http://wsa.wikidot.com/printmaking Bookbinding - Single-Page Bindings Japanese Stab Binding Introduction Japanese Stab Binding is a single-page binding technique that has an elegant and contemporary look and is relatively easy to achieve. Made from a bookblock consisting of a stack of single sheets rather than signatures and requiring no gluing allows you to make books that are not possible with other bindings. You can use scraps of different weights, textures and colours of paper as long as they are the same size, or can be cut to the same size, and it is also possible to incorporate different materials such as textiles. The advantage of stab binding is the binding can be untied to allow additional pages to be added, or for the sequence to be changed. The front and back covers can be either soft or hard (covered board) and are attached to the bookblock by the decorative stitching. There are four basic variations of the Japanese stab bind: Kikko Toji (Tortoise Shell Binding), Asa-No-Ha Toji (Hemp Leaf Binding), Koki Toji (Noble Binding) and Yotsume Toji (Four Eye Binding). A selection of Stab Bindings with a variety of stitches based on the four basic variations. This guide will cover the Yotsume Toji (Four Eye Binding) as it serves as a good introduction to the fundamental techniques required for the more advanced stitching patterns. Yotsume Toji (Four Eye Binding) You will need • A selection of paper • 2x heavy weight papers for the covers • A scrap of greyboard • 2x wooden boards • 2x clamps • Drill with 2mm drill bit • Bodkin (optional) • Binding needle & thread Winchester School of Art Printmaking Workshop 2016 Printmaking Technician: Andy Reaney 01. Prepare a sewing station template for drilling or punching the holes by cutting a greyboard off-cut to the same height as your pages ensuring it is square. 02. Measure at least 10mm in from the spine edge and draw a line from the head to the tail. 03. Make two marks at least 10mm from the head and tail, these will be the first and last sewing stations, then mark the two middle sewing stations equally between these. 1 http://wsa.wikidot.com/printmaking 04. Assemble the bookblock along with the front and back covers. Pay attention to the grain of the paper ensuring it runs from the head to tail. 05. Knock the bookblock, first on its tail and then on its spine to ensure all the pages are in line Securing the sewing station template along the spine edge with binding clips. 06. Carefully line up the edge of the sewing station template to the spine of the bookblock and use binding clips to hold the pages and template in place, along the spine edge. Be careful not to obscure the marks for the sewing stations on the template. 07. Place the bookblock onto a piece of wooden board so the spine and binding clips are hanging over the edge and place another piece of wooden board on top leaving the sewing station template holes visible. 08. Clamp the boards and bookblock to the edge of a table so it is securely held in place. 09. Carefully drill through all of the sewing stations being sure not to twist the drill as it may cause the bit to break off in your book block. Use a drill bit of an appropriate size to the thread you will be using. A 2mm bit is usually the best size for standard binding thread, but you could bind your book with ribbon or even rope! The bookblock and template, secure between two wooden boards, ready for drilling. Note how the sewing stations are visible and easily accessible. If using a bodkin to punch the holes, begin by punching through the greyboard and top few pages. Carefully remove the binding clips and remove the top few pages you have punched. Place the sewing station template back on the rest of the bookblock and repeat, piercing a few sheets at a time until all the pages have been punched. 10. Unclamp the bookblock and move the binding clips towards the fore-edge of the bookblock being careful to keep the pages aligned. Discard the sewing station template. Sewing the Bookblock After drilling, the binding clips moved along to the fore-edge of the book. Tip Use some paper scraps between the bookblock and binding clips to prevent the covers being damaged. Winchester School of Art Printmaking Workshop 2016 Printmaking Technician: Andy Reaney The complexity of the stitching you will use for your book will determine how much thread you will require. For this 4 hole binding you will require a length of thread 4 times the height of the book while the Tortoiseshell binding will require a great deal more. 01. Thread the needle and tie a knot at the end. Ensure the length of thread is at least 4 times the height of the book. 02. Open your bookblock halfway through from the spine edge. 2 http://wsa.wikidot.com/printmaking 03. Begin at Station B in the middle of the bookblock. Push your needle through Station B towards the front of the bookblock leaving at least 5cm hanging loose. 04. Tuck the loose end of the thread down in between the pages towards the fore-edge. 05. Wrap your needle around the spine and thread back up through Station B from the rear cover, pulling the thread taut. On the front cover side, go across and down through Station C. Wrap the needle around spine and back through Station C again. Sewing up through the cover from the middle of the bookblock. 06. Continue to station D on back of the bookblock, come up through the hole, around the spine and back up through station D, around the footer and back through Station D one last time. 07. Work your way back along the spine towards Station A, catching any gaps along the way. Go down through Station A, around the spine and back through. 08. Wrap around the head of the bookblock and go back down through Station A. Remove the binding clips and open the bookblock to the loose end of thread where you began sewing.. 09. From the back of the book, go up through Station B, bringing the needle out between the pages where the loose thread is. Bringing the needle back out through the middle of the bookblock to meet the other end of the thread. Winchester School of Art Printmaking Workshop 2016 Printmaking Technician: Andy Reaney 10. Pull the two end threads taught to take up any slack in the binding and tie a square knot. Trim the loose ends leaving 10mm of thread. 3 http://wsa.wikidot.com/printmaking Making a Hardcover You will need • 2x Greyboard pieces (the same size as your pages) (50mm larger than your page size) • 2x Decorative papers • 2x Coloured end papers Follow the below directions for creating an alternative hardcover for your stab bound book. Once the covers are prepared continue to make your book as shown in the above directions. 01. Measure twice the distance from the spine edge to the sewing stations and cut a 3-4mm strip out of one of the greyboard pieces. This will be your front cover. (5mm smaller than the page size) • PVA glue + brush • Bone folder • Stanley Knife • Cutting Matt • Scrap paper 02. Apply glue to one sheet of the decorative cover paper. Place the two pieces of the front cover board in the middle of the glued paper, maintaining the 3-4mm gap. Note 03. Cut off the corners of the cover paper, about 3-4mm from the board. Fold the head and tail edges of the glued cover paper over the board. Using bookcloth on the covers will create a stronger hinge. Either a full cloth or quarter cloth style will work Bookblock width 3-4mm gap Inside front cover 04. Tuck in the corners of the paper with a bone folder or similar tool, then fold the side edges of the paper over the board. Rub down both sides well, using a sheet of paper to protect the cover. 05. Repeat the above steps for the back cover. 06. Glue the smaller colour end papers to the inside of each cover. 07. Put the covers between wax paper under a weight until dry. Inside cover Pinch in the corners with a bone folder before turning in the fore-edge Winchester School of Art Printmaking Workshop 2016 Printmaking Technician: Andy Reaney 4
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