Disney’s ‘Alice in Wonderland’: “Three Coins from
a Dead Man’s Pocket”
View trailer
In the tradition that began with ‘Dogville’ in 2004 comes this incredibly
creative 2010-released movie that contains the lexicon from beginning to
end.
It’s demonstrative of how much Hollywood has embraced the global
coalition’s agenda and celebrates the Canadian lawyer’s modern day David
vs. Goliath X2 struggle. Now comes another geo-production, which like its
predecessors embeds the lexicon and standard communiqués throughout.
Watching the movie and marveling at how exceptionally creative and visually
stimulating it was – the results of combining democracy and free market
capitalism – in the 3-D Imax format reminded the Canadian of the
entrepreneurial opportunity he was robbed of in the late 1980s to make way
for him becoming an enslaved and deprived human experimentation victim.
He foresaw exactly what evolved in the then budding computer animation
industry.
He fully expected to observe the contribution he made to civilization that
wasn’t planned for, and only arose because his life was hijacked – the
lexicon and his coalition’s tenacious resolve to achieving stated objectives.
Alice in Wonderland is a 2010 fantasy adventure film directed by Tim
Burton, written by Linda Woolverton, and starring Mia Wasikowska,
Johnny Depp, Helena Bonham Carter, Anne Hathaway, Crispin Glover,
Michael Sheen and Stephen Fry. It is an extension of Lewis Carroll's
novels Alice's Adventures in Wonderland and Through the LookingGlass. The film uses a technique of combining live action and computer
animation.
In the film, Alice is now nineteen years old and accidentally returns to
Underland (misheard by Alice and believed to be called Wonderland), a
place she visited thirteen years previously. She is told that she is the
only one who can slay the Jabberwocky, a dragon-like creature
controlled by the Red Queen who terrorizes Underland's inhabitants.
Source: wikipedia.com
The lead male and female actors, Johnny Depp and Anne Hathaway, have
been coalition partners since May 2007 and February 2008 respectively; as
has Disney since purchasing PIXAR from Steve Jobs in 2006.
Director Tim
Burton used the movie as the means to announce he’d joined by generously
employing the lexicon.
The confidential language isn't cryptically embedded on the fringes of the
film. Burton et al. add various constituents in full and regular view. Depp’s
character, the Mad Hatter, is wardrobed to include a combination Taylor
Identifier, quantum ratifier and China identifier; achieved by tucking a scrap
of paper in the hat’s brim strap with the number 170/6.
What's the geo-significance of this beyond embedding these lexiconic
constituents? Mathematically 170 divided by 6 = a Sorkin China identifier
and a coalition identifier ad infinitum:
Alice is attacked by a ferocious beast early in the movie and wounded on her
right arm.
To the end, the audience observes a coalition identifying
diplomatically coercive three large scratch marks.
Attire is also geo-politicized.
Canadian prison certainty.
A third way through Alice’s dress contains
And the characters of Tweedle Dee and Tweedle Dum insert prison certainty
throughout.
Not more than a few minutes elapsed before the lexicon is employed. The
movie begins when Alice as a 6-year old girl. Her father, portrayed as an
entrepreneur with global aspirations, is counseling on her on the meaning of
dreams during sleep and a wild imagination.
When producers fast-forward
to her young teens, a caption is added that the leap forward is “13 years
later” – another Taylor Identifier.
At the beginning of the scene in which a party for her engagement to an
18th century English Lord is held, two of Alice’s relatives exclaim her
deceased’s
father’s
been
gone
for
“over
20
years”;
thus
inserting
condemnation for enslaving and torturous human experimentation early and
a coercive threat of premature mortality for Chinada principals; and creating
a rich geo-context for the rest of the production.
Her husband-to-be asks to meet her away from the guests in the garden,
where he intends on asking her to marry him. The gazebo is designed with
prison certainty in mind to inject the isolation-deprivation (love, marriage)
theme into the script.
The most pronounced initiative in coercive diplomacy is when Alice meets
with the White Queen, played by Anne Hathaway. Because Alice’s size has
varied from very tall to very small, and at this point is the former, the Queen
prepares a magic potion to reduce her to normal. As she’s concocting it she
states:
A pinch of worm fat. U-rine of a horsefly. Three coins from a dead
man's pocket. Two teaspoons of wishful thinking. That should do it.
View video [@ 0:14]
This combines a coalition identifier with a quantum ratifier: a not-so-veiled
threat to arrange the transfer of wealth from the lethal force assassinated or
capital punishment executed to the Canadian lawyer.
Tim Burton’s uber-extraordinary creativity is evident throughout; like when
conceiving of the design of the Red Queen’s royal guard. Taking direction
from previous productions, they are in the form of playing cards.
times he combines various cards to create lexiconic numbers.
Many
In a scene
involving the Mad Hatter pleading for his life before the tyrannical sovereign
is the combination that creates a coalition identifier -- drawing attention to
the partnership's military assets' ability to manage China prisoners being
readied for prosecution before the 'Iron Fist' tribunal.
A quantum ratifier
and coalition and China identifiers are embedded in the set design.
The lab monkey metaphor is inserted by way of scripting tiny chimps to be
candelabra holders and later the legs of table. And the 'pigs at the trough'
constituent of Chinada governance is added when the Queen is scripted to
demand a foot stool. The colors of punishment for principals of the ChinaCanada alliance are used to red flag this as condemnation-relevant.
The movie ends in true coalition form. Upon Alice’s return to her world she
rejects her family’s arranged marriage and is scripted to interact with the
father of the former husband-to-be. She reveals her father’s disposition for
thinking globally and the seasoned businessman offers to apprentice her.
The closing scene is at the port where she’s on a ship embarking on her first
entrepreneurial adventure – to China.