MOVIE TITLE THE DANISH GIRL GONE GIRL THE MARTIAN
STRAIGHT OUTTA COMPTON THE HOBBIT: THE BATTLE OF
THE FIVE ARMIES THE HOBBIT: THE DESOLATION OF SMAUG
THE HOBBIT PROMETHEUS THE SOCIAL NETWORK ELYSIUM
THE GIRL WITH THE DRAGON TATTOO THE GREAT GATSBY
PIRATES OF THE CARRIBEAN: ON STRANGER TIDES ROOM
CHE WE ARE BLOOD PACIFIC RIM GODS OF EGYPT MAGIC
MIKE MAGIC MIKE XXL RIDE ALONG RIDE ALONG 2 DISTRICT
9 THE BOOK OF ELI THE AMAZING SPIDER-MAN THE WALK
EXODUS: GODS AND KINGS YOUTH LONE SURVIVOR MUPPETS
MOST WANTED DRINKING BUDDIES DEAR WHITE PEOPLE
SHORT TERM 12 THE COUNSELOR LABOR DAY THE DIARY
OF A TEENAGE GIRL FLIGHT IN A WORLD… THE BLING RING
42 CONTAGION SIDE EFFECTS SOUND CITY RUST AND BONE
UNDERWORLD AWAKENING WINTER’S BONE RABBIT HOLE
THE MUPPETS RESIDENT EVIL: RETRIBUTION THIS IS THE
END ENDER’S GAME NIGHT AT THE MUSEUM: SECRET OF THE
TOMB THE STANFORD PRISON EXPERIMENT
INTO THE BADLANDS NARCOS HOUSE OF CARDS THE MAN IN
REMARKABLE IMAGE QUALITY.
Capturing at higher resolutions creates more immersive and evocative
imagery—and RED ® has been the industry standard for high quality
imaging since igniting the 4K revolution in 2007. Our RED DRAGON ® sensor
captures a full 9x more resolution than HD while shooting in 6K, and 7x
more resolution while shooting in 5K. From the finest details to the most
expansive vistas, everything comes to life with unprecedented realism—
offering you more creative flexibility in post and better VFX.
INCREDIBLE DYNAMIC RANGE.
The RED DRAGON sensor offers over 16 stops of dynamic
range, something that was once thought impossible
for a digital motion camera. Wide latitude provides
cinematographers and photographers with the ability to
take on challenging lighting conditions without the need
for excessive filtration—making it easier to take on the
unpredictable and capture the unbelievable.
YOUR WORKFLOW. SIMPLIFIED.
Shooting RAW has never been this easy. RED’s proprietary REDCODE ® RAW file format, also
referred to simply as R3D ®, gives you maximum flexibility during post. R3D files can be used
within industry-standard post-production suites for editing, VFX, conforming, and grading.
The structure of R3D data allows for non-destructive editing—maintaining the integrity of
the original footage while maximizing image quality and reducing storage requirements.
In addition, our DSMC2 ™ cameras offer even greater creative freedom via their ability to
simultaneously record in both R3D and Apple ProRes, along with support for Avid DNxHR ™
and Avid DNxHD ® coming via a free firmware update in mid-2016.
STILLS FROM MOTION.
RED cameras pack the same detail you expect from a
DSLR into a cinema camera, allowing you to seamlessly
pull stills from any of your video shoots. Recipient of the
highest DxO sensor score ever, our RED DRAGON sensor
blurs the line between motion and still cameras—giving
you the best of both worlds.
LOAD. AIM. SHOOT.
RED cameras are engineered from the ground up to deliver cuttingedge performance and the most intuitive camera experience possible.
Their rugged, durable design easily adapts to wherever your journey
takes you. Whether you configure your camera to be as lightweight as
possible, or work with a complex studio configuration, our cameras
allow you to feel secure in your ability to capture cinema-quality
images in any circumstance.
FUTURE-PROOF YOUR INVESTMENT.
RED is committed to placing adaptable, high-end creative tools in
the hands of professionals everywhere. We offer a variety of upgrade
paths to cutting-edge products, accessory compatibility within our
camera families, and imagery that is ready for the next generation
of high resolution displays. We recognize shooters should have the
option to move between camera systems without having to purchase
all new gear, and this makes us relentless in our mission to make
OBSOLESCENCE OBSOLETE ®.
WEAPON 6K
WEAPON 6K
RED DRAGON 19.4 Megapixel CMOS
6144 (h) x 3160 (v)
30.7 mm (h) x 15.8 mm (v) x 34.5 mm (d)
16.5+ stops (80 dB)
RED DRAGON 19.4 Megapixel CMOS
6144 (h) x 3160 (v)
30.7 mm (h) x 15.8 mm (v) x 34.5 mm (d)
16.5+ stops (80 dB)
Up to 300 MB/s using RED MINI-MAG® (512GB & 1TB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
75 fps at 6K Full Frame (6144 x 3160)
100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Frame (5120 x 2700)
120 fps at 5K 2.4:1 (5120 x 2160)
100 fps at 4.5K Full Frame (4608 x 2412)
120 fps at 4.5K 2.4:1 (4608 x 1944)
120 fps at 4K Full Frame (4096 x 2160)
150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Frame (3072 x 1620)
200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Frame (2048 x 1080)
300 fps at 2K 2.4:1 (2048 x 864)
3:1 at 6K Full Frame (6144 x 3160) and 24 fps
7:1 at 6K Full Frame (6144 x 3160) and 60 fps
2:1 at 5K Full Frame (5120 x 2700) and 24 fps
5:1 at 5K Full Frame (5120 x 2700) and 60 fps
2:1 at 4K Full Frame (4096 x 2160) and 24 fps
3:1 at 4K Full Frame (4096 x 2160) and 60 fps
6K Full Frame (6144 x 3160),
2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
5K Full Frame (5120 x 2700),
2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4.5K Full Frame (4608 x 2412),
2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Frame (4096 x 2160),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 x 1620),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 x 1080),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
422 HQ up to 4K (4096 × 2160) and up 29.97 fps
422 up to 4K (4096 × 2160) and up to 29.97 fps
422 LT up to 4K (4096 × 2160) and up to 29.97 fps
4444 XQ up to 2K (2048 × 1080) and up to 120 fps
4444 up to 2K (2048 × 1080) and up to 120 fps
422 HQ up to 2K (2048 × 1080) and up to 120 fps
422 up to 2K (2048 × 1080) and up to 120 fps
422 LT up to 2K (2048 × 1080) and up to 120 fps
Up to 225 MB/s using RED MINI-MAG
75 fps at 6K Full Frame (6144 x 3160)
100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Frame (5120 x 2700)
120 fps at 5K 2.4:1 (5120 x 2160)
100 fps at 4.5K Full Frame (4608 x 2412)
120 fps at 4.5K 2.4:1 (4608 x 1944)
120 fps at 4K Full Frame (4096 x 2160)
150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Frame (3072 x 1620)
200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Frame (2048 x 1080)
300 fps at 2K 2.4:1 (2048 x 864)
4:1 at 6K Full Frame (6144 x 3160) and 24 fps
9:1 at 6K Full Frame (6144 x 3160) and 60 fps
3:1 at 5K Full Frame (5120 x 2700) and 24 fps
7:1 at 5K Full Frame (5120 x 2700) and 60 fps
2:1 at 4K Full Frame (4096 x 2160) and 24 fps
4:1 at 4K Full Frame (4096 x 2160) and 60 fps
6K Full Frame (6144 x 3160),
2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
5K Full Frame (5120 x 2700),
2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4.5K Full Frame (4608 x 2412),
2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Frame (4096 x 2160),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 x 1620),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 x 1080),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4444 XQ up to 2K (2048 × 1080) and up to 60 fps
4444 up to 2K (2048 × 1080) and up to 60 fps
422 HQ up to 2K (2048 × 1080) and up to 60 fps
422 up to 2K (2048 × 1080) and up to 60 fps
422 LT up to 2K (2048 × 1080) and up to 60 fps
(CARBON FIBER)
(MAGNESIUM)
SENSOR
SENSOR TYPE
EFFECTIVE PIXELS
SENSOR SIZE
DYNAMIC RANGE
RECORDING
MAX DATA RATES
MAX FRAME RATES
REDCODE SETTINGS
ACQUISITION FORMATS
APPLE PRORES
Tech specs reflect both current and projected information. Everything is subject to change.
1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD.
For more information on available REDCODE compression settings for all formats, see the DSMC® Media Operation Guide.
2. For more information on available acquisition formats, see the DSMC Operation Guides via “Support Page” on RED.com
SCARLET-W 5K
RED RAVEN 4.5K
RED DRAGON 13.8 Megapixel CMOS
5120 (h) x 2700 (v)
25.6 mm (h) x 13.5 mm (v) x 28.9 mm (d)
16.5+ stops (80 dB)
RED DRAGON 9.9 Megapixel CMOS
4608 (h) x 2160 (v)
23.04 mm (h) x 10.8 mm (v) x 25.45 mm (d)
16.5+ stops (80 dB)
SENSOR
SENSOR TYPE
EFFECTIVE PIXELS
SENSOR SIZE
DYNAMIC RANGE
RECORDING
Up to 140 MB/s using RED MINI-MAG
50 fps at 5K Full Frame (5120 x 2700)
60 fps at 5K 2.4:1 (5120 x 2160)
100 fps at 4.5K Full Frame (4608 x 2412)
120 fps at 4.5K 2.4:1 (4608 x 1944)
120 fps at 4K Full Frame (4096 x 2160)
MAX FRAME RATES
150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Frame (3072 x 1620)
200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Frame (2048 x 1080)
300 fps at 2K 2.4:1 (2048 x 864)
5:1 at 5K Full Frame (5120 x 2700) and 24 fps
9:1 at 5K Full Frame (5120 x 2700) and 48 fps
REDCODE SETTINGS
3:1 at 4K Full Frame (4096 x 2160) and 24 fps
7:1 at 4K Full Frame (4096 x 2160) and 60 fps
5K Full Frame (5120 x 2700),
2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4.5K Full Frame (4608 x 2412),
2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Frame (4096 x 2160),
ACQUISITION FORMATS 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 x 1620),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 x 1080),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
MAX DATA RATES
APPLE PRORES
422 HQ up to 2K (2048 × 1080) and up to 60 fps
422 up to 2K (2048 × 1080) and up to 60 fps
422 LT up to 2K (2048 × 1080) and up to 60 fps
Up to 140 MB/s using RED MINI-MAG
120 fps at 4.5K Full Frame (4608 x 2160)
120 fps at 4.5K 2.4:1 (4608 x 1944)
120 fps at 4K Full Frame (4096 x 2160)
150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Frame (3072 x 1620)
200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Frame (2048 x 1080)
300 fps at 2K 2.4:1 (2048 x 864)
3:1 at 4.5K Full Frame (4608 x 2160) and 24 fps
8:1 at 4.5K Full Frame (4608 x 2160) and 60 fps
3:1 at 4K Full Frame (4096 x 2160) and 24 fps
7:1 at 4K Full Frame (4096 x 2160) and 60 fps
4.5K Full Frame (4608 × 2160),
2.4:1 (4608 × 1944)
4K Full Frame (4096 × 2160), 2:1 (4096 × 2048),
2.4:1 (4096 × 1728), UHD/16:9 (3840 × 2160)
3K Full Frame (3072 × 1620),
2:1 (3072 × 1536), 2.4:1 (3072 × 1296),
16:9 (2880 × 1620), 3:2 (2880 × 1920)
2K Full Frame (2048 × 1080), 2:1 (2048 × 1024),
2.4:1 (2048 × 864), 16:9 (1920 × 1080), 3:2 (1920 × 1280)
422 HQ up to 2K (2048 × 1080) and up to 60 fps
422 up to 2K (2048 × 1080) and up to 60 fps
422 LT up to 2K (2048 × 1080) and up to 60 fps
Tech specs reflect both current and projected information. Everything is subject to change.
1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD.
For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.
2. For more information on available acquisition formats, see the DSMC Operation Guides via “Support Page” on RED.com
EPIC 6K
SCARLET 5K
RED DRAGON 19.4 Megapixel CMOS
6144 (h) x 3160 (v)
30.7 mm (h) x 15.8 mm (v) x 34.5 mm (d)
16.5+ stops (80 dB)
RED DRAGON 19.4 Megapixel CMOS
6144 (h) x 3160 (v)
30.7 mm (h) x 15.8 mm (v) x 34.5 mm (d)
16.5+ stops (80 dB)
Up to 200 MB/s using RED MINI-MAG (512GB & 1TB)
Up to 170 MB/s using RED MINI-MAG (120GB & 240GB)
or REDMAG™ 1.8”
75 fps at 6K Full Frame (6144 x 3160)
100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Frame (5120 x 2700)
120 fps at 5K 2.4:1 (5120 x 2160)
100 fps at 4.5K Full Frame (4608 x 2412)
120 fps at 4.5K 2.4:1 (4608 x 1944)
120 fps at 4K Full Frame (4096 x 2160)
150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Frame (3072 x 1620)
200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Frame (2048 x 1080)
300 fps at 2K 2.4:1 (2048 x 864)
4:1 at 6K Full Frame (6144 x 3160) and 24 fps
10:1 at 6K Full Frame (6144 x 3160) and 60 fps
3:1 at 5K Full Frame (5120 x 2700) and 24 fps
8:1 at 5K Full Frame (5120 x 2700) and 60 fps
2:1 at 4K Full Frame (4096 x 2160) and 24 fps
5:1 at 4K Full Frame (4096 x 2160) and 60 fps
Up to 72 MB/s using RED MINI-MAG
or REDMAG 1.8”
12 fps Burst Mode at 6K Full Frame (6144 x 3160)
48 fps at 5K Full Frame (5120 x 2700)
60 fps at 5K 2.4:1 (5120 x 2160)
60 fps at 4K Full Frame (4096 x 2160)
75 fps at 4K 2.4:1 (4096 x 1728)
75 fps at 3K Full Frame (3072 x 1620)
100 fps at 3K 2.4:1 (3072 x 1296)
120 fps 2K Full Frame (2048 x 1080)
150 fps at 2K 2.4:1 (2048 x 864)
6:1 at 6K Full Frame (6144 x 3160) and 12 fps Burst Mode
8:1 at 5K Full Frame (5120 x 2700) and 24 fps
16:1 at 5K Full Frame (5120 x 2700) and 48 fps
5:1 at 4K Full Frame (4096 x 2160) and 24 fps
13:1 at 4K Full Frame (4096 x 2160) and 60 fps
SENSOR
SENSOR TYPE
EFFECTIVE PIXELS
SENSOR SIZE
DYNAMIC RANGE
RECORDING
MAX DATA RATES
MAX FRAME RATES
REDCODE SETTINGS
6K Full Frame (6144 x 3160),
2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
5K Full Frame (5120 x 2700),
2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4.5K Full Frame (4608 x 2412),
2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x
ACQUISITION FORMATS
4K Full Frame (4096 x 2160),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 x 1620),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 x 1080),
2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Frame (6144 x 3160),
16:9, 3:2, 6:5
5K Full Frame (5120 x 2700),
2:1, 2.4:1, 16:9, 6:5, and Ana 2x
4K Full Frame (4096 x 2160),
2:1, 2.4:1, 16:9, 6:5
3K Full Frame (3072 x 1620),
2:1, 2.4:1, 16:9, 6:5
2K Full Frame (2048 x 1080),
2:1, 2.4:1, 16:9, 6:5
Tech specs reflect both current and projected information. Everything is subject to change.
1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD.
For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.
2. For more information on available acquisition formats, see the DSMC Operation Guides via “Support Page” on RED.com
TO LEARN MORE VISIT US AT WWW.RED.COM
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