Performing Arts Year 8 Drama Workbook Name ........................................... Tutor Group ........................................... Teaching Group ........................................... 1 Contents 3 Drama Progression Levels 5 English Speaking and Listening Key Processes and Personal Learning and Thinking Skills 6 Drama Schemes of Work 7 Peer Assessment Sheets 11 Terminology 12 Slapstick Film Styles 13 Slapstick Peer Review 14 Slapstick Diary 15 Slapstick Sequence 16 Slapstick Peer Assessment 17 Researching Slapstick 18 Slapstick Self - Evaluation 20 Researching Pantomime 21 Pantomime Diary 22 Pantomime Lighting 23 Pantomime Sound 24 Pantomime Peer Assessment 25 Pantomime Self – Evaluation 27 Peer Pressure Persuasion 28 Peer Pressure Expressions used to pursued 29 Peer Pressure Interviewing your Character 30 Peer Pressure Consequences 31 Peer Pressure Self – Evaluation 33 Shoplifting Diary 34 Shoplifting Self – Evaluation 35 Script Self – Evaluation 37 Battle Cries Self – Evaluation Assessment In Drama there are assessments during each half term, each one is based upon one of the following; devising (Making), performing, evaluating and these include teacher assessment, self assessment and peer assessment. These assessments are based upon the level descriptors below and are scored out of 60 (20 for each of the three strands; devising, performing, evaluating.) These will happen at the end of a scheme of work and in lesson time. Where needed students may be required to complete practical assessments at break/lunch time due to time constraints. Students need to be made aware of this. 2 Progression chart: Tracking skills, knowledge and understanding in drama RESPONDING PERFORMING CREATING STRANDS LEVEL 1 LEVEL LEVEL 2 3 LEVEL 4 responding to, researching and experimenting with stimulus material – the content and context explore familiar themes and characters, e.g. responding to teacher in role to explore characters from stories and themes respond to a variety of stimulus material including scripts of plays, artefacts, objects and images work with others in researching the context of the drama (e.g. a concept or an event in history) explore and research factual contexts for drama (e.g. conservation, the law) and record and share findings, and discuss possible ideas for the drama working supportively and creatively with others plan an imaginative play area with others suggest how to present ideas in drama through experimenting with others try different ways of exploring characters and narrative, responding to the techniques used by the teacher develop each other’s ideas when devising work based on scenes from novels, poems, or plays structuring and notating plays and performances practise and develop ideas for acting out stories structure simple scenes independently, making use of dialogue and improvising their own record ideas for devised drama, considering appropriate starting points, key moments and endings devise simple scripts through improvisation, understanding the use of stage directions and drama conventions making dramatic action through experimenting with and shaping the elements of drama – spoken language, space, sound, gesture, text etc. use simple props and resources in creating drama select and use props and resources to represent particular meanings experiment with simple technical resources when creating drama – sound, light, costume experiment with the elements of drama when developing work and be able to give and receive direction working supportively with others in performance take part in small group and whole-class dramas work sensitively with others in role in small group and whole-class dramas support others when participating in drama for a formal audience (e.g. school assembly) co-operate and work supportively with others in a performance for a public audience interpreting narrative and portraying character in performance adopt a role and be able to answer questions in role use language which is appropriate to the role maintain role throughout the scene that is being shared or performed communicate character through the use of words, movement and gesture manipulating the different signs through which drama communicates meaning use space, sound and movement which is appropriate for the drama use space, sound and movement to communicate specific meaning begin to be able to sustain mood and atmosphere effectively in performances show understanding of theatrical effects, e.g. in creating tension – sound, silence, stillness realising a range of genres, styles and forms including new forms for different purposes and addressing different audiences present their own stories using more than one form of drama – puppets, using a narrator, etc. contribute to a range of performances using different forms such as puppet and shadow theatre, tableau, dance/drama etc. engage confidently in a range of dramatic techniques structured by the teacher – forum drama, hot-seating, thought tracking etc. perform drama that demonstrates understanding of the text (stimulus material) used, and begin to understand that form conveys content using the language and vocabulary of theatre when talking about plays and analysing plots and performances use simple drama terms when talking about drama in which they have taken part or that they have seen express what they liked about a performance, e.g. explaining why they liked a particular character or scene using simple drama terms, discuss the effectiveness of the drama, e.g. the performance of a play by a well-known playwright using a basic drama vocabulary, write a response to a drama performance using specific criteria to reflect on and evaluate their own and others’ performances, and using these responses to adapt and improve work express and describe their feelings in response to the drama (e.g. after the performance of a visiting theatre group) reflect on their responses to their own drama, saying what they wanted to achieve and how it might be improved comment sensitively on how intended effects have been achieved and suggest ways that their own and others’ work could be improved be prepared to accept the comments and ideas of others following a performance and use this to develop their work understanding the content explored in the drama and identifying the relationship between it and the form used recognise key moments in the drama and be able to say why they used a particular voice or movement in interpreting character suggest alternative forms of action from those shown in the drama in groups, reflect on the issues or themes that are being explored through the drama connect the drama with other ways that the issue, theme or story could be explored in other art forms making connections between different styles, traditions and genres, including live and recorded drama, and understanding the cultural/historical context of the drama talk about dramas that they have seen, including TV drama, and make simple connections with situations in their own lives recognise that there are different types of drama and make connections between some of them recognise and identify different genres in drama such as soap, documentary and pantomime recognise particular forms of cultural expression in drama such as carnival, ritual, street theatre, etc. 3 5 LEVEL 6 LEVEL LEVEL 7 8 EXCEPTIONAL PERFORMANCE in response to a range of stimulus material including scripts of plays, plan drama, record and notate ideas which demonstrate imagination in response to a wide range of texts, experiment with original and different ways that feelings and responses can be presented in drama collaborate, modify and adapt ideas as a result of reflection, research and experiment, and show understanding of the rehearsal process research/record in working notebook the psychology and context of the characters and experiment with how these can be realised/visualised in performance demonstrate in working notebook thoroughness of research, knowledge and development of ideas with others and appropriateness of decisions taken work co-operatively and sensitively with others in a group in creating drama challenge the ideas of others sensitively; contribute appropriate ideas and extend those of others initiate and respond to ideas and participate in the organisation and direction of drama for a specific purpose and audience solve problems in the devising process by offering solutions which demonstrate awareness of the skills of the group be flexible enough to work in a variety of groups, showing sensitivity, commitment and initiative in achieving targets explore issues and themes and write plays using the conventions of script writing as part of a group, make an effective contribution to the writing of an imaginative short script interpret, shape and structure in imaginative ways, using a range of forms and styles explore and use a range of genres, forms and styles in shaping and recording their ideas for producing devised work be prepared to take risks and interpret, shape, structure and record drama in consistently imaginative and effective ways consider how images create meaning and experiment with objects, physical imagery, gesture and space work in a variety of small groups, showing understanding of how dramatic signs and symbols can be used to communicate meaning be able to work in the abstract and employ different concepts through the use of language, space, sound, gesture, text and form independently make use of different techniques, skills, concepts and conventions when devising, interpreting and directing plays organise the drama effectively, being selective and demonstrating a high level of understanding and purpose in the use of dramatic form work sensitively and supportively with others in a range of presentations and performances contribute to the performance of a unified piece of work showing commitment to ‘role’ or character work responsibly and sensitively with others, maintain roles/responsibilities in a short independently devised piece for another class work effectively with others with increasing independence in performing plays for different purposes and audiences using a range of skills participate in short extracts from plays including a play by Shakespeare communicate convincing character through the effective use of spoken (signed) words, movement and gesture in a short scripted play by a professional playwright participate effectively in a full length play, showing clear and imaginative interpretations of character, situation and narrative show insight into the narrative and the motivation and behaviour of characters through the effective use of a range of drama skills, techniques and concepts participate effectively as part of an ensemble in a variety of plays produced independently, reproducing the performance with good control and an ability to think on feet when needed demonstrate excellent understanding of dramatic effect so that the audience is engaged throughout the performance show awareness of audience using the space in original ways to communicate the intended meaning apply different ideas to communicate mood and atmosphere in devised or scripted drama performances use a range of technical and other sound resources to enhance performances use a range of techniques, skills and conventions and apply dramatic concepts to communicate meaning in appropriate ways, with insight use the expressive potential of the elements of drama in communicating meaning of a range of texts show basic understanding of the relationship between content and form communicate the intentions of the playwright through effective use and thinking, e.g. of timing, space and language perform drama which demonstrates understanding of the relationship between form and content perform drama which shows sound understanding of the way form can be used in original ways perform drama which demonstrates insight, originality and inspiration in interpretation to the audience recognise and use a range of theatre terms and connect these with drama they see, or in which they take part, in and out of school talk about the ways in which the drama did or did not engage the feelings of those watching analyse how plots and characters are portrayed in different dramas using appropriate terminology use the language and conventions of theatre criticism when evaluating professional and amateur productions seen write insightfully about productions as a whole, showing recognition and appreciation of the different forms, genres, styles and cultural traditions that they see when creating and performing, reflect on their own and each other’s drama work providing constructive responses and ideas for improving it during the devising process, reflect on work and use responses to develop it further identify and analyse how effects were achieved, saying how they were intended and whether they were successful in regular written evaluations, write clearly about their own contribution to the drama, using appropriate language and identifying why and how it could be improved use criteria (agreed by the group and in line with requirements) to evaluate their contribution to a group performance, including the whole rehearsal process reflect on different ways that the same content can be portrayed reflect on whether the effects used were pertinent for the content of the drama consider how a drama about a particular theme or issue could be adapted for a different audience critically evaluate how the organisation and structure of plays contribute to dramatic effect discuss and, as a theatre critic, evaluate whether the play in performance was appropriate for the content make connections between their drama and that of a wider dramatic culture, including TV drama explain the characteristics of different types of drama talk about and explain preferences in drama, making connections with different forms and cultural traditions recognise the work of a range of playwrights and theatre artists talk about a wide range of theatre, showing good supporting knowledge 4 Chart © Marigold Ashwell, Progression in Secondary Drama by Andy Kempe and Marigold Ashwell, Heinemann Educational Publishing, ISBN 0 435 185950/001 LEVEL Personal Learning and Thinking Skills English Speaking and Listening Key Processes • Clarity and Style • Structure • Vocabulary and Grammar • Techniques • Listening and Analysis • Understanding • Response and Questioning • Group Skills • Research • Dramatic Approaches • Dramatic Techniques • Dramatic Moments Independent Enquiries • Identity • Research • Explore • Analyse and Evaluate • Consider • Support Conclusions Creative Thinkers • Generate Ideas • Ask Questions • Connect Ideas • Question Assumptions • Alternatives • Adapt Ideas Self-Managers 5 • Responsibility • Work towards Goals • Organise • Assess Risks • Deal with Pressures • Respond Positively • Manage Emotions Reflective Learners • Assess • Set Goals • Review Progress • Feedback • Evaluate • Communicate Learning Team Workers • Collaborate • Reach Agreements • Adapt Behaviour • Fair and Considerate • Take Responsibility • Constructive Support Effective Participators • Discuss • Present • Propose ways forward • Identify Improvements • Influence Others • Advocate Term 1A Term 1B Term 2A Term 2B Term 3A Term 3B 7 Scheme – Bullying Scheme – Circus Scheme – Character Scheme – Story Telling Scheme – Tinsel Truths Scheme – Text 8 Scheme – Slapstick Scheme – Pantomime Scheme – Peer Pressure Scheme – Shoplifting Scheme – Script Scheme – Battle Cries 9 Scheme – Commedia Schemes – Departure Scheme – Secret Annex Scheme – Shakespeare Scheme – Pop Culture Scheme – Performance Unit 1 – Unit 1 – Unit 2 – Unit 2 – Unit 1 – Unit 1 – Scheme – History of Theatre Scheme – History of Theatre (Practitioners) Scheme – History of Theatre (Texts) Scheme – Set Text Scheme – WWII / Fame Scheme – WWII / Fame Mock Examination Portfolio Unit 1 deadline 10 11 Unit 2 – Unit 2 – Exam Preparation Exam Preparation Practical assessment Exam Preparation Scheme – Set Text Scheme – Set Text Practical Examination Practical Examination Practical Examination Practical assessment Portfolio Unit 2 deadline N.B. Years 10 & 11 will be continually assessed throughout the year. Years 7, 8 & 9 will be assessed at the end of each half term. 6 Peer evaluation sheet Group Number Name Works well in the group and supports others Low 1-5 High Created an interesting character Used space well Low 1-5 High Low 1-5 High Peer evaluation sheet Teacher specified assessment area Low 1-5 High Total Group Number Name Works well in the group and supports others /20 Low 1-5 High 7 Created an interesting character Used space well Teacher specified assessment area Low 1-5 High Low 1-5 High Low 1-5 High Total /20 Peer evaluation sheet Group Number Name Works well in the group and supports others Low 1-5 High Created an interesting character Used space well Low 1-5 High Low 1-5 High Peer evaluation sheet Teacher specified assessment area Low 1-5 High Total Group Number Name Works well in the group and supports others /20 Low 1-5 High 8 Created an interesting character Used space well Teacher specified assessment area Low 1-5 High Low 1-5 High Low 1-5 High Total /20 Peer evaluation sheet Group Number Name Works well in the group and supports others Low 1-5 High Created an interesting character Used space well Low 1-5 High Low 1-5 High Peer evaluation sheet Teacher specified assessment area Low 1-5 High Total Group Number Name Works well in the group and supports others /20 Low 1-5 High 9 Created an interesting character Used space well Teacher specified assessment area Low 1-5 High Low 1-5 High Low 1-5 High Total /20 Peer evaluation sheet Group Number Name Works well in the group and supports others Low 1-5 High Created an interesting character Used space well Low 1-5 High Low 1-5 High Peer evaluation sheet Teacher specified assessment area Low 1-5 High Total Group Number Name Works well in the group and supports others /20 Low 1-5 High 10 Created an interesting character Used space well Teacher specified assessment area Low 1-5 High Low 1-5 High Low 1-5 High Total /20 Terminology • • body language marking the moment .................................................................................................... .................................................................................................... • • mime performance .................................................................................................... .................................................................................................... • • physical comedy sound collage .................................................................................................... .................................................................................................... • • rehearsal thoughts aloud .................................................................................................... .................................................................................................... • • self-evaluation monologue .................................................................................................... .................................................................................................... • • sequencing physicalised monologue .................................................................................................... .................................................................................................... • • slapstick proxemics .................................................................................................... .................................................................................................... • • stereotype staging .................................................................................................... .................................................................................................... • • blocking thought-tracking .................................................................................................... .................................................................................................... • • character thought tunnel .................................................................................................... .................................................................................................... • • pantomime dramatic pause .................................................................................................... .................................................................................................... • • spotlighting dramatic silence .................................................................................................... .................................................................................................... • • stock character emotional state .................................................................................................... .................................................................................................... • • technical effects interviewing .................................................................................................... .................................................................................................... • • abstract drama key moment .................................................................................................... .................................................................................................... • • cyclic movement role-on-the-wall .................................................................................................... .................................................................................................... • • duologue script .................................................................................................... .................................................................................................... • • Still Image / freeze frame script-writing .................................................................................................... .................................................................................................... • • hot seating sociogram .................................................................................................... .................................................................................................... • • improvisation .................................................................................................... assessment .................................................................................................... • spontaneous improvisation .................................................................................................... 11 Film styles Write a short review of a film by answering the following questions: Name of film: .............................................................................................................. What was funny in the film? Why was it funny? Which part did you enjoy the most? Why did you enjoy it? What were the main features of the story? 12 Peer review Consider one of the drama pieces you observed during your lesson and comment on the following: Use of physical comedy Characterisation Improvisation skills Overview What was your opinion of the work? Give reasons for your opinion in the box below: 13 Diary Subject area What did you study in your drama lesson? ................................................................................................................................... What was the purpose of the work? ................................................................................................................................... What have you learnt? ................................................................................................................................... Evaluation What were the best parts of the lesson? Give your reasons. ................................................................................................................................... ................................................................................................................................... What parts of your work could you improve? How? ................................................................................................................................... ................................................................................................................................... Did you work well in the group? How could you improve? ................................................................................................................................... ................................................................................................................................... Notes 14 Slapstick sequence In the space below, write out the movements in your slapstick piece in the order in which they occur. Beside each one, note the safety instructions you would give if you were explaining the moves to other actors: Slapstick movement Safety instruction 1 2 3 4 5 6 7 15 Slapstick peer assessment Names of performers .................................................................................................. ................................................................................................................................... Skills Consider the following skills, and for each one, provide comments. Identify individuals and give examples in your comments. Skill Version 1: Comments Version 2: Comments Character: Performing a stereotyped character from a film. Consider: • Facial expression • Body language • Use of language. Structure: Does the drama make sense? Why/why not? Sequencing: Has the group created a combination of moves that make sense and follow, as far as possible, the sequencing in the film? How? Suggestions for improvement Identify three ways in which the work could be improved: 1 ................................................................................................................................. 2 ................................................................................................................................. 3 ................................................................................................................................. Evaluation statement What impression do you have of the work overall? Give your reasons. ................................................................................................................................... ................................................................................................................................... 16 Researching slapstick Find out what you can about slapstick films and answer the questions below. You may wish to use the following Web sites: • Harold Lloyd – http://www.imdb.com/name/nm0516001/ • Laurel and Hardy: The Official Website - http://www.laurel-and-hardy.com/ • Laurel & Hardy Museum - http://www.laurel-and-hardy-museum.co.uk/home.htm • Laurel & Hardy Central – Hard Boiled Eggs & Nuts http://laurelandhardycentral.com/ History of slapstick Briefly describe the history of slapstick. Style of performance Explain the style of performance which is usually associated with slapstick. Characters Choose some well-known slapstick film characters and describe their characteristics. 17 Year 8: Slapstick: Self-evaluation Name: ..................................................................................................... Group: ..................................... Evaluate your work in the following areas: Creating drama appropriate to the genre Did you create a stock character? Which was your favourite stock character? What kind of drama was appropriate in this project? Using the body as a means of expression How did you use body language in your drama? How did you show physical comedy through your body? Being able to perform a piece of slapstick Did you perform well? Was your performance funny? Did it include a sequence? What did you think of your performance? Did you sustain your role? Project evaluation Complete the following sentences: • The hardest part of the work was....................................................................................................... • The easiest part of the work was ....................................................................................................... Which part of the work did you enjoy most? Give your reasons. .................................................................................................................................................................. Targets Write the areas or skills in which you have done well below. .................................................................................................................................................................. .................................................................................................................................................................. 18 Now think of two targets for improving your work and write them below. .................................................................................................................................................................. .................................................................................................................................................................. Assessment Circle the statements you think you have achieved. You can choose any from the following Levels: Group work Level 4 Level 3 Type Level 5 I work well with my friends I can work with a variety of people I am able to work sensitively and I can offer suggestions for with some confidence cooperatively with others devising drama I can offer suggestions and develop others’ ideas I am able to listen to and develop others’ ideas, as well as Making suggesting my own I can support the planning and I can plan and structure plays, I can use my skills and knowledge structuring of plays showing knowledge of different of drama to devise plays of I can help write and perform drama techniques different types for different simple scripts I can devise drama for different purposes purposes I can refine and improve my acting through the rehearsal Responding Performing process I can establish a character, with I can create, perform and sustain I can give a clear, short and some control over voice and different characters in coherent performance for an movement performance audience I can perform with some I can perform with confidence I can use an increasing range of confidence dramatic techniques in my plays When asked by the teacher, I can I can discuss the difference I can discuss how plots are discuss the difference between between my work and that of developed and characters are my work and that of others and others portrayed and make can suggest improvements I can use the correct drama improvements based on this I can use drama vocabulary vocabulary I can use technical terms when talking and writing about dramas I have seen and performed How many statements did you circle for each Level? The column with the most statements circled roughly indicates your Level. Complete the following and then give this form to your teacher. Your Level: ........................................... Your teacher’s Level for you: ...................................................... Your signature:......................................................................................................... Date: ........................ Your teacher’s signature: ......................................................................................... Date: ........................ 19 Researching pantomime Find out what you can about pantomime and answer the questions below. You may wish to use the following Web sites: • PantoScripts.com - http://www.pantoscripts.com/ • It’s Behind You Dot Com - The Magic of Pantomime http://www.its-behind-you.com/ What is pantomime? Which characters often appear in pantomimes? Give some examples of pantomime stories. 20 Diary Subject area What did you study in your drama lesson? ................................................................................................................................... What was the purpose of the work? ................................................................................................................................... What have you learnt? ................................................................................................................................... Evaluation What were the best parts of the lesson? Give your reasons. ................................................................................................................................... ................................................................................................................................... What parts of your work could you improve? How? ................................................................................................................................... ................................................................................................................................... Did you work well in the group? How could you improve? ................................................................................................................................... ................................................................................................................................... Notes 21 Lighting Go through your piece and list the lighting (LX) cues. Describe the effect you intend to create in the table below. Cue number Description of cue LX LX LX LX LX LX LX LX LX LX LX LX LX LX LX LX LX LX LX LX LX LX 22 Sound Go through your piece and list the sound (FX) cues. Suggest the sound/music you intend to use in the table below. Cue number Sound/music to be used FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX 23 Pantomime peer assessment Names of performers .................................................................................................. ................................................................................................................................... Skills Consider the following skills, and for each one, provide comments. Identify individuals and give examples in your comments. Skill Comments Character: Performing a character appropriate for a pantomime. Consider: • Facial expression • Body language • The catchphrase. Audience interaction: Do the actors interact with the audience? How? Is it successful? Suggestions for improvement Identify three ways in which the work could be improved: 1 ................................................................................................................................. 2 ................................................................................................................................. 3 ................................................................................................................................. Evaluation statement What impression do you have of the work overall? Give your reasons. ................................................................................................................................... ................................................................................................................................... ................................................................................................................................... 24 Year 8: Pantomime: Self-evaluation Name: ..................................................................................................... Group: ..................................... Evaluate your work in the following areas: Understanding the genre through rehearsal and performance What are the features of pantomime? How did you include these in your drama? Developing a stock character What was your character called? What was their catchphrase? How did you show that yours was a stock character? Developing performance skills Did you perform your role well? Did you consider the audience in your performance? How did you interact with the audience? Did you sustain your role during the performance? Project evaluation Complete the following sentences: • The hardest part of the work was....................................................................................................... • The easiest part of the work was ....................................................................................................... Which part of the work did you enjoy most? Give your reasons. .................................................................................................................................................................. Targets Write the areas or skills in which you have done well below. .................................................................................................................................................................. .................................................................................................................................................................. 25 Now think of two targets for improving your work and write them below. .................................................................................................................................................................. .................................................................................................................................................................. Assessment Circle the statements you think you have achieved. You can choose any from the following Levels: Group work Level 4 Level 3 Type Level 5 I work well with my friends I can work with a variety of people I am able to work sensitively and I can offer suggestions for with some confidence cooperatively with others devising drama I can offer suggestions and develop others’ ideas I am able to listen to and develop others’ ideas, as well as Making suggesting my own I can support the planning and I can plan and structure plays, I can use my skills and knowledge structuring of plays showing knowledge of different of drama to devise plays of I can help write and perform drama techniques different types for different simple scripts I can devise drama for different purposes purposes I can refine and improve my acting through the rehearsal Responding Performing process I can establish a character, with I can create, perform and sustain I can give a clear, short and some control over voice and different characters in coherent performance for an movement performance audience I can perform with some I can perform with confidence I can use an increasing range of confidence dramatic techniques in my plays When asked by the teacher, I can I can discuss the difference I can discuss how plots are discuss the difference between between my work and that of developed and characters are my work and that of others and others portrayed and make can suggest improvements I can use the correct drama improvements based on this I can use drama vocabulary vocabulary I can use technical terms when talking and writing about dramas I have seen and performed How many statements did you circle for each Level? The column with the most statements circled roughly indicates your Level. Complete the following and then give this form to your teacher. Your Level: ........................................... Your teacher’s Level for you: ...................................................... Your signature:......................................................................................................... Date: ........................ Your teacher’s signature: ......................................................................................... Date: ........................ 26 Persuasion A peer group can influence someone in many ways. In the spaces below, list five ways in which a peer group can persuade someone to behave in a bad way, and five ways in which a peer group can persuade someone to behave in a good way. Positive peer pressure Five ways in which a peer group can persuade someone to behave in a good way: Negative peer pressure Five ways in which a peer group can persuade someone to behave in a bad way: 27 Expressions used to persuade Which words are used to persuade someone to do something? Write a list below. Some examples have been given: • It won’t hurt! • Go on! • Try it • Everyone does it • Don’t be a chicken! Write the words used to persuade someone to do something in the space below: 28 Interviewing your character Imagine that a counsellor is interviewing the character that you played in your drama lesson. In the space below, write down the questions the counsellor would ask and the answers that your character would give. Name of your character: ........................................................................................................................... Questions from the counsellor Answers from your character 29 Consequences Example In the boxes below, the sentence sums up the sense of each scene. This is the narrative. John is persuaded to smoke John coughs when he runs John is dropped from the football team John’s team wins the cup but he does not play in the team anymore Your scenes Complete these five boxes with a sentence to sum up each of your scenes: 30 Year 8: Peer pressure: Self-evaluation Name: ..................................................................................................... Group: ..................................... Evaluate your work in the following areas: Participating and performing in an improvisation How did you participate? What did you think of your performance? Did you use abstract drama in your improvisation? Did you sustain your role during the performance? Creating relevant and meaningful characters What was your character called? What did the character have to do? How did you make your character relevant and meaningful to the situation? Participating in discussions How did you contribute? Project evaluation Complete the following sentences: • The hardest part of the work was....................................................................................................... • The easiest part of the work was ....................................................................................................... Which part of the work did you enjoy most? Give your reasons. .................................................................................................................................................................. Targets Write the areas or skills in which you have done well below. .................................................................................................................................................................. .................................................................................................................................................................. 31 Now think of two targets for improving your work and write them below. .................................................................................................................................................................. .................................................................................................................................................................. Assessment Circle the statements you think you have achieved. You can choose any from the following Levels: Group work Level 4 Level 3 Type Level 5 I work well with my friends I can work with a variety of people I am able to work sensitively and I can offer suggestions for with some confidence cooperatively with others devising drama I can offer suggestions and develop others’ ideas I am able to listen to and develop others’ ideas, as well as Making suggesting my own I can support the planning and I can plan and structure plays, I can use my skills and knowledge structuring of plays showing knowledge of different of drama to devise plays of I can help write and perform drama techniques different types for different simple scripts I can devise drama for different purposes purposes I can refine and improve my acting through the rehearsal Responding Performing process I can establish a character, with I can create, perform and sustain I can give a clear, short and some control over voice and different characters in coherent performance for an movement performance audience I can perform with some I can perform with confidence I can use an increasing range of confidence dramatic techniques in my plays When asked by the teacher, I can I can discuss the difference I can discuss how plots are discuss the difference between between my work and that of developed and characters are my work and that of others and others portrayed and make can suggest improvements I can use the correct drama improvements based on this I can use drama vocabulary vocabulary I can use technical terms when talking and writing about dramas I have seen and performed How many statements did you circle for each Level? The column with the most statements circled roughly indicates your Level. Complete the following and then give this form to your teacher. Your Level: ........................................... Your teacher’s Level for you: ...................................................... Your signature:......................................................................................................... Date: ........................ Your teacher’s signature: ......................................................................................... Date: ........................ 32 Diary Subject area What did you study in your drama lesson? .................................................................................................................................................................. What was the purpose of the work? .................................................................................................................................................................. What have you learnt? .................................................................................................................................................................. Evaluation What were the best parts of the lesson? Give your reasons. .................................................................................................................................................................. .................................................................................................................................................................. What parts of your work could you improve? How? .................................................................................................................................................................. .................................................................................................................................................................. Did you work well in the group? How could you improve? .................................................................................................................................................................. .................................................................................................................................................................. Notes 33 Year 8: Shoplifting: Self-evaluation Name: ..................................................................................................... Group: ..................................... Evaluate your work in the following areas: Developing an understanding of the techniques Which techniques did you use in this project (eg monologue and physicalised monologue)? How did they contribute to the drama? Creating a character from written stimuli What was your character called? What did your character have to do? Portraying your character and performing your role successfully Did you feel confident in performing your role? Did the performance go well? Did you sustain your role during the performance? Evaluating your work and that of others Did you reflect on your own work? Did you offer suggestions for the work of other people in your class? Project evaluation Complete the following sentences: • The hardest part of the work was....................................................................................................... • The easiest part of the work was ....................................................................................................... Which part of the work did you enjoy most? Give your reasons. .................................................................................................................................................................. Targets Write the areas or skills in which you have done well below. .................................................................................................................................................................. .................................................................................................................................................................. Now think of two targets for improving your work and write them below. .................................................................................................................................................................. .................................................................................................................................................................. 34 Year 8: Script: Self-evaluation Name: ..................................................................................................... Group: ..................................... Evaluate your work in the following areas: Developing a character from a script What was your character called? What did your character have to do? How did you use the script to develop your character? Performing a scene from a script What was your script about? What did you think of working with a script? How well did you perform the scene? Did you sustain your role during the performance? Writing a script How did you develop your ideas? Did you prefer working in groups of different sizes? Did you consider any particular techniques when writing your script? Project evaluation Complete the following sentences: • The hardest part of the work was....................................................................................................... • The easiest part of the work was ....................................................................................................... Which part of the work did you enjoy most? Give your reasons. .................................................................................................................................................................. Targets Write the areas or skills in which you have done well below. .................................................................................................................................................................. .................................................................................................................................................................. 35 Now think of two targets for improving your work and write them below. .................................................................................................................................................................. .................................................................................................................................................................. Assessment Circle the statements you think you have achieved. You can choose any from the following Levels: Group work Level 4 Level 3 Type Level 5 I work well with my friends I can work with a variety of people I am able to work sensitively and I can offer suggestions for with some confidence cooperatively with others devising drama I can offer suggestions and develop others’ ideas I am able to listen to and develop others’ ideas, as well as Making suggesting my own I can support the planning and I can plan and structure plays, I can use my skills and knowledge structuring of plays showing knowledge of different of drama to devise plays of I can help write and perform drama techniques different types for different simple scripts I can devise drama for different purposes purposes I can refine and improve my acting through the rehearsal Responding Performing process I can establish a character, with I can create, perform and sustain I can give a clear, short and some control over voice and different characters in coherent performance for an movement performance audience I can perform with some I can perform with confidence I can use an increasing range of confidence dramatic techniques in my plays When asked by the teacher, I can I can discuss the difference I can discuss how plots are discuss the difference between between my work and that of developed and characters are my work and that of others and others portrayed and make can suggest improvements I can use the correct drama improvements based on this I can use drama vocabulary vocabulary I can use technical terms when talking and writing about dramas I have seen and performed How many statements did you circle for each Level? The column with the most statements circled roughly indicates your Level. Complete the following and then give this form to your teacher. Your Level: ........................................... Your teacher’s Level for you: ...................................................... Your signature:......................................................................................................... Date: ........................ Your teacher’s signature: ......................................................................................... Date: ........................ 36 Year 8: Battle cries: Self-evaluation Name: ..................................................................................................... Group: ..................................... Evaluate your work in the following areas: Developing an understanding of the techniques Which techniques have you learnt in this project? How did you show your understanding of them? Participating in prepared and spontaneous improvisation How did you use prepared improvisation and spontaneous improvisation? How did spontaneous improvisation make you feel? Portraying a character and performing your role successfully What was your character called? What did your character feel? What did you think of your performance? Did you sustain your role during the performance? Evaluating your work and that of others Did you reflect on your own work? Did you offer suggestions for the work of other people in your class? 37 Contrasting two scenes in your performance Which scenes did you choose and how were they different from each other? Project evaluation Complete the following sentences: • The hardest part of the work was....................................................................................................... • The easiest part of the work was ....................................................................................................... Which part of the work did you enjoy most? Give your reasons. .................................................................................................................................................................. Targets Write the areas or skills in which you have done well below. .................................................................................................................................................................. .................................................................................................................................................................. Now think of two targets for improving your work and write them below. .................................................................................................................................................................. .................................................................................................................................................................. Overview of Year 8 In Year 8, you have worked on projects about slapstick, pantomime, peer pressure, shoplifting, script and battle cries. Consider your work over this year and fill in the gaps: My favourite project was ......................................................................... because ................................... .................................................................................................................................................................. I feel I have improved in ............................................................................................................................ I prefer working in a group with ................................................................................................................. My favourite group size is ......................................................................................................................... 38 Assessment Circle the statements you think you have achieved over the whole of Year 8. You can choose any from the following Levels: Group work Level 4 Level 3 Type Level 5 I work well with my friends I can work with a variety of people I am able to work sensitively and I can offer suggestions for with some confidence cooperatively with others devising drama I can offer suggestions and develop others’ ideas I am able to listen to and develop others’ ideas, as well as Making suggesting my own I can support the planning and I can plan and structure plays, I can use my skills and knowledge structuring of plays showing knowledge of different of drama to devise plays of I can help write and perform drama techniques different types for different simple scripts I can devise drama for different purposes purposes I can refine and improve my acting through the rehearsal Responding Performing process I can establish a character, with I can create, perform and sustain I can give a clear, short and some control over voice and different characters in coherent performance for an movement performance audience I can perform with some I can perform with confidence I can use an increasing range of confidence dramatic techniques in my plays When asked by the teacher, I can I can discuss the difference I can discuss how plots are discuss the difference between between my work and that of developed and characters are my work and that of others and others portrayed and make can suggest improvements I can use the correct drama improvements based on this I can use drama vocabulary vocabulary I can use technical terms when talking and writing about dramas I have seen and performed How many statements did you circle for each Level? The column with the most statements circled roughly indicates your Level. Complete the following and then give this form to your teacher. Your Level: ........................................... Your teacher’s Level for you: ...................................................... Your signature:......................................................................................................... Date: ........................ Your teacher’s signature: ......................................................................................... Date: ........................ 39 Notes / Sketches 40 Notes ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. ............................................................................................................. 41 42
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