Blue Jeans - Sheets Piano

Blue Jeans
Words & Music by Emile Haynie, Elizabeth Grant & Daniel Heath
q = 60
µ
 
  
 
  

   
 
F‹

    

 
F‹
 

Sorgdal







Bb/F
6fr
 


  



   




 

Eb
1. Blue jeans,
2. Big dreams,

  



 
white shirt,
gang - sta,
 
  
walked in - to the room you know you made my eyes burn.
said you had to leave to start your life
o - ver.
It was
I was
              




              

Eb


Bb/F
6fr



like, James Dean,
like, no please,










 
for
stay
sure.
here,

 

        


You’re so fresh to death and sick as ca - can - cer.
we don’t need no mon - ey we can make it all work. But he
        
 


© Copyright 2010 Copyright Control/EMI Music Publishing Ltd
All Rights Reserved. International Copyright Secured.




F‹
Eb
Bb
6fr

     
                    

 
 

You were sor -ta punk rock, I grew up on hip hop, but you fit me bet - ter than my fa -vour -ite sweat -er and I know
head - ed out on Sun -day, said he’d come home Mon - day.
I stayed up wait - in’, an - tici -pat - in’ and pac - in’ but he was
                           





F‹

  
Eb
   




F‹

  

   



Bb/F
                   
and love hurts. But
I still re -mem -ber that day we met in De -cem - ber, oh ba - by!
pa - per.
Caught up in the game that was the last
I
heard.

                     



Eb

Bb
6fr
        
I
will love you till
the end
of


time.
        
 


      
   
Sorgdal

 


    
$

6fr
that love is mean,
chas ing
 





 
 
  
  
2
      
I would wait a
mil - lion years.
      



 
 
F‹
Eb
Bb
6fr

  
        

 
Prom -ise you’ll re - mem - ber that
you’re mine.
        


     

 
    


 
  
  
Eb

   
       
Ba - by, can you see through the tears?



F‹


Bb
        



6fr
        
Love
you more
than those bitch -es be -fore.
    
       
Say you’ll re -mem - ber,
say you’ll re -mem - ber, oh ba - by,





         





 


     

 
    

 

 

 

1.
F‹
 


Eb
µ
         



    
  


I will love you till the end
of
time.
Sorgdal
Fine



time.

 
    
and ba - by that’s al - right.



     
 
             
I told you that no mat -ter whatyou did I’d be byyour side.



              
e = q
F‹

 
 

               



 


   
    
You wentout ev -’ry night,


   
     
 
    




Bb7
6fr

 

  
       

2.
      

ooh.
 
 
 



  

3









Eb

 
6fr

       


     

 
    

            
  
 











’Cause im - ma ride or
die
wheth -er you fail or
 
       
fly.
Well, shit at least you tried,


F‹

          
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





  
 





but when you walked out that door


   
  
 



  
had in
     

died.
Told you
I want - ed more,


     










mind.






Eb


     
Just want it


like be - fore.
     
We were danc - in’
all night
     




     












µ

q = e
D.S. al Fine
              
Then they took you a - way,
stole you out of my life.
You just need to re -mem - ber...

                          

 


 
 
   
   







Sorgdal

     

  







     





me

6fr

         
it’s not what I
     
a piece of

     
4
Born To Die
Words & Music by Elizabeth Grant & Justin Parker
C
q = 98

 

  
 
E‹

D
C



   












E‹

 




Sorgdal


      


  



C


Who, me?


Why?










     
     
     
    
G
D

1. Feet,



D
Why?

 







 
don’t fail
 
 
G
 
me now.
 

     
     
D


    
Take me
to the fin -ish
line.


       
  

© Copyright 2011 EMI Music Publishing Limited/Sony/ATV Music Publishing.
All Rights Reserved. International Copyright Secured.


 
All my heart, it
 
     
C


E‹

breaks




D
     
     
ev -’ry step that I take,
but I’m hop -ing at the gates, they’ll tell me that you’re mine.
 
    
 
  
            

  
G
 
 

     

     
  
  




Sorgdal




  
 





is it
I can

  
by mis - take or de - sign?
see but once I was blind.
       
     
  
  
E‹

   

  
  
feel so a - lone
was so con - fused
     


   
I
I


 
       
C


G
streets,
found.
  
D

 
D
2. Walk -ing through the cit - y
3. Lost
but now I am
 
 
   
 
     


    

on
as
a
a
Fri - day
lit - tle
  
2
night.
child.
     
Can you make it feel like
Try’n - a take what I could
     

  
  
D



home,
get.






if
I
Scared that
tell
I



 











mine?
find




   




 
   
  
me
 


don’t make




  
  
  
  


   






 
 
me



 
  
  
Some -times love

       
  

    
 

Sorgdal
is not
e-
     
  
  
  
  
E‹

- nough and the road gets tough, I don’t know why.

     
cry.
C


D

sad,

It’s like I told you hon - ey:
all the ans - wers, hon - ey
E‹
Don’t make


you you’re
could - n’t
C

 


 
 






   
Keep mak - ing me

  
  
3
laugh.
   
  
  





 


Let’s
go get
high.

  
  

 
  
  


D




C
               
The road is long, we car - ry

on. Try to have fun in the mean - time.
  
  
  
  


E‹
D

 
      

 

Let me kiss you hard in the pour -ing
 
 




  
  

 




 


 
Choose your last


   
  
Sorgdal
  
  



words.


rain.


You like your girls in
- sane.
       




   
   





    
    
D
  
This is



 

     
E‹

 
 
C
         


   
  
Come and take a walk on the wild side.

        

           
        
   
  
     
the
  
  
  
 
last
4
time,
 
  
  





  
  



  
’cause you
 
 
and

  


C





I,

1.



to



die.

       



E‹

 


      
we were born
   
  


2.
µ




D


  
We were born
to die.
C


 
 





  
      
     
     
     
E‹





 
 




      
     


Come and take a walk on the wild side.
D

 

 
 
         






     

    
    

    
Sorgdal
rain.
You like your girls in - sane.
5




    
  




  
  
  
We were born
  


Let me kiss you hard in the pour -ing
        



  
 

  
 

to die.
       
C
         

E‹
      
      
  
 
  
 

   
   
A‹
 


E‹
 



  

    
Don’tmake me sad,
don’t make me cry.
      


   




D




C
              
Some -times love
is not

e - nough and the road gets tough, I don’t know why. Keep
 


               
 



E‹




D

 

Let’s
go
  

 






- time.

get
 

high.

The road
Sorgdal
laugh.

   
is long, we car - ry
on.
Try to have fun
in
the mean -



               




on the wild
 
 

     

You like your girls in
        

side.
        

 
    




     

    


mak - ing me

                
Come and take a walk
D



C
        
   
  
rain.

 
   
E‹



 



Let me kiss you hard
in
the pour - ing
        



  
  
 
 


C
  
- sane.
  

  
  
6







  
  




 
Choose your last



 
  
  


words.


E‹





D
  
last time,
  
   
  






  

  
  
C


  
This is the

C



   


    

’cause you and
    
    
E‹


      
     


  
 
      
     


 

     
     
     
     


E‹
G




 

     
     
     
     
Sorgdal


   






    
    
C






    
    
D

 
to die.






  
we were born

E‹

  
C




   
  
G
 




I,
µ

  
7

 
 
  
 
Carmen
Words & Music by Elizabeth Grant & Justin Parker
q = 115
C#‹'2
 
 
C#‹

 
  
 
   

C#‹
A'2













 











E
A
 

  

 
        
 
 
   

  

 
 



  

C#‹



E
 
      

           

Ly - in’ to her - self ’cause her li -quor’s top
shelf. It’s a On - ly sev - en - teen, but she walks the streets so mean. It’s a -
            






A
F#‹
4fr
- larm - ing, ho -nest - ly, how charm -ing she can be.
- larm - ing, tru - ly, how dis - arm - ing you can be.
 
F#‹
4fr
1. Darl - in’, darl - in’, does -n’t have a prob - lem.
2. Car - men, Car - men, stay -ing up till morn -ing.
Sorgdal
F#‹
4fr



             
Fool -ing ev -’ry - one tell -ing how she’s hav -ing fun.
Eat - in’ soft ice cream,
Co - ney Is - land queen.
              





© Copyright 2012 EMI Music Publishing Limited/Sony/ATV Music Publishing.
All Rights Reserved. International Copyright Secured.

C#‹


E
4fr
 
         
She says,“You don’t want to
She says,“You don’t want to
be like
be like
         
me.
me,
Don’t want to see all the things I’ve seen.” I’m
look - in’ for fun, get - tin’ high for free.” I’m












   



 




A




-
in’,
in’,



I’m
I’m
dy
dy

   

-
in’.
in’.
Sorgdal
        




   

   



A
  
F#‹
          

      
She says,“You don’t want to get this way,
She says,“You don’t want to get this way,


Ly
tir
            





    
fa - mous and dumb at an ear - ly age.”
street walk at night and a star by day.” It’s
 
  
C#‹

   
E



F#‹

  




4fr
dy
dy
 

         



2

 
-
in’,
in’,
 

 
     
I’m
ly
tir
-
in’.
in’.
     





   

 


The
 



   
A
F#‹
G#‹
$ C#‹

 
 
          





     

4fr


 
4fr
boys,
the girls,
they
all
like Car - men. She gives them but - ter - flies, bats her
 

 


   

 

She
F#‹

G#‹
4fr
 
 
 
     
like God,
her mind’s like

  

 

 

 

Sorgdal
     


A
 
a dia - mond.
 

like
light

   

 
   


-
ning,
 
 
Au - di - o - tune lies.

 

   



 
F#‹
  
 

     


A



4fr
laughs


eyes.
 
 
 
        





      
 

 




C#‹


car - toon

white light
  
 


   



 

3
 

   


F#‹

      
  
  

She’s still shin - in’
      


A
oh,
   
 
To Coda Ø
-

      



      

   
  
  

ning.
B




 
C#‹
G#‹
4fr
    
 
Ba - by’s all dressed up

with no - where
    


 

A
4fr

  
to
       
go.
That’s the
lit - tle
sto - ry
of
the
   
       




B
C#‹
A

  
 

                     
ty - ing cher -ry knots,smil - ing,
 


4fr
girl
you
know.
Re - ly -ing on the kind -ness of
stran
-
gers,
  

 
        
  




   
              




 
 




F#‹
 

    
   

do - ing par - ty fa - vours.

     

  
 

Sorgdal
A
Put your red dress
 
  


  
  


on. Sing your song, song,
   


   
 

on,

4
put your lip - stick

  



F#‹




 
now the ca -mera’s on.


   
And you’re a - live




  


a - gain…


 
    

  
    



      
     



F#‹
G#‹


A

French spoken words: Mon amour,


 
         



je sais que tu m’aimes aussi,















tu as besoin de moi, tu as besoin de mon dans ta vie.












F#‹






4fr





 


 

G#‹



Tu ne peux plus vivre sans moi et je mourrais sans toi. Je tuerais pour toi.
Sorgdal

C#‹'2
A



4fr







   



C#‹'2
 

    
µ

D.S. al Coda


The



      







   



5


Ø Coda
A
F#‹





 



...like
light
























 









light








oh,

-








ning.





























E
A
F#‹
 

  
             
4fr
 
 
 
 
  

Darl - in’, darl - in’,
Sorgdal

white
C#‹

ning,


F#‹



 

-
A




does -n’t have a prob - lem.
Ly - in’ to her - self ’cause her
li -quor’s top


shelf.
             




  

 

6
Dark Paradise
Words & Music by Richard Nowels & Elizabeth Grant
q = 66
µ
 
 
  
 

 
 

















A








C#‹
 
        

   
      
4fr
1. All my friends tell
2. All my friends ask
me
I should move on.
me why I
stay strong.
I’m
ly - ing in the o - cean sing -ing your
Tell ’em when you find true love, it lives
 
song.
on.
 
        

            








  





1º only
A




 
Sorgdal
C#‹
4fr
            
Ah.
Ah.
            



    
That’s how you sang
it.
    


© Copyright 2012 EMI Music Publishing Limited.
All Rights Reserved. International Copyright Secured.


  
A





C#‹
4fr
     
Lov -ing you for -ev - er
  
    


  

can’t
     

 
 
   
be
wrong.
       
E - ven though you’re not here,



 
       
    
Ah.
       

 
    
 



Sorgdal
         

That’s how we played it.
That’s why I stay here.
    

   
 



 

And there’s
no

 

     
A
2fr
 
              
rem -e - dy for mem -o - ry, your face is like a mel -o - dy.
   
  
It won’t leave my head.
 

               


E/G#
   
Your soul
   


           
  
 
ev -’ry - thing is fine.
             

  
 
   

A
      

2
But
I
wish
I
is
      
2fr
haunt -ing me and tell -ing me that
 
on.
    


    
E/G#
F#‹


won’t move
C#‹
F#‹


   
4fr
 
 


  
 
A


  
was
    


 

 
dead. (Dead, dead.)
 


         
C#‹




B


eyes,
     




 
 
Sorgdal
like a dark

       
No one
   
   
B
I’m scared that you
     


won’t be
wait -ing
on the oth - er
B
  

F#‹







side.
            




    
com -
   



          
to you.
   
pa - ra - dise.
 
   
    
C#‹
4fr
B
4fr
     

Ev -’ry time I close my
eyes,
     






      


it’s
        
like a dark

pa - ra - dise.

      


   
No one


   
   
E

    
            
to you.
   
   
 But
 
I’m scared that you
there’s no you,
B
won’t be wait -ing on the oth - er side.
ex - cept in my dreams to - night.
3
  


  
Oh - oh - oh -
              


    
com -
   

A
- pares


it’s
E
   
B

A
C#‹



      

    
 
   



Ev -’ry time I close my
- pares


C#‹
4fr
     
   


F#‹
4fr

  

       
e=q
A




B


- oh
-


 






hah - hah
- hah










 





C#‹


B

 
wake up
from this



I
don’t
want
to
hah.

 

 


 
  
 


 

A
4fr
 

 

 




 
Sorgdal


Oh - oh

-
oh

-
oh
 




    


   


   

B




to - night.

 
  


-

  



hah - hah - hah
hah.
  
 

   
C#‹
4fr

 

I don’t
 

 

 
want to
wake up
from this
    
    



  

 



 

4
 


to - night.
µ

 
There’s
 

   



 
q = e
A
G#


                          
4fr


       



 
        
no
re - lief, I
see you in my sleep. And ev -’ry -bod -y’s rush -ing me, but

                 

 





 
A


 
   


 
     
re - lease,
I

C#‹




Sorgdal
feel you in my dreams.
 

Tell - ing
 
    





 
 

me
fine.

I’m
 

   
B



   
F#‹
C#‹
B
4fr
     

Ev -’ry time I close my
eyes,
     


 
 


      


it’s
    
like a dark
pa - ra - dise.

      


   

No one
   
 
   
          
I’m scared that you
com -
   



E
to you.
   

A
- pares
 

4fr
   


 
4fr

     
  
no


 
G#





I can feel you touch -ing me.There’s

B
won’t be
wait -ing
on the oth - er

   
    
5
  






side.
            


    

    
C#‹




B
Ev -’ry time I close my
eyes,
     




 

- pares


 
 
it’s



    
    
to you.
 


 
Sorgdal
com -
   



   
         

no you,
ex - cept in
 
  
B


my dreams to - night.
          






   
 
Oh - oh - oh -



 

    
C#‹
  
  
   
  

   

- oh - hah - hah - hah - hah.
   
A


No one
B
But there’s
   

pa - ra - dise.
   
E
   
B
4fr
 




like a dark
µ

     

  

A



      


A


C#‹
4fr
     
   


F#‹
4fr
I don’t want to


B
          
wake up from this
to - night.
          






C#‹
4fr




 
 


 
 

- oh - hah - hah - hah - hah.


   
 
µ
 
I don’t want to
wake up
from this
   

 

 


Oh - oh - oh -


6
  
to - night.
  



Diet Mountain Dew
Words & Music by Mike Daly & Elizabeth Grant
q = 90
µ

         
You’re no
good
for

me,
ba - by
  

  
   

 
  


   

You’re

   
no


 


     

good



want
you,
I






      

I

   



want...



Ab

             
Di - et Moun -tain Dew ba - by, New York
Di - et Moun -tain Dew ba - by, New York
4fr
 
Cit - y.
Cit - y.

               


     
      

Sorgdal

     
   
Bb‹
me.

but
  
for

for
  
good

 
   
 
   
ba - by
you’re no
 
  
me,
 
   
 
Nev -er was there ev - er a
Can we hit it now, low
girl
down
  
so pret - ty.
and grit - ty?
           



  
    
© Copyright 2011 Chrysalis Music Limited/EMI Music Publishing Limited.
All Rights Reserved. International Copyright Secured.

Gb

  

  
Adim

           
       

 


                    

 

     
     
  
 
Do you think we’llbe
in love
for - ev - er?
Do you think we’ll be in love?

Gb

          
Eb‹
Bb
6fr
   
    
   
    

   

1. Ba - by put on
heart - shaped sun - glass - es, ’cause we’re gon - na take
2. Let’s
take
Je - sus
off the dash - board. Got
e - nough on

             



   
     
   





Gb
Eb‹



 

Bb

              

a
his
ride.
mind.
   


6fr
I’m not gon - na lis - ten to
what the past
We
both
know just what we’re here
     
says.
for.
I been wait -ing up all
Saved too
man - y

              




 
         




     


Gb

        
Take an - oth - er drag, turn
May - be I
like this
Eb‹
night.
times.
  

    
me to
roll - er
ash - es.
coast - er.


           


 
        







2
       
Read - y for an - oth - er
May - be it
keeps me
lie.
high.
       







     




6fr

Sorgdal


 





   


Ab
Gb
4fr

             
Says he’s gon - na teach me just what fast
May - be the
speed it brings me clo
is.
ser.

              


 
 

   
 




-
µ
       
Say it’s gon - na
I could spark - le

         

  

 
  
Gb
Di - et Moun -tain Dew ba - by, New York


  
 

Do you think we’ll be
in
love
       


Bb‹

4fr
 
Cit - y.
 
   
       
 
 
      
Nev - er was there ev - er
a

girl
  
so
pret - ty.
           




 
    
Adim
           
for - ev - er?
Do you think we’ll be
in
      

              
Di - et Moun -tain Dew ba - by, New York
Cit - y.


              


 

 
      
3
  
Ab


love?
            

Sorgdal

Ab

            

  

       




  



Bb‹
be al - right.
up your eye.


     
4fr
     
Can we hit it
now, low

down
  
and grit - ty?
          




 
    
Gb

  

  
Adim
µ
in love
       


 
 

Eb‹
     

  
Bb‹
Db
6fr

           

 
   

 
 


 

     

  


   




   
6fr
Bb‹
Eb‹
  
want
you, I

    

   


want
you.
  





Ab
 
 






Eb‹
6fr
You’re no good for me,
but ba - by I
 
        










Bb‹
     

You’re no good for me,
 
 

  
      

ba -by you’re no good for me.

  
4fr

                 
You’re no good for me,

           
for -ev - er?
Do you think we’ll be in love?
   
  

           
       
Do you think we’ll be

ba - by you’re no good for me.
   

  

   
   
  
   

    
Adim




F7
4fr
  

 
       
You’re no good for me,
but ba - by
I

want

               




 
 










Sorgdal
4
  
you,
I
want
  






 
you,
I


want
you.
  







 
 

 





Bb‹
Ab
4fr

              
Di - et Moun -tain Dew

ba - by, New York
Cit - y.
Nev - er was there ev - er

          
    

    

Gb

  
girl
so
pret - ty.
          



                    
in
love
for - ev - er?
Do you think we’ll be
in
love?

                      
   




  


Bb‹


 
Ab
4fr
     
Ba - by, stop -ping at
Sev -

     

  
  

 
  
Gb

  

  

en


-
  
    
e - lev - en.
There in his white Pon - ti
  
   

Adim
-
  
ac heav - en.
         




 
    
           

       
for - ev - er?
       


                 
Do you think we’ll be
 
 
Sorgdal
a
F7
Do you think we’ll be

          

in love
      
Do you think we’ll be
  
5

in love?
    
Bb‹
Ab
4fr

           

         

  

 
  
 
Di - et Moun -tain Dew ba - by, New York
Gb

  

  
Cit - y.
in

Bb‹
for - ev - er?
Di - et Moun -tain Dew ba - by, New York

  
Do you think we’ll be
in love

pret - ty.

Do you think we’ll be
in
love?

  
Ab

     
4fr
 
Cit - y.
     
Can we hit it
 
   
       


 
 
Sorgdal
 

       
so
            

            

  
girl
Adim
      
Gb
a
  
           
love

         

 

 
  

           




 
    
   
       


 
 
Nev - er was there ev - er
 
 

       
Do you think we’ll be
      
Adim
now, low
down
  
and grit - ty?
          




 
    
           
for -ev - er?

Do you think we’ll be

in love?
                 
      
  
6

    
Bb‹
Ab
4fr

         
You’re no
good
for
     
  
me,
ba - by you’re no
good
for

me.



 
          









   


         
  
    

Gb
Adim

         
You’re no
good for
me,
   
but ba - by
I

want
you,
I

         
    
 


 
         
    

Bb‹

   
You’re

   

   


You’re

   


  

Sorgdal



   
4fr

no


good

  
for

me,
  
ba - by



you’re
no
 

 



  
good

for

  
4fr
no


good

  
   
for
but
me,
  
ba - by
I
   
7

me.
Ab


want...
Ab
Gb

   


 
µ




want
you,
I
want...








Million Dollar Man
Words & Music by Chris Braide & Elizabeth Grant
q. = 75
G#‹7
 
 
C#/G#
4fr
 
   

  
  


  
tight
strange,

  

 
 
Sorgdal
     


C#‹/G#

said I
got
the
was
world,

C#‹/G#
 
     
our
hard
fi
to
-
    
  
 




tic
at what
flower,
price?




hour.
fine.

 
hold
Some


 





-


ing me
thing so
  
 

 
C#‹

 

4fr


4fr
nal
de -
G#‹7
4fr

G#‹
4fr
in
ex - o
ba - by,
     
     
 


  
G#‹
     
the most
but
 
 

 

4fr

  

   


4fr

4fr


C#/G#
C#/G#
4fr
  
 


 
4fr
1. You
2. You’ve
 
   

  
 



G#‹
4fr


G#‹7
 
   
C#‹/G#
4fr
4fr



 


  

It
I don’t know how you
is - n’t that hard, boy,


con to

            

  

 



 
© Copyright 2012 EMI Music Publishing Limited/Sony/ATV Music Publishing.
All Rights Reserved. International Copyright Secured.
F#

 
D#
  
 



 


  




                      




 
    

 

and get them,
or love you.

  

boy.




 




It’s
You’re

 
 

 
F#
 


    
     
un - be - lie - va - ble.
un - be - lie - va - ble.
B
get
o - ver,
just grab me



  
 

D#
get
o - ver
and take me.
       
    
 
  
 
 

  
  
G#‹
6fr
     
        


And I don’t know how you
If you’re go - ing cra - zy,
4fr
     
some -one as dan - ge - rous, taint - ed and flawed as
I’d fol - low you
down, down, down
Sorgdal

 

4fr
           
 

 


    




 
do.
down.
I don’t know what you
I’d fol - low you down, down,
C#‹

 
4fr
 
   







 
 

 
G#‹
6fr
- vince them
like you

 
B


 
you.


 










 
           
 
 

 

 






   
2
     
an - y - where, an - y - where.
     

  






$
B
D#
 
 

 

 

  
One for the

 

   



G#‹
  
 

 


 



love you

 
and two for the
F#

 

 
 


  


hon - ey.
I’m read - y, I’m
to
go.


     



  
E
6fr
   
     
How did you

get
that

 
way?
    

     
    
   


   
     







I don’t
  





        
       




know.
You’re screwed up and bril - liant. You
1.
D#
Sorgdal
read - y


 






  


   


D#

     
 
 


  

 
show,
4fr

 

B
 
 
   

  

       
 
  







  
  
   



 
 
 

   
C#‹
4fr
I



 
 


mon - ey,

 
  
6fr
G#‹
6fr
        
 look like
 
 
 
 
a mil - li - on
    



 
dol -lar man.
   


To Coda Ø

    
So why
is my
    
 
  
3

heart

    

4fr
 
  

broke?

   
 



 




2.
G#‹7

 
C#/G#
4fr
C#‹/G#
4fr
 
  

   
  

 
 
broke?
G#‹
4fr
4fr

  
 








     





   

 





 

D.S. al Coda
G#‹7
C#/G#

  
4fr
C#‹/G#
4fr
  
 
Ø Coda
  
 


 
     







B

 

 


   

 





D#

 
Sorgdal
 
 
  
E





  

 


I don’t





    
   
 



   
    
   
     







know.
You’re screwed up and bril - liant. You









      
D#

 
F#
4fr
6fr
broke?
 

G#‹
4fr
G#‹
6fr
        
4fr


    

               
      
 
  
 

 
  

look like a mil - li - on
dol -lar man.
So why
4
is my
heart

  

 
  

broke?

    
 




National Anthem
Words & Music by David Sneddon,
James Bauer-Mein, Elizabeth Grant & Justin Parker
q = 85
Ab
C‹
4fr

  
Bb
G‹7
3fr
Ab
3fr

C‹
4fr
3fr


                     


  




    




  


1.
2.
Bb
G‹7
Bb
3fr

 

µ


                

 
 


   
 



 

  


Mon -ey is the an - them
 
 




        
Sorgdal







       

 
of suc - cess. So be - fore we go
out, what’s your

 


  

     



 



 
© Copyright 2011 Sony/ATV Music Publishing/EMI Music Publishing Limited.
All Rights Reserved. International Copyright Secured.

 
 
ad - dress? 1. I’m your

 
 

Eb
C‹
G‹
6fr
3fr

         
3fr
 

           
   
na - tion - al an - them. God, you’re so hand - some. Take me to the Hamp - tons, Bu - gat - ti vey - ron.
(2.) na - tion - al an - them while
I am stand - in’
o - ver your bod - y, hold you like a py - thon.

   


  
 


 
Eb



 


G‹
3fr
3fr

        

 
          





 
  

C‹
6fr
loves to ro - mance ’em. Reck -less
can’t keep your hands off me or






 


 
Eb
  
a - ban - don,
your pants on.
 



 
Sorgdal
to be cool, but
to be cool, but


 


hold - in’ me for ran - som, up - per e - che - lon.
See what you’ve done to me, king of che - v - ron.
3fr
 
   
I don’t know how yet.
I’m al - read - y cool - est.




He
He
G‹
3fr

            
says
said
 

          
         





 
  

C‹
6fr
He
And you



2
     
Wind in my hair, hand
on the back of my neck.
I said to get real, don’t you know who you’re deal -ing with?
   

 

 



     

 

Eb
C‹
6fr
G‹
3fr


              
I

  


 
 

Ab




me


   

  

I’m your
na


Sorgdal
-
tion - al
an
  

 
yes.”



  

  
G‹7
them.
(Boo - yah, ba - by bow down mak - ing me say wow now.
  


  




 



 
Bb
  
na
yes,

           
6fr
I’m your


3fr
Eb

    
 
 


  
  

4fr
me

Bb
  
Ab
Tell
 
3fr
 

   




C‹
4fr
Tell

said, “Yes,
said, “Can we par - ty la - ter on?” He
Umm, do you think you’ll buy me lots of dia - monds?
 

   
3fr
tion - al
G‹7
          
  
-
 

an
3fr

them.
Su - gar, su - gar how now take your bod - y down - town.)
  


   



3


 



 



Ab
C‹
4fr

    
Red,

    


  

Bb
G‹7
3fr
3fr
 

     
white,
blue is in the sky.
 

      


 

 
               
Sum -mer’s in the air and ba - by, heav - en’s in your eyes.

               





 
   


1.
Ab

 

 
Eb
4fr

Bb
6fr
  
      
I’m your na - tion - al

µ
an
-
      
them.
Mon - ey is the rea - son
  



    

we ex - ist.

      



 

 
 



2.
Bb

                    
Sorgdal

 
Ev -’ry -bod - y knows it, it’s a fact. Kiss, kiss. 2. I sing the

 

 
 


  

4
-


them.

 
It’s a

 



 
   

G‹
F
Eb
3fr

        

   
    

love
sto - ry for the new age,

  

 

6fr
   
for the sixth
page.
    

 

 



    
We’re on
a quick, sick
 
ram - page,
      


 
   

C‹
3fr
     
   
            
win - ing and din - ing, drink - ing and driv - ing.
          


  
 
   


G‹
F

     

 

     

 

drugs and our love and our dreams
 
 

 

Ex - ces -sive buy - ing,
o - ver -dose and dy - ing on our
             




 
   


Eb
3fr
Sorgdal


 

F

 


6fr
  
      
  
and our rage.
Blur -ring the lines be -tween real
and the fake,
   

 
 

5
         




 
   


F
C‹

  

 
G‹
3fr
 
dark
and lone
-
      

ly,
I need some -bod - y
to hold
me.
       
 





 




   
   




 


 
   

 
Eb
He will
ver - y well,
      




    
  



F
C‹
3fr
   
can
do
 

6fr
I
F
3fr
tell,
I
 
   
can tell.
Keep me
safe,
in
 
his bell
-

tow
 
-
er
ho
-

tel.
     
     
 
 








 



  
   
   
      








                         
µ
Mon - ey


 


is the an - them

Eb
put on
mas - ca - ra
na - tion - al
an - them. Boy,

 
 

 




and your par - ty dress. I’m your


C‹

       
Sorgdal
so

6fr

 
of suc - cess,
G‹
3fr
3fr
   
put your hands up.
 

          
Give me a stand - ing o - va - ti - on.


         






6
 

 

Eb
C‹
6fr

       


 

 
Ab



of
Tell
me

    


  

  
na
 
Ab


   
me
-
tion - al
an
  


  

    

  

 




 



 
Bb
  
na
G‹7
them.
(Boo - yah, ba - by bow down mak - ing me say wow now.
6fr
I’m your


        





 
 



           
Eb
4fr
Sai - gon.
3fr
  
  


sweet - ness and dan - ger queen of
Bb
3fr
I’m your


         

C‹


  

  

in the land
 

4fr
Tell
3fr
   
Boy, you have land - ed. Babe,

 


Sorgdal
G‹
3fr
tion - al
G‹7
          
  
-
 

an
3fr

them.
Su - gar, su - gar how now take your bod - y down - town.)
  


   



7


 



 



Ab
C‹
4fr

    
Red,

    


  


 
white,


 





 
Bb
6fr



I’m
your
na





 

-




tion - al
an
-
them.






  




Eb
4fr

        
Mon - ey
         


   

    

Eb
Ab
Sorgdal
Sum -mer’s in the air and ba - by, heav - en’s in your eyes.
 

      

4fr
 










 

 


Bb
6fr
is the an - them. God,


 
 

               
blue is in the sky.
 

  


 
G‹7
3fr
 

     
Ab

 
Bb
3fr
   
      
you’re so hand - some. Mon - ey
is the an - them


 



8
 
  
of suc - cess.



 


Ab
Eb
4fr

      
 
Mon - ey
Bb
6fr
is the an - them. God,

      

 

  


 

   
      






 
 

you’re so hand - some. Mon - ey
 

is the an - them
of suc - cess.




Eb
4fr
6fr
Mon -

    





ey
is
the
an




  
  


-





them.
God,
you’re
so
hand









1.
2.
Bb
Bb

        
Mon - ey
is
the an - them



-
some.


µ

         
  
of suc - cess.

         
 


   


 


Sorgdal
  
     
Ab

    

   
Mon - ey
is the an - them
of suc - cess.



      




  

9
 


Off To The Races
Words & Music by Timothy Larcombe & Elizabeth Grant
q = 85

 
µ
   
1. My old man
2. My old man

 
is
is


   
a bad man, but
a tough man, but

   
   
         

 




          
  
  




 
he
he
grabs
shows
me,
me,
he has
me
by my
he knows me every inch of
3
heart.
my
tar black soul.



 



 
   
   



  
         
He does -n’t mind I have a Las Ve - gas past.
He does -n’t mind I have a flat, broke -down life.
  
         
   

Sorgdal
I can’t de - ny the way he holds my hand. And
he got a soul as sweet as blood red jam. And
3
   


          


   
 






  









           
He does -n’t mind I have an L. A.
In fact, he says he thinks it’s what he
crass
might
way
like
           
  



© Copyright 2011 EMI Music Publishing Limited/Copyright Control.
All Rights Reserved. International Copyright Secured.

 


 




 
 
a - bout
a - bout
me.
me,
 
 
   

       
He loves me
ad -mires me,

beat
roll


  



Edim

E‹

Edim
2fr
          
  
   


Edim
with my red nail
off
po - lish. Watch me in the
slip - pin’ on my red dress, put -tin’ on my make - up.
  



  
   

E‹

 
2fr
           
rip - ples, you sit - tin’, sip - pin’ on
cog - nac, li - lac
fumes,
             



 


Edim
2fr
   

Sorgdal


              
swim - ming pool,bright blue
Glass
room,
per - fume,

 
 

         
E‹



      
            
    



     
2fr
Swim -ming pool glim -mer - ing, darl - ing, white bik - i - ni
room, bath - room, Cha - teau Mar - mont,
glass

   
  



of his co - caine heart.
like a roll - ing stone. Likes to watch me in the
      

E‹

with ev -’ry
the way I
   
 
 

2
    
your black cris - tal,
says it feels like
yeah.
heav - en to him.
    
  





   
   

E‹
E‹7


            

Light of my life,
Light of his life,
fire of my loins,
fire of his loins,
     


 

 
be a good
ba - by,
keep me for - ev - er,
    
  


 



       
  

do what I want.
tell me you own me.
      
 



E‹

 
 
     
    
Light of my life,
Light of your life,
fire of my loins,
fire of your loins,

     


 

  

 
 
give me them
tell me you
gold coins,
own me,
    
  

 

 



 
      

µ

give me them
coins.
And I’m off to the
 
      


 
E‹
D

 
rac

 


Sorgdal

-
es,



cas - es

   


    

of Ba - car - di chas - ers.
    
   
    
Chas - in’ me all

o - ver
    
 

  

3
  

town
  

    
’cause he knows I’m
    

    

C


 
wast -


 


ed,


fac - in’

   
 

 


    


  

-


zy
ba




Be -cause I’m
  

    
 










    

   
-
by, I need you to come here and save me.I’m your lit -tle scar - let, star - let, sing - in’ in the gar -den.
              




 
       

 


Kiss me on my o -pen mouth.
     

2.
E‹

Read - y for you…

  
   
   
Kiss me on my o -pen mouth. Yo,I’m off to the

              


 


    



        

  

             
Sorgdal
  
C
1.

out.
   


B‹

   
Is - land and I won’t get

    

D
cra
    
time a - gain on Ri - kers

   


    

  
    
     


   



    

4
E‹
D


 
rac

 


-
es,



    
lac - es,

leath -er on my waist

   


is
tight and I

    
   
    
am fall - ing
    
 

  

  
   

down.
I can see your
  


    

    

C

 
face

 


  
     
is shame - less,
Ci - pri - a - ni’s base - ment,
  

     

   

   

Sorgdal
down.
  


  
God I’m
so
  

    
B‹

 

 

love you but I’m go - ing
        


D
cra
        
-


zy
ba




  
-
by,
I’m
sor
   


        

     
-
ry that I’m mis - be - hav
     


  

5

    
-
ing. I’m your lit - tle
    

    
C


 


  
 
     
 
har - lot, star - let, queen of Co -ney Is - land, rais - in’ hell all o - ver town.
 












A‹/E



Sor -ry ’bout it.
                  


    
µ
  


  

E‹
                        

 
3
My old man is

a thief and I’m
gon -na stay and pray with him till the
3

                   

 

 






end.
But I
    

 

 


  

A‹

             
trust in
the de -ci - sion of the Lord
to watch o -ver us.


                 


      
 
     






E‹


    
Sorgdal
Take him when he may,
if he may.
         
 
    

A‹
                     


     
 
















 

   



   


   
     
I’m not a -fraid to say

      
that I’d die with -out him.
6
Who else is gon -na put up with me this way?
I
E‹
          


               


need you,I breathe you, I’d nev - er leave you.
They would rue the
day
I was a -lone with -out you.
You’re
          
   
 









 

   



 






A‹

                 

ly - in’ with your gold chain on,
ci - gar hang - in’ from your
lips
     
I said, “Hun,

 
              



  

 


E‹
beau - ti
 
 


 

- ful

 


Sorgdal
-
 
as
you
do now,
my man.”

 

 


 

es, plac - es.

 

  
 


E‹


 
 
rac
    

D
 


you nev - er looked so

   



  
 
And we’re off



to
  
the
 
D
    
Read - y, set, the gate
    
   
µ

    
is
  
down and now we’re go - ing

in
  

    
 

  

7

  

to Las
   

    

C
D

                      
Ve - gas, cha - os,
ca -si -no o - a - sis. Hon - ey it is time to
spin.
Boy you’re so cra

                      



 





        

C
 
        

love

 


you for -ev - er, not may - be. You are my one
 



 


 
D




Ooh,

 


Sorgdal





-
by


    

C
  
ooh,







  



                  




8
I
  



    

 


E‹
ba
 
You are my one true love.
        

     
zy

    
true love.
          





        

        

B‹
-



        

D


 
 




ooh.
  
B‹
C
 

   

E‹



 
D
true love.
 
   


D


B‹

  


 

  



  










 



 
 








CŒ„Š7

 
  
    

C



        

        


 
 
You are my one


       

        


  

Sorgdal
  
E‹



9














Radio
Words & Music by Elizabeth Grant & Justin Parker
q = 90
D
D



  


1. Not
  
 


   









F#‹/A







  



 
e - ven


they
(2.) dreams

 



 

G





  

Boy, I
be
I swore I’d
fly
chase

  

words
streets



  


Sorgdal

can’t
were


bring
paved
 
  
-
ing
’em till
o
I
  




me
with
down.
gold.
 

 







 
can
came
stop
true
me
now.
some - how.


 



  
D
 
-

ver - head.
was dead.
 
F#‹/A








Their hea - vy
I heard the
   
G


   

Boy, I’ve been
That’s what my

  

  
raised
fa
-
from the dead.
ther
said.




  
© Copyright 2012 EMI Music Publishing Limited/Sony/ATV Music Publishing.
All Rights Reserved. International Copyright Secured.


E‹





 
D/F#
         
No one
No one
e - ven knows how hard life
e - ven knows what life was


 






I
fi
-







n’ly
found





    




like
    




you.


   


A



    
    
Sorgdal


(Sing
it
to
me.)


   
Like a fuck - in’ dream
I’m
    




  
  
             
liv - in’ in.
  
    
    
E‹
   


              



 
  
   

  
  
   

  
2
Ba - by, love me ’cause I’m play -ing on the ra - di - o.


    
cin - na - mon.
  





D
Now my life is sweet

           




  
  
A


I don’t e - ven think a - bout it now, be - cause
Now I’m in L. A. and it’s
pa - ra - dise.
D
G
 
was.
like.




 


 



           
         

 


G
How do
you like
 
me now?


    
    
G
 

D
Lick me up and take me like a


 



  




   
       

  
  
   
   
vi - ta - min.
       
  
’Cause my bod -y’s sweet like su - gar ve - nom. Oh
  
       



  
  
   
   
  


1.
A


yeah.



 
E‹
D
             
Ba - by, love me ’cause I’m play -ing on the ra - di - o.
    
   
   

How do you like me now?
              


  
  

2. A - me - ri -can




    



      
       




2.
G
D

 

Sweet


 
Sorgdal






   
like
cin - na - mon.
Like a fuck - in’ dream
   
       
       
    


3
    

  
  

   
I’m
liv - in’ in.
   
    
    


A





 
E‹

             
Ba - by, love me ’cause I’m play -ing on the ra - di - o.


             


  
  
   
   
G

 


 




D


  
Sweet
like
cin - na - mon.





  
       
       



 


I

 


G

   
 
 
Sorgdal


fi
-
 
 
 





n’ly

found
you.



    
    
Now my life is sweet
like
cin - na - mon.
    


  
    
    
    
    
  
Like a fuck - in’ dream
I’m
liv - in’ in.
    

  
    
    


   
(Sing it




to
me.)


D
  
  
  
  


       
       

    

me now?

  
  


 
you like
 
 
E‹
 
How do
    

A




   
4



  
Like a fuck - in’ dream
I’m
liv - in’ in.
    

    
  
  
  
    
    
A





 

E‹
Ba - by, love me ’cause I’m play -ing on the ra - di - o.


  
  
 

   
   

 
  
  
   
   



 


yeah.
Ba





1.


-





 
Sorgdal
 
- o.
 



 
 
    
    
  
  




    






’cause
I’m











2.
   
   

me




’Cause my bod -y’s sweet like su - gar ve - nom. Oh
love


me now?
       
by,


 
you like

  
  
E‹



vi - ta - min.






D
  




    

A




  




   
Lick me up and take me like a


How do
             


G


   
             
play - ing





on
the
ra



-

di



E‹
 
 


How do
you like
me
now?

 
 

   
   

5

 
- o.

 




µ
 
 


How do
you like
me
now?




-
Summertime Sadness
Words & Music by Richard Nowels & Elizabeth Grant
q = 125
A
 
 
B





C#‹

 


 











C#‹
B
       


   

   














F#‹
       

you go,
sum -mer -time
sad
-
      

 



A
C#‹
B
F#‹
4fr
know
that, ba - by, you
      
  



 



 


   
         
      
 
to

ness.
       
  


I just wan -ted you
F#‹

B
4fr
Kiss me hard be - fore
Sorgdal
A
4fr
A
 
F#‹
4fr
 
 


  
C#‹

the best.
1. I got my
      

© Copyright 2012 EMI Music Publishing Limited.
All Rights Reserved. International Copyright Secured.

   

A
C#‹
B
    

  
     
F#‹
4fr
red dress on
(2.) e - lec - tric
 

to - night,
to - night,
     
 


  

       


    
  
    




C#‹
B





F#‹
                              
Oh
my God,
I
feel it in the air.Tel - e -phone wires
C#‹
B
     
   
   







 
a - bove
are
siz - zlin’ like a snare.Hon -ey
F#‹
4fr
 

                 
 
 
                 








 




  


Sorgdal

4fr
A


F#‹
  
I’m feel - in’ a - live.
I’ll die hap - py to - night.
High heels off,
I know if I go,



               






 





  


    

      


     


A


Done my hair up
Got my bad ba - by

B
 
4fr
real big, beaut - y queen style.
by my heav -en - ly side.

 

C#‹
       
 
in the pale moon -light.
go -in’ ’bout nine -ty - nine.
        

A
 
danc - in’ in the dark
cruis - in’down the coast,
 
I’m
on fire,
I
feel it ev -’ry - where. Noth - in’ scares me
2
   
an - y - more.
(Two, three, four.)





  


A
$
    
 
C#‹
 
Kiss me hard be -fore you go,

      
  

  
 


 
A


 
C#‹


Sorgdal
that,

 

 






     

F#‹
ba - by,
 






you the best.

     


       

C#‹
 
- ness.

      
 









 

    
I got that sum -mer - time,

 

      


  

  




sad
B
4fr
to know
A
A
sum -mer -time
     















  



        
  


F#‹
    


 
 

        
I just want -ed you
B
4fr
B


     

F#‹
4fr
  
sum -mer -time


sad - ness.
     



   

C#‹
      

     




Su -su - sum -mer - time, sum -mer -time
  



 


 


B
  
Got that sum -mer - time, sum -mer -time
sad - ness. Oh,
           







  






  



3

 
1.
4fr
       
sad - ness.

µ

  


  
 
oh,
oh.
2. I’m feel - in’

  


   
 




 
2, 3.




To Coda Ø
F#‹
G#‹
C#‹
4fr







 
F#‹
        





  
   



4fr


 
sky.
 


      
 

       



  
   

like the stars
miss the sun in the
4fr



 

 


 



drive,

 
 

C#‹
e - ven
     


B
I’m gon -na
  
La - ter’s bet - ter than nev - er,

if you’re gone
 
C#‹
     



  

 

  

     



  




drive,
 

   
  



drive.
             

 




 


          


B
F#‹

 

   
   

  
   
      
     
     
     



 
Sorgdal

    







    

G#‹
morn - ing
A

Think I’ll miss you for -ev - er


  





    

A
4fr
4fr
I got that sum -mer - time, sum -mer -time sad - ness.


4
Su -su -sum - mer - time, sum -mer -time sad - ness.


A





C#‹
B
F#‹
4fr

 
    
    
    

Got that sum -mer - time,
sum -mer -time sad - ness.
Oh,
oh,
    

    





     
 

oh.
Ø Coda
G#‹


C#‹
4fr

 
    

 
F#‹
A

 
    
  



   
G#‹

 
    

   
    

 


 


C#‹
4fr
  
 

   
4fr
  
 



D.S. al Coda
4fr

 

 
 

 
    

 


 


   

 


A/B


Sorgdal
    
  
 


   
    

 


 
5





       
This Is What Makes Us Girls
Words & Music by Timothy Larcombe,
Jim Irvin & Elizabeth Grant
q = 74
Bb
   
D‹
  
 
 
D‹

Bb/D
  

C





Bb
C
     
      
     
     
  

1. Re - mem - ber how we used to par - ty up all night,
2. And that’s where the be -gin -ning of the end be - gan.
sneak - in’ out and look - in’ for a taste of real life,
Ev - ’ry - bod - y knew that we had too much fun.

        
      
  
     

   

  

D‹
  

 

 
Sorgdal



C
        
 
Bb

drink - in’ in the small
town
fi - re - light.
We were skip - pin’ school and drink - in’ on
the job
          



C



  





Pabst blue
rib - bon on
with the boss.
ice.
  



© Copyright 2011 Copyright Control/EMI Music Publishing Limited.
All Rights Reserved. International Copyright Secured.

D‹
 


C
   
Sweet six - teen
Sweet six - teen

Bb
  
and we had
and we had
D‹
  

C
    

  
Steal - in’ po - lice cars with the sen - ior guys.
cheer - in’ our names in the pink spot - light.

    
   
 
 


 
     
There she was, my new
Yeah, we used to go
  
  
D‹
 

best friend:
break in
-
hi.”
dive,
          

Bb
   
 
C
 
      
  

Tea -chers said we’d nev - er make it out
a - live.
Drink - in’ cher - ry schnapps
in the vel - vet night.
 
      


C
  
   
    
walk - in’ down the streets as they whis - tle, “hi,
Ba - by’s ta - ble -danc -ing at the lo - cal
ar - rived,
ar - rived.
      
  

   
  


C
 
Bb
  
  


C
    
High heels in her hands,
to the ho - tel,
     
sway - in’ in the wind.
glim -mer -ing we’d swim,
   
Oh, she starts to
run - nin’ from the
              
         




 
        

          

D‹
C
            
Bb
  
A“4
A
       
cry, mas - ca - ra run -ning down her lit - tle Bam - bi
eyes.
La - na, how I hate those guys.
cops in our black bi -ki - ni tops, scream - in’, “Get us while we’re hot. Getus while we’re hot!” (Come take a shot)
        
                





     

  
    
   

Sorgdal
2

Bb
C
   
 

This is what makes
us
      

 

   

   

Bb
for.
 
It’s
a
Bb
   
us
      

 

   

   

Bb
  
- bout him,
Sorgdal


3
  
Don’t cry
3
  
girls.
    
    
it,
3
    
don’t cry
3
a - bout
    

    
    
it.
 





   
   
C
        
 
We all stick to - geth - er ’cause we put
love first.


3
  
Don’t cry
3
a -
          
  



        
    

        
    
A“4
3
3
        
a - bout him. It’s all
      

     
    

     
D‹
C
don’t cry
3
It’s some -thing that we’d
C
 
a - bout
    
    
 

love first.
D‹
C
This is what makes

We all look for heav - en and we put
         


   
    

   
    
curse.

      

 
 
      

 

   
    
C
        
C
  
die
girls.
D‹
gon - na
3
     



   
   
3
  
A



 

hap - pen.
  

         
         


µ





Spoken: The prettiest in-crowd that you had ever seen: Ribbons in our hair and our eyes gleamed mean.
A freshman generation of degenerate beauty queens. And you know something?













µ
      
on - ly friends I
ev - er
     
      
 





   


 



  
had.
 
  



We got in - to
   
Sorgdal




trou -ble and when stuff
        

         
 
 




They were the
  
 



 
   
got bad.
I got sent a -
 
 
   
   
        
           
- way and was wav - in’ on the train plat - form,




        
        
 
   


        
         
 



  
cry - in’ ’cause I know I’m nev - er com - in’
back.
           
           
   
4


   

   
Bb
C
   
 

This is what makes
us
C
for.
It’s
 
a
curse.
   
  

 

   

   



Bb
   
us
      

 
   

   

Bb
  
- bout him,
Sorgdal
3
  
Don’t cry
3
It’s some -thing that we’d
  
girls.
C
 
a - bout
    
    
 

love first.
D‹
C
This is what makes
it,
3
    
don’t cry
3
a - bout
    

    
    
it.
 



D‹


   
   
C
        
 
We all stick to - geth - er ’cause we put
love first.


3
  
Don’t cry
3
A“4
A
                  
3
don’t cry
3
a -
          
  



        
    

        
    
C
3
a - bout him. It’s all
      

     
    

We all look for heav - en and we put
          
    




        
    

        
    
Bb
 
      



  
C
        
girls.
      

 
   


   
die
D‹
gon - na
3
hap - pen.
        




   
   
5
   
   

 
     
     
Bb
C
  



   
C
  



D‹
Bb
  

 

 
    
    
       

D‹


C


     
     
    
    
     
    
C

C

  

   
   
   
         
         
          
         
  

Sorgdal
  



 

Bb

C
    
    
     
    
Bb
D‹

6
   
   
C


 

     
     
A“4
A




   
   
         
         
Video Games
Words & Music by Elizabeth Grant & Justin Parker
q = 62
 
 
F#m
µ



  

A





 



 
Sorgdal
A
C#m
D







A
C#m
D
F#m











F#m
A






F#m
A
4fr


      
     
      


     




8vb throughout
1. Swing - ing in the back - yard. Pull up in your fast car,
2. Sing - ing in the old bars. Swing - ing with the old stars.






C#m




F#m
F#m
4fr

  
 
F#m
A















D
F#m

A
F#m

A
4fr
    
whis - tl - ing my name.
Liv - ing for the fame.
    





              
O - pen up a beer and you say get o - ver here and play a
Kiss - in’ in the blue dark.
Play - in’ pool and wild
darts,
              






© Copyright 2011 Copyright Control.
All Rights Reserved. International Copyright Secured.


C#m




 
D
F#m
F#m
4fr

  

vi - de - o
vi - de - o
game.
games.
  





C#m










D


town.
of.
C#m

A
    

    




D

     
F#m
C#m
4fr

 
Sorgdal


    


    




F#m
A
    



    





D
4fr

Put his fav -’rite per - fume
this is my i - dea
of

     

A
I
say you the best - est. Lean in for a big kiss.
Watch - in’ all our friends fall
in and out of Old Paul’s,




    


F#m

      

 

    

4fr
Take that bod - y down
This is all I think
F#m
I’m
in his fav -’rite sun dress, watch - in’ me get un - dressed.
He holds me in his big arms. Drunk and I am see - in’ stars.


     
A

 
on.
fun.
 

  

  

Go play a
Play - in’
vi - de - o
vi - de - o
game.
games.
  






 


2





It’s





$ A/E
 

 
 
you,

 
Esus4
 
It’s
 


 

 
for you.
 

Ev
- ’ry - thing


 
it’s you.
all
 





D



 
 

 

time.

E

 
 

 


    
I
I
do.
 

 



tell you
    
Heav - en
is
a place
    



on



 


 

    


Tell me all the things you


    








  


Sorgdal
do.
   



D
    
  
I
the
heard that you like
    


bad


girls.
Hon
  







        

It’s bet - ter than I


 
wan - na
-



ey,
is
that







ev - er
e - ven


       
 



knew.



3

true?



A
 
 
the
G

earth with you.
all
    
A
F#m


 
G
         
They say that the world was built
for
two.
         






F#m


D

 
 

 






On - ly worth liv - ing
if
some

  












  

- bod
1.
Dm6/F
-
  

 


 



you.
  
Ba - by, now


  
To Coda Ø

you
 
do.


y
F#m
  







is
lov - ing

 






A
F#m
A


 
  










 

Mm.



2.
C#m
 
 
D
   
 
 

 
D
4fr
    

  
  
(Now you do.)

Sorgdal
do.
F#m
 
F#m



A
F#m
  
4

A


(Now


C#m
   
D
4fr
you
do.)
F#m
     


D.S. al Coda


 
 

(Now you do.)
 


 
 


 
do.)



(Now you do.)


you




A
  

(Now
 

C#m
 
A
 






 
F#m
4fr
(Now you do.)


It’s

Ø Coda




 
F#m




 
  

 
down.
F#m
(Now
you do.)
A
 
(Now
you do.)










F#m
(Now, now you do.)
A
C#m

 

    

C#m
   
D
4fr
(Now you do.)












D
F#m
D
4fr
  


(Now






F#m
F#m



F#m
you do.
A




















A
F#m
A
C#m
D










5




F#m




A
     
4fr


Now
 
(Now you do.)

  

you do.)
4fr


Sorgdal
A
A
C#m
 
F#m










