IASIL 2013 Conference Programme Summary
Time
Monday 22 July
Room Name
13:00
Registration
Queen's Welcome Centre
17:00
Plenary 1
PFC Lecture Theatre
18:30 - 19:30
Opening Reception
Great Hall
Tuesday 23 July
09:00
Registration
Queen's Welcome Centre
09:00
Parallel Sessions 1
PFC
10:30
Tea/Coffee Break
Great Hall/Canada Room
11:00
Parallel Sessions 2
PFC
12:30
Lunch
Great Hall/Canada Room
13:30
Plenary 2
PFC Lecture Theatre
14:30
Break
Great Hall/Canada Room
15:00
Parallel Sessions 3
PFC
16:30
Parallel Sessions 4
PFC
18:00 - 19:30
SHC Reading 1
PFC Lecture Theatre
Wednesday 24 July
09:00
Registration
Queen's Welcome Centre
09:30
Parallel 5
PFC
11:00
Break
Great Hall / Canada Room
11:30
Plenary 3
PFC Lecture Theatre
13:00
Delegate Free Time/ Tours Opportunity
18:00 - 19:30
Civic Reception, Belfast City Hall
Thursday 25 July
09:00
Registration
Queens Welcome Centre
09:30
Parallel 6
PFC
11:00
Break
Great Hall/Canada Room
11:30
Workshops
PFC
13:00
Lunch
Great Hall/Canada Room
14:00
Parallel 7
PFC
15:30
Break
Great Hall/Canada Room
16:00
Parallel 8
PFC
18:00
SHC Reading 2
PFC Lecture Theatre
Friday 26 July
09:00
Registration
Queens Welcome Centre
09:30
Parallel 9
PFC
11:00
Break
Great Hall/Canada Room
11:30
Plenary 4
PFC Lecture Theatre
13:00
Lunch
Great Hall/Canada Room
14:00
AGM
PFC Lecture Theatre
19:00 - 22:00
Dinner
Great Hall
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Time
Monday 22 July
13:00-17:00
Registration (Queen's Welcome Centre)
12.30-15.00
IASIL Executive Meeting (Canada Room)
17:00
Plenary 1: Pat Coughlan “Ah now who said you could?” Desolation, Haunting,
Power: Changing the City Imaginary (PFC Lecture Theatre 0G/024)
Chair: Eamonn Hughes
18:30
Opening Reception (Great Hall)
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Parallel 1a - URBAN PLAY
Parallel 1b - PERFORMANCE SPACES
Parallel 1c - SEAMUS HEANEY
13:30
12:30
11:00 12:30
Room
11:00
10:30
09:00 10:30
Room
Pat Kinevane and the Performance of
Abjection
Siobhán O’Gorman
For all the outcasts of this world':
Song and Dance in Brendan Behan’s
An Giall and The Hostage
Megan W. Minogue
Guinn Batten
Anna Hanrahan
An Irish Tlön and Uqbar: Multiplying
Urban Dreams
Magdalena Kay
PFC 02/018
Stuart Neville's The Ghosts of
Belfast : Making peace with the
past?
I Have Determined to Lose: Gambling, Gender,
and Modern Capitalism in Maria Edgeworth’s
Ormond
'Less one shilling for thread': Medbh
McGuckian’s Feminist Economics.
Mary Helen Thuente
Paul Muldoon and Intertextual Strategies
Stuart Johnston
Northern Irish Writers and Their Greek
Exemplars
Blake Anderson
Derek Mahon: The Rooted and the Rented
Adam Hanna
PFC 03/006A
Chair: Shane Alcobia-Murphy
Parallel 2e - INTERTEXTUALITY AND NORTHERN
IRISH POETRY
‘Irresponsible Geographies:’ Mapping the Urban
Scenario of Irish Masculinity
Juan Ignacio Oliva
Chair: Edward Larrissy
Plenary 2: KATHERINE MULLIN: ‘Joyce's Urban Working Girls’ (PFC Lecture Theatre 0G/024)
Lunch (Great Hall/Canada Room)
Mgr. Michaela Marková
‘No trace of them if they
disappear’: Prostitution in recent
Irish Crime Fiction
Matthew Reznicek
Precarious Dublin: Romantic Imaginings of an
Absent Centre
Melanie Klein's 'On the Theory of Anxiety
and Guilt': identification processes in urban
spaces in Ireland.
Catherine McGurren
'My Kinda Place': The Craft of the
Urban in Contemporary Irish Noir
Amanda Sperry
Prof. Dr. Katharina Rennhak
Trollope’s Irish Cities
Karen Babine
This city of passing strangers':
1950s Dublin in the Benjamin Black
novels
City versus Country and their Shakespearean
Imaginations in Lady Morgan’s Later National
Tales
PFC 02/018
Chair: Sinéad Molony
Parallel 2d - THE SCENE OF THE
CRIME
Break (Great Hall/Canada Room)
Taking the cinder path: cultural
features of Joyce’s Dubliners
through retranslations into
Brazilian Portuguese
Vitor Alevato Do Amaral
Dr Bryan Radley
John McCourt
Joanna Jarząb
Chair: Barry Shiels
PFC 03/006B
Parallel 1f - CITY TO CITY
Emma Grey:
Chair: Shane Alcobia-Murphy
Parallel 1g - MEMORY AND IRISH
CULTURE
PFC 03/005
Karl Chircop
Imagined Cities in Enda Walsh’s Drama
Patrick Lonergan
Urban alienation in McPherson’s Dublin
Nicholas Grene
The City and Irish Women: Elaine
Murphy’s Drama
Emilie Pine
Parallel 2f - IRELAND’S IMAGINED CITIES:
URBAN SPACES IN CONTEMPORARY
IRISH DRAMA
PFC 03/006B
Chair: TBC
'Cityscapes Marked by Division': Literary
Representations of Belfast, Beirut and
Berlin
Stephanie Schwerter
Still anxious citizens: Why Irish cities of
the mind are good enough
Michael O'Sullivan
City (Un)Defined Selves
Gisele Wolkoff
White Lies? Representations of Race in
Young Adult Fiction in Ireland
Clíona Ó Gallchoir
PFC 03/005
Chair: Michael Pierse
Parallel 2g - URBAN IDENTITIES
‘Fire into Words’: Patrick Galvin’s Heart
of Grace
Victoria Connor
Memory and Trauma in I Could Read
the Sky
Shane Alcobia-Murphy
Michael Longley’s Elegies
Faye McDermott
‘The vision doubled on him again’: cities of the Belfast vs. Hiroshima – Glenn Patterson’s ‘…but it did sink, you understand what I
The third party
mean’: Topography of the Titanic
archipelago in Kevin Barry’s Dark Lies the Island .
Conor Farnan
Chair: Elke D’hoker
PFC 03/006A
Parallel 1e - KEVIN BARRY AND THE MALE CITY
Joyce’s Dublin and Pirandello’s Girgenti:
Translations of Irish plays in
Kevin Barry’s 'Urban Picturesque' Portrait of The
urban spaces competing for the reader’s
Francoist Spain: from page to stage
City of Bohane
attention.
via censorship
Raquel Merino Alvarez
Alfred Byrne and the Devil in
Joyce's Cat of Beaugency
Bruce Stewart
Chair: Laura Izarra
Benedicte Seynhaeve
PFC 02/011
Chair: Sinead Sturgeon
Parallel 2c - 19TH CENTURY CITIES
Seamus Heaney and Wallace Stevens
George S. Lensing
Seamus Heaney’s Cities
Rosie Lavan
Zuzanna Sanches
Intertextual nests: Medbh McGuckian and
the Belfast / Russian Group
The Ship and the Gun: The Perversity
of Neo-Victorian Ireland in Glenn
Patterson’s The Mill for Grinding Old
People Young
Laura P. Z. Izarra
Laura O’Connor
Dr. Barry Sheils
A place called home? Dermot Bolger’s
Love and Emergency in the Post-Romantic
Ballymun Trilogy and the forging of a
Irish Poem
new community
PFC 02/025
Chair: Stefanie Lehner
Parallel 2b - IRISH TEXTS AND INTERTEXTS
PFC 02/017
Chair: John Brannigan
Parallel 2a - URBAN DREAMS AND
NIGHTMARES
Contemporary Theatre in Galway: Culture,
Community and Collaboration
Joan Fitzpatrick Dean
Maureen Hawkins
Belonging to the City: Representations
of Belfast in Stewart Parker’s Lost
Belongings
PFC 02/011
Chair: Rui Carvalho Homem
Performed Globalized Urbanity in The Year Minimalism, Materiality, and Symbol in Heaney’s
'Herbal'
of Magical Wanking
Nelson Barre
Marilynn Richtarik
City Boys: James Joyce and Stewart
Parker
PFC 02/025
Chair: Emile Pine
PFC 02/017
Chair: John P. Harrington
Parallel 1d - TRANSLATIONS
Tuesday 23 July
Registration (Queen's Welcome Centre)
Time
09:00
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Elena Cotta Ramusino
Kathleen McCracken
We are the Speckled People: Reinventing
the Nation in Hugo Hamilton’s Memoirs
Urban life and the nature of relations
between the sexes in Eugene
O’Brien’s Eden : from text to screen
18:00
16:30 18:00
PFC 02/017
Chair: Alexandra Poulain
Connal Parr
Room
Chair: Kenichi Kihara
Chiaki Sameshima
PFC 02/011
Parallel 4c - W. B. YEATS AND LAFCADIO HEARN:
IRELAND, JAPAN AND URBANISM IN THE
NINTEENTH-CENTURY
Pilar Villar Argáiz
Katherine O’Donnell
Jason King
Chair: Pilar Villar Argáiz
Anne Fogarty
PFC 02/011
Parallel 3c - LITERARY VISIONS OF
MULTICULTURAL IRELAND: THE IMMIGRANT IN
CONTEMPORARY IRISH LITERATURE: A
ROUNDTABLE
Coming up to Dublin: Closed doors and
hiding places in Mary Lavin’s ‘A Memory’.
Vivian Valvano Lynch
'Families can be awful places': Short Stories
by Claire Keegan
The Right to Remain Silent:
Readdressing the representation of
the Royal Ulster Constabulary in
Northern Irish drama.
Wei H. Kao
Alternative Peace Process: Violence
and Peace in Marie Jones’s Plays on
the Northern Ireland Troubles
Sinéad Molony
Dr Susan Cahill
Marginalization and Urbanization: Lafcadio
Hearn’s America and Japan
Rodger S. Williamson
The Rewritten City
Jody Allen Randolph
Urban Misery in Fiction and Reality during the
Decade of Controversy over the Irish Poor Law
Tetsuko Nakamura
Cuchulain vs Cuchulain: A Literary Conflict over
Irish Girls on Display: Fashion, Publishing, and
Imelda May and the Rhythms of the
Irish Urbanism between W. B. Yeats and Patrick
the Marketplace in the Late-Nineteenth Century
City.
Pearse
Fiction
Kenichi Kihara
Urban Culture in Early Periodicals in Ulster
Chair: Christina Morin
Malcolm Ballin
PFC 03/006A
Parallel 4e - 19th CENTURY URBAN CULTURES
Contested Urban Spaces: Race and Ethnicity in
Contemporary Irish-American Fiction
Lukas Preuss
‘A people without a nation’: Irish Roots and
Queer Literary Genealogies in Denis Kehoe’s
Nights Beneath the Nation
Dr. Sinéad Moynihan
There’s no getting away from it if you’re Irish':
Gender, The Diaspora and Gone With The Wind
Jane McGaughey
‘Being Singular Plural’: Colum McCann’s Let the
Great World Spin
Chair: TBC
Elke D’hoker
PFC 03/006A
Parallel 3e - IRISH-AMERICA
Chair: José Lanters
Camila Franco Batista
PFC 03/005
Parallel 3g - WRITING DUBLIN 1
Dublin in Beckett’s 'Enueg I' (1931)
Leonard Madden
‘walking along the gutters, street after
street…’ : Harry Kernoff and the
representation of Dublin.
Chair: TBC
Kathryn Milligan
PFC 03/006B
Parallel 4f - WALKING IN DUBLIN
Reconciling the Private to the Public?
Spaces of Reconciliation in recent
Northern Irish Culture
Stefanie Lehner
Emasculation in Loyalist post-Troubles
Belfast: the Plays of Rosemary Jenkinson
Fiona C Coffey
The Grotesque World of Terminus
Ondřej Pilný
Urban Myth: Gender and Mythology in
Mark O’Rowe’s Terminus
Jenna Lourenco
Back to the city…. Maelstrom,
backstreet, manhole': The Theatre of
Neil Flynn.
Chair: Joan Fitzpatrick Dean
Fiona Brennan
PFC 03/005
Parallel 4g - NEW DRAMA
The city and globalized theatre forms:
staging Dublin in Once
Kevin McCluskey
Dublin on Stage: The Politics of Space
and Identity
James Hickson
Reading the City: Post-Agreement Belfast The Representation of Dublin in A Star
in Poetry
Called Henry
Chair: Guinn Batten
Birte Heidemann
PFC 03/006B
Parallel 3f - REPRESENTATIONS OF PEACE
Seamus Heaney Centre Reading 1: Ciaran Carson & Deirdre Carson, James McAleavey, Darran McCann (PFC Lecture Theatre 0G/024)
Theresa Wray
Tom Saunders
Girls, Madams, and the Fownes’s
Street Flaneuse
Chair: Margaret Kelleher
Tina O'Toole
PFC 02/018
Parallel 4d - TAKING LIBERTIES:
URBAN FORMATIONS AND
FEMINIST CONFRONTATIONS
‘like a letter / not yet written’:
Inscription, Truncation and Urban
Scenarios in the Poetry of Alan
Gillis
Rui Carvalho Homem
Creative translation at work:
Carson’s reading of the Divine
Comedy
Dr Chiara Sciarrino
“Detritus Speaks, or Doesn’t":
Leontia Flynn’s Belfast
Chair: Fran Brearton
Erin C. Mitchell
PFC 02/018
Parallel 3d - POETRY & THE NEW
BELFAST
Break
Tuesday 23 July continued
‘This place stinks of identity – written
‘The Personal Is Political’: Public and Private
Cuchulain as a Unifying Image: Reinterpretation
in every word – heavy on every breath
Spaces Portrayed in Anne Enright’s Short
of At the Hawk’s Well by Japanese Noh Drama
– built into every brick’: Graham Reid
Stories
and Owen McCafferty’s Belfast
PFC 02/025
Chair: Ellen McWilliams
Caroline Moreira Eufrausino
Parallel 4a - DRAMATISING PEACE
Parallel 4b - SHORT STORIES, URBAN
SCENES
Patricia De Aquino
Noelia Borges
16:30
15:00 16:30
The Beckoning City: Sean O’Faolain and
Literary Transitions
Isolation in the Crowd Gives Way to
Healing in Rural Isolation: The Power
of “Nothing Personal”
Sidewalks, Highways, Railroads,
Elizabeth Bowen’s Seven Winters : A Child’s
Flightpaths: The Psychogeography of
Dublin
Travel in the Films of John T. Davis
PFC 02/025
Chair: Claire Lynch
Alfred Markey
PFC 02/017
Room
Parallel 3b - WRITING CITY LIVES
Chair: Lance Pettitt
Dawn Duncan
Parallel 3a - FILMING THE SPACES
BETWEEN
15:00
14:30
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Parallel 5a - DIASPORA AND
THE URBAN
Parallel 5b - BELFAST
Parallel 5c - URBAN CLASS
Belfast Women
From Cricklewood to Camden
Town: Narrative, Diaspora and
Displacement in Edna O’Brien’s
‘Shovel Kings’
Adriana Torquete
PFC 03/006A
Chair: Michael Parker
Maurice Fitzpatrick
From Biography to Stage: Three
Plays by Thomas Kilroy
The Poetic Architecture of Belfast in
the late Twentieth Century
Understanding Ireland and the
urban: Collating Joyce’s treatment
From Bedlam to Jerusalem:
Thomas Kilroy’s Blake
José Lanters
Civic Reception, Belfast City Hall
Chair: Stefanie Lehner
Plenary 3: NICHOLAS DALY: The Rise of the Urban Ghost Story. (PFC Lecture Theatre 0G/024)
Break
Viviane Carvalho Da Annunciação
L P Mahawar
18:00
A Belfast Woman : Shaming
and Caring in the Short Stories
of Mary Beckett
Naoko Toraiwa
The Anti-Urban: Michael Longley’s
Pastorals
Meg Tyler
PFC 02/018
Chair: Gail McConnell
Writing Radicalism, Retrospection Something is Unravelling': Language,
Intellectual Realignment in
and Working-Class Belfast in the
Visual Image and Place in Sinéad Ireland: The Frankfurt School and
the Early Twentieth Century
Morrissey's Poems
Derry's Fifth Province
Michael Pierse
Reality and the City in Dermot
Bolger’s The Journey Home
Erika Meyers
PFC 02/011
Chair: Matthew Reznicek
Parallel 5e - THOMAS KILROY &
THE FIELD DAY CONNECTION
Free/Tours
‘No Place is Home – It is as it
should be’: James Joyce’s
Dublin and Maeve Brennan’s
New York
Kelly Matthews
Britta Olinder
Tony Murray
Ellen McWillliams
PFC 02/025
Chair: Stephanie Schwerter
PFC 02/017
Chair: Tina O'Toole
Parallel 5d - POETRY
13:00 18:00
11:30
11:00
09:30 11:00
Room
09:30
Wednesday 24 July
Registration (Queen's Welcome Centre)
Time
09:00
Adriana Carvalho Capuchinho
PFC 03/005
Chair: Ondřej Pilný
Parallel 5g - BRIAN FRIEL
Urban Animals in Joyce’s Dublin
Sachiyo Yamada
Bloomsday/Doomsday: Virtual
Reality Dublin in Ulysses and
Dublinesque
Claire Lynch
Brian Friel’s Dublin
Martine Pelletier
Friel’s Suburban Ballybeg as a
Heterotopic Mirror
Hyungseob Lee
Joyce and the City: 'In Westland row
Liminality, sacrifice and
he halted before the window of the
reciprocity: ritual drama in Brian
Belfast and Oriental Tea Company'
Friel
(U 5.17-18)
Eishiro Ito
PFC 03/006B
Chair: Taura Napier
Parallel 5f - ANOTHER LOOK AT
DUBLIN’S JOYCE
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Parallel 6b - MAPPING
CITYSCAPES
PFC 02/025
Parallel 6c - URBAN DYNAMICS &
POLITICS
PFC 02/011
Catherine Smith
14:00 15:30
Room
Margaret O'Callaghan
Alice Stopford Green:
Historian of the Revolution?
Edna O’Brien’s The Country Girls
Trilogy in Urban London
PFC 02/018
Chair: Edward Larrissy
Jennifer Martin
Parallel 7d - THOMAS MOORE
Chair: Martine Pelletier
Csilla Bertha
PFC 03/006B
Parallel 6f - . DUBLIN DRAMAS
Chair: Margaret Mills Harper
Adrian Paterson
PFC 03/005
Parallel 6g - YEATS & THE CITY
Maria Rita Viana
Monica Insinga
Ronan McDonald
‘Which I fear is log-rolling’: The
Tipping The Scales: The Match Box And
early letters of W. B. Yeats and the
The Doubt Between Forgiveness And
Anglo-Irish literary milieu of the
Vengeance
1880s
Mariese Ribas
PFC 03/006A
Chair: Elena Cotta Ramusino
Anna Pilz
Parallel 7e - ELIZABETH BOWEN
PFC 03/006B
Chair: Scott Brewster
Elisabeth Delattre
Parallel 7f - CIARAN CARSON
PFC 03/005
Chair: Margaret Burke
Fuyuji Tanigawa
Parallel 7g - SPEAKING OF ’98
Gender and the urban. Contemporary Irish
Dreamspace, the City and a New ‘Ice Age’ Urban Fears: The Ideologies of
Women Writers As Storytellers: The Case of
in Marina Carr’s Marble
Degeneration in the Irish Revival
Maeve Binchy’s Popular Fictions
Cristina Andreu
Plural Proper Noun': Narrating Dublin in
Recent Irish Fiction
Michaela Schrage-Frueh
Celtic Tiger Ireland and the Aesthetics of
'The most beautiful house in Dublin'. City
Mundane Urban Lifestyle in the Poetry of
The Gallery and the City: the Yeats
and countryside in Frank McGuinness’s
Paul Durcan, Dennis O’Driscoll and Rita Ann
brothers before 1916
The Bird Sanctuary
Higgins – A Narratological Perspective
Chair: Kelly Matthews
Daniel Becker
PFC 03/006A
Parallel 6e - THE CELTIC TIGER & AFTER
Catherine Wilsdon
J.M. Synge’s literary topographies
Dr Giulia Bruna
Yuh J. Hwang
Performing the Playboy riots: How
are the Playboy riots represented in
Irish media?
Lisa Weihman
Reimagining the Urban Monument: Dublin
through the lens of The Shelbourne Hotel
Pièces de Résistance: identifying
ways in which Thomas Moore’s
political songs challenge
eighteenth century primitivist
ideologies.
White Neither Here Nor There: Urban
Chronotopes in Elizabeth Bowen’s Short
Fiction
Elizabeth Grove-White
Sheila Rooney
Performing ‘Irishness’: Thomas
Moore’s Irish Melodies (18081834) in the English drawing room.
Joanne Burns:
Jim Shanahan
The Irish for ‘Let them hang’: from
Carson’s Belfast to Coriolanus’s Rome
Nicholas Collins
Topographies of the self: the language of
Not So Flourishing: Belfast and the
dissensus in Ciaran Carson’s The Pen1798 Rebellion in Fiction
Friend and Exchange Place
Fiona McCann
The 'gross-hearted herd of Dublin': ‘Across the River’: Lady Gregory’s Our Irish An urban poet’s musings: Ciaran Carson’s
Compiling a new composite draft of
W. B. Yeats's '98: Reconsidering His
Dublin and London in the life and Theatre (1913) and Elizabeth Bowen’s The
On the Night Watch and Until Before
Spirit of the Nation
When the Moon Has Set .
writings of Thomas Moore
Shelbourne (1951)
After
Love and Romance in 1916 In the City Again: J.M. Synge & the
(in the words of the women) urban crowd in fin-de-siècle Paris
Lucy McDiarmid
Inghinidhe na hÉireann:
Theatre and radicalism
Tara Harney-Mahajan
Against the Oedipal Politics of
Formation in Edna O’Brien’s A
Pagan Place : ‘Women do not
Count, Neither Shall they be
Counted'
PFC 02/017
Chair: Tony Murray
Jana Fischerova
The Censor and the Girl: Edna
O’Brien’s indecent
representations of Dublin life in
the early 1960s
Shahriyar Mansouri
Parallel 7c - J.M. SYNGE’S RURAL
AND URBAN CULTURES
PFC 02/011
Chair: Maureen Hawkins
Dr David Clare
Lunch
Parallel 7b - WOMEN, THE
CITY, AND 1916
PFC 02/025
Chair: Patricia Coughlan
Fearghal McGarry
Workshops
11:30
Mary Devenport O’Neill’s nature
poems
13:00
Changing Winds and Changing
Cities: The Dynamics of Urban Space
in St John Ervine’s 1917 Novel
Laura Pomeroy
The river as a unifying force in
Nuala Ní Chounchuir’s You
Marisol Morales-Ladrón
What Industry Hath Wrought:
Seamus Heaney’s 'Ecological
Lament'
Chair: Jody Allen Randolph
Brendan Corcoran
Break
An Egyptian City Through
Anglo-Irish Eyes: Durrell's
Alexandria
A Few Words for Axel Vander:
John Banville and the pursuit of
theory
Terry Phillips
Early Beckett’s Art of Fiction:
'a city seen through the white
Dublin in More Pricks Than flutter': the urban and the pastoral in
George Moore’s Héloïse and Abélard
Kicks
Kiminori Fukaya
Professor Mary M.F.
Massoud Ph.D. D.Litt.
Parallel 7a - EDNA O’BRIEN
Chair: Mary Burke
Alexandra Poulain
'More abundant life': the politics of
parody in Sean O’Casey’s The
Streetwalking in Madrid: Kate
O’Brien’s Mary Lavelle
Harvest Festival and Red Roses for
Me .
Scott Brewster
Talk can save us: McGahern, the
Revival and Irish Modernism
Dr Stanley Van Der Ziel
Small Worlds: Urban and
Domestic Confinement in
Sebastian Barry's The Secret
Scripture and William Trevor's
Reading Turgenev
Chair: Werner Huber
Jane Davison
Parallel 6d - THE POETICS OF
ECOLOGY
PFC 02/018
11:00
09:30 11:00
PFC 02/017
Room
Chair: Bryan Radley
Michael Parker
Parallel 6a - FORMS OF FICTION
09:00
09:30
Thursday 25 July
Registration (Queen's Welcome Centre)
Time
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18:00
16:00 17:30
The quest of Identity in Eavan
Boland’s The Journey with Two
Maps
Probing the urban frontier:
Irish nationalism in Great
Britain and the culture of
metropolis
Mariana Bolfarine
The ‘rise’ of the Irish novel, 16501750
Joe Lines
Mary Burke
Yu-Chen Lin
Urban, Rural and Domestic
Landscapes in Mary Lavin’s Mary
O’Grady
Debbie Brouckmans
Waltzing in Vienna: Two Irish
Medicos and Stereotypes in the
City
Werner Huber
Urbanisation, civility and the
‘rational
entertainment’/’legitimate drama’
controversies.
Peter Kuch
'Bank Robbers in the Kingdom of
the Imagination': Irish Bandits as
Heroic Outlaws in 19th century
Johannesburg
Marika Bella Du Toit
‘Materials for thinking’: Maria
Edgeworth’s London
Claire Connolly
Chair: Malcolm Ballin
PFC 02/018
Parallel 8d - 19th CENTURY
URBAN CULTURES 2
Break
Martin Connolly
Chair: Ronan McDonald
PFC 03/006A
Parallel 8e - JOYCE AT SEA
John Brannigan
‘Islanding’, Artifice, and the Sea in James
Joyce’s A Portrait of the Artist as a Young
Man
The angst of departure in early Joyce: ‘I hear
an army’, ‘Eveline’ & the diary entries ofA
Portrait of the Artist as a Young Man
Thursday 25 July continued
Darkening of the Light: Chiaroscurist
Interpretations of Irish Urban Culture
Taura Napier
Small houses, short fiction: Examining the
geography of identity in Maeve
Brennan’s 1920s Dublin.
Ríonnagh Sheridan
Maeve Brennan and the Metropolis: The
case for a female flâneur
Rebecca McGlynn
Chair: Cat McGurren
PFC 03/006B
Parallel 8f - WOMEN & THE CITY
Seamus Heaney Centre Reading 2: Garrett Carr, Medbh McGuckian, Sineád Morrissey, Glenn Patterson (PFC Lecture Theatre 0G/024)
‘Striking intimations […] with
'The race at home is still as
respect to over-grown empire,
Memory, Forgetting, and the Scene
virile as ever it was': A Scotsand colony connections’: Imperial
of the Crime: Julia O’Faolain’s No
Irish intervention in Belfast’s
anxieties in Charles Johnstone’s
Country for Young Men
anti-Home Rule debate
Arsaces (1774)
Daniel S. Roberts
I … rid as fast as I could to London,
Rumours and Gender
to lose thought in dissipation': The
Performativity in The Knight
Role of London in the Irish Novel,
of the Flaming Heart
1766-86
Prerna Vanjani
Darragh Gannon
Moyra Haslett:
PFC 02/011
Chair: Britta Olinder
PFC 02/025
Chair: Mary Helen Thuente
Parallel 8c - IDENTITY
MAPPING/MAPPING IDENTITIES
PFC 02/017
Room
Parallel 8b - NATIONAL
QUESTIONS
Chair: Moyra Haslett
Parallel 8a - EARLY IRISH FICTION
16:00
15:30
Sarah O'Connor
Becoming Animal in Éilís Ní
Dhuibhne’s work
Giovanna Tallone
Streets and Stories. The Urban
Landscape in Éilís Ní Dhuibhne’s
Fiction
Chantal Dessaint-Payard
Éilís Ní Dhuibhne’s disquieting
shelter
Chair: Anne Fogarty
PFC 03/005
Parallel 8g - ÉILÍS NÍ DHUIBHNE
IASIL 2013
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02/07/2013 09:49
Parallel 9b - W.B. YEATS
19:00
13:00
14:00 16:00
11:30 13:00
11:00
09:30 11:00
Room
Ruben Moi
Sandra Mayer
Dr Benjamin Keatinge
Screening memory, screening urban
space
Thaddeus O’Sullivan
Love's Old Dream: representing
Sean O'Faolain's vision of Irish life in
The Woman Who Married Clark
Gable
R. F. Foster
Longworth v. Yelverton;
Somerville and Ross An Irish
Cousin 1889, 1903; and
Implications for Irish Gothic
Fiction
Nicole Pepinster Greene
Tea/Coffee (Great Hall/Canada Room)
Poetical strategy for the
transmission of historical
memory in Cenotaph of Snow
Tetsuya Suzuki
Tollund Man in the Urban
Landscape: Writing about
Atrocity in Seamus Heaney’s
Poems
Masami Nakao
From Periphery to Centre:
LeFanu and Dickens
Darren Lee Dunning
‘Genie’s’ and ‘Superior
Agents’: Assessing the Gothic
in the Works of Elizabeth
Griffith
Christina Morin
Chair: John McCourt
PFC 02/018
Parallel 9d - 19TH CENTURY
CITIES 2
Dinner (Great Hall)
AGM
Lunch
Chair: Eamonn Hughes
Plenary 4: Colin Graham, B, H&W: Identities of the Belfast Shipyards. (PFC Lecture Theatre 0G/024)
Yeats’s ‘Kiogen’: The Symbolic
Structure of The Cat and the
Moon
Yoko Sato
‘EnNobeled’ Irishmen in Vienna:
In the Crack between Cultures: Art, Nobel Prize Winners W. B. Yeats Aspects of the Globalized City
Film and Migrant Memory
and Bernard Shaw in the Austrian in Contemporary Irish Poetry
Media
Lance Pettitt
PFC 02/011
Chair: Naoko Toraiwa
Envisioning Cognitive Mapping of Belfast, cities and urbanity in
the Other in Yeats's Rhetoric,
Paul Muldoon’s poetry and
Poetics, and Poetry
Horse Latitudes
Youngmin Kim
Beatriz Kopschitz
Cinematographers of the City: John
T. Davis and Thaddeus O’Sullivan
PFC 02/025
Chair: Adrian Paterson
PFC 02/017
Chair: Beatriz Kopschitz
Parallel 9c - POETIC
MEMORIES
Registration (Queen's Welcome Centre)
09:00
Parallel 9a - CINEMA AND URBAN
SPACE: THADDEUS O’SULLIVAN’S
FILM WORK – A CASE STUDY
Friday 26 July
Time