BRASS’ INSTRUMENTS
REGIONAL INSTRUMENTS
669
673/4
x689
740
x693
anon, dung chen
Tibet
anon, pair of dung chen
Tibet
anon, small conch, Strombus gigas (Linnæus), end-blown
anon, probably English, perhaps 18th c, megaphone
England
Adolf Oberli, Gstaad, 20th c, alphorn in F#
Switzerland
© The Bate Collection of Musical Instruments – 2005
[Hunt]
[S.Montagu Cleeve]
[ACB]
[Bate]
[JPSM]
47
HORNS
CORNI DA CACCIA
603
x608a/b
64
x62
605
66
x63
604
Christian Bennett, London, c.1700, in F
corno da caccia
Billandot, Paris, pair of trompes de chasse, in Eb
trompes de chasse
Carlin, Paris, 18th c, trompe de chasse, in D
trompe de chasse
P Gautié, Toulouse, 19th c, trompe de chasse, in D
trompe de chasse
Ernst Johann Conrad Haas, Nürnberg, 18th c, in F
corno da caccia
Etienne François Périnet, Paris, 19th c, in D, 8 close coils trompe Périnet
Marcel-Auguste Raoux, Paris, 19th c,
trompe de chasse
Nicholas Winkings, London, 18th c, in D
corno da caccia
[purch]
[ACB]
[RMP Gift]
[Bate]
[purch]
[RMP Gift]
[Bate]
[purch]
HORNS + CROOKS WITHOUT FIXED VALVES
x60
anon, German,
hand horn
[ACB]
69
anon, 4-coil,
hand horn
[RMP Gift]
x695
anon, Courtois? + valve modification. twelve crooks. hand horn
[John Stradling]
637
Baà Paris, 19th c, bell joint only, painted in Chinese taste bell only
[Bate]
68
John Callcott, London, 19th c,
radius omnitonic horn
[Bate]
6
Courtois neveu aîné, Paris, 19th c, + 6 crooks & mouthpiece, floral-painted bell hand horn
[RMP purch]
pc pc65 Courtois neveu aîné, + set of crooks, grecian-painted bell hand horn
[RMP Gift]
60
James Goodison, + 6 tuning slide crooks, floral-painted bell hand horn
[RMP purch]
61
Halari, Paris, 19th c, + misc crooks, neoclassic-painted bell hand horn pc
[RMP purch]
606/7John Christopher Hofmaster, London, 18th c, + crook and couplers pair of orchestral horns pc
[Lloyd-Baker, Sharp Family]
62
Thomas Key, + master crooks, couplers & valve slidehand horn
[RMP purch]
67
Marcel-Auguste Raoux, 1823, plated, + 5 tuning-slide crooks cor solo
[RMP Gift]
x6
Johann Gottlieb Roth senior, Adorf, 1822, + 1 crook
hand horn
[ACB]
63
Smith & Sons, Wolverhampton, 19th c,
hand horn
[Bate]
A large number of horn crooks
VALVE HORNS
x65
627
x64
638
698
601
pc600
602
x626
639
628
x634
x629
635
48
anon, German, in F, 3 rotaries
[Bate]
anon, German, in F, 3 rotaries, + terminal crook
[Rachael Sherlaw-Johnson]
Boosey, London, 3 périnets, + terminal crook
[Bate]
Boosey, London, bell joint only
[Bate] [purch]
A.H. Gisborn, London, band horn in Bb, no 1084.
band horn
[David Butts]
Wm Glier, Warsaw, 19th c,, 3 rotaries, + terminal crook [RMP Gift]
Goudot jne, Paris, 2 Stölzels, + terminal crook, neoclassic-painted bell
[RMP purch]
Hawkes, London, 3 Périnets, + 5 terminal crooks
[Bernard Rose]
Hawkes, London, 3 Périnets, + terminal crook
[Oxford Orch.Soc]
Josef Lidl, Brno, recent, bell joint only
[Bate]
Rudall Carte, London, 3 Périnets, + terminal crook
[ACB]
Sachsische Musikinstrumenten Fabriken, Klingenthal, 20th c, 3 rotaries, in F
[JPSM]
Wenzel Stowasser Söhne, Graslitz, 19th c, in Eb, 3 rotaries upright cavalry model
[JPSM]
Leopold Uhlmann, Vienna, 19th c, in F, 3 Vienna valves, fixed mouthpipe
[purch]
© The Bate Collection of Musical Instruments – 2005
TRUMPETS
NATURAL TRUMPETS
73
706
707
x78
72
x74
71
75
x71
pc72
x73
70
74
anon, German in Eb
anon, brass, twice round, in Eb
duty trumpet
anon, copper, twice round, in Eb
duty trumpet
Simon Beale, London, 1667, in modern Db
Dubois, Lyons, 19th c, demilune, + no crooks
demilune
Dan Godfrey Sons, London, 19th c, twice round, in Eb duty trumpet
Guichard, Paris, 19th c, demilune, + 2 crooks
demilune
D Jahn, Paris, 19th c, coiled + 5 crooks, floral-painted bell coiled pc
Key, Rudall, London, 19th c, in Eb
George Henry Rodenbostel, London, 18th c, in F
Saporetti & Cappelli, Florence, straight in C
Snow, London, Captain Ridge inventor, thrice round in D
Sonic, Tel Aviv, in Eb
[M.J.Gibbon]
[Bate]
[Bate]
[Charles Dalglish]
[RMP Gift]
[Bate]
[RMP purch]
[RMP Gift]
[Queen’s College]
[Queen’s College]
[Bate]
[RMP Gift]
[Robert Minter]
SLIDE TRUMPETS
717
x703
x7
x70
76
Philip Bate, London, Flatt trumpet after James Talbot manuscript Flatt trumpet
Philip Bate, London, Zugtrompete,tromba da tirarsi after Huns Veit Zugtrompete
Clementi, London, 19th c, Harper’s Improved
John Harris, London, 18th c, converted to slide, probably in 19th c
J Köhler, London, 19th c, T Harper’s Improved
[Bate]
[Bate]
[ACB]
[ACB]
[RMP Gift]
KEY TRUMPETS
705
704
Philip Bate, London, for 5 keys, uncompleted and no keys fitted, in G
David Edwards, Woking, modern, Weidinger model, plated, 6 keys in G
[Bate]
[David Edwards]
VALVE TRUMPETS
747
x76
746
x713
714
715
712
711
716
710
Barnes and Mullins, London, 20th c. in D
[H. La Rue]
Hawkes & Son, London, 20th c, `Long D’, 3 Périnets `Long D’
[Oxford Orch.Soc.]
Lark, China, M4015, in D,
[J.M. La Rue]
Carl Lehmann, Hamburg, modern, German model in Bb, 3 rotaries German model
[ACB]
C Mahillon, Brussels, in Bb, 3 Périnets
[ACB]
C Mahillon, London & Brussels, 19th c, long model in F, 3 Périnets long model
[ACB]
Charles Pace, London, 19th c, 3 Stölzels, 5 crooks
[RMP Gift]
Rudall Carte, in Bb, 3 compensating Périnets, Webster’s patent
[Norman Maloney]
G Silvani, Paris, 19th c, straight `Bach’ in A, 2 Périnets `Bach’
[ACB]
Svenska Blasinstrumentfabriken, Stockholm, in Eb, 3 rotaries
[Carl-Gösta Widstrand]
© The Bate Collection of Musical Instruments – 2005
49
TROMBONES
SLIDE TROMBONES
729
730
731
732
733
738
734
745
744
736
x77
742
x700
735
x701
x75
anon, perhaps French, 19th c,
anon, Dresden, 1814,
anon, Dresden, 1814,
anon, Dresden, 1814,
anon, Solomon Isles, 19th c,
Besson, London, 20th c, + alternative slide for C
Boosey, London, 20th c, tenor in Bb
Trombone by Boosey and Hawkes.
Trombone by Boosey and Hawkes.
William Brown & Sons, London, 20th c,
Antoine Courtois, Paris, 19th c,
Hawkes (on the bell), ‘ made-up’
Hawkes, London,
Ernst Hess, Klingenthal, 20th c,
Joseph Higham, Manchester, 19th c,
J Pollard, Wibsey, 19th c, restored
soprano in Bb
[JPSM]
alto in Eb pc
[RMP Gift]
tenor in Eb pc
[RMP Gift]
bass in F pc
[RMP Gift]
bass in G
[ACB]
bass/contrabass in G/D,
[JPSM]
[ACB]
[Given in memory of Colin Burr by Andrew
Burr, per Clayton Travis]
[Given in memory of Colin Burr by Andrew
Burr, per Clayton Travis]
bass in G
[Halfpenny]
tenor in Bb
[Bate]
tenor in Bb
[Bate]
bass in G
[Oxford Orch.Soc.]
tenor/bass in Bb /F
[ACB]
tenor in Bb
[Bate]
alto in Eb
[Bate]
VALVE TROMBONES
x740
743
x739
pcx702
741
50
Boosey, London, 19th c, cavalry model, 3 Périnets
bass in F
[JPSM]
Foorte,”the streamline”, in “C”.
[Given in memory of Colin Burr by Andrew
Burr, per Clayton Travis]
Antonio de Toni, Milan, 19th c, upright model, 3 rotaries tenor in Bb
[JPSM]
Halari, Paris, 19th c, 4 Périnets
tenor in C
[Bate]
Van Engelen frères, Lierre, 19th c, système Belge
tenor in Bb
[ACB]
© The Bate Collection of Musical Instruments – 2005
POST HORNS & CORNETS
NATURAL INSTRUMENTS
656
683
694
620
697
623
621
622
anon, English, 19th c,
anon, English, 19th c,
anon, English, 20th c, fake Ox and Bucks badge,
Boosey, London, straight
Dave Edwards, serial no. 1, after Köhler (Keate)
L Florent, Valenciennes, 19th c,1 crook
Rudall Carte, London, 19th c,
Rudall Carte, London, 19th c,
postillion’s horn
cycle club bugle
bugle
post horn in C
post/tandem horn
cornet simple
straight post horn in Eb
straight post horn in G
[Kenneth Turner]
[JPSM]
[Bate]
[ACB]
[Dave Edwards]
[ACB]
[ACB]
[ACB]
VALVE CORNETS
647
642
x605
641
648
643
646
650
x606
x653
681
696
682
640
684
x607
644
645
x655
649
Henry Distin, London, 19th c, 3 Périnets
soprano cornet in Eb
[ACB]
John Augustus Köhler, London, 19th c, 3 Shaw discs
soprano cornet in Eb
[purch]
Richard John Bilton, London, 19th c, 3 Stölzels & clapper key cornopean
[Bate]
Boosey, London, 20th c, 3 Périnets & 2 shanks
cornet in Bb&A
[A Spurgin]
William Brown & Sons, London, 19th c, 4 Périnets
echo cornet in Bb
[Bate]
Antoine Courtois, Paris, 2 Stölzels & 1 Périnet, + crooks cornopean
[RMP Gift]
Antoine Courtois, Paris, 19th c, cornopean, 3 Stölzels, + crooks cornopean
[ACB]
W Damant, London, 19th c, 3 Périnets, + A shank only cornet [Halfpenny]
Henry Distin, London, 19th c, cornet in C, 3 Périnets
cornet
[Bate]
J H Ebblewhite, London, but probablySax, 3 Berlins, + crooks cornet
[JPSM]
Joseph Higham, Manchester, 19th c, 3 Périnets, + Bb shank only cornet
[Bate]
Joseph Higham, Manchester, cornet in Bb with patent clear bore, + an A shank. In case.cornet 42659
[Dave Edwards]
Henry Keat, London, 19th c, 3 Périnets, no crooks
cornet
[Bate]
John Augustus Köhler, London, 3 Stölzels & clapper key cornopean
[RMP purch]
J A Köhler, 3 Shaw discs, + crooks
cornet
[Friends of Bate Collection]
C A Müller, Mainz, 19th c, 3 rotaries + flat springs
cornet
[ACB]
Marcel Auguste Raoux, Paris, 19th c, 2 Stölzels
cornopean
[RMP Gift]
John Roe, Liverpool, 19th c, 3 Stölzels & clapper key cornopean
[RMP Gift]
Rudall, Rose, Carte, London, 19th c, + 5 crooks
cornet
[Bate]
C F Zetsche Söhne, Berlin, 19th c, Prussian, 3 Berlins cornet in Bb
[ACB]
© The Bate Collection of Musical Instruments – 2005
51
BUGLES, OPHICLEIDES, SAXHORNS, TUBAS
NATURAL INSTRUMENTS
619
624
680
679
626
625
x619
anon, Plesshorn `Fürst Pless’
Plesshorn
Antoine Courtois, Paris, Oxford Univ. Vol. Corps 1863, 1 crook bugle in Bb
Henry Keat, London,
duty bugle in Bb
Mayers & Harrison, Manchester, 20th c,
duty bugle in Bb
A B Eric Pettersen, Stockholm, 20th c, thrice round
Jakthorn in Bb
William Shaw, London, 18th c, once round, + 1 crook bugle in C/Bb
Pélisson, Guinot & Blanchon, Paris & Lyons,
bass bugle in Bb
[Hunt]
[ACB]
[Bate]
[Bate]
[ACB]
[ACB]
[Bate]
KEY BUGLES
632
x600
633
Halari, Paris, 19th c, 7 keys
key bugle in Bb
J A Köhler, London, Macfarlane’s improved, + crook, 10 keys key bugle in Bb
F Tabard, Lyons, 19th c, 7 keys
key bugle
[RMP Gift]
[ACB]
[RMP Gift]
OPHICLEIDES
692
x601
691
630
x602
William Baker, London, 19th c, 11 keys
ophicleide in C
[Jeans]
Antoine Courtois, Paris, 11 keys, from Covent Garden ophicléïde in Bb
[Bate]
Charles Roth, Strasbourg, 9 keys, fitted with bass saxophone mouthpiece ophicléïde
[WallyHorwood]
Tregear & Lewis, London, 19th c, 9+1 keys
ophicleide in Bb
[John Paton]
P Turton, Dublin, 1829, 11 keys
ophicleide or quint-tube in Bb
[ACB]
VALVED BUGLES
x618
x620
George Potter, Aldershot, but probably Italian, 1 Périnet Bersaglieri bugle in Bb /F
Ferdinando Roth, Milan, 20th c,1 Périnet
Bersaglieri bugle in Bb /F
[Bate]
[Bate]
TENOR HORNS, BARITONES, & SAXHORNS
x611
x651
x610
661
690
x614
666
x617
660
x652
x676
x677
x678
x616
x615
662
x659
52
anon, German, bugle pattern, 3 rotaries
Tenorhorn in Bb
[Bate]
anon, German, bugle pattern, 3 rotaries
Althorn in Eb
[JPSM]
R Addison, London, 19th c, 3 Périnets
ballad or vocal horn in C
[Bate]
Bartsch, Paris, 19th c, 3 Berlins alto saxhorn in Eb
[Given RMP on the Opening Day]
Boosey, London, Blaikley’s compensating system
baritone in Bb
[Wally Horwood]
Antoine Courtois, Paris, 19th c, 3 Périnets, + 4 crooks alto saxhorn in F
[ACB]
Antoine Courtois, Paris, 19th c, 4 rotaries, + crooks
bugle alto in F
[RMP Gift]
Distin & Co, London, 3 Périnets, + 2 tuning-slide crooks ballad horn in C/Bb
[Bate]
A G Guichard, Paris, 19th c, 3 Stölzels, + 2 crooks
clavicor in C/Bb
[RMP purch]
Mathias Josef Hubertus Kessels, Tilburg, 3 rotaries
Flügelhorn in Bb
[JPSM]
C Mahillon, Brussels, 19th c, 4 Périnets, close-folded baritone in Bb
[JPSM]
Rivière & Hawkes, London, 19th c, 3 Périnets
baritone in Bb
[JPSM]
Rivière & Hawkes, London, 19th c, 3 Périnets
euphonium in Bb
[JPSM]
Adolphe Sax, Paris, 1868, 3 Périnets
soprano saxhorn in Eb
[Bate]
Adolphe Sax, Paris, 1844, 3 Berlins
contralto saxhorn in Bb
[CRB]
Adolphe Sax, Paris, 1867, 3 Berlins
baritone saxhorn in Bb
[RMP purch]
AS autorisé [ie made under licence by anon],
bass saxhorn in Eb 5232
[Arnold Myers]
© The Bate Collection of Musical Instruments – 2005
TUBAS
x613
658
x612
665
664
x667
x668
pc 663
anon, perhaps French, 3 Périnets
anon, French or English, 3 Périnets
Boosey, London, 4 Périnet compensators
Hawkes, London, 20th c, The Profundo, 3 Périnets
Franz Liebelt, Innsbruck, 19th c, 3 rotaries
Adolph Schmidt, probably USA, 20th c, 3 Périnets
J W York, Grand Rapids, 20th c, 3 Périnets
J H Zetsche, Hanover, Moritz pattern, 5 Berlins
© The Bate Collection of Musical Instruments – 2005
helicon in Eb
bass tuba in Eb
bass tuba in F
bass tuba in BBb
bass tuba in F
sousaphone in Eb
helicon in Eb
bass tuba in F
[Bate]
[JPSM]
[Oxford Orch.Soc.]
[ACB]
[ACB]
[JPSM]
[JPSM]
[G. Flint-Shipman]
53
CORNETTS & SERPENTS etc
CORNETTS
x501
x500
523
511
512
513
515
516
anon, c.1600,
anon, c.1600,
anon,
Christopher Monk, Farnham, modern,
Christopher Monk, Farnham,
Christopher Monk, Farnham,
Christopher Monk, Farnham,
Christopher Monk, Farnham,
cornettino
[ACB]
cornett
[ACB]
cornett
[Oxon Museum’s Service]
cornettino
[purch]
cornett
[purch]
cornett
[purch]
mute cornett
[purch]
lyzarden or tenor cornett
[purch]
SERPENTS etc
504
514
501
x502
517
509
500
pc505
519
502
503
x510
508
506
531
507
anon, probably French, keyless serpent
serpent d’église
anon,
keyless serpent
anon, English, 3-key
serpent
anon, English, c.1800, 3-key
serpent
anon, English, 19th c, 12-key, with leather and keys removed serpent
B Coldwell, 1831, 3-key compressed (closely folded) serpent
Dittes, Strasbourg, 18th c, keyless serpent
serpent d’église
Thomas Key, London, 7-key played at Battle of Waterloo, 1815 serpent
William Milhouse, London, 19th c, 3-key
serpent
anon, Paris, keyless upright serpent
serpent basson
anon, English, brass 3-key
bass horn
anon, English, from a church in Poole, copper 4-key
bass horn
Coëffet fils, Gisors, 19th c,
ophimonocléïde
Forveille, Paris, 19th c, 2-key (originally 3)
serpent forveille
Thomas Key, London, 1823, Joseph Cotter’s 8-key Royal Patent Basso Hibernicon
Klemmer, Paris, 19th c, 3-key
serpent forveille
[RMP Gift]
[purch]
[ACB]
[Bate]
[Segovia Fund]
[RMP purch]
[RMP Gift]
[Jeans]
[RMP purch]
[RMP purch]
[Bate]
[RMP Gift]
[RMP Gift]
[Bate]
[RMP Gift]
MISCELLANEOUS
611
612
79
670
671
672
54
anon, set of 3 Samson finger slides
anon, set of 3 Vienna valves
anon, mechanism of a slide trumpet (restored Peter Barton)
anon, transposing horn mute
mute
anon, fibre horn mute
mute
Keat, Zephyr Re-ec-co-ne-mu-te, brass horn mute
mute
A number of crooks, mouthpieces, etc
[RMP Gift]
[RMP Gift]
[RMP Gift]
© The Bate Collection of Musical Instruments – 2005
PERCUSSION INSTRUMENTS
MEMBRANOPHONES
REGIONAL INSTRUMENTS
x82
x811
854
861
862
864
865
871
anon, friction drum,
Italy
anon, camel drum (now the Collection’s Donation Drum) Egypt
Small pottery Darbukka.
Double friction drum coloured red and green + twirling stick.
Double friction drum.
Friction drum decorated + a chicken.
Double friction drum, + twirling stick.
Pellet drum, painted pink and green.
[ACB]
[JPSM]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
TIMPANI
x806a/b
839a/b
835a/b
x851a/b
x807a/b
x805a/b
x810a/b
x815a/b
819a/b
x820a/b
x821a/b
anon, English, 18th c,
pair of double drums
[JPSM]
anon, probably German, pair of military timpani and stands
[Cyril Lewington]
A Smith, Manchester, Ball & Smith patent, c.1900,
pair of machine timpani
[purch]
Köhler & Sons, London, 19th c,
pair of single-handle timpani
[JPSM]
Leedy, Indianapolis, 1922 patent,
pair of pedal timpani
[JPSM]
MacConell, Woolwich, 19th c, pair of Ward patent
single-handle timpani
[JPSM]
George Potter, Aldershot, 20th c,
pair of military timpani
[JPSM]
M & G Voigt, Markneukirchen, c 1920, pair of wooden-shell Kirchner Pauken
[JPSM]
anon, pair of reproduction 18th c
timpani sticks
[JPSM]
Montagu, pair of reproduction
sticks for double drums
[JPSM]
Montagu, pair of modern timpani sticks, aluminium shafts timpani sticks
[JPSM]
OTHER MEMBRANOPHONES
x01b/c
8
x83
x84
x801
x846
847
849
x80
x85
x86
x823
x800
852a/b
x88
x89
anon, English, 19th c, Morris dancer’s tabor and beater (from Galpin)
[ACB]
anon, Hanoverian (?),
side drum
[Gerald Flint-Shipman]
anon, English, 20th c,1st North Staffs, + Potter beaters tenor drum
[JPSM]
anon, English, 18th c, tenor drum in kettledrum form
tenor drum
[JPSM]
anon, 19th c,
tambourine
[JPSM]
anon, modern, tambourine without jingles
tambour
[ACB]
anon, camembert box to show how drum shells are rolled
[JPSM]
David Z.Crookes, Belfast, modern,
small drum
[JPSM]
Thomas Key, London, 1841, Grenadier Guards
bass drum
[ACB]
Jeremy Montagu, very small side drum after Dürer, + Williamson sticks side drum
[JPSM]
Jeremy Montagu, deep tabor, + beater
tambourin provençal
[JPSM]
Jeremy Montagu, reproduction mediæval tambourine
timbre
[JPSM]
Salvation Army, London, modern,
tambourine
[JPSM]
Paul Williamson, Spalding, modern, pair of
nakers and beaters
[JPSM]
Paul Williamson, Spalding, shallow mediæval pattern, and beater tabor
[JPSM]
Paul Williamson, Spalding, deep tabor from Will Kemp woodcut tabor and beater
[JPSM]
© The Bate Collection of Musical Instruments – 2005
55
IDIOPHONES
855
856
857
858
859
860
863
866
867
868
869
870
872
873
874
875
876
877
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
x816
x804
x808
837
x845
x850
848
x844
x812
x813
x82
x809
x818
x802a/b
56
Cymbals + striker.
Mbira, sansa,
Double slit drum,
Rattle wattle, a woven rattle made in Somerset.
Cog rattle,
Chinese block + two beaters.
Rattle made from a stick mounted + pellet bells.
Amalfi, Castanets mounted on a stick.
Metal kazoo,
Banboo kazoo,
Rattle, woven of purple and natural coloured reed,
Pellet rattle,
Jew’s harp, typical light metal of the UK type
Jew’s harp, stamped ‘England’.
Small pair of cymbals,
Small pair of cymbals
Black plastic castanets.
Small bronze cymbals.
China? Red muju and beater,
Morf musical box,
Metal sprung clapper,
One metal tube from a tubular bell.
Camel bell, clapper bell of brass.
Goat bell, clapper bell of brass.
Goat bell, clapper bell of brass
Cup bell, clapper bell of brass.
Austrian style light cowbell.
Brass pellet bell
Old brass pellet bell.
Sheep bell, clapper bell of brass.
Indian wooden cow bell + a clapper, medium size.
Indian wooden cow bell + a clapper, small size.
C# chime bar, AM11,
Anon, Balafon, xylophone,
West Africa,
anon, Peckham, 20th c, steel drum, 2nd pan
anon, English, 19th c, triangle and beater
anon, boxwood orchestral castanets
anon, child’s castanets
anon, Marrakesh, Morocco, pair of iron qaraqeb
Morocco
anon, Africa, small sansa, 6 reeds of reed, box resonator anon, two small bells on brass fitment
Clements, large ratchet + wooden resonator
Jeremy Montagu, castanet machine to play with fingers or beaters
Jeremy Montagu, machine triangle to play with fingers or beaters
Jeremy Montagu, pair of cymbal rollers
Stanwick, Lytton Cheyney, `mediæval’ triangle + rings Stubbs, London, glockenspiel, 1902, + Tuned Percussion beaters
K Zildjian, Istanbul, 20th c, pair of cymbals
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[ACB Bequest]
[Henry Gift]
[JPSM]
[JPSM]
[JPSM]
[Hunt]
[ACB]
[ACB]
[ACB]
[JPSM]
[JPSM]
[JPSM]
[JPSM]
[JPSM]
[JPSM]
© The Bate Collection of Musical Instruments – 2005
MEDIÆVAL & LATER JEWS HARPS
824
826
827
828
829
830
831
832
878
879
834
x840
x841
x842
843
bronze
twisted iron
large rounded
bent, rounded
thin, rounded
small thin
small rounded
larger angular
anon, blue metal stamped ‘made in Austria’.
anon, Jew’s harp,
Karl Schwarz, Molln, modern [
© The Bate Collection of Musical Instruments – 2005
Austria
India
Java
Thailand
Mindanão
[purch]
[purch]
[purch]
[purch]
[purch]
[purch]
[purch]
[purch]
[ACB Bequest]
[ACB Bequest]
JPSM]
[JPSM]
[JPSM]
[JPSM]
[Roy Chiverton]
57
TUNING FORKS AND OTHER DEVICES
x814
853
836a-m
x838a-r
4139
58
anon, 18th c,
anon,
John Walker, Sheffield, chromatic set
John Walker et al, two boxes of misc
anon, pocket tuner in leather case,
C fork
tuning fork
tuning forks
tuning forks
pocket tuner
[JPSM]
[Nancy Bosanquet]
[purch]
[Bate]
[Mrs Mary Guillemard]
© The Bate Collection of Musical Instruments – 2005
THE GAMELAN KYAI MADU LARAS
Presented by H.E.Sudjarwo Minister of Forestry of the Republic of Indonesia
the Gamelan came from Klaten in Central Java
pc rec
8000
gong ageng
8001
saron panerus, slendro
8002
saron panerus, pelog
8003
saron barung, slendro
8004/5 2 saron barung, pelog
8006
saron wayang, slendro
8007
saron demung, slendro
8008
saron demung, pelog
8009
gender panerus, slendro
8010
gender panerus, pelog, without note 1
8011
gender panerus, pelog, without note 7
8012
gender barung, slendro
8013
gender barung, pelog, without note 1
8014
gender barung, pelog, without note 7
8015
slentem, slendro
8016
slentem, pelog
8017
bonang panerus, slendro
8018
bonang panerus, pelog
8019
bonang barung, slendro
8020
bonang barung, pelog
8021a-f 6 kenong, slendro
8022a-f 6 kenong, pelog
8023a-b ketuk & kempyang, slendro
8024a-c ketuk & 2 kempyang, pelog
8025
gambang kayu, slendro
8026
gambang kayu, pelog, without note 1
8027
gambang kayu, pelog, without note 7
8028a-e 5 kempul, slendro
8029a-d 4 kempul, pelog
8030/1 2 gong suwukan
8032
kendhang ageng
8033
kendhang ketipung
8034
kendhang ciblon
8037
kendhang ageng acquired later
[purchased]
8035
kendhang ketipung acquired later
[purchased]
8036
kendhang ciblon acquired later
[purchased]
8038
keprak [purchased]
8039 a/b pair of kemanak, slendro
[purchased]
8040 a/b pair of kemanak, pelog
[purchased]
[961/2 rebab see String Instruments]
[993
citer see String Instruments]
[0178-80 sulings, see Duct Flutes]
There is also a large stock of tabuh, those that came with the Gamelan initially, and those bought for it in Java (including 3 spare rebab bows, bridges, etc), and those which were presented by HE The Ambassador.
8041
gong ageng
[purchased]
8042
gong suwukan
[purchased]
8043
gong suwukan
[purchased]
8044
gong suwukan
[purchased]
8045
saron barung
[purchased]
© The Bate Collection of Musical Instruments – 2005
59
8046
8047
8048
8049
8050
60
saron barung
saron barung
saron barung
saron bamung
saron bamung
[purchased]
[purchased]
[purchased]
[purchased]
[purchased]
© The Bate Collection of Musical Instruments – 2005
STRING INSTRUMENTS
KEYBOARDS
CLAVICHORDS
93
980
969
9
959
978
979
x917
9031
9032
9033
984
anon, probably German, c 1820, fret-free clavichord ‘Klavier’ clavichord
[purch with help from Hulme Fund, the Faculty, and The Friends]
anon, 20th c, pair-fretted after late 17th c Monastery of Cuneo clavichord
[Pilkington]
Arnold Dolmetsch, London, 1894,
fret-free clavichord no.1
[Dr.George Gordon]
H A Hass, Hamburg, 1743
fret-free clavichord pc
[purch with help from NACF, NHMF,
Pilkington, and The Friends]
Niall MacCoinnich, Littlemoor, single-key clavichord action
Niall MacKenzie]
Jean Maurer, heavily fretted clavichord after 1440 Arnault de Zwolle
[Pilkington]
Jean Maurer, heavily fretted clavichord after 1473/4 Urbino intarsia
[Pilkington]
John Rawson, London, triple-fretted clavichord, after German mid-17th c
[JPSM]
Saunders, Stephen, fret-free clavichord, 1997, after Christian Gottlob Hübet, 1784,
Ansbach (Boalch, 1956, no 11)
[Stephen P. Saunders Bequest]
Saunders, Stephen, fret-free clavichord, 1998,
[Stephen P. Saunders Bequest]
Saunders, Stephen, fret-free clavichord, 2000, after Hass [Stephen P. Saunders Bequest]
Michael Thomas, modern, fret-free clavichord rec
[Pilkington]
© The Bate Collection of Musical Instruments – 2005
61
HARPSICHORDS, VIRGINALS, & SPINETS
986
983
953
975
x91
x97
974
985
981
982
98
x988
x90
9034
9035
x987
94
62
anon, Flemish, Paris, c 1670, double-manual, 41/2 octaves, G-c harpsichord
[Pilkington]
Jean Goermans, Paris, 1750, double-manual, 5 octaves, F-f harpsichord md pc
[Pilkington]
William Groom, Abergavenny, single-key
harpsichord action
[purch]
John Morley, Lewisham, nine-key double-manual doglegged harpsichord action
[purch]
Schudi & Broadwood, 1781, double-manual
harpsichord
[A & P Taphouse]
Richard Shann, Glan y Gors,1979, miniature harpsichord after Minden altarpiece
[JPSM]
William Smith, London, c 1720, single-manual, 5 octaves, G-g,
harpsichord md pc rec perhaps Handel’s
[Audrey Blackman in memory
of her mother, Hilda Seligman]
Michael Thomas, London, double-manual, ‘French 17/18 c’ harpsichord
[Pilkington]
Michael Thomas, London, double-manual, ‘French 18th c’ harpsichord
[Pilkington]
Joseph Tisseran, London,1700, double-manual,41/2 octaves, G-d harpsichord pc rec
[Pilkington]
Niall MacCoinnich, London, after 1650 Couchet, 4 octaves, C-c virginals
[Faculty]
Baker Harris, London, 1776, 5 octaves, F-f
spinet
[Michael Thomas]
John Harrison, London, 1749, 5 octaves, G-g
spinet
[Alan & Philip Taphouse]
Saunders, Stephen, 1994,
virginals
[Stephen P. Saunders Bequest]
Saunders, Stephen, 1994,
spinet
[Stephen P. Saunders Bequest]
Benjamin Slade, London, c 1710, 41/2 octaves, G-e
spinet
[Michael Thomas]
Thomas Hitchcock, London, , 5 octaves, G-g
spinet
[purch with help from Hulme Fund,
the Faculty, LMPF, and The Friends]
© The Bate Collection of Musical Instruments – 2005
PIANOS
96
92
954
9037
976
95
999
Astor & Horwood, London, c 1818, 6 octaves, F-f
square piano
[Constance Cummings]
Adam Beyer, London, 1779, 5 octaves, F-f square piano [purch with help from Hulme Fund,
the Faculty, and The Friends]
John Broadwood, London, 1840, 6 octaves, F-f
square piano
[Bernard & Gregory Rose]
Georgius Froschle, London,1772, 5 octaves, G-f
square piano
[Stephen and Yvonne Wall,
in memory of George Marfleet]
Kawai, single-key grand piano action
model
[Mr & Mrs Kawai]
Longman & Broderip, London, c 1790, 5 octaves F-f
square piano
[Rosemary Smith]
Kenneth Sleaford, Sheffield, Prellzungenmechanik piano action model
[Sleaford]
OTHER KEYBOARDS
x970
958
x965
anon, English, late 19th c, 3 octaves, c-c”
Flight & Robson, London, c 1825,
Moore & Moore, London, 1885, Ellis Harmonical
© The Bate Collection of Musical Instruments – 2005
portable harmonium
[JPSM]
barrel organ
[Bate]
[The Clarendon Laboratory]
63
REGIONAL STRING INSTRUMENTS
x900
x901
9000
9001
902
x904
x909
x973
x972
x907
x908
x910
911
960
961
962
x99
992
993
64
anon, gnibri
anon, ‘ud
anon, erhu with bow
anon, bow, for unknown instrument
anon, mandolin
anon, guitarra braguesa
anon, chiapas (small guitar)
anon, baglamas (small bouzouki)
anon, saz
anon, Rabat, gnibri
anon, kemençe or pontic lira and bow
anon, gusla & bow
anon, gusla
anon, fiddle
anon, rebab & bow, from the Gamelan
anon, rebab & bow, bought for the Gamelan
anon, rebab andaluz & bow
anon, sarangi & bow
anon, citer, from the Gamelan
Marakesh
Lebanon
China
Portugal, Oporto
Mexico
Greece
Turkey
Turkey
Yugoslavia
Yugoslavia
West Africa
Central Java
Central Java
Morocco
North India
Central Java
[ACB]
[ACB]
[ACB Bequest]
[ACB Bequest]
[Frederick Sternfeld]
[ACB]
[ACB]
[JPSM]
[ACB]
[ACB]
[ACB]
[ACB]
[Annette Series]
[Richard Vendome]
[H.E.Sudjarwo]
[JPSM]
[JPSM]
[S.Montagu Cleeve]
[H.E.Sudjarwo]
© The Bate Collection of Musical Instruments – 2005
EUROPEAN PLUCKED STRING INSTRUMENTS
963
957
9027
x920
945
944
971
955
977
x956
9026
9028
9029
9030
9004
anon, , 19th c.
guitar pc
anon, 18th c,
English guitar pc
anon, Naples,
mandolin
Ernst Heins & Felivan Lamsweerde, Jaap Kunst pattern dodecachord
John Isaacs, Ely, Harwood & Isaacs 7-course
lute
Edward Light, London, 19th c, harp
lute
Cardoso Pereira, Lisbon, 20th c,
guitarra
Gerhard Reither, 8-course
lute
Reliance, mandolin
banjo
Venus,
autoharp
José Massaguer, stamped: Massagne en Barcelona
Bandurria
Joseph Kriner,
Zither
A. Lambert,
Epinette de Vosges
anon,
psaltery
anon,
psaltery
© The Bate Collection of Musical Instruments – 2005
[S.Montagu Cleeve]
[Hunt]
[Henry Gift]
[JPSM]
[Faculty]
[Mrs Jeffcock]
[Hunt]
[Terry Pratt]
[Abingdon Museum]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Oxon Museum Service]
65
REBECS, VIOLE DA GAMBA, & VIOLINS
9005
905
906
x990
946
947
9016
948
913
914
915
994
903
923
9008
964
919
922
967
9024
991
921
9010
9012
9036
9014
66
anon,
rebec and bow
[Oxon Museum Service]
NRI, Manchester, modern,
bass rebec & bow
[University Clubs]
NRI, Manchester, modern,
tenor rebec & bow
[University Clubs]
Bernard Ellis, Dilwyn, modern, with different bow
‘mediæval’ fiddle
[JPSM]
anon, modern, German
treble viol & bow
[Hunt]
anon, modern, German
tenor viol & bow
[Hunt]
Odoardi,
bass viol
[Henry Gift]
F.M.Sämann, modern,
bass viol & bow
[Hunt]
Wolfgang Uebel, modern,
bass viol & bow
[Faculty]
Wolfgang Uebel, modern,
tenor viol & bow
[Faculty]
Wolfgang Uebel, modern,
treble viol & bow
[Faculty]
S Montagu Cleeve, Wimbledon, 1968,
New viola d’amore no.1
[Robert Payn]
anon, 18th c, Stainer model, rebaroqued by N.Hayley violin
[purch]
anon, German, 19th c, viola d’amore type profile
violin
[Halfpenny]
Anon, Italy or Tyrol,
violin
[Henry Gift]
anon, late 18th c, classical period, in original state
viola
[Faculty]
anon, late 18th c, Klotz School, restored, & 2 bows
cello
[James Griffiths]
anon, German, 19th c,
chamber bass
[Halfpenny]
Mark Ellis, Huddersfield, modern,
baroque violin
[Faculty]
Viole,
[Henry Gift]
Henry Jay, London, 1746, restored to original state
violin pc
[Faculty]
Henry Jay, London, 1759, restored to original state
cello & bowpc
[Halfpenny]
Rose,
violin
[Henry Gift]
Dominique Salzard,
violin
[Henry Gift]
Robert Thompson, c.1760,
violin
[Given in Memory of Annie Herring]
Jean Baptiste Vuillaume, three quarter size,
violin,
[Henry Gift]
© The Bate Collection of Musical Instruments – 2005
BOWS
924
x928
925
926
927
x952
9020
9021
9022
9025
9015
9017
9011
949
950
951
968
9018
9023
9019
995
9013
9009
anon, English, 19th c,
anon, English, 19th c,
anon, French,
anon, German,
anon, English, 19th c,
anon, traveller’s sample
anon,
anon,
anon,
anon,
Charles Bazin, one tenth size
A.R. Bultitude, stamped Arnold Dolmetsch,
Camurat à Paris,
Julian Clark, Banbury, modern, after Tononi
Julian Clark, Banbury, modern, after Tononi
Julian Clark, Banbury, modern, after Tononi
Nicholas Baldock, Manchester, modern, `early’
Husson,
J. Lamy - Paris.
? Morizot, unstamped, three-quarter size.
J Viby, Denmark, modern, Vega Bach
Emile Ouchard,
Vigneron à Paris,
© The Bate Collection of Musical Instruments – 2005
Dragonetti bass bow
Dragonetti bass bow
Bottesini bass bow
Simandl bass bow
Dragonetti bass bow
violin bow
violin bow
viol bow
cello bow
double bass bow
violin bow
viol de gamba bow
violin bow
violin bow
violin bow
violoncello bow
viola bow
violin bow
violin bow
violin bow
violin bow
violin bow
violin bow
[Halfpenny]
[JPSM]
[Halfpenny]
[Halfpenny]
[Halfpenny]
[JPSM]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Faculty]
[Faculty]
[Faculty]
[Faculty]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Robert Payn]
[Henry Gift]
[Henry Gift]
67
The William C Retford Memorial Collection
929
9003
9007
936
989
939
940
941
937
933
934
998
930
931
932
938
935
997
9006
9002
996
68
The Retford display case and all his tools, bows, and other contents
[see separate Handbook and checklist]
Retford’s Pocket watch.
[Per Michael Taylor]
Retford Archive
[Wayne Porter)
Samuel Allen, London, 1900, pernambuco
violin bow
[Irene & Ronald Evans]
Samuel Allen, c 1895, pernambuco
viola bow
[Irene Evans from the late Ronald Evans]
Samuel Allen, London, 1884, pernambuco
Dragonetti bass bow
[Willi Kern-Simmen]
Roderic von Bennigsen, Wohlen, graphite fibre
violin bow
[David Stone Associates]
Roderic von Bennigsen, Wohlen, graphite fibre
violoncello bow
[David Stone Associates]
Arthur Bultitude, Hawkhurst, 1975, pernambuco `Retford Centenary’violin bow
[Arthur Bultitude]
Arthur Bultitude, London, c 1950 pernambuco
violin bow
[Mrs P White]
Arthur Bultitude, Hawkhurst, 1966, snakewood treble viol bow
[Mrs P White]
Arthur Bultitude, Hawkhurst, pernambuco
viola bow 6940
[L H A Weigall bequest]
Edward Dodd, London, 18th c, pernambuco
viola da gamba bow md
[Mrs P White]
Edward Dodd, London, 18th c, snakewood
viola d’amore bow md
[Mrs P White]
W E Hill & Sons, 1943, stick by A Copley, nut by S Yeoman violin bow
[Mrs P White]
Thomas Porter, Ealing, London, 1972, pernambuco
cello bow
[Thomas Porter]
William C Retford, Hanwell, London, 1959, pernambuco violin bow
[C R Hoodless]
William C Retford, Hanwell, London, 1963, pernambuco viola bow
[N S Kiernan]
William C Retford, Hanwell, London,
viola bow
[Wayne Porter]
William C Retford, Hanwell, London,
cello bow
[per Michael Taylor]
J B Vuillaume, c.1840, tubular steel
violoncello bow
[Andrew Bellis]
© The Bate Collection of Musical Instruments – 2005
PAINTINGS etc
IC/1
IC/2
IC/3
IC/4
IC/5
IC/6
IC/7-8
IC/9
One print, 18th c., coloured, showing a band of musicians.
Le flûteur, ? 19th century copy of Alexis Grimou (1678-1733).
“Girl + a Recorder “(1661), Jan Miense Molenaer copy (ca 1610-1668).
Untitled, ?19th-century copy of an original painting by ? Bassant Jr.
The violin player, oils,
Screen + tapestry inserts (? early 18th century), ? French.
Pair of plates showing a transverse flute player, pottery, French,
Portrait miniature, ?19th century, young man + transverse flute.
© The Bate Collection of Musical Instruments – 2005
[ACB Bequest]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Henry Gift]
[Henry Gift]
69
70
© The Bate Collection of Musical Instruments – 2005