RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ American Society of Newspaper Editors Statement of Principles P REAMBLE. The First Amendment, protecting freedom of expression from abridgment by any law, guarantees to the people through their press a constitutional right, and thereby places on newspaper people a particular responsibility. Thus journalism demands of its practitioners not only industry and knowledge but also the pursuit of a standard of integrity proportionate to the journalist's singular obligation. To this end the American Society of Newspaper Editors sets forth this Statement of Principles as a standard encouraging the highest ethical and professional performance. ARTICLE I - Responsibility. The primary purpose of gathering and distributing news and opinion is to serve the general welfare by informing the people and enabling them to make judgments on the issues of the time. Newspapermen and women who abuse the power of their professional role for selfish motives or unworthy purposes are faithless to that public trust. The American press was made free not just to inform or just to serve as a forum for debate but also to bring an independent scrutiny to bear on the forces of power in the society, including the conduct of official power at all levels of government. ARTICLE II - Freedom of the Press. Freedom of the press belongs to the people. It must be defended against encroachment or assault from any quarter, public or private. Journalists must be constantly alert to see that the public's business is conducted in public. They must be vigilant against all who would exploit the press for selfish purposes. ARTICLE III - Independence. Journalists must avoid impropriety and the appearance of impropriety as well as any conflict of interest or the appearance of conflict. They should neither accept anything nor pursue any activity that mightcompromise or seem to compromise their integrity. ARTICLE IV - Truth and Accuracy. Good faith with the reader is the foundation of good journalism. Every effort must be made to assure that the news content is accurate, free from bias and in context, and that all sides are presented fairly. Editorials, analytical articles and commentary should be held to the same standards of accuracy with respect to facts as news reports. Significant errors of fact, as well as errors of omission, should be corrected promptly and prominently. ARTICLE V - Impartiality. To be impartial does not require the press to be unquestioning or to refrain from editorial expression. Sound practice, however, demands a clear distinction for the reader between news reports and opinion. Articles that contain opinion or personal interpretation should be clearly identified. ARTICLE VI - Fair Play. Journalists should respect the rights of people involved in the news, observe the common standards of decency and stand accountable to the public for the fairness and accuracy of their news reports. Persons publicly accused should be given the earliest opportunity to respond. Pledges of confidentiality to news sources must be honored at all costs, and therefore should not be given lightly. Unless there is clear and pressing need to maintain confidences, sources of information should be identified. These principles are intended to preserve, protect and strengthen the bond of trust and respect between American journalists and the American people, a bond that is essential to sustain the grant of freedom entrusted to both by the nation's founders. ASNE's Statement of Principles was originally adopted in 1922 as the "Canons of Journalism." The document was revised and renamed "Statement of Principles" in 1975. RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ humor triangle Rule of thumb: Know what your humor is about, who you are telling it to, and why. Joe Fenbert spent several years researching humor and separating it into levels. Originally developed to assess the appropriateness of assembly skits planned by student government leaders, it also provides a method for student editors and journalists to determine the suitability of humor columns for print. W hen writing a humor column for print, consider two things: your audience and your comic ability. If you are among family and friends or you have the sophistication of a social satirist, you can probably joke about topics at the top of the pyramid and not offend. Most writers should stay in the safe zone—the bottom two levels of the pyramid. In the middle of the pyramid are topics that, when presented at the comic level to a target audience, can be humorous without offending. Since the school audience is broad in scope, however, this is risky. Level 1 SOCIAL SATIRIST—Appropriate only for family and friends. These are fighting words—emotionally charged topics that fuel hate and cause violence and/or death. Level 2 COMIC LEVEL—Appropriate only for a target audience. These are meddling -in-other-people’s-business words. Depending upon who, what, when, where, why, and how, these topics can be emotionally charged. Level 3 CARTOON LEVEL—Appropriate for a broad audience. Fair game is human nature and everyday events. Highlighting the characteristics we all share is fair game. Level 4 CARTOON LEVEL—Appropriate for a broad •Sex •Race audience. When you poke fun at yourself •Religion or are just being silly for the sake of Narrow Audience •Personal Attributes silliness, you don’t have to worry about offending others because you have no targets. Social Satirist Offense hazard: HIGH Target Audience •Male/female relationships, roles •Drugs and alcohol •Politics •Professions • Tragic Events •Violence • Toilet Humor Comic Level Offense hazard: MEDIUM •Human Nature •Everyday Events Broad Audience Offense hazard: SLIGHT •Silliness •Self-deprecating humor Offense hazard: HIDDEN PRE-PERFORMANCE HUMOR CHECKLIST 1. WHO are the actual or symbolic targets of your humor? Are these truly things to laugh at in your setting? 2. WHAT is the rating of your humor? (G? PG-13? R? M?) Is the rating appropriate for the setting and audience? 3. Does humor perpetuate hurtful stereotypes regarding race, ethnicity, gender, age, religion, sexual orientation, disability, or socio-economic condition? Cartoon Level RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ National Press Photographers Association Code of Ethics T he National Press Photographers Association, a professional society dedicated to the advancement of photojournalism, acknowledges con cern and respect for the public’s natural-law, right to freedom in searching for the truth and the right to be informed truthfully and completely about public events and the world in which we live. NPPA believes that no report can be complete if it is possible to enhance and clarify the meaning of the words. We believe that pictures, whether used to depict news events as they actually happen, illustrate news that has happened, or to help explain anything of public interest, are indispensable means of keeping people accurately informed, that they help all people, young and old, to better understand any subject in the public domain. NPPA recognizes and acknowledges that photojournalists should at all times maintain the highest standards of ethical conduct in serving the public interest. CODE OF ETHICS 1. The practice of photojournalism, both as a science and art, is worthy of the very best thought and effort of those who enter into it as a profession. 2. Photojournalism affords an opportunity to serve the public that is equaled by few other vocations and all members of the profession should strive by example and influence to maintain high standards of ethical conduct free of mercenary considerations of any kind. 3. It is the individual responsibility of every photojournalist all times to strive for pictures that report truthfully, honestly and objectively. 4. As journalists, we believe that credibility is our greatest asset. In documentary photojournalism, it is wrong to alter the content of a photograph in any way (electronically or in the darkroom) that deceives the public. We believe the guidelines for fair and accurate reporting should be the criteria for judging what may be done electronically to a photograph. 5. Business promotion in its many forms is essential but untrue statements of any nature are not worthy of a professional photojournalist and we severely condemn any such practice. 6. It is our duty to encourage and assist all members of our profession, individually and collectively, so that the quality of photojournalism may constantly be raised to higher standards. 7. It is the duty of every photojournalist to work to preserve all freedomof-the-press rights recognized by law and to work to protect and expand freedom-of-access to all sources of news and visual information. 8. Our standards of business dealings, ambitions and relations shall have in them a note of sympathy for our common humanity and shall always require us to take into consideration our highest duties as members of society. In every situation in our business life, in every responsibility that comes before us, our chief thought shall be to fulfill that responsibility and discharge that duty so that when each of us is finished we shall have endeavored to lift the level of human ideals and achievement higher that we found it. 9. No Code of Ethics can prejudge every situation, thus common sense and good judgment are required in applying ethical principles. Photos are from the 1999 Picture Of the Year contest sponsored by the University of Missouri and the National Press Photographers Association. To see all the winners, visit www.poy.org RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ Society of Professional Journalists Code of Ethics PREAMBLE Members of the Society of Professional Journalists believe that public enlightenment is the forerunner of justice and the foundation of democracy. The duty of the journalist is to further those ends by seeking truth and providing a fair and comprehensive account of events and issues. Conscientious journalists from all media and specialties strive to serve the public with thoroughness and honesty. Professional integrity is the cornerstone of a journalist's credibility. Members of the Society share a dedication to ethical behavior and adopt this code to declare the Society's principles and standards of practice. SEEK TRUTH AND REPORT IT Journalists should be honest, fair and courageous in gathering, reporting and interpreting information. Journalists should: 왘 Test the accuracy of information from all sources and exercise care to avoid inadvertent error. Deliberate distortion is never permissible. 왘 Diligently seek out subjects of news stories to give them the opportunity to respond to allegations of wrongdoing. 왘 Identify sources whenever feasible. The public is entitled to as much information as possible on sources' reliability. 왘 Always question sources’ motives before promising anonymity. Clarify conditions attached to any promise made in exchange for information. Keep promises. 왘 Make certain that headlines, news teases and promotional material, photos, video, audio, graphics, sound bites and quotations do not misrepresent. They should not oversimplify or highlight incidents out of context. 왘 Never distort the content of news photos or video. Image enhancement for technical clarity is always permissible. Label montages and photo illustrations. 왘 Avoid misleading re-enactments or staged news events. If re-enactment is necessary to tell a story, label it. 왘 Avoid undercover or other surreptitious methods of gathering information except when traditional open methods will not yield information vital to the public. Use of such methods should be explained as part of the story 왘 Never plagiarize. 왘 Tell the story of the diversity and magnitude of the human experience boldly, even when it is unpopular to do so. 왘 Examine their own cultural values and avoid imposing those values on others. 왘 Avoid stereotyping by race, gender, age, religion, ethnicity, geography, sexual orientation, disability, physical appearance or social status. 왘 Support the open exchange of views, even views they find repugnant. 왘 Give voice to the voiceless; official and unofficial sources of information can be equally valid. 왘 Distinguish between advocacy and news reporting. Analysis and commentary should be labeled and not misrepresent fact or context. 왘 Distinguish news from advertising and shun hybrids that blur the lines between the two. 왘 Recognize a special obligation to ensure that the public's business is conducted in the open and that government records are open to inspection. MINIMIZE HARM Ethical journalists treat sources, subjects and colleagues as human beings deserving of respect. Journalists should: 왘 Show compassion for those who may be affected adversely by news coverage. Use special sensitivity when dealing with children and inexperienced sources or subjects. 왘 Be sensitive when seeking or using interviews or photographs of those affected by tragedy or grief. 왘 Recognize that gathering and reporting information may cause harm or discomfort. Pursuit of the news is not a license for arrogance. 왘 Recognize that private people have a greater right to control information about themselves than do public officials and others who seek power, influence or attention. Only an overriding public need can justify intrusion into anyone’s privacy. 왘 Show good taste. Avoid pandering to lurid curiosity. 왘 Be cautious about identifying juvenile suspects or victims of sex crimes. 왘 Be judicious about naming criminal suspects before the formal filing of charges. 왘 Balance a criminal suspect’s fair trial rights with the public’s right to be informed. ACT INDEPENDENTLY Journalists should be free of obligation to any interest other than the public's right to know. Journalists should: 왘 Avoid conflicts of interest, real or perceived. 왘 Remain free of associations and activities that may compromise integrity or damage credibility. 왘 Refuse gifts, favors, fees, free travel and special treatment, and shun secondary employment, political involvement, public office and service in community organizations if they compromise journalistic integrity. 왘 Disclose unavoidable conflicts. 왘 Be vigilant and courageous about holding those with power accountable. 왘 Deny favored treatment to advertisers and special interests and resist their pressure to influence news coverage. 왘 Be wary of sources offering information for favors or money; avoid bidding for news. BE ACCOUNTABLE Journalists are accountable to their readers, listeners, viewers and each other. Journalists should: 왘 Clarify and explain news coverage and invite dialogue with the public over journalistic conduct. 왘 Encourage the public to voice grievances against the news media. 왘 Admit mistakes and correct them promptly. 왘 Expose unethical practices of journalists and the news media. 왘 Abide by the same high standards to which they hold others. Sigma Delta Chi’s first Code of Ethics was borrowed from the American Society of Newspaper Editors in 1926. In 1973, Sigma Delta Chi wrote its own code, which was revised in 1984 and 1987. The present version of the Society of Professional Journalists’ Code of Ethics was adopted in September 1996. RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ Radio-Television News Directors Association Code of Ethics & Professional Conduct The Radio-Television News Directors Association, wishing to foster the highest professional standards of electronic journalism, promote public understanding of and confidence in electronic journalism, and strengthen principles of journalistic freedom to gather and disseminate information, establishes this Code of Ethics and Professional Conduct. PREAMBLE Professional electronic journalists should operate as trustees of the public, seek the truth, report it fairly and with integrity and independence, and stand accountable for their actions. compassion to victims of crime or tragedy. •Exercise special care when children are involved in a story and give children greater privacy protection than adults. •Seek to understand the diversity of their community and inform the public without bias or stereotype. •Present a diversity of expressions, opinions, and ideas in context. •Present analytical reporting based on professional perspective, not personal bias. •Respect the right to a fair trial. INTEGRITY: Professional electronic journalists should present the news with integrity and decency, avoiding real or PUBLIC TRUST: Professional electronic journalists should recognize that their first perceived conflicts of interest, and respect the dignity and intelligence of the audiobligation is to the public. ence as well as the subjects of news. Professional electronic journalists should: •Understand that any commitment other than service to the public undermines trust and credibility. •Recognize that service in the public interest creates and obligation to reflect the diversity of the community and guard against oversimplification of issues and events. •Provide a full range of information to enable the public to make enlightened decisions. •Fight to ensure that the public's business is conducted in public. TRUTH: Professional electronic journalists should pursue truth aggressively and present the news accurately, in context, and as completely as possible. Professional electronic journalists should: •Continuously seek the truth. •Resist distortions that obscure the importance of events. •Clearly disclose the origin of information and label all material provided by outsiders. Professional electronic journalists should not: •Report anything known to be false. •Manipulate images or sounds in any way that is misleading. •Plagiarize. •Present images or sounds that are reenacted without informing the public. FAIRNESS: Professional electronic journalists should present the news fairly and impartially, placing primary value on significance and relevance. Professional electronic journalists should: •Treat all subjects of news coverage with respect and dignity, showing particular Professional electronic journalists should: •Identify sources whenever possible. Confidential sources should be used only when it is clearly in the public interest to gather or convey important information or when a person providing information might be harmed. •Journalists should keep all commitments to protect a confidential source. •Clearly label opinion and commentary. •Guard against extended coverage of events or individuals that fails to significantly advance a story, place the event in context, or add to the public knowledge. •Refrain from contacting participants in violent situations while the situation is in progress. •Use technological tools with skill and thoughtfulness, avoiding techniques that skew facts, distort reality, or sensationalize events. •Use surreptitious newsgathering techniques, including hidden cameras or microphones, only if there is no other way to obtain stories of significant public importance and only if the technique is explained to the audience. •Disseminate the private transmissions of other news organizations only with permission. Professional electronic journalists should not: •Pay news sources who have a vested interest in a story. •Accept gifts, favors, or compensation from those who might seek to influence coverage. •Engage in activities that may compromise their integrity or independence. INDEPENDENCE: Professional electronic journalists should defend the independence of all journalists from those seeking influence or control over news content. Professional electronic journalists should: •Gather and report news without fear or favor, and vigorously resist undue influence from any outside forces, including advertisers, sources, story subjects, powerful individuals, and special interest groups. •Resist those who would seek to buy or politically influence news content or who would seek to intimidate those who gather and disseminate the news. •Determine news content solely through editorial judgment and not as the result of outside influence. •Resist any self-interest or peer pressure that might erode journalistic duty and service to the public. •Recognize that sponsorship of the news will not be used in any way to determine, restrict, or manipulate content. •Refuse to allow the interests of ownership or management to influence news judgment or content inappropriately. •Defend the rights of the free press for all journalists, recognizing that any professional or government licensing of journalists is a violation of that freedom. ACCOUNTABILITY: Professional electronic journalists should recognize that they are accountable for their actions to the public, the profession and themselves. Professional electronic journalists should: •Actively encourage adherence to these standards by all journalists and their employers. •Respond to public concerns, investigate complaints and correct errors promptly and with as much prominence as the original report. •Explain journalistic processes to the public, especially when practices spark questions or controversy. •Recognize that professional electronic journalists are duty-bound to conduct themselves ethically. •Refrain from ordering or encouraging courses of action which would force employees to commit an unethical act. •Carefully listen to employees who raise ethical objections, and create environments in which such objections and discussions are encouraged. •Seek support for an provide opportunities to train employees in ethical decisionmaking. In meeting its responsibility to the profession of electronic journalism, RTNDA has created this code to identify important issue, to serve as a guide for its members, to facilitate self-scrutiny, and to shape future debate. adopted September 14, 2000 RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ Interscholastic League Press Conference Ethics and Motivation BY BOBBY HAWTHORNE Director, Interscholastic League Press Confernce Ethics and motivation • Why did you choose to write about this story? Why did you choose this topic? Is this issue of local relevance and importance? • Have you been fair in your selection of sources? • Have you interviewed persons who are close to the story? Do all quotes come from knowledgeable sources? • Have you been open and honest in your pursuit of information? • Have you quoted your sources fairly and in context? • What is likely to be impact of the story on your readers? • To what extent does this story serve the best interests of your readers? • Who if anyone is likely to complain about or resent this story? If so, for what reason? • Are you more interested in your right to publish or your reader’s right to know? RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ The Academy Times, Tacoma, WA The Potter Box THE POTTER BOX The Potter Box is one of many approaches that can help journalists make ethical decisions in life. Developed by Harvard theologian Dr. Ralph Potter, the model demonstrates the complex relationship between how facts, values, societal principles, and conflicting loyalties often compete in the decision-making process. To begin, pose the dilemma or problem as a question. Then consider each of the four aspects of the Potter Box separately and together. Remember to consider as many points of view as possible within each box. As a critical thinking tool, the Potter Box model allows us to: Think about an ethical issue you have been confronted with in your life. Make a list of the fact of the case, your values at the time, and the conflicting loyalties. Now consider a global principle against your emotions and the facts. Does thinking about the facts, values, principles, and loyalties help you evaluate your decision-making process? PRINCIPLES FACTS What is the ethical question posed by the situation? What are all the principles you can apply to the situation? DECISION VALUES LOYALTIES What are values that come into play? Who will be affected by our decision and to whom must we remain loyal? 1. Review the FACTS: 쮿 List verifiable facts relevant to ethical dilemma or problem. 쮿 Who, What, When, Where, Why, How. 2. Reflect upon VALUES: 쮿 Human: love, compassion, humaneness, fairness, equality, diversity, and the freedom to worship, speak, write, assemble, and petition government 쮿 Journalistic: provide information, help readers make decisions, make sense of a complicated world, assure all are treated fairly, enrich people’s lives, and help bring buyers and sellers together. 쮿 Religious 쮿 Civic 3. Examine PRINCIPLES: 쮿 Journalistic: truth, justice, freedom, compassion, stewardship. 쮿 Professional codes of ethics: SPJ, NPPA, ASNE. 쮿 Categorical Imperative: “Right is right, no exceptions.” 쮿 Utilitarianism: “The greatest good for the greatest number of people.” 쮿 Hedonism: “Maximize pleasures now and don’t worry about the future.” 쮿 Golden Mean: “Find the middle ground.” 쮿 Veil of Ignorance: “Put yourself in the other person’s shoes.” 쮿 Golden Rule: “Love your neighbors as yourself.” 4. Explore the LOYALTIES at stake from all sides of the issue: 쮿 Readers 쮿 Citizens 쮿 Businesses 쮿 Advertisers 쮿 Shareholders 쮿 Leaders of civic, religious, business, government organizations For a more thorough discussion of this issue, read professor Paul Martin Lester’s paper on “Finding a Philosophical Perspective” at http:// commfaculty. fullerton.edu/ lester/writings/ chapter3.html RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ The Poynter Institute Questions That Lead To Ethical Decisions Information in this section was developed by The Poynter Institute in St. Petersburg, Florida; and by the Society of Professional Journalists. ASK THESE 10 QUESTIONS TO MAKE GOOD ETHICAL DECISIONS: 1. What do I know? What do I need to know? 2. What is my journalistic purpose? 3. What are my ethical concerns? 4. What organizational policies and professional guidelines should I consider? 5. How can I include other people, with different perspectives and diverse ideas, in the decision-making process? 6. Who are the stakeholders—those affected by my decision? What are their motivations? Which are legitimate? 7. What if the roles were reversed? How would I feel if I were in the shoes of one of the stakeholders? 8. What are the possible consequences of my actions? Short term? Long term 9. What are my alternatives to maximize my truthtelling responsibility and minimize harm? 10. Can I clearly and fully justify my thinking and my decision? To my colleagues? To stakeholders? To the public? LISTEN TO YOUR GUT, BUT DON’T ALWAYS TRUST IT. 쮿 쮿 쮿 쮿 쮿 쮿 쮿 Your gut reaction is emotional and rigid. Not much better is obeying the rules without thought. Ideally, build time into the decision-making process for reflection and reasoning: Reflection and reasoning: •Collaboration is essential. •Really listen to the views of others and challenge your own view. •Ask good questions to clarify the problem. •Avoid polarized either/or thinking. •See a range of alternative actions. •Consider the consequences of various actions. •Make the time to make a “good” ethical decision. •Justify “why” you do something. Rule obedience: •The rule may be a good one but it doesn’t apply well to the situation at hand. •Tendency for meaningful decision-making to stop. •Fails to consider that you may be choosing between the “lesser of two evils.” Gut reaction: •Strong, visceral response often dominated by emotion. •Lots of talking going on, but not much listening. •Trap ourselves in an initial position that we defend to the hilt. •See things too black and white, avoiding or ignoring the grays. •See choice as either/or, right/wrong. 쮿 쮿 쮿 쮿 쮿 PRIVACY Journalists should ask themselves some important questions as they balance the public need to know with an individual’s right to privacy. What is my journalistic purpose in seeking this information? In reporting it? Does the public have a justifiable need to know? Or is this matter just one in which some want to know? How much protection does this person deserve? Is this person a pubic official, pubic figure, or celebrity? Is this person involved in the news event by choice or by chance? What is the nature of harm I might cause by intruding on someone’s privacy? Can I cause considerable harm to someone just by asking questions, observing activity, or obtaining information even if I never actually report the story? How can I better understand this person’s vulnerability and desire for privacy? Can I make a better decision by talking with this person? What alternative approaches can I take in my reporting and my storytelling to minimize the harm of privacy invasion while still fulfilling my journalistic duty to inform the public? Can I leave out some “private” matters while still acdureately and fairly reporting the story? Or can I focus more on a system failure issue rather than reporting intensely on one individual? RACIAL IDENTIFICATION GUIDELINES Flag every racial reference and ask these questions: Is it relevant? Race is relevant when the story is about race. Jusst because people in conflict are of different races does not mean that race is the source of their dispute. A story about interracial dating, however, is a story about race. Have I explained the relevance? Journalists too frequently assume that readers will knwo the significance of race in stories. The results is often radically different interpretations. This is imprecise journalism, and its harm may be mangified by the lens of race. Is it free of codes? Be careful not to use welfare, inner-city, underprivileged, blue collar, conservative, suburban, exotic, middle-class, Uptown, South Side, or wealthy as euphemisms for racial groups. By definition, the White House is in the inner-city. Say what you mean. Are racial identifiers used evently? If the race of a person chrging discrimination is important, then so is the race of the person being charged. Should I consult someone of another race/ethnicity? Consider another question: Do I have expertise on other races/cultures? If not, broaden your perspctive by asking someone who knows something more about your subject. Why should we treat reporting on racial issues any differently from reporting on an area of science or religion that we do not know well? RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ Associated Press Managing Editors Code of Ethics These principles are a model against which news and editorial staff members can measure their performance. They have been formulated in the belief that newspapers and the people who produce them should adhere to the highest standards of ethical and professional conduct. The public's right to know about matters of importance is paramount. The newspaper has a special responsibility as surrogate of its readers to be a vigilant watchdog of their legitimate public interests. No statement of principles can prescribe decisions governing every situation. Common sense and good judgment are required in applying ethical principles to newspaper realities. As new technologies evolve, these principles can help guide editors to insure the credibility of the news and information they provide. Individual newspapers are encouraged to augment these APME guidelines more specifically to their own situations. RESPONSIBILITY The good newspaper is fair, accurate, honest, responsible, independent and decent. Truth is its guiding principle. It avoids practices that would conflict with the ability to report and present news in a fair, accurate and unbiased manner. The newspaper should serve as a constructive critic of all segments of society. It should reasonably reflect, in staffing and coverage, its diverse constituencies. It should vigorously expose wrongdoing, duplicity or misuse of power, public or private. Editorially, it should advocate needed reform and innovation in the public interest. News sources should be disclosed unless there is a clear reason not to do so. When it is necessary to protect the confidentiality of a source, the reason should be explained. The newspaper should uphold the right of free speech and freedom of the press and should respect the individual's right to privacy. The newspaper should fight vigorously for public access to news of government through open meetings and records. \ ACCURACY The newspaper should guard against inaccuracies, carelessness, bias or distortion through emphasis, omission or technological manipulation. It should acknowledge substantive errors and correct them promptly and prominently. INTEGRITY The newspaper should strive for impartial treatment of issues and dispassionate handling of controversial subjects. It should provide a forum for the exchange of comment and criticism, especially when such comment is opposed to its editorial positions. Editorials and expressions of personal opinion by reporters and editors should be clearly labeled. Advertising should be differentiated from news. The newspaper should report the news laws without regard for its own interests, mindful of the need to disclose potential conflicts. It should not give favored news treatment to advertisers or special-interest groups. It should report matters regarding itself or its personnel with the same vigor and candor as it would other institutions or individuals. Concern for community, business or personal interests should not cause the newspaper to distort or misrepresent the facts. The newspaper should deal honestly with readers and newsmakers. It should keep its promises. The newspaper should not plagiarize words or images. INDEPENDENCE The newspaper and its staff should be free of obligations to news sources and newsmakers. Even the appearance of obligation or conflict of interest should be avoided. Newspapers should accept nothing of value from news sources or others outside the profession. Gifts and free or reduced-rate travel, entertainment, products and lodging should not be accepted. Expenses in connection with news reporting should be paid by the newspaper. Special favors and special treatment for members of the press should be avoided. Journalists are encouraged to be involved in their communities, to the extent that such activities do not create conflicts of interest. Involvement in politics, demonstrations and social causes that would cause a conflict of interest, or the appearance of such conflict, should be avoided. Work by staff members for the people or institutions they cover also should be avoided. Financial investments by staff members or other outside business interests that could create the impression of a conflict of interest should be avoided. Stories should not be written or edited primarily for the purpose of winning awards and prizes. Self-serving journalism contests and awards that reflect unfavorably on the newspaper or the profession should be avoided. Revised and Adopted 1995 RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ Salem Statesman-Journal Thou shalt not: 1. Make up sources or quotes. This includes "composite" sources. 2. Deliberately distort the truth. 3. Take bribes. This means accepting cash in any amount, trips or substantial gifts in exchange for doing our jobs. The IRS gift standard ($25 value) is the outside limit on what would be considered a "substantial gift." 4. Plagiarize from sources outside the newspaper. If you have any doubt, attribute or discuss it with your editor. 5. Alter the content of news photos through technological or other means. Photoillustrations are acceptable, but should be clearly labeled. 6. Use our standing with the newspaper for personal financial gain or special treatment. 7. Pay sources for news stories. 8. Stage or re-create news events for photographs. 9. Physically or verbally abuse a source, reader or colleague. RIGHTS & RESPONSIBILITIES ............................................................................................................................................................ The New York Times Guidelines on Our Integrity Reporters, editors, photographers and all members of the news staff of The New York Times share a common and essential interest in protecting the integrity of the newspaper. As the news, editorial and business leadership of the newspaper declared jointly in 1998: "Our greatest strength is the authority and reputation of The Times. We must do nothing that would undermine or dilute it and everything possible to enhance it." At a time of growing and even justified public suspicion about the impartiality, accuracy and integrity of some journalists and some journalism, it is imperative that The Times and its staff maintain the highest possible standards to insure that we do nothing that might erode readers' faith and confidence in our news columns. This means that staff members should be vigilant in avoiding any activity that might pose an actual or apparent conflict of interest and thus threaten the newspaper's ethical standing. And it also means that the journalism we practice daily must be beyond reproach. No one needs to be reminded that falsifying any part of a news report cannot be tolerated and will result automatically in disciplinary action up to and including termination. But in a climate of increased scrutiny throughout the news business, these further guidelines are offered, to resolve questions that sometimes arise about specific practices: Quotations. Readers should be able to assume that every word between quotation marks is what the speaker or writer said. The Times does not "clean up" quotations. If a subject's grammar or taste is unsuitable, quotation marks should be removed and the awkward passage paraphrased. Unless the writer has detailed notes or a recording, it is usually wise to paraphrase long comments, since they may turn up worded differently on television or in other publications. "Approximate" quotations can undermine readers' trust in The Times. The writer should, of course, omit extraneous syllables like "um" and may judiciously delete false starts. If any further omission is necessary, close the quotation, insert new attribution and begin another quotation. (The Times does adjust spelling, punctuation, capitalization and abbreviations within a quotation for consistent style.) Detailed guidance is in the stylebook entry headed "quotations." In every case, writer and editor must both be satisfied that the intent of the subject has been preserved. Other People's Reporting. When we use facts gathered by any other organization, we attribute them. This policy applies to material from newspapers, magazines, books and broadcasts, as well as news agencies like The Associated Press (for example, "the Senator told The Associated Press"). In other words, even though The AP is a co-op and we are members, we do not treat its reporting as our own. When writing from a pool report, if we have not witnessed the events, we attribute them to the pool reporter. In a roundup, we may use a phrase like "reports from news agencies and New York Times bureaus." Our preference, when time and distance permit, is to do our own reporting and verify another organization's story; in that case, we need not attribute the facts. But even then, as a matter of courtesy and candor, we credit an exclusive to the organization that first broke the news. Attribution to another publication, though, cannot serve as license to print rumors that would not meet the test of The Times's own re- porting standards. Rumors must satisfy The Times's standard of newsworthiness, taste and plausibility before publication, even when attributed. And when the need arises to attribute, that is a good cue to consult with the department head about whether publication is warranted at all. In those cases when it makes a difference whether we directly witnessed a scene, we should distinguish in print between personal interviews and telephone or E-mail interviews, as well as written statements. Fact Checking. Writers at The Times are their own principal fact checkers and often their only ones. (Magazine articles, especially those by nonmembers of our staff, are fact-checked, but even magazine writers are accountable in the first instance for their own accuracy.) Concrete facts – distances, addresses, phone numbers, people's titles – must be verified by the writer with standard references like telephone books, city or legislative directories and official Web sites. More obscure checks may be referred to the research desk. If deadline pressure requires skipping a check, the editors should be alerted with a flag like "desk, please verify," but ideally the writer should double back for the check after filing; usually the desk can accommodate a last-minute repair. It is especially important that writers verify the spelling of names, by asking. A person who sees his or her own name misspelled in The Times is likely to mistrust whatever else we print. And too often, our correction column makes it clear that someone has guessed a spelling by the sound. Corrections. Because our voice is loud and far-reaching, The Times recognizes an ethical responsibility to correct all its factual errors, large and small. The paper regrets every error, but it applauds the integrity of a writer who volunteers a correction of his or her own published story. Whatever the origin, though, any complaint should be relayed to a responsible supervising editor and investigated quickly. If a correction is warranted, fairness demands that it be published immediately. In case of reasonable doubt or disagreement about the facts, we can acknowledge that a statement was "imprecise" or "incomplete" even if we are not sure it was wrong. Rebuttals. Few writers need to be reminded that we seek and publish a response from anyone criticized in our pages. But when the criticism is serious, we have a special obligation to describe the scope of the accusation and let the subject respond in detail. No subject should be taken by surprise when the paper appears, or feel that there was no chance to respond. Anonymity and Its Devices. The use of unidentified sources is reserved for situations in which the newspaper could not otherwise print information it considers newsworthy and reliable. When possible, reporter and editor should discuss any promise of anonymity before it is made, or before the reporting begins on a story that may result in such a commitment. (Some beats, like criminal justice or national security, may carry standing authorization for the reporter to grant anonymity.) The stylebook discusses the forms of attribution for such cases: the general rule is to tell readers as much as we can about the placement and known motivation of the source. While we avoid automatic phrases about a source's having "insisted on anonymity," we should try to state tersely what kind of understanding was actually reached by reporter and source, especially when we can shed light on the source's reasons. The Times does not dissemble about its sources – does not, for example, refer to a single person as "sources" and does not say "other officials" when quoting someone who has already been cited by name. There can be no prescribed formula for such attribution, but it should be literally truthful, and not coy. Fictional Devices. No reader should find cause to suspect that the paper would knowingly alter facts. For that reason, The Times refrains outright from assigning fictional names, ages, places or dates, and it strictly limits the use of other concealment devices. If compassion or the unavoidable conditions of reporting require shielding an identity, the preferred solution is to omit the name and explain the omission. (That situation might arise, for example, in an interview conducted inside a hospital or a school governed by privacy rules.) If a complex narrative must distinguish among several shielded identities, it may be necessary to use given names with last initials or, less desirable, given names alone (Hilary K.; Ashley M.; Terry). Descriptions may serve instead (the lawyer; the Morristown psychotherapist). As a rare last resort, if genuine given names would be too revealing, real or coined single initials (Dr. D, Ms. L) may be used after consultation with senior editors. The article must gracefully indicate the device and the reason. Masquerading. Times reporters do not actively misrepresent their identity to get a story. We may sometimes remain silent on our identity and allow assumptions to be made – to observe an institution's dealings with the public, for example, or the behavior of people at a rally or police officers in a bar near the station house. But a sustained, systematic deception, even a passive one – taking a job, for example, to observe a business from the inside – may be employed only after consultation between a department head and masthead editors. (Obviously, specific exceptions exist for restaurant reviewing and similar assignments.) Photography and Images. Images in our pages that purport to depict reality must be genuine in every way. No people or objects may be added, rearranged, reversed, distorted or removed from a scene (except for the recognized practice of cropping to omit extraneous outer portions). Adjustments of color or gray scale should be limited to those minimally necessary for clear and accurate reproduction, analogous to the "burning" and "dodging" that formerly took place in darkroom processing of images. Pictures of news situations must not be posed. In the cases of collages, montages, portraits, fashion or home design illustrations, fanciful contrived situations and demonstrations of how a device is used, our intervention should be unmistakable to the reader, and unmistakably free of intent to deceive. Captions and credits should further acknowledge our intervention if the slightest doubt is possible. The design director, a masthead editor or the news desk should be consulted on doubtful cases or proposals for exceptions. May 1999 Rob Melton, Master Journalism Educator, received a bachelor's degree in Journalism from University of Oregon, and a master's degree in curriculum and instruction from Portland State University. He was a daily and weekly newspaper reporter, photographer, and editor before becoming a teacher of journalism and photography in 1979. Now he teaches English and journalism in the Communications department of Benson Polytechnic High School. He previously taught at Roseburg (Ore.) H.S. and Wilson H.S. (Portland, Ore.). He is a winner of Journalism Education Association's Medal of Merit, National Scholastic Press Association's Pioneer Award, and is listed in Who's Who Among America's Teachers. A toolbox production Copyright ©2001 Rob Melton
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