1051
Бруун Расмуссен
художественное и культурное наследие
Великой Княгини Ольги Александровны
Собственность Архива Ольги
аукцион 3 - 4 декабря 2007
предаукционная выставка
22
23
24
25
26
ноября,
ноября,
ноября,
ноября,
ноября,
четверг 15 – 17
пятница 10 – 17
суббота 11 – 16
воскресенье 11 – 16
понедельник 10 – 17
Б редгэде 33 · DK-1260 К опенгаген К · т ел . +45 3343 6911 · ф акс +45 3343 6966
[email protected] · www.bruun-rasmussen.dk
days of sale
monday
3 december
1 pm
part I:
the Olga Archives
paintings and watercolous
works of art
part II:
russian paintings
from various owners
1235 - 1364
part III:
russian works of art
from various owners
1365 - 1511
tuesday
4 december
1 pm
au C t ion 779
1000 - 1234
part I
paintings and watercolours by
Grand Duchess Olga Alexandrovna of Russia
and other related material
property of the Olga Archives
auction preview 3 - 4 december 2007
thursday
friday
saturday
sunday
monday
22
23
24
25
26
november
november
november
november
november
3 pm
10 am
11 am
11 am
10 am
-
5
5
4
4
5
pm
pm
pm
pm
pm
Bredgade 33 · DK-1260 Copenhagen K · Tel +45 3343 6911 · Fax +45 3343 6966
[email protected] · www.bruun-rasmussen.dk
Family ties between Denmark and Russia
Christian IX
1818-1906
Queen Louise of
Denmark
1817-1898
Frederik XII
King of Denmark
1843-1906
Lovisa
Princess of Sweden
1843-1926
Alexandra
Princess of Denmark
later Queen of
England
1844-1925
Edward VII
King of England
1841-1910
Nikolai II
Tsar of Russia
1868-1919
Alix
Princess of Hessen
1872-1919
Wilhelm
Prince of Denmark,
later King of Greece
in 1863 under the
name Georg
1845-1913
Olga Grand Duchess
of Russia
1851-1926
Dagmar
Princess
of Denmark,
Empress of Russia
1847-1928
Georg
1871-1899
Xenia
Grand Duchess
1875-1960
Alexander
Duke
1866-1933
Alexander III
Tsar of Russia
1845-1894
Thyra
Princess of Denmark
1853-1933
Ernest August
Duke of Cumberland
1845-1923
Valdemar
Prince of Denmark
1868-1939
Marie
Princess of Orléans
1865-1909
Michael
Duke
1878-1918
Natalia
Countess
1880-1952
Grand Duchess Olga
Alexandrovna of
Russia
1882-1960
Prince Peter
of Oldenburg
1868-1924
Colonel Nikolaj
Kulikovsky
1881-1958
Tikhon
1917-1993
Gury
1919-1984
Inv itation
Preview in Copenhagen
Private opening on Thursday, November 22nd 2007
3.00 - 5.00 p.m. at Bredgade 33
Russian refreshments will be served accompanied by
the sounds of the Pavlovski Balalaika Orchestra.
We hope to see you
Jesper Bruun Rasmussen
Inv itation
Presentation in St. Petersburg
Monday, November 12th 2007
4.00 - 8.00 p.m. at the Danish Cultural Institute,
Nab.reki. Mojki d.42, 191 186 St. Petersburg
tel. 007 812 571 7466
At 5 o’clock Professor Neil Kent will be giving a lecture about
the strong imperial and royal ties between Denmark and Russia.
Refreshments will be served.
We hope to see you
Jesper Bruun Rasmussen
The collections of the Olga Archives
in their former ”home”
The Extraordinary Life of Imperial Russia’s
Last Grand Duchess: Olga Alexandrovna
Grand Duchess Olga Alexandrovna of Russia (18821960) was the youngest child of Emperor Alexander III of Russia and Empress Marie Feodorovna
(formerly Princess Dagmar of Denmark). Through
her maternal grandparents, King Christian IX and
Queen Louise of Denmark, Grand Duchess Olga
was related to virtually all of the Royal families of
Europe.
She was born at Peterhof Palace west of St. Petersburg and brought up at the Gatchina Palace,
within the environs of the Imperial Palaces of St.
Petersburg. Olga was raised under strict and modest circumstances by her parents, governesses,
and tutors. Despite this Spartan upbringing, Olga
and her siblings had the very best education in
languages (they were fluent in Russian, French,
Danish, and English), literature, mathematics, history, and art.
During summers, the imperial family vacationed at
the tsar’s hunting lodge, Spala, in Poland, and his
fishing retreat, Langinkosky, along the rocky Finnish coast. There were trips to escape the winter
cold to the tsar’s Crimean palace, Livadia. On all
of these adventures the young Olga eagerly took
in the sights. Even as a child, she began sketching
and painting what she had seen.
Olga and her father, known as the “muzik (peasant)
tsar” for his preference for the simple life over the
grand imperial regalia, shared an especially close
relationship. When he died suddenly at Livadia in
1894, the 12-year-old Olga was deeply saddened.
But she kept his memory alive by not forgetting
what he had shown and taught her: The simple
way in which he preferred to live, care and respect
for others, and appreciation of the natural beauty
around her.
To foster the natural artistic talent young Olga displayed, leading instructors from the Academy of
Arts were brought to Gatchina, including Makovsky, Zukovsky and Vinogradov. She studied with
them and others - her work from the period is clearly influenced by the style of Shishkin, Yuon and
Repin.
In 1901, Olga was married to Prince Peter Alexandrovich of Oldenburg. The marriage was “arranged” by the Empress Marie Feodorovna and proved
to be loveless. The newlywed couple resided in a
palace, the wedding gift of her brother, Tsar Nicholas II, on Sergeivskaya Street in St. Petersburg.
This same year, Olga began to take on more imperial duties and became Honorary Colonel in Chief
of the 12th Akhtyrsky Hussars. To raise funds for
the St. Eugenie Red Cross, her paintings were reproduced as postcards and sold along with those
of leading artists of the day. Olga would go on to
found her own charity to aid the poor and assume
patronage of a large school and hospital.
Seeking the more simple country life, Olga had
built a large dacha in the province of Voronezh
in the Ukraine. She called her home “Olgino,” and
it became for a time before war and revolution a
special place where Olga could practice her religion, be as one with the peasants, and, of course,
continue to paint. Concerned for the well being of
the peasants, Olga trained at Olgino to become a
nurse.
In 1903, she was introduced by her brother, Grand
Duke Michael, to Colonel Nikolai Kulikovksy – and
it was love at first sight. She asked in vain for her
marriage to be annulled. Instead, the tsar saw to it
that Col. Kulikovsky was assigned as aide de camp
to Prince Peter of Oldenburg, with the unlikely result that Olga, Prince Peter and Nikolai would live
for many years in the same palace.
When the First World War broke out in 1914, Col.
Kulikovsky was commissioned to command the
Akhtyrsky Hussars at Rovno, near the Polish-Austrian frontier. Olga could not be separated from
her Nikolai and made preparations to leave the palace in St. Petersburg in order to nurse at the frontline. In 1915, she briefly returned to St. Petersburg
to “close” her palace and say farewells. It would be
her last visit to the city she so loved. All during her
time at the front in Rovno and later at Kiev, Olga
continued to paint the gripping scenes around her.
In late 1916, her brother, Tsar Nicholas II, came to
inspect her hospital. It was a poignant time (and
the last time they would see one another) as a photograph was taken to commemorate the imperial
visit. At the conclusion of his short stay, the tsar
gave his sister the photograph and a handwritten
letter (in English, so others could not read it) annulling her marriage to Prince Peter and giving
his blessing for her marriage to Col. Kulikovsky.
The marriage took place almost immediately, on
November xx, 1916.
The year 1917 brought the close of 300 years of
Romanov rule in Russia and general chaos. Revolution gripped the country, the tsar was forced
to abdicate and Olga and other members of the
imperial family fled to the Crimea to escape certain
execution. While in the Crimea, the few members
of the Royal Family who managed to escape (including Dowager Empress Marie Feodorovna, Grand
Duchess Xenia and her husband, Grand Duke Alexander,) were place under house arrest. Because
her Nikolai was a commoner, Olga was not arrested. During this time, on August 12, 1917, Olga
gave birth to her first child, Tikhon Niklaievich
Kulikovsky (d. 1993). The Crimea was, for a short
time, occupied by German troops, which gave the
imperial exiles an opportunity to escape abroad
with the help of the British Royal Family and the
British Fleet.
But Olga was heavily pregnant again and did not
wish to leave Russia. The Red Army had been
beaten back in the Caucasus and the area was relatively calm. Olga, Nikolai, Tikhon and Olga’s maid,
Mimka, set out with Timofey Yachik, a loyal member of the palace bodyguard, who would guide
them to the safety of his own village, Novo-Minskaya. There was born, on April 23, 1919, Olga’s
second son, Guri Niklaievich Kulikovsky (d. 1984).
After a few short months of relative calm, the Red
offensive began against the Whites and the little
family began their dangerous trek out of Russia.
In Rostov-on-Don, the Danish consul gave them
shelter and assisted with arrangements for them
to leave the Crimea for Turkey. They traveled on
to Yugoslavia and finally reached Copenhagen on
Good Friday, April 2, 1920.
They joined the Dowager Empress in quarters
at Amalienborg Palace, made available by Olga’s
second cousin, King Christian X. After several
months, the imperial refugees moved to Hvidore
(today the Novo Nordisk House of Education) near
the Sound (Oresund) north of Copenhagen. Hvidore had been a summer villa purchased by the
Dowager Empress and her sister, Queen Alexandra
of England, following the death of their father but
it now became their official home.
In 1928, the Dowager Empress died at Hvidore. It
took two years to settle her estate but in 1930,
Olga (with a sizeable inheritance) and her family
acquired their own home, Knudsminde, in Ballerup. The happiest period of Olga’s painterly life
began in earnest. Her work of the 1930s through
the mid-1940s reflects this with scene after scene
of life on the 200 acre farm northwest of Copenhagen with its board pastures and rolling hills, gar-
dens, farm structures, livestock and fowl, wooded
glens and ponds. During this time, Olga became
great friends with the Danish master, Peder Monsted, and they often painted together.
Olga always made gifts of her artwork to members
of her immediate Romanov family and her more
extended royal family. Today, Queen Elizabeth II
enjoys breakfast with nine Olga paintings hanging
on the wall at Sandringham. Others are documented in the collections of Queen Margarethe of
Denmark and King Harald of Norway. But perhaps
an even bigger joy for Olga was the enthusiasm
with which her neighbors and tradesmen in Ballerup received her paintings as gifts for almost any
occasion. Her paintings were eagerly pursued at
the annual bazaar held by the Russian Orthodox
Cathedral in Copenhagen and this led to the idea
of broader public sale.
Art dealer Richard Pederson of Copenhagen became her “agent,” a role he played until the end of
Olga’s artistic career and death. Pederson held an
exhibit for Olga in his gallery in 1934 with an enthusiastic response. In 1936, Olga’s artwork was
exhibited in London at Agnew’s, which sponsored
a sale to benefit Russian refugees living in England. Such notables as Queen Mary, Queen Maud
of Norway, Baron Rothschild, the Churchills and
Cecil Beaton acquired all 50 paintings Olga sent
within two days.
As the World War II occupation of Denmark began,
Olga found herself caught up in dangerous intrigue. Rumors ran rampant that she and her family
might be handed over to the Soviets and returned
to Russia as “imperial prisoners.” It became too
dangerous for the family to remain in Denmark and
in 1948, at age 66, Olga began her final exile by
moving to far away Canada.
The family (Olga and Nicholai, their sons and
daughters-in-law, and two grandchildren) settled
on a farm in the vast, flat countryside outside of
Toronto. The scene inspired Olga and reminded her
of Imperial Russia, as well as Denmark. She continued painting, sending much of her artwork back
to the Pederson Gallery in Copenhagen to be sold
in Europe. After several years, Olga and Nikolai
sold the Campbellville farm and retired to a smaller home in Cooksville, closer to Toronto. There,
in 1958, Nikolai died. Olga, declining in health,
remained in the Cooksville home surrounded by
her artwork and the many Romanov family treasures she had so carefully carried through revolution
and exile. In April of 1960, she was hospitalized in
Toronto but was eventually allowed to be cared for
by close friends whose apartment was above their
beauty salon – giving rise to the rumor that Olga
died penniless in a poor part of town. Such was
not the case with Russia’s last grand duchess, but
it would not have mattered to Olga Alexandrovna
what people thought.
Grand Duchess Olga painted her entire life, starting with drawing lessons as a child, and continuing through the extraordinary events that unfolded each decade. Exhibitions of her work have
been held in St. Petersburg, London, Copenhagen,
Toronto, Sweden, Germany, and more recently at
the Smithsonian Institute and the Russian Ambassador’s Residence in Washington, DC; the new
Tretyakov Gallery in Moscow; and Langinkosky
in Finland. A permanent exhibit is on view at the
Ballerup Egnsmuseum.
This private foreign collection gives us an impression of the breadth of Grand Duchess Olga’s oeuvre. The collection includes Russian, Danish and
Canadian landscapes painted during all times of
the year, beautiful and colorful still life depictions
with potted plants, and bunches of flowers, often
placed on windowsills, as well as fine small flower studies. Furthermore, the collection includes
portraits of her family and royal relatives and the
every day scenes she encountered and the beauty
she found around her. Olga always considered her
painting to be a “hobby,” which is why she did not
title her works and seldom dated them.
The collection also includes other objects that were
highly personal reminders of Olga’s past – cherished family “treasures” that the Grand Duchess
Olga preserved with great personal effort.
Many items in the collection have never been seen
outside the Romanov family and have not been offered previously for general public sale. The majority of works in the collection had been inherited
by Olga’s younger son, Guri, and left to his second
wife and widow. The provenance of other items
include the Dowager Empress Marie Feodorovna
and members of the family of Grand Duchess Xenia
Alexandrovna (Olga’s sister).
Ольга Александровна Романова.
Необычайная жизнь последней Великой Княгини Российской Империи.
Великая Княгиня Ольга Александровна (18821960) была младшим ребенком Императора
России Александра III и Императрицы Марии
Федоровны (в девичестве Принцессы Дагмар
Датской). Через бабушку и дедушку по линии
матери, Короля Кристиана IX и Королевы
Луизы Датской, Ольга была связана фактически
со всеми королевскими домами Европы.
Ольга наслаждалась всем увиденным. Будучи
еще ребенком, она делала зарисовки видов
и полученных в путешествиях впечатлений.
Она родилась в Петергофском дворце к западу
от Санкт-Петербурга и выросла в Большом
Гатчинском дворце. Ольга воспитывалась
родителями, гувернантками и наставниками
в
строгости
и
скромности.
Несмотря
на спартанское воспитание, Ольга, ее сестра
и братья получили превосходное образование.
Они свободно говорили на русском, французском,
датском, и английском языках, изучали
литературу, математику, историю и искусство.
Ольгу и ее отца, прозванного «царь-мужик» изза его предпочтения простой жизни царским
регалиям,
связывали
особенно
близкие
отношения, и 12-летняя Ольга была глубоко
опечалена в связи с его внезапной смертью в 1894
году. Но она поддерживала память Александра,
не забывая все, чему он ее учил: вести скромный
образ жизни, проявлять заботу и уважение
по отношению к другим, ценить окружающую
красоту.
Для формирования естественного художественного таланта проявившегося в юной Ольге
были привлечены ведущие преподаватели
Академии художеств, включая Маковского,
Жуковского и Виноградова.
Летом царская семья проводила отпуск
в Спала, охотничьем домике царя в Польше,
или в Финляндии, в домике для рыбалки
на р. Лангинкоски, а зимой спасалась от зимнего
холода в Крыму, в Ливадийском дворце. Юная
В 1901 Ольга вышла замуж за Принца Петра
Александровича Ольденбургского. Брак был
устроен Императрицей Марией Федоровной
и оказался несчастливым. Молодожёны жили
на ул. Сергиевской в Санкт-Петербурге,
во дворце, полученном в подарок от брата
Княгини, Императора Николая II. В том же
году Ольга начала принимать на себя больше
государственных
обязанностей,
и
была
произведена в звание Почетного командующего
12-го Ахтырского гусарского полка.
Для сбора средств в пользу Красного Креста, были
отпечатаны на открытках репродукции ее работ
(наряду с произведениями ведущих художников
того времени). Ольга находила применение
своему милосердию, покровительствуя школам
и больницам и помогая неимущим.
В поиске простой сельской жизни Ольга
построила большую дачу в Воронежской
губернии. Свой дом она назвала «Ольгино»,
и до войны и революции он был ее прибежищем
- местом, где Княгиня могла молиться, жить
наравне с крестьянами, и, конечно, продолжать
занятия живописью. Здесь Ольга обучилась
сестринскому делу.
В 1903 г. Великий Князь Михаил, брат Княгини,
представил ей полковника Николая Куликовского
– и это была любовь с первого взгляда. Напрасно
просила она брата Николая II об аннулировании
брака. Напротив, царь лично проследил, чтобы
полковник Куликовский был включен в свиту
Принца Петра Ольденбургского. Ольга, Принц
Петр и Николай должны были на протяжении
многих лет жить в одном дворце.
В 1914 году, когда вспыхнула Первая Мировая
война, полковник Куликовский был уполномочен
командовать Ахтырскими гусарами в Ровно,
около польско-австрийской границы. Ольга
отправилась на линию фронта следом за своим
Николаем сестрой милосердия. В 1915 г., она
ненадолго приехала в Санкт-Петербург, и это
был последний визит в город, столь любимый
ею. И на фронте в Ровно, и позже в Киеве, Ольга
продолжала зарисовывать происходящее вокруг
в свой альбом. В конце 1916 года брат Княгини,
царь Николай II, приехал осмотреть ее больницу.
Атмосфера, как оказалось, последней встречи
старшего брата и младшей сестры, запечатленной
на фотографии полевой хроники, была натянутой.
По окончании своего короткого пребывания, царь
дал сестре свою фотографию и написанное от
руки письмо на английском языке - чтобы другие
не могли его прочесть, - расторгающее ее брак
с Принцем Ольденбургским и благословляющее
на брак с полковником Куликовским. Церемония
состоялась сразу же, в ноябре 1916 года.
Год 1917-й принес России окончание 300-летнего
правления династии Романовых и сплошной
хаос. Революция охватила страну, и царь был
вынужден отречься от престола. Чтобы избежать
расправы Ольга и другие члены императорской
семьи (включая Вдовствующую Импреатрицу
Марию Федоровну, Великую Княгиню Ксению и
ее мужа, Великого Князя Александра) бежали из
Петербурга, но оказались под домашним арестом
в Крыму. Поскольку муж Ольги Николай был
простого происхождениия, она избежала взятия
под стражу. В это время, 12 августа 1917 года,
родился первый ребенок Ольги, Тихон Николаевич
Куликовский (ум. 1993). Крым был ненадолго
занят немецкими войсками, что при содействии
британских родственников и Британского флота
дало царственным изгнанникам возможность
уехать за границу.
Но Ольга была снова беременна и не желала
оставлять Россию. Красная Армия была
отброшена на Кавказ, и на юге страны было
относительно спокойно. Ольга, Николай, Тихон
и горничная Мимка, перебрались в НовоМинскую, родную деревню казака Тимофея
Ящика, служащего дворцовой охраны. Там,
23 апреля 1919 года, родился второй сын Ольги,
Гурий Николаевич Куликовский (ум. 1984). После
нескольких месяцев относительного спокойствия,
Красная армия перешла в наступление, потеснив
Белую гвардию. Небольшая семья начала свое
опасное путешествие из России. Датский консул
дал им убежище в Ростове-на-Дону и принял все
необходимые меры для того, чтобы семья могла
беспрепятственно покинуть Крым и попасть
в Турцию. Затем они оказались Югославии
и, наконец, достигли Копенгагена в Великую
пятницу, 2 апреля 1920 года.
По приглашению Короля Кристиана Х,
троюродного брата Ольги, они поселились
в апартаментах дворца Амалиенборг вместе
с Вдовствующей Императрицей. Несколькими
месяцами позже беженцы переехали в Видоре
(сегодня Новый Дом Образования Северных
стран) на берегу пролива Оресунд к северу
от Копенгагена. Видоре была летней виллой,
купленной
вдовствующей
императрицей
и ее сестрой, королевой Британии Александрой
после смерти их отца, и теперь стала их домом.
Вдовствующая Императрица умерла в Видоре
в 1928 году, и потребовалось два года, чтобы
уладить ее состояние, но, наконец, в 1930-м Ольга,
будучи обладательницей большого наследства,
приобрела собственный дом, Кнудсминде,
в городке Баллеруп. Начался самый счастливый
период творческой жизни Ольги. Ее работы
1930-х - сер. 1940-х одна за другой отображают
сцены счастливой жизни на 200-акровой ферме
к северо-западу от Копенгагена, с ее пастбищами,
холмами, садами, постройками, домашним
скотом и птицей, лесистыми берегами рек
и водоемов. В это время Ольга очень подружилась
с настоящим мастером пейзажа, датчанином
Педером Мёнстедом, и они часто работали
вместе.
Ольга часто дарила свои работы родным и близким
из семьи Романовых и окружения, равно как
и монаршим европейским родственникам. Сегодня
королева Елизавета II наслаждается завтраком
в Сандрингаме в окружении девяти картин Ольги.
Другие работы входят в собрания Королевы
Дании Маргарете и Короля Норвегии Харальда.
Но возможно большую радость ей доставляло
воодушевление, с которым ее соседи и торговцы
в Баллерупе получали ее картины в подарок.
Ее картины распродавались моментально
на ежегодном базаре, организованном тогда
Русской Православной церковью в Копенгагене,
и это привело ее к мысли о расширении продаж
работ.
Торговец произведениями искусства Ричард
Педерсон из Копенгагена принял на себя роль
«агента» и играл ее до конца художественной
карьеры Ольги , пришедшего лишь со смертью
Великой Княгини. Выставка работ Ольги,
организованная в Педерсоном в 1934 году в его
галерее, получила массу восторженных откликов,
и в 1936 году ее картины экспонировались
в Лондоне в галерее Агнью на благотворительной
выставке в пользу русских беженцев, живущих
в Англии. Все предоставленные Великой
Княгиней 50 работ, были приобретены в течение
двух дней такими светилами как Kоролева Мария,
Королева Норвегии Мод, Барон Ротшильд, семья
Черчилль и Сесил Битон.
С момента оккупации Дании в ходе Второй
Мировой войны, Ольга обнаружила себя
вовлеченной в опасную интригу. В обществе
поползли слухи о возможной передаче ее в руки
Советского правительства и отправлении
ее семьи обратно в Россию. Оставаться в Дании
стало опасным и в 1948 году, в 66 лет, Великая
Княгиня Ольга отправилась в последнее изгнание
- в Канаду.
Вся семья (Ольга, Николай, их сыновья, невестки,
и два внука) осели на ферме, расположенной
на обширной равнине близ Торонто. Пейзаж
вдохновлял Ольгу, напоминая ей одновременно
и о царской России, и о Дании. Она продолжала
писать, отправляя большую часть своих работ
в галерею Ричарда Педерсона в Копенгагене для
продажи в Европе. Через несколько лет супруги
Куликовские продали ферму Кэмпбеллвиль
и удалились в небольшой домик в Куксвилле,
поближе к Торонто. Там, в 1958 году, умер Николай.
Слабея здоровьем, Ольга оставалась в Куксвилле,
в окружении собственных работ и сокровищ
семьи Романовых, бережно пронесенных
ею через революцию и изгнание. Она была
госпитализирована в Торонто в апреле 1960
года, но в итоге заботу о больной передали
в руки близких друзей. Это происшествие
породило легенду о том, что Ольга умерла
в бедном квартале города без гроша в кармане.
Великая Княгиня Ольга не оставляла живопись
ни при каких обстоятельствах, посвятив
ей всю жизнь. Ее работы выставлялись в СанктПетербурге, Лондоне, Копенгагене, Торонто,
Швеции, Германии; позже - в Институте
Smithsonian, резиденции российского посла
в Вашингтоне, Третьяковской галерее в
Москве и в музее-усадьбе Лангинкоски
в
Финляндии.
Постоянная
экспозиция
произведений
художницы
работает
в Краеведческом музее г. Баллеруп.
Данное
частное
собрание
представляет
наследие Великой Княгини Ольги во всей
полноте. Оно включает российские, датские
и канадские пейзажи всех времен года, яркие
и сочные натюрморты с цветами в горшках
и букетах вместе с прекрасными небольшими цветочными этюдами. Кроме того,
в коллекции находятся портреты членов
семьи Ольги и ее монарших родственников,
зарисовки
пережитых
ею
событий
и ежедневных впечатлений. Ольга всегда
относилась
к
своему
творчеству
как
к «хобби». Это объясняет отсутствие названий
и дат у большинства исполненных ею работ.
Многие предметы коллекции никогда прежде
не покидали семьи Романовых. Большинство
представленных в ней работ было унаследовано
младшим сыном Ольги, Гурием, и перешло
по наследству к его вдове, второй супруге.
Провенанс других предметов связан с именами
Вдовствующей Императрицы Марии Федоровны
и членов семьи Великой Княгини Ксении
Александровны (сестры Ольги).
head of the russian department
cataloguing
Kasper Nielsen
3343 6988
[email protected]
paintings
Birte Stokholm
3343 6976
[email protected]
Frederik Bruun Rasmussen
3343 6970
[email protected]
paintings
Nikolaj Brandt
3343 6983
[email protected]
ceramics, glass and oriental art
Charlotte Hviid
3343 6982
[email protected]
russian experts and representatives
silver
Sabrina Ulrich Vinther
2570 5941
[email protected]
professor
Elena Nesterova
Academy of Fine Arts St. Petersburg
[email protected]
jewellery and watches
Heidi Schophuus Jensen
3343 6840
[email protected]
Tatiana Heikkilä
3343 6979
[email protected]
furniture, bronzes and clocks
Thomas Lembourn
3343 6973
[email protected]
professor
Neil Kent
representative in UK and Russia
[email protected]
furniture, bronzes and clocks
Anders Fredsted
3343 6964
[email protected]
Irina Popova
Academy of Fine Arts St. Petersburg
[email protected]
carpets and icons
Henrik Schleppegrell
3343 6980
[email protected]
russian
works of art
tuesday 4 december 1 pm
lot no. 1365 - 1511
1365
Russian mantel clock in case of Karelian birchpanel. Mounts and figure of seated woman in bronze.
Dial of pewter.
Signed. Hynam. First half of the
19th century. H. 58 cm.
Benjamin Hynam (1769-1850) clockmaker to the Imperial Court. His work
is represented at the Polytechnic Museum and in the Hermitage in St. Petersburg.
DKK 12.000 / € 1.600
1365
1366
1367
1366
Russian Empire mahogany-framed mirror, inlaid with strips
of brass. Early 19th century. H. 175 cm. W. 85 cm.
DKK 20.000 / € 2.700
1367
Russian boulliotte lamp of gilded bronze, two curved arms for
lights cast with swans. Adjustable shade of pink-painted metal.
19th century. H. 58 cm.
DKK 25.000 / € 3.400
1368
208
1368
Russian display cabinet of mahogany inlaid with brassmoldings. On top a pierced gallery. Front and sides of glass.
19th-20th century. H. 178 cm. W. 70 cm. D. 47 cm.
DKK 25.000 / € 3.400
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1369
Russian bureau of mahogany, inlaid with brass, on top an
openwork gallery decorated with
vases, curved writing flap, behind
which are small drawers and pigeonholes. Lower part with curved
front, one large drawer, side cabinets
- each of which have two drawers.
20th century.
DKK 50.000-60.000 / € 6.700-8.000
1369
1370
1370
Two Russian bergère armchairs of
gilded panel, the arms carved with
swans, curved legs. 20th century.
(2).
DKK 25.000 / € 3.400
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
209
1371
A pair of Empire candlesticks of gilded
bronze, stems in the form of nymphs, each
holding one arm for a light. Four-sided bases of white marble. Probably Russian. Early
19th century. H. 33 cm. (2).
DKK 30.000 / € 4.000
1372
"Soviet War Memorial" - sculpture of patinated bronze, representing a Soviet soldier.
Stamped (in Cyrillic letters): the Factory Leningrad, 1959 Vuchetich. Inscription: "Dedicated to the veteran of the Second World
War N.G. Beriashvili, 1975". H. 43 cm.
The original of this sculpture, which is 12.6 m
high and called "The Soviet War Memorial" is in
the Treptower Park in Berlin.
DKK 20.000 / € 2.700
1371
1372
1373
210
1373
A pair of Russian candlesticks of gilded bronze, a boy and girl in traditional costume, four-sided bases of black
marble. Ca. 1900. H. 18 cm. (2).
DKK 15.000-20.000 / € 2.000-2.700
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1374
1374
Evgeny Ivanovich Naps; Russian figure group of
patinated bronze. Troika with an elk and two
hunters. Signed in Cyrillic letters E. Naps, 1879.
Bronze founder: Karl F. Verfel, St Petersburg,
Russia, 19th century.
H. 14 cm. L. 29 cm. W. 14.5 cm.
DKK 40.000 / € 5.400
1374
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
1374
211
1376
1375
1375
A Russian 19th century glass chandelier.
H. 68 cm. Diam. 58 cm.
DKK 30.000 / € 4.000
1377
A pair of Russian Louis XVI style, brassmounted, mahogany armchairs, each with a rectangular backrest with fan-shaped medallion,
brass fluted armrest and legs. 20th century. (2).
Similar armchairs can be seen at the Pavlovska Palace. Bibliography: Antoine Chenevière, Russian Furniture of the Golden Age, p. 115.
DKK 60.000 / € 8.000
1376
Russian hanging lamp of diamond-cut glass,
mounting of gilded bronze, hung with prisms in
chains. 19th century. H. 54 cm. Diam. 33 cm.
DKK 30.000 / € 4.000
1377
212
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1378
Russian chandelier of gilded and patinated
bronze, cast with scallops, openwork palmettes
and six curved arms for lights. 19th century.
H. 76 cm. Diam. 70 cm.
DKK 12.000 / € 1.600
1379
Late Empire armchair of mahogany, carved with
rosettes. Sabots and casters of brass. First half of
19th century. Possibly Russia.
DKK 8.000 / € 1.100
1378
1380
A pair of Russian mahogany armchairs,
inlaid with fluted brass mouldings. Partly
19th century. (2).
Bibliography: Antoine Chenevière, Russian
Furniture of the Golden Age, p. 117.
DKK 20.000 / € 2.700
1379
1380
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
213
1381
Vasily Yakovlevich Grachev (1831-1905); A bronze group of a troika passing a peasant with sled.
Inscribed with signature and with Woerffel foundry mark. Russia, 19th century. H. 22 cm. L. 54
cm. W. 30 cm.
Vasily Yakovlevich Grachev (1831-1905), was a selftaught sculptor, known for his many small sculptures
and works in bronze and, less frequently, silver and
iron. Born into a peasant family, he was sent to school
in St. Petersburg under the guidance of V. Andreevich the Court Master in Chasing. Afterwards he started
working as a model-maker (models of wax) and was
the chaser for the renowned jewellers F.A. Verhovtsev, P.
A. Ovchinnikov, V. I. Safonov, A. A. Smirnov, I. S.
Sazikov and I. P. Khelbnykov, as well as for the "K.F.
Verfel and Hesserich bronze founders", from where
many of his bronzes originate.
The precent sculpture represents the splendor of V.Y.
Gratchev's work at the height of his career.
DKK 500.000 / € 67.000
214
1381
ǘȤȔȫșȖ ǗȔȥȜȟȜȝ ǴȞȢȖȟșȖȜȫ ² ȥȞȧȟȰȣȦȢȤȥȔȠȢȧȫȞȔ ȜțȖșȥȦșȡ ȞȔȞ ȔȖȦȢȤ
ȠȡȢȗȢȫȜȥȟșȡȡȯȩ ȠȢȘșȟșȝ ȠșȟȞȢȝ ȣȟȔȥȦȜȞȜ
ȜȣȤȜȞȟȔȘȡȢȗȢȜȥȞȧȥȥȦȖȔȢȦȟȜȖȔȖȬȜȩȥȓȖȕȤȢȡțș
ȤșȚșȖȥșȤșȕȤșȜȫȧȗȧȡșǤȤȢȜȥȩȢȘȜȟȜțȥșȠȰȜ
ȗȢȥȧȘȔȤȥȦȖșȡȡȯȩȞȤșȥȦȰȓȡȠȔȟȰȫȜȞȢȠȕȯȟȢȦȘȔȡ
ȖȧȫșȡȜȞȜȣșȦșȤȕȧȤȗȥȞȢȠȧȣȤȜȘȖȢȤȡȢȠȧȠȔȥȦșȤȧ
ȣȢ ȫșȞȔȡȞș Ǘ ǕȡȘȤșșȖȧ Ǘ ȘȔȟȰȡșȝȬșȠ ȤȔȕȢȦȔȟ
ȠȢȘșȟȰȭȜȞȢȠ ȖȯȣȢȟȡȓȟ ȠȢȘșȟȜ Ȝț ȖȢȥȞȔ
ȕȯȟ ȫșȞȔȡȭȜȞȢȠ ȡȔ ȜțȖșȥȦȡȯȩ ȲȖșȟȜȤȡȯȩ
ȨȔȕȤȜȞȔȩǩǕǗșȤȩȢȖȪșȖȔǤǕǣȖȫȜȡȡȜȞȢȖȔ
ǗǝǦȔȨȤȢȡȢȖȔǕǕǦȠȜȤȡȢȖȔǝǦǦȔțȜȞȢȖȔ
ǝ Ǥ ǪȟșȕȡȜȞȢȖȔ Ȕ ȦȔȞȚș ȡȔ ©ǩȔȕȤȜȞș
ȕȤȢȡțȢȖȯȩȜțȘșȟȜȝǟǩǗșȤȨșȟȓȜǘșȥȥșȤȜȩȔª
ǡȡȢȗȜșșȗȢȣȤȢȜțȖșȘșȡȜȓȣșȤșȖșȘșȡȡȯșȖȕȤȢȡțȧ
ȜțȖșȥȦȡȯ ȣȢȘ ȱȦȢȝ ȠȔȤȞȢȝ ǤȤșȘȥȦȔȖȟșȡȡȔȓ
ȡȔ ȔȧȞȪȜȢȡș ȥȞȧȟȰȣȦȧȤȡȔȓ ȗȤȧȣȣȔ ȓȖȟȓșȦ ȥȢȕȢȝ
ȣȤșȖȢȥȩȢȘȡȯȝ ȢȕȤȔțșȪ ȤȔȕȢȦȯ ǗǴ ǘȤȔȫșȖȔ
ȣșȤȜȢȘȔ ȤȔȥȪȖșȦȔ ȦȖȢȤȫșȥȞȢȝ ȘșȓȦșȟȰȡȢȥȦȜ
ȥȞȧȟȰȣȦȢȤȔ
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1381
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
215
1382
Russian Louis XVI chandelier with brass frame,
the centre adorned with a vase of blue opaline
glass. Late 18th century.
H. 75 cm. Diam. 60 cm.
DKK 10.000-15.000 / € 1.300-2.000
1382
1383
Secretaire of Brazilian rosepanel, richly carved with foliage. Burnt-in stamp on back for
Empress Dagmar of Russia. 19th century.
H. 165 cm. W. 72 cm. D. 40 cm.
From the auction of the late Empress Dagmar of
Russia, Hvidøre near Klampenborg, 1929.
DKK 30.000 / € 4.000
1383
1384
Russian barrel organ of black-stained walnut,
inlaid with Cyrillic letters, figures, flowers and
foliage in light and dark panel, some painted
panel. The front with pipes, decorated with
dancers and flowers in colours. Mounts of
chrome-plated metal. Odessa, second half of
19th century. H. 57 cm. W. 49 cm. D. 36 cm.
DKK 40.000 / € 5.400
1384
216
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1385
A Baltic late-Empire birchpanel and
black- painted secretaire, curved top
with mirror, below this a writing flap, behind which are draws and a mirror cabinet. Lower part with three large drawers,
profiled base of mahogany. First half of
19th century.
H. 207 cm. W. 112 cm. D. 55 cm.
DKK 50.000 / € 6.700
1385
1386
1386
Russian inkstand of gilded bronze and
malachite, consisting of a stamp, two inkwells of cut glass, a blotter and a box.
19th-20th century. L. 19 cm. (4).
DKK 15.000 / € 2.000
1387
Set of six Russian or Baltic mahogany
chairs inlaid with brass. Straight, tapering legs. Marked with a crowned "W".
19th century. (6).
DKK 20.000 / € 2.700
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
1387
217
1388
Russian chalice of gilded silver, baluster-shaped
stem with mascarons, richly hammered and
chased with ornamentation showing the Three
Evangelists. Engraved Russian inscription which
states that the chalice was a gift from the Mayor
of Novgorod, Mikola Bogdanovich and his wife
Christina Tichonova to the Cathedral Church of
the Holy Martyrs Boris and Gleb, 1st December,
1643. Weight 510 gr. H. 27 cm.
DKK 60.000 / € 8.000
1389
Large Russian, presentation tray of silver, rim
and handles richly cast with stylised foliage and
ornament, the centre engraved with flowers in
the centre. Maker Groenmark, St. Petersburg
town mark and year 1841. L. 77 cm.
DKK 40.000-60.000 / € 5.400-8.000
1388
1389
218
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1390
1390
Russian centerpiece of partly gilded silver with
profiled, raised base. Maker's mark A. Kozvolska, Moscow 1852. Engraved with crowned monogram. Weight 295 gr. L. 22 cm.
DKK 8.000-10.000 / € 1.100-1.300
1391
Russian Empire chalice of partly-gilded silver,
engraved with Classical and Biblical scenes and
inscription. Indistinct maker's mark A? Assay
mark for Nikolai Lukitch Dubrovin, Moscow
town mark 1824. Weight 340 gr. H. 22.5 cm.
DKK 40.000-50.000 / € 5.400-6.700
1391
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
219
1392
1392
A pair of Russian Empire pointed-oval centrepieces of partly-gilded silver. Each with boat-shaped body, two curved handles on four-sided feet.
Maker Mikhail Gratchev, Moscow town mark, late 19th century. Weight 950 gr. L. 33 cm. (2).
DKK 25.000-30.000 / € 3.400-4.000
1393
Russian strawberry bowl of cut crystal with silver
mounts, border with foliage and cross bands.
The rim has the owner's initials and Roman numerals. Maker's mark, possibly of the firm of P.
Ovschnikov, Moscow, founded in 1873. L. 37 cm.
DKK 60.000-80.000 / € 8.000-11.000
1393
220
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1394
1394
Russian goblet of gilt silver, bowl with lobed edge, stem in the form of a man in hunting costume, finial in the form of the Russian double
eagle. Unidentified maker's mark BA? Assay
marks for Fedor Alderman Petrov, Moscow
town mark 176?. Weight ca. 325 gr.
H. 32 cm.
DKK 30.000-35.000 / € 4.000-4.700
1395
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
1395
A pair of Russian silver candlesticks, with profiled stems, stylised foliage, four-sided bases with
drawn-in corners. Bases with the later-engraved
Ev.S. 1894. Possibly the work of Alexander Illyich Jaschinov, St. Petersburg town mark 1806.
Weight 1635 gr. H. 30 cm. (2).
DKK 25.000 / € 3.400
221
1396
1396
Small Russian box of partly-gilded silver, richly decorated with enamel in colours. Possibly the work of
Ivan Dmitrievich Saltikov, Moscow 1896.
Weight 255 gr. L. 10 cm.
DKK 20.000 / € 2.700
1397
Russian teacup and spoon of gilded silver inlaid with
enamel in colours. Includes original cut- glass liner.
Russia ca. 1880. Unidentified maker's mark GMA.
Weight 280 gr.(2). DKK 8.000-10.000 / € 1.100-1.300
1398
Russian kovsch of partly-gilt silver, richly decorated
with enamel in colours. Indistinct maker's mark.
1908-1917. Weight 200 gr. L. 16 cm.
DKK 10.000-15.000 / € 1.300-2.000
1397
1398
222
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1399
Russian ale bucket of partly-gilt silver, barrel-shaped body engraved with ornament, scenery with
a team of horses and figures and cannulations.
Edge with inscription "Ale, the drink to hand
the most important thing is love.
Maker Ovchinnikov, Moscow town mark, 1877.
Weight ca. 1515 gr. H. 26 cm.
DKK 60.000 / € 8.000
1400
Small, round Russian bowl of partly-gilded silver,
richly decorated with ornamentation in geometric patterns. Moscow town mark 1855, assay
mark for Andrei Antonovich Kovalsky.
Weight 200 gr. H. 7,5 cm.
DKK 12.000 / € 1.600
1401
Russian basket with handle of partly-gilded silver. Richly engraved with geometric patterns.
Maker's marks unclear.
Weight 620 gr. Diam. 16 cm.
DKK 35.000 / € 4.700
1402
Russian tankard of parcel-gilt silver, richly inlaid
with niello in geometric patterns. Maker Ivan Semenovich Gubkin, Moscow town mark 1855.
Weight 365 gr. H. 14,5 cm.
DKK 15.000 / € 2.000
1399
1401
1402
1400
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
223
1403
1403
Russian niello tabatière, of partly-gilded silver in the
shape of a book. Cover and bottom richly inlaid with
scenes of figures inlaid with niello. Maker possibly
Vasili Petrov Ikonnikov 1762-1800. Moscow town
mark. Weight 96 gr. L. 9 cm.
DKK 12.000 / € 1.600
1404
1404
Russian trompe l'oeil cigar box of partly-gilt silver.
Moscow 1896-1908. Weight ca. 490 gr. L. 15 cm.
DKK 30.000 / € 4.000
224
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1405
1405
Fabergé vanity box. Of partly-gilded silver, the front
modelled as an owl. The lock has cut blue stones. Inside divided into three compartments, cut mirror and
picture frame. Maker's mark Karl Fabergé, 1908-1917.
Weight 235 gr. L. 10 cm. W. 5.5 cm.
DKK 100.000 / € 13.000
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
225
1406
Russian box of partly-gilt silver, decorated
with trompe l'oeil effect. Maker Pavel
Fedorovich Sasikov, Moscow 1869, assay
mark for Viktor Savinkov.
Weight ca. 270 gr. Diam. 9.5 cm.
DKK 25.000 / € 3.400
1406
1407
Egg of partly-gilt silver, richly decorated with enamel in
colours. On top a cabouchon-cut stone. St. Petersburg
town mark, 1908-1917. Weight 105 gr. H. 10 cm.
DKK 10.000-15.000 / € 1.300-2.000
1408
Russian box of partly-gilt silver, richly inlaid with enamel
in colours and geometric patterns. Maker Ivan Krutikov,
St. Petersburg. Second half of the 19th century.
Weight 870 gr. L. 15cm.
Brought back from Irkutsk ca. 1920. DKK 15.000 / € 2.000
1407
1408
226
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1409
Large Russian kovsch of partly-gilt silver,
richly inlaid with enamel in colours and
set with garnets. Maker's mark MC. Assay
mark for Alexander Sevya, St. Petersburg
1894. Weight ca. 580 gr. L. 26 cm.
DKK 15.000-20.000 / € 2.000-2.700
1409
1410
Russian partly gilded silver punch set, consisting of
punch-bowl, ladle and 6 cups. The cups and bowl
are decorated with barrel hoops and engraved with
flowers. Inscription on the back. Unidentified maker's mark CA 1896-1905. Weight 1085 gr. H. 24 cm.
(8).
DKK 15.000-20.000 / € 2.000-2.700
1410
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
227
1411
1411
Russian bowl of hammered silver. Undulating
edge, modelled with lizard. Assay mark. St.
Petersburg 1885 Unidentified maker's mark.
Weight 315 gr. L. 16 cm.
DKK 15.000 / € 2.000
1412
Russian bowl of gilded silver, the handle and
sides engraved with ornamentation. Possibly
the work of Stepan Kuzmich Levin, Moscow
town mark and year 1884.
Weight 274 gr. Diam. 14 cm.
DKK 8.000-10.000 / € 1.100-1.300
1413
2 Russian small evening bags of silver. Locks
with, respectively, red and blue facetted stones. One bears an applied gilded inscription
in Russian. Russia 1896-1908. Weight 560 gr.
L.15-20 cm. (2).
DKK 8.000-10.000 / € 1.100-1.300
1412
1413
228
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1414
1414
Russian flatware of fire-gilt silver, the handles
set with the cast armorial crest of the princely
Kozakov family. Comprises 12 knives entirely
of silver, 12 forks, 12 spoons, 12 teaspoons, 1
ladle and 1 serving spoon. Maker Vasili S. Semionov. Moscow town marks 1840, 1871 and
1882. Assay mark of Viktor Savinkov. (50).
Provenance: Purchased in the 1950s by the present
owner from the antiques dealer Ferlov at Bremerholm 2,Copenhagen.
DKK 80.000-100.000 / € 11.000-13.000
1415
Russian vodka flask concealed in the form of
a silver bear standing on a rounded base. Maker Pavel Ferorovich Sasikov. Moscow town
mark 1896-1908. Weight ca. 960 gr. H. 22 cm.
DKK 60.000-80.000 / € 8.000-11.000
1415
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
229
1416
1416
A very large russian silver wine cistern of impressive
size. The oval base supporting a similar lobed and
fluted bowl of ample proportions supporting two demihorse handles. Maker Carl Bojanowski, Sct. Petersburg
townmark and year 1861. Weight 9.750 gr. Overall
length 89 cm. H. 32 cm.
This rare cistern, unusual in Russian silver for it enormous
size, is inspired by an early 18th Century English silver
example, by silversmith Philip Rollos, London, 1712, illustrated in Michael Clayton, The Collector's Dictionary of the
Silver and Gold of Great Britain and North America. Illustrated in Country Life, London, 1971, p. 337, pl. 713.
DKK 800.000-1.000.000 / € 107.000-134.000
230
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
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RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
231
1417
1417
Russian silver teapot. Small flat body, handle and
cover knob of amber-coloured panel. Maker Gustav Okerblom. Assayer Dmitri Illyich Tverskoy
1840. St. Petersburg town mark.
Weight 520 gr. H. 11.
DKK 6.000-8.000 / € 800-1.100
1418
Six Russian silver plates with profiled rim. No maker's mark. Unidentified assay mark. Moscow
town mark, 1894. Weight 3520 gr. Diam. 25 cm.
(6).
DKK 28.000-30.000 / € 3.800-4.000
1418
232
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1419
1419
A pair of Russian partly-gilded silver sauceboats
with fixed stands. Each with a fluted body, curved
handle and rim with stylised foliage. Maker Gustav
Abraham Bernström, St. Petersburg town mark
1834, assay mark of Mikhail Mikhailovich Karpinsky. Weight 1390 gr. L. 24 cm. (2).
Gustav Abraham Bernström was born in 1792 in Borga,
Finland. He came to St. Petersburg in 1812, where he
became a silversmith in 1815. He worked for the court,
for which work he was given a royal appointment.
DKK 75.000-100.000 / € 10.000-13.000
1420
Russian egg of partly gilded silver, richly inlaid with
coloured enamel. Inside, a picture of a Saint.
Unmarked. Late 19th century.
Weight 105 gr. H. 7.5 cm.
DKK 10.000 / € 1.300
1420
1420
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
233
1421
1421
Russian boat-shaped sauceboat of partly-gilded silver. Detachable saucer, grooved rim. Maker possibly Andrei Stepanovich Bragin, St. Petersburg
town mark. 19th cent. Weight 500 gr. L. 22.5 cm.
DKK 12.000-15.000 / € 1.600-2.000
1422
Russian Rococo sukker box of silver, embossed
with rocailles and combings, on four feet. Maker
possibly Alexei Ivanov Ratkov, Moscow town mark
and year 1771. Also smaller sukker box of silver,
embossed with rocailles and combings, on four feet. Unmarked, probably Russian, 18th century.
Weight ca. 415 gr. L. 12-15 cm. (2).
DKK 20.000 / € 2.700
1422
234
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1423
1423
Russian partly gilded silver tankard. Smooth body,
round foot. Maker Vasili Efimovich Baladanov, St.
Petersburg town mark 1893.
Weight 350 gr. H. 18 cm.
DKK 15.000-20.000 / € 2.000-2.700
1424
1424
Russian vodka beaker of partly-gilt silver in the
form of a bear's head. Moscow ca. 1880. Unidentified maker's mark NEA?
Weight ca. 345 gr. H. 8 cm.
DKK 20.000 / € 2.700
1425
Russian tankard of partly gilded silver. Richly
cast and chased with ornamentation, profiled
foot. Side engraved with initials. Maker Pavel
Akimov Ovschnikov, Moscow town mark 1893.
Weight 675 gr. H. 17 cm.
DKK 20.000-30.000 / € 2.700-4.000
1425
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
235
1426
Russian candelabrum of silver with
arms for two lights, round base with
medallion. Maker Ignazy Sazikov.
Moscow town mark and year 1864.
Weight 560 gr. H. 22.5 cm.
DKK 10.000-15.000 / € 1.300-2.000
1426
1427
1427
Russian Baroque cup of partly-gilded
silver. 3 cartouches with the motif of an
eagle, angels and Russian inscriptions,
the lid chased with Régence ornamentation. Feet, possibly later work, in the
form of dragons. Unmarked, the base
engraved. Early 18th century.
Weight 290 gr. H. 16 cm.
DKK 12.000-15.000 / € 1.600-2.000
1428
236
1428
Russian plat-de-menage of silver with 5
bottles and jars of cut glass, 3 of them
with silver mounts. Unidentified maker's mark AWW. Moscow town mark,
assay mark for Viktor Savinkov 18551888. H. 31 cm. DKK 30.000 / € 4.000
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1429
Russian vase of cut crystal with silver
mounts, round foot and two handles
richly cast with stylised foliage and
ornamentation. Maker Firma Bolin,
Moscow and St. Petersburg, 19161917. H. 31 cm.
DKK 60.000 / € 8.000
1430
A pair of bowls of silver with ring
handles and ram's heads, standing
on four tall legs. Maker H. Bank, Riga. Early 19th cent.
Weight 3420 gr. H. 25.5 cm. (2).
Provenance: Purchased at auction at
Bredsdorff Palace, after the death of Prince Valdemar in 1939.
DKK 60.000 / € 8.000
1429
1430
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
237
1431
Large Russian hunting thimble of silver,
bowl with stag - the head can be turned.
Unidentified maker's mark, Moscow town
mark 1874. Weight 1400 gr. L. 63 cm.
DKK 25.000 / € 3.400
1431
1432
Small kovsch of partly-gilt silver, smooth
body. Maker Grachev, St. Petersburg
1896-1908. Weight ca. 67 gr. L. 8.5 cm.
DKK 10.000 / € 1.300
1433
Leaf-shaped silver plate, curved handle.
Engraved. Unidentified maker's mark TP.
Assay mark 1896-1905.
Weight 740 gr, L. 25 cm. H. 18 cm.
DKK 10.000 / € 1.300
1432
1434
A pair of Russian bowls of silver in the
form of scallop-shells. Unknown maker's
mark CK, 1896-1908.
Weight ca. 806 gr. L. 25 cm. (2).
DKK 20.000 / € 2.700
1434
1433
238
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1435
Russian tea kettle of partly-gilt silver on a
stand. Maker Ivan Ekinovich Morosov, St.
Petersburg 19th century.
Weight ca. 900 gr. H.32.
DKK 10.000 / € 1.300
1436
Double bowl of facetted crystal with silver
mounts. Maker's mark for the Fabergé
workshop, 1908-1917 (?).
L. 19.5 cm. H. 12.5 cm.
DKK 35.000 / € 4.700
1437
Fabergé vase of partly-gilded silver, the
top adorned with facetted coloured stones, the border engraved with an inscription in Cyrillic letters. Maker's mark Fabergé (?).
Weight 95 gr. Diam. 8 cm. H. 5.5 cm.
DKK 30.000-40.000 / € 4.000-5.400
1435
1437
1436
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
239
1438
Set of 12 Russian demitasse spoons of gilt silver decorated with enamel in colours, in original panelen
case. Stamped for the firm of Ovchinnikov, founded
in 1873. (12).
DKK 10.000 / € 1.300
1439
Russian magnifying glass of silver with translucent,
light-blue enamel. Marks for Juli (Julius) Alexandrovich Rappoport. Ca. 1900. L. 15 cm.
DKK 15.000-20.000 / € 2.000-2.700
1440
Russian paper knife of nephrite with silver mounts
and set with a red stone. Russia 1896-1908. L. 21 cm.
DKK 10.000 / € 1.300
1438
1441
Fabergé paper knife of gold and nephrite, the handle with white translucent en
amel on a guilloché ground with borders
of red and green gold. Later blade of
green nephrite, decorated with the Imperial double eagle with a diamond. Maker
Michael Perchin, St. Petersburg. Late
19th-20th century. In its original case.
L. 15.5 cm.
DKK 40.000-50.000 / € 5.400-6.700
1439
1440
1441
240
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1442
1442
Russian beaker of partly-gilded silver, richly inlaid with enamel in colours, in geometric patterns and architecture including the Cathedral
in Moscow. Inscription reads: stopa serebrianaya, dobraya pit' is nee na zdravie. Maker Pavel
Ovschinnikov, Moscow 1876 and 1879. Weight
400 gr. H. 13 cm.Moscow 1876.
DKK 50.000-60.000 / € 6.700-8.000
1443
Small Russian bowl of jasper with silver mounts.
Maker Henrik Wigström, Fabergé mark, St. Petersburg 1899-1908. L. 14 cm.
Provenance, the Danish mayor and member of the Danish parliament Axel Møller.
DKK 25.000-30.000 / € 3.400-4.000
1443
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
241
1444
Russian cigarette case of 14 ct. gold, front
with Imperial double eagle, the catch set
with a cabochon-cut blue sapphire. The
workshop of Ivan Ekimovich Morosov, unidentified maker's mark MP (in cyrillic). St.
Petersburg 1908-1917. Weight 87 gr. In original case of morocco with the Imperial double eagle.
DKK 20.000-25.000 / € 2.700-3.400
1445
Russian cigarette case of silver with a golden
clasp set wit
Weight ca. 205 gr. L. 11 cm.
DKK 5.000 / € 670
1446
Russian cigarette case of partly-gilt silver.
Lid with applied double eagle, and cut blue
stone. Maker Ivan Ekimovich Morosov,
St. Petersburg 1908-1917.
Weight 150 gr. L. 10 cm.
DKK 3.000 / € 400
1444
1446
1445
242
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1447
Russian smoking set of partly-gilt silver,
in original panelen case, decorated in
trompe l’oeil manner with a revenue
binding in Cyrillic, a cannon, etc. Maker Ivan Aleksejevitj Aleksejev, Moscow
1908-1917. (6). DKK 40.000 / € 5.400
1447
1448
Russian hunting case pocket watch of 14 ct. gold, white
dial with Roman and Arabic numerals and small second hand, mrk. Pavel Buhre (Faber Type), the inner
back case likewise marked and with no. 303808, front
case with the Imperial double eagle decorated with
black enamel. Ca. 1912. Watch chain of 14 ct. gold.
Weight 40 gr. In original box of morocco with the Imperial double eagle.
DKK 12.000 / € 1.600
1448
1449
Russian cigarette case of silver, richly
inlaid with niello and applied with the
emblem of The Red Cross. Inscribed
inside, "CFH Rostoff/Don Julen 1917."
Maker Abdul Omarov, 1908-1917.
Weight ca. 148 gr. L. 10 cm.
Provenance: Presented to Carl Frederik Haxthausen (1887-1932) in Rostov on the
Don, Christmas 1917. C.F. Haxthausen came to Rostov as Danish delegate of The Red
Cross in February 1917.
Bibliography: "Ritmesteren & Revolutionen", C. F. Haxthausens dagbøger fra Rusland 1917-1919, forlaget Klim 2000.
DKK 5.000 / € 670
1449
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
243
1450
Russian beaker of gilt silver, the side decorated
with the Russian double eagle. Unidentified maker's mark HK with an owl's head. St. Petersburg
town mark. Weight 184 gr. H. 13 cm.
DKK 8.000-12.000 / € 1.100-1.600
1450
1451
1452
1451
Russian diamond hunting case pocket watch of
14 ct. gold, white dial with Roman and Arabic
numerals and small second hand, mrk. Pavel
Buhre (Faber Type), inner case likewise marked
and with no. 2707, front case with the Imperial
double eagle set with old-cut and rose-cut diamonds and blue enamel. Watch chain of 14 ct.
gold. C. 1910. In original case of morocco with
the Imperial double eagle.
DKK 15.000-20.000 / € 2.000-2.700
244
1452
Russian hunting case pocket watch of 14 ct.
gold, white dial with Roman and Arabic numerals and small second hand, inner case mrk. Pavel Buhre (Faber Type) and no. 46090, front
case with the Imperial double eagle decorated
with blue and black enamel. Ca. 1910.
Previously sold at ABR auction 494, 1987, cat. no.
1796.
DKK 15.000-20.000 / € 2.000-2.700
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1453
1453
Fabergé cigarette case of 14 ct. gold with sun ray
pattern, the catch set with a cabochon-cut sapphire. Workshop of Carl Fabergé, unidentified
maker's mark AL (in Cyrillic). St. Petersburg
1908-1917. Weight 107 gr.
DKK 40.000 / € 5.400
1454
Russian woman's belt of bronce, silver and partly-gilt metal adorned with the Russian double
eagle, cut glass and enamel with 25 chased links
with stylised ornamentation. Possibly from the
Caucasus. 19th cent. L. 79 cm.
DKK 10.000 / € 1.300
1454
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
245
1456
1457
1455
1457
A pair of Russian diamond earrings of 14 ct.
gold, each set with an oval sodalite surrounded
by rose-cut diamonds. Unidentified maker's
mark BC (in Cyrillic). Moscow 1908-1917. (2).
DKK 12.000-15.000 / € 1.600-2.000
1458
1458
Russian brooch of 14 ct. gold with filigree and
granulation work, set with an old-cut diamond.
Stamped with unidentified maker's mark AM (in
cyrillic). Back engraved with "23rd January
1888". Late 19th century.
DKK 10.000 / € 1.300
1455
Russian diamond brooch of 14 ct. gold, set with
larger and smaller old-cut and rose-cut diamonds. The pin stamped with unidentified maker's mark AM (in Cyrillic). St. Petersburg 18961917.
DKK 12.000-15.000 / € 1.600-2.000
1459
Russian diamond brooch of 14 ct. gold in the
shape of a flower, en tremblant, set with numerous larger and smaller old-cut diamonds. Indistinct maker's mark. St. Petersburg 19th cent.
DKK 12.000-15.000 / € 1.600-2.000
1456
Russian brooch of 14 ct. gold and silver in the
shape of a "bird" set with old-cut diamonds and
rubies. Russian and French hallmarks. Ca. 1900.
DKK 40.000 / € 5.400
1459
246
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1460
Russian diamond brooch of 14 ct. gold and silver in the form of a wreath with a ribbon and
eight flexible pendants, set with eight larger,
old-cut diamonds, numerous smaller rose-cut
diamonds and ten drop-shaped diamonds. Indistinct maker's mark. Scratched inventory no.
10977. Ca. 1900.
This brooch has never previously been sold at auction
but has remained in the possession of the same family.
When,during the Russian Revolution, the family fled
to Denmark, they became part of the Russian immigrant community, through which they met the Dowager
Empress Dagmar. According to family tradition, the family received a piece of jewellery from Empress Dagmar
as a token of gratitude for their charitable work
through the Russian Orthodox Church. It is assumed
that it was on that occasion that the brooch came into
the possession of the family.
DKK 125.000-150.000 / € 17.000-20.000
1460
1461
Russian pearl and diamond brooch of 14 ct.
gold and silver, set with two pearls, presumably
natural, and numerous diamonds. Ca. 1900.
DKK 12.000-15.000 / € 1.600-2.000
1461
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
247
1462
Russian cigarette case of gilt silver decorated with enamel. Inscription inside. Maker possibly Nikolay Zverev,
Moscow 1896-1908. Weight ca. 145 gr. L. 10 cm.
DKK 6.000 / € 800
1463
Russian gilded silver cigarette case, oval body, engraved
with Rococo ornamentation and a monogram. Maker
Boris Tichonov, Moscow. Assay mark Mikhail Mikhailovich
Karpinsky. Weight 150 gr. L. 12 cm.
DKK 8.000-10.000 / € 1.100-1.300
1464
Easter egg of white porcelain, decorated with the monogram of Alexandra Fedeorovna in gold, mounted with a
red silk ribbon. Includes original gold-tooled leather
case. Russia, 1880s. H. 6 cm.
DKK 6.000-8.000 / € 800-1.100
1463
1464
1462
248
1465
Russian bread basket of silver, inlaid with initials
and year 1888 in enamel. Moscow town mark.
Indistinct stamp. Late 19th century.
Weight ca. 515 gr. L. 32 cm.
DKK 25.000 / € 3.400
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1465
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
249
1466 - verso
1466
1466
Berlin display vase of porcelain, decorated in colours and highlighted in gold with Amalienborg
and Villa Hvidøre each in a cartouche. Finial in
the form of fruit, the handles modelled with
acanthus leaves. Decorated outside the factory.
Feb. 1909. O. Heyman. KPM. H. 36 cm.
DKK 10.000-15.000 / € 1.300-2.000
250
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1467
1467
"Saxon Flower" dinner service. Flared service
with braided border, decorated with variously
coloured bouquets of flowers. Comprises: 28 flat
plates (18 with minor chipping along the edge,
15 soup plates, 2 large tureens on fixed stands, 2
sauceboats on fixed stands, 2 potato bowls with
covers, plus extra cover (damaged handle) fish
dish, 2 small plates (damage to repoussé flowers,
chipped edge) 3 smaller plates (2 with damage
to the flowers) large oval dish, 2 round dishes (2
minor chips) oval dish, 2 larger oval dishes, 8
dessert plates with pierced rims. Royal Copenhagen 1894-1922.(69).
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
The Royal Copenhagen Danish porcelain service was
purchased for the home at Villa Hvidøre in 1906 when
Empress Dagmar and Grand Duchess Olga came to
Denmark. The service was sold at the sale of the effects
of Her Majesty Empress Dagmar of Russia and Her
Majesty Queen Alexandra of England. The auction
took place at Hvidøre near Klampenborg (north of Copenhagen) on Tuesday 9th April 1929. Catalogue no.
37, "A dinner service with braided border, decorated
with painted flowers, Copenhagen Porcelain...."
According to information the service was purchased at
that auction.
DKK 100.000-150.000 / € 13.000-20.000
251
1468
1469
252
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1468
Russian soldier plate, decorated in colours and gold with two soldiers, an
NCO and a private of the Lifeguard.
The rim decorated with the Imperial
double eagle on turquoise ground. On
the reverse an inscription in Cyrillic:
NCO and (i) riadovoi L. Gv Semyonovskogo Polka. Marked with H. I for
Nicholas I. The Imperial Porcelain Factory, St. Petersburg, 1825-1855.
Diam. 24.5 cm.
Bought in 1962 on comissionstore, blank
for the export license included.
DKK 75.000 / € 10.000
1469
"Ministerski" Service, 11 plates of porcelain, the rim with stylised patterns on
a turquoise-blue ground, the centre
with the mark A. II for Alexander II
1855-1881. 3 plates with A. III for Alexander III 1881-1894, one with H. II
for Nicholas II 1894-1917. The Imperial Porcelain Factory. (5 of the plates
with defects).
This type of service is illustrated in The Imperial Porcelain Factory 1744-1904. St. Petersburg, 2003. P. 206.
DKK 75.000-100.000 / € 10.000-13.000
1470
Large Sèvres vase of porcelain, baluster-shaped, green ground, decorated
with both matt and polished gold borders, leaves and flowers in stylised patterns. Marked Decore Sèvres 89, National Sèvres Manufacture. France, late
19th century. H. 104 cm.
DKK 150.000-200.000 / € 20.000-27.000
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
1470
253
1471
Russian porcelain plate from the
"Purple Service", also
known as the Tsarskosel'sky Service, decorated in purple and
gold, the rim divided
into
fields
with
landscapes and rocailles, designed by Emile Kremer in
the period 1904-1905. The service
was intended for the court at Tsarskoye Selo. Marked H. II for Nicholas II in underglaze green. The Imperial Porcelain Factory, 1905.
Diam. 24.5.
This service was the last major commission to be undertaken by the Imperial Porcelain Factory and consisted of 1690 pieces. Parts of the service are on exhibition
at Peterhof.
DKK 15.000-20.000 / € 2.000-2.700
1471
1473
1472
Armorial plate of the ducal family of
Panin. White porcelain, the rim with stylised patterns in gold,
armorial crest divided in two with
dolphins and adorned with the Russian
double eagle. Marked with H.I for
Nicholas I under the imperial
crown. 1825-1855. The Imperial Porcelain Factory. Diam. 25 cm.
Banquet plate from a service made for
Duke Victor Nikitich Panin.
DKK 4.000 / € 540
1472
254
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1473
Russian clear glass beaker with motto in
gold “An agressiv cow gives God no horn”
(in Cyrillic). C. 1900. H. 10 cm.
DKK 5.000 / € 670
1474
Russian soldier crater vase of porcelain,
decorated in colours and gold, the sides
with four-sided cartouches, containing
soldiers on horseback against a background of battle scenes. Mark incised
Hu/Hc. Russia, 19th century.
H. 31.5 cm.
DKK 150.000 / € 20.000
1475
Porcelain service with the Russian double
eagle the original arms of Russia with the
Patron Saint of Moscow, St. George, consisting of bowls decorated with pheasants
and scattered flowers, two round dishes, 4
plates, a pair of vases and two oval dishes
with a different rim decoration. China
20th cent. Diam. bowl 40 cm. Diam. dish
33 cm. L. dish 37 cm. Diam. plate 23 cm.
Vase H. 30 cm. One vase defect. (11).
DKK 5.000-10.000 / € 670-1.300
1474
1475
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
255
1476
"The Banquet Service" etagere of porcelain, decorated in colours and gold with various-coloured
bouquets of flowers in reserved fields in cobalt blue
light relief. Marked H. I for Nicholas I. 1825-1855.
After a Sèvres service given by Louis XV to Christian VII of
Denmark in 1768.
Bibliography: The service is discussed in "An Imperial Fascination: Porcelain, Dining with the Tsars" Peterhof, 1991,
p. 109 ff.
DKK 15.000 / € 2.000
1477
"Banquet Service" sauce tureen of porcelain, decorated in colours and gold with various-coloured bouquets of flowers in reserved fields, in cobalt blue light
relief. Marked Kornilov. L. L. 22 cm.
DKK 8.000 / € 1.100
1476
1477
1478
1478
"Banquet Service" bowl of porcelain, decorated in colours and gold with various-coloured bouquets of flowers in reserved fields, in cobalt blue light relief.
Mark H. II for Nicholas II 1894-1917. L. 32 cm.
DKK 8.000-10.000 / € 1.100-1.300
1479
Easter egg of porcelain, decorated with the Mother of
God, Kzanskaya in cartouche on claret ground, opposite side with reverse monogram BC in gold. Russia,
ca. 1900. H. 9 cm.
DKK 4.000-6.000 / € 540-800
256
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1480
1480
"Banquet Service" 6 plates of porcelain, decorated in colours and
gold with various-coloured bouquets of flowers in reserved fields, in
cobalt blue light relief. One marked H. I for Nicholas I 1825-1855.
Five marked H. II for Nicholas II 1895-1917. Diam. 24.5 cm. (6). D
KK 20.000 / € 2.700
1481
Russian cup and saucer of porcelain, decorated in colours and gold
with a pastoral scene and allegorical tableaux in cartouche. Marked
A. II for Alexander II. 1855-1881.
DKK 6.000-8.000 / € 800-1.100
1482
Russian porcelain teapot, decorated with gold in stylised patterns.
Impressed mark S P B. Nasl: Bateev, St. Petersburg. 19th cent.
H. 12 cm.
DKK 5.000 / € 670
1479
1481
1482
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
257
1483
Russian pressed glass carafe marked Zajaveleno.
Patent marked, F. Nautus & Co, 1894. H. 25 cm.
DKK 3.000 / € 400
1484
Revolution Plate, design by Alexandra Shchekotikhina-Pototskaya. Decorated with
an accordionist in the park, the rim
with flowers and leaves. Marked on
the reverse, A. Stihskotikhina. Marked H. II for Nicholas II, 1913. Also
hammer, sickle and gearwheel,
1920 in gold. Diam. 23.5 cm.
DKK 30.000-40.000 / € 4.000-5.400
1483
1484
1485
258
1485
Revolution Plate, designed by Sergei Chekhonin, painted by N.Girshfeld. Decorated with flowers and leaves in a design on the Cabbage Leaf
Service, together with the motto "We shall make
the the world a flourishing garden."
The Cabbage Leaf Service was used
at Peterhof 1848-1853 after the
French Sèvres service. Mark painted
over the square H. II for Nicholas
II, together with hammer, sickle and
gearwheel, 1924 N.G. Diam. 25 cm.
DKK 30.000-50.000 / € 4.000-6.700
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1486
Gardener figure of biscuit, decorated in colours,
a standing seller of pretzels. Marked Gardener
and St. George. Russia. 20th cent.
H. 18 cm.
DKK 8.000-10.000 / € 1.100-1.300
1487
Three porcelain figures, decorated in colours
and gold in form of a sailor accordionist, a
chukcha child with a ball and a boy scout with
a dog. Also a carafe of porcelain in the form of
a duck, decorated in colours. Lomossov. Russia. 20th cent. H. (4).
DKK 6.000-8.000 / € 800-1.100
1488
Russian porcelain figure jakut girl standing
with flower and book. Modelled by S. B. Velihova, 1953. Leningrad, Lomonossow, 20th.
cent. H. 20.
DKK 3.000 / € 400
1486
1487
1489
Two Russian porcelain figures, jakuts. Jakut woman with fish. Modelled by S. B. Velihova, L. I.
Furdygailo 1953. Jakut boy with dog. Modelled
by S. B. Velihova, E. N. Lupanova 1954. Leningrad, Lomonossow, 20th cent.
H. 14 and 13 cm. (2).
DKK 4.000 / € 540
1488
1489
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
259
1490
A late 19th century Russian icon depicting the
holy Saint Nicholas flanked by Saint Feodor and
Saint Maxim. Tempera on gesso and panel.
31 x 26 cm.
Export certificate from the ministry of culture of the
USSR, may 1979 enclosed.
DKK 6.000 / € 800
1491
An early 19th century Russian icon depicting
the Old Testament Trinity, three angels seated
around a rectangular table with Abraham and
Sarah flanked by St. Mary of Egypt and the prophet Abbakum. Tempera on gesso and panel.
46 x 37,5 cm.
DKK 10.000 / € 1.300
1492
An 18/19th century Russian icon depicting The
Exaltation of the Cross. Tempera on panel and
gesso. 31 x 26,5 cm.
DKK 10.000 / € 1.300
1490
1491
260
1492
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1493
1493
An 18th century Russian icon depicting The
Mother of God " Joy to all who grieve" covered
by a silver oklad with embossed decorations
and cut-out haloes. Marked 1777. E.b. and St.
Petersburg city mark. Tempera on gesso and
panel. 33 x 28 cm.
DKK 30.000 / € 4.000
1494
A late 18th century Russian icon depicting prophet Elijah and scenery from his life. Tempera on gesso and panel. 31 x 26,5 cm.
DKK 8.000 / € 1.100
1494
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
261
1495
An early 20th century Russian icon depicting
the Mother of God and Child, with gilded silver
oklad and cut-out haloes. Marked: 84 and indistinct maker's mark. 11,5 x 9 cm.
Provenance: The collection of development-researcher
Lars Severinsson. Brought home from Moscow and Leningrad in the period 1968-1975.
DKK 4.000 / € 540
1495
1496
A late 19th century Russian icon depicting the
holy Saint Nikolaus flanked by Saints, with a
gilded metal oklad richly chased and cut-out
haloes. 22 x 18 cm.
Provenance: The collection of development-researcher
Lars Severinsson. Brought home from Moscow and
Leningrad in the period 1968-1975.
DKK 6.000-8.000 / € 800-1.100
1497
An 18th century Russian icon depicting The Mother of God with the Child. Kazanskaja.
35,5 x 30,5 cm.
DKK 8.000 / € 1.100
1496
262
1497
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1498
1498
1498
A Russian 19th century icon depicting The Mother of God "Joy to All Who Grieve". Oklad of silver-plated metal sheet finely chased in relief
with flowers and cut-out halo. 36 x 31 cm.
Provenance: The collection of development-researcher
Lars Severinsson. Brought home from Moscow and Leningrad in the period 1968-1975.
DKK 10.000-12.000 / € 1.300-1.600
1499
An 19th century Russian icon depicting Christ
Pantokrator covered with silver oklad, rich punched ornamentation. Marked: 84 AJ, 1870.
31 x 27 cm.
DKK 12.000 / € 1.600
1499
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
263
1500
1501
1500
A 19th century Russian icon depicting Saints,
Nifont, Moisei Murin, Alexei, Binifatius and
Tatjana. Tempera on gesso and panel. 31 x 26 cm.
Export certificate from the ministry of culture of the
USSR, february 1982, enclosed.
DKK 4.000 / € 540
1501
A 19th century Russian icon depicting Saint
Nikita flanked by a guardin angel and Daria.
Tempera on gesso and panel. 31 x 27 cm.
Export certificate from the ministry of culture of the
USSR, february 1982, enclosed.
DKK 6.000 / € 800
1502
A 19th century Russian "Protection of the Mother of God" icon ("Pokrov"). The upper part
depicting the Mother of God with raised arms
protecting the devotees, surrounded by angels
and apostles. The lower part depicting Saint Roman celebrating mass during the emperor Leo
IV's visit. The scenes take place in the Blachern
Church in Constantinople. 26,5 x 21 cm.
Provenance: The collection of development-researcher
Lars Severinsson. Brought home from Moscow and
Leningrad in the period 1968-1975.
DKK 6.000-8.000 / € 800-1.100
1502
264
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1503
A 19th century Russian icon depicting the holy
Saint Nicholas flanked by Saints. Tempera on
gesso and panel. 35 x 30 cm.
Export certificate from the ministry of culture of the
USSR, november 1982, enclosed.
DKK 8.000 / € 1.100
1504
A 19th century Russian icon depicting the image
of Christ "Not Made-by-Hands". 30 x 26 cm.
The theme originates from the legend of King Abgar of
Edessa who being ill and hearing of Christ´s miraculous powers, sent his ambassadors to Jerusalem to obtain a cure. Jesus was too busy to come, but finding the
image of his face on a towel with which he had dried
his face, he sent the cloth to the king. Abgar was duly
healed and the icon, not having been painted, acquired its strange title.
DKK 12.000 / € 1.600
1503
1505
A 19th century Russian icon depicting Mother
of God "Unexpected joy" with guardian angel,
apostle Ioann Theologian, Sct. Nadezhda and
Sct. Anna. 25,5 x 22,5 cm.
DKK 6.000-8.000 / € 800-1.100
1504
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
1505
265
1506
1506
Two 19th century Russian enamelled icons.
Pendant showing Saint Sergei Radonezhkii, the
Saint represented frontally, blessing and holding a open scroll. 9,5 x 7,5 cm.
Also an oval miniature travelling icon showing
the Mother of God of Kazan in brass frame.
11,3 x 9 cm.(2).
Provenance: The collection of development-researcher
Lars Severinsson. Brought home from Moscow and Leningrad in the period 1968-1975.
DKK 3.000 / € 400
1507
266
1507
A 18/19th century Russian icon depicting the
holy Saint Nikolaus on a gilded background
flanked by Saints. 30 x 25 cm.
Provenance: The collection of development-researcher
Lars Severinsson. Brought home from Moscow and Leningrad in the period 1968-1975.
DKK 6.000-8.000 / € 800-1.100
1508
BRUUN RASMUSSEN BREDGADE AUKTION 779 RUSSIAN
1508
A 19th century Russian icon depicting Saints
Sergius and Herman. Tempera on gesso and panel. 17,5 x 13 cm.
DKK 4.000 / € 540
1509
A 19th Russian icon, a Crucifix. A brass Crucifix
inserted in the panelen panel, showing the dead
body of Christ, flanked by the sun and the moon
at the two lateral extremities, with two angels
and the Mandylion above. Deposition and the
lamentation represented at the upper corners.
53 x 45 cm. DKK 10.000-12.000 / € 1.300-1.600
1510
A 19th century Russian icon depicting Saint George on horseback, plunging his long spear into
the mouth of the dragon, silver oklad with traces
of gilding. Marked: JI.O 84, 1890. 18 x 14,5 cm.
Provenance: The collection of development-researcher
Lars Severinsson. Brought home from Moscow and Leningrad in the period 1968-1975.
DKK 6.000-8.000 / € 800-1.100
1509
1511
A 19th century Russian icon depicting Christ
Pantokrator protrayed frontally, blessing and
carrying the open gospel, covered by silver
oklad (once gilded) and a cut-out halo. Stamped: A.A. 1889 84. 22 x 18 cm.
DKK 4.000 / € 540
1510
RUSSIAN BRUUN RASMUSSEN BREDGADE AUKTION 779
1511
267
International Auction
in Copenhagen
Tintoretto family workshop, the beginning of the 17th century: Portrait of a bearded man in a red fur-trimmed
coat. Unsigned. Oil on canvas. 137 x 116 cm. Richly carved contemporary frame. Will be sold 28 November.
Paintings, Antiques and Works of Art
Preview: 22 - 26 November · Auction: 28 November - 6 December
Please visit our website www.bruun-rasmussen.dk
or call +45 3343 6911 for further information
268
BRUUN RASMUSSEN bredgade AUcTION 779 russian
International Auction
in Copenhagen
Anselm Kiefer: "A.L. Schl./ H.v.Kl. (Noch ist Polen nicht verloren)" c. 1978. Oil on canvas. 170 x 190 cm. Will be sold 28 November.
Department of Modern Art
Preview: 22 - 26 November · Auction: 28 November - 6 December
Please visit our website www.bruun-rasmussen.dk
or call +45 3343 6911 for further information
russian BRUUN RASMUSSEN bredgade AUcTION 779
269
index
A
Aivazovsky, Ivan Constantinovich
1272, 1276
Aivazovsky, Ivan Constantinovtch ?
1279
Aivazovsky, Ivan Constantinovich,
style of
1274
Akopov, Alexander 1301
Altmann, Alexander 1326
Antonov, Sergei A. 1248
Averin, Alexander Nicolajevich
1300, 1315
B
Balunin, Mikhail Abramovich 1290
Bashinzhagyan, Georgy Zakharovich
1271
Benkendorff, Dmitry
1289
Bogaevsky, Konstantin Fedorovich
1324
Bogdanoff-Belsky, Nikolai 1269
1309
Bogoluboff, Alexey Petrovich 1286
Borovikovskij, Vladimir Lukich, after
1236
Boskin, Michael Vasilievitch 1329
Bouchard, Paul Louis 1282
C
Clodt von Jürgensburg, Michail
Konstantinovich
1259
Granowsky, Mikhail Feofanovich
1321
H
Hau, Eduard Petrovich Hau, Johannes 1320
1288
S
Khmeluk, Wasilij/Vassyl 1361
Klever, Julius Sergius von 1253
1268
Klever, Julius Sergius von, ascribed
to 1252
Kolkoutine, Andrej 1359, 1360
Korovin, Konstantin Alexeevich
1330
Korovin, Konstantin Alexeevich,
ascribed to 1284
Krilov, Boris 1303, 1304
1305, 1319
Krizhitsky (Kryschitskij), Konstantin
1270
Kulikov, Ivan Semionovich 1256
1257
Saveliev, V. P. 1347, 1348
1350, 1351
Schmakoff, M. 1325
Schteinberg, Eduard 1346, 1357
Seifert, Curt 1261
Shishkin, Ivan Ivanovich 1254
Sokolov, V. 1241
Stolitza, Ewgenij Iwanowitsch 1249
Suhrlandt, Carl 1251
Sverchkov, Nicolai Egorovich 1244
1246
L
Lebedev, Klavdy Vasil'evich Levitan ?, Isaak Iljich 1287
1280
M
Dobuzinski ?, Mstislav Valerianovich
1331
F
N
Fedorova (Ionova), Maria Alekseevna
1262
Filonov, Pavel Nikolajevich 1362
Frentz, Rudolf Rudolfovich 1327
Nesterov, Feodor Panfilovich 1291
1292, 1293, 1294
1295, 1296, 1297, 1298
G
Orlovsky, Vladimir Donatovich,
ascribed to 1264
Gorbatov, Konstantin Ivanovich
1328
Goronovich, Andrej Nikolajevich
1258
Grabar, Igor Emmanuilovich 1332
Grand Duchess Olga Alexandrovna
1243, 1306
1307, 1308, 1310
1311, 1312, 1313, 1318
270
Repin, Il'ja Efimovich 1247, 1255
Rudakov, Konstantin Ivanovich 1278
Russian painter
1235, 1239
1277, 1363, 1364
Russian painter ?
1242
K
Makovsky, Vladimir Egorovitch 1240
Mascré, Emile 1237
Meschersky ?, Arsenii Ivanovich
1322
D
R
O
T
Tchoumakoff, Théodore 1316
Tikhmenev, Efim A. Tikhomirov, Ivan Vasil'evich Trankowsky, Alexey Ivanovich Tuxen, Laurits 1250
1263
1266
1267
1317
V
Villevalde, Bogdan (Gotfried)
Pavlovich 1238
Vinogradov, Ivan 1273
Volkov, Efim 1275
Voroshilov, Igor 1335, 1336, 1339
1340, 1341, 1342
Voroshilov, Sergej Semenovich 1245
Vulokh, Igor A. 1355, 1356
Vyshniakov, Oleg Nikolaevich 1299
Vysotsky, Konstantin Semenovich
1302
W
Wierusz-Kowalski, Alfred 1283
P
Y
Pasternak, Leonid Osipovich 1265
Petroff, Wladimir 1285
Petrova, Elena 1314
Petrov-Vodkin, Kuzma Sergeevich
1323
Platonov, Semion 1260
Yakovlev, Vladimir 1333, 1334
1337, 1338, 1343, 1344, 1345
1349, 1352, 1353, 1354, 1358
Z
Zommer, Richard Karlovich 1281
BRUUN RASMUSSEN bredgade AUcTION 779 russian
information
DISPATCH
ПОЛУЧЕНИЕ
Collection of purchases bought at
traditional auctions must be no later than
2 weeks after the last auctionday.
Предметы, купленные на традиционных
аукционах, должны быть забраны
покупателем не позже, чем через 2
Uncollected items will without further
notice be sent into storage at the expence
and risk of the buyer.
Не забранные предметы отправляются
sales results
Sales results from the latest auctions are
available at our website:
www.bruun-rasmussen.com
Sales results are also available at our
answering machine.
Please call: +45 33 43 69 08.
PHOTO
Photos of all items are available at our
website: www.bruun-rasmussen.com
недели после заключительного дня
аукциона.
в хранилище без дальнейшего
уведомления, за счет и на риск
покупателя.
Результаты торгов
Результаты последних аукционов
можно увидеть на нашем веб-сайте:
www.bruun-rasmussen.com
Также результаты торгов можно
прослушать на нашем автооответчике.
Пожалуйста, звоните: +45 33 43 69 08.
ФОТОГРАФИИ
euro
Фотографии всех предметов можно
увидеть на нашем веб-сайте: www.
bruun-rasmussen.com
Bids and invoicing are made in DDK.
Евро
For the conversion from DKK into Euro,
Bruun Rasmussen has used the official rate
of exchange from Denmarks Nationalbank
(the Danish National Bank) at the time of
preparation of the catalogue.
The amount in Euro is, in Bruun Rasmussen's judgment, roughly adjusted to
presentable figures.
Condition
Bruun Rasmussen draws attention to the
fact that, as a rule, no information is
provided regarding the condition of the lots
(cf. conditions of purchase § 9).
However, we refer to our website:
www.bruun-rasmussen.com where infor­
mation regarding condition, repairs, etc.
can usually be found for the individual lot.
Should this information be insufficient,
further details can be obtained by contacting one of the experts of the department.
Bankers
Danske Bank · Account: 32313231096159
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внимание на тот факт, что, как правило,
никакой информации относительно
состояния лота не сообщается (см.
Условия продаж § 9).
Однако мы советуем обращаться
за информацией на наш сайт: www.
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помещаются сведения относительно
состояния, реставрации и т.д. каждого
отдельного лота. Если информации
недостаточно, дальнейшие, более
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russian BRUUN RASMUSSEN bredgade AUcTION 779
271
e x pla n atio n of catalog u i n g pri n cipl e s
Explanation of names of
artists used in the catalogues
Julius Klever: In our opinion, an original work by the
artist the genuiness and authenticity of which is guaranteed by Bruun Rasmussen according to the Conditions of
purchase § 9.
Below cataloguing reservations are made according to
the best of Bruun Rasmussen's knowledge. They are for
guidance only and cannot be subject to claims.
Julius Klever, ascribed to: In our opinion, probably a
work of the period of the artist, and possibly executed
by the artist.
Julius Klever, school of or studio: In our opinion, a
work made under the influence of the artist, and probably of his period.
Julius Klever ?: In our opinion, possibly a work by the
artist, or a (later) copy of the artist’s work.
Julius Klever, copy after / Julius Klever, style of /
Julius Klever, follower of: In our opinion, a later copy
of a work by the artist or in the artist's style.
?: The catalogue description is subject to further reservations.
Signed: In our opinion, the work has been signed by the
artist.
Inscribed: In our opinion, the inscription may be by a
hand other than that of the artist.
If no signature is mentioned in the catalogue the work is
apparently unsigned.
If no date is mentioned in the catalogue the work is
apprently from the last century or of comparratively
resent date.
No compensation is given should the frame be damaged.
Above description is a statement of opinion by Bruun
Rasmussen and is to be considered only as guidance to
the buyer and not as a statement of fact. The buyer is to
satisfy himself of the authenticity and the condition of
the works of art.
= Full VAT
L.
= Length
=Droit de Suite
B.
= Width
sst. = Same place
H.
= Height
Diam.=Diameter
D.
=Depth
272
Julius Klever // Клевер, Юлий – по нашему мнению,
работа принадлежит кисти художника, и за ее
подлинность Аукционный Дом Бруун-Расмуссен
ручается и несет ответственность согласно
Условияm продаж, § 9.
Связанные с каталогизацией нижеуказанные
пояснения сделаны, исходя из наилучшего опыта
Аукционного Дома Бруун-Расмуссен. Они служат
краткой инструкцией для покупателя, но не могут
использоваться как повод для жалоб и рекламаций.
Julius Klever, ascribed to // Приписывается Клеверу,
Юлию - по нашему мнению, работа, скорее всего,
относится ко времени художника и, возможно,
могла быть им написана.
Julius Klever, school of or studio // Школа/
Мастерская Клевера, Юлия– по нашему мнению,
работа, скорее всего, относится ко времени жизни и
творчества художника, и могла быть написана под
его влиянием.
Julius Klever ? // Клевер, Юлий?– по нашему мнению,
работа могла быть написана самим художником,
или является более поздней копией его работы.
Julius Klever, copy after / Julius Klever, style of /
Julius Klever, follower of // Клевер, Юлий, копия / В
манере Клевера, Юлия / Преемник Клевера, Юлия –
по нашему мнению, работа является более поздним
повторением или исполнена в манере художника.
? // Сведения, содержащиеся в каталожном
описании, подлежат сомнению.
Signed // Подпись – по нашему убеждению, подпись
на работе принадлежит руке художника.
Inscribed // Содержит подпись – по нашему мнению,
подпись художника присутствует на работе, но она
не обязательно принадлежит его руке.
Отсутствие в каталоге информации о подписи
означает, что работа, скорее всего, не подписана.
Отсутствие в каталоге информации о дате/годе
создания произведения означает, что, скорее всего,
по времени создания работа относится к прошлому
или текущему векам.
При наличии повреждений или дефектов рамы,
покупатель не вправе требовать компенсации.
Приведенные выше пояснения являются мнением
Аукционного Дома Бруун-Расмуссен и служит
лишь руководством для покупателя, не неся в
себе юридической силы. Аукционный Дом БруунРасмуссен не дает никакой дополнительной
гарантии, в связи с чем, покупателю рекомендуется
Abb.:
*
CD
Пояснения к именам
художников в каталогах
убеждаться в подлинности и состоянии лотов
лично.
NB! В случае возникновения сомнений в
отношении русского перевода, принципов
каталогизации, а также самого текста в каталоге,
см. английский текст!
BRUUN RASMUSSEN bredgade AUcTION 779 russian
vat a n d copy - d a n i n formatio n
BUYER’S STANDARD PREMIUM
АУКЦИОННЫЕ СБОРЫ
25% AUCTIONEERS’ MARGIN SCHEME
25% - аукционный налог
As of 1 January 1995 new EC regulations came into
effect regarding the sale of secondhand goods, works of
art, collector’s items and antiques; these items may now
be traded under the Auctioneers’ Margin Scheme.
Under the Auctioneers’ Margin Scheme the premium
only is subject to VAT, i.e. the hammer price is exempted
from VAT. The buyer’s premium of 25% will thus henceforth include non-refundable VAT.
full vat *
will be charged on goods that cannot be traded under
the Auc­tioneers’ Margin Scheme. These lots are marked
with an asterix *. The buyer pays the auction premium of
20% plus 25% vat on the hammer price as well as the
buyer’s premium.
BUYER’S REDUCED premium 20%
is paid by buyers fulfilling the following terms/conditions:
1.Danish VAT registered buyers may choose to pay
the 20% buyer’s premium + 25% VAT on the total
amount (Full VAT). The buyer may have the total VAT
refunded and thus pays 20% in buyer’s premium only.
2. VAT registered buyers in other EU countries may
avoid Danish VAT by using their VAT registration
number and thereby pay a buyer’s premium of 20%
only.
3. Residents of countries outside the EU meeting the
Danish customs authorities’ requirements regarding
the export of goods pay the buyer’s premium of 20%
only (see Conditions of Purchase §3, Exemption from
VAT).
Artists’ royalties
payable to copy-dan
CD
Pursuant to current Danish legislation on copyright an
artists’ royalty of 5% of the total price exclusive of VAT
(i.e. hammer price plus buyer’s premium 20%) shall be
collected on works of modern art by all Danish and most
foreign artists. These works are marked CD for Copy-Dan
next to the lot number.
For further information please refer to the Conditions of
Purchase.
1 января 1995г. на территории Европейского
Союза вступили в действие новые законы,
касающиеся продаж с аукционов бывших в
употреблении товаров, предметов искусства,
коллекционирования и антиквариата. На
продажу вышеуказанных товаров был введен так
называемый аукционный налог.
Согласно новым правилам, налогом на добавочную
стоимость облагаются только аукционные сборы,
а не полная цена товара, как это было ранее. В
аукционные сборы включен невозмещаемый НДС.
Полный НДС *
Этим налогом облагаются товары, которые не
попадают под категорию «25% - аукционный
налог». Данные товары помечены звездочкой *.
Покупатель должен оплатить 20% аукционных
сборов, а также 25% НДС с аукционный цены и с
аукционных сборов.
Сниженные аукционные сборы
в 20%
платят покупатели, отвечающие следующим
требованиям:
1.Датские юридические лица могут оплатить 20%
аукционных сборов + 25% полного НДС. После
этого им возвращается полный НДС и, таким
образом, они платят лишь 20% аукционных
сборов.
2.Юридические лица других стран Евросоюза
могут не платить датский НДС, указав при
этом свой ИНН (индивидуальный налоговый
номер). Таким образом они платят только 20%
аукционных сборов.
3.Все покупатели, проживающие в странах,
не входящих в Евросоюз и отвечающих
требованиям датских таможенных властей
в отношении экспорта товаров, оплачивают
только 20% аукционных сборов (см. Условия
продаж, §3, Освобождение от налогов).
Комиссионный сбор copy-dan
CD
Согласно датскому законодательству об
авторских правах, все работы современных датских
художников и большинство работ иностранных
художников облагаются налогом в размере
5% с аукционый цены; к этому добавляются
аукционные сборы в размере 20% (с вычетом НДС).
Данные работы помечены в каталоге CD (Copy-Dan).
Более подробную информацию смотрите в Условиях
Продаж.
russian BRUUN RASMUSSEN bredgade AUcTION 779
273
k ø bsko n d itio n e r
§ 1. Budgivning
Køber er den byder, der får hammerslag. Den, der byder for
andre, hæfter som selvskyldnerkautionist for berigtigelsen af
købet.
På opfordring fra Bruun Rasmussen Kunstauktioner (herefter
benævnt Bruun Rasmussen), skal alle bydere, hvadenten de øns­
ker at afgive et bud ved personligt fremmøde på auktionsstedet
eller afgive en kommission pr. brev eller fax eller byde direkte
pr. telefon, kunne dokumentere deres betalingsdygtighed samt til
enhver tid identificere sig. Bruun Rasmussen er altid be­rettiget
til at nægte at acceptere et bud, hvis på forlang­ende ikke
tilstrækkelig sikkerhed er stillet eller en passende à conto beta­
ling har fundet sted.
Bud afgives af byderen ved personligt fremmøde på auktions­
stedet eller ved skriftlig kommission. Afgivelse af bud pr. telefon er muligt under visse forudsætninger, der afgøres af Bruun
Rasmussen. Bruun Rasmussen påtager sig intet ansvar for eventuelle fejl eller fejltagelser, der måtte opstå ved brug af denne
service. Auktionarius bestemmer overbuddets størrelse og træffer
ligeledes afgørelse i alle tvivlstilfælde om budgivningen.
§ 2. Betaling
For katalognumre, der handles til brugtmoms, opgøres købesummen som hammerslagsprisen med tillæg af 25% i auktionsom­
kostninger inklusive afgift.
Visse katalognumre handles efter særlige regler til fuldmoms, så
udover auktionsomkostninger på 20%, beregnes moms på 25%
af hammerslag og auktionsomkostninger. Hvilke katalognumre
der sælges til fuldmoms fremgår af kataloget med stjerne *.
Danske momsregistrerede købere skal overfor os oplyse deres SE-/
CVR-nr. (moms-nr.), da dette skal anføres på de fakturaer, hvor
varen købes i fuld moms.
For visse udenlandske købere gælder der særlige regler for
afgiftsfritagelse jvf. § 3. Afgiftsfritagelse omfatter ikke EU private
købere, som ligestilles med danske købere jvf. gældende dansk
lovgivning om handel med brugte varer, kunstgenstande, samler­
objekter og antikviteter.
Købesummen forfalder til betaling ved tilslaget. Der kan betales
kontant op til DKK 100.000 eller med Dankort, banknoteret check,
rejsechecks, Visa-, Master-, Diners Club- eller Eurocard. Personlige
udenlandske checks kan kun anvendes efter forudgående aftale.
Betaling kan finde sted under eller umiddelbart efter auktionen
og under alle omstændigheder skal betaling finde sted senest 8
dage efter fakturadatoen.
Betales købesummen ikke rettidigt, skal der svares rente heraf
med 1,5% pr. påbegyndt måned.
Betales købesum og renter ikke inden 8 dage efter at Bruun Rasmussen har afsendt påkrav herom til køber, er Bruun Rasmussen berettiget til at annullere købet og bortsælge det købte på
ny auktion hos Bruun Rasmussen eller underhånden og afkræve
køber ethvert herved opstået tab. Et eventuelt overskud tilfalder
den, der har indleveret det købte til auktion.
Har den misligholdende køber tilgodehavender fra salg af effekter hos Bruun Rasmussen, er Bruun Rasmussen berettiget til at
berigtige ethvert tilgodehavende hos køber ved modregning.
Har den misligholdende køber indleveret andre effekter til salg,
er Bruun Rasmussen berettiget til at bortsælge sådanne effekter
på auktion hos Bruun Rasmussen uden at være bundet af en af
den misligholdende køber fastsat mindstepris. Den misligholdende køber er ikke berettiget til at kræve udlevering af effekter
indleveret til salg, så længe forfalden gæld til Bruun Rasmussen
ikke er betalt, uanset om værdien af sådanne effekter må anses
at overstige forfalden gæld.
274
Bruun Rasmussen er berettiget til at afvise bud afgivet af en
køber, der er i misligholdelse med sine betalingsforpligtelser over
for Bruun Rasmussen eller et bud afgivet af en anden på den
pågældendes vegne, ligesom Bruun Rasmussen er berettiget til at
kræve et depositum som betingelse for accept af fremtidige bud.
§ 3. Afgiftsfritagelse
Udenlandske købere, der opfylder nedennævnte betingelser,
betaler 20% i auktionsomkostninger af hammerslaget, og bliver
ikke belastet af danske afgifter.
A. Købere med bopæl i et andet EU-land:
Købere, som er momsregistreret i et andet EU-land, fritages
for at betale dansk moms, når momsregistreringen dokumenteres over for Bruun Rasmussen, som skal påføre momsnummeret på fakturaen.
B. Købere med bopæl uden for EU:
1 Forsendelse gennem speditør: Effekter, der eksporteres gennem en af Bruun Rasmussen godkendt speditør, fritages for
afgift.
2 Udførsel som rejsegods: Der kan ske fritagelse for dansk
afgift, når køberen selv med­tager det købte under forudsætning af, at følgende betingelser er opfyldt: Fakturaen skal
være betalt, og den danske afgift på 25% af fakturabeløbet
skal være deponeret hos Bruun Rasmussen.
a Købere med fast bopæl i Norge vil få den danske moms
refunderet, så snart Bruun Rasmussen har modtaget købsfakturaen retur med påtegning om officiel indførsel fra det
endelige lands toldmyndighed eller anden på omsætnings­
afgiftsområdet kompetent myndighed, hvis købet overstiger
DKK 1.200.
b Købere med fast bopæl andre steder uden for EU vil få den
danske moms refunderet, efter at effekterne har været forevist til toldbehandling i forbindelse med køberens udrejse fra
EU. Ekspor­tørblanketten returneres til Bruun Rasmussen efter
at være forsynet med et toldvæsens attest for udførslen, hvis
købet over­stig­er DKK 300. Dette gælder også for Færøerne
og Grønland.
§ 4. Afgiftsbetaling
A. Momsregistrerede i andre EU-lande, der ikke ønsker at gøre
brug af § 3, kan i stedet vælge at handle til brugt­moms/fuld­
moms på lige fod med private købere. Dette skal meddeles os
inden kl. 10 den følgende auktionsdag.
B. Momsregistrerede i Danmark kan vælge at købe til fuldmoms
med 25% af både hammerslag og auktionsomkostninger. Det­
te skal meddeles os inden kl. 10 den følgende auktionsdag.
§ 5. Udlevering
Købesummen skal være betalt, inden det købte kan udleveres til
køberen. Det købte henligger fra hammerslaget for købers reg­
ning og risiko. For varer, der ikke er afhentet 14 dage efter hammerslaget, vil der blive opkrævet opbevaringsgebyr. Købte varer,
der er betalt, men ikke afhentet, vil efter 1 år blive videre­solgt
for købers regning ved auktion eller underhånden.
§ 6. Forsendelse
Såfremt Bruun Rasmussen påtager sig at emballere og fremsende
købte varer, sker dette på købers regning og risiko. Bruun Rasmussen kan således ikke drages til ansvar for skader forvoldt på
købte varer under forsendelse eller for forsvundne forsendelser.
BRUUN RASMUSSEN bredgade AUcTION 779 russian
§ 7. Kunstnerafgift til Copy-Da n
• 1% af den del af hammerslagsprisen, der ligger mellem
DKK 1.242.383 og DKK 2.174.171 med tillæg af auktions­
omkostninger på 20% ekskl. afgift
en korrekt katalogbeskrivelse må antages at ville have resulteret
i, er køber berettiget til at annullere købet, hvorefter den samlede
erlagte købesum, dog højst den i kataloget angivne højeste vurderingspris tillagt auktionsomkostninger og evt. moms, vil blive
refunderet køber.
Væsentlige fejl i katalogbeskrivelsen relateret til mål eller vægt
erstattes kun procentuelt i forhold til differencen.
Retten til under de her anførte betingelser at annullere et køb
kan kun udøves af den, der købte den pågældende effekt hos
Bruun Rasmussen og er betinget af, at krav om annullering
fremsættes skriftligt over for Bruun Rasmussen inden 2 år efter
købsdagen, og af at det købte inden samme frist returneres til
Bruun Rasmussen i den samme stand i enhver henseende, som
det købte var i på hammerslagstidspunktet.
Køber kan i tilfælde af annullering ikke gøre krav på betaling
af renter af købesummen og er ej heller berettiget til at kræve
anden udgift eller tab, herunder eventuel mistet videresalgsfortjeneste, dækket.
Et køb kan ikke kræves annulleret efter ovenstående bestemmelser, såfremt:
• 0,5% af den del af hammerslagsprisen, der ligger mellem
DKK 2.174.171 og DKK 3.105.958 med tillæg af auktions­om­kostninger på 20% ekskl. afgift
a beskrivelsen i kataloget på hammerslagsdagen var i overensstemmelse med den på dette tidspunkt gældende opfattelse
blandt lærde og eksperter.
CD
Ifølge gældende dansk lovgivning om ophavsret skal der
opkræves følgeretsvederlag på værker af alle nyere danske og
visse udenlandske kunstnere. Følgeretsvederlaget opkræves hos
køber af Bruun Rasmussen på vegne af kunstnernes organisation
Copy-Dan, for de kunstværker, der er omfattet af loven. Disse
værker er mærket CD for Copy-Dan ud for katalognummeret.
Følgeretsvederlaget beregnes som følger for det enkelte kunst­
værk, når hammerslagsprisen overstiger DKK 1.863:
• 5% af den del af hammerslagsprisen, der ligger mellem
DKK 0 og DKK 310.596 med tillæg af auktionsomkost­ninger
på 20% ekskl. afgift
• 3% af den del af hammerslagsprisen, der ligger mellem
DKK 310.596 og DKK 1.242.383 med tillæg af auktions­
omkostninger på 20% ekskl. afgift
• 0,25% af den del af hammerslagsprisen, der ligger over DKK
3.105.958 med tillæg af auktionsomkostninger på 20% ekskl.
afgift
Copy-Dan afgiften kan ikke overstige DKK 93.179 for det enkelte
kunstværk.
b den eneste måde til på katalogets udgivelsestidspunkt at få
fastslået et falskneri var iværksættelsen af videnskabelige
processer, hvis gyldighed først blev anerkendt efter katalogets
udgivelsestidspunkt eller som ville have været uforholdsmæssigt omkostningskrævende eller uigennemførlige uden beskadigelse af den pågældende effekt.
§ 8. Eksporttilladelse
Kulturværdiudvalget er blevet ansøgt om eksporttilladelse, hvor
dette kræves iflg. gældende dansk lovgivning om sikring af kulturværdier i Danmark. Foreligger en sådan ikke, vil dette blive
meddelt den udenlandske køber umiddelbart efter hammerslaget.
Derefter vil Bruun Rasmussen igen ansøge Kulturværdiudvalget
på købers vegne, nu hvor prisen kendes. Gives eksporttilladelse
ikke, er Kulturværdiudvalget forpligtet til at overtage det købte
til den opnåede pris, hvilket betyder at købet bliver hævet for
køber.
§ 9. Katalogisering
Alt sælges i den stand, hvori det ved hammerslaget er at forefinde og som beskrevet i kataloget med senere offentliggjorte
ændringer og modifikationer.
Katalogiseringen er foretaget efter bedste overbevisning og under
anvendelse af de anførte katalogiseringsprincipper.
De solgte effekter er ofte af en alder eller af en art, der bevirker,
at de kan være behæftet med fejl, mangler, restaurering eller
beskadigelser, der ikke nødvendigvis angives i kataloget. Afbildninger i kataloget er blot til identifikation og kan ikke anvendes
til vurdering af effekternes stand.
Enhver der ønsker at byde på auktion, bør derfor ved selvsyn på
de før auktionen afholdte eftersyn forvisse sig om de ønskede
effekters stand.
Katalogbeskrivelsen er udtryk for den på tidspunktet for katalogets trykning blandt lærde og eksperter herskende opfattelse.
Skulle der efter købet opstå tvivl om det købtes ægthed eller
dettes overensstemmelse med katalogbeskrivelsen, skal dette
straks meddeles til Bruun Rasmussen.
Såfremt det må erkendes, at det købte er en forfalskning, eller
såfremt katalogbeskrivelsen har været behæftet med væsentlige
fejl, der har medført en væsentlig højere hammerslagspris, end
russian BRUUN RASMUSSEN bredgade AUcTION 779
Bruun Rasmussen Kunstauktioner
Jesper Bruun Rasmussen, Auktionsholder
Jørgen Byriel, Auktionsleder
KOMMISSIONER
Bruun Rasmussen påtager sig at byde i kommission for bydere,
der ikke kan være til stede ved auktionen. Det er en forudsætning, at kommissionen er Bruun Rasmussen i hænde 24 timer
før auktionens start, så om nødvendigt bydernes kreditværdighed
kan undersøges. Bruun Rasmussen påtager sig intet ansvar for
eventuelle fejltagelser, der måtte opstå ved brug af denne ser­vice.
Konditionsrapporter
Bruun Rasmussen påtager sig, hvis det er muligt, at orientere
nærmere om katalognumrenes kondition og tilstand. Dette er
ment som en service for kunder, der ikke selv har mulighed for
ved selvsyn at undersøge numrene på eftersynet. Det understreges,
at de givne oplysninger ikke kan gøres til genstand for reklamationer; her henvises til katalogteksten.
FRITAGELSE FOR DANSK FULDMOMS
Købere skal ifølge § 2 betale fuldmoms af de varer der i kataloget er markeret med stjerne *.
Når virksomheder, der er momsregistrerede i andre EU-lande,
køber hos Bruun Rasmussen og videresælger til private, skal der
ikke betales dansk moms, men moms i henhold til de regler der
gælder, hvor den udenlandske virksomhed er momsregistreret.
Det tilrådes at søge oplysning hos de lokale myndigheder.
275
co n d itio n s of p u rchas e
§ 1. Bidding
The buyer shall be the highest bidder at the “hammer price”. Any
person bidding on behalf of a third party shall be liable in surety
for completion of the sale.
At the request of Bruun Rasmussen Kunstauktioner (herein­after
called Bruun Rasmussen), all bidders, whether they wish to make
bids in person at the place of auction or commission bids by letter or fax or direct telephone bids, should be able to document
their ability to pay and be able to provide proof of identity at
any time. Bruun Rasmussen is entitled to refuse to accept a bid
if, when requested, adequate security or adequate payment on
account has not been rendered.
Bids should be made by the bidder in person at the place of auction or by written commission. Telephone bidding is possible
within certain conditions made out by Bruun Rasmussen. Bruun
Rasmussen is not to be held responsible for any errors that may
occur using this service. The auctioneer shall have absolute discretion as to the increment of the bids. The auctioneer will also
make decisions in all cases of doubt regarding the bidding.
§ 2. Payment
The purchase price is the hammer price plus 25% in buyer’s premium, including VAT, for lots sold subject to the special VAT
scheme for sales of Works of Art, Collectors’ items and Antiques,
and secondhand goods by Public Auction (hereinafter called Special VAT).
Certain lots are sold in accordance with specific rules on normal VAT arrangement (hereinafter called normal VAT), so that
the purchase price is the hammer price plus an additional 20%
in buyer’s premium and VAT of 25% levied on both the hammer
price and the buyer’s premium. The lots subject to Full VAT are
indicated as such in the catalogue with an asterix (*).
Danish VAT registered buyers shall provide us with documentation of their SE-/CVR-number (VAT No.) as this has to be quo­ted
on the invoice for goods bought at full VAT.
For some foreign buyers, specific VAT-exemption rules apply (cf.
Article 3). VAT-exemption does not apply to private buyers from
the EU who are considered as Danish buyers (cf. current Da­nish
legislation on Special VAT Scheme for Sales of Works of Art,
Collec­tors’ items and Antiques by Public Auction).
The purchase price falls due for payment when the goods have
been knocked down. Payment may be made in cash up to DKK
100,000, by Dankort, banker’s cheque, traveller’s cheque, Visa-,
Master-, Diners Club- or Euro­card. Personal foreig­n cheques may
only be used for payment by prior arrange­ment.
Payment may be made during or immediately after the auction.
Under all circumstances payment must be made no later than
eight days from the date of the invoice.
Should the purchase price not be paid by the due date, interest
at 1.5 % per new month will be charged.
If the purchase price and interest are not paid within eight
days after Bruun Rasmussen has sent its demand to the buyer,
Bruun Rasmussen shall be entitled to rescind the sale and re­sell
the goods at a Bruun Rasmussen auction or privately, and to
demand reimbursement of any related losses from the defaulting
buyer. Any further profit on the sale shall be payable to the person who had deposited the goods for sale by auction.
If the defaulting buyer is entitled to proceeds from a sale of
goods by Bruun Rasmussen, Bruun Rasmussen shall be entitled
to set off its receivables against its payables to the defaulting
buyer.
If the defaulting buyer has deposited other goods for sale,
Bruun Rasmussen shall be entitled to sell such goods at a Bruun
Ras­­mussen auction without being bound by the reserve stipulated by the defaulting buyer. The defautling buyer shall not be
entitled to demand the surrender of goods deposited for sale as
long as the debt payable to Bruun Rasmussen has not been discharged, regardless of whether the value of such goods may be
deemed to exceed the debt payable.
Bruun Rasmussen shall be entitled to refuse a bid made by a
buyer who is in default in respect to his payment obligations
276
to Bruun Rasmussen, as well as a bid made by a third party on
be­half of such a defaulting buyer. Bruun Rasmussen shall further
be entitled to demand a deposit as a condition of accepting any
future bids from such a purchaser.
§ 3. Exemption from VAT
Foreign buyers who fulfil the conditions stated below shall pay
20% of the hammer price in buyer’s premium and shall not be
subject to Danish taxes and duties:
A. Buyers residing in another EU Member State:
Buyers are exempt from paying Danish VAT as long as they
have provided Bruun Rasmussen with documentation of their
VAT registration. The VAT number will then be quoted on
Bruun Rasmussen’s invoice.
B. Buyers residing outside the EU:
1Dispatch through forwarding agent: Lots exported through a
forwarding agent approved by Bruun Rasmussen are exempt
from VAT.
2 Export as personal luggage: Goods may be exempt from
Danish VAT when the buyer personally takes the goods out
of the country as luggage, provided the following conditions
have been met:
The invoice must have been paid and the Danish duty of 25%
of the invoice amount must have been deposited with Bruun
Rasmussen.
a Buyers residing in Norway will be refunded the Danish VAT
as soon as the invoice of sale has been returned to Bruun
Rasmussen endorsed by the customs authorities of the country in question or by any other authority with jurisdiction
over matters of purchase tax with respect to official imports
of goods into the country in question if the purchase price
exceeds DKK 1,200.
b Buyers residing in other countries outside the EU will be
refund­ed the Danish VAT after the goods have been presented for customs clearance in connection with the departure of the buyer from the EU. The exporter’s form should be
returned to Bruun Rasmussen after being endorsed with the
customs autho­rities’ export certificate if the purchase price
exceeds DKK 300 This also applies to the Faroe Islands and
Greenland.
§ 4. Payment of taxes and duties
A. Buyers with VAT-registration in other EU member states who
do not wish to make use of Article 3 may instead choose to
purchase items subject to Special VAT/Normal VAT in the
same manner as private buyers. Bruun Rasmussen must be
notified of this before 10 a.m. on the following auction day.
B. Buyers with VAT-registration in Denmark may choose to purchase subject to Normal VAT at 25% of the hammer price
plus premium. Bruun Rasmussen must be notified of this
before 10 a.m. on the following auction day.
§ 5. Collection of purchases
The purchase price must be paid in full before the purchased lot
can be passed over to the buyer. From the time of the lot being
knocked down to the buyer, until its collection, the purchased
lot will be held at the buyer’s own expense and risk.
A storage fee will be charged for lots which have not been collected within 14 days after the time of the lot being knocked
down. Goods which have been paid for but not collected within 1 year will be resold at auction or privately at the buyer's
expense.
§ 6. Dispatch
Should Bruun Rasmussen undertake the packaging and for­
warding of purchased goods, this shall be done at the buyer’s
BRUUN RASMUSSEN bredgade AUcTION 779 russian
own expense and risk. Bruun Rasmussen shall thus not be held
liable neither for any damage caused to purchased goods during
dispatch nor for any missing consignments.
§ 7. Droit de Suite
Pursuant to current Danish legislation on Copyright, an artistic royalty shall be collected on works of modern art by all Danish and
some foreign artists. Bruun Rasmussen will from the buyer collect
the royalties required on behalf of the artists’ organisation Copy-Dan
for any work of art subject to this law. These works are identified in
the catalogue by CD for Copy-Dan, marked beside each relevant lot
number.
The artistic royalty will be calculated as follows for each work of art,
when the hammerprice exceeds DKK 1,863:
• 5% of the part of the hammerprice ranging from DKK 0 to
DKK 310,596 plus the buyer’s premium (20% excl. VAT)
• 3% of the part of the hammerprice ranging from DKK 310,596
to DKK 1,242,383 plus the buyer’s premium (20% excl. VAT)
• 1% of the part of the hammerprice ranging from DKK
1,242,383 to DKK 2,174,171 plus the buyer’s premium (20%
excl. VAT)
• 0.5% of the part of the hammerprice ranging from DKK
2,174,171 to DKK 3,105,958 plus the buyer’s premium (20%
excl. VAT)
• 0.25% of the part of the hammerprice lying above DKK
3,105,958 plus the buyer’s premium (20% excl. VAT)
The artistic royalty cannot exceed DKK 93,179 for each work of art.
§ 8. Export licence
Applications for an export licence must be made to the Danish
Cultu­ral Assets Committee when required in accordance with
current Danish legislation on the protection and preservation of
cultural assets in Denmark. Where such a licence has not been
obtained, the foreign buyer will be informed thereof immediately after the lot has been knocked down to the buyer. Anot­
her application will subse­quently be sent to the Danish Cultural
Assets Committee by Bruun Ras­mussen on behalf of the buyer,
now that the price is known. Should an export licence not be
granted, the Danish Cultural Assets Com­mittee would be obliged
to acquire the purchased lot at the purchase price, and the buyer
would thus not be bound to the purchase.
§ 9. Cataloguing
All lots are sold in the condition in which they are found when
knocked down and as described in the catalogue with subse­
quently published changes and modifications. Cataloguing is
done according to the best of Bruun Rasmussen’s knowledge
and on the cataloguing principles stated.
The lots auctioned are often of some age or of a kind which
makes it possible that they may contain defects, deficiencies, or
may have been subject to restoration or damage not necessarily
stated in the catalogue. Catalogue pictures are for identification
only and cannot be used for an evaluation of the condition of
the goods.
Any person who wishes to bid at an auction should therefore
sa-tisfy himself of the condition of the lots for which he intends
to bid by personal inspection at the preview held prior to the
auction. The catalogue description is an indication of the prevai­
ling oppinion of scholars and expert at the time of the printing
of the catalogue. If any doubts should arise after the purchase
regarding the genuineness of the purchased lot or its confor­
mance with the catalogue description, Bruun Rasmussen should
immedia­te­ly be informed thereof.
Should the purchased lot be proved to be a forgery, or if the
catalogue description contains material errors which lead to
a consi­derably higher hammer price than that which a correct
catalogue description would presumably result in, the buyer shall
be entitled to cancel the purchase, after which the buyer shall be
reimbursed for the total purchase price paid, up till a maximum
amount of the highest estimated price stated in the catalogue
plus buyer's premium and VAT, when applicable.
For material errors in the catalogue description in respect to
measure­ments or weight, compensation shall only be paid on a
percentage basis in proportion to the difference.
The right of cancellation of a purchase in pursuance of the
present conditions can only be exercised by the party who has
bought the lot in question at Bruun Rasmussen and shall be subject to the presentation of a claim for cancellation in wri­ting to
Bruun Rasmussen within 2 years of the purchase date and to the
purchased lot being returned to Bruun Rasmussen in the same
condition in any and all respects which the purchased lot was in
at the time of the lot being knocked down to the buyer.
In the event of cancellation the buyer shall not be entitled to
claim pay­ment of interest on the purchase price nor shall the
buyer be entitled to claim compensation for any other ex­pen­ses
or loss incurred, including any possible loss of profit in connection with reselling.
It shall not be possible to state cancellation of a purchase in
pursuance of the above provisions if:
a the catalogue description on the day the lot was knocked
down to the buyer was in accordance with the then generally
accepted opinion of scholars and experts;
b the only way of establishing whether the lot was a forgery
at the time of the publication of the catalogue was the
implementa­tion of scientific processes, the validity of which
was only acknowledged after the time of publication of the
catalogue, or which would have required a disproportionate
amount of cost, or which would have been impossible to carry out without damaging the lot in question.
Bruun Rasmussen Auctioneers of Fine Art
Jesper Bruun Rasmussen, auctioneer
Jørgen Byriel, officially appointed external supervisor
COMMISSION
Bruun Rasmussen undertakes to execute commission bids for
bidders who are unable to be present at the auction. It is a
prerequisite that Bruun Rasmussen receives the commission
24 hours before the start of the auction for the bidders’ credit
to be checked, if necessary. Bruun Rasmussen is not to be held
responsible for any errors that may occur using this service.
CONDITION REPORTS
Bruun Rasmussen undertakes to provide further information
about the state and condition of the lots if possible. This is
regarded as a service for customers who are unable to make a
personal inspection of the lots at the preview. Bruun Rasmussen
stresses that the informa­tion given cannot be used as the basis
for complaints; complaints can only be based on the catalogue
text.
Exemption FROM VAT
Buyers shall, according to § 2, pay full VAT on lots marked with
an asterix *.
No Danish VAT is to be paid when VAT registered companies
from other EU countries buy at Bruun Rasmussen and resell
to private buyers, The private buyer then only has to pay VAT
according to the rules in force in the country where the foreign
company is VAT re­gistered. For further information please consult your local authorities.
The above is an English translation of the Danish version of the Conditions of Purchase. In case of dispute, only the Danish version of the present Conditions of Purchase of Bruun Rasmussen is valid.
russian BRUUN RASMUSSEN bredgade AUcTION 779
277
ri n g d ir e kt e
call d ir e ctlybr e d ga d e
administration
Claus Poulsen
[email protected]
3343 6917
kundeservice /
Customer Service
Suzanne Huwendick
[email protected]
3343 6901
Annette Langbak
[email protected]
3343 6902
Heidi Beck Andersen
[email protected]
3343 6904
kommissioner og Bestilling af kataloger /
commissions and catalogue requests
Vibeke Nielsen
3343 6912
[email protected]
lager og transport /
storage and transportation
Frank Høgh
[email protected]
3634 1381
auktionsrådgivning /
auction guidance
Franziska Kampmann
[email protected]
3343 6905
vurdering og information /
valuation and information
Indbovurderinger / Valuation at your home
Hans Ruben
3343 6974
[email protected]
Kasper Nielsen
[email protected]
3343 6988
Per Flemming Koefoed
[email protected]
3343 6993
moderne kunst og design / modern art
Peter Christmas-Møller
3343 6951
[email protected]
Niels Raben
[email protected]
3343 6957
Peter Kjelgaard Jensen
[email protected]
3343 6950
Mønter / coins
Michael Fornitz
[email protected]
Porcelæn, Glas og orientalsk kunstindustri /
ceramics, glass and oriental works of art
Charlotte Hviid
3343 6982
[email protected]
Smykker / jewellery
Heidi Schophuus Jensen
[email protected]
3343 6840
Sølv / silver
Sabrina Ulrich Vinther
[email protected]
2570 5941
Tæpper / carpets
Henrik Schleppegrell
[email protected]
3343 6980
Vin / wine
Morten Stenør Larsen
[email protected]
3343 6841
Våben / weapons
David Utzon-Frank
[email protected]
2570 6996
Ældre malerier / old master paintings
Kasper Nielsen
3343 6988
[email protected]
Birte Stokholm
[email protected]
Bøger / books
Christine Almlund
[email protected]
3343 6940
Frimærker / stamps
Jan Helding
[email protected]
ældre Møbler / furniture
Thomas Lembourn
[email protected]
3343 6856
Anders Fredsted
[email protected]
278
3343 6833
3343 6976
3343 6973
3343 6964
BRUUN RASMUSSEN bredgade AUcTION 779 russian
a d r e ss e r
br u u n rasm u ss e n k u n sta u ktio n e r
københavn – bredgade
fjernlager - københavn
Bredgade 33
DK-1260 københavn K
Tel +45 3343 6911
Fax +45 3343 6966
E-mail: [email protected]
Søvangsvej 1-5
DK-2650 hvidovre
Tel +45 3634 1381
Fax +45 3634 1332
københavn – havnen
Amerika Plads 11
DK-2100 københavn ø
Tel +45 7027 6080
Fax +45 7027 6090
E-mail: [email protected]
vejle – pedersholm
Pedersholms Allé 42
DK-7100 Vejle
Tel +45 7943 6911
Fax +45 7943 6910
E-mail: [email protected]
Århus - vurderingskontor
frederiks Allé 116
DK-8000 Århus c
Tel +45 7020 6911
Fax +45 7020 6912
E-mail: [email protected]
Sydsverige - Anders Antik
Ringvågen 48
26141 Landskrona
Tel +46 0418 599 90
Fax +46 0418 299 90
[email protected] · www.andersantik.se
Repræsentant i malmø
Pia Staël von Holstein
Tel +46 0702 738 975
E-mail: [email protected]
Bruun Rasmussen estates
Bredgade 33
DK-1260 københavn K
Tel +45 7011 7172
Fax +45 7011 7177
E-mail: [email protected]
russian BRUUN RASMUSSEN bredgade AUcTION 779
Online-auktioner
www.bruun-rasmussen.dk
Teknisk support tel +45 7023 6911
E-mail: [email protected]
représentante en france
Anne Kristine Rathnov · PARIS
Tel + 33 6 14 08 19 80
E-mail: [email protected]
representative in uk and russia
professor neil kent
london
Tel +44 (7768) 278 618
ST. PETERSBURG
Tel +7 (911) 799 2106
E-mail: [email protected]
representante en españa
Karin K.J.V. Frijs . Marbella
Tel +34 952 82 48 98
Mobil tel +34 630 29 21 02
Fax +34 952 77 74 64
E-mail: [email protected]
rapresentante in italia
JEANETTE IDA MØLLER · MILANO
Tel +39 029 440026
Mobil tel +39 340 0539219
E-mail: [email protected]
representative in USA
Alexa bruun rasmussen · San Francisco
Tel +1 415 640 8007
E-mail: [email protected]
BENEDICTE HALLOWELL · BOSTON
Tel and Fax +1 617 566 7333
E-mail: [email protected]
279
kommissio n sb u d
commissio n bi d s
Det er muligt at afgive kommissionsbud, hvis De ikke selv
kan være til stede på auk­tions­­dagen. Denne service er
gratis.
Når De afgiver en kommission, beder De vores kundeser­
vice på Deres vegne byde op til et af Dem bestemt beløb
i hammerslag.
Der kan opstå den situation, at en anden køber allerede
har budt det beløb, som De ønsker at afgive. Er De da
villig til at gå et bud højere eller er De indforstået med at
nummeret sælges til anden side?
Ønsker De ikke at byde højere så skriv “Max” ud for beløbet. Er De i tvivl om hvor højt De vil byde, kan De hæve
budet med op til ca. 15% eller ca. 25%.
Salgsprisen kan blive højere eller lavere end vurderingen,
så der er også mulighed for at købe til under den angivne
vurdering. Vor kun­deservice køber altid så billigt som
muligt til Dem, som havde De selv været tilstede på auktionen.
Alle kommissioner behandles strengt fortroligt.
Kommisionsbud skal være Bruun Rasmussen i hænde
senest 24 timer før auktionens start.
Sådan byder De:
Udfyld blanketten kommissionsbud med alle oplys­
ninger.
Angiv katalognummer.
Angiv beløbet De ønsker at byde.
Er dette Deres absolutte maximum bedes De anføre
“Max” i kolonnen.
De kan også forhøje Deres bud med henholdsvis ca. 15%
eller ca. 25%, ved at ind­ikere dette i kolonnen.
De bedes underskrive kommissionsblanketten og sikre Dem,
at Bruun Rasmussen mod­tager den senest 24 timer før
auktionens start.
Hvis Deres oplysninger ikke er tilstrækkelige, kan Bruun
Ras­mussen undlade at byde for Dem, ligesom Bruun Rasmussen ikke kan gøres ansvarlig for fejl ved budgivningen.
Efter auktionen vil De kunne få oplysninger om priser på
vor automatiske 24 timers “Hammerslagsoplysning” på
telefon 3343 6908.
internet:
Kommisionsbud kan afgives på hjemmesiden www.bruunrasmussen.dk direkte fra siden med den effekt, De ønsker
at byde på.
Seneste afgivelse af bud via hjemmesiden er 3 timer før
auktionens start.
Afgivne bud kan ses på hjemmesiden under “Deres bud”,
når de er logget ind. Kontakt teknisk suppert på 7023
6911 for spørgsmål om registrering og budgivning via
internettet.
For yderligere information, se “Købskonditioner”, §1.
280
It is possible to leave commission bids if you can not be
present at the auction yourself. This service is free of
charge.
When leaving a commission bid, you are instructing our
customer service to bid up to a specified amount on your
behalf.
The situation can occur that another buyer has already
bid the same as you were prepared to. Are you then willing to bid further? If not the lot will be sold to another
buyer.
If you do not wish to exceed your bid then write “Max",
for maxi­mum, next to the amount. You can also allow us
to raise your bid by approx. 15% or approx 25%.
The hammer price may be higher or lower than the estima­
ted price, so it is possible to buy below the estimate.
Bruun Rasmussen will always buy at the lowest price possible, as if you yourself had been present at the auction.
All commission bids are strictly confidential.
Commission bids must be submitted no later than 24
hours prior to the start of the auction.
How to make a commission bid:
Complete the commission form with all pertinent
information.
Indicate the lot number.
Indicate the amount you are prepared to bid.
Should this amount be the absolute maxi­mum, please
write “Max” in the ap­pro­priate column.
You can also allow us to bid by up to approx. 15% or
approx. 25% more by indicating so.
Sign the commission form and make sure that Bruun Ras­
mus­sen receives it 24 hours prior to the start of the auction.
If the information should be insufficient, Bruun Rasmussen can abstain from bidding. Bruun Rasmussen can not
be held responsible for error in bidding or failure to execute bids.
After the auction Bruun Rasmussen’s 24-hour “hammerprice-information” is available for sale results at
+45 3343 6908.
internet:
Commision bids can be submitted via the website
www.bruun-rasmussen.dk directly from the page with the
item you want to submit a bid for.
Deadline for submissions of bids via the website is
3 hours prior to the start of the auction.
Submitted bids are shown under “Your bids” when you
are logged in. Please contact technical support on
+45 7023 6911 for questions about the registration and
submission of bids on the website.
For additional information, please consult “Conditions of
Purchase” §1.
BRUUN RASMUSSEN bredgade AUcTION 779 russian
kommissio n sb u d
commissio n bi d sbr e d ga d e
Skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start.
Must be submitted no later than 24 hours prior to the start of the auction.
Navn Name: * ...................................................................................................................................................................................
Adresse Address: * ............................................................................................................................................................................
Postnr./by City: * ..............................................................................................................................................................................
Land Country: * ........................................................................ Fax: ............................................................................................
Tel: * ...................................................................................................................................................................................................
e-mail: ........................................................................................ CVR-nr. VAT No.: ......................................................................
Bank: .......................................................................................... Konto nr. Acct. No.: .................................................................
Adresse Address: ................................................................................................................................................................................ Postnr./By City: ......................................................................... Land Country: ..........................................................................
Tel: .............................................................................................. Kontaktperson Contact: ..........................................................
Obligatoriske felter er mærket med en stjerne * Mandatory fields are marked with an asterix *
Undertegnede giver hermed fuldmagt til Bruun Rasmussen Kunstauktioner A/S om på mine vegne at købe
nedennævnte katalognumre så fordelagtigt som muligt, inden for det af mig anførte beløb, i hammerslag.
I hereby request that Bruun Rasmussen bid on my behalf on the following lots up at the prices indicated below.
Undertegnede har udfyldt ovennævnte med de ønskede oplysninger, samt har accepteret købskonditionerne.
The undersigned has supplied the required information and agrees to be bound by the conditions of purchase.
Signatur: * ................................................................................. B.R. kunde-nr. Client No.: .......................................................
Jeg ønsker at modtage salgsresultater på de emner jeg har budt på via email
I wish to receive sales results on the items I have been bidding on via e-mail
dagligt
every day
efter auktion
after the auction
på e-mail adressen on this e-mail address: ................................................................................................
Auktion nr auction no:
Katalog nr. Beskrivelse
Lot. No.Description
Bud kr.
Bid DKK
779
Max +15% +25%
BR UUN R A S MUS S EN ku nstauktio n er A / S
Bredgade 33 · DK-1260 København K · Tel +45 3343 69 11 · Fax +45 3343 6966 · [email protected] · www.bruun-rasmussen.dk
"
Fortsættes næste side Please turn over
russian BRUUN RASMUSSEN bredgade AUcTION 779
281
kommissio n sb u d
commissio n bi d sbr e d ga d e
Katalog nr. Beskrivelse
Lot. No.Description
Auktion nr auction no:
282
Bud kr.
Bid DKK
Max +15% +25%
779
BRUUN RASMUSSEN bredgade AUcTION 779 russian
International wine auction
Thursday 13 December 6 pm
Important private collection of Chateau Petrus along with legendary wines from Romanée Conti,
Dom Perignon, Chateau d’Yquem and 1. Cru wine from Bordeaux in classic vintages.
Please visit our website www.bruun-rasmussen.dk or call +45 3343 6841 for further information.
russian BRUUN RASMUSSEN bredgade AUcTION 779
283
komm e n d e a u ktio n e r
comi n g a u ctio n s
frimærker
Eftersyn: Auktion: 27. -30. november
1. december
bøger og manuskripter
Eftersyn: Auktion: 22. - 26. nov. + 10. dec.
10. december
mønter
Eftersyn:
Auktion:
24. - 26. nov. + 10. og 11. dec.
11. december
våben
Eftersyn:
Auktion:
22. - 26. nov. + 12. dec.
12. december
vin
Eftersyn:
Auktion:
12. og 13. december
13. december
MODERNE
Eftersyn:
Auktion:
27. februar - 3. marts
4. marts
INTERNATIONAL
Eftersyn:
Auktion:
16. - 21. april
22. april
ONLINE-AUKTIONER
Bredgade afholder online-auktioner over
bøger, frimærker, mønter og vin hver måned.
Se nærmere på www.bruun-rasmussen.dk
ONLINE-AUKTIONER
Havnen afholder online-auktioner over kunst,
antikviteter og design hver uge fra mandag til
torsdag samt online-auktion over våben
hver måned.
Se nærmere på www.bruun-rasmussen.dk
KUNST OG DESIGN
Eftersyn:
Auktion:
ONLINE-AUKTIONER
Vejle afholder online-auktioner over kunst,
antikviteter og design hver uge fra mandag til
torsdag.
Se nærmere på www.bruun-rasmussen.dk
8. - 14. januar
15. og 16. januar
Ret til ændringer forbeholdes © 2007 Bruun Rasmussen Kunstauktioner
Foto: Bent Lange & Henrik Wichmann Tryk: From & Co.
Grafik og dtp: Lene Klibo, Bettina Løgstrup, Jorge Figueiredo & Andrea Løw
284
BRUUN RASMUSSEN bredgade AUcTION 779 russian