SDU Design: Scientific business plan The vision of SDU Design is to build an exceptional research environment that embraces design from a set of complementary perspectives and methods. By combining the competencies from the Department of Design and Communication (IDK), the Department of Entrepreneurship and Relationship Management (IER), and the Mads Clausen Institute (MCI), we aim to expand crossdisciplinary research and education programmes to establish a clear international position within design. Contents The concept of design......................................................................................................................................................2 Co-branding strategy ..........................................................................................................................................................2 Building relations to external partners .....................................................................................................................2 Research themes .................................................................................................................................................................3 A) Product design: Interactions, meanings, competencies............................................................................3 B) Sustainable business design ......................................................................................................................................3 C) Co-design management ............................................................................................................................................4 D) Multi-stakeholder innovation..................................................................................................................................4 Research outcomes ...........................................................................................................................................................5 Design research disciplines ...........................................................................................................................................6 Postdocs as flexible, critical mass ................................................................................................................................6 PhD students on external funds ..................................................................................................................................6 Senior faculty provide direction ...................................................................................................................................6 Management of SDU Design ........................................................................................................................................7 Cross-disciplinary research organisation.............................................................................................................8 Research Forum integrates activities .........................................................................................................................8 Seed Projects kick-start collaboration ......................................................................................................................8 An attractive research environment ..........................................................................................................................9 Co-publication strategy .....................................................................................................................................................9 Engaging teaching in research ........................................................................................................................................9 The first Seed Projects – Fall 2013 ....................................................................................................................... 10 Design in textile industry ................................................................................................................................................ 10 Tourism co-design ............................................................................................................................................................ 10 Attracting external funding ........................................................................................................................................ 11 SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Page 1 of 11 The concept of design In SDU Design we build on the definition suggested by the Danish Design 2020 Committee1: “Design, stripped to its essence, can be defined as the human capacity to shape and make our environment in ways without precedent in nature, to serve our needs and give meaning to our lives” (John Heskett, 2002) “Design has come to mean more than giving form; it has increasingly become a strategic element in innovation processes in private enterprises and public organisations.” (p.6) We will contribute to the strong international thrust towards integrating design thinking and design practices in challenges for the innovative society: New businesses, organisations, public services, cultural engagements, and societal changes. We see a number of gaps that warrant a research effort: - The social process of innovation is not well understood. - Cultural issues are largely neglected in innovation projects. - The role design can play in business is not recognized. Co-branding strategy There is a strong thrust towards ‘design’ in Kolding at this moment. For many people in media, politics and business the understanding of ‘design’ is limited to the appearance of products, such as fashion or furniture. What does it for instance mean that Kolding is a ‘Design City’? Where does one recognize this in local society, businesses, media and institutions? And how can SDU Design contribute to broaden this perception? Rather than ‘brand’ SDU Design as an ivory tower, we suggest that we co-brand our initiative along with the municipality and institutions, Design City, Kolding School of Design to move the perception of design towards a broader understanding of design process, design thinking, design management, design culture, and co-innovation. We draw on the competence of professor Guy Julier (presently visiting professor at IDK) to develop this effort. Building relations to external partners The closest partners are the three departments IDK, IER, MCI and Kolding School of Design. Added to this are design oriented Museums and Design City Kolding, but also local and national companies within design and innovation such as the fashion and furniture industry. Other stakeholders include international research collaborators and the public/private sectors. Internally between faculty there are already many contacts to build on. We find it important to acknowledge and support the role as connector between SDU Design and the most important stakeholders. Collaboration with internal and external partners can be seen as one way of enriching the worklife of the involved researchers, e.g. in the form of staff exchange, development of student projects involving research and company partners, and cross-institutional funding initiatives. 1 The Vision of the Danish Design 2020 Committee, Danish Enterprise & Construction Authority 2011; www.ebst.dk SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Page 2 of 11 Research themes We intend to develop funding applications based on four major research themes: A) Product design: Interactions, meanings, competencies This theme combines research disciplines to explore how humans fundamentally relate to ‘things’. Innovation is to a wide extent associated with new material products. People seem to better understand ‘innovation’ through physical materialisations, as the way we grasp novelty. There is however a two-way relationship: we design products, and products influence how we relate to one another – think of the mobile phone. Products help shape cultures. Products bridge the abstract and the concrete, thus support inclusive participation in innovation processes. Research-wise there is little theory about the role of artefacts in interaction. There are fundamental research questions concerning the interrelations between artefacts, aesthetics and ethics that need to be addressed. The link between product and service innovation is unexplored. Targeted funding programmes: VELUX-fonden (Wagner – accepted for 2. round 2013) Grundforskningsfonden (Buur, Wagner – Fall 2013) Innovative societies (Horizon 2020) (Munch, Larsen) Et kompetent samfund (Forsk 2020) (Munch, Larsen) ERC Advanced Grants (Buur, Wagner) B) Sustainable business design This research investigates business development as a design process. Design as Process! (C) Co-design ! management! SDU DESIGN Organisations ! Innovation for…! People! Any innovation needs to sustain the business of the organisations involved to be successful. It is however becoming increasingly difficult for companies to handle the changing conditions, both the pecuniary and the broader societal ones. For example, in the publishing sector companies are facing the challenge of finding new business models for books, magazines and papers. The relations between producer and user of texts are changing quickly with web-based publication, and publishers depend more heavily on other actors in the marketplace. Open innovation challenges the traditional understanding of innovation as driven by technology, and run by R&D departments in large companies. Markets are becoming less stable, and companies must learn to create new markets rather than just respond to the existing. It becomes crucial to explore the roles design can play in business, and to investigate how in (D) Multi-stakeholder! (A) Product design:! particular small and medium size companies can find a role in innovation! Interaction, meaning, ! a broader societal ecology with restricted resources available. competencies! …as Product! Targeted funding programmes: Innovation in SMEs (Horizon 2020) (Freytag, Buur) Nye innovationsformer (Forsk 2020) (Freytag, Buur) (B) Sustainable ! business design! ! The four themes relate to how design can be seen as product on one hand, and as process on the other. And how the innovation effort is directed towards people or organisations. ! Design: Scientific Business Plan – !Jacob Buur SDU 13.05. 2013! Jacob Buur – July 2, 2013 Page 3 of 11 C) Co-design management This theme transcends ‘traditional’ design management, design thinking and service design. Innovation progresses through a series of iterations of which outcomes cannot be clearly defined in advance. This poses a serious challenge to management. Rather than results of controllable activities, innovations emerge in local interactions between team members, stakeholders, users etc. Managing such processes means accepting the risks involved in mutual improvisation. In continuation of a ‘Scandinavian Leadership’ inheritance there is an opportunity to develop ‘aesthetic management’, i.e. a conceptual understanding of the sensitivity towards human relations that managers must develop to benefit from co-innovation. Targeted funding programmes: Design Driven Innovation EU (Rind Christensen, Buur) Design as Innovation Driver (Design2020) (Freytag, Buur) OECD conceptual design (Rind Christensen) D) Multi-stakeholder innovation This theme expands the open, user-driven and employee-driven innovation research of the 2000’s. The immense complexity of the grand challenges facing society requires responses that can only be shaped in collaboration between a wide range of stakeholders: Politicians, industrialists, policymakers, experts, interest groups, citizens etc. Yet, such social processes are often conflictual and messy. In healthcare, for instance, the move towards tele-medicine, although technologically and politically attractive, only has a chance of success if the wider range of issues has been adequately addressed: What does it fundamentally mean to turn the home into hospital? …and to shift the work of doctors towards screen manipulation? New solutions will succeed, if developed in the relations between the various stakeholders and products/ services etc., although the process can become unpredictable and difficult to control. Targeted funding programmes: C Management D Multi-stakes X X X X X Participatory innovation TEK X Interaction design TEK X X Design anthropology TEK X Interaction analysis HUM X Design studies HUM X X Business relations SAMF X X Business development SAMF X Discipline: Theme: A Products B Business Programmes on grand challenges of welfare, energy consumption etc. We will actively search for partnering opportunities, but will not act as lead partner (Larsen, Freytag) Nye innovationsformer (Forsk 2020) (Freytag, Buur) X X X X The strength of SDU Design is that we can combine research disciplines as best befits the shared research themes. Theme A engages all disciplines. SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Page 4 of 11 Research outcomes For the first two years, progress should be monitored based on short-term key parameters. After the startup period, we should discuss quantifiable measures of publications, PhD-students, attracted funding etc. For medium and long term horizons. To establish cross-disciplinary research collaboration takes time. Co-authoring of articles will follow, once researchers come to understand each other’s fields and build trust. Publication figures are based on SPIRE experiences. OUTPUT GOALS Short 2013 – 14 Medium 2015 – 17 Long horizon 2018 – Research agenda Collaborative activities between researchers from the three faculties New concepts, theories, processes, methods New concepts, theories, processes, methods Publication Co-publications 6 A-journal publications/yr 10 A-journal publications/yr 20 B-journal + conference/yr 30 B-journal + conference/yr 0.5 books/yr 2 books/yr Cross-faculty education initiatives Cross-faculty teaching project Business sponsored programs New programs: MA Scandinavian Design New programs: Embodied Tech (IT-Vest) Interaction with society Private and public organisations in the region National fora (eg. like AU Strategy Lab) Active support of SMEs, entrepreneurs etc. External funding 4 applications that combine research fields 8 attracted PhD-grants A research centre Education SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Page 5 of 11 Design research disciplines SDU Design is established around a set of existing research disciplines that have already proven to be strong on an international scale. Some of these disciplines have previously collaborated successfully in Sønderborg Participatory Innovation Research Centre (SPIRE) and in Centre for Design, Culture and Management (CDCM). Also, we will ensure close collaboration with the Centre for Tourism, Innovation and Culture by expanding Interaction Design with Service Design. In each discipline senior faculty is expanded with new assistant profs and postdocs on SDU Design budget. Kolding: X-disciplinary design research! Postdocs as flexible, critical mass BUSINESS! DEVELOPMENT! INTERACTION! ANALYSIS! BUSINESS ! RELATIONS! DESIGN! STUDIES! MATERIAL! INTERACTION! DESIGN! ANTHROPOLOGY! KOLDING ! SCHOOL OF ! DESIGN! PARTICIPATORY! INNOVATION! Facilities:! A core group of postdocs will ensure that all disciplines are Shared research studio! continuously present in the environment. This gives the (eg. 400 m2)! flexibility to move into new design areas after 2-3 years when ! we attract external funding to sustain current disciplines. Design Workshop! Theatre Lab! The postdocs are formally employed with the department Video Lab! closest to their research field, but have the obligation – along with permanent professors – to sustain research activities across disciplines. Candidates for the postdoc positions will be found through international job announcements and through thePersonel:! research networks of the respective professors. To ensure Facultybetween on part-time loan and teaching, we prefer to engage synergy research from disciplines! postdocs in teaching up to 1/3 of their time. Technically, we ! will announce position as 2 years /extendable to 3 years; then One postdoc to substantiate negotiate teaching agreements with the departments for each each research discipline! employment. ! ! INTERACTION ! DESIGN! ! students promissing HalfPhD of the SDUin Design budget will fund permanent staff: intersections! Research director and admin, technicians that run the design, theatre, video labs, associate professors that open new fields. UNIVERSITY OF SOUTHERN DENMARK! ! PhD students on external funds PhD-students will be integrated into the environment progressively as we are able to attract external research funding. As part of their research plan the PhD-students should build connections between two or more research disciplines. Senior faculty provide direction Associate and full professors from the present faculty contribute their research time to SDU Design. They maintain the disciplinary strongholds, guide the postdoc researchers, and provide research direction. The list bellows shows senior faculty in the core SDU Design research panel up till this point. We will also collaborate with researchers from Kolding School of Design and with other faculty in the SDU departments. SAMFUNDSVIDENSKAB IER HUMANIORA IDK TEKNIK MCI Poul R Christensen professor Design Management Anders V Munch professor Design Studies Jacob Buur professor Participatory Innov. Per V Freytag professor Business Relations Hans-Chr Jensen lektor Henry Larsen professor Participatory Innov. Ann H Clarke lektor Business Relations Johannes Wagner professor Interaction Analysis Wendy Gunn Anders Haug lektor Business Relations Klaus Robering Kristian Philipsen lektor Business Developm. Anne Gerdes Janne Liburd Design Studies professor IT Design lektor IT Design lektor Tourism lektor Stephan Wensveen lektor SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Design Anthropology Interaction Design Page 6 of 11 Management of SDU Design Research management! The research director is recruited from one of the three involved departments and is full-time engaged with SDU Design. The director organises the SDU Design activities under the auspices of the three department heads. The STEERING GROUP with the deans of the Faculties of Humanities, ADVISORY BOARD! STEERING! GROUP! HEADS OF ! DEPARTMENTS! Research director! HEADS OF! RESEARCH! EDUCATION ! PANEL! SDU DESIGN! RESEARCH! PANEL! OPEN SPACE FORUM! STEERING Social SciencesGROUP! and Engineering, and prorector, carries the overall responsibility for SDUSAMF, Design. TEK + prorektor! Deans of HUM, !The ADVISORY BOARD additionally includes four external experts from, respectively, Kolding Municipality, Kolding School of Design, and two ADVISORY BOARD! companies. The board meets twice a year to discusses research STEERING GROUP from! strategy and direction with+ therepresentatives research director and heads of departments. Kolding Municipality! TheKolding HEADS OF DEPARTMENTS of Design and Communication, School of Design! Entrepreneurship and Relationship Management, and the Mads TwoInstitute design-related businesses! Clausen decide on general business issues with the research director.of Thedepartments department heads are IER, responsible Heads IDK, MCI! for personnel and the yearly budget approval. The group meets quarterly. Meets twice a year! RESEARCH PANEL includes (associate) professors from each !The research field currently involved in SDU Design. The panel meets HEADS OF regularly on theDEPARTMENTS! initiative of the research director to discuss research issue and new project Meet quarterly! initiatives. !The HEADS OF RESEARCH is a smaller subset of the group above, - - - with one professor representing each department. They meet with the research director to make decisions on the research operations as necessary. The EDUCATION PANEL gathers the programme coordinators for those educations with design content to discuss learning issues and coordinate teaching initiatives across programmes. SDUFORUM DESIGN ! researchers !Jacob Buur 13.05. The yearly OPEN SPACE is open to all interested from the three2013! departments. It offers an opportunity to get involved and contribute with ideas and opinions. SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Page 7 of 11 Cross-disciplinary research organisation SDU Design operates through two levels of activities: (1) The Research Forum serves as a meeting point for faculty to develop shared research interests across disciplines and projects through seminars, mutual conference participation, study trips etc. A key challenge is to ensure appeal with senior faculty even if they are already busy. Senior researchers are crucial for ensuring success by suggesting the right cross-disciplinary couplings and by heading funding application writing. (2) The Seed Projects are initiatives that explore new research terrain, build trust, and improve our chances of attracting external funding. We need to collaborate on concrete activities to open new research avenues. In the longer run more research project work will be based on external funding, in which case SDU Design can provide university co-financing (man-hours). SDU Design will thrive on a continuous counterbalancing of discipline activities and cross-discipline activities – of individual and group research performance. We propose to think of individual researcher identity in SDU Design as doing research with design, while still based in one’s own field, and not exclusively doing research in design. Research Forum integrates activities The research forum is an ongoing activity that provides incentive for researchers to meet and develop understandings and ideas. The research forum will be organized in regular seminars to, for instance: • • • • • Share knowledge of ongoing research projects Mapping design theories, methods, domains (Kristian Philipsen) Share teaching experience (Chris Heape) Analyse data collaboratively (Dennis Day) Discuss funding opportunities The research forum helps encourage co-authoring of articles through e.g. friendly reviewing, sharing of empirical data, and joint writing. The research forum should also support international engagement (joint conference attendance, conference reports etc.), foster company contacts (invited speakers etc.), and encourage society interaction. Seed Projects kick-start collaboration A primary concern is to create opportunity for faculty from different fields to actually collaborate hands-on, to establish a ‘modus operandi’ of collaboration. Inspired by ‘seed money’ we suggest the term ‘seed projects’ for short, concentrated research projects that can provide such opportunity. Researchers with the three departments may suggest themes for 6-month seed projects that aim to try out a research idea, build new partnerships, acquire empirical material, qualify future applications for funding. The procedure to start a seeds project is simple, based on a small set of criteria: • • • • • How does the project expand the field of design? (project goal, research questions) Which disciplines work together? (at least two from different departments) How does the project increase chances to later apply for external funding? How can the project play into teaching and engage students in research? Who will benefit from this research? SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Page 8 of 11 During a 6-month period, SDU Design can run 2-3 projects with 2-3 postdocs (disciplines) on each. Additionally SDU Design provides funding for equipment, material, travel, student assistance, and student interns. Besides seed projects, other research activities with more limited scope may earn similar support. Seed Projects are a way of building trust and hands-on understanding between researchers. An attractive research environment boe n nse dH olle ha Ha Re ns R as er aT gin k Sve n Mark As Sven ja Ja ffari Co-publication strategy Elle es t nC hris tia nse u dy G Wen n nn Cla Brendon rk Larisa Sitorus Cross-disciplinary research requires close, daily interaction with colleagues. The new SDU building in Kolding will enable us to establish open research studios for the new postdocs, PhD-students and those faculty members that prefer to integrate closely. Some professors may prefer to stay in smaller offices in close proximity of the studios. The research studios should be equipped to house approximately 30 researchers from the beginning. Also, there’s an opportunity to create close links with Design City across the road. Labs may be located there. m ni Ele M ax ta lfs Ro M or to u Dit te d Vla lff Wu Sch er rod Sto rga ard ndg reb e tte La elle Marc n Stie Jea ne n Trine He ineman n Stepha stra een Wensv Maurice Nevile Mads Vedel Jensen Maria Egb Robb Mitche ert ll nis D Den Willem ay a Joh Lau ren s B oe r nne agn sW er Me Ja ne tte M ark ell tK y re d rs Ca Ja La rse n Hors t A cross-disciplinary environment where different research philosophies and methods can meet must be based on goodwill from the members. It must feel safe to expose one’s core assumptions. The challenge here lies in coping with differing institutional expectations of research deliverables as well as the paradox that competition and collaboration need to coexist. In particular publishing cross-disciplinary work in high-esteemed, monodisciplinary journals is a challenge. We aim to increase the level and number of cross-disciplinary contributions by: n te er eh Dr n rse La sa dro rs l Boge Marce sen Henrik Sproedt Jacob Buur n Clau Chris tia ew s Ma tth x Pe Ale ap e Ben He y nr ris He Ch no va n Do • Encouraging members to take first co-authoring steps in safer environments, like the newly established Participatory Innovation Conference that actively supports cross-disciplinary work. • Increasing attention to bibliometric indicators across research discipline traditions. • Encouraging homogenous PURE registration and monitoring. Engaging teaching in research The natural state of students when they first arrive at university seems to be that of a consumer – they expect to be served with information. The traditional response is the reading and writing of texts, and lecturing to large numbers of students. Many educators already work towards a radical change in the learning environment and a significant shift in both students’ and educators’ understanding of what is entailed. SDU Design will support space for innovation: physical space, emotional space and time space. Student education should be able to accommodate those who are interested in contributing to research, as well as those who want to primarily get a job yet realise the value of research to their future practice in a workplace other than academia. Through mutual inspiration and education experiments we aim to help researchers realise that their student activities may contribute to their research. SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Page 9 of 11 The first Seed Projects – Fall 2013 The specifics of the two first seed projects will illustrate how we make short, 6-month seed projects contribute to design research and the building of a cross-disciplinary research environment. Design in textile industry rch management! Research contribution (how is this design?) EERING COMMITTEE! Strategic drivers (why now?) ment! HEADS OF ! DEPARTMENTS! Tourism co-design This project aims to explore roles of design and designers in the textile industry cluster (in strategy, innovation and branding): - How design entrepreneurs struggle to establish identity, and how companies brand their products with designer names? This project investigates co-design of tourism activities and business models: - How do designers build skills in talking about new materials, and how will new, smart materials play into textile design? - How can design work as platform for Public-Private Innovation on ‘small scale’? Et af de største produktionsfelter indenfor design i Kolding og omegn Lokal erhvervsbetydning Støtte ny BA i design, kultur og mode. Støtte etablering af BA i Turisme i Kolding Udvikle samarbejde med Designskolen Kolding (Bæredygtig mode og tekstil) Koble til Design2Network projektet - How can co-design help create new relationships for sustainable tourism development between multiple stakeholders; companies, local municipalities and tourists? - How can service design contribute to tourism? Forankre turisme-forskning og -uddannelse i Kolding Koble til Design2Innovate projektet Kick-starte forskning i Service Design ved at involvere studerende i Open Design Space projekter Kick-starte Embodied Technology Senior researchers Design Studies: Anders Munch, Trine B Petersen(IDK) Tourism Co-Design: Janne Liburd (IDK) allocated from departments Design Management: Poul Rind Christensen (IER) Business Development: Kristian Philipsen (IER) Business Relations: Anders Haug (IER) Public Private Innovation: Ann H Clarke (IER) Interaction Analysis: Jeanette Landgrebe(IDK) Interaction Design: Stephan Wensveen (MCI) Research director! HEADS OF! Interaction Design: Laurens Boer (MCI) RESEARCH! Textile design: Vibeke Riisberg (DK) Participatory Innovation: Henry Larsen (MCI) Design Policy: Sabine Junginger (DK) CATION ! ANEL! SDU DESIGN! RESEARCH! PANEL! Researchers OPEN on SDU Design budget SPACE FORUM! Outcomes Postdoc 2 (Design Studies) Postdoc 1 (Design Learning) – Chris Heape Postdoc 3 (Interaction Analysis) Postdoc 4 (Interaction Design) Scientific assistant – Agnese Caglio Postdoc 5 (Business Relations) 3-5 publications 3-5 publications SDU DESIGN ! !Jacob Buur 13.05. 2013 SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Page 10 of 11 Attracting external funding Attracting research funding can be seen as a game of golf: Hole-in-one is very unlikely, so we need to take smaller, disciplined steps! The first part is smooth: We already have funding to establish facilities (space, labs), we can attract guest scholars, we can build a strong research team. We need to spend effort on showing track record (a website) and drawing on networks. Small ideas should lead to bigger, ‘new’ ideas. The second part is more rough and unpredictable: Getting to know the funding politics, knowing the competition (also internally). Working on our application writing competence. Learning to draw on internal SDU service. Funding quick-draw: Sometimes ad-hoc funding opportunities come up with a 2-week short deadline. And require immediate action. Here we’ve got to be fast, to create a readiness (of themes, partner relations etc.) and a repertoire of ideas to be able to react quickly. As our research is focused on generic innovation dilemmas the SDU Design funds will enable us to target several strings of external funding options: Basic research: Grundforskningsfonden, VELUX,-fonden ERC Advanced Grants (Buur, Wagner) Applied research: Innovation in SMEs (Horizon 2020), Nye innovationsformer (Forsk 2020), Design as Innovation Driver (Design2020) (Freytag, Buur) Grand challenges: Innovative societies (Horizon 2020), Et kompetent samfund (Forsk 2020) (Munch, Larsen); Health and Energy (when invited by other partners – Larsen, Freytag) The milestone plan below sketches the major programmes we want to pursue in the coming years. FUNDING APPLIC Product design 2013 Grundforskningscenter 2014 ERC Advanced Grant 2015 ERC AdvG: re-apply 2016 2017 ERC AdvG: re-re-apply Et kompetent samfund EU: Innovative societies Business design EU: Innovation in SMEs Co-innovation mgmt Multi-stakeholder innov. Nye innovationsformer Nye innovationsformer … EU: Design-driven … … SDU Design: Scientific Business Plan – Jacob Buur – July 2, 2013 Page 11 of 11
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