Blocks As a Tool for Learning: Historical and Contemporary Perspectives Karen Hewitt 6 Ivory Soap advertisement, early 20th century CHILDREN IS CLEARLY REFLECTED IN THE HISTORYOFBLOCKSANDCONSTRUCTION TOYS !S EDUCATORS WE SHOULD APPRECIATETHECENTRALHISTORICALAND CONTEMPORARYROLEOFTHESETOYSIN EARLYCHILDHOODEDUCATION 7HETHERBLOCKSWEREADVERTISED FORHOMEUSEORFOUNDTHEIRWAYINTO THECLASSROOMASANEDUCATIONALDEVICETHEYHAVEALWAYSBEENLINKEDTO LEARNING)NSome Thoughts Concerning Education,%NGLISHPHILOSOPHER *OHN,OCKEWENTAGAINSTTHE PREVAILINGTRENDINCHILDREARINGAND PLACEDTHECARROTBEFORETHESTICK h4HE CHIEF ART IS TO MAKE ALL THAT ;CHILDREN=HAVETODOSPORTANDPLAY TOO,EARNINGANYTHINGTHEYSHOULD BETAUGHTMIGHTBEMADEASMUCHA RECREATIONTOTHEIRPLAYASTHEIRPLAY ISTOTHEIRLEARNINGv 4OYSNOWBEGANTOBECONSIDEREDINmUENTIALINAPOSITIVE WAYNOT AS SINFUL PASTIMES ORBAUBLESBUTASANECESSITY ,OCKEDESCRIBEDWHATWASTO BECOMEONEOFTHEMOSTPOPULAREDUCATIONALBLOCKSETSTHE ALPHABETBLOCKSEXTOLLINGTHE MERITSOFSWEETENEDLEARNING )NMIDTOLATENINETEENTHCENTURYASMALLGROUPOF%UROPEAN AND53MANUFACTURERSBEGAN PRODUCINGBUILDINGTOYSOFTEN ASASIDELINETOTHEIRMAINWOODWORKING OR PRINTING BUSINESS 4HEBLOCKSFORTHECOMMERCIAL MARKET WERE CHARACTERIZED BY THREEDISTINCTIDEASLINKINGLEARN- #OURTESYOFTHEAUTHOR Karen Hewitt, M.S. Ed., is a toy designer and the founder and president of Learning Materials Workshop in Burlington, Vermont. Karen is the curator of two extensive museum exhibitions on the history of educational toys. This article is based on Karen Hewitt’s essay in the catalog published by the Katonah Museum of Art, Katonah, New York, for the 1997 exhibition, Toying with Architecture: The Building Toy in the Arena of Play. #OURTESYOFTHEAUTHOR C HILDREN HAVE ALWAYS BUILT TESTINGTHEIRTHEORIESABOUT THEPHYSICALANDSOCIALWORLD 4HEYSTACKUNITSKNOCKTHEMDOWN ENCLOSESPACESBRIDGEGAPSANDREPEATANDRElNEIDEASOFTENWITHOUT THEINTERVENTIONOFADULTSORTHEINTRODUCTIONOFCOMMERCIALMATERIALS 4HENATURALWORLDPROVIDESABUNDANTBUILDINGMATERIALHEAVYSTONES TOPILESTICKYBURDOCKTOCONNECT GREEN TWIGS TO TIE AND WEAVE !ND CHILDREN ARE QUICK TO PICK UP DISCARDEDCONSTRUCTIONANDCOMMERICALMATERIALSSUCHASWOODPIECES ORBOXES0URCHASEDBUILDINGBLOCKS ANDCONSTRUCTIONSETSAFFORDDAYSOF OPENENDEDPLAYANDLEARNING 4HAT CHILDRENS IMPULSE TO CONSTRUCTISINHERENTANDCONNECTEDTO LEARNINGISANOLDIDEA)TCANBEFOUND INTHEWRITINGSOF0LATOnB.C. #OMENIUS n AND 0ESTALOZZInASWELLASINTHE WORKOFMODERNTHINKERSSUCHAS*EAN 0IAGETn 4HEIMPORTANCEOFPLAYASARECOGNIZEDMODEOFLEARNINGFORYOUNG Trade card, late 19th century Young Childrens*ANUARY #OURTESYOF3CHECTER-E3UN,EE.EW9ORK INGANDPLAY4HElRSTCENTERSONTHE BUILDINGUNITASASURFACEFORDISPLAYINGSYMBOLSLETTERSWORDSNARRATIVES4HESECONDADDRESSESTHEPURE ACTIVITY OF BUILDINGCONSTRUCTING WITHSIMPLEABSTRACTFORMS4HETHIRD FOCUSESONTHETRANSMISSIONOFACULTURALHERITAGEBUILDINGAMODELOF ANIMPORTANTARCHITECTURALSTRUCTURE ANDTHROUGHTHISPROCESSLEARNING ARCHITECTURALSTYLES !LTHOUGHTHECATEGORIESOFTENOVERLAPINONEBLOCKTYPEITISIMPORTANT TOLOOKATEACHONETOUNDERSTAND THEPEDAGOGICALIMPLICATIONSANDTO CONSIDERTHEDISCREPANCYBETWEEN WHATADULTSWANTCHILDRENTODOOR THINKTHEYAREDOINGANDWHATCHILDRENACTUALLYDO THEIRABCSARRANGENUMERALSIN SEQUENCEREADSIMPLEWORDSAND FOLLOWANARRATIVEORDER &ORYEARSNOWLETTERSAND NUMBERSHAVEBEENNEATLYPAINTED STAMPEDORCHROMOLITHOGRAPHED ANDSILKSCREENEDONBLOCKSYET CHILDREN CONTINUE TO THINK SPATIALLYPILINGTHESEBLOCKSMAKING TOWERSANDTOWNSANDOFTENBLISSFULLYIGNORINGTHEATTEMPTOFTHEIR ELDERSTOINJECTADOSEOFLITERACY Wide-Awake Alphabet Blocks, Charles M.Blocks Crandall Co., Montrose, Penn., ca. 1870s as pure form #OURTESYOF#OLLECTION#ENTRE#ANADIEN D!RCHITECTURE#ANADIAN#ENTREFOR !RCHITECTURE-ONTREAL #OURTESYOF2OBERT(ULL&LEMING -USEUM"URLINGTON6T 0LAYING WITH FORMS IN SPACE IS AN ACTIVITY THAT HAS ALWAYS BEEN JOINTDESIGN)N*ESSE#RANDALL VALUED BY ARTISTS ARCHITECTS AND LOOKINGFORANEFlCIENTWAYTOPACK MATHEMATICIANS AS WELL AS YOUNG THEBLOCKSBEGANPRODUCINGNESTED CHILDREN 4HESE BUILDING SETS CONBLOCKSAPERFECTMARRIAGEOFEFlCIENT TAINUNADORNEDWOODFORMSWITHA DESIGNANDANUNDERSTANDINGOFCHILSERIOUSINTENT!LTHOUGHSOMESETS DRENSDEVELOPMENTALNEEDS Literacy and blocks COMEWITHPLANSORAREPACKAGEDINA ,ITERACYINADDITIONTOKNOWINGTHE 4HETRADITIONOFCLADDINGTHE BOXWHOSECOVERINDICATES SURFACEOFBLOCKSWITHSYMBOLS SOME POSSIBLE BUILDING ANDNARRATIVESBURGEONED IDEASCONSTRUCTINGSEEMS INTHEMIDNINETEENTHCENTOBETHEPRIMEFOCUS TUR Y AND CONTINUES TO 4HE%MBOSSING#OMPANY DAYBLENDINGLEARNINGAND PRODUCEDNUMEROUSSETSOF AMUSEMENT WITH A MIX PLAINBUILDINGBLOCKSSOME OF SYMBOL FANTASY AND WITHTHEADDEDFEATUREOF VIBRANTCOLOR3,(ILLONE HOLESTHATTURNEDTHEMINTO OF THE FIRST MANUFACTURCONSTRUCTIONSETS$ANDOERSOFSPELLINGANDALPHANAH 4HE &AIRY 0ALACE A BET BLOCKS PATENTED HIS 'ERMANBLOCKSETBASEDON SPELLING BLOCKS IN THEARCHITECTURALDESIGNS Alphabet Blocks and Building 3OME WERE THIN TABLETS OF"RUNO4AUTREmECTSTHE Blocks, S.L. Hill Co., Williamsburg, N.Y., ca. 1860 WHICH EMPHASIZED SYMBOL MODERNISTINTERESTINFORM OVER STRUCTURE WHILE OTHERS WERE FOR FORMS SAKE "AUSPIEL WAS DELETTERSOFTHEALPHABETALSOMEANT CUBESMORECONDUCIVETOBUILDING SIGNEDBY!LMA3IEDHOFF"USHERIN AFAMILIARITYWITHSTORIESESPECIALLY (ILLSOLDTHOUSANDSOFTHESESETSAND 7EIMAR 'ERMANY WHERE THE "AUBIBLICALONES4HEBIBLICALTHEMEWAS OTHERCOMPANIESSUCHAS7ESTCOTT HAUS MARRIAGE OF ART AND INDUSTRY COMMONTOANUMBEROFTOYSINTHE AND"LISSFOLLOWEDHISLEAD INmUENCEDTHEWORLDOFARCHITECTURE EARLY AND MIDNINETEENTH CENTURY #HARLES#RANDALLAMANUFACTUREROF DESIGN AND EDUCATION AFTER 7ORLD FOLLOWINGTHETRADITIONOFTHEPOPULAR FURNITUREANDCROQUETSETSAND*ESSE .OAHS!RK #RANDALLHISBROTHERPRODUCEDTWO 4HEDESIGNOFTHE#OB(OUSE UNIQUE BUILDING TOYS THAT RESULTED "LOCKS PRODUCED BY THE -C FROMTHEMANUFACTURINGPROCESSRATH,OUGHLIN "ROTHERS IN ERTHANAPRIORIDESIGN#HARLESSO CLEARLYPLACEDTHEACTOFBUILDTHESTORYGOESOBSERVEDHISCHILDREN ING ON A PAR WITH WORD CONBUILDINGWITHTHETHINCUTOFFPIECES STRUCTIONANDTHENARRATIVEPOSOFWOODUSEDINTHEMANUFACTUREOF SIBILITIESOFSTORYTELLING!DULTS lNGERJOINTBOXESFORHISCROQUETSETS PRESUMEDORATLEASTHOPED )NSPIREDBYHISCHILDRENSCOMPLEX THATALPHABETANDSTORYBLOCKS CONSTRUCTIONSHEBEGANTOMANUFACWOULD LEAD THEIR CHILDREN TO TUREHISALPHABETANDCONSTRUCTION AN UNDERSTANDING OF SYMBOL Stabuilt Blocks, Embossing Co., Albany, BLOCKSINADAPTINGTHElNGER SYSTEMSENTICINGTHEMTOLEARN N.Y., ca. 1915 Young Childrens*ANUARY CONTAINEDSIMPLEBLOCKFORMSTHAT REPRESENTEDSPECIlCBUILDINGSALLOWINGCHILDRENTOCREATEARRANGEMENTS OF NINETEENTHCENTURY TOWN PLANS /THERVILLAGESETSHADCOMPONENTS THATCOULDBECOMBINEDLIKEATHREE DIMENSIONALPUZZLETOBUILDACHURCH OROTHERFAMILIARARCHITECTURALSTRUCTURE!LTHOUGHCHILDRENMOSTLIKELY BUILTMANYOTHERWILDLYIMAGINATIVE STRUCTURES AT LEAST THEIR PARENTS WEREREASSUREDTHATTHEYWEREBEING BOTHCONSTRUCTIVEANDRELIGIOUSA WINNINGCOMBINATIONFORLEARNINGIN THES .EWBUILDINGTOYSEMERGINGINTHE EARLYTWENTIETHCENTURYENCOURAGED CHILDRENTOREPRESENTMOREMODERN ARCHITECTURAL FORMS &OR EXAMPLE THE "ILT %: 4HE "OY "UILDER CONSTRUCTION SET PARALLELED THE CURTAINWALLOFTHENEWMODERNSKYSCRAPER"UILDINGTOYS WERE DECLARED A NECESSITY FOREVERYHOME.EWSPAPERS AND MAGAZINES AND LATER TELEVISIONADVERTISEDANABUNDANT VARIETY OF EDUCATIONAL BUILDINGBLOCKSANDPARENTS PURCHASED THEM IN EVER INCREASINGQUANTITY 4HEIDEATHATCHILDRENCOULD BE TAUGHT A RANGE OF BUILDING TYPES AND ARCHITECTURAL STYLES AND HIGHLIGHTS OF ARCHITECTURAL HISTORY WAS A DOMINANT FOCUS OF BLOCKS DESIGNED BY THE %UROPEAN AND !MERICAN TOY MARKET&!D2ICHTERAND#OMPANY PRODUCED THOUSANDS OF BUILDINGSETSUSINGBLOCKSMADE Bauspiel blocks, Alma Siedhoff-Busher, OF ARTIFICIAL SANDSTONE AND LINdesigner (1923); Kurt Naef, Zeiningen, SEEDOIL0ERFECTLYPROPORTIONED Switzerland, ca. 1980 AND COLORED IN MUTED TONES OF RED GRAY AND BLUE THESE 7AR)4HESEBLOCKSANDTHETHEORY SETS WERE COMPACTLY PACKAGED A BEHINDTHEMPARALLELTHEPEDAGOGY LESSONINSPATIALORGANIZATIONAND ANDAESTHETICSOFMANYOFTHEBLOCKS DESIGNED BY EDUCATORS FORSCHOOLUSEANDFORTHE HOME !FURTHEREXTENSIONOF THE USE OF PURE FORM IS THEBUILDINGSETSDESIGNED FORCHILDRENTOMAKETHEIR OWN REPEATABLE FORMS 4HECHILDASACONSTRUCTIVE WORKER LEARNING TO BE A USEFUL PART OF THE GREATINDUSTRIALWORLDIS IMPLICIT IN THESE BUILDING SETS !LSO IMPLICIT IS ASTRONGGENDERBIASSO AnchorBlocks instruction sheet, F. OFTEN PORTRAYED ON THE Ad Richter and Co., Germany and New COVERSANDADVERTISEMENTS York, 1899 OFBUILDINGTOYSSOMETIMES WERE ACCOMPANIED BY PLAN SUBTLYOTHERTIMESASBLATANTAS4HE BOOKSANDSCALEDRAWINGSOF "OY#ONTRACTORh0RACTICAL#ONSTRUCREALANDIMAGINEDBUILDINGS TIONFOR"OYSv 4HEYWEREAGREATSUCCESS -ANY BLOCK SETS DEPICTED BUILDINGS FROM hEXOTICvCOUNTRIES4HE 0EKING0ALACEA FANCIFUL SET OF 'ERMAN WOOD BLOCKS WITH AR- Bilt-E-Z “The Boy Builder”Set E, Scott CHITECTUREDECORATIONS Manufacturing Co., Chicago, ca. 1924 LITHOGRAPHEDONPAPER ENCOURAGEDCHILDRENTO REARRANGE THE BUILDING INTO A Learning materials in VARIETYOFFORMSTHUSINVENTING the classroom THEIROWNVERSIONSOFAPALACE $URINGTHELATENINETEENTHCENTURY 3ETS OF VILLAGE BLOCKS WERE WHENTHE-C,OUGHLIN"ROTHERSWERE The Boy Contractor, Cruver Manufacturing A L S O C O M M O N 3 O M E S E T S #OURTESYOF2OBERT(ULL&LEMING -USEUM"URLINGTON6T #OURTESYOF#OLLECTION#ENTRE#ANADIEN D!RCHITECTURE#ANADIAN#ENTREFOR !RCHITECTURE-ONTREAL #OURTESYOFTHEAUTHOR #OURTESYOF#OLLECTION#ENTRE#ANADIEND¿!RCHITECTURE #ANADIAN#ENTREFOR!RCHITECTURE-ONTREAL Blocks as transmitters of culture: Rebuilding architectural history Co., Chicago, 1919 Young Childrens*ANUARY #OURTESYOF2OBERT(ULL&LEMING -USEUM"URLINGTON6T PUMPINGOUTTHEIRCHARMINGNESTED BLOCKSCHILDRENFACEDPRIMARYCLASSROOMSDEVOIDOFVISUALSTIMULATION AND CERTAINLY OF OBJECTS OF PLAY !LTHOUGHSOMENINETEENTHCENTURY RURALSCHOOLTEACHERSUSEDTHENATURAL ENVIRONMENT AS PART OF THEIR LESSONSPICKING FLOWERS MAKING BASKETSFROMREEDSCOLLECTINGBIRDS NESTSMOSTTEACHERSSTUCKTOTHE SLATEBOARDANDSEATWORK "UTAREVOLUTIONINTHEEDUCATION OFVERYYOUNGCHILDRENWASBREWING A REVOLUTION THAT EMPHASIZED THE IMPORTANCEOFBUILDINGCONSTRUCTION MATERIALS IN THE LEARNING PROCESS 4HIS BEGAN WITH &RIEDRICH &ROEBEL WHO WAS CERTAINLY INFLUENCED BY *OHANN0ESTALOZZISHANDSONLEARNING APPROACH FOLLOWED BY -ARIA -ONTESSORI#AROLINE0RATTAND0ATTY 3MITH (ILL AND CONTINUED INTO THE S WITH 'EORGE #UISENAIRE ANDINTOTODAYWITHCOMPUTERSAND 3EYMOUR 0APERT !LTHOUGH MANY THEORISTSSTUDYTHEPLAYBEHAVIOROF CHILDRENONLYAFEWGOONTODESIGN PLAYLEARNINGMATERIALANDTOWRITE PASSIONATELYABOUTITSUSE 4HEMATERIALSDESIGNEDBY&ROEBEL -ONTESSORIAND0RATTWEREAUSTERE AND MONOCHROMATIC EMPHASIZING THESTRUCTURALRELATIONSHIPSBETWEEN THEUNITS)NCONTRASTTHEALPHABET ANDPICTUREBLOCKSMANUFACTUREDBY *ESSE#RANDALL3,(ILLAND2"LISS WEREDECORATEDWITHCOLORFULIMAGES FOLLOWING,OCKESIDEAOFMIXINGPLEASUREWITHLEARNING )F&ROEBELnISTHEFATHER OF KINDERGARTEN THEN PERHAPS HIS USEOFTHEGIFTSTHELACKOFWHATTHEY 'IFTSAND/CCUPATIONSARETHEMOTHER CONSIDEREDSELFDETERMINEDPURPOSE OF MANIPULATIVES "EFORE &ROEBEL INTHECHILDSPLAYTHESMALLSIZEOF GEOMETRICBLOCKSTOYSWEREUSEDAS THEITEMSANDTHEEMPHASISONSEDSIMPLEBUILDINGMATERIALSORASDRAWENTARYACTIVITIES INGMODELS&ROEBELSSERIESOF'IFTS )N 0ATTY 3MITH (ILL A FACAND/CCUPATIONSWEREDESIGNEDAS ULTY MEMBER OF 4EACHERS #OLLEGE PARTOFASYSTEMATICMETHODFORCHIL#OLUMBIA5NIVERSITYQUESTIONEDTHE DRENTOLEARNTHROUGHPLAY LACKOFFREEPLAYANDPROCEEDEDTO "ASED ON THE CONSTRUCTION AND MAKE MODIFICATIONS TO THE BLOCKS TRANSFORMATIONOFFORMSTHEMATERI2ECOGNITIONOFTHECHILDSNEEDFOR ALSWEREPRESENTEDINASTRICTLYDETERLARGEMOTOR ACTIVITY AND THE CHILD MINEDSEQUENCE#HILDRENBEGANWITH ASASOCIALBEINGLEDTOTHEDESIGNOF SOLIDSHAPESTHESPHERETHECYLINLARGERBLOCKS DERANDTHECUBEMOVEDTOTHEmAT 4HE (ILL "LOCKS FIRST MANUFACPLANEANDTHELINEANDlNALLYRETURNED TUREDBYTHE3CHOENHUT#OMPANYIN TO THREEDIMENSIONAL CONSTRUCTION 0HILADELPHIACONTINUEDTOBEMADEIN WITHPOINTSANDLINESUSINGPEASOR MODIlEDFORMINTOTHES WAXEDPELLETSANDSTICKS#HILDREN WOULD BUILD THREE BASIC FORMSWITHTHEBLOCKShFORMSOF LIFEvREPRESENTINGOBJECTSFROM THEWORLDHOUSESFURNITURE TREES hFORMS OF KNOWLEDGEv GIVINGPHYSICALSUBSTANCETO ABSTRACTIDEASNUMBERANDGEOMETRYANDhFORMSOFBEAUTYv CREATINGIMAGINATIVEDESIGNS MAINLYBASEDONSYMMETRYFOR AESTHETICAPPRECIATION !LTHOUGH &ROEBELS WORK ;= WAS BASED ON Cooperative building with Patty Smith Hill HIGHLYABSTRACTIDEASSYMBOL- blocks, ca. 1930 IZEDBYBLOCKSANDOTHERTHREE DIMENSIONALMATERIALSTHEFACT THAT CHILDREN WERE GIVEN PHYSICAL 4HEYCONSISTEDOFASERIESOFBLOCKS OBJECTSTOPLAYWITHASTHEBASISFOR SQUAREPILLARSANDMETALRODSTHAT LEARNINGREVOLUTIONIZEDEARLYCHILDSECUREDTHEPIECES"ECAUSEOFTHEIR HOODEDUCATION SIZEANDWEIGHTTHEBLOCKSNECESSI 4HE KINDERGARTEN MOVEMENT TATEDTHEINVOLVEMENTANDCOOPERAWHICH STARTED IN 'ERMANY TIONOFSEVERALCHILDRENTOCONSTRUCT INTHESQUICKLYSPREAD ABUILDING TOTHE5NITED3TATESTHROUGH )T IS CLEAR WHY *OHN $EWEY WAS THEEFFORTSOFEDUCATORSWHO INSYMPATHYWITHTHEWORKOF0ATTY HADOBSERVEDTHE&ROEBELIAN 3MITH(ILLh4HE;(ILL=KINDERGARTEN KINDERGARTENSINACTION-ILASALABORATORYOFDEMOCRATICCITIZENTON"RADLEYANENTERPRISING SHIP WAS IN KEEPING WITH $EWEYS LITHOGRAPHERBEGANINTO PRAGMATICPOLICYOFEXPANDINGTHE MANUFACTURETHE'IFTSAND/CSCHOOLSSOCIALRESPONSIBILITYv7ECUPATIONSFORTHE!MERICAN BER #HILDREN WORKED TOSCHOOLMARKET GETHERAShAMINIATURECOMMUNITY "UTBYTHESTHE&ROEANEMBRYONICSOCIETYv$EWEY BELIANMATERIALSANDMETHODS ASTHEYEXPLOREDANDREPRESENTED WEREUNDERATTACKBYKINDERTHEWORLDTHEYKNEWTHEIRHOME Froebel Gifts 5 and 6, Milton Bradley Co., GARTENREFORMERS4HEYCRITITHEIRNEIGHBORHOODANDTHELARGER Springfield, Mass., 1869 CIZEDTHEFORMALSEQUENTIAL COMMUNITY Young Childrens*ANUARY #OURTESYOF2OBERT(ULL&LEMING-USEUM"URLINGTON6T View, Calif., 1985 Young Childrens*ANUARY #OURTESYOF'UMMY,UMP WWWGUMMYLUMPCOM )N#AROLINE0RATTANEDUCAOVERANDOVERAGAINUNTILTHE TORWHOHADRECEIVEDWOODWORKING CHILDTIRESOFTHEPROCESS TRAININGIN3WEDENDEVELOPEDUNIT )N Spontaneous Activity in SYSTEMBLOCKSFORHEREXPERIMENTAL Education, -ONTESSORIWROTE CLASSROOM AT (ARLEY (OUSE AND AT h/URSENSORIALMATERIALINFACT THE#ITYAND#OUNTRY3CHOOLTHATSHE ANALYSESANDREPRESENTSTHEATHELPEDFOUNDIN.EW9ORK#ITY3HE TRIBUTESOFTHINGSDIMENSIONS DESIGNEDhDOWITHSvWOODlGURESOF FORMSCOLORSSMOOTHNESSOR FAMILYANDCOMMUNITYWORKERSTO ROUGHNESSOFSURFACEWEIGHT ACCOMPANYTHEUNITBLOCKS0RATTS TEMPERATURE FLAVOR NOISE DESIGNSANDHERPIONEERINGWORKON ANDSOUNDS)TISTHEQUALITIES THE USE OF BLOCKS ;= AS OFTHEOBJECTNOTTHEOBJECTS ASOCIALINTELLECTUALANDAESTHETIC THEMSELVESWHICHAREIMPORLEARNINGTOOLSTILLRESONATETODAY TANTALTHOUGHTHESEQUALITIES Unit blocks (ARRIET*OHNSONINHERChildren ISOLATED ONE FROM THE OTHER in the Nursery School;= ARETHEMSELVESREPRESENTEDBY ELEVATEDTOTHETABLEASSUMINGAN DOCUMENTEDTHEBLOCKWORKOFCHILOBJECTSv;= ACADEMICAURA DRENMONTHSTOTHREEYEARSOLDAT 4HEMATERIALSDESIGNEDBY-ON 4HISMATHEMPHASISBEGANINTHE 4HE.URSERY3CHOOLAPROJECTOFTHE TESSORI WERE PRECISELY CRAFTED AND LATESASAREACTIONTOTHEFORMER "UREAUOF%DUCATIONAL%XPERIMENTS EITHER PAINTED WITH A SINGLE COLOR 3OVIET5NIONSLAUNCHOF3PUTNIKWITH ORGANIZEDIN.EW9ORK#ITYIN ORLEFTNATURAL7ITHLITTLEALTERATION THE53GOVERNMENTDECLARINGTHAT BY(ARRIET*OHNSON#AROLINE0RATT THEY ARE STILLBEINGMADE FOR -ON SCHOOLSNEEDEDTOIMPROVETHETEACHAND,UCY3PRAGUE-ITCHELL4HE#ITY TESSORICLASSROOMSTODAY INGOFMATHANDSCIENCE4HEINITIATIVE AND#OUNTRY3CHOOLAND"ANK3TREET 4HEBLOCKSOF(ILL0RATTAND-ONLEDTOTHEDEVELOPMENTOFAWIDEVARI3CHOOL FOR #HILDREN STILL CARRY ON TESSORIWEREBASEDINGREATPARTON ETYOFMANIPULATIVESANDSUPPORTING THISSTRONGBLOCKBUILDINGTRADITION THE OBSERVATION AND KNOWLEDGE OF EDUCATIONALGUIDESDERIVEDINPART 4HISCLASSICBOOKPRESENTSARICHLY CHILDRENS NATURAL INTERESTS #HIL FROMTHEWORKOF&ROEBEL-ONTESSORI DETAILEDDISCUSSIONOFCHILDRENUSING DRENSINTERACTIONWITHOPENENDED AND0RATTFOREXAMPLE#UISENAIRE BLOCKSINANATURALSETTING MATERIALS HAS BEEN OBSERVED AND 2ODSTHE3TERN!PPARATUS$IENES !TTHE#ASADEI"AMBINIIN)TALY STUDIED BY SEVERAL DEVELOPMENTAL ,OGIBLOCS5NIlX#UBESANDTHE,O-ARIA-ONTESSORInORIGIPSYCHOLOGISTS BEGINNING WITH ' WENFELD0OLEIDOBLOCS NATED A SERIES OF BLOCKS 3TANLEY(ALLINTHES 4HE RICHNESS OF BLOCK BUILDING CALLED hDIDACTIC MATERIBY !RNOLD 'ESELL AT THE WASFUNNELEDINTOONESPECIlCAREA ALSvBASEDONTHESYS9ALE#LINICINTHESIN OFKNOWLEDGEMATHEMATICALTHINKTEMATICTRAININGOFTHE CLINICAL SETTINGS AND BY ING h4HE VARIETY OF SHAPES AND SENSESASAWAYFORCHIL0IAGETWITHHISOWNCHILSIZESIN0OLEIDOBLOCS'AND!ENABLES DRENTOUNDERSTANDTHE DREN4EACHERSINFORMED CHILDRENTHROUGHCONSTRUCTIONAND WORLD 3HE OBSERVED BYTHESESTUDIESANDTHE EXPERIMENT TO DISCOVER THE BASIC THATCHILDRENBETWEEN WORKOFEARLYPROGRESSIVE STRUCTUREOFMATHEMATICS4HERANGE THEAGESOFTWOANDSIX EDUCATORSRALLIEDTOGETHOFSHAPESGIVESWIDEOPPORTUNITIES GOTHROUGHAPERIODIN ER AND TRIED TO INmUENCE FOR DISCOVERING AND ESTABLISHING WHICH THEY ARE INTERTHESELECTIONOFCLASSROOM EQUIVALENCIESINLENGTHHEIGHTAREA ESTEDINTHEPLACEMENT MATERIALS AND TO CHANGE AND VOLUME MAKING TANGIBLE AND OFOBJECTS THEPREVAILINGMETHODSOF THEREFOREREALWHATCHILDRENHAVESO -ONTESSORIS SENSOPEDAGOGY FARLEARNEDONLYSYMBOLICALLYv%DURIALMATERIALSUSEDON 5 N I T B L O C K S C A N B E CATIONAL 3UPPLY !SSOCIATION SMALL MATS WERE DEFOUNDTODAYINMOSTPRE"UTTHEORIGINATORSOFTHENEW SIGNEDTOISOLATEASPESCHOOLSNURSERYSCHOOLS MANIPULATIVESALSOENCOURAGEDFREE CIlCATTRIBUTE SUCHAS ANDSOMEKINDERGARTENS PLAYANDEXPLORATION HEIGHT LENGTH WIDTH -ORE INFREQUENTLY THEY DEPTHORCOLOR&OREXARE FOUND IN THE EARLY Electronic blocks AMPLETHE0INK4OWER GRADES WHERE THEY ARE BUILDSUPINCREMENTALLY USUALLY IN THE GUISE OF Pink Tower, Maria Mon #OMPUTERS THOUGH SEEMINGLY tessori, designer (ca. MATH MANIPULATIVES THE FROMLARGETOSMALL4HE NOT BLOCKLIKE AT ALL HAVE ENTERED 1908); Nienhuis Mon- mOORBLOCKSLITERALLYAND RESULTING STRUCTURE IS THEBLOCKMARKET'RYPHON"RICKS tessori USA, Mountain TAKENDOWNANDREBUILT FIGURATIVELY HAVE BEEN A #$2OM DEVELOPED IN BY Young Childrens*ANUARY 'RYPHON3OFTWARE#OMPANYISONE OF SEVERAL SOFTWARE PROGRAMS THAT ALLOWCHILDRENTOhCONSTRUCTvONTHE COMPUTER !DVERTISEMENTSANDARTICLESEXTOL THEADVANTAGESOFVIRTUALCOMPUTER BLOCKSOVERPHYSICALBLOCKSFORTHE CLASSROOM TEACHER SINCE THEY ARE hNEATv hCONVENIENTv AND hEASY TO MANAGEvNOTACONVINCINGPEDAGOGICALARGUMENT!LTHOUGHTHECOMPUTER HASVASTPOSSIBILITIESASAhMANIPULATIVEvITISNOTASUBSTITUTEFORBUILDING INTHREEDIMENSIONS 4HEMOSTCOMPLEXANDFARREACHING WORKCOMBININGBLOCKSANDCOMPUTERS IS OCCURRING AT THE -)4 -EDIA ,ABORATORY/VERTHELASTYEARS RESEARCHERS THERE HAVE DEVELOPED AGROUPOFDIGITALMANIPULATIVESFOR EXAMPLE,%'/-IND3TORMSPROGRAMMABLEBRICKS 7EBELIEVETHATTHESENEWMANIPULATIVESCANCOMBINETHEBESTOFTHEPHYSICALANDTHEDIGITALWORLDSDRAWINGON CHILDRENSPASSIONSANDINTUITIONSABOUT PHYSICALOBJECTSBUTEXTENDINGTHOSE OBJECTSTOALLOWNEWTYPESOFEXPLORATIONS)NTHISWAYDIGITALMANIPULATIVES ARE STARKLY DIFFERENT FROM TRADITIONAL USEOFCOMPUTERSINEDUCATIONWHICH TENDTODRAWCHILDRENAWAYFROMTHE PHYSICALWORLDINTERACTIONS2ESNICK ETAL -IND3TORMSISAIMEDATCHILDRENBEYONDPRESCHOOLBUTTHEUNDERLYING IDEAISCOMMONTOALLBLOCKBUILDING h,EARNERSAREPARTICULARLYLIKELYTO MAKENEWIDEASWHENTHEYAREACTIVELYENGAGEDINMAKINGSOMETYPE NAEYC posters Order several of these meaningful 16" x 22" posters for your classroom, parent area, or children’s rooms—or as gifts. $5 each + shipping. #401 To order, call the NAEYC Resource Sales Department at 800-424-2460 or 202-232-8777, ext. 2001. OFEXTERNALARTIFACTBEITAROBOTA POEMASANDCASTLEORACOMPUTER PROGRAMWHICH THEY CAN REFLECT UPONANDSHAREWITHOTHERSv+AFAI 2ESNICK %DUCATORSDEVELOPMENTALPSYCHOLOGISTSDESIGNERSANDMANUFACTURERS HAVEHELPEDDEVELOPANDPROMOTE THEEDUCATIONALVALUEOFBLOCKSAND OPENENDEDPLAY9ETEXCEPTASMATH MANIPULATIVESBLOCKSARESTILLRARELY SEENINCLASSROOMSBEYONDKINDERGARTEN%VENINMANYEARLYCHILDHOOD CLASSROOMSTODAYTHEIRFULLPOTENTIAL ASLEARNINGTOOLSISNOTCONSIDERED 4HE DESTRUCTIVEDECONSTRUCTIVE ACTIVITYCHARACTERISTICOFBLOCKPLAY ANINTEGRALPARTOFTHISACTIVITYMAKES SOME ADULTS UNCOMFORTABLE (OWEVER AS IN ALL LEARNING WE CANNOT UNDERSTAND UNTIL WE TAKE APART EXAMINEANDREBUILD#HILDRENNEED AN ENVIRONMENT WITH OPENENDED MATERIALSANDTEACHERSWHOUNDERSTANDENCOURAGEBUILDONANDEVEN PARTICIPATEINTHISBASICANDCOMPLEX MODEOFLEARNING4HISMEANSHAVING ENOUGH sCLASSROOMSPACEDEVOTEDTOBLOCK PLAY sTIMESETASIDEFORSERIOUSANDONGOINGPLAYWITHBLOCKS sFOCUSONBLOCKWORKASEVIDENCED BYTEACHERSINTERACTIONWITHCHILDREN THROUGHOBSERVATIONDOCUMENTATION REVISITINGSTRUCTURESANDSOMETIMES PARTICIPATING IN THE PLAY PROCESS AND sTIMEFORTEACHERSTOSHARE OBSERVATIONSWITHCOLLEAGUES AND UNDERSTAND HOW CHILDRENS BLOCK PLAY CONNECTS WITHTHEDEVELOPMENTOFLITERACYPHYSICALKNOWLEDGEAND MATHEMATICALTHINKING "LOCKS HAVE BEEN WITH US FORALONGTIMEANDTHEACTIVITYOFBUILDINGEVENLONGER 4HERICHPOTENTIALOFBLOCKSAS ALEARNINGTOOLFORYOUNGCHILDRENTOINVENTANDREPRESENT IDEAS IS STILL A CHALLENGE FOR TEACHERSTODAY References $EWEY*The school and society.2EPRINTEDINDewey on education,ED-3$WORKIN .EW9ORK4EACHERS#OLLEGE0RESS /UTOFPRINT %DUCATIONAL3UPPLY!SSOCIATIONEducational Supply Association Limited.(ARLOW %SSEX5+!UTHOR &ROEBEL&;=The education of man. 4RANS7.(AILMANN.EW9ORK!PPLETON *OHNSON(;=Children in the nursery. .EW9ORK"ANK3TREET#OLLEGEOF%DUCATION +AFAI9-2ESNICKEDSConstructionism in practice: Designing, thinking, and learning in a digital world.-AHWAH.*%RLBAUM ,OCKE*Some thoughts concerning education.4EXTAVAILABLEONLINEATWWWSOCSCI KUNNLPEDWHPHISTEDUCLOCKEINDEXHTML 3EESECTIONS -ONTESSORI - ;= Spontaneous activity in education.4RANS &3IMMONDS #AMBRIDGE-!2OBERT"ENTLEY 0RATT#;=I learn from children..EW 9ORK(ARPER2OW0ERENNIAL 2ESNICK--%ISENBERG2"ERG$-IKHAK $7ILLOW-ANUSCRIPT,EARNINGWITH DIGITALMANIPULATIVES.EWFRAMEWORKSTO HELP ELEMENTARYSCHOOL STUDENTS EXPLORE hADVANCEDv MATHEMATICAL AND SCIENTIFIC CONCEPTS!VAILABLEONLINEATWWWMEDIA MITEDUPAPERSMRESDIGITALMANIP 7EBER%0LAYMATERIALSINTHECURRICULUMOFEARLYCHILDHOOD)NEducational toys in America: 1800 to the present,EDS+(EWITT , 2OOMET "URLINGTON 64 2OBERT (ULL &LEMING-USEUM For further reading %XHIBITION CATALOGS FROM THE #ANADIAN #ENTREFOR!RCHITECTURE-ONTREAL1UEBEC Building in boxes: Architectural toys from the CCA. Potential architecture: Construction toys from the CCA collection. Toys that teach. Toys in the modernist tradition. Dream houses, toy homes. Toy town. "ROSTERMAN.Inventing kindergarten: Nineteenth centur y children..EW 9ORK!BRAMS #ARTWRIGHT30LAYCANBETHEBUILDINGBLOCKSOFLEARNINGYoung Children n #ARTWRIGHT3,EARNINGWITHLARGE BLOCKSYoung Childrenn #ARTWRIGHT 3 "LOCK PLAY %XPERIENCESINCOOPERATIVELEARNINGANDLIVING Child Care Information Exchange-AY n #HARNEY2-+#LAYTON#7OOD Bringing blocks back to the classroom. 'REENlELD-!.ORTHEAST&OUNDATION FOR#HILDREN #LEMENTS $ 9OUNG CHILDREN AND TECHNOLOGY)NDialogue on early child- #422 Young Childrens*ANUARY hood science, mathematics, and technology education.7ASHINGTON$#!MERICAN!SSOCIATIONFORTHE!DVANCEMENT OF 3CIENCE !VAILABLE ONLINE AT WWW PROJECTORGNEWSINFOEARLYCHILD EXPERIENCECLEMENTSHTM #UFFARO(+4HEDEVELOPMENTOF BLOCKBUILDING)NBuilding block art,ED 0(3PERR0HILADELPHIA 0LEASE4OUCH -USEUM #UFFARO(+"LOCKBUILDING/PPORTUNITIESFORLEARNING Child Care Information Exchange-AYn #UFFARO(+Experimenting with the world: John Dewey and the early childhood classroom. .EW 9ORK 4EACHERS #OLLEGE0RESS &ORMAN'%!SEARCHFORTHEORIGINSOFEQUIVALENCECONCEPTSTHROUGH MICROANALYSIS OF BLOCKPLAY )N Action and thought: From sensorimotor schemes to symbolic operations,ED'%&ORMAN .EW9ORK!CADEMIC 'UANELLA&"LOCKBUILDINGACTIVITIES OFYOUNGCHILDRENArchives of Psychology n 'URA0EDExploring learning: Young children and block play..EW9ORK0AUL #HAPMAN (EWITT+4HEBUILDINGTOYTHETOY BUILDING3YMBOLSTRUCTUREANDSTYLE )NToying with architecture: The building toy in the arena of play. +ATONAH.9 +ATONAH-USEUMOF!RT (IRSCH%3EDThe block book.D ED7ASHINGTON$#.!%9# 0APERT3;=MindStorms: Children, computers, and powerful ideas.D ED.EW9ORK"ASIC 2EIFEL3"LOCKCONSTRUCTION#HIL DRENS DEVELOPMENTAL LANDMARKS IN REPRESENTATIONOFSPACEYoung Children n 2EIFEL30-'REENlELD3TRUCTURALDEVELOPMENTINSYMBOLICMEDIUM 4HEREPRESENTATIONALUSEOFBLOCKCONSTRUCTION)NAction and thought: From sensorimotor schemes to symbolic operations, ED'%&ORMAN.EW9ORK!CADEMIC 2EIFEL3*9EATMAN!CTIONTALK ANDTHOUGHTINTHEBLOCKCORNER$EVELOPMENTALTRENDS)NPlay and the social context of development in early care and education,EDS"3CALES-!LMY!.ICOLOPOULOU3%RVIN4RIPP.EW9ORK 4EACHERS#OLLEGE0RESS 3TRITZEL+"LOCKPLAYISFOR!,,CHILDRENChild Care Information Exchange -AYn #OPYRIGHT©BYTHE.ATIONAL!SSOCIATION FORTHE%DUCATIONOF9OUNG#HILDREN3EE0ERMISSIONSAND2EPRINTSONLINEATWWWNAEYC ORGRESOURCESJOURNAL Young Childrens*ANUARY
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