PAPER Longing for Peace in DeLillo’s Underworld Kinuyo Koikawa1) 概要 本稿は20世紀後半のアメリカで生きることの意味を、言葉の力(特に1単語)に焦点を当てながら、デリーロの作品『アンダー ワールド』(1997)を通して考察するものである。主人公ニック・シェイの精神的な苦悩を通し、平和に託した思いを論じる。 第1セクションでは、電脳空間の人間への影響及びこの空間がパラノイアか否かという視点から論じる。次のセクションでは、 ヴァーチャルではない現実世界、特に主人公のニック・シェイの経験を中心に読み解いていく。カザフスタンの原爆実験場の 悲惨さを目の当たりにする等、アメリカ人としての苦闘、寂寥感にさいなまされるニックを検証していく。最後のセクション では、言葉の持つ力に揺るぎない信頼を寄せるデリーロがこの小説の終わりに記した「平和」についての考察を提示する。 キーワード:電脳空間(サイバースペース)、平和を願う強い思い、パラノイア信仰、原子爆弾、生と死、時空、つながり、神々 しい一文字 Key words:Cyberspace, desire for peace, the faith of paranoia, atomic bombs, death in life, time and space, connections, a seraphic single word. Introduction 32 This work starts with Cotter, but the rest of this novel Don DeLillo has been acknowledged as a magician develops centering on Nick while following the trajectory of words, weaving words to reflect modern society. His of the homerun ball. In that sense, this is the story of 827-page novel Underworld (1997) is no exception, with how Nick grows up in America with“a shine in his eye each word delicately connoting something intriguing. This that’s halfway hopeful. ”This sentence is also skillfully novel starts with“ He speaks in your voice, American, consistent with the last paragraphs, where the omniscient 1 and there’s shine in his eye that’s halfway hopeful. ” voice of the narrative speaks quietly, ending with the “ He ”actually refers to Cotter Martin, a fourteen-year one word“ Peace ”(827). Duvall, a critic, also says that old“ dark-skinned kid, ”(13) who successfully entered “ Nick’s presence in the final pages emerges despite the the stadium without the guards seeing him to watch the apparent omniscience of the narrative voice through baseball game between the New York Giants and the the repeated direct addresses to the implicated reader ” Brooklyn Dodgers at the Polo Grounds in the Bronx on (Duvall 68), that is, the final pages leave us readers no October, 1951, and who was lucky enough to retrieve other alternative but to perceive Nick’s presence. From a homerun ball. His father, however, stole his hard- that perspective, this paper examines the last part, in obtained homerun ball without saying anything and sold which Nick’s“ spiritual travail ”(Coward, 189) seems to it. Nick Shay, the protagonist of Underworld, is the son of be crystalized, and he finds his way by contemplating Italian immigrant parents. Like Cotter, he was excited to listen to the baseball game, taking“ his radio up to the 2 “Peace.” Numerous critics have analyzed this work so far. David roof of his building so he can listen alone” at the age of Coward, for example, says“ Throughout [this story] . . . , sixteen (32). Both Cotter and Nick share other common Nick presents himself to the reader as a person who, elements; for instance, Cotter’s jubilant and confused though unable finally to transcend his past and what facial expressions suggest Nick’s. We might thus suggest it has done to him, seems nonetheless to be moving that“ He ”refers not only to Cotter but also to Nick. toward a degree of equanimity”(Coward 186). However, 1)近畿大学産業理工学部教養・基礎教育部門教授 [email protected] Longing for Peace in DeLillo’s Underworld he argues that“ [i]n the epilogue Nick remains subject perception, as seen in the film Matrix, depicting“a future to feelings of loneliness, loss, and confusion ”(Coward in which reality as perceived by most humans is actually 189). Furthermore, he concludes peace is an irrealizable a simulated reality created by sentient machines to pacify idea, citing words from the text:“Peace . . . is the word’s and subdue the human population, while their bodies’ wistful implication – a desire for something lost or fled heat and electrical activity are used as an energy source” or otherwise out of reach”(803). His conclusion seems to “ ( Matrix ”). Here we cannot but mention that he must leave much room for discussion, however. have cast his keen eyes on the social circumstances of A close look at the closing paragraphs surely offers the day, when the term“cyberspace”(Gibson xviii) was some keys to understand some attribution of computer coined by William Gibson.3 We now enjoy exchanging our net spaces which characterize perception in the late ideas or opinions through cyberspace, but the activity 20th century: Nick’s spiritual distress, and a desire for possesses an element of danger: excessive involvement “Peace.”The first section of this essay focuses on“lunar in the networks seemingly creates the illusion of living milk ”(826). It is intriguing to explore how cyberspace in a virtual society. This section will discuss whether influences human behaviors and analyze what“ a single technology creates“the paranoid spaces of the computer seraphic word ”could possibly mean. This section will net ” and how human behavior is affected will be also determine whether cyberspace has the potential to explored. make our world peaceful. The second section will focus In the context of such a social background, the on an off-screen world: it is a multilayered world. Nick’s following sentence,“ A word appears in the lunar milk various experiences secretly contained in a part of the of the data stream ”(826), gives a significant hint when last paragraphs will be unraveled. Furthermore it will be considering whether the relationship between computer discussed whether such an off-line world is authentic, by networks and humans is paranoid. This sentence tracing back our history, explaining what lies in daily life, indicates a scene in which one word is displayed on the and examining individuals’ experiences beyond time and computer monitor. But why does DeLillo dare to say space. In the third section, what lies behind“Peace”will “in the lunar milk of the data stream,”instead of simply be clarified. Based on the first and the second sections, saying“in data on the monitor” ? Considering that“lunar” this section makes an attempt to form a hypothesis about can imply madness and“ milk ”is a white liquid which how Nick deals with his“ longing ”(11, 827) after his fundamentally fosters kids’ healthy growth, we can easily spiritual struggle, and consider what“peace”connotes. imagine that, as if kids are growing up drinking milk, our perception is being formed using a computer because I. Lunar Milk we are exposed to“ the data stream ”and absorb the In the late 20th century, we witnessed tremendous data which have possibilities to make us insane. That is, “ technological evolution ”(Homer), and many people the unlimitedly flowing information has greatly affected tended to depend on technology excessively. DeLillo saw our perception and consequently our way of thinking such a risky relation between humans and technology, has become“a kind of technical information processing” and claims that“‘The worship of technology ends in the (Moran 244). If our thinking becomes so, our being as paranoid spaces of the computer net,’ citing the case of humans may be threatened – our perception tends to the Heaven’s Gate group and their mass suicide”(Howard become paranoid. 124). His concern about this relation can be seen in the DeLillo’s claim,“ [a]ll technology refers to the Bomb ” last part of Underworld starting with a consideration of (Howard 124), also clearly implies how cyberspace is the world and cyberspace. The omniscient voice raises paranoid, which is embodied in a scene of explosion of a question whether cyberspace is within the world or hydrogen bombs;“ Shot after shot, bomb after bomb, the opposite:“Is cyberspace a thing within the world or and they are fusion bombs, remember, atoms forcibly is it the other way around? Which contains the other, combined, and even as they detonate across the screen, and how can you tell for sure? ”(826). We have already again and again ”(826).4 Such a virtual nuclear bombing realized cyberspace has begun to overwhelm human paranoid site is visited by Sister Edgar, who was a 33 近畿大学産業理工学部かやのもり 23(2015) nun and took care of the poor excluded from benefits it makes everything true ”(801-802). Entering something of consumerism culture. After she dies, she goes into a computer, we will witness it will become reality. into cyberspace, not to heaven. She“ feels the grip of That is, once nuclear bombs are simulated in the spaces systems. This is why she’s so uneasy. . . . She senses the of computer, and then such fatal bombs may actually be paranoia of the web, the net”(825). She understands that generated and used somewhere in the real world. “Everything [is] in your computer”(825). When she visits the H-bomb home page, As the passages above suggest, computer nets have created paranoid spaces, but DeLillo never fails to explore the other side of computer nets: there is“a belief she sees the flash, the thermal pulse. . . . the fireball in renewal ”(Osteen 259) in Underworld. It is probable climbing, the superheated sphere of burning gas that he thinks that if there is a slight chance that entered that can blind a person with its beauty, its dripping equations or words can become reality, a word indicating christblood colors, solar golds and reds. She . . . feels our wish can become reality, too. His strong wish is the power of false faith, the faith of paranoia, and embodied in the following sentences. If such a word is then the mushroom cloud spreads around her. (825) entered into a computer, Through Sister Edgar’s eyes, DeLillo successfully You see it on your monitor, replacing the tower shots describes well that the spaces of the computer net tend and airbursts, the detonations of high-yield devices to blind our eyes: for example, dehumanizing atrocities set on barges or dangled from balloons, replacing such as H-bombing explosions are embellished with the comprehensive text displays that accompany the its apparent beauty. Finally, we may feel ourselves bombs. A single seraphic word. (826) surrendering to“ the power of false faith ”in nuclear bombs. The simulation of the explosion of nuclear bombs 34 The above sentences tell us that the word on the monitor has power strong enough to change life-threatening in cyberspace as we see above is“ [t]he apotheosis of situations. The key word is a“ single seraphic word, ” simulation”(Baudrillard 474), and nuclear bombs act only which can replace everything accompanying the bombs. as a deterrent, according to Baudrillard. DeLillo, however, This also reminds us of some phrase in The Cloud of takes a different and unique approach toward such Unknowing:“ a single word of a single syllable”(295) for destructive bombs. Matt Shay, Nick’s younger brother our protection. asks, If you want to gather all your desire into one simple how a brief equation that you tentatively enter on word that the mind can easily retain, choose a your screen might alter the course of many lives, shorter word rather than a long one. A one-syllable might cause the blood to rush through the body of word such as“ God ”or“ love ”is best. But choose a woman on a tram many thousands of miles away, one that is meaningful to you. Then fix it in your and how do you define this kind of relationship? ” mind so that it will remain there come what may. (408-09) This word will be your defense in conflict and in peace. Use it to beat upon the cloud of darkness Having an intention to make something new and above you and subdue all distractions. . . (Johnston writing down its equations on computer screens enable 48) you to see the possibility that it will become reality. Therefore,“ Once they imagine the bomb, write down The paragraph above is surely suggestive. A single equations, ”says Viktor Maltsey, an executive of Nick’s syllable word will protect us at any time. Though Nick client’s company,“ they see it’s possible to build, they says it would be“Love,” “Help,”or“Aiuto”(296), DeLillo build, they test in the American desert, they drop on has carefully prepared to lead us to one word at the the Japanese, but once they imagine in the beginning, end of the work,“ Peace. ”We have realized that even Longing for Peace in DeLillo’s Underworld one word, even though it is virtual, has great influence to huge amounts of information in cyberspace. It can be on our real life. Though the spaces of the computer net said that the computer net is an inexhaustible treasure are paranoid, they have a great potential to giving and box full of tremendous knowledge, in which knowledge is protecting life. interlinked. Not only surprising connections between one word on a monitor and threat on our life due to the embodiment II. Off-Screen of the word, as mentioned above, but also connections After consideration whether cyberspace is paranoid between individuals take place in cyberspace. The or contains hope, DeLillo skillfully turns our eyes outside possibility of a new world is discussed. cyberspace. At a glance, the following first half of a long sentence seems to describe only daily life. However, [T]here is another fusion taking place. No physical a close examination about it shows that it effectively contact, please but a coupling all the same. . . . Sister enables the reader to cast a glance back over the latter joins the other Edgar. . . . Everything is connected in half of the 20th century, which is carefully described in the end. Sister and brother. A fantasy in cyberspace Underworld, especially over the life of Nick. The early and a way of seeing the other side and a settling part of the sentence starts with the following: of differences that have less to do with gender than with difference itself, all argument, all conflict programmed out. (826) And you can glance out the window for a moment, distracted by the sound of small kids playing a madeup game in a neighbor’s yard, some kind of kickball After the death of Sister Edgar, she goes to cyberspace, 5 maybe, and they speak in your voice, or piggyback where she joins Edgar Hoover, Director of CIA. If races on the weedy lawn, and it’s your voice you you enter“ Edgar ”in your computer’s search engine, hear, essentially, under the glimmerglass sky, and you can get the information concerning Sister Edgar you look at the things in the room, offscreen . . . (827) 35 and Edgar Hoover on the same sites, where there is little discrimination - age, race, sex and social status. In Off screen, when you look outside, your thinking is drawn addition, if you create a computer program capable of in different directions because of the voices and sounds creating a world with no conflict, you will see a virtual of kids enjoyably playing in a nearby yard under the peaceful world. shining blue sky. This part makes you consider what is DeLillo also shows other connections through the computer net: one word is connected to another word behind playing kids, things in the room, and how Nick’s experience is inserted here. one after another. The omniscient voice continues and First, with a profound insight into the scene where recommends you check the various meanings of the word children are playing, ardent readers cannot help but from its origins, just by entering the word and clicking it. realize the shadow of death lies hidden in daily life. That is because kids playing in the yard easily remind them Y ou can examine the word [Peace] with a click, of Brueghel’s Children’s Games. When Klara, with whom tracing its origins, development, earliest known Nick had an affair only once when he was seventeen use, . . . in a thousand languages and dialects living years old, sees the picture, she says to her first husband, and dead, and locate literary citations, and follow Albert Bronzini, that“ I say it’s not that different from the word through the tunneled underworld of its the other famous Bruegel, armies of death marching ancestral roots. Fasten, fit closely, bind together. across the landscape. The children are fat, backward, a (826-827) little sinister to me. It’s some kind of menace, some folly. Kinderspielen. They look like dwarves doing something Only with one click, you can retrieve numerous meanings awful ”(682). She may feel death creeping into life, that of the word, depending on time, nations and districts. is, a death“ that is at work ”(Derrida 68). This picture Needless to say, searching the Internet is connecting you overlaps with another of Brueghel’s painting, The Triumph 近畿大学産業理工学部かやのもり 23(2015) of Death, described in the prologue of the novel. Toward “ He speaks in your voice, America ”(11). Presumably, the end of the Giants-Dodgers baseball game in 1951, “ kids ”includes children of immigrants, and they are Edgar Hoover, who enjoyed the game, heard the news playing in a neighbor’s yard in America, and their about the success of a Soviet atomic test in Kazakhstan communication is carried out in the common language, and at the same time found two pages torn away from American.“ He ”in the first page expands to“ kids, ” a popular magazine, Life, falling on his shoulders, along which surely indicates that this novel is about how with other paper waste and other objects thrown by the immigrants’ sons, including Nick, are living in America. excited baseball fans. The pages featured The Triumph of Next, the scene of playing kids moves to another scene, Death. He thought,“Yes, the dead fall upon the living. . . . “the things in the room.”They are vividly described, in Death everywhere”(50). A comparison between the two contrast to the monotonous“ lunar milk. ”For example, Brueghels leads us to think of death lying hidden in life even“the grain of the deskwood”looks“alive in light” across time and space: playing kids are implicitly linked (827).“Light”reminds us of several scenes. One is a scene to the dead lying on the war-torn land; the concurrent where Nick“felt a soft joy settle”in his chest when his events of the baseball victory and the Soviet success in granddaughter was born and he“watched her naked in nuclear tests are juxtaposed; waves of excitement pass her mother’s arms, swimming in a ribbon of light”(120). through the crowded fans and Life’s pages falling down We can see a spark of a new life in light. On the contrary, upon Edgar Hoover are also spectacular comparisons in another scene,“ light ”connotes an existential threat between life and death. due to atomic bombs:“the world lights up”by“simulating Furthermore,“the kids playing”also recalls a terrible the release of a fifty-kiloton nuclear bomb ”(613). After scene that Nick saw when he visited Kazakhstan. He releasing it, Louis, bomber crew, realizes that“ [a] glow witnessed, enters the body that’s like the touch of God. And Louis can see the bones in his hands through his closed eyes, Children played a game in the dirt, six boys and girls 36 through the thick pillow he’s got jammed in his face ” with missing arms, left arms in every case, knotted and says“ I move my head, there’s whole skeletons below the elbow. The eyeless boy was also here. dancing in the flash. . . . We are dead men flying”(613). . . . his head slightly oversized, face and forehead We understand how his being is threatened, being on the marked by tumors, and the spongy caps over the verge of death in this world. place where his eyes should have been. . . . The kids Another phrase“ the apple core going sepia ”(827) are playing follow the leader. . . . They all fall down, successfully catches the flow of time. Every living get up. (802) gradually heads for death. By expressing the changing status of an apple as time goes by, DeLillo shows the Nick cannot avert his eyes from the catastrophic reality off-screen world is mortal, unlike immortal cyberspace, caused by nuclear tests with the use of actual atomic where there is“ no space or time out here, or in here ” bombs, whose production starts just from imagining them (825). Furthermore, other phrases,“in a random glance,” and writing their equations on a computer monitor. This “ skewed all crazy ”and“ the chipped rim of the mug, ” scene strongly shows a tragedy triggered by the egoistic exquisitely express the randomness or imperfection of intentions of nuclear powers in the name of a deterrent our daily life (827). This randomness attests that this against nuclear wars. Therefore, the simple phrase“kids world is arbitrary, because“living authentic entails living playing ”carries double meaning: kids“ under the great with the knowledge both that ways of living are arbitrary split sky”(803) secretly inserted in a scene of kids“under and that they will come to an end (death),”according to the glimmerglass sky. ”That is, the phrase serves as a Heidegger (Crossley 159). And the imperfection connotes kind of reminder of hush reality behind the tranquil sight. our real world where things are changing their shapes as And kids“ speak in your voice, or piggyback races time goes by. on the weedy lawn, and it’s your voice you hear. ”This Thirdly, experience is discussed. The phrase,“ dense phrase is clearly linked to the first sentence of this work, measures of experience ”(827) implies Nick’s various Longing for Peace in DeLillo’s Underworld experiences: a sense of loss lingering in his mind, due farewell, a word that carries the sunlit ardor of an to the disappearance of his father, Jimmy Costanza, object deep in drenching noon, the argument of the defeat of the Dodgers, a love affair with a married binding touch,. . . (827) woman, the killing of his friend, George Manza, and his wife’s adultery with his colleague, Braina Glassic; a sense The far reaching meanings of the word on the screen are of alienation as a father and a waste manager; a sense introduced as above. Surprisingly it has much to do with of helplessness when facing physically handicapped kids disorder or wars. We can imagine some stories just by suffering from nuclear tests; a sense of joy at the time following the meanings of the word. The word originally of his granddaughter’s birth, and the recovery of a good meant“ freedom from civil disorder ”(Etymology). From relationship with his wife. He has lived for fifty seven its original meaning, the word has been used as“ its years in America, which means he has witnessed the sense of serenities and contentments out into the streets” history of the latter half of the 20th century in America obtained after disorder. In such a sense,“ its whisper and experienced not only America’s well-known historical of reconciliation ”is understandable. After a war or a events but also its “ geography, all space and light dispute, reconciliation is necessary between two nations and shadow and unspeakable hanging heat ”(86). His or two parties, and some“ agreement or treaty ”should experience seemingly represents Americans’, as indicated be signed. At last, comfort is attained and silent time for in the sentence:“ he is part of an assembling crowd, placating the opponents or the defeated is necessary. Of anonymous thousands off the buses, and trains ”(11). course, there is a victory drive, as well as get-wrenching Furthermore,“ the monk’s candle reflected in the slope parting from loved ones. Finally, balmy days return.6 At of the phone, . . and the glaze of the wax, and the curl of the same time, how to treat the defeated and how to the braided wick”(827) also vividly reminds us of Nick’s consolidate their country may be discussed. By writing experience to receive Jesuit education, including his stay the name of“ Homer ”and by implying the name of in the juvenile correction center in Minnesota after killing Alexander the Great in“ Hamlet ”in this novel (132), his friend, because“monks,” “candle,” “wax,”and“wick” DeLillo makes an attempt to insert historicity here: since suggest institutions related to religion. In this phrase, the dawn of history, we have fought against each other, it seems that some moments in such institutions are waging bloody wars, conquering enemies, and regaining captured. The“hours marked in Roman numerals”(827) peaceful daily life by binding together. In this way, also indicates the flow of time. The spatial movement following the meanings of“peace”enables us to consider in the flow of time - his move from Bronx, Minnesota our long history of wars, disputes and peace. In addition, to Phoenix, from the past to the present, - is crystalized you think that“peace”on the computer screen is“only here, as shown in other scenes which move forward and a sequence of pulses on a dullish screen and all it can do backward through time and space. is make you pensive”(827). You realize the word is just an ensemble of pulses entered and displayed on a boring III. Imagination and Embodiment monitor. As a result, you may be absorbed in thought. If Again our attention is paid to the word,“Peace,”on the “you”represents Nick, he may feel dejected because he screen, and our imagination is stirred by following several realizes that there have always been wars and disputes other meanings of that word. The sentence continues, since ancient times, and that there are wars or disputes behind“ peace. ”Even now we are still exposed to a a nd you try to imagine the word on the screen becoming a thing in the world, taking all its threat of annihilation due to the advance of technology, especially the development of nuclear weapons. meanings, its sense of serenities and contentments If what lies hidden in“ peace ”may trigger a sense out into the streets somehow, its whisper of of emptiness and make you feel“ pensive, ”is Nick also reconciliation, a word extending itself ever outward, hopeless? DeLillo prepares a positive message in the last: the tone of agreement or treaty, the tone of repose, the sense of mollifying silence, the tone of hail and a word that spreads a longing through the raw 37 近畿大学産業理工学部かやのもり 23(2015) sprawl of the city and out across the dreaming individuals beyond regional and national borders, which bourns and orchards to the solitary hills. Peace. (827) may lead to the realization of peace. After the long consideration of the word“ peace, ”at The word on the screen flies off of the screen as if last“ Peace ”is expressed in letters at the end of the cyberspace and the real world were fused through novel. It indicates DeLillo’s firm belief in the power the intervention of the word, and it“ spreads longing ” of language, as seen in his other works. DeLillo is through the city, which is expanding, but not well- always concerned about the influence of language:“ Let organized yet. If“ [l]onging on a large scale is what language shape the world, [and l]et it break the faith of makes history ”(11),“ a longing ”may serve as a role conventional re-creation ”(DeLillo“ Power ”). It can be to create a new history of the city. And it spreads a said that his message is embodied here. As mentioned longing“out across the dreaming bourns and orchards,” in The Cloud of Unknown, believing the power of language which are within our reach, and then to“solitary hills,” encourages us to envision an ideal world and drives us which are far from our reach, that is, places at a distance to make the blueprint a reality without being trapped by from people and the Internet and other communication a blind belief in conventional ideas. Here in this context, devices. That is, the word seems to create a new world – “ Peace ”on the computer monitor is only a word, but a world as if cyberspace, society and the realm outside of there is a possibility that only one word may change the society were connected through the word.“Peace”also, world. Furthermore, considering the first sentence of this of course, calls to mind the“peace movement”launched novel,“ there’s shine in his eye that’s halfway hopeful ” by students during the 1960’s in the US, with the aim of (1), you can see there is an earnest wish: having a strong ending the Vietnam War and creating an ideal world. The longing for peace and expressing it may be a step toward protests became more active along with the Civil Rights a peaceful future. Movement “ ( Research ”). Martin Luther King observed 38 that“ as the movement took hold, a revival of social Conclusion awareness spread across campuses from Cambridge to As we have witnessed, cyberspace has paranoid aspects California. It spilled over the boundaries of the single because we grow up exposed to tremendous amounts of issue of desegregation and encompassed questions of information, some of which is not reliable, and as a result peace, civil liberties, capital punishment and others”(King we may face a risk of becoming excessively dependent 161). It is obvious that the 1960’s was an era when many on it and then our way of thinking may become people said they sought for peace. Their desire for peace technological. In addition, paranoid scenes can also be spread and enabled them to envision a new order. seen in cyberspace: the simulation of the explosion of 1960 was also a significant year in another sense, since hydrogen bombs. Just looking at it, some may blindly that was when the theory of the information society worship bombs. This is just“the faith of paranoia”(825). 7 was becoming widespread. According to this theory, we On the other hand, we have witnessed there are some would be connected everywhere. Yoneji Masuda, known potentials in cyberspace, such as DeLillo’s strong desire as the“ Father of the Information Society ”(Luukanen- for peace, as well as, endless connections. Good fusions Kilde), predicted that “ computer-communications may take place in cyberspace, and as a result, we can say technology can help us expand our problem solving that there is hope there. capacity by reaching beyond the limitations of time In the off-screen world, we can see“ kids playing ” and space ”(Masuda 64). He also forecast that in the (827), which reminds us of various scenes, where time information society, individuals would be connected and space are intertwined: kids playing in modern by transcending regional and national borders, and Kazakhstan versus kids playing in Bruegel’s pictures consequently they would produce something new, drawn in the medieval age; The Cloud of Unknowing read and forge ties to promote it (Masuda 66). Therefore, if by Nick in the modern age versus that book published in we have an intention to achieve peace, our yearning the medieval age; the simultaneous occurrence of the epic for peace may be shared by a tremendous number of baseball game in Polo Ground in America and the success Longing for Peace in DeLillo’s Underworld of an atomic test in Kazakhstan. Furthermore, Nick’s various experiences can be recapped here: his struggles and joys; his longings and alienation as a representative of America. His experiences are described forward and backward through time and space. Nick’s various experiences, including hard ones, may lead him to have a longing for peace at the end of the Cold War, at which point this novel ends. His longing for peace is spreading outside geographical and cultural borders so that anyone can be connected to others, anywhere, anytime, especially through cyberspace, though he sees cyberspace partly as paranoid and dull, compared to the world full of multilayered experiences. Considering such connection in cyberspace, along with the theory of the information society, desire for peace is going to be shared with numerous individuals and consequently such connections will open the door to a peaceful future. In addition, with DeLillo’s unwavering belief in the power of language,“Peace”at the end of this novel may invoke the importance of our strong desire to achieve it. Notes 1. DeLillo, Don. . Underworld. New York: Scribner, 1997, p. 1. All subsequent quotations from Underworld are cited parenthetically in the text. 2. Behind Nick lies the face of DeLillo, because DeLillo was also the son of Italian immigrant parents and tried to become an American through language. Interviewed by Niimoto, DeLillo says,“ Nick Shay listening to the historical baseball game covered live on radio on the roof of the building was reminiscent of my young life. DeLillo, an Italian American, born in Bronx, identifies himself with Nick”(新元72). 3. William Gibson, an American-Canadian novelist, prefaced The Matrix: The Shooting Script (2002). Through his works, the term“ cyberspace ”and his concept about it reportedly spread worldwide. Larry McCaffery, a critic, says that Gibson’s Neuromancer (1984) has“its startling similes and metaphors drawn from computers and other technologies, and its ability to create a powerfully resonant metaphor-the cyberspace of the computer matrix--where data dance with human consciousness, where human memory is literalized and mechanized, where multinational informations systems mutate and breed into startling new structures whose beauty and complexity are unimaginable, mystical, and above all nonhuman”(McCaffery 264). 4. This scene was cited by Philip Roth at the ceremony for the 2010 PEN/Saul Bellow award for American fiction. He concluded his announcement, saying“It is for that combination of terror and comedy and sheer song that everyone wants to give Don DeLillo an award”(Dugan). 5. In the scene of the baseball game in the Prologue, leading figures of the day are depicted based on DeLillo’s research. Don DeLillo says“ I did research on the game and I found out that these men were among the spectators, Hoover, Gleason, and Toots Shor. It was a breakthrough for me when I found out that Hoover had seen the game, because that made it possible for me to link the game to the Soviet atomic explosion on the other side of the planet. Maybe there wouldn’t have been a novel if I didn’t found out about Hoover”(Jensen). 6. Edward Said also declares the relation between reconciliation and peace in his essay:“ I sincerely believe in reconciliation between peoples and cultures in collision, and have made it my life’s work to try to further that end. But true reconciliation cannot be imposed; neither can it occur between cultures and societies that are enormously uneven in power. The kind of reconciliation that can bring real peace can only occur between equals, between partners whose independence, strength of purpose, and inner cohesion allows them fully to understand and share with each other. (Edward W. Said,“On Lost Causes,” Reflections on Exile and Other Essays, 553.) 7. Y. Masuda’s book, the Information Society, was acclaimed worldwide when it was published. Works Cited Baudrillard, Jean.“The Precession of Simulacra”in Media and Cultural Studies: Key Works, revised edition. Ed. Meenakshi Gigi Durham and Douglas M. Kellner. MA: Blackwell Publishing, 2006. Brueghel, Pieter. Children’s Games. University of Waterloo. 29 March, 2011. <http://www.gamesmuseum. uwaterloo.ca/VirtualExhibits/Brueghel/aboutpaint. html>. ――. The Triumph of Death. Pieter Brueghel the Elder: The Complete Works. 29, March, 2011. <http://www. pieter-bruegel-the-elder.org/ home-6-24-1-0. html>. Cowart, David. Don DeLillo: The Physics of Language. Athens University of Georgia Press Athens, 2002. Crossley, Nick. Key Concepts in Critical Social Theory. Thousand Oaks, California: Sage, 2005. Derrida, Jacques. Of grammatology. Tr. Gayatri Chakravorty Spivak. London: Johns Hopkins University Press, 1976. 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Howard, Gerald. “ The American Strangeness: An Interview with Don DeLillo ”in Conversations with Don DeLillo, ed. Thomas DePietro. Jackson: UP of Mississippi, 2005. Jensen, Bo Green.“ The Triumph of Death ”in Weekend Avisen, Denmark. November 13, 1998. Tr. Jakob Schelander. 17 February, 2006. <http://www. d a i l y p r i n c e t o n i a n . c o m / a r c h i v e s / 2002 / 10 / 17 / news/5759.shtml>. Johnston, William, ed. The Cloud of Unknowing & the Book of Privy Counseling. New York: Image Books, 1973. King, Martine Luther, Jr. ed. James Melvin Washington. A Testament of Hope: the Essential Writings and Speeches of Martine Luther King, Jr. San Francisco: HarperCollins, 1991. LeClair, Tom.“An Underhistory of Mid-Century America: A Dantean Novel, to be talked about for years to come, ” The Atlantic online The Atlantic Monthly Digital Edition October 1997. 8 January, 2009. <http:// www.theatlantic.com/past/docs/issues/97oct/delillo. htm>. Luukanen-Kilde, Rauni-Leena. “ Microchip Implants, Mind Control and Cybernetics. ”02 December 2007. 16 March, 2012. <http://ce399.typepad.com/weblog/ yoneji-masuda/>. McCaffery, Larry.“ An Interview with William Gibson. ” Storming the Reality Studio: a casebook of cyberpunk and postmodern science fiction. Durham, North Carolina: Duke University Press. Masuda, Yoneji. The Information Society. Tokyo: Institute for the Information Society, 1980. Moran, Dermot. Introduction to Phenomenology. New York: Routledge, 2001. Osteen, Mark. American Magic and Dread: Don DeLillo’s Dialog with Culture. Pennsylvania: Pennsylvania UP, 2000. Our Voice Our Country“ Research”May 28, 2012. <http:// www. ourvoiceourcountry.org/research/peacemovement.aspx>. Rijin, Rembrandt van. Aristotle with a Bust of Homer, 1653. 29, March, 2011. < http://blog.goo.ne.jp/old-dreamer/ e/ 2afd4b055a5b2d4932711e155b31ac34>. Said, Edward W.“ On Lost Causes, ”Reflections on Exile and Other Essays. 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