FANTOM CINEMA at
the OLD HAIRDRESSERS
All events FREE except where noted. Tickets for these
other events available from brownpapertickets.com or
Monorail. More info and links at theoldhairdressers.com
Friday 8th April
USHERATHON: Poe’s FALL OF THE HOUSE OF USHER
reimagined by 7 film-makers over the course of 75 years.
4pm: Jean Epstein & Luis Bunuel (1928)
5.30pm: James Webber (1928)
5.45pm: Curtis Harrington (1942)
6pm: Ivan Barnett (1950)
8.20pm: Roger Corman (1960)
10pm: Curtis Harrington again (2000)
11pm: Ken Russell (2002)
Plus: DJs and a mural by TORSTEN LAUSCHMANN
active between screenings and open to the public for
the duration of the festival, 1pm - midnight daily.
Saturday 9th April
3pm: SYMBIOPSYCHOTAXIPLASM: TAKE 1 (1968)
dir: William Greaves. The celebrated reewheeling metatextual docu-drama shot in New York’s Central Park.
The bar: 5pm: THE NOT NOT WORK READER with Hour
Editions. An event where you can help to assemble a
reader on art and labour. Each participant receives a
finished copy of the reader for their time/work.
5pm also: Launch of GREGOR WRIGHT’s new comic
‘Spooky Action At A Distance’. With haunted t-shirts!
8pm: Two broadsides: LBJ (1968) dir: Santiago Alvarez
and WHAT IS A GROUP? (2015) dir: Ian Svenonious
(author of Censorship Now!, singer in Chain & the Gang)
plus footage of Glasgow punk girls LUNG LEG from 1995.
9.15pm: KATHRYN ELKIN & JOHN McKEOWN give a
live reading of Kathryn’s film WHY LA BAMBA?
10pm: SPREAD EAGLE bring their glammy racket back.
Sunday 10th April
3pm: A film screening by Danish artist MAJ HASAGER,
followed by a book launch in the bar.
The Bar: 6pm: WILLIWAW, a very special episode of the
Second Sunday Sipping Sounds and Sights Series.
Evening programme £7 entry (doors 8pm)
VAMPYR (1932) dir: Carl Theodor Dreyer (The Passion of
Joan of Arc) with a newly commissioned soundtrack by
ELA ORLEANS, fresh from presenting her magnificent
score for Borzage’s Lucky Star at Glasgow Film Festival.
LA COQUILLE ET LE CLERGYMAN (1928) dir: Germaine
Dulac, the surrealist classic written by Antonin Artaud,
with new live score by the swell SOUND OF YELL.
Plus a collaborative audio-visual extravaganza featuring
prepared piano, horse hair and a giant inflatable from
SVEN WERNER, GRAEME MILLER AND DAVID RUSSON.
Monday 11th April
6pm: U-BARN (1968) dir: Oyvind Fahlstrom. A short
provocation by the Brazilian/Swedish Fluxus artist
6.45pm: DAY IS DONE (2006) Dir: Mike Kelley. “A
genre-smashing epic in which vampires, dancing Goths,
hillbillies, mimes and demons come together in a kind of
subversive musical theater/variety revue”.
Tuesday 12th April
3pm: PHI TA KHON: GHOSTS OF ISAN (2005)
dir: Robert Millis (Sublime Frequencies). Described as
‘The Mardi Gras from Hell’ and ‘Thai Halloween”, the Phi
Ta Khon festival features magnificent costumes, ornate
masks, decorative phallic icons, strange ceremonies,
drinking, dancing, and endless addictive Mo Lam music.
The bar: 5pm: DIVERGENT ORGANISATION FOR
HEIRARCHICAL LABOUR, a role playing game by
Francis Patrick Brady. Create an avatar to be discussed
“outside reality and inside a newly embodied world.”
8pm: UNCLE BOONMEE WHO CAN RECALL HIS PAST
LIVES (2010) dir: Apichatpong Weerasethakul. More
hauntingly beautiful images from Thailand, introduced
with a talk on Animism by Philippa Lovatt.
Wednesday 13th April
3pm: ARTEMIS ‘81 (1981) dir: Alastair Reid. A science
fiction drama written by David Rudkin (Penda’s Fen).
£1 entry (50p for MU/Equity/Writer’s Guild members).
8pm: THE FINAL PROGRAMME (1973) dir: Robert Fuest
(The Abominable Dr Phibes, The Avengers TV show). A
sci-fi psychedlic masterpiece of weirdness written by
Michael Moorcock and starring the singular Sterling
Hayden alongside Jon Finch and Jenny Runacre.
Thursday 14th April
2.30pm: MONDO HOLLYWOOD (1967) dir: Robert Carl
Cohen. A unique record of the social/political/cultural
scene in the dream factory before the 60s broke down.
Evening programme £7 entry (doors 8pm)
A history of Mondo Cinema through the distorting lens of
VERNON & BURNS. Plus the human-machine music of
ANNEKE KAMPMAN and a dizzying musical re-edit of
The Burmese Harp (1956) dir: Kon Ichikawa by
JOE HOWE using an algorythmic sequencer.
Friday 15th April
3pm: LA REGLE DU JEU (RULES OF THE GAME)(1939)
dir: Jean Renoir. The upper classes dicking around in the
approach to WWII. Voted no 4 in the 2012 Sight & Sound
magazine greatest films of all time poll.
7pm: UIP27 (2015) dir: Joachim Hamou. The director
introduces a screening of his speculative drama
documentary about the Middle East set in 2027.
UIP is short for ”United Israel Palestine”.
9.20pm: THE SPILLOVER ROOM: the research group
Ectoplasmic Materialism ask you to join them in a séance
and communicate with the ghosts of dead labour.
Saturday 16th April
2pm: HELP ME, I’M MELTING. World reknowned saxophonist Tony Bevan leads this regular free improv gig.
7pm: THE LAST ANGEL OF HISTORY (1996)
dir: John Akomfrah (The Stuart Hall Project). A hybrid
documentary examining the origins, impact and
significance of Afrofuturism and techno music for the
black diaspora. With George Clinton and DJ Spooky.
8.20pm: BETWEEN THE ACTS. Ailsa Clark and Maria
Ross present an experimental radio show followed by a
discussion interrogating the diverse social and political
aspects of found sound and curated sound.
10pm: HOW WHEN THE WHERE. A film by gas-tower.
com with music and sound design by Joe Howe.
Sunday 17th April
3pm: STEPHEN SUTCLIFFE introduces a BBC adaptation
of HENRY GREEN’s Loving together with an interview
with Green from the television series Bookstand.
7pm: PEGGY AND FRED IN HELL, THE PROLOGUE
(1985) dir: Lesley Thornton. The start of an ongoing and
open-ended video series, mapping a surreal, quasiapocalyptic realm littered with pop culture detritus.
7.40pm: LARKS ON A STRING (1969) dir: Jiri Menzel
(Closely Observed Trains). Various bourgeois characters
are forced by the authorities to work in a junkyard. A
lyrical film, banned by the Czechoslovak government
and unreleased until the fall of the Communist regime.
Monday 18th April
6pm: SOLID STATE CINEMA. A programme of digital
moving image work curated by John Butler.
8pm TALES OF THE FORGOTTEN FUTURE Part 2 (1988)
dir: Lewis Klahr. A “delirious genre hop through the
twentieth century trying on different masks of identity”.
9pm THE MOON AND THE SLEDGEHAMMER (1971)
dir: Philip Trevelyan. In the heart of London’s commuterbelt the Page family live in the woods, completely cut
off from the outside world. As the film unfolds each
member of the family reveals their individual fantasies,
philosophies and eccentricities.
Tuesday 19th April
George Kuchar (1942 - 2011) was a 100% genuine genius
who made over three hundred amazing films and videos.
Come and paddle in his cinematic cesspool.
7pm: GEORGE KUCHAR programme 1: Pussy On A Hot
Tin Roof (1961), Lust For Ecstasy (1963), Weather Watch
(1987), Portraiture In Black (1995)
9.15pm: GEORGE KUCHAR programme 2: Migration
of the Blubberoids (1989), Tempest In A Teapot (1990),
Urban Doodles (1996), Metropolitan Monologues (2000).
Wednesday 20th April
7.30pm: CHRIS KOHLER presents MORBID SYSTEMS,
an animated film distorting 60’s political agitprop through
cartoon cusses and the medieval dance of death. With
a live, loose krautrock inspired soundtrack supplied by
TARTAN DISNEYLAND
8.15pm: THE WORKING CLASS GOES TO HEAVEN
(1971) dir: Elio Petri. An overly conscientious factory
worker loses a finger to a machine and becomes
increasingly politicised as he comes to the realisation
that he’s just a “tool” in the process of production.
Fantastic electronic Ennio Morricone soundtrack.
Thursday 21st April
3pm: PUTNEY SWOPE (1969) dir: Robert Downey Sr.
The token black man on the board of a Madison Avenue
advertising agency is inadvertently elected chairman.
Swope replaces whitey with Black Power apostles,
renames the company Truth and Soul, Inc. and sets
about wreaking politically incorrect havoc.
7 pm: MATCHBOX CINEMA have been screening
cinematic orphans, outcasts and outliers since 2010 and
will be presenting a very special MYSTERY MOVIE with a
selection of related clips and trailers.
The bar: 9pm: SLO MO BOOKS. Jamie Bolland launches
four new titles with readings and live performance.
Friday 22nd April
4pm: IN A LONELY PLACE (1950) dir: Nicholas Ray.
With Humphrey Bogart and Gloria Graham. “A haunted
gallery echoing the witch-hunts and personal situations
surrounding it, Ray’s film lays sadly bare a Tinsletown
rarely seen before or since” - DAMIEN LOVE from his new
book SUPPORTING FEATURES: Writing and Interviews on
Movies and Moviemakers, launched in the bar at 6pm.
7pm: MARTHA COLBURN presents a programme of her
extraordinary short films and animations, our SPECIAL
GUEST ARTIST from the USA via Potugal, is appearing
exclusively for FantÔm Cinema. Don’t miss this!
9pm: HAIRY WHO & THE CHICAGO IMAGISTS (2014)
dir: Leslie Buchbinder. A lavishly-illustrated romp through
Chicago Imagist art: the scene that challenged Pop Art’s
dominance of the 1960s, then faded from view. Its funk
and grit has inspired artists from Mike Kelley to Chris Ware.
Saturday 23rd April
3.30pm; BORN IN FLAMES (1983) dir: Lizzie Borden.
In New York City ten years after a peaceful revolution,
a group of women decide to organize and mobilize,
to take the revolution farther than any man, and many
women, ever imagined.
Evening programme £7 entry (doors 8pm)
ASHTRAY NAVIGATIONS, the group that love music so
much they need to destroy it so no one else can have it,
deliver a live score for E ETC. (1986) dir: David Larcher.
Plus LUKE FOWLER & RICHARD McMASTER perform a
new sound mix to a 16mm projection of the originally
silent DIVIDED LOYALTIES (1978) dir: Warren Sonbert,
Also screening: Sonbert’s HALL OF MIRRORS (1966) with
its original sound.
Sunday 24th April
3pm: UNE FEMME DOUCE (1969) dir: Robert Bresson
(A Man Escaped, Pickpocket), adapted from the short
story A Beautiful Creature by Fyodor Dostoevsky.
Evening programme £7 entry (doors 8pm)
PIERRE BASTIEN brings his poetic musical mechanicisms
to the Old Hairdressers in the wake of Blue As An
Orange, one of his best albums yet. His work has been
aptly described as “a timeless sounding orchestra, both
futuristic and slightly dada, conjuring ancient traditions in
its surprisingly sensuous music.”
NATIONAL BEDTIME, artist Tony Swain’s three piece
aggregation, revive their charged and evocative soundtrack for WOMAN OF TOKYO (1933) dir: Yasujiro Ozu.
NEIL BICKERTON’s spoken word pieces have been
developed for tonight’s performance in response to a
series of short video pieces TORSTEN LAUSCHMANN
has given him. The spoken word is treated, filtered and
set against a collage of the initial video work.
Programming by Rob Churm, Marc Baines, Rebecca Wilcox
and Hour Projects - Kevin Malcolm & Kristina Bengtsson.
Supported by