New York City Opera Prima Donna BAM Howard Gilman Opera House Feb 19 at 1:30pm; Feb 21, 23 & 25, 2012 at 7:30pm Approx. running time: two hours and 25 minutes including one intermission Composed by Rufus Wainwright Libretto by Rufus Wainwright and Bernadette Colomine Conducted by Jayce Ogren Production by Tim Albery Associate direction by Joanna Turner+ Set and costume design by Antony McDonald+ Lighting design by Thomas C. Hase+ Movement by Philippe Giraudeau+ Movement preparted by Blanche Hampton Projection designer William Reynolds Projection supervisor Shawn Duan Stage managers Peggy Imbrie, Betsy Ayer, Chad Zodrow Assistant directors Mike Phillips, Andrew Chown Prima Donna is made possible with the generous support of The Andrew W. Mellon Foundation and The Peter Jay Sharp Foundation. Leadership support is provided by Susan Baker and Michael Lynch. Prima Donna Sunday, February 19, 2012 $25 tickets to this performance have been made possible thanks to the generosity of The Peter Jay Sharp Foundation. Prima Donna Tuesday, February 21, 2012 $25 tickets to this performance have been made possible thanks to the generosity of two anonymous donors. Cast Régine Saint Laurent Marie Andre le Tourneur Philippe Sophie Melody Moore Kathryn Guthrie Demos Taylor Stayton+ Randal Turner+ Miranda Calderon+ +debut artist US Premiere: Feb 19, 2012, BAM Howard Gilman Opera House Commissioned by Manchester International Festival, Sadler’s Wells, Luminato: Toronto Festival of Arts and Creativity, and Melbourne International Arts Festival. Prima Donna Melody Moore Taylor Stayton Kathryn Guthrie Demos Randal Turner Miranda Calderon SYNOPSIS Act 1 Following a night of endless nightmares, Madame Saint Laurent is awake unusually early and surprisingly keen to spend time with her new maid, Marie. Marie has also had a sleepless night due to her tempestuous husband, the confession of which frees Madame to share her own terrors of returning to the stage after an unexplained six-year hiatus. Madame tells Marie of the stage role of her life, Aliénor d’Aquitaine, Queen of both England and France, who created love and romance. These two women, from opposite walks of life, find solace in each other at a breaking point in both their lives. Philippe, Madame’s butler and confidante, enters with his trusted companion, François. Philippe is in his usual bad mood, having spent the whole morning finalizing arrangements for that afternoon’s interview with Paris’ top journalist, André Le Tourneur, a rendezvous that Madame has, of course, forgotten. Philippe and François rush to prepare the apartment for the journalist’s imminent arrival. As they do, Philippe once again tells François of the golden days when Madame was the Queen of Paris... until the opening night of Aliénor six years ago, that one triumphant and disastrous performance after which Madame never sang again. Lost in reverie, nostalgia, and regret, Philippe swears that he and Madame will not make the same mistakes this time. The doorbell rings and the journalist arrives. Philippe puts on a strong show with the help of François and Marie who all welcome André into the glamorous world of Régine Saint Laurent, who makes her grand entrance. continues... Prima Donna synopsis continued... The interview turns out to be more than Madame or André had imagined. Madame sees in him a ghost from her past that begins to reveal the true story of what happened that fatal night six years ago. André sees more than the legend he has adored since his university days. Romance blossoms in the air and, within moments, they are around the piano, singing the iconic love duet from Aliénor. As the passion and duet reach a climax, Madame’s heart and voice break down. Philippe leaps in to save the day, Madame is put to rest under Marie’s care, and Philippe tries to placate André. Everyone attempts to comfort Madame, but there is something else blossoming inside her heart, something lost for many years now. As the curtain falls, Madame surprises everyone. Act 2 Marie wakens Madame from another nightmare, and tells her about love in her home of Picardie. She teases Madame about her Parisian behavior with the journalist. Both women again find comfort in each other. Marie confronts Philippe about his plans to have the journalist return that evening to continue the interview over dinner and the Bastille Day fireworks. Philippe erupts at Marie and reminds her of her place in his household. Back in her bedroom, Madame warms her voice and tries to understand why it failed her in front of the journalist. While she can sing the precious high note in isolation, each time she tries to put words and meaning into the music, she is again unable to reach the climactic note. Madame realizes that she must confront what happened that glorious, tragic evening six years ago if she is ever to sing Aliénor, or any opera, ever again. As she plays the legendary recording of her opening night, her mind carries her back in time to her original performance of that very same love duet. Henry, the King of England, prepares the garden to make love to his glorious Aliénor. When Madame enters as Aliénor, it becomes clear that this performance was not merely two great artists acting out a love story, but two souls passionately in love with each other, both on and offstage. Madame and her leading tenor consume each other before their shocked audience and receive the curtain call of a god and goddess. Backstage that same night a young and infatuated Philippe has another love story in mind for himself and Madame. But when Madame rejects his notions of love, he forces her to confront the painful truth behind her obsessive love affair. It is a truth that breaks Madame’s heart and her will to sing forever. Madame wakens from her reverie and declares her refusal to return to the stage. Philippe explodes and unveils a color of himself to Madame that can neither be forgotten nor forgiven. Philippe musters every ounce of his remaining pride and makes his final exit from Madame’s life forever—just as the doorbell rings for the journalist’s return. The journalist, however, has an unpleasant surprise for Madame; although something deep inside of her has changed forever, with utter grace and generosity she wishes him and his fiancée well. André asks Madame for one last gesture before he leaves: would she sign his original album of Aliénor? Madame does so, and she announces the end of her career to the journalist. But just before he goes, she realizes that she would like the precious souvenir to be for someone closer to her heart—Marie. La Prima Donna signs her last autograph. Left alone in her apartment, Madame steps onto the balcony to watch the Bastille Day fireworks. Who’s Who Rufus Wainwright (composer and librettist) Affectionately referred to by Elton John as “the greatest songwriter on the planet” and praised by The New York Times for his “genuine originality,” Wainwright has established himself as one of the great male vocalists and songwriters of his generation. The son of folk singers Loudon Wainwright III and Kate McGarrigle and brother of Martha Wainwright, Mr. Wainwright has achieved his success by carving out his own singular sound in the worlds of rock, opera, theater, dance, and film. Wainwright received Juno Awards for Best Alternative Album in 1999 and 2002 for Rufus Wainwright and Poses, respectively, and nominations for his albums Want Two (2005) and Release the Stars (2008). He was nominated for Songwriter of the Year in 2008 for Release the Stars, which went gold in Canada and the UK. He also composed the original music for choreographer Stephen Petronio’s work BLOOM which has toured across the country. His record, Rufus Does Judy at Carnegie Hall, was nominated for a Grammy and was released concurrently with a live DVD (Rufus! Rufus! Rufus! Does Judy! Judy! Judy!) capturing his celebrated Judy Garland tribute performance at the London Palladium in 2007. He composed a musical adaptation of Shakespeare Sonnets with noted director Robert Wilson at the Berliner Ensemble, which premiered in April 2009 and was performed by the San Francisco Symphony in November 2010 and in Chicago in August 2011. Wainwright’s last live album was a recording from his Release the Stars tour titled Milwaukee At Last!!!. Wainwright has released eight albums and three DVDs to date, and has appeared on numerous soundtracks and compilations, collaborating with artists like Elton John, David Byrne, Roseanne Cash, Pet Shop Boys, and Keane. His newest album, All Days Are Nights: Songs For Lulu, was released in 2010 to much critical acclaim. Jayce Ogren (conductor) has rapidly developed a reputation as one of the finest young conductors to emerge from the US, equally at home in both symphonic and operatic repertoire. In recent seasons, he has conducted the Boston Symphony, Cleveland Orchestra, Los Angeles Philharmonic, St. Paul Chamber Orchestra, New World Symphony, and the Grand Rapids Symphony. Ogren made his New York debut in two programs with the International Contemporary Ensemble under the auspices of the Miller Theater. In addition, he stepped in for James Levine in a last-minute cancellation conducting the Boston Symphony Orchestra, a challenging program that included the world premiere of Peter Lieberson’s songcycle Songs of Love and Sorrow (with Gerard Finley). European guest engagements have included the Deutsches Symphonie Orchester Berlin, BBC Symphony Orchestra, Aarhus Symphony, and the Asturias Symphony. On the opera stage, Ogren made his Canadian Opera Company debut with Stravinsky’s The Nightingale & Other Short Fables. Following an invitation from New York City Opera to conduct a staged production of Mozart’s Magic Flute, he was subsequently re-invited last season for a critically acclaimed new production of Bernstein’s A Quiet Place, which was a resounding success. This season, Ogren makes his debut throughout Europe and the US with the Copenhagen Philharmonic, Royal Philharmonic Concert Orchestra, Napa Valley Symphony, and Berkeley Symphony, and following a highly successful debut with the Asturias Symphony, he will return to this orchestra for two separate periods (with pianist Joaquin Achúcarro and baritone Gerald Finley). A native of Hoquiam, WA, Ogren finished his tenure in 2009 as assistant conductor of the Cleveland Orchestra and as music director of the Cleveland Youth Orchestra, having been appointed by Franz Welser-Möst. Ogren made his subscription debut with the Cleveland Orchestra in May 2009 and at the Blossom Festival in August that same year. Tim Albery (production director) Career highlights: Billy Budd, War and Peace, and From the House of the Dead for English National Opera; Cherubin for the Royal Opera House; The Merry Widow and A Midsummer Night’s Dream for the Metropolitan Opera; Götterdämmerung, Rodelinda, and Peter Grimes with Canadian Opera Company; the Ring Cycle and Don Giovanni for Scottish Opera; and Die Zauberflöte for Santa Fe Opera. Other opera Who’s Who credits include: Kát’a Kabanová, La Finta Giardiniera, Don Carlos, Fidelio, The Midsummer Marriage, Benvenuto Cellini, Simon Boccanegra, Ariadne auf Naxos, La Wally, and The Marriage of Figaro. Musical theater credits include Passion and One Touch of Venus. Theater credits include: Macbeth and Wallenstein for the Royal Shakespeare Company, Berenice for the Royal National Theatre, Attempts on Her Life for the Royal Court Theatre, and Nathan the Wise for Soulpepper. Joanna Turner (associate director) directs theater and opera in the UK both as a freelance director and as artistic director of Baseless Fabric Theatre Company. She holds an MA (Hons) in English literature and an MFA in staging Shakespeare. She particularly enjoys working collaboratively with playwrights and composers to create new work, and is currently director-in-residence for Welsh National Opera’s MAX department, creating and directing Nine Stories High. She is also currently working with British composer Jenny Gould and librettist Rachel Barnett to adapt Thomas Hardy’s short story The Withered Arm into a folk opera, a project which has been supported by Arts Council England, the National Theatre, and Opera North, while a work-in-progress performance was shown at the Tête à Tête Opera Festival in London in 2011. She was recently Jerwood Assistant Director at the Young Vic Theatre in London and revival director at Opera North, and has worked as staff director at Welsh National Opera, Scottish Opera, Opera North, and Shakespeare’s Globe. She works for the literary departments of Manchester Royal Exchange and Liverpool Everyman Theatres, including reading for the Bruntwood Prize for Playwrighting, and has directed new plays at various London venues. Two of the plays she created in collaboration with playwright Francis Beckett have been published by Samuel French. Forthcoming work includes associate director on Carmen for Vlaamse Opera. Antony McDonald (set and costume design) Previously with Tim Albery: at the Metropolitan Opera, A Midsummer Night’s Dream and The Merry Widow; The Midsummer Marriage and The Trojans, both Opera North; Cherubin at Roy- al Opera House; and Nabucco at Welsh National Opera, ROH. McDonald is also director of his own work, which includes: Wagner’s Ring Cycle, finishing with Gotterdammerung this summer, Manon, and King Priam, all for the Nationale Reisopera; Maria Stuarda for Opera North; Rusalka, Wonderful Town, and Queen of Spades 2012 for Grange Park Opera; Tsarevitch (South Bavarian Theatre); The Knot Garden, Aida, and Samson et Dalilah for Scottish Opera; and L’Enfant et les Sortileges for Bolshoi Theatre, Moscow, 2012. Other designs for opera: The Gambler for Royal Opera House; Billy Budd for Oper Frankfurt and Netherlands Opera; The Cunning Little Vixen for Netherlands Opera; Pélleas et Mélisande for Opera North, Munich, and English National Opera; and Giulietta for Paris Opera (revival 2006 and Geneva 2012), all directed by Richard Jones; and Manon Lescaut for Wiener Staatsoper, directed by Robert Carsen. With Richard Jones, he co-directed/designed Un Ballo in Maschera in 1999—2000 and La bohème in 2001—02 for Bregenz Festival Lakestage. Designs for dance include: Art of Touch and A Tragedy of Fashion for Rambert; Pennies from Heaven, Carmen (costumes), Alice, Cinderella, The Nutcracker, and Sleeping Beauty for Scottish Ballet, all with choreographer Ashley Page. Thomas C. Hase (lighting designer) Work in the US includes: Los Angeles Opera, BAM, Seattle Opera, Minnesota Opera, Dallas Opera, Florida Grand Opera, Goodspeed Opera, Portland Opera, New Orleans Opera, Cincinnati Playhouse in the Park, Center Stage Theatre, Alliance Theatre, Dallas Theater Center, Milwaukee Repertory Theatre, Repertory Theatre of St. Louis, Maine State Music Theater, Syracuse Stage, and the Geva Theatre. Recent design highlights include: John Doyle’s Company on Broadway and DVD release and The Rise and Fall of the City of Mahagonny at Los Angeles Opera and DVD release. International work includes: The Barbican in London; Abbey Theatre; the Finnish, Columbian, and Dutch National Operas; Opera North, UK; Canadian Opera Company; Malmö Opera in Sweden; the Luminato Festival Toronto; Opera de Marseille; Staatstheater Kassel; Theater Who’s Who Erfurt; Bavarian State Opera; Vancouver Opera; Singapore Arts Festival; Tokyo Metro Arts Center; Rufus Wainwright’s Prima Donna at Sadler’s Wells in London and in Toronto; Riverdance’s Magik Macabre in Dublin; the European revival of The Wiz for Stage Holdings in Holland; and over 100 designs for theater, opera, and ballet at the Stadttheater Giessen, Germany. As Ping Chong’s lighting designer his work has been seen worldwide. Concurrent with his many freelance projects, Hase is the resident lighting designer and director for the Cincinnati Opera. Philippe Giraudeau (movement director) As a choreographer and movement director in opera he collaborated with Tim Albery on A Midsummer Night’s Dream and The Merry Widow (Met Opera); From the House of the Dead and Boris Godounov (ENO); Die Fliegender Hollander (ROH); and Prima Donna. With Robert Carsen: Semele, The Cunning Little Vixen, and Kát’a Kabanová (Vlamsse Opera); Les Contes d’Hoffmann, Alcina, Rusalka, and Tannhauser (Opera Bastille, la Scala); Dialogues des Carmélites (Amsterdam); Der Rosenkavalier (Salzburg); La Traviata (La Fenice); Elektra (Tokyo); Manon Lescaut (Vienna); Il trovatore (Bregenz); Iphigénie en Tauride (Chicago); Salome (Turin); and Rinaldo and Don Giovanni. With Richard Jones: Jenufa, The Cunning Little Vixen (Amsterdam); Juliette ou La clé des songes (Opera Garnier); Pelléas et Mélisande (Opera North); The Trojans (ENO); Un ballo in maschera and La bohème (Bregenz); and Annie Get Your Gun (Young Vic). With Stephen Langridge: Arianna in Creta (Reis Opera), Tangier Tattoo (Glyndebourne), Otello (Salzburg), La Damnation de Faust (Chicago), and The Minotaur (Covent Garden). With Antony McDonald: Aida, Samson et Dalila, and Snatched by the Gods/Broken Strings (Scottish Opera); and Wonderful Town (Grange Park). With Daniel Kramer: Prima Donna (Manchester), and Prick Up Your Ears. With John Fulljames: Enchanted Pig (Young Vic), and From the House of the Dead (Opera North). Melody Moore (soprano, Régine Saint Laurent) is one of America’s most exciting new talents. A sought-after Mimi in La bohème, she has performed the role with the San Francisco Opera, English National Opera in a new production by Jonathan Miller, and Opera Cleveland. She has appeared with Los Angeles Opera as the Countess Almaviva in Le Nozze di Figaro and in their productions of Der Zwerg and Der Zerbrochene Krug. Elsewhere, she has appeared with the New Orleans Opera as Manon Lescaut, Orlando Opera in the title role in Suor Angelica, and the Cincinnati Chamber Orchestra as Donna Anna. This season, she appeared with English National Opera as Marguerite in Des McAnuff’s new production of Faust, Madison Opera as the Countess in Le Nozze di Figaro, Hawaii Opera Theater as Marguerite, and New York City Opera as Rita Clayton in the New York premiere of Stephen Schwartz’s Seance on a Wet Afternoon. She debuted with the Bavarian Radio Symphony in concert performances and recording of excerpts of Gordon Getty’s opera Plump Jack, to be conducted by Ulf Shirmer. Next season includes her return to the San Francisco Opera as Susan Rescorla in the world premiere of Heart of a Soldier and as First Lady in The Magic Flute. Future seasons will see her in several productions at the Houston Grand Opera, including the role of Martha in the North American premiere of Weinberg’s The Passenger. Elsewhere, Moore has performed Donna Elvira in Don Giovanni at Lincoln Theatre in Napa Valley, the title role in Suor Angelica for the Opera Theatre and Musical Festival of Lucca (Italy), and the Governess in Britten’s The Turn of the Screw in Napa Valley. Kathryn Guthrie Demos (soprano, Marie) is quickly becoming recognized as an artist of unusual artistic versatility, equally praised for her performances of the traditional operatic and concert repertoire and her vibrant and sharpwitted interpretations of contemporary works. Guthrie Demos’ 2010—11 season included performances as La Fée in Massenet’s Cendrillon, Romilda in Handel’s Xerxes, Adele in Strauss’ Die Fledermaus, and Zerlina in Mozart’s Don Giovanni. Albany Records will release her Who’s Who recording of excerpts from composer Joseph Summer’s Hamlet later in 2012, and she joins the Shakespeare Concerts this April for a recording of excerpts from Summer’s The Tempest. In the summer of 2009, Guthrie Demos was a member of Glimmerglass Opera’s Young American Artists Program, performing the role of First Witch in Purcell’s Dido and Aeneas, covering the role of Clorinda in Rossini’s La Cenerentola, and performing in recital with pianist Jonathan Kelly. Guthrie Demos is the recipient of awards and honors from the Metropolitan Opera National Council Auditions, Houston Grand Opera’s Eleanor McCollum Competition, Palm Beach Opera’s Vocal Competition, and the Marguerite McCammon Vocal Competition at Fort Worth Opera. Guthrie Demos completed her MM at the Peabody Conservatory in 2009, receiving the Phyllis Bryn-Julson Award for Contemporary Music upon graduation, and received her BM from the University of Connecticut. Taylor Stayton (tenor, Andre le Tourneur) Birthplace: Sidney, OH. Stayton made his operatic debut as Fenton in the 2010 Franco Zeffirelli production of Falstaff, and his American operatic debut as Osiride in Rossini’s Mosé in Egitto. Career highlights: Percy in Anna Bolena at the Metropolitan Opera, Ernesto in Don Pasquale with Des Moines Metro Opera, Tybalt in Roméo et Juliette with Opera Company of Philadelphia, and Don Alvar in L’Africaine with Opera Orchestra of New York. Winner of several prestigious vocal competitions, including first prize in the Licia Albanese-Puccini Foundation International Voice Competition, and third place in the Loren B. Zachary Voice Competition, both in 2009. Future engagements include Don Ramiro in La cenerentola with the Glyndebourne Festival Opera and Almaviva in Il barbiere di Siviglia with Opéra de Lille. Graduate of the Academy of Vocal Arts and Ohio State University. Randal Turner (baritone, Phillippe) Birthplace: Crawfordsville, IN. American opera debut in the title role of Don Giovanni at Michigan Opera Theater. Turner has performed in several of the European opera houses, includ- ing: Opernhaus Zurich, Stadttheater St. Gallen, Landestheater Linz, Kammeroper in Vienna, Opera de Monte-Carlo, Stadttheater Bielefeld, Staatstheater Darmstadt, Opera di Roma, Teatro Regio di Torino, and the Manoel Theatre in Malta. Career highlights: Escamillo in Carmen in Sassari, Stanley Kowalski in the Italian premiere of A Streetcar Named Desire, Redburn in Billy Budd at Torino, Bottom in A Midsummer Night’s Dream in Pisa, Lucca, and Livorno, Marcello in La bohème for Teatro Petruzzelli, Bari, Guglielmo in Così fan tutte for Piccolo Teatro Milano, Cosroe in Siroe for the Oper de Zeit Festival, and the Duke de Rothsay in Bizet’s La Jolie fille de Perth at the castle of Hallwyl in Switzerland. In 2008, he began as a guest artist with Staatstheater Darmstadt, including such roles as Billy Bigelow in Carousel and Konrad Nachtigall in Die Meistersinger von Nürenberg. Miranda Calderon (Sophie) has lived in New York, Madrid, San Francisco, London, and Toronto. Calderon recently completed filming on Michael DeCarlo’s upcoming feature Two Hands to Mouth and on her own short film Alegra And Jim. Theater credits include the English-language premiere of Kaspar & the Sea of Houses (Summerworks Festival Award for Outstanding Production), assistant directing the five-time Dora Award-winning Blasted at Buddies in Bad Times, the title role in Oscar Wilde’s Salome (San Francisco Bay Area’s Critics Circle Awards for Outstanding Production and Choreography) at Aurora Theatre, Bang! at the Edinburgh Fringe, and Prima Donna (Dora Award for Outstanding New Musical/Opera) at the Luminato Festival. Calderon received her BA from Columbia University and her MFA at London International School of Performing Arts. New York City Opera ORCHESTRA FIRST VIOLIN Alicia Edelberg, Concertmaster Nancy McAlhany, Assistant Concertmaster Sander Strenger Deborah Wong Claire Chan Ann Leathers James Burnham SECOND VIOLIN Alisa Wyrick, Principal Yana Goichman Kate Light Sarah Pratt Susan Gellert Anne Fryer Eddis VIOLA Arman Alpyspaev, Principal Joana Miranda Jack Rosenberg Claire Bergman Juliet Huffner CELLO Mark Shuman, Principal Elizabeth Anderson, Principal Robert LaRue Eliot Bailen Anja Wood BASS Lewis Paer, Principal Jonathon Storck Richard Sosinsky Ryan Kamm HARP Lynette Wardle, Principal FLUTE Bart Feller, Principal Janet Arms OBOE Kelly Peral, Principal Tuck Lee CLARINET Laura Flax, Principal Mitch Kriegler, Principal David Gould Daniel Spitzer BASSOON Frank Morelli, Principal Jeffrey Marchand Marc Davies HORN David Wakefield, Principal Nancy Billmann Chad Yarbrough TRUMPET Donald Batchelder, Principal Jerry Bryant Thomas Hoyt TROMBONE Thomas Hutchinson, Principal Brian Mahany Max Seigel TUBA Andrew Bove, Principal TIMPANI Michael Osrowitz, Principal PERCUSSION Montgomery Hatch, Principal Lynn Bernhardt James Thoma ORGAN Lucas Wong CELESTE Audrey Saint-Gil LIBRARIAN David Carp New York City Opera Photo by Robert Workman BOARD OF DIRECTORS Charles R. Wall, Chairman HRH Princess Alexandra of Greece Susan L. Baker John E. Baumgardner, Jr. John H. Biggs Hon. Michael R. Bloomberg* Emilie Roy Corey Caroline Cronson Mary Sharp Cronson ARTISTS’ COUNCIL Winsome Brown, Chair Mark Adamo Christopher Alden Claude Arpels Mario Batali Hamish Bowles Amy Cappellazzo John Corigliano Frank Corsaro Mary Sharp Cronson Anthony Davis Joyce DiDonato Elizabeth Diller Thelma Golden Jennie DeScherer* Brooke Hayward Duchin Edmée de M. Firth Michael E. Gellert Joan Granlund Susan Zises Green Nizam P. Kettaneh Hon. Kate D. Levin* Helen Little Lynn J. Loacker James C. Marlas Mark W. Newhouse Roy G. Niederhoffer Martin J. Oppenheimer Charles I. Petschek Marc Powell Matthew L. Ringel Elliott K. Slade III Mrs. James C. Slaughter Herbert M. Wachtell Timothy Greenfield-Sanders John Guare Robert Hammond Luziah Hennessy John Kander Peter Kazaras Paul Kellogg Michael John LaChiusa John Lyons James Marcus Ingo Maurer J.D. McClatchy Terrence McNally Peter Norton Zac Posen Hal Prince Samuel Ramey Heather Randall James Rigler Jennifer Rubell Julius Rudel David Salle Stephen Schwartz Ilyasah Shabazz Yuval Sharon Ted Sperling Morleigh Steinberg Twyla Tharp William Wegman Robert White Kehinde Wiley Camilla Williams Damian Woetzel John Zorn *ex-officio New York City Opera A Message from George Steel, General Manager and Artistic Director Behind every great New York City Opera performance stand countless individuals and institutions whose generosity makes our work possible. In these pages, we salute their energetic support of NYC Opera’s mission to make opera both adventurous and accessible. While space limitations allow us to list only donors of $500 or more, we sincerely appreciate every gift. To learn how you can become a part of NYC Opera’s ever-growing family of supporters, I invite you to call our Development Department at 212.870.4210 or visit nycOpera.com/supportus. Thank you! 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Seitz Jr. Ted and Mary Jo Shen Ted Snowdon Michael Tuch Foundation, Inc. Elizabeth S. Tunick • Ruth and Jonathan Weisgall 3 Anonymous Donors PATRONS $1,500 or more Donald R. Allen and Mildred Munich David Aronow Foundation Edwin Bacher and Johanna Weber Dr. and Mrs. Michael Balkin Lisa G. Beckerman Mrs. Frank M. Berger Ms. Janet F. Bernstein Edith C. Blum Foundation H.S. Beau Bogan and Elliot M. Friedman Mrs. Walter F. Brissenden Barbara A. Brunjes Alice Burstein Joyce Castle Theodore Chu Amy and Gary Churgin Mr. and Mrs. John S. Clark III Phyllis F. Cohen Ph.D. and Walter Goldstein Ph.D. • John J. Condon Lois Conway Edgar E. Coons Stephanie C. Cooper • Nathalie and Marshall Cox Ms. Catherine A. Culver Dr. Susan Danberg and Mr. George Puerschner Mr. Thurman Dennis Jennie and Richard DeScherer Ms. Joan Dyer Mr. and Mrs. Robert K. Elliott Mr. Smith Freeman C. Robert Friedman and Vernon Mosheim Edda and James Gillen Drs. David and Marcella Goldsmith Wendy and Mark Goldstein The Charles and Joan Gross Family Foundation Sally and Aaron Hamburger Mrs. Jean A. Hastings Merrill G. and Emita E. Hastings Foundation Ms. Sarah Hewitt Howard and Carol Holtzmann Mr. and Mrs. Charles J. Hubbard Beth D. Jacob and James H. Fogel Jill Kaplan Roland N. Karlen Mr. and Mrs. Gene L. Kaufman Elaine P. Kend Mr. and Mrs. David Kenney David A. Kernahan Richard and Joan Klein Ms. Melissa S. Lane and Mr. Andrew Lovett Robert Lefkowitz and Gina DeFelice Julius Leiman-Carbia Jill Lenoble and Paul Asman Cynthia Lilley and Peter Heinrich Lucia Woods Lindley Mr. and Mrs. John M. Loder Phyllis and Walter F. Loeb Dr. and Mrs. George W. Lutz Frances Magurno Anita and Michael Malina Mr. and Mrs. Barnabas McHenry Gregory St. John and Gary McKay Laurel McKee Mr. and Mrs. Joseph McLaughlin Meet The Composer’s MetLife Creative Connections Program Alexander and Ilse Melamid Charitable Foundation Dr. and Mrs. Mark F. Mergen Ann Meschery John C. Miller • Dr. Mary Lee Morris Mr. and Mrs. Lester S. Morse, Jr. Mr. Philip R. Munger Marvin and Frances Gould Naftal Barbara Nassau and David Perlmutter Ms. Constance Hoguet Neel and Mr. Richard Neel Ellen Nenner • Stanley Newman and Dr. Brian Rosenthal The John F. Nobile Family Melvin H. Pekarsky Carol Gray & Harold Perlmutter Anna and Martin J. Rabinowitz Mr. and Mrs. Fred Robins Mr. and Mrs. Roman A. Rome Jon Rupp, In Memory of Julian Autrey Bonnie Sacerdote Mr. Douglas Schwalbe Dr. and Mrs. Thomas P. Sculco Michael N. Sekus and Bianca Russo • Ms. Patricia Sheridan Mr. Anil Shrivastava and Ms. Namita Luthra Anne Sidamon- Eristoff Loren R. Skeist and Marlene Marko Joan and Laurence Sorkin Paul J. Sperry Mrs. Esther Esh Sternberg Mr. and Mrs. Jon and Savannah Stevenson Flora Tabaddor, MD • Henry and Marilyn Taub Nozomi Terao and Joshua S. Levine Elisabeth L. Van Buskirk Stephen Van Dolsen Mr. Mark Villamar and Ms. Esther Milsted Cynthia Walk Jeremy and Kristina Wallison Marian M. Warden Fund of the Foundation for Enhancing Communities Charles and Jacqueline Warren Ms. Lynn Warshow Ruth and Howard Warshower Reverend Wendy A. Young and Dr. Mark R. Killingsworth • 3 Anonymous Donors • Members of the Patron Committee SOPRANO MEMBERS $1,000 or more Mr. and Mrs. Robert J. Anderson Mr. Charles Charrow and Ms. Bonnie Howard The Cheswatyr Foundation Simon Dratfield and Sherri Felt Dratfield Mr. William Duggan Mr. and Mrs. Jean-Marie Eveillard Ms. Adaline H. Frelinghuysen Ms. Mira Frohnmayer and Ms. Marcia Baldwin Kwok Sum Fung Nomi Ghez Antonia and George Grumbach Mr. and Mrs. Horace Havemeyer III Georgia G. Hiden Charitable Foundation Anne Hollander Ms. Karen Howitt Mr. and Mrs. K.D. Irani Diane Jaffee Ms. Ana Paula Jarowski Anita A. Kahn Mr. Kenneth H. Kirschner and Ms. Andrea L. Chase Mr. and Mrs. Robert Kresch Mr. Donald Lanier Ms. Maria Logis Mr. Todd May, Jr. Ms. Mary W. McLaughlin Mr. Michael A. Murphy Mr. Dale Ponikvar Mr. Donald Press and Mr. John Harris Mr. Edward Ricco Mr. Peter Robbins and Ms. Page Sargisson Dr. Christopher Rothko and Ms. Lori L. Cohen Mr. James Sargis Dr. Sherry Barron-Seabrook and David G. Seabrook Ms. Penny Seacord Mr. and Mrs. Timothy C. Shepard Stephanie and Fred Shuman Elaine Sisman and Martin Fridson George and Sarah Fels Steel Mr. and Mrs. Hans G. Storr Ms. Paula H. Tarzian-Ciferni Mr. Thomas Von Foerster George R. Weinhouse, MD Anonymous Donor MEZZO MEMBERS $500 or more Princess Alexandra of Greece Ms. Elizabeth C. Baker Mrs. Sophie M. Beitler Dolores and Clifton Bullard Mr. Roger E. Burke Rudolph and Camilla Cesarini Mr. and Mrs. Paul Chelminski William E. Clendenning Mr. Leslie W. Cline Mr. and Mrs. J. Christopher Eagan Mr. Paul Ebner and Ms. Courtney L. Holst Mr. and Mrs. Michael Ellmann Mr. and Mrs. Richard M. Esteves Mr. and Mrs. Peter L. Faber Ms. Susan Feder Dr. and Dr. Michael J. Fellner, MD Mr. Arthur F. Ferguson Mrs. Barbara G. Fleischman New York City Opera Elizabeth C. Forster Mr. Ernest French and Ms. Sophie Seniuk Mr. Milton M. Gatch Egon Gerard Ms. Melissa M. Gibbs Mr. Peter C. Gould and Ms. Claire Carter Paul and Sandra Graf Ms. Gail Gregg Mrs. Maureen Gupta Nimet Habachy Mr. James Hanbury Sheila Keats Mr. and Mrs. William P. Kenney Ms. Ellen Kier Ms. Flora P. Klein Andrea Klepetar-Fallek Sherry Kowitz and Lee Kowitz Mr. Douglas Kruse David J. Lansner and Carolyn A. Kubitschek John and Judie LaRosa Ms. Dorothy Lee and Mr. Victor Han Mr. and Mrs. S. Joshua Lewis Leslie LiDonnici, MD Christopher LiGreci and Robert Ohlerking Mr. and Mrs. Robert Lyons Richard H.M. and Gail Lowe Maidman Mrs. Margaret P. Mautner Mr. Andrew J. Millis Ms. Joan M. Moran Mr. Vincenzo Paparo Richard Pepperman Mr. and Mrs. Steven Pesner Ms. Linda Nochlin Pommer Marc Powell and Caroline Dufresne Ms. Frances J. Richard Mr. Matthew L. Ringel and Ms. Rebecca Rabinow Irene C. and Joseph J. Roach Mr. Michael Rooney Mr. Richard D. Sime Mr. and Mrs. Floyd L. Smith Mrs. Josephine B. Sokolski Ms. Bente Strong Attila Tetik and Gonul Arslan Helen S. Tucker, The Gramercy Park Foundation The Ungar Family Foundation Mr. Geoffroy Van Raemdonck Diodato Villamena, MD Mr. Leonard M. Wasserman Mr. Harris Weinstein Ms. Jo-Ann Wordley Mr. Saul L. Zalkin 4 Anonymous Donors CODA SOCIETY Planned gifts play an extraordinary role in securing New York City Opera’s future. Through the CODA Society, NYC Opera recognizes individuals who believe the company has a vital place in the life of future generations, and who have expressed support through bequests or other planned gifts. For more information, please call 212.870.4210. Robert Ardini Areta M. Arlen Ms. Molly Bellin Joan Benson Mr. and Mrs. Robert W. Berend Charles A. Bernheim H.S. Beau Bogan Lord Benno Bordiga† Dr. and Mrs. Alexander R. Broden Nancy E. Cohn John Condon Sue Ann and Tony Converse Emilie Corey Catherine T. Davidoff Deborah L. Davis Harold Z. Dessler Adnan Divjan Ms. Melva Eidelberg Dr. Joan Eliasoph Stuart M. Fischman Elizabeth T. Garvey Sherwin M. Goldman Virgina Gray Judith B. Grebin Jane M. Gullong Deborah Hample† Mr. and Mrs. John Haney Inez Harris Sally Helfman Mr. and Mrs. Richard Herber Marilyn D. Hoffman Dr. and Mrs. Irwin Honigfeld Renee Jackson Ruth Klotz† William Paul† and Kathryn Kouba Bruce Lee Kubert Barry and Jill Lafer Ronald H. Lamey Catherine Lomusico Barbara McCullough Ann F. McHugh, PhD Mr. and Mrs. Lawrence L. Melick Merle A. Montgomery Anne M. Morris Carol S. Morton Judith Nadelson Diane A. Nixon Mr. Martin J. Oppenheimer Frank J. and Adeline Pannizzo Dr. Sydney Parish and Mr. Bernard Fleigel Ms. Antonia Pew Mr. Frederick W. Richmond Mary S. Riebold Ann Rosche Art Rubright Mr. and Mrs. Gregory Russo Mr. and Mrs. Edward J. Sack Mrs. Ines Sagar Michael J. Samek† Alan J. Savada Mr. Steven Schmidt Roberta and Irwin† Schneiderman Mr. and Mrs. Martin E. Segal Donald G. Sisler Mr. and Mrs. Edward L. Smith Mrs. Joan Smith Mr. Peter Smith Stanley R. Stangren Ruth and Harold† Stern Ms. Audrey J. Sutton Mr. and Mrs. Warren B. Syer Lloyd L. Thoms, Jr. Sonya and Leo J. Tick Mr. Barry C. Waldorf and Mr. Stanley Gotlin Lucille Werlinich Alice Westphal† Ms. Susan M. Whelan Mr. Robert C. Williamson 6 Anonymous Donors Borough of Brooklyn The Honorable Marty Markowitz, Brooklyn Borough President Borough of Manhattan The Honorable Scott Stringer, Manhattan Borough President New York State Council on the Arts The Honorable Andrew M. Cuomo, Governor Aby Rosen, Chairman New York State Legislature The Honorable Sheldon Silver, Assembly Speaker The Honorable Thomas K. Duane, New York State Senator The Honorable Richard N. Gottfried, New York State Assembly Member † In memoriam CORPORATE CIRCLE American Airlines Google Hearst Magazines, Inc. iQmedia Networks Sandy Alexander Inc. Target The Walt Disney Company GOVERNMENT SUPPORT New York City Opera’s productions and education programs are made possible, in part, with public funds from the following city and state agencies. We are grateful for this generous and essential support. New York City Department of Cultural Affairs The Honorable Michael R. Bloomberg, Mayor The Honorable Kate D. Levin, Commissioner New York City Council The Honorable Christine C. Quinn, Speaker The Honorable Dominic M. Recchia, Jr. The Honorable James G. Van Bramer The above recognition list includes donors to the annual and special campaigns as of January 19, 2012. New York City Opera Photo by Robert Workman George Steel General Manager and Artistic Director Andrea Nellis Managing Director ARTISTIC AND EDUCATION Vincent J. Madonna Company Manager Jordana Kier Artistic Coordinator Kate Downey Rehearsal Coordinator Steven Blier Kevin Murphy Casting Advisors David Titcomb Orchestra Manager Charles Frederic Prestinari Chorus Master Nicholas Fox Assistant Chorus Master Education Erika Rauer Manager of School Programs Melissa Wozniak School Programs Administrator DEVELOPMENT Robert K. Meya Director of Development Individual Giving Chantel Foretich Development Officer Kristen Gelinas Manager of Major Gifts Dana Gluck Manager of Stewardship & Board Relations Caryn Kerstetter Development Officer Mark Roper Manager of Membership Institutional Giving Michael Gary Director of Institutional Gifts Development Communications Mark Moorman Director of Development Communications Special Events Ryan Brodlieb Special Events and Patron Services Associate Marie Masters Manager of Special Events Donor Information Dale Aucoin Assistant Director of Donor Information EXECUTIVE OFFICE Aulden Kaye Assistant to the General Manager and Artistic Director FINANCE AND ADMINISTRATION Stephanie Jernstrom Controller Lexi Robertson Budget Manager Leah Johnson Payroll Administration Edgar Donoso Accounts Payable Manager PRODUCTION Barbara Wohlsen Director of Production Scenery Chuck Giles Technical Director MARKETING Bill Updegraff Director of Marketing Kyle Fox Marketing Coordinator Lighting Tess James Lighting Director Dan Gallagher Assistant Lighting Director Creative Services Victor-John Villanueva Art Director Carol Rosegg Staff Photographer Greg Emetaz Staff Videographer Properties Karin M.White Properties Director Ticket Services Maura Leahy Ticket Services Manager Alyssa Dreifus Katie Lawton Matthew Macri Account Executives Retail Operations and Volunteer Services Eric Hagmueller Director of Retail Operations tand Volunteer Services Jay Thompson Thrift Shop Manager Wardrobe Bettina Bierly Wardrobe Director Ginger Blake Russ Vogler Costume Supervisors Maria L. Merino Workroom Supervisor Hair & Makeup Suzy Alvarez Director of Hair and Makeup Tom Molinelli Makeup Supervisor Supertitles Lisa Jablow Supertitles Associate BAM salutes Members of the Artist Circle for their generosity and commitment to providing a home for adventurous artists, audiences, and ideas Artist Circle Members Alisa F. Levin & Charles M. Nathan, Artist Circle Chairs Linda & Max Addison Jody & John Arnhold Roger & Brook Berlind The Bermanzohn/Roseman Family Fund Mr. & Mrs. Anthony Bowe Emma Bloomberg & Christopher Frissora Mr. & Mrs. Purnendu Chatterjee Simon & Sarah Collier Mary Sharp Cronson Ide & David Dangoor Carol & Roger Einiger James P. Esposito Faith E. Gay & Francesca Zambello David & Susie Gilbert Beth & Gary Allen Glynn Pamela Grace The Grodzins Fund Mr. & Mrs. Henry B. Gutman Mr. & Mrs. Burton K. Haimes Dozier Hasty & Nancy Havens-Hasty Cheryl Henson & Ed Finn Alan Jones & Ashley Garrett Howard P. & Janet M. Kagan Miriam Katowitz & Arthur Radin John Lipsky & Zsuzsanna Karasz Briehan Lynch & Alexander Evis Grace Lyu-Volckhausen Mattis Family Foundation Erich Mauff & Adele Griffin Mr. & Mrs. Hamish Maxwell Scott C. McDonald William Patrick McMullan & Rachel McPherson Constance & H. Roemer McPhee Barbara & Richard Moore Stephen Nelson The O’Grady Foundation Maya Polsky Rajika & Anupam Puri William D. & Susan Kahan Rifkin Sarah & Spencer Robertson Andrew & Barbra Rothschild Bette & Richard Saltzman Donna & Marvin Schwartz Mr. & Mrs. Howard Solomon Sam & Ellen Sporn Starry Night Fund Dr. Axel Stawski Jane Timken Sonia Tower Robert L. Turner Wendy vanden Heuvel Ann Ziff Anonymous (7) Artist Members Edward Albee Olivier Assayas Donald Baechler Bob Balaban Matthew Barney Mikhail Baryshnikov Mario Batali Matthew Bourne Iman & David Bowie Peter Brook Trisha Brown & Burt Barr Michael Cerveris Ping Chong William Christie Patricia Clarkson Dr. Chuck Davis Anne Teresa De Keersmaeker Arnaud Desplechin Declan Donnellan Garth Fagan Milos Forman William Forsythe Philip Glass Elliott Gould Timothy GreenfieldSanders Buck Henry Isabelle Huppert Jeremy Irons Bill Irwin Sir Derek Jacobi John Jasperse Bill T. Jones Harvey Keitel & Daphna Kastner Louise Lawler Ralph Lemon Jonathan Lethem Susan Marshall Albert Maysles Stephin Merritt Meredith Monk Mark Morris Shirin Neshat Wunmi Olaiya Nicholas Ormerod Estelle Parsons Jack Pierson Nicolas Refn Steve Reich Alan Rickman Isabella Rossellini David Salle Susan Sarandon Barbet Schroeder Cindy Sherman Laurie Simmons Mark Stewart Lily Tomlin Maria Tucci John Turturro & Katherine Borowitz Liv Ullmann Ivo van Hove Suzanne Vega William Wegman Robert Wilson The BAM Artist Circle provides essential support for mainstage, visual and cinema arts, education, and community programs. Members participate in an ongoing dialogue regarding BAM’s future and have opportunities to attend intimate gatherings with artists—both emerging and iconic—in private settings. To join the Artist Circle contact Gwendolyn Dunaif at 718.623.7810 x3 or [email protected]. Funders BAM 2012 Winter/Spring Season and Eat, Drink & Be Literary sponsor: Programming in the BAM Howard Gilman Opera House is supported and endowed by The Howard Gilman Foundation. Programming in the BAM Harvey Theater is endowed by the Doris Duke Charitable Foundation. Presenting sponsor for Dr. John: Insides Out Leadership support for Dr. John: Insides Out provided by Merryl H. & James S. Tisch and Goldman Sachs Gives at the recommendation of Frances Bermanzohn and Alan Roseman Leadership support for Crossing Brooklyn Ferry and Brooklyn Close-Up provided by Steve Tisch, Laurie Tisch, and Lizzie and Jonathan Tisch Leadership support for The Bridge Project provided by: Bridge Project Production Partners: Celia Atkin, John & Samantha Hunt, Donald R. Mullen Jr., Tony Randall Theatrical Fund, Jon & NoraLee Sedmak, Carol & Ian Sellars, Scott & Kathleen Simpson, and Barbara & David Zalaznick Title sponsor for Three Sisters: Leadership support for The Caretaker provided by Frederick Iseman Leadership support for Wear it like a crown provided by The Barbro Osher Pro Suecia Foundation Major sponsor for Mark Morris Dance Group presentation BAM Innovators: R. Martin Chavez, Jeanne Donovan Fisher; Suzie & Bruce Kovner; Toby Devan Lewis; Diane & Adam E. Max; Donald R. Mullen, Jr.; Jim & Mary Ottaway; The SHS Foundation; Ronald P. Stanton; and John L. & Eva Usdan. BAM Visionaries: William I. Campbell & Christine WächterCampbell; Aashish & Dinyar Devitre; Charles & Valerie Diker; Judith R. & Alan H. Fishman; Semone & Ziona Grossman; Agnes Gund; Stephanie & Timothy Ingrassia; David & Susan Marcinek; Gilda & John P. McGarry Jr.; Carley Roney & David Liu; Gary Lynch & Kate Hall; Jonathan F.P. & Diana Calthorpe Rose; Martha A. & Robert S. Rubin; Harvey Schwartz & Annie Hubbard; The Joseph and Sylvia Slifka Foundation; Jennifer Small & Adam Wolfensohn; and Joseph A. Stern. Community programs at BAM supported by Brooklyn Community Foundation Diverse Voices at BAM sponsored by: Global Connections at BAM sponsored by: The Rolex Institute supports emerging international artists at BAM BAM Marquee sponsor: BAM would like to thank the Brooklyn Delegations of the New York State Assembly, Joseph R. Lentol, Delegation Leader; and New York Senate, Senator Velmanette Montgomery, Delegation Leader. The BAM facilities are owned by the City of New York and benefit from public funds provided through the New York City Department of Cultural Affairs with support from Mayor Michael R. Bloomberg; Cultural Affairs Commissioner Kate D. Levin; the New York City Council including Council Speaker Christine C. Quinn, Finance Committee Chair Domenic M. Recchia, Jr., Cultural Affairs Committee Chair Jimmy Van Bramer, the Brooklyn Delegation of the Council, and Councilwoman Letitia James; and Brooklyn Borough President Marty Markowitz. BAM.org sponsor: Leadership support for Hora provided by The Jerome Robbins Foundation, Inc.; Judy and Michael Steinhardt; and The Nash Family Foundation Proud Presenting Sponsor of The Bridge Project Winter/Spring Season supporters: Rose M. Badgeley Residuary Charitable Trust Corinthian Foundation The Gladys Krieble Delmas Foundation The Educational Foundation of America Estate of Richard B. Fisher The Howard Gilman Foundation Goldman, Sachs & Co. The Harkness Foundation for Dance The Francena T. Harrison Foundation Trust The Rita and Alex Hillman Foundation Leon Levy Foundation Frederick Loewe Foundation, Inc. The Andrew W. Mellon Foundation mcgarrybowen The Ambrose Monell Foundation Henry and Lucy Moses Fund, Inc. Samuel I. Newhouse Foundation, Inc. Renova Group of Companies The Fan Fox & Leslie R. Samuels Foundation, Inc. The Morris and Alma Schapiro Fund The Scherman Foundation, Inc. The Peter Jay Sharp Foundation The SHS Foundation The Shubert Foundation, Inc. The Skirball Foundation Alfred P. Sloan Foundation The Starr Foundation The Harold & Mimi Steinberg Charitable Trust Vital Projects Fund Lila Wallace-Reader’s Digest Endowment Fund The Winston Foundation, Inc. Friends of BAM and BAM Cinema Club Presenting sponsor of BAM Community Access to the Arts Title Sponsor of BAM Rose Cinemas and BAMcinématek: BAM Rose Cinemas are named in recognition of a major gift in honor of Jonathan F.P. and Diana Calthorpe Rose, and have been generously supported by The Peter Jay Sharp Foundation, and The Estate of Richard B. Fisher. BAMcafé Live and DanceAfrica 2012 sponsor: Official piano for BAM: Official hotel for BAM: Programming in BAM Lepercq Space is supported by The Lepercq Foundation. Sponsored by: Your tax dollars make BAM programs possible through funding from:
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