Friday and Saturday Evening, March 17–18, 2017 at 8:00 Wynton Marsalis, Managing and Artistic Director Greg Scholl, Executive Director FREE TO BE: JAZZ OF THE ’60S & BEYOND Jazz at Lincoln Center Orchestra WALTER BLANDING, Music Director, Tenor Saxophone WYNTON MARSALIS, Trumpet GREG GISBERT, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet CHRIS CRENSHAW, Trombone VINCENT GARDNER, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto Saxophone TED NASH, Alto Saxophone VICTOR GOINES, Tenor Saxophone PAUL NEDZELA, Baritone Saxophone DAN NIMMER, Piano CARLOS HENRIQUEZ, Bass JASON MARSALIS, Drums There will be one 15-minute intermission during this performance. Jazz at Lincoln Center thanks its season sponsors: Bloomberg Philanthropies, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, The Shops at Columbus Circle at Time Warner Center, SiriusXM, Steinway & Sons, and United Airlines. Jazz at Lincoln Center’s Rose Theater Frederick P. Rose Hall jazz.org Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center Program — to be selected from the following – JOHN COLTRANE Acknowledgement (from A Love Supreme) arranged by Wynton Marsalis THELONIOUS MONK Bye-Ya arranged by Carlos Henriquez WAYNE SHORTER E.S.P. arranged by Ali Jackson CHARLES MINGUS Fables of Faubus arranged by Walter Blanding SONNY ROLLINS The Freedom Suite arranged by Walter Blanding WALTER BLANDING The Happiness of Being Hope Introspection Try, Try Again Joy “The Happiness of Being” was commissioned by Jazz at Lincoln Center with the generous support of the Howard Gilman Foundation and first performed by the Jazz at Lincoln Center Orchestra with Wynton Marsalis at Rose Theater, Frederick P. Rose Hall on March 17, 2017. DAVE BRUBECK Lost Waltz arranged by Ted Nash ORNETTE COLEMAN Ramblin arranged by Wynton Marsalis Jazz at Lincoln Center Notes on the Program By Willard Jenkins This evening’s program promises some very timely reflections on a vivid era, when many jazz musicians and composers were vigorously reacting to the profound sense of social change bubbling up all around them, reacting with often heroic music from perspectives of anger, hope, spirituality, and resolution. The program’s title speaks volumes—Free To Be: Jazz of the ‘60s & Beyond. The evening will interpret musical signposts of those times, as contributed by a select sampling of great compositions: John Coltrane’s prayerful “A Love Supreme,” Charles Mingus’ righteous, politically angry “Fables of Faubus,” Ornette Coleman’s “Ramblin,” with its explicit forward motion, and Dave Brubeck’s pensive “Lost Waltz.” The Jazz at Lincoln Center Orchestra with Wynton Marsalis is perhaps the most resourceful large jazz ensemble on the planet; each season, different members are challenged to refresh the band’s book. This evening’s performance is a classic example of a program in large part curated by one such resource: saxophonist Walter Blanding, who will contribute an original composition and a re-working of the Sonny Rollins classic “Freedom Suite” for large ensemble. The latter challenge required a neat bit of musical architecture from Blanding, considering that a relatively spare but robust saxophone-bass-drums trio performed Rollins’ original recorded presentation of that masterpiece. In a time of roiling political uncertainty and deep division over principles of freedom in this country, “Freedom Suite” is an apt expression for our times. “Considering that it is almost impossible to represent more than a decade of music in two short sets,” Blanding says, “we plan to represent some important moments musically during the decade of the ‘60s. The ‘Freedom Suite’ will be the first piece of the evening and serve as the starting point of our journey. The goal of the entire program is to feature all members of the Jazz at Lincoln Center Orchestra.” Like Jazz at Lincoln Center’s managing and artistic director Wynton Marsalis, Walter Blanding is the proud product of a musical family; born in Cleveland, his late father Walter Blanding, Sr. played bass, and mother Audrey, piano and keyboards. A member of the Jazz at Lincoln Center Orchestra since 1998, Blanding, schooled musically in New York, matriculated at LaGuardia High School of Music and Art and the New School. Eventually he migrated to Israel to teach music, opening his own private music school and hailed as “Jazz Ambassador to Israel” by Newsweek International. Blanding’s original composition, “The Happiness of Being,” is sure to be the evening’s centerpiece. In crafting this selection, Blanding was inspired by distinct periods in the general ‘60s human condition and by touchstones of the African American experience in particular. The mission of the piece is to convey a sense of the principles embodied in freedom. “‘The Happiness of Being’ focuses on how we individually and collectively view the whole concept of freedom. Instead of making a very specific political statement, I choose to use a more universal concept that can be understood and appreciated by anyone. The thematic thinking that went into this piece is the simple idea of identifying or recognizing a problem, acceptance of that problem, and finally coming to a resolution,” Blanding says. “It is my belief that experiencing these three aforementioned things results in a kind of freedom. It’s my intention to help heal our minds and souls through the sharing of this musical journey together.” Jazz at Lincoln Center JOE MARTINEZ JOE MARTINEZ Meet the Artists Walter Blanding Walter Blanding (Music Director, Tenor Saxophone) was born into a musical family on August 14, 1971, in Cleveland, Ohio. He began playing the saxophone at age six and by age 16 he was performing regularly with his parents at the Village Gate. Blanding attended Fiorello H. LaGuardia High School of Music & Art and Performing Arts and continued his studies at the New School for Social Research where he earned a B.F.A. in 2005. His 1991 debut release, Tough Young Tenors, was acclaimed as one of the best jazz albums of the year, and his artistry began to impress listeners and critics alike. He has been a member of the Jazz at Lincoln Center Orchestra since 1998 and has performed, toured and/or recorded with his own groups and with such renowned artists as the Cab Calloway Orchestra, Roy Hargrove, Hilton Ruiz, Count Basie Orchestra, Illinois Jacquet Big Band, Wycliffe Gordon, Marcus Roberts, Wynton Marsalis Quintet, Isaac Hayes, and many others. Blanding lived in Israel for four years and had a major impact on the music scene while touring the country with his own ensemble and with U.S. artists such as Louis Hayes, Eric Reed, Vanessa Rubin, and others invited to perform there. He taught music in several Israeli schools and eventually opened his own private school in Tel Aviv. During this period, Newsweek International called him a “Jazz Ambassador to Israel.” Wynton Marsalis Wynton Marsalis (Trumpet) is the managing and artistic director of Jazz at Lincoln Center and a world-renowned trumpeter and composer. Born in New Orleans, Louisiana in 1961, Marsalis began his classical training on trumpet at age 12, entered The Juilliard School at age 17, and then joined Art Blakey and the Jazz Messengers. He made his recording debut as a leader in 1982, and has since recorded more than 60 jazz and classical recordings, which have won him nine Grammy Awards. In 1983 he became the first and only artist to win both classical and jazz Grammys in the same year and repeated this feat in 1984. Marsalis is also an internationally respected teacher and spokesman for music education, and has received honorary doctorates from dozens of U.S. universities and colleges. He has written six books; his most recent are Squeak, Rumble, Whomp! Whomp! Whomp!, illustrated by Paul Rogers and published by Candlewick Press in 2012, and Moving to Higher Ground: How Jazz Can Change Your Life with Geoffrey C. Ward, published by Random House in 2008. In 1997 Marsalis became the first jazz artist to be awarded the prestigious Pulitzer Prize in music for his oratorio Blood on the Fields, which was commissioned by Jazz at Lincoln Center. In 2001 he was appointed Messenger of Peace by Mr. Kofi Annan, Secretary-General of the United Nations, and he has also been designated cultural ambassador to the United States of America by the U.S. State Department through their CultureConnect program. Marsalis was instrumental in the Higher Ground Hurricane Relief concert, produced by Jazz at Lincoln Center. The event raised more than $3 million for the Higher Ground Relief Fund to benefit the musicians, music Jazz at Lincoln Center industry-related enterprises, and other individuals and entities from the areas in Greater New Orleans who were affected by Hurricane Katrina. Marsalis helped lead the effort to construct Jazz at Lincoln Center’s home—Frederick P. Rose Hall—the first education, performance, and broadcast facility devoted to jazz, which opened in October 2004. Chris Crenshaw Chris Crenshaw (Trombone) was born in Thomson, Georgia on December 20, 1982. Since birth, he has been driven by and surrounded by music. When he started playing piano at age three, his teachers and fellow students noticed his aptitude for the instrument. This love for piano led to his first gig with Echoes of Joy, his father Casper’s group. He picked up the trombone at age 11 and hasn’t put it down since. He graduated from Thomson High School in 2001 and received his bachelor’s degree with honors in jazz performance from Valdosta State University in 2005. He was awarded Most Outstanding Student in the VSU music department and College of Arts. In 2007 Crenshaw received his master’s degree in jazz studies from The Juilliard School where his teachers included Dr. Douglas Farwell and Wycliffe Gordon. He has worked with Gerard Wilson, Jiggs Whigham, Carl Allen, Marc Cary, Wessell Anderson, Cassandra Wilson, Eric Reed, and many more. In 2006 Crenshaw joined the Jazz at Lincoln Center Orchestra and in 2012 he composed “God’s Trom bones,” a spiritually focused work that was premiered by the Jazz at Lincoln Center Orchestra. Vincent Gardner Vincent Gardner (Trombone) was born in Chicago in 1972 and was raised in Hampton, Virginia. After singing and playing piano, violin, saxophone, and French horn at an early age, he decided on the trombone at age 12. He attended Florida A&M University and the University of North Florida. He soon caught the ear of Mercer Ellington, who hired Gardner for his first professional job. After graduating from college, he moved to Brooklyn, New York, completed a world tour with Lauryn Hill in 2000, then joined the Jazz at Lincoln Center Orchestra. Gardner has served as instructor at The Juilliard School, as visiting instructor at Florida State University and Michigan State University, and as adjunct instructor at The New School. He has contributed many arrangements to the Jazz at Lincoln Center Orchestra and other ensembles. In 2009 he was commissioned by Jazz at Lincoln Center to write “The Jesse B. Semple Suite,” a 60minute suite inspired by the short stories of Langston Hughes. Gardner is featured on a number of notable recordings and has recorded five CDs as a leader for Steeplechase Records. He has performed with the Duke Ellington Orchestra, Bobby McFerrin, Harry Connick, Jr., the Saturday Night Live Band, Chaka Khan, A Tribe Called Quest, and many others. Victor Goines Victor Goines (Tenor Saxophone) is a native of New Orleans, Louisiana. He has been a member of the Jazz at Lincoln Center Orchestra and the Wynton Marsalis Septet since 1993, touring throughout the world and recording more than 20 albums. As a leader, Goines has recorded seven albums including his most recent release Twilight (2012) on Rosemary Joseph Records. A gifted composer, Goines has more than 50 original works to his credit, including 2014’s Crescent City, premiered by the Jazz at Lincoln Center Orchestra. He has recorded and/or performed with noted jazz and popular artists including Ahmad Jamal, Ruth Brown, Dee Dee Bridgewater, Ray Charles, Bob Dylan, Dizzy Gillespie, Lenny Kravitz, Branford Marsalis, Ellis Marsalis, Dianne Reeves, Willie Nelson, Marcus Roberts, Diana Ross, Stevie Wonder, and a host of others. Currently, he is the director of jazz studies and professor of music at North- Jazz at Lincoln Center western University. He received a bachelor of music degree from Loyola University in New Orleans in 1984, and a master of music degree from Virginia Commonwealth University in Richmond in 1990. Greg Gisbert Greg Gisbert (Trumpet) has performed, toured, and recorded with some of the biggest names in jazz and popular music. The list includes Clark Terry, Wynton Marsalis, Maria Schneider, Jimmy Heath, Frank Wess, James Moody, Ron Carter, Buddy Rich, Horace Silver, Frank Sinatra, Stevie Wonder, Sarah Vaughan, Ella Fitzgerald, Tony Bennett, Bobby Short, Mel Tormé, Harry Connick, Jr., David Bowie, and Lady Gaga. His Broadway credits include After Midnight, On a Clear Day, State Fair, Leap of Faith, and The Life. As a studio musician he has played on You’ve Got Mail, Glengary Glenn Ross, Naked Gun 2 ½, and Bullets Over Broadway, as well as playing sports theme music for the NFL, NHL, and MLB. He has appeared on The Late Show with David Letterman and on Good Morning America with pop music legend Paul Anka. Gisbert is an active educator and is frequently in demand as a guest clinician and teacher at colleges, universities, conservatories, and music academies around the world. Carlos Henriquez Carlos Henriquez (Bass) was born in 1979 in the Bronx, New York. He studied music at a young age, played guitar through junior high school and took up the bass while enrolled in The Juilliard School’s Music Advancement Program. He entered Fiorello H. LaGuardia High School of Music & Art and Performing Arts and was involved with the LaGuardia Concert Jazz Ensemble which went on to win first place in Jazz at Lincoln Center’s Essentially Ellington High School Jazz Band Competition and Festival in 1996. In 1998, swiftly after high school, Henriquez joined the Wynton Marsalis Septet and the Jazz at Lincoln Center Orchestra, touring the world and recording on more than 25 albums. Henriquez has performed with artists, including Chucho Valdés, Paco De Lucia, Tito Puente, the Marsalis Family, Willie Nelson, Bob Dylan, Stevie Wonder, Lenny Kravitz, Marc Anthony, and many others. He has been a member of the music faculty at Northwestern University School of Music since 2008, and was music director of the Jazz at Lincoln Center Orchestra’s cultural exchange with the Cuban Institute of Music with Chucho Valdés in 2010. His debut album as a bandleader, The Bronx Pyramid, comes out September 18 on Jazz at Lincoln Center’s Blue Engine Records. Sherman Irby Sherman Irby (Alto Saxophone) was born and raised in Tuscaloosa, Alabama. He found his musical calling at age 12 and in high school he played and recorded with gospel immortal James Cleveland. He graduated from Clark Atlanta University with a B.A. in music education. In 1991 he joined Johnny O’Neal’s Atlanta-based quintet. In 1994 he moved to New York City and recorded his first two albums, Full Circle (1996) and Big Mama’s Biscuits (1998), on Blue Note. Irby toured the U.S. and the Caribbean with the Boys Choir of Harlem in 1995, and was a member of the Jazz at Lincoln Center Orchestra from 1995 to 1997. During that tenure he also recorded and toured with Marcus Roberts and was part of Betty Carter’s Jazz Ahead Program and Roy Hargrove’s ensemble. After a four-year stint with Roy Hargrove, Irby focused on his own group in addition to being a member of Elvin Jones’ ensemble in 2004 and then Papo Vazquez’ Pirates Troubadours after Jones’ passing. From 2003–11 Irby was the regional director for JazzMasters Workshop, mentoring young children, and he has served as artist-in-residence for Jazz Camp West and an instructor for Monterey Jazz Festival Band Camp. He is a former board member for the CubaNOLA Collective. He Jazz at Lincoln Center formed Black Warrior Records and released Black Warrior, Faith, Organ Starter, Live at the Otto Club, and Andy Farber’s This Could Be the Start of Something Big. Since rejoining, Irby has arranged much of the Jazz at Lincoln Center Orchestra’s music, and he has been commissioned to compose new works, including Twilight Sounds and his Dante-inspired ballet, Inferno. Orchestra, the Mingus Big Band, the Maria Schneider Orchestra, the Maynard Ferguson Big Bop Nouveau, Chick Corea, Kenny Garrett, Bobby Hutcherson, Ahmad Jamal, Randy Brecker, and Carl Fontana. A member of the Jazz at Lincoln Center Orchestra since 2006, Mason also continues to co-lead the Mason Brothers Quintet with his brother Brad. The Mason Brothers recently released their second album, entitled Efflorescence. Jason Marsalis Jason Marsalis (Drums) is the son of pianist and music educator Ellis Marsalis and his wife Dolores, and the youngest sibling of Wynton, Branford, and Delfeayo. Together, the four brothers and their patriarch, Ellis, comprise New Orleans’ venerable first family of jazz. In 2013 Marsalis released a recording as a leader on vibraphone entitled In a World of Mallets. The album went to No. 1 on the CMJ Radio Charts and also won an Offbeat magazine award for best Contemporary Jazz Album. With each passing year, Marsalis continues to grow and develop as both a composer and performer. In addition to touring with his own group, he has been featured on all of Marcus Roberts’ recordings for over 20 years. Elliot Mason Elliot Mason (Trombone ) was born in England in 1977 and began trumpet lessons at age four with his father. At age seven, he switched his focus from trumpet to trombone. At 11 years old, he was performing professionally, concentrating on jazz and improvisation. At 16, Mason received a full tuition scholarship to attend Berklee College of Music in Boston, and after graduating he moved to New York City. Mason is a member of The Juilliard School Jazz Faculty as a jazz trombone professor, and he is also a part of the Jazz Faculty at New York University. Mason has served as a clinician worldwide, performing workshops, master classes and clinics. Mason is endorsed by B.A.C. musical instruments and currently plays his own codesigned custom line of trombones. Mason has performed with the Count Basie Ted Nash Ted Nash (Alto Saxophone) was born into a musical family in Los Angeles. His father, Dick Nash, and uncle, the late Ted Nash, were both well-known jazz and studio musicians. The younger Nash exploded onto the jazz scene at 18, moved to New York and released his first album, Conception (Concord Jazz). He is co-leader of the Jazz Composers Collective and is constantly pushing the envelope in the world of “traditional jazz.” His group Odeon has often been cited as a creative focus of jazz. Many of Nash’s recordings have received critical acclaim, and have appeared on the “bestof” lists in the New York Times, New Yorker, Village Voice, Boston Globe, and Newsday. His recordings, The Mancini Project (Palmetto Records) and Sidewalk Meeting (Arabesque Recordings), have been placed on several “best-of-decade” lists. His album Portrait in Seven Shades was recorded by the Jazz at Lincoln Center Orchestra and was released in 2010. The album is the first composition released by the JLCO featuring original music by a band member other than bandleader Wynton Marsalis. Chakra came out in late 2013. His most recent big band recording, Presidential Suite: Eight Variations on Freedom, won for the 2017 Best Large Jazz Ensemble Album Grammy Award. The album includes “Spoken at Midnight,” which won the 2017 Best Instrumental Composition Grammy Award. Nash’s arrangement of “We Three Kings,” featured on the Jazz at Lincoln Center Orchestra with Wynton Marsalis’ Big Band Jazz at Lincoln Center Holidays album, is nominated for the 2017 Best Instrumental Or A Cappella Arrangement Grammy Award. from Abbey Road, and PBS’ Live From Lincoln Center, among other broadcasts. He has released four of his own albums on the Venus label (Japan). Paul Nedzela Paul Nedzela (Baritone Saxophone) was born in New York City in 1984 and has quickly become one of the top baritone saxophone players around. After graduating with honors and a degree in mathematics from McGill University in 2006, Nedzela received the Samuel L. Jackson scholarship and continued his musical studies at The Juilliard School. He has studied with baritone saxophone legends Joe Temperley, Gary Smulyan, and Roger Rosenberg, and has played with renowned artists and ensembles, including Wess Anderson, Paquito D’Rivera, Benny Golson, Roy Haynes, Christian McBride, and The Temptations. Nedzela also performed in Twyla Tharp’s Broadway show, Come Fly Away, as well as at major festivals, such as The Monterey Jazz Festival and The Banff Music Festival. Dan Nimmer Dan Nimmer (Piano) was born in 1982 in Milwaukee, Wisconsin. With prodigious technique and an innate sense of swing, his playing often recalls that of his own heroes Oscar Peterson, Wynton Kelly, Erroll Garner, and Art Tatum. Nimmer studied classical piano and eventually became interested in jazz. He began playing gigs with renowned saxophonist and mentor Berkley Fudge. Nimmer studied music at Northern Illinois University and became one of Chicago’s busiest piano players. A year after moving to New York City, he became a member of the Jazz at Lincoln Center Orchestra and the Wynton Marsalis Quintet. Nimmer has worked with Norah Jones, Willie Nelson, Dianne Reeves, George Benson, Frank Wess, Clark Terry, Tom Jones, Benny Golson, Lewis Nash, Peter Washington, Ed Thigpen, Wess “Warmdaddy” Anderson, Fareed Haque, and many more. He has appeared on The Tonight Show with Jay Leno, The Late Show with David Letterman, The View, The Kennedy Center Honors, Live Marcus Printup Marcus Printup (Trumpet) was born and raised in Conyers, Georgia. His first musical experiences were hearing the fiery gospel music his parents sang in church. While attending the University of North Florida on a music scholarship, he won the International Trumpet Guild Jazz Trumpet competition. In 1991 Printup’s life changed when he met his mentor, the great pianist Marcus Roberts. Roberts introduced him to Wynton Marsalis, which led to Printup’s induction into the Jazz at Lincoln Center Orchestra in 1993. Printup has recorded with Betty Carter, Dianne Reeves, Eric Reed, Madeline Peyroux, Ted Nash, Cyrus Chestnut, Wycliffe Gordon, and Roberts, among others. He has recorded several records as a leader: Song for the Beautiful Woman, Unveiled, Hub Songs, Nocturnal Traces, The New Boogaloo, Peace in the Abstract, Bird of Paradise, London Lullaby, Ballads All Night, and A Time for Love. He made his screen debut in the 1999 movie Playing by Heart and recorded on the film’s soundtrack. August 22 has been declared “Marcus Printup Day” in his hometown of Conyers, Georgia Kenny Rampton Kenny Rampton (Trumpet ) joined the Jazz at Lincoln Center Orchestra in 2010. He also leads his own sextet in addition to performing with the Mingus Big Band, the Mingus Orchestra, the Mingus Dynasty, George Gruntz’ Concert Jazz Band, and the Manhattan Jazz Orchestra (under the direction of Dave Matthews). In 2010 Rampton performed with the Scottish National Jazz Orchestra at the Edinburgh International Festival, and was the featured soloist on the Miles Davis/Gil Evans classic version of Porgy and Bess. He toured the world with the Ray Charles Orchestra in 1990 and with the legendary jazz drummer Panama Jazz at Lincoln Center Francis, the Savoy Sultans, and the Jimmy McGriff Quartet, with whom he played for ten years. As a sideman, Rampton has performed with Mingus Epitaph (under the direction of Gunther Schuller), Bebo Valdez’ Latin Jazz All-Stars, Maria Schneider, the Afro-Latin Jazz Orchestra, Charles Earland, Dr. John, Lionel Hampton, Jon Hendricks, Illinois Jacquet, Geoff Keezer, Christian McBride, and a host of others. Most recently, he was hired as the trumpet voice on Sesame Street. Some of his Broadway credits include Finian’s Rainbow, The Wiz, Chicago: The Musical, In The Heights, Hair, Young Frankenstein, and The Producers. Jazz at Lincoln Center Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. With the world-renowned Jazz at Lincoln Center Orchestra and a comprehensive array of guest artists, Jazz at Lincoln Center advances a unique vision for the continued development of the art of jazz by producing a year-round schedule of performance, education, and broadcast events for audiences of all ages. These productions include concerts, national and international tours, residencies, weekly national radio programs, television broadcasts, recordings, publications, an annual high school jazz band competition and festival, a band director academy, jazz appreciation curricula for students, music publishing, children’s concerts and classes, lectures, adult education courses, student and educator workshops, a record label, and interactive websites. Under the leadership of Managing and Artistic Director Wynton Marsalis, Chairman Robert J. 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Hosking Chris and Jim Drost Shari Hyman Jacqueline Moline and Jan and David Ichel Antoine Drye Adam Inselbuch Maureen Egen Electro-Miniatures Corp. Mark J. Ipri Rama S. and Ravi Iyengar Marsha and James The Jacobson Family Ellowitz Foundation Ennead Architects LLP The James Clark Family Evercore Partners Fund Daisy Exposito & Jorge Andrea Montalbano and Ulla Diron Jebejian Waldo C. Falkener, Jr. Wilbur Johnson Alexander and Patricia Janet and Howard Kagan Farman-Farmian David and Victoria Foley Kenneth and Amy Kahaner Ken and Caryl Field Marnee and Eric Kaltman Pamela Fiori and Colt Clarence Kam Givner Todd Kamelhar Christine and John Jeanne and Robert M. Fitzgibbons Kane Susan and Arthur Dr. Robert Kass Fleischer, Jr. Susan and William Foley Kauff McGuire & Margolis LLP Dr. Steven Frankel Erin A. Pond and Peter H. Monica Kirkland and Marcelo Sanchez Friedland Henry and Nancy Carol Friedman Kissinger Susan and Fred Friedman Dr. Thomas K. Kittel Judith Gallent Carola and Fabian Garcia John and Patricia Klingenstein Fund Arlyn and Edward Peter Klosowicz Gardner Chaille and Jonathan Roslyn and Leonard Knee Garfinkel Theresa Knight Lori Gendelman Chikako and Tomo Richard Gibson Kodama Slavka Glaser Jini Koh Claudia J. Glasser Dorothy and Sidney Kohl Barbara and Alan Glatt Lisa Kohl, PhD Rozanne Gold Ginger and David L. Linda Silberman and Komar Victor Goldberg Jane and Budd Goldman Isobel Konecky Sharon Korman Nancy and Gary Maria Kourepenos Goodenough Barbara and Harry Gould Sally and Wynn Kramarsky Ava Seave and Bruce C. Diane Kranz Greenwald Sanford Krieger Terry and Michael Groll Deborah and Peter Julie Raynor Gross Krulewitch Lori Gross Wendy and Jerry Christopher Guarino Labowitz Antoinette GuerriniDiane Forrest and Nick Maraldi LaHochic Arnetta and Eddie Catherine Lamboley Hamilton, M.D. Geraldine B. Laybourne Nicki and J. Ira Harris Lear Family Foundation Sanjeanetta Harris Elizabeth and Gavin Laurie Hawkes Leckie Mona Heath David and Laurie Dr. Todd Erin Heaton Lederman Anne Farley and Peter C. Courtney Lee-Mitchell Hein The Lehrman Institute Hermione Foundation Robert H. and Carol Lenz Jennifer Scully-Lerner and Richard Lerner David and Denise Levine Karen Collias and Geoffrey Levitt Ira Levy Cher Lewis and Daughters Charitable Trust Beth and Jim Lewis Rita Fishman and Leonard Lichter Sharon Horn and Jeffrey Lichtman Kamie Lightburn The Lindsey Group Lynn Staley and Marty Linsky Yong Liu Diane and William Lloyd Michael and Tina Lobel Local 32BJ SEIU Tina Liu and H. Christopher Luce Lynn Davidson and Jon Lukomnik John Lummis Eileen Kleiman and Peter Lurye Ninah and Michael Lynne Sondra and David Mack Anne and Sean Madden Richard H. Maidman Virginia Mancini Whitney and Jerry Mandel Mark Mandel J. R. Mann, Jr. Katina and Ken Manne Justin Manus Carol Margossian Susan and Morris Mark Ellis L. Marsalis, Jr. Etienne Martel George Kelly Martin Robert Marx Kerri Mason Robert Matloff Joanne and Norman Matthews Merridith and Robert McCarthy Sonnet and Ian McKinnon Renee Petrofes and Gerald McNamara Douglas Melancon, M.D. Robert Meltzer Dina Merrill and Ted Hartley Michael Tuch Foundation Irene Weiss Miller and Jeffrey D. Miller Cheryl and Michael Minikes Lousie Mirrer Hala Mnaymneh Susan and Alan Morris John and Michelle Morris David H. Morse MPFP Evelyn Musher Gaya and Vinay Nair David S. Neill Heart of Neiman Marcus Foundation Fund Nobuko Narita Josiane and Thierry Noufele Nora Ann Wallace and Jack Nusbaum Mr. Bernard Nussbaum Jack OKelley Daniel and Rebecca Okrent Stanley Oppenheim Michael Peffer Amy and Joseph R. Perella Ethel Denise Perry Dr. Ruth Earlene Perry Paula and Dominic Petito Caroline Wamsler and DeWayne Phillips Wayne Phillips Daniel Pincus John and Anne Martha Pitegoff Andrew J. Pitts PJ Mechanical Jamie and Mark Pollack Nicholas Polsky Robert Press Jonelle Procope Donna Raftery and Vincent Inconiglios Rodney Reid David Rene Judith and Burton P. Resnick Megan and William Ried David Robbins Deborah Roberts and Al Roker Jacqueline A. Roberts William Robertson Susan Rockefeller James Roe Toby and William Rohrer Laura and James Ross Howard A. Rowley, MD Susan Rubinstein Joshua Ruthizer Joshua M. Sacks George H. Sands, MD Phyllis W. Bertin and Anthony M. Saytanides Judith Schanzer Amy Katz and Irving Scher Darren Schlanger Hon. Eric Schneiderman Kathy and Joel Segall Jerry M. Seslowe Javier Seymore Martin D. and Jean Shafiroff Foundation Robert B. Shepler The Ruth and Jerome A. Siegel Foundation David Silk Jon Silvan Joan Binstock and David Silvers Carra Sleight Laura J. Sloate Phyllis and Richard Slocum Emily Smith Howard K. Smith Helena and Steve Sokoloff Leonard Solondz Anne and André Spears Jimmie E. Spears Denise Spillane Louise A. Springer Ryder and Brooke Stahl Mitchell and Barbara Stein Joan and Michael Steinberg Ellen and Doug Stern Leonore and Walter Stern Reed Elfenbein and David Stier Audrey Strauss Joseph Sullivan Susan Stein Shiva Foundation David Swope Peggy and David Tanner Barry and Joan Tucker Household U.S. Trust John Uhl Majorie and Clarence E. Unterberg Foundation Lana and Cecil Ursprung Cheryl Vollweiler Margaret and George Vranesh Barry and Ellen Wagenberg David Walters Naida S. Wharton Foundation Raymond Wedderburn Richard and Josephine Weil Joan and Howard Weinstein Katherine C. Wickham Amelia Wierzbicki May Wilson Lisa and Matthew Winkler Richard M. Winn III The Craig E. Wishman Foundation Christopher Zangari Kenneth Zaslav Zicherman Family Foundation * Deceased As of February 13, 2017 UPCOMING EVENTS Jazz at Lincoln Center’s Frederick P. Rose Hall March 2017 THE APPEL ROOM Joshua Redman Still Dreaming March 31–April 1 at 7pm & 9:30pm Joshua Redman—one of the best known saxophonists in the world—embarks on his latest musical project with the “Still Dreaming” quartet. This new group features Ron Miles, Scott Colley, and Brian Blade, three of the most imaginative voices in contemporary jazz. Together they will interpret the “Old and New Dreams” quartet of the 1970s and ‘80s, a renowned quartet of Ornette Coleman alumni that included Joshua’s father, Dewey Redman. With repertoire consisting of Ornette Coleman compositions and original works, their music was honest, uninhibited, and completely engaging in its unpredictable live execution. Tonight, Joshua Redman fulfills his birthright and explores his heritage by adding a new perspective to this historic material. Redman’s all-star group is the perfect match for the occasion, and the close personal connection will make it an especially memorable evening. April 2017 THE APPEL ROOM Michael Feinstein: The Unforgettable Nat “King” Cole April 5 at 7pm / April 6 at 7pm & 9pm With hits such as “The Christmas Song,” “Unforgettable,” “Nature Boy,” and “(Get Your Kicks On) Route 66,” Michael Feinstein—known as the Ambassador of the Great American Songbook—explores the artistry of quintessential crooner Nat “King” Cole. With the Tedd Firth Big Band and special guest vocalists, Feinstein will channel the extraordinary qualities that made Cole a star on stage and on screen. Vocalists include crooner Denzal Sinclaire and Loston Harris. Sinclaire joined the Jazz at Lincoln Center Orchestra with Wynton Marsalis in 2015 for its Big Band Holidays tour, and he recently performed a critically-acclaimed tribute to Nat “King” Cole. Harris is a suave vocalist and gifted pianist, an Appel Room veteran, and a 2017 headliner at Dizzy’s Club Coca-Cola. Audiences will enjoy the songs, incredible stories, charismatic showmanship, and masterful piano playing that defined Cole’s career, as Feinstein launches the sixth consecutive season of the best-selling Jazz & Popular Song series. ROSE THEATER Buddy Rich Centennial: Celebrating the Jazz Drum April 7–8 at 8pm Ali Jackson will invigorate the Jazz at Lincoln Center Orchestra with Wynton Marsalis in a virtuosic display of big band drums and rhythm. To open the evening, Jackson will arrange the music of Buddy Rich, an innovative big band genius who would have turned 100 this year. Rich was a renowned musical powerhouse for most of the 20th century, influencing generations and offering a visceral excitement that few drummers could capture. Tonight, Jackson and special guest drummers will do justice to that legacy. Jackson’s encyclopedic knowledge of jazz styles ranges from the earliest American drum cadences to ragtime, marching bands, West African traditions, Brazilian music, the Detroit jazz tradition, and Afro-Cuban styles. For the program’s second half, audiences will witness the world-premiere of Jackson’s Living Grooves: A World of Jazz Rhythm, an extended piece written in the innovative spirit of drum greats like Rich. It promises to showcase the juxtaposition of raw energy and refined technical skills that define the best big band drummers. The drum set will be featured not only as a driving, propulsive force, but also as a melodic solo voice in inventive and unexpected ways. Given Jackson’s unparalleled knowledge of his instrument, it promises to be a unique and memorable way to celebrate this very special occasion. Free pre-concert discussion nightly at 8pm Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor. Tickets starting at $10. To purchase tickets: Visit jazz.org or call CenterCharge: 212-721-6500. The Jazz at Lincoln Center Box Office is located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm. For groups of 15 or more: 212-258-9875 or jazz.org/groups. For more information about our education programs, visit academy.jazz.org. For Swing University and WeBop enrollment: 212-258-9922. Find us on Facebook (jazzatlincolncenter), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and Instagram (jazzdotorg). UPCOMING EVENTS Jazz at Lincoln Center’s Frederick P. Rose Hall March 2017 Michele Rosewoman: New Yor-Uba with Alex Norris, Roman Filiu, Stacy Dillard, Chris Washburne, Gregg August, Robby Ameen, Mauricio Herrera, Nicky Laboy, Rafael Monteagudo, and Nina Rodriguez March 17–19 7:30pm & 9:30pm Michael Bisio: Accortet with Kirk Knuffke, Art Bailey, and Michael Wimberly March 20 7:30pm & 9:30pm Claire Daly Quintet March 21 7:30pm & 9:30pm Tynan Davis with Kenny Rampton, Clark Gayton, Ted Nash, Dan Block, Paul Nedzela, Ray Gallon, Jeff Carney, and Jerome Jennings March 22 7:30pm & 9:30pm Stanley Cowell Quartet with Jay Anderson, Evan Sherman, and Bruce Williams March 23 7:30pm & 9:30pm Victor Goines Quartet with special guest Don Vappie The Crescent City, Caribbean, and Swing with Jo Ann Daugherty, Emma Dayhuff, and Greg Artry March 24–26 7:30pm & 9:30pm Manhattan School of Music Jazz Orchestra Jim McNeely: The Paul Klee Project March 27 7:30pm & 9:30pm Brubeck Institute Jazz Quintet with Brandon Woody, Isaiah Collier, Jamael Dean, Zane DeBord, and Timothy Angulo March 28 7:30pm & 9:30pm Emilio Solla & Bien Sur! with Chris Cheek, Julien Labro, Jorge Roeder, and Ferenc Nemeth March 297:30pm & 9:30pm Trio M: Myra Melford, Mark Dresser, and Matt Wilson March 30 7:30pm & 9:30pm DIVA Jazz Orchestra Celebrates the DIVAS with Brianna Thomas March 31–April 2 7:30pm & 9:30pm In deference to the artists, patrons of Dizzy’s Club Coca-Cola are encouraged to keep conversations to a whisper during the performance. Artists and schedule subject to change. Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York. Reservations: 212-258-9595 or jazz.org/dizzys; Group Reservations: 212-258-9595 or jazz.org/dizzys-reservations Nightly Artist sets at 7:30pm & 9:30pm. Late Night Session sets Tuesday through Saturday; doors open at 11:15pm Cover Charge: $20–45. Special rates for students with valid student ID. Full dinner available at each artist set. Rose Theater and The Appel Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays. Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theater and The Appel Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours. Dizzy’s Club Coca-Cola gift cards now available. Find us on Facebook (DizzysClubCocaCola), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and Instagram (jazzdotorg). APR 5, 7PM | APR 6, 7PM & 9PM MICHAEL FEINSTEIN: THE UNFORGETTABLE NAT “KING” COLE Michael Feinstein with Denzal Sinclaire, Loston Harris, and the Tedd Firth Big Band. THE APPEL ROOM APR 7–8, 8PM BUDDY RICH CENTENNIAL: CELEBRATING THE JAZZ DRUM Jazz at Lincoln Center Orchestra with Wynton Marsalis and music director Ali Jackson presents new arrangements of hits made famous by Buddy Rich and premiere Jackson’s Living Grooves: A World of Jazz Rhythm. ROSE THEATER APR 26, 7PM JAZZ AT LINCOLN CENTER ANNUAL GALA: ELLA AT 100 – FOREVER THE FIRST LADY OF SONG Harry Connick Jr. hosts this star-studded evening featuring Renée Fleming, Roberta Gambarini, Diana Krall, Alison Krauss, Marilyn Maye, Audra McDonald, the Jazz at Lincoln Center Orchestra with Wynton Marsalis, and more. ROSE THEATER APR 27–29, 8PM CELEBRATING ELLA: THE FIRST LADY OF JAZZ Jazz at Lincoln Center Orchestra with Wynton Marsalis and vocalists Kenny Washington and Roberta Gambarini. ROSE THEATER APRIL frederick p. rose hall broadway at 60th st. box office ground fl. centercharge 212-721-6500
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