by Karen Hewitt for NAEYC

Blocks As a Tool for Learning:
Historical and
Contemporary Perspectives
Karen Hewitt
6
Ivory Soap advertisement, early 20th century
CHILDREN IS CLEARLY REFLECTED IN THE
HISTORYOFBLOCKSANDCONSTRUCTION
TOYS !S EDUCATORS WE SHOULD APPRECIATETHECENTRALHISTORICALAND
CONTEMPORARYROLEOFTHESETOYSIN
EARLYCHILDHOODEDUCATION
7HETHERBLOCKSWEREADVERTISED
FORHOMEUSEORFOUNDTHEIRWAYINTO
THECLASSROOMASANEDUCATIONALDEVICETHEYHAVEALWAYSBEENLINKEDTO
LEARNING)NSome Thoughts Concerning Education,%NGLISHPHILOSOPHER
*OHN,OCKEWENTAGAINSTTHE
PREVAILINGTRENDINCHILDREARINGAND
PLACEDTHECARROTBEFORETHESTICK
h4HE CHIEF ART IS TO MAKE ALL THAT
;CHILDREN=HAVETODOSPORTANDPLAY
TOO,EARNINGANYTHINGTHEYSHOULD
BETAUGHTMIGHTBEMADEASMUCHA
RECREATIONTOTHEIRPLAYASTHEIRPLAY
ISTOTHEIRLEARNINGv
4OYSNOWBEGANTOBECONSIDEREDINmUENTIALINAPOSITIVE
WAYˆNOT AS SINFUL PASTIMES
ORBAUBLESBUTASANECESSITY
,OCKEDESCRIBEDWHATWASTO
BECOMEONEOFTHEMOSTPOPULAREDUCATIONALBLOCKSETSˆTHE
ALPHABETBLOCKSˆEXTOLLINGTHE
MERITSOFSWEETENEDLEARNING
)NMIDTOLATENINETEENTHCENTURYASMALLGROUPOF%UROPEAN
AND53MANUFACTURERSBEGAN
PRODUCINGBUILDINGTOYSOFTEN
ASASIDELINETOTHEIRMAINWOODWORKING OR PRINTING BUSINESS
4HEBLOCKSFORTHECOMMERCIAL
MARKET WERE CHARACTERIZED BY
THREEDISTINCTIDEASLINKINGLEARN-
#OURTESYOFTHEAUTHOR
Karen Hewitt, M.S. Ed., is a toy designer
and the founder and president of Learning Materials Workshop in Burlington,
Vermont. Karen is the curator of two extensive museum exhibitions on the history of
educational toys.
This article is based on Karen Hewitt’s essay in the catalog published by the Katonah
Museum of Art, Katonah, New York, for the
1997 exhibition, Toying with Architecture:
The Building Toy in the Arena of Play.
#OURTESYOFTHEAUTHOR
C
HILDREN HAVE ALWAYS BUILT
TESTINGTHEIRTHEORIESABOUT
THEPHYSICALANDSOCIALWORLD
4HEYSTACKUNITSKNOCKTHEMDOWN
ENCLOSESPACESBRIDGEGAPSANDREPEATANDRElNEIDEASˆOFTENWITHOUT
THEINTERVENTIONOFADULTSORTHEINTRODUCTIONOFCOMMERCIALMATERIALS
4HENATURALWORLDPROVIDESABUNDANTBUILDINGMATERIALHEAVYSTONES
TOPILESTICKYBURDOCKTOCONNECT
GREEN TWIGS TO TIE AND WEAVE !ND
CHILDREN ARE QUICK TO PICK UP DISCARDEDCONSTRUCTIONANDCOMMERICALMATERIALSSUCHASWOODPIECES
ORBOXES0URCHASEDBUILDINGBLOCKS
ANDCONSTRUCTIONSETSAFFORDDAYSOF
OPENENDEDPLAYANDLEARNING
4HAT CHILDRENS IMPULSE TO CONSTRUCTISINHERENTANDCONNECTEDTO
LEARNINGISANOLDIDEA)TCANBEFOUND
INTHEWRITINGSOF0LATOnB.C.
#OMENIUS n AND 0ESTALOZZInASWELLASINTHE
WORKOFMODERNTHINKERSSUCHAS*EAN
0IAGETn
4HEIMPORTANCEOFPLAYASARECOGNIZEDMODEOFLEARNINGFORYOUNG
Trade card, late 19th century
Young Childrens*ANUARY
#OURTESYOF3CHECTER-E3UN,EE.EW9ORK
INGANDPLAY4HElRSTCENTERSONTHE
BUILDINGUNITASASURFACEFORDISPLAYINGSYMBOLSˆLETTERSWORDSNARRATIVES4HESECONDADDRESSESTHEPURE
ACTIVITY OF BUILDINGˆCONSTRUCTING
WITHSIMPLEABSTRACTFORMS4HETHIRD
FOCUSESONTHETRANSMISSIONOFACULTURALHERITAGEˆBUILDINGAMODELOF
ANIMPORTANTARCHITECTURALSTRUCTURE
ANDTHROUGHTHISPROCESSLEARNING
ARCHITECTURALSTYLES
!LTHOUGHTHECATEGORIESOFTENOVERLAPINONEBLOCKTYPEITISIMPORTANT
TOLOOKATEACHONETOUNDERSTAND
THEPEDAGOGICALIMPLICATIONSANDTO
CONSIDERTHEDISCREPANCYBETWEEN
WHATADULTSWANTCHILDRENTODOOR
THINKTHEYAREDOINGANDWHATCHILDRENACTUALLYDO
THEIRABCSARRANGENUMERALSIN
SEQUENCEREADSIMPLEWORDSAND
FOLLOWANARRATIVEORDER
&ORYEARSNOWLETTERSAND
NUMBERSHAVEBEENNEATLYPAINTED
STAMPEDORCHROMOLITHOGRAPHED
ANDSILKSCREENEDONBLOCKSYET
CHILDREN CONTINUE TO THINK SPATIALLYPILINGTHESEBLOCKSMAKING
TOWERSANDTOWNSANDOFTENBLISSFULLYIGNORINGTHEATTEMPTOFTHEIR
ELDERSTOINJECTADOSEOFLITERACY
Wide-Awake Alphabet Blocks, Charles M.Blocks
Crandall Co., Montrose, Penn., ca. 1870s
as pure form
#OURTESYOF#OLLECTION#ENTRE#ANADIEN
D!RCHITECTURE#ANADIAN#ENTREFOR
!RCHITECTURE-ONTREAL
#OURTESYOF2OBERT(ULL&LEMING
-USEUM"URLINGTON6T
0LAYING WITH FORMS IN SPACE IS
AN
ACTIVITY THAT HAS ALWAYS BEEN
JOINTDESIGN)N*ESSE#RANDALL
VALUED
BY ARTISTS ARCHITECTS AND
LOOKINGFORANEFlCIENTWAYTOPACK
MATHEMATICIANS
AS WELL AS YOUNG
THEBLOCKSBEGANPRODUCINGNESTED
CHILDREN
4HESE
BUILDING
SETS CONBLOCKSAPERFECTMARRIAGEOFEFlCIENT
TAINUNADORNEDWOODFORMSWITHA
DESIGNANDANUNDERSTANDINGOFCHILSERIOUSINTENT!LTHOUGHSOMESETS
DRENSDEVELOPMENTALNEEDS
Literacy and blocks
COMEWITHPLANSORAREPACKAGEDINA
,ITERACYINADDITIONTOKNOWINGTHE
4HETRADITIONOFCLADDINGTHE
BOXWHOSECOVERINDICATES
SURFACEOFBLOCKSWITHSYMBOLS
SOME POSSIBLE BUILDING
ANDNARRATIVESBURGEONED
IDEASCONSTRUCTINGSEEMS
INTHEMIDNINETEENTHCENTOBETHEPRIMEFOCUS
TUR Y AND CONTINUES TO 4HE%MBOSSING#OMPANY
DAYBLENDINGLEARNINGAND
PRODUCEDNUMEROUSSETSOF
AMUSEMENT WITH A MIX
PLAINBUILDINGBLOCKSSOME
OF SYMBOL FANTASY AND
WITHTHEADDEDFEATUREOF
VIBRANTCOLOR3,(ILLONE
HOLESTHATTURNEDTHEMINTO
OF THE FIRST MANUFACTURCONSTRUCTIONSETS$ANDOERSOFSPELLINGANDALPHANAH 4HE &AIRY 0ALACE A
BET BLOCKS PATENTED HIS
'ERMANBLOCKSETBASEDON
SPELLING BLOCKS IN THEARCHITECTURALDESIGNS
Alphabet Blocks and Building
3OME WERE THIN TABLETS
OF"RUNO4AUTREmECTSTHE
Blocks, S.L. Hill Co., Williamsburg, N.Y., ca. 1860
WHICH EMPHASIZED SYMBOL
MODERNISTINTERESTINFORM
OVER STRUCTURE WHILE OTHERS WERE
FOR
FORMS
SAKE "AUSPIEL WAS DELETTERSOFTHEALPHABETALSOMEANT
CUBESMORECONDUCIVETOBUILDING
SIGNEDBY!LMA3IEDHOFF"USHERIN
AFAMILIARITYWITHSTORIESESPECIALLY
(ILLSOLDTHOUSANDSOFTHESESETSAND
7EIMAR 'ERMANY WHERE THE "AUBIBLICALONES4HEBIBLICALTHEMEWAS
OTHERCOMPANIESSUCHAS7ESTCOTT
HAUS MARRIAGE OF ART AND INDUSTRY
COMMONTOANUMBEROFTOYSINTHE
AND"LISSFOLLOWEDHISLEAD
INmUENCEDTHEWORLDOFARCHITECTURE
EARLY AND MIDNINETEENTH CENTURY
#HARLES#RANDALLAMANUFACTUREROF
DESIGN AND EDUCATION AFTER 7ORLD
FOLLOWINGTHETRADITIONOFTHEPOPULAR
FURNITUREANDCROQUETSETSAND*ESSE
.OAHS!RK
#RANDALLHISBROTHERPRODUCEDTWO
4HEDESIGNOFTHE#OB(OUSE
UNIQUE BUILDING TOYS THAT RESULTED
"LOCKS PRODUCED BY THE -C
FROMTHEMANUFACTURINGPROCESSRATH,OUGHLIN "ROTHERS IN ERTHANAPRIORIDESIGN#HARLESSO
CLEARLYPLACEDTHEACTOFBUILDTHESTORYGOESOBSERVEDHISCHILDREN
ING ON A PAR WITH WORD CONBUILDINGWITHTHETHINCUTOFFPIECES
STRUCTIONANDTHENARRATIVEPOSOFWOODUSEDINTHEMANUFACTUREOF
SIBILITIESOFSTORYTELLING!DULTS
lNGERJOINTBOXESFORHISCROQUETSETS
PRESUMEDˆORATLEASTHOPEDˆ
)NSPIREDBYHISCHILDRENSCOMPLEX
THATALPHABETANDSTORYBLOCKS
CONSTRUCTIONSHEBEGANTOMANUFACWOULD LEAD THEIR CHILDREN TO
TUREHISALPHABETANDCONSTRUCTION
AN UNDERSTANDING OF SYMBOL Stabuilt Blocks, Embossing Co., Albany,
BLOCKSINADAPTINGTHElNGER
SYSTEMSENTICINGTHEMTOLEARN N.Y., ca. 1915
Young Childrens*ANUARY
CONTAINEDSIMPLEBLOCKFORMSTHAT
REPRESENTEDSPECIlCBUILDINGSALLOWINGCHILDRENTOCREATEARRANGEMENTS
OF NINETEENTHCENTURY TOWN PLANS
/THERVILLAGESETSHADCOMPONENTS
THATCOULDBECOMBINEDLIKEATHREE
DIMENSIONALPUZZLETOBUILDACHURCH
OROTHERFAMILIARARCHITECTURALSTRUCTURE!LTHOUGHCHILDRENMOSTLIKELY
BUILTMANYOTHERWILDLYIMAGINATIVE
STRUCTURES AT LEAST THEIR PARENTS
WEREREASSUREDTHATTHEYWEREBEING
BOTHCONSTRUCTIVEANDRELIGIOUSˆA
WINNINGCOMBINATIONFORLEARNINGIN
THES
.EWBUILDINGTOYSEMERGINGINTHE
EARLYTWENTIETHCENTURYENCOURAGED
CHILDRENTOREPRESENTMOREMODERN
ARCHITECTURAL FORMS &OR EXAMPLE
THE "ILT %: 4HE "OY "UILDER CONSTRUCTION SET PARALLELED THE
CURTAINWALLOFTHENEWMODERNSKYSCRAPER"UILDINGTOYS
WERE DECLARED A NECESSITY
FOREVERYHOME.EWSPAPERS
AND MAGAZINES AND LATER
TELEVISIONADVERTISEDANABUNDANT VARIETY OF EDUCATIONAL
BUILDINGBLOCKSANDPARENTS
PURCHASED THEM IN EVER INCREASINGQUANTITY
4HEIDEATHATCHILDRENCOULD
BE TAUGHT A RANGE OF BUILDING
TYPES AND ARCHITECTURAL STYLES
AND HIGHLIGHTS OF ARCHITECTURAL HISTORY WAS A DOMINANT FOCUS OF BLOCKS DESIGNED BY THE
%UROPEAN AND !MERICAN TOY
MARKET&!D2ICHTERAND#OMPANY PRODUCED THOUSANDS OF
BUILDINGSETSUSINGBLOCKSMADE
Bauspiel blocks, Alma Siedhoff-Busher, OF ARTIFICIAL SANDSTONE AND LINdesigner (1923); Kurt Naef, Zeiningen, SEEDOIL0ERFECTLYPROPORTIONED
Switzerland, ca. 1980
AND COLORED IN MUTED TONES
OF RED GRAY AND BLUE THESE
7AR)4HESEBLOCKSANDTHETHEORY
SETS WERE COMPACTLY PACKAGED A
BEHINDTHEMPARALLELTHEPEDAGOGY
LESSONINSPATIALORGANIZATIONAND
ANDAESTHETICSOFMANYOFTHEBLOCKS
DESIGNED BY EDUCATORS
FORSCHOOLUSEANDFORTHE
HOME
!FURTHEREXTENSIONOF
THE USE OF PURE FORM IS
THEBUILDINGSETSDESIGNED
FORCHILDRENTOMAKETHEIR
OWN REPEATABLE FORMS
4HECHILDASACONSTRUCTIVE WORKER LEARNING TO
BE A USEFUL PART OF THE
GREATINDUSTRIALWORLDIS
IMPLICIT IN THESE BUILDING SETS !LSO IMPLICIT IS
ASTRONGGENDERBIASSO
AnchorBlocks instruction sheet, F.
OFTEN PORTRAYED ON THE
Ad Richter and Co., Germany and New
COVERSANDADVERTISEMENTS
York, 1899
OFBUILDINGTOYSSOMETIMES
WERE ACCOMPANIED BY PLAN
SUBTLYOTHERTIMESASBLATANTAS4HE
BOOKSANDSCALEDRAWINGSOF
"OY#ONTRACTORˆh0RACTICAL#ONSTRUCREALANDIMAGINEDBUILDINGS
TIONFOR"OYSv
4HEYWEREAGREATSUCCESS
-ANY BLOCK SETS DEPICTED BUILDINGS FROM
hEXOTICvCOUNTRIES4HE
0EKING0ALACEA
FANCIFUL SET OF 'ERMAN
WOOD BLOCKS WITH AR- Bilt-E-Z “The Boy Builder”Set E, Scott
CHITECTUREDECORATIONS Manufacturing Co., Chicago, ca. 1924
LITHOGRAPHEDONPAPER
ENCOURAGEDCHILDRENTO
REARRANGE THE BUILDING INTO A
Learning materials in
VARIETYOFFORMSTHUSINVENTING
the classroom
THEIROWNVERSIONSOFAPALACE
$URINGTHELATENINETEENTHCENTURY
3ETS OF VILLAGE BLOCKS WERE
WHENTHE-C,OUGHLIN"ROTHERSWERE
The Boy Contractor, Cruver Manufacturing A L S O C O M M O N 3 O M E S E T S
#OURTESYOF2OBERT(ULL&LEMING
-USEUM"URLINGTON6T
#OURTESYOF#OLLECTION#ENTRE#ANADIEN
D!RCHITECTURE#ANADIAN#ENTREFOR
!RCHITECTURE-ONTREAL
#OURTESYOFTHEAUTHOR
#OURTESYOF#OLLECTION#ENTRE#ANADIEND¿!RCHITECTURE
#ANADIAN#ENTREFOR!RCHITECTURE-ONTREAL
Blocks as transmitters
of culture: Rebuilding
architectural history
Co., Chicago, 1919
Young Childrens*ANUARY
#OURTESYOF2OBERT(ULL&LEMING
-USEUM"URLINGTON6T
PUMPINGOUTTHEIRCHARMINGNESTED
BLOCKSCHILDRENFACEDPRIMARYCLASSROOMSDEVOIDOFVISUALSTIMULATION
AND CERTAINLY OF OBJECTS OF PLAY
!LTHOUGHSOMENINETEENTHCENTURY
RURALSCHOOLTEACHERSUSEDTHENATURAL ENVIRONMENT AS PART OF THEIR
LESSONSˆPICKING FLOWERS MAKING
BASKETSFROMREEDSCOLLECTINGBIRDS
NESTSˆMOSTTEACHERSSTUCKTOTHE
SLATEBOARDANDSEATWORK
"UTAREVOLUTIONINTHEEDUCATION
OFVERYYOUNGCHILDRENWASBREWING
A REVOLUTION THAT EMPHASIZED THE
IMPORTANCEOFBUILDINGCONSTRUCTION
MATERIALS IN THE LEARNING PROCESS
4HIS BEGAN WITH &RIEDRICH &ROEBEL
WHO WAS CERTAINLY INFLUENCED BY
*OHANN0ESTALOZZISHANDSONLEARNING APPROACH FOLLOWED BY -ARIA
-ONTESSORI#AROLINE0RATTAND0ATTY 3MITH (ILL AND CONTINUED INTO
THE S WITH 'EORGE #UISENAIRE
ANDINTOTODAYWITHCOMPUTERSAND
3EYMOUR 0APERT !LTHOUGH MANY
THEORISTSSTUDYTHEPLAYBEHAVIOROF
CHILDRENONLYAFEWGOONTODESIGN
PLAYLEARNINGMATERIALANDTOWRITE
PASSIONATELYABOUTITSUSE
4HEMATERIALSDESIGNEDBY&ROEBEL
-ONTESSORIAND0RATTWEREAUSTERE
AND MONOCHROMATIC EMPHASIZING
THESTRUCTURALRELATIONSHIPSBETWEEN
THEUNITS)NCONTRASTTHEALPHABET
ANDPICTUREBLOCKSMANUFACTUREDBY
*ESSE#RANDALL3,(ILLAND2"LISS
WEREDECORATEDWITHCOLORFULIMAGES
FOLLOWING,OCKESIDEAOFMIXINGPLEASUREWITHLEARNING
)F&ROEBELnISTHEFATHER
OF KINDERGARTEN THEN PERHAPS HIS
USEOFTHEGIFTSTHELACKOFWHATTHEY
'IFTSAND/CCUPATIONSARETHEMOTHER
CONSIDEREDSELFDETERMINEDPURPOSE
OF MANIPULATIVES "EFORE &ROEBEL
INTHECHILDSPLAYTHESMALLSIZEOF
GEOMETRICBLOCKSTOYSWEREUSEDAS
THEITEMSANDTHEEMPHASISONSEDSIMPLEBUILDINGMATERIALSORASDRAWENTARYACTIVITIES
INGMODELS&ROEBELSSERIESOF'IFTS
)N 0ATTY 3MITH (ILL A FACAND/CCUPATIONSWEREDESIGNEDAS
ULTY MEMBER OF 4EACHERS #OLLEGE
PARTOFASYSTEMATICMETHODFORCHIL#OLUMBIA5NIVERSITYQUESTIONEDTHE
DRENTOLEARNTHROUGHPLAY
LACKOFFREEPLAYANDPROCEEDEDTO
"ASED ON THE CONSTRUCTION AND
MAKE MODIFICATIONS TO THE BLOCKS
TRANSFORMATIONOFFORMSTHEMATERI2ECOGNITIONOFTHECHILDSNEEDFOR
ALSWEREPRESENTEDINASTRICTLYDETERLARGEMOTOR ACTIVITY AND THE CHILD
MINEDSEQUENCE#HILDRENBEGANWITH
ASASOCIALBEINGLEDTOTHEDESIGNOF
SOLIDSHAPESˆTHESPHERETHECYLINLARGERBLOCKS
DERANDTHECUBEˆMOVEDTOTHEmAT
4HE (ILL "LOCKS FIRST MANUFACPLANEANDTHELINEANDlNALLYRETURNED
TUREDBYTHE3CHOENHUT#OMPANYIN
TO THREEDIMENSIONAL CONSTRUCTION
0HILADELPHIACONTINUEDTOBEMADEIN
WITHPOINTSANDLINESUSINGPEASOR
MODIlEDFORMINTOTHES
WAXEDPELLETSANDSTICKS#HILDREN WOULD BUILD THREE BASIC
FORMSWITHTHEBLOCKShFORMSOF
LIFEvREPRESENTINGOBJECTSFROM
THEWORLDˆHOUSESFURNITURE
TREES hFORMS OF KNOWLEDGEv
GIVINGPHYSICALSUBSTANCETO
ABSTRACTIDEASˆNUMBERANDGEOMETRYANDhFORMSOFBEAUTYv
CREATINGIMAGINATIVEDESIGNS
MAINLYBASEDONSYMMETRYFOR
AESTHETICAPPRECIATION
!LTHOUGH &ROEBELS WORK
;= WAS BASED ON Cooperative building with Patty Smith Hill
HIGHLYABSTRACTIDEASSYMBOL- blocks, ca. 1930
IZEDBYBLOCKSANDOTHERTHREE
DIMENSIONALMATERIALSTHEFACT
THAT CHILDREN WERE GIVEN PHYSICAL
4HEYCONSISTEDOFASERIESOFBLOCKS
OBJECTSTOPLAYWITHASTHEBASISFOR
SQUAREPILLARSANDMETALRODSTHAT
LEARNINGREVOLUTIONIZEDEARLYCHILDSECUREDTHEPIECES"ECAUSEOFTHEIR
HOODEDUCATION
SIZEANDWEIGHTTHEBLOCKSNECESSI 4HE KINDERGARTEN MOVEMENT
TATEDTHEINVOLVEMENTANDCOOPERAWHICH STARTED IN 'ERMANY
TIONOFSEVERALCHILDRENTOCONSTRUCT
INTHESQUICKLYSPREAD
ABUILDING
TOTHE5NITED3TATESTHROUGH
)T IS CLEAR WHY *OHN $EWEY WAS
THEEFFORTSOFEDUCATORSWHO
INSYMPATHYWITHTHEWORKOF0ATTY
HADOBSERVEDTHE&ROEBELIAN
3MITH(ILLh4HE;(ILL=KINDERGARTEN
KINDERGARTENSINACTION-ILASALABORATORYOFDEMOCRATICCITIZENTON"RADLEYANENTERPRISING
SHIP WAS IN KEEPING WITH $EWEYS
LITHOGRAPHERBEGANINTO
PRAGMATICPOLICYOFEXPANDINGTHE
MANUFACTURETHE'IFTSAND/CSCHOOLSSOCIALRESPONSIBILITYv7ECUPATIONSFORTHE!MERICAN
BER #HILDREN WORKED TOSCHOOLMARKET
GETHERAShAMINIATURECOMMUNITY
"UTBYTHESTHE&ROEANEMBRYONICSOCIETYv$EWEY
BELIANMATERIALSANDMETHODS
ASTHEYEXPLOREDANDREPRESENTED
WEREUNDERATTACKBYKINDERTHEWORLDTHEYKNEWˆTHEIRHOME
Froebel Gifts 5 and 6, Milton Bradley Co., GARTENREFORMERS4HEYCRITITHEIRNEIGHBORHOODANDTHELARGER
Springfield, Mass., 1869
CIZEDTHEFORMALSEQUENTIAL
COMMUNITY
Young Childrens*ANUARY
#OURTESYOF2OBERT(ULL&LEMING-USEUM"URLINGTON6T
View, Calif., 1985
Young Childrens*ANUARY
#OURTESYOF'UMMY,UMP
WWWGUMMYLUMPCOM
)N#AROLINE0RATTANEDUCAOVERANDOVERAGAINUNTILTHE
TORWHOHADRECEIVEDWOODWORKING
CHILDTIRESOFTHEPROCESS
TRAININGIN3WEDENDEVELOPEDUNIT
)N Spontaneous Activity in
SYSTEMBLOCKSFORHEREXPERIMENTAL
Education, -ONTESSORIWROTE
CLASSROOM AT (ARLEY (OUSE AND AT
h/URSENSORIALMATERIALINFACT
THE#ITYAND#OUNTRY3CHOOLTHATSHE
ANALYSESANDREPRESENTSTHEATHELPEDFOUNDIN.EW9ORK#ITY3HE
TRIBUTESOFTHINGSDIMENSIONS
DESIGNEDhDOWITHSvWOODlGURESOF
FORMSCOLORSSMOOTHNESSOR
FAMILYANDCOMMUNITYWORKERSTO
ROUGHNESSOFSURFACEWEIGHT
ACCOMPANYTHEUNITBLOCKS0RATTS
TEMPERATURE FLAVOR NOISE
DESIGNSANDHERPIONEERINGWORKON
ANDSOUNDS)TISTHEQUALITIES
THE USE OF BLOCKS ;= AS
OFTHEOBJECTNOTTHEOBJECTS
ASOCIALINTELLECTUALANDAESTHETIC
THEMSELVESWHICHAREIMPORLEARNINGTOOLSTILLRESONATETODAY
TANTALTHOUGHTHESEQUALITIES Unit blocks
(ARRIET*OHNSONINHERChildren
ISOLATED ONE FROM THE OTHER
in the Nursery School;=
ARETHEMSELVESREPRESENTEDBY
ELEVATEDTOTHETABLEASSUMINGAN
DOCUMENTEDTHEBLOCKWORKOFCHILOBJECTSv;=
ACADEMICAURA
DRENMONTHSTOTHREEYEARSOLDAT
4HEMATERIALSDESIGNEDBY-ON
4HISMATHEMPHASISBEGANINTHE
4HE.URSERY3CHOOLAPROJECTOFTHE
TESSORI WERE PRECISELY CRAFTED AND
LATESASAREACTIONTOTHEFORMER
"UREAUOF%DUCATIONAL%XPERIMENTS
EITHER PAINTED WITH A SINGLE COLOR
3OVIET5NIONSLAUNCHOF3PUTNIKWITH
ORGANIZEDIN.EW9ORK#ITYIN
ORLEFTNATURAL7ITHLITTLEALTERATION
THE53GOVERNMENTDECLARINGTHAT
BY(ARRIET*OHNSON#AROLINE0RATT
THEY ARE STILLBEINGMADE FOR -ON
SCHOOLSNEEDEDTOIMPROVETHETEACHAND,UCY3PRAGUE-ITCHELL4HE#ITY
TESSORICLASSROOMSTODAY
INGOFMATHANDSCIENCE4HEINITIATIVE
AND#OUNTRY3CHOOLAND"ANK3TREET
4HEBLOCKSOF(ILL0RATTAND-ONLEDTOTHEDEVELOPMENTOFAWIDEVARI3CHOOL FOR #HILDREN STILL CARRY ON
TESSORIWEREBASEDINGREATPARTON
ETYOFMANIPULATIVESANDSUPPORTING
THISSTRONGBLOCKBUILDINGTRADITION
THE OBSERVATION AND KNOWLEDGE OF
EDUCATIONALGUIDESDERIVEDINPART
4HISCLASSICBOOKPRESENTSARICHLY
CHILDRENS NATURAL INTERESTS #HIL
FROMTHEWORKOF&ROEBEL-ONTESSORI
DETAILEDDISCUSSIONOFCHILDRENUSING
DRENSINTERACTIONWITHOPENENDED
AND0RATTˆFOREXAMPLE#UISENAIRE
BLOCKSINANATURALSETTING
MATERIALS HAS BEEN OBSERVED AND
2ODSTHE3TERN!PPARATUS$IENES
!TTHE#ASADEI"AMBINIIN)TALY
STUDIED BY SEVERAL DEVELOPMENTAL
,OGIBLOCS5NIlX#UBESANDTHE,O-ARIA-ONTESSORInORIGIPSYCHOLOGISTS BEGINNING WITH '
WENFELD0OLEIDOBLOCS
NATED A SERIES OF BLOCKS
3TANLEY(ALLINTHES
4HE RICHNESS OF BLOCK BUILDING
CALLED hDIDACTIC MATERIBY !RNOLD 'ESELL AT THE
WASFUNNELEDINTOONESPECIlCAREA
ALSvBASEDONTHESYS9ALE#LINICINTHESIN
OFKNOWLEDGEMATHEMATICALTHINKTEMATICTRAININGOFTHE
CLINICAL SETTINGS AND BY
ING h4HE VARIETY OF SHAPES AND
SENSESASAWAYFORCHIL0IAGETWITHHISOWNCHILSIZESIN0OLEIDOBLOCS'AND!ENABLES
DRENTOUNDERSTANDTHE
DREN4EACHERSINFORMED
CHILDRENTHROUGHCONSTRUCTIONAND
WORLD 3HE OBSERVED
BYTHESESTUDIESANDTHE
EXPERIMENT TO DISCOVER THE BASIC
THATCHILDRENBETWEEN
WORKOFEARLYPROGRESSIVE
STRUCTUREOFMATHEMATICS4HERANGE
THEAGESOFTWOANDSIX
EDUCATORSRALLIEDTOGETHOFSHAPESGIVESWIDEOPPORTUNITIES
GOTHROUGHAPERIODIN
ER AND TRIED TO INmUENCE
FOR DISCOVERING AND ESTABLISHING
WHICH THEY ARE INTERTHESELECTIONOFCLASSROOM
EQUIVALENCIESINLENGTHHEIGHTAREA
ESTEDINTHEPLACEMENT
MATERIALS AND TO CHANGE
AND VOLUME MAKING TANGIBLE AND
OFOBJECTS
THEPREVAILINGMETHODSOF
THEREFOREREALWHATCHILDRENHAVESO
-ONTESSORIS SENSOPEDAGOGY
FARLEARNEDONLYSYMBOLICALLYv%DURIALMATERIALSUSEDON
5 N I T B L O C K S C A N B E
CATIONAL 3UPPLY !SSOCIATION SMALL MATS WERE DEFOUNDTODAYINMOSTPRE"UTTHEORIGINATORSOFTHENEW
SIGNEDTOISOLATEASPESCHOOLSNURSERYSCHOOLS
MANIPULATIVESALSOENCOURAGEDFREE
CIlCATTRIBUTE SUCHAS
ANDSOMEKINDERGARTENS
PLAYANDEXPLORATION
HEIGHT LENGTH WIDTH
-ORE INFREQUENTLY THEY
DEPTHORCOLOR&OREXARE FOUND IN THE EARLY
Electronic blocks
AMPLETHE0INK4OWER
GRADES WHERE THEY ARE
BUILDSUPINCREMENTALLY
USUALLY
IN
THE
GUISE
OF
Pink Tower, Maria Mon #OMPUTERS THOUGH SEEMINGLY
tessori, designer (ca. MATH MANIPULATIVES THE
FROMLARGETOSMALL4HE
NOT BLOCKLIKE AT ALL HAVE ENTERED
1908); Nienhuis Mon- mOORBLOCKSLITERALLYAND
RESULTING STRUCTURE IS
THEBLOCKMARKET'RYPHON"RICKS
tessori
USA,
Mountain
TAKENDOWNANDREBUILT
FIGURATIVELY HAVE BEEN
A #$2OM DEVELOPED IN BY
Young Childrens*ANUARY
'RYPHON3OFTWARE#OMPANYISONE
OF SEVERAL SOFTWARE PROGRAMS THAT
ALLOWCHILDRENTOhCONSTRUCTvONTHE
COMPUTER
!DVERTISEMENTSANDARTICLESEXTOL
THEADVANTAGESOFVIRTUALCOMPUTER
BLOCKSOVERPHYSICALBLOCKSFORTHE
CLASSROOM TEACHER SINCE THEY ARE
hNEATv hCONVENIENTv AND hEASY TO
MANAGEvˆNOTACONVINCINGPEDAGOGICALARGUMENT!LTHOUGHTHECOMPUTER
HASVASTPOSSIBILITIESASAhMANIPULATIVEvITISNOTASUBSTITUTEFORBUILDING
INTHREEDIMENSIONS
4HEMOSTCOMPLEXANDFARREACHING
WORKCOMBININGBLOCKSANDCOMPUTERS IS OCCURRING AT THE -)4 -EDIA
,ABORATORY/VERTHELASTYEARS
RESEARCHERS THERE HAVE DEVELOPED
AGROUPOFDIGITALMANIPULATIVESFOR
EXAMPLE,%'/-IND3TORMSPROGRAMMABLEBRICKS
7EBELIEVETHATTHESENEWMANIPULATIVESCANCOMBINETHEBESTOFTHEPHYSICALANDTHEDIGITALWORLDSDRAWINGON
CHILDRENSPASSIONSANDINTUITIONSABOUT
PHYSICALOBJECTSBUTEXTENDINGTHOSE
OBJECTSTOALLOWNEWTYPESOFEXPLORATIONS)NTHISWAYDIGITALMANIPULATIVES
ARE STARKLY DIFFERENT FROM TRADITIONAL
USEOFCOMPUTERSINEDUCATIONWHICH
TENDTODRAWCHILDRENAWAYFROMTHE
PHYSICALWORLDINTERACTIONS2ESNICK
ETAL
-IND3TORMSISAIMEDATCHILDRENBEYONDPRESCHOOLBUTTHEUNDERLYING
IDEAISCOMMONTOALLBLOCKBUILDING
h,EARNERSAREPARTICULARLYLIKELYTO
MAKENEWIDEASWHENTHEYAREACTIVELYENGAGEDINMAKINGSOMETYPE
NAEYC posters
Order several of these
meaningful 16" x 22" posters for your classroom,
parent area, or children’s
rooms—or as gifts.
$5 each
+ shipping.
#401
To order, call the
NAEYC Resource
Sales Department
at 800-424-2460
or 202-232-8777,
ext. 2001.
OFEXTERNALARTIFACTˆBEITAROBOTA
POEMASANDCASTLEORACOMPUTER
PROGRAMˆWHICH THEY CAN REFLECT
UPONANDSHAREWITHOTHERSv+AFAI
2ESNICK
%DUCATORSDEVELOPMENTALPSYCHOLOGISTSDESIGNERSANDMANUFACTURERS
HAVEHELPEDDEVELOPANDPROMOTE
THEEDUCATIONALVALUEOFBLOCKSAND
OPENENDEDPLAY9ETEXCEPTASMATH
MANIPULATIVESBLOCKSARESTILLRARELY
SEENINCLASSROOMSBEYONDKINDERGARTEN%VENINMANYEARLYCHILDHOOD
CLASSROOMSTODAYTHEIRFULLPOTENTIAL
ASLEARNINGTOOLSISNOTCONSIDERED
4HE DESTRUCTIVEDECONSTRUCTIVE
ACTIVITYCHARACTERISTICOFBLOCKPLAY
ANINTEGRALPARTOFTHISACTIVITYMAKES
SOME ADULTS UNCOMFORTABLE (OWEVER AS IN ALL LEARNING WE CANNOT
UNDERSTAND UNTIL WE TAKE APART
EXAMINEANDREBUILD#HILDRENNEED
AN ENVIRONMENT WITH OPENENDED
MATERIALSANDTEACHERSWHOUNDERSTANDENCOURAGEBUILDONANDEVEN
PARTICIPATEINTHISBASICANDCOMPLEX
MODEOFLEARNING4HISMEANSHAVING
ENOUGH
sCLASSROOMSPACEDEVOTEDTOBLOCK
PLAY
sTIMESETASIDEFORSERIOUSANDONGOINGPLAYWITHBLOCKS
sFOCUSONBLOCKWORKASEVIDENCED
BYTEACHERSINTERACTIONWITHCHILDREN
THROUGHOBSERVATIONDOCUMENTATION
REVISITINGSTRUCTURESANDSOMETIMES
PARTICIPATING IN THE PLAY PROCESS
AND
sTIMEFORTEACHERSTOSHARE
OBSERVATIONSWITHCOLLEAGUES
AND UNDERSTAND HOW CHILDRENS BLOCK PLAY CONNECTS
WITHTHEDEVELOPMENTOFLITERACYPHYSICALKNOWLEDGEAND
MATHEMATICALTHINKING
"LOCKS HAVE BEEN WITH US
FORALONGTIMEˆANDTHEACTIVITYOFBUILDINGEVENLONGER
4HERICHPOTENTIALOFBLOCKSAS
ALEARNINGTOOLFORYOUNGCHILDRENTOINVENTANDREPRESENT
IDEAS IS STILL A CHALLENGE FOR
TEACHERSTODAY
References
$EWEY*The school and society.2EPRINTEDINDewey on education,ED-3$WORKIN
.EW9ORK4EACHERS#OLLEGE0RESS
/UTOFPRINT
%DUCATIONAL3UPPLY!SSOCIATIONEducational Supply Association Limited.(ARLOW
%SSEX5+!UTHOR
&ROEBEL&;=The education of man.
4RANS7.(AILMANN.EW9ORK!PPLETON
*OHNSON(;=Children in the nursery.
.EW9ORK"ANK3TREET#OLLEGEOF%DUCATION
+AFAI9-2ESNICKEDSConstructionism in practice: Designing, thinking, and learning in a digital world.-AHWAH.*%RLBAUM
,OCKE*Some thoughts concerning education.4EXTAVAILABLEONLINEATWWWSOCSCI
KUNNLPEDWHPHISTEDUCLOCKEINDEXHTML
3EESECTIONS
-ONTESSORI - ;= Spontaneous
activity in education.4RANS &3IMMONDS
#AMBRIDGE-!2OBERT"ENTLEY
0RATT#;=I learn from children..EW
9ORK(ARPER2OW0ERENNIAL
2ESNICK--%ISENBERG2"ERG$-IKHAK
$7ILLOW-ANUSCRIPT,EARNINGWITH
DIGITALMANIPULATIVES.EWFRAMEWORKSTO
HELP ELEMENTARYSCHOOL STUDENTS EXPLORE
hADVANCEDv MATHEMATICAL AND SCIENTIFIC
CONCEPTS!VAILABLEONLINEATWWWMEDIA
MITEDUPAPERSMRESDIGITALMANIP
7EBER%0LAYMATERIALSINTHECURRICULUMOFEARLYCHILDHOOD)NEducational toys in
America: 1800 to the present,EDS+(EWITT
, 2OOMET "URLINGTON 64 2OBERT (ULL
&LEMING-USEUM
For further reading
%XHIBITION CATALOGS FROM THE #ANADIAN
#ENTREFOR!RCHITECTURE-ONTREAL1UEBEC
Building in boxes: Architectural toys from
the CCA.
Potential architecture: Construction toys
from the CCA collection.
Toys that teach.
Toys in the modernist tradition.
Dream houses, toy homes.
Toy town.
"ROSTERMAN.Inventing kindergarten: Nineteenth centur y children..EW
9ORK!BRAMS
#ARTWRIGHT30LAYCANBETHEBUILDINGBLOCKSOFLEARNINGYoung Children
n
#ARTWRIGHT3,EARNINGWITHLARGE
BLOCKSYoung Childrenn
#ARTWRIGHT 3 "LOCK PLAY %XPERIENCESINCOOPERATIVELEARNINGANDLIVING
Child Care Information Exchange-AY
n
#HARNEY2-+#LAYTON#7OOD
Bringing blocks back to the classroom.
'REENlELD-!.ORTHEAST&OUNDATION
FOR#HILDREN
#LEMENTS $ 9OUNG CHILDREN AND
TECHNOLOGY)NDialogue on early child-
#422
Young Childrens*ANUARY
hood science, mathematics, and technology education.7ASHINGTON$#!MERICAN!SSOCIATIONFORTHE!DVANCEMENT
OF 3CIENCE !VAILABLE ONLINE AT WWW
PROJECTORGNEWSINFOEARLYCHILD
EXPERIENCECLEMENTSHTM
#UFFARO(+4HEDEVELOPMENTOF
BLOCKBUILDING)NBuilding block art,ED
0(3PERR0HILADELPHIA 0LEASE4OUCH
-USEUM
#UFFARO(+"LOCKBUILDING/PPORTUNITIESFORLEARNING Child Care Information Exchange-AYn
#UFFARO(+Experimenting with the
world: John Dewey and the early childhood classroom. .EW 9ORK 4EACHERS
#OLLEGE0RESS
&ORMAN'%!SEARCHFORTHEORIGINSOFEQUIVALENCECONCEPTSTHROUGH
MICROANALYSIS OF BLOCKPLAY )N Action
and thought: From sensorimotor schemes
to symbolic operations,ED'%&ORMAN
.EW9ORK!CADEMIC
'UANELLA&"LOCKBUILDINGACTIVITIES
OFYOUNGCHILDRENArchives of Psychology
n
'URA0EDExploring learning: Young
children and block play..EW9ORK0AUL
#HAPMAN
(EWITT+4HEBUILDINGTOYTHETOY
BUILDING3YMBOLSTRUCTUREANDSTYLE
)NToying with architecture: The building
toy in the arena of play. +ATONAH.9
+ATONAH-USEUMOF!RT
(IRSCH%3EDThe block book.D
ED7ASHINGTON$#.!%9#
0APERT3;=MindStorms: Children, computers, and powerful ideas.D
ED.EW9ORK"ASIC
2EIFEL3"LOCKCONSTRUCTION#HIL
DRENS DEVELOPMENTAL LANDMARKS IN
REPRESENTATIONOFSPACEYoung Children
n
2EIFEL30-'REENlELD3TRUCTURALDEVELOPMENTINSYMBOLICMEDIUM
4HEREPRESENTATIONALUSEOFBLOCKCONSTRUCTION)NAction and thought: From sensorimotor schemes to symbolic operations,
ED'%&ORMAN.EW9ORK!CADEMIC
2EIFEL3*9EATMAN!CTIONTALK
ANDTHOUGHTINTHEBLOCKCORNER$EVELOPMENTALTRENDS)NPlay and the social
context of development in early care and
education,EDS"3CALES-!LMY!.ICOLOPOULOU3%RVIN4RIPP.EW9ORK
4EACHERS#OLLEGE0RESS
3TRITZEL+"LOCKPLAYISFOR!,,CHILDRENChild Care Information Exchange
-AYn
#OPYRIGHT©BYTHE.ATIONAL!SSOCIATION
FORTHE%DUCATIONOF9OUNG#HILDREN3EE0ERMISSIONSAND2EPRINTSONLINEATWWWNAEYC
ORGRESOURCESJOURNAL
Young Childrens*ANUARY