River Crew — 700 Do Your Ears Pop in Space? Mullane — — Live and Let Shop Spradlin — 730 Don’t Sweat the Small Stuff For Teens Carlson — 1020 The Moves Make the Man Brooks Z 1150 Head of the Class Eldredge & Eldredge — — Old Possum’s Book of Practical Cats Eliot — — PaperQuake Reiss — 700 Sweet and Sour Kendall & Li — 1020 Young Warriors Pierce & Sherman, eds. — 850 The Secret of Priest’s Grotto Taylor & Nicola — — Shakespeare: His Work and His World Rosen — 1060 Understanding September 11th Frank X 1040 When Plague Strikes Giblin Z 1190 For orders, information, and samples, visit devstu.org or call 800.666.7270. 59 Library for Grade 8 Complete Grade 8 Library (240 titles) IDR-FNF8-S14 Grade 8 Set 1 Library (60 titles) IDR-FNF8-S1 Very Easy Fiction Set 1 IDR-F8-VE-S1 IDR-NF8-VE-S1 Dark Waters MacPhail — 460 The Airplane Robinson Masters — — Far North Hobbs — 820 Backstage at a Music Video Cefrey — 810 Looking for Red Johnson — 740 Gorilla Doctors Turner — 910 Make Lemonade Wolff Z 890 Great Teams in Baseball History Altergott X — Milkweed Spinelli Y 510 Jokelopedia MindBenders Shusterman — — Weitzman, Blank, — Green, & Benjamin Money Hungry Flake — 650 Sammy Keyes and the Search for Snake Eyes Van Draanen — 650 Things Not Seen Clements V 690 Zazoo Mosher — 680 Easy Fiction Set 1 IDR-F8-E-S1 — On the Track with Jeff Gordon Christopher — 1030 Recycle This Book Gutman — — Scholastic Book of Firsts Buckley, Jr. — — Super Subs Jefferis — — You Wouldn’t Want to Be on Apollo 13! Graham — 880 Easy Nonfiction Set 1 IDR-NF8-E-S1 Cuba 15 Osa W 750 All the King’s Animals Kessler — — Dunk Lubar — 520 Building Big Macaulay — — Emperor Mage Pierce — 750 Dale Earnhardt Sr. Christopher & Stout — — Gathering Blue Lowry X 680 Guinness World Records: Fearless Feats 1100 Tashjian — 800 Calkhoven & Herndon eds. — The Gospel According to Larry Heat Lupica — 940 The Hero’s Trail Barron — — The Jumping Tree Saldaña — — A Strong Right Arm Green — — Out of the Dust Hesse X 770 Super Humans Thomas — — Secrets in the Fire Mankell Z — The Vietnam War Willoughby Z The Supernaturalist Colfer — — Vincent van Gogh Green — 1050 We Beat the Street Davis, Jenkins, Hunt, — & Draper 860 On-level and Above Fiction Set 1 60 Very Easy Nonfiction Set 1 IDR-F8-OLA-S1 City of the Beasts Allende — 1030 The House of the Scorpion Farmer — I Capture the Castle Smith — I Feel a Little Jumpy Around You Nye & Janeczko — A Northern Light Donnelly — The Outcasts of 19 Schuyler Place Konigsburg — Skin Dahl — The Thief Turner The Truth About Forever Dessen The Year of the Hangman Blackwood On-level and Above Nonfiction Set 1 — IDR-NF8-OLA-S1 Almost Astronauts Stone — 660 Beautiful Child Hayden — 760 920 Close to Shore Capuzzo — 1200 — Extraordinary Young People Brill W 970 — Flags of Our Fathers Bradley & Powers — 950 840 Phineas Gage Fleischman — 1030 830 Restless Spirit Partridge Z 970 — 920 Ryan White 860 — White & Cunningham — — — 820 Ultra Hush-Hush Shapiro & Forrester — — Within Reach Pfetzer & Galvin — 970 Guided Reading levels are in red and Lexile levels are in blue. Individual titles may be replaced. See the DSC website for current titles. DEVELOPMENTAL STUDIES CENTER — Making Meaning® Grade Grade 8 Set 2 Library (60 titles) Very Easy Fiction Set 2 IDR-F8-VE-S2 Bloomability Creech V 850 The Cat Returns Hiiragi — — Dead Man’s Gold Yee — — Eager Fox — 690 Flipped Van Draanen — 720 Monsoon Summer Perkins — 750 The Other Side of Truth Naidoo — — The Shakespeare Stealer Blackwood — 840 Somewhere in the Darkness Myers — 640 Technically, It’s Not My Fault Grandits — — Easy Fiction Set 2 IDR-F8-E-S2 IDR-FNF8-S2 Very Easy Nonfiction Set 2 8 IDR-NF8-VE-S2 The Bug Scientists Jackson — Great Teams in College Basketball History DeCock X — Guts Paulsen — — I Want to Be...a Fashion Designer Maze & Grace — — LeBron James Christopher — — On the Field with...Mia Hamm Christopher — 930 Physics: Why Matter Matters Green — — Spiders in the Hairdo Holt & Mooney — 720 They Did What?! Szpirglas — — What If the Hole in the Ozone Layer Grows Larger? Cefrey — 810 Easy Nonfiction Set 2 1200 IDR-NF8-E-S2 The Caves of Steel Asimov — 750 Albert Einstein Wishinsky — — Define “Normal” Peters — 350 Cutting Edge Maxwell — 1020 Hope Was Here Bauer — 710 Dateline: Troy Fleischman — 860 The Land Taylor — — Empire State Building Mann — 1000 Messenger Lowry Y 720 Facing the Lion Lekuton & Viola — 720 Nothing but the Truth Avi U — Frida Kahlo Laidlaw — 1070 Shadow Spinner Fletcher — 710 Insider’s Guide to Action Sports Higgins — — Silent to the Bone Konigsburg V 810 Motion Pictures Conley — 1150 A Step from Heaven Na — — Surf! Surf! — — Wolf-Speaker Pierce — 710 Zzz...The Most Interesting Book You’ll Ever Read About Sleep Romanek — 960 On-level and Above Fiction Set 2 IDR-F8-OLA-S2 On-level and Above Nonfiction Set 2 IDR-NF8-OLA-S2 13 Howe, ed. — 740 The Blue Jean Book Kyi — Airborn Oppel — 760 Maus: A Survivor’s Tale Spiegelman — — Down the Rabbit Hole Abrahams — 680 No Pretty Pictures Lobel Z 750 Downsiders Shusterman — 1110 Oh, Freedom! King & Osborne — 950 East Pattou — 900 Revenge of the Whale Philbrick — 1170 Eva Dickinson Z 1010 Rosie the Riveter Colman Z 1060 The Goose Girl Hale — 870 Shipwreck at the Bottom of the World Armstrong — The Kite Rider McCaughrean — — Swimming to Antarctica Cox — 940 Shackleton’s Stowaway Mckernan — 740 They All Laughed... Flatow — 1120 Who Do You Think You Are? Rochman — & McCampbell, eds. — Written in Bones Bahn — — For orders, information, and samples, visit devstu.org or call 800.666.7270. — — 61 Library for Grade 8 Grade 8 Set 3 Library (60 titles) Very Easy Fiction Set 3 IDR-F8-VE-S3 Very Easy Nonfiction Set 3 IDR-NF8-VE-S3 Amazing Grace Shull — 720 Bedpans, Blood, & Bandages Townsend P — Bird Johnson — 710 The Doggy Dung Disaster Sundem — — Canyons Paulsen V 930 Guide Dogs Lawrenson — — Chu Ju’s House Whelan — 870 Guilty by a Hair! Prokos — 650 Code Talker Bruchac — 910 Looking Back Lowry X 900 The Empty Mirror Collier — 680 Mesa Verde Quigley Z — I’m Not Who You Think I Am Kehret — 640 The Mystery of ESP Oxlade W — Long Journey Home Lester — 810 The Railroad Matthews — — Parvana’s Journey Ellis W 640 Shake, Rattle & Roll George-Warren — — Someone Is Hiding on Alcatraz Island Bunting — 630 Witnesses to Freedom Rochelle — 970 Easy Fiction Set 3 IDR-F8-E-S3 Easy Nonfiction Set 3 IDR-NF8-E-S3 Drums, Girls, & Dangerous Pie Sonnenblick — 940 Alligator & Crocodile Rescue Snyder — — The Face on the Milk Carton Cooney Y 660 Bad Boy: A Memoir Myers — 970 Finding Miracles Alvarez — 770 Frida Kahlo and Diego Rivera Sabbeth — — The First Part Last Johnson — — Hana’s Suitcase Levine Y — The Friends Guy — 730 — — Deuker — 630 Latino Baseball’s Finest Fielders/ Los Más Destacados Guantes del Béisbol Latino Stewart Night Hoops Out of Bounds Naidoo — 750 Rebuilding the Body Fullick Z — The Sledding Hill Crutcher — — Season of Rage Cooper — — When My Name Was Keoko Park — 610 Winterdance Paulsen W 1140 The White Mountains Christopher — — With Their Eyes Thoms — — Women of Hope Hansen — 1140 On-level and Above Fiction Set 3 62 IDR-FNF8-S3 IDR-F8-OLA-S3 On-level and Above Nonfiction Set 3 IDR-NF8-OLA-S3 Aleutian Sparrow Hesse — — Biometric Technology Lockie Z — The Glory Field Myers X 800 Catfish and Mandala Pham — — Hang a Thousand Trees with Ribbons Rinaldi — 560 Everyday Matters Gregory — — The Hitchhiker’s Guide to the Galaxy Adams — 1000 GirlWise Devillers — — Invisible Hautman — 730 Harriers Shivers & Shivers — — Malka Pressler — — Hiding the Elephant Steinmeyer — — Sleeper Code Sniegoski — — Hoodwinked Shapiro & Forrester — — The Tiger in the Well Pullman — 820 In My Hands Opdyke & Armstrong — 890 Uglies Westerfeld — 770 Now Is Your Time! Myers Y 1030 Why I Wake Early Oliver — — We Just Want to Live Here Rifa’i & Ainbinder — 920 Guided Reading levels are in red and Lexile levels are in blue. Individual titles may be replaced. See the DSC website for current titles. DEVELOPMENTAL STUDIES CENTER Making Meaning® Grade Grade 8 Set 4 Library (60 titles) Very Easy Fiction Set 4 IDR-F8-VE-S4 IDR-FNF8-S4 Very Easy Nonfiction Set 4 8 IDR-NF8-VE-S4 Biker Girl Misako Rocks! — — Be the Change! Nunn, ed. — — The Dream Bearer Myers — 680 Crimebusters Gifford — — The Duplicate Sleator — 690 Destination: Mars Simon — 1030 Emako Blue Woods — 600 Found Dogs Lufkin — — Keeper Peet — 780 Hans Christian Andersen Varmer & Brøgger — — Nory Ryan’s Song Giff T 600 Hiroshima Tames W — Perfect Friend — 590 Incredible Women Inventors Braun — — Pool Boy Simmons Y 650 Martin Luther King, Jr. Pastan — — Red Kayak Cummings — 800 Media Madness Ali — — Soldier’s Heart Paulsen V 1000 UFOs Herbst — 820 Easy Fiction Set 4 IDR-F8-E-S4 Easy Nonfiction Set 4 IDR-NF8-E-S4 Before We Were Free Alvarez — 890 The Crocodile Hunter Irwin & Irwin — — Big Mouth & Ugly Girl Oates — 720 The Dogs Who Found Me Foster — — The Canning Season Horvath — 870 Georgia O’Keeffe Thomson — 1070 Eyes of the Emperor Salisbury — 630 Glory Road Haskins & Wetzel — — I Am the Wallpaper Hughes — 680 How It Feels to Be Adopted Krementz — — I Never Saw Another Butterfly Volavková, ed. — — The Immune System Ballard Z — Jaguar Smith — 690 Jackie’s Nine Robinson — 1040 Rules of the Road Bauer X 850 The Other Side of the Sky Ahmedi & Ansary — — Shakespeare Bats Cleanup Koertge — — Streetball Palmer — — Shalamar Code Clifford — 830 The Underground Reporters Kacer — — On-level and Above Fiction Set 4 IDR-F8-OLA-S4 Dancing on the Edge Nolan — 850 The Examination Bosse — 910 Good for Nothing Noël — — High Heat Deuker — 620 The Island Paulsen R 1050 Montmorency on the Rocks: Doctor, Aristocrat, Murderer? Updale — 930 The Naming Croggon — — The Ropemaker Dickinson — 950 Sailing Alone Around the Room Collins — — This Same Sky Nye, ed. — — On-level and Above Nonfiction Set 4 IDR-NF8-OLA-S4 33 Things Every Girl Should Know About Bolden, ed. Women’s History — — The 9/11 Report: A Graphic Adaptation Jacobson & Colón — — Body Doubles: Cloning Plants and Animals Morgan Z — Come Back to Afghanistan Akbar & Burton — — Dear Mr. President Young, ed. — — Eyewitness on Alcatraz Babyak — — Gladiator Watkins — 1200 One at a Time Leigh & Geyer — — Rob Neyer’s Big Book of Baseball Blunders Neyer — — Sorrow’s Kitchen Lyons — 1040 For orders, information, and samples, visit devstu.org or call 800.666.7270. 63 Professional Development Professional development is vital to enhancing teachers’ abilities to help their students learn to read with comprehension. Our workshops and follow-up support visits give teachers opportunities to reflect and refine their own practice while providing tools and strategies to help their students better understand what they are reading. Our experienced team of staff developers can support schools and districts in a variety of ways: Support for Teachers Teachers will receive carefully planned professional development. Novice teachers as well as seasoned veterans will find their thinking and experience valued. This support can take the form of hands-on workshops, coaching, and lesson studies. Classroom Support DSC staff developers can provide one-on-one support for teachers. This support often involves careful planning of a lesson together; lesson observation, modeling, or co-teaching; and a reflective debrief of the lesson. This model can also be adapted for small groups of teachers, such as grade-level groups. 64 DEVELOPMENTAL STUDIES CENTER Support for Coaches/District Staff Developers We believe that building district capacity is essential to a successful program implementation. To accomplish this, district-level coaches and staff developers can participate in an array of professional development offerings. Our professional development is designed to help all participants learn the program while providing valuable tools and strategies to support and improve instruction. Support for Principals Principals hold the key to successful program implementation. As the school’s instructional leader, the principal sets the tone and drives instruction. Because this is such a difficult and important role, we offer a variety of services for principals to both learn the program and obtain tools to support teachers. Our Mission Developmental Studies Center (DSC) is a nonprofit educational publisher dedicated to children’s academic, ethical, and social development. Since 1980, DSC has developed school-based and after-school programs that help children develop capacities to think Foundation Funding for Developmental Studies Center The materials and services of Developmental Studies Center are made possible by the generous support of the following institutions: deeply and critically so they will continue learning throughout their lives and strengthen The Annenberg Foundation, Inc. The MBK Foundation their commitment to such values as kindness, helpfulness, personal responsibility, and The Atlantic Philanthropies (USA) Inc. Mr. and Mrs. Sanford N. McDonnell respect for others. Booth Ferris Foundation Mendelson Family Fund The Robert Bowne Foundation, Inc. MetLife Foundation The Annie E. Casey Foundation Charles Stewart Mott Foundation Center for Substance Abuse Prevention U.S. Department of Health and Human Services National Institute on Drug Abuse, National Institutes of Health The Danforth Foundation National Science Foundation The DuBarry Foundation New York Life Foundation The Ford Foundation Nippon Life Insurance Foundation Google Inc. NoVo Foundation William T. Grant Foundation Karen and Christopher Payne Foundation Evelyn and Walter Haas, Jr. Fund The Pew Charitable Trusts Walter and Elise Haas Fund The Pinkerton Foundation The Horace Hagedorn Foundation The Rockefeller Foundation In Preparing Teachers J. David and Pamela Hakman Family Foundation Louise and Claude Rosenberg, Jr. Family Foundation • With materials that scaffold their learning Hasbro Children’s Foundation The San Francisco Foundation • With tools and strategies that build gradually in complexity Charles Hayden Foundation Shinnyo-en Foundation • With assessment and reflection activities to improve teacher practice The William Randolph Hearst Foundations Silver Giving Foundation Clarence E. Heller Charitable Foundation The Spencer Foundation The William and Flora Hewlett Foundation Spunk Fund, Inc. The James Irvine Foundation Stephen Bechtel Fund The Robert Wood Johnson Foundation W. Clement and Jessie V. Stone Foundation Walter S. Johnson Foundation Stuart Foundation In the Power of the Principal Ewing Marion Kauffman Foundation The Stupski Family Foundation • To provide resources and support for ongoing instructional leadership W.K. Kellogg Foundation The Sulzberger Foundation, Inc. • To use tools that model the values and set the vision and expectations John S. and James L. Knight Foundation Surdna Foundation, Inc. • To play a key role in effective program implementation Lilly Endowment, Inc. John Templeton Foundation Longview Foundation U.S. Department of Education Louis R. Lurie Foundation The Wallace Foundation The John D. and Catherine T. MacArthur Foundation Wells Fargo Bank We Believe In Building Community • By giving students a voice, encouraging their confidence and autonomy • By engendering a sense of belonging and attachment to school • By teaching students to work cooperatively and responsibly • By developing cross-age buddy relationships and activities for families In Academic Rigor for All Students • That invites students to construct meaning • That demands that students do the thinking • That partner work deepens the understanding and learning In Professional Development • That reflects the constructivist pedagogy of our materials through interactive workshops • That facilitates the effective use of cooperative structures to support thinking and interaction • That engages participants in building the skills and understanding to implement our work A.L. Mailman Family Foundation, Inc. Our Mission Developmental Studies Center (DSC) is a nonprofit educational publisher dedicated to children’s academic, ethical, and social development. Since 1980, DSC has developed school-based and after-school programs that help children develop capacities to think Foundation Funding for Developmental Studies Center The materials and services of Developmental Studies Center are made possible by the generous support of the following institutions: deeply and critically so they will continue learning throughout their lives and strengthen The Annenberg Foundation, Inc. The MBK Foundation their commitment to such values as kindness, helpfulness, personal responsibility, and The Atlantic Philanthropies (USA) Inc. Mr. and Mrs. Sanford N. McDonnell respect for others. Booth Ferris Foundation Mendelson Family Fund The Robert Bowne Foundation, Inc. MetLife Foundation The Annie E. Casey Foundation Charles Stewart Mott Foundation Center for Substance Abuse Prevention U.S. Department of Health and Human Services National Institute on Drug Abuse, National Institutes of Health The Danforth Foundation National Science Foundation The DuBarry Foundation New York Life Foundation The Ford Foundation Nippon Life Insurance Foundation Google Inc. NoVo Foundation William T. Grant Foundation Karen and Christopher Payne Foundation Evelyn and Walter Haas, Jr. Fund The Pew Charitable Trusts Walter and Elise Haas Fund The Pinkerton Foundation The Horace Hagedorn Foundation The Rockefeller Foundation In Preparing Teachers J. David and Pamela Hakman Family Foundation Louise and Claude Rosenberg, Jr. Family Foundation • With materials that scaffold their learning Hasbro Children’s Foundation The San Francisco Foundation • With tools and strategies that build gradually in complexity Charles Hayden Foundation Shinnyo-en Foundation • With assessment and reflection activities to improve teacher practice The William Randolph Hearst Foundations Silver Giving Foundation Clarence E. Heller Charitable Foundation The Spencer Foundation The William and Flora Hewlett Foundation Spunk Fund, Inc. The James Irvine Foundation Stephen Bechtel Fund The Robert Wood Johnson Foundation W. Clement and Jessie V. Stone Foundation Walter S. Johnson Foundation Stuart Foundation In the Power of the Principal Ewing Marion Kauffman Foundation The Stupski Family Foundation • To provide resources and support for ongoing instructional leadership W.K. Kellogg Foundation The Sulzberger Foundation, Inc. • To use tools that model the values and set the vision and expectations John S. and James L. Knight Foundation Surdna Foundation, Inc. • To play a key role in effective program implementation Lilly Endowment, Inc. John Templeton Foundation Longview Foundation U.S. Department of Education Louis R. Lurie Foundation The Wallace Foundation The John D. and Catherine T. MacArthur Foundation Wells Fargo Bank We Believe In Building Community • By giving students a voice, encouraging their confidence and autonomy • By engendering a sense of belonging and attachment to school • By teaching students to work cooperatively and responsibly • By developing cross-age buddy relationships and activities for families In Academic Rigor for All Students • That invites students to construct meaning • That demands that students do the thinking • That partner work deepens the understanding and learning In Professional Development • That reflects the constructivist pedagogy of our materials through interactive workshops • That facilitates the effective use of cooperative structures to support thinking and interaction • That engages participants in building the skills and understanding to implement our work A.L. Mailman Family Foundation, Inc. DSC Grades 6–8 Making Meaning 2000 Embarcadero, Suite 305 Oakland, CA 94606-5300 800.666.7270 * fax: 510.842.0348 devstu.org ® An Uncommon Response to the Common Core Page 2 Nonprofit. Mission Driven. Research Based. Since 1980. facebook.com/thedscway twitter.com/thedscway youtube.com/thedscway Strategies That Build Comprehension and Community DSC MM-BROCH68-2012 Cover photo © Ereloom Studios devstu.org Making Meaning ® Grades 6–8 Prices and Ordering Information Grade-level Packages Grade 6 Classroom Package MM2-CP6 $795 Contents include: Teacher’s Manual (2 volumes), Orientation Handbook and DVDs, Class Set (30 Student Books, 1 Assessment Book), 18 read-aloud trade books. Grade 7 Classroom Package MM-CP7 $805 Contents include: Teacher’s Manual (2 volumes), Orientation Handbook and DVDs, Class Set (30 Student Books in 2 volumes, 1 Assessment Book), 20 read-aloud trade books. Grade 8 Classroom Package MM-CP8 $805 Contents include: Teacher’s Manual (2 volumes), Orientation Handbook and DVDs, Class Set (30 Student Books in 2 volumes, 1 Assessment Book), 11 read-aloud trade books. Replacement Class Sets For subsequent years of Making Meaning instruction, replacement class sets of Student Books and the Assessment Book are available. Grade 6 MM2-RCS6 $195 MM-RCS7 $255 MM-RCS8 $280 Includes 30 Student Books and 1 Assessment Book. Grade 7 Includes 30 Student Books in 2 volumes and 1 Assessment Book. Grade 8 Includes 30 Student Books in 2 volumes and 1 Assessment Book. (continues on back) Making Meaning, Grades 6–8 ® Prices and Ordering Information Comprehension Strategies Library Libraries of alternative books for Making Meaning lessons that teachers can use for strategy instruction, each chosen for teaching a specific strategy. Grade 6 Set 1 (17 titles) Grade 6 Set 2 (18 titles) Grade 7 Set 1 (23 titles) Grade 8 Set 1 (15 titles) MM2-CSL6-S1 MM2-CSL6-S2 MM-CSL7-S1 MM-CSL8-S1 $149 $157 $244 $162 Individualized Daily Reading Libraries These libraries, organized by grade level and readability, ensure that students have enough “just-right” books in their classrooms. Each grade-level library contains 240 fiction and nonfiction titles. IDR Support Kits are designed to help educators implement an effective reading program. Complete Grade 6 Library IDR-FNF6-S14 $1,830 Includes 240 fiction and nonfiction titles. IDR Support Kit, Grade 6 IDR-SK6 Complete Grade 7 Library IDR-FNF7-S14 $55 $1,885 Includes 240 fiction and nonfiction titles. IDR Support Kit, Grade 7 IDR-SK7 Complete Grade 8 Library IDR-FNF8-S14 $55 $2,155 Includes 240 fiction and nonfiction titles. IDR Support Kit, Grade 8 IDR-SK8 $55 Prices are in effect through August 2013. Some components are available separately. There is a 15% restocking fee for all returns. For more information, please visit devstu.org or call 800.666.7270, option 5. Shipping: California residents please add local sales tax. Orders under $30—add $5.00 Orders from $30 to $100—add $7.00 Orders over $100—add 8% of the materials subtotal Orders over $10,000 shipping to one location— add 4% of the materials subtotal Orders over $25,000 shipping to one location— free shipping Orders outside the U.S.—varies by location, minimum $10.00 Ordering Information: To order call 800.666.7270 fax 510.842.0348 log on to devstu.org e-mail [email protected] Or mail your order to: Developmental Studies Center Publications Department 2000 Embarcadero, Suite 305 Oakland, CA 94606 Nonprofit. Mission Driven. Research Based. Since 1980. MKT0615
© Copyright 2026 Paperzz