Gold and jade crown, Silla Kingdom
Crown, Silla kingdom, second half of 5th century, gold and jade, excavated from the north mound of Hwangnam Daechong Tomb, 10 3/4 in. / 27.3 cm
high (Gyeongju National Museum, Korea, National Treasure 191)
All that glitters was gold in ancient Korea. In the fifth and sixth centuries, the Korean peninsula was divided
between three rivaling kingdoms. The most powerful of these was the Silla kingdom in the southeast of the
peninsula. Chinese emissaries described the kingdom as a country of gold, and perhaps they had seen its
crowns adorned with shimmering gold and jade.
Although their fragile gold construction initially led some to believe that these crowns were made specifically for
burial, recent research has revealed that they were also used in ceremonial rites of the Silla royalty during the
Three Kingdoms Period (57 B.C.E. - 676 C.E.). Prior to the adoption of Buddhism, Koreans practiced
shamanism, which is a kind of nature worship that requires the expertise of a priest-like figure, or shaman, who
intercedes to alleviate problems facing the community. Silla royalty upheld shamanistic practices in ceremonial
rites such as coronations and memorial services. In these sacred rituals, the gold crowns emphasized the
power of the wearer through their precious materials and natural imagery.
Crown (detail), Silla kingdom, second half of 5th century, gold and jade, excavated from the north mound of Hwangnam Daechong Tomb, 10 3/4 in. /
27.3 cm high, Gyeongju National Museum, Korea, National Treasure 191 (photo: Republic of Korea)
Map showing the Silla kingdom in the latter half of the sixth century
Worn around the forehead, this tree-shaped crown (daegwan) is the headband type found in the south in royal
tombs at the Silla capital, Gyeongju. Between the fifth and sixth centuries, Silla crowns became increasingly
lavish with more ornamentation and additional, increasingly elongated branch-like protrusions. In this crown,
three tree-shaped vertical elements evoke the sacred tree that once stood in the ritual precinct of Gyeongju.
This sacred tree was conceived of as a “world tree,” or an axis mundi that connected heaven and earth. Two
additional antler-shaped protrusions may refer to the reindeer that were native to the Eurasian steppe that lies
to the north of the peninsula. Attached to the branch-like features of the crown are tiny gold discs and jade
ornaments called gogok. These jade ornaments symbolize ripe fruits hanging from tree branches, representing
fertility and abundance. With sunlight falling on its golden discs, the crown must have been a luminous sight
indeed.
Conical Cap, Silla kingdom, 5th–6th century, gold, found in the Cheonmachong (Flying Horse) Tomb, National Treasure #189
(Gyeongju National Museum, Korea)
`Silla envoy wearing a conical cap with wing-shaped ornament, detail of a mural in the Tomb of Li Xian, 706 C.E., Qianling, Shaanxi province, China.
A second type of crown, the conical cap (mogwan), was found throughout the peninsula. Although it was
initially thought to be an internal component of the headband crown, mural paintings show that it was worn
independently over a topknot to proclaim the rank and social status of its wearer. The cap was secured to the
head with double straps under the chin, as indicated by the small holes along either side of the cap.
Appendages in the shape of wings, feathers, or flowers often were used to accessorize the crown, and those
ornaments tended to be geographically specific to each kingdom.
Eurasian connections
The Silla crown demonstrates cultural interactions between the Korean peninsula and the Eurasian steppe
(thousands of miles of grassland that stretches from central Europe through Asia). Scytho-Siberian peoples of
the Eurasian steppe created golden diadems similar to the Silla crown, such as a crown from Tillya Tepe (an
archaeological site of six nomad graves that contained objects known as the “Bactrian Hoard”) in modern-day
Afghanistan. With five tree-shaped projections, flower ornaments and reflective discs, the Tillya Tepe crown
can be compared with the natural imagery and radiant gold of the Silla crown. Though separated by many
miles and by centuries, both crowns attest to shamanic beliefs prevalent among the nomadic cultures of the
Eurasian steppe.
Gold crown, Tillya Tepe, 1st century C.E. (National Museum of Afghanistan) © Thierry Ollivier / Musée Guimet
Burial customs in the Three Kingdoms Period
Though their use of gold and practice of shamanism related to the northern steppe cultures, the Silla royalty
adopted the burial customs of the Chinese by burying their elite in mounded tombs. In Chinese burials, objects
that were important in life were often taken to the grave. Similarly, power objects like the Silla gold crowns
were used both above ground and below, and their luxurious materials conveyed the social status of the tomb
occupant in the afterlife.
Belt with pendant ornaments. Korea, Silla kingdom, second half of 5th century, gold, excavated from the north mound of Hwangnam Daechong Tomb.
47 1/4 in. / 120 cm long, National Treasure 192 (Gyeongju National Museum, Korea)
In addition to crowns, belts, earrings, other jewelry were placed in Korean tombs during the Three Kingdoms
era to represent the rank and identity of the wearer. This gold belt, for instance, was made for the burial of a
Silla king. It was like a tool belt or charm bracelet, with pendants that dangled from its band of interlinked
square plates and entwining dragon openwork. Some objects were practical, such as knife sheaths and needle
boxes, which evoked nomadic life on the Eurasian steppe. Others were symbolic, such as the comma-shaped
ornaments seen on the Silla crown or miniature fish, which may have been charms to avert evil. The materials
of the belt also corresponded to social status; for example, tombs of the Silla royalty had gold belts, while the
nobility in other regions of the peninsula had silver or gilt-bronze belts.
Korea and the Silk Road
Stretching from the Mediterranean to the Silla kingdom at the tip of the Korean peninsula, the Silk Road
connected a vast terrain of ancient cultures. While the Silla kingdom shared shamanism with the Eurasian
steppe and burial customs with China and Japan, the Silk Road was a main route for conveying materials,
techniques, and ideas from as far away as Rome. Luxury objects in tombs of the Silla elite, such as these
earrings, are made of gold and decorated with stylized foliage that resembles the Silla crown. Two tiers of leafshaped ornaments dangle from double loops adorned with floral motifs, continuing the imagery of the sacred
world tree.
Pair of earrings. Korea, Silla kingdom, second quarter of 6th century, excavated from Bomun-dong Hapjangbun Tomb, gold,
(L) 3 3/8 in. / 8.6 cm long, (R) 3 3/8 in. / 8.75 cm long, National Treasure 90 (National Museum of Korea)
However, a closer look at the thick, upper loop of each earring reveals the technique of granulation.
Metalworking techniques, such as granulation (a technique whereby a surface is covered in spherules or
granules of precious metal) and filigree—seen in the Mediterranean—appear to have traveled along the Silk
Road. Silla tombs also contained other objects, such as Roman glass bowls and ewers, which reveal the
extent to which luxury materials traveled via the Silk Road. These prized imports clearly inspired new forms of
Korean-made luxury goods for use in both life and death.
Essay by Dr. Kristen Chiem