58th Annual RBMS Conference
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We specialize in primary source materials
related to the transformative cultural
movements of the 20th-century, modern
conflicts, disruptive technologies, music,
design, and the visual arts.
1206 Pacific Street 4A
Brooklyn, NY 11216
www.arthurforunier.com
[email protected]
+1 (917) 749-9431
A LIST FOR ATTENDEES OF
THE 58TH ANNUAL RBMS CONFERENCE
We're pleased to offer institutional clients 10% off and delayed invoicing though August 1
for all orders placed before July 15th, 2017
CONTEMPORARY ARTISTS' BOOKS
1. Baldessari, John. A Sentence of Thirteen Parts (with Alternate
Verbs) Ending in Fable. Hamburg: Anatol AV und Filmproduktion,
1977. [Cover title: FABLE.] First Edition. Nested concertina bookwork
mixing images of television sets and enigmatic texts, folding out to
reveal a cruciform structure. Housed in a stiff cardstock portfolio. 4to.
Near fine overall in excellent dust jacket. [216] $3850 A beautiful
copy of Baldessari's scarcest book, nearly flawless, with only the
lightest impression of a spiral binding to the front portfolio wrapper
(doubtless corresponding to the artist's Brutus Killed Caesar, next to
which it was housed.) Scarce in the marketplace and uncommon in
this condition.
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2. EIDIA House, a.k.a. Paul LaMarre and Melissa Wolf. Starving
Artists' Cookbook, The. [cover title: Food, Sex, Art.] New York: EIDIA
(idea) Books, 1991. Limited Edition. xiv, 161 pp. artists' cookbook,
illustrated, with recipes. Oblong 4to. 117/500 copies (signed) Very
good. Ring bound, covers in vinyl menu sleeves. [299] $350 With
recipes and original artistic contributions by John Cage, Louise
Bourgeois, Gilbert & George, Marilyn Minter, John Sex, Sur Rodney
Sur and others.
3. Rifka, Judy and Rene Ricard. Greatest Show on Earth, The. New
York: Brooke Alexander, 1983. Limited Edition (stated print run of 600
copies). Unpaginated artists' book consisting of an essay by Rene
Ricard printed recto only and grommet bound in brightly colored
silkscreened boards covers designed by Rifka. Square 8vo. As new.
Housed in the original white paper envelope. [335] $180 A moving
tribute to Rifka by her close friend and collaborator Ricard, whose
essay The Radiant Child helped define a generation of artists in
Downtown New York during the early 1980s.
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COMPLETE RUNS OF TWO CONTEMPORARY FRENCH "GRAPHZINE" MASTERWORKS BY BAZOOKA
4. [BAZOOKA Collectif] Kiki Picasso, Loulou Picasso, Olivia Clavel,
T5, Lulu Larsen, Bernard Vidal, etc. Bulletin-Périodique, nos. 1 (May
1976) through 7 (February 1978) (all published). Paris: Almonde,
1976-1978. First Edition. A complete set of the earliest and
perhaps most desirable periodical by the Bazooka Collective. In
part bilingual, French and English. Small folio. Fine. Illus. self
wraps. [286] $3250 Each issue carries its own subtitle, "Bulletinpériodique de l'amateur de plein-air" (no. 1) ; "Catalogue des
tendances suicidaires" (no. 2) ; "Connaissance des étoiles" (no. 3) ;
"Le plus grand des voyages" (no. 4) ; "Tête de mort" (no. 5/6) ;
"Camouflage : dissimulation en ambiances particulières = dissimulation in particular environment" (no. 7). Whereas Bazooka's
Un Regard Moderne showcased the group at the height of its
powers, Bulletin-Périodique demonstrates its fascinating evolution
and development of the course of seven issues in six fascicles. An
essential and seminal document of the French underground
graphisme movement.
5. [BAZOOKA Collectif] Olivia Télé-Clavel; Loulou Picasso; Kim
Bravo, etc. Un Regard sur le Monde, no. 0. (January 1978).
[followed by] Un Regard Moderne : l'Actualité du Mois en
Images, nos. 1 (March 1978) through 6 (July 1978) (all published).
Paris: SARL Société Nouvelle de Presse et du Communication,
1978. A complete set of the revolutionary supplement to French
newspaper Libération produced by members of the Bazooka
Collective as a monthly deconstruction of cultural and political
events. Small folio. Fine. Illus. self wraps. $2850 One of the
graphic highpoints of punk and underground publishing globally,
Bazooka's Un Regard Moderne remains unmatched for its visual
intensity and scathing political commentary.
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POST-MODERN PAGE DESIGN IN ROTTERDAM
6. Hard Werken. Nos. 1 (April 1979) - 10 (1982). Rotterdam:
Stichting Hard Werken, 1979-1982. Complete run of the legendary
Dutch postmodern design and culture magazine. Small folio. Very
good. Illus. wraps. [318] $1500 Nos. 1 - 10 comprise a complete
run of the serial as such. However, the eponymous design
collective (comprised of editors Willem Kars, Gerard Hadders, Rick
Vermeulen, Henk Elenga and Ton van den Haspel) later released a
catalog called Hard Werken 11 and 11bis / Wild Plakken Ontwerpers. These items are not included with the present offering. As
of February 2017, OCLC does not identify a holding of the journal
in North America.
MUSIC & POP CULTURE
7. [Arthur Russell] A collection of 17 rare items of ephemera,
including works by Arthur Russell and Tom Lee. A collection of
handmade promotional material, most of it from Russell's own
lifetime, as well as key pieces charting his rediscovery by music
fans and critics over the past two decades. Highlights include hand
silkscreened postcards and original Xerox photocopied fliers made
by Russell and his partner Tom Lee to advertise small shows in
obscure venues around New York City, ca. 1975-1988. The
collection also includes an original 12 in. vinyl copy of the only
recording released under Russell's name before his death from
HIV/AIDS in 1991, "Tower of Meaning" New York: Open Skylight
Music, 1983 [Chatham Square CLS 145], with sleeve designed and
executed by Tom Lee in a first edition of only 320 copies. $4500
The present collection of ephemera is comprised entirely of rare
print multiples from the Arthur Russell estate, which retained a
small quantity of duplicates when the Oskaloosa, Iowa native's
archive was acquired by New York Public Library for the
Performing Arts in 2016.
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8. [David Bowie] Starzone : The Magazine of David Bowie. Nos.
1 (summer 1981) - 12 (June / July1984) (complete head of series).
Watford, Herts., United Kingdom: David Currie and Gina Coyle.
First Edition. Head of series run for the amazing Bowie fanzine,
comprising a complete set of the original twelve smaller format
issues. 8vo. Very good, save for retail price stickers on the front
covers. Illus. stiff wraps. [358] $450 Fan art, interviews, and some
rare concert photos, all for the love of the thin white duke.
9. [Country, folk, & psychedelic rock] Omaha Rainbow. Nos. 1
(Dec. 1973) through 40 (1988) (all published). Wallington,
Hampshire (UK): Peter O'Brien, 1973-1988. Altogether forty
regular issues and two supplements, ca. 28-50 pp. each,
comprising a complete run of the long-running and influential
underground country, rock, and folk music fanzine, illustrated with
reproductions of photographs and drawings throughout. 4to.
Good to very good. Early issues stab-stapled, later numbers
saddle-stapled self wrappers. [153] $1350 Extremely scarce. As
of February 2015, OCLC does not locate Omaha Rainbow in North
America, with fewer than five incomplete sets housed in institutional collections in the United Kingdom. Named for the song
by folk rock pioneer John Stewart, O'Brien's fanzine included
interviews, news items, and reviews concerning a who's who of the
1970s and 1980s folk-rock and country revival, with significant
features on Stewart, Bob Dylan, Gram Parsons, Bruce Springsteen,
Townes Van Zandt, Emmylou Harris, Poco, Kursaal Flyers, and
many others.
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10. [Hip Hop] ego trip. New York: ego trip Publications, 19941998. Vol. 1, no. 1 ("Premiere Issue" Summer 1994) through vol. 4,
no. 1 (1998) (all published). [Subtitle varies. Vol. 1, no. 1 - vol. 2, no.
3: "New York's Free Guide of Musical Styles." Vol. 2, no. 4 - vol. 4,
no. 1: "The Arrogant Voice of Musical Truth."] Thirteen issues
comprising a complete run of the influential hip-hop magazine.
4to. Fine. Glossy illus. wraps over newsprint, later issues printed on
coated stock. [82] $1350 ego trip began as an important regional
music magazine co-founded by Sacha Jenkins and Elliott Wilson
with funding from Henry Chalfant (co-edited by Jenkins, Wilson
and Jeff Mao) covering the golden age of 1990s hip hop from a
brash, opinionated, NYC point of view. Later, the brand went
national and evolved to include multimedia projects such as the
influential old-school rap compilation The Big Playback (Rawkus,
2000), the essential hip-hop books ego trip’s Book of Rap Lists (St.
Martin's Press, 1999) and ego trip's Big Book of Racism! (Regan
Books, 2002) as well as several branded television programs for
VH1. The original magazine included a manifesto for ghetto
consciousness by aerosol-art pioneer Phase II, in-depth articles
concerning the mechanics and legalities of sample clearing, the
production of rap videos, interviews with and profiles of Fab 5
Freddy, Bob Power, Method Man, Notorious B.I.G., Common, Mike
D, Ol' Dirty Bastard, the Beatnuts, Nas, Jeru the Damaja, PMD, KRSOne, Pharcyde, etc., as well as editorials, comics and record
reviews (including some indie rock, punk and metal), illustrated
throughout with photography by Chalfant, Lisa Leone, Shawn
Mortensen, Christian Lantry, Christina Casiano, C+ and others. All
in all, the serial provides invaluable documentation of hip-hop’s
evolution through the 1990s.
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11. [Indie rock & pop alternatives] OP: Independent Music. Issue
"A" (1979) through "Z" (Nov./Dec. 1984) (all published). Olympia,
WA: Lost Music Network, 1979-1984. First Edition. Complete run in
26 lettered issues of John Foster's extraordinary project to
alphabetically catalog the independents and undergrounds, in the
process creating a blueprint for what would become known as
"indie" music. 4to. Very good, slight brittleness and age toning, as
to be expected. Folded tabloid, issues A-P; Q-Z in glossy wraps,
saddle stapled. [337] $1850 Upon request, the set also includes
nos. 1-80 of the follow up to OP, a trade glossy called "OPtion,"
published out of Los Angeles through the mid-1980s and early
1990s.
UNDERGROUND POETRY IN THE U.K.
12. All the Poets, They Studied Rules of Verse - and Those
Ladies, They Roll Their Eyes. nos. 1 (1979) and 2 (1980) (all
published). [London]: Spanish Magic, 1979-1980. First Edition.
Both issues of the beautifully printed (by Better Badges) punk poetry fanzine. 4to. Near fine. Illus. self wraps. [287] $600 Drawing
its title from the lyrics of The Velvet Underground's Sweet Jane, the
magazine features contributions from Mark Schlömburg, John
Tottenham and Billy Carless, among others.
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POETRY & PRINT MAKING IN LATIN AMERICA
13. [EDICIONES EMBALAJE.] Pizarro, Agueda, Miguel Pizzaro,
Sarah Rayo, et al. Collection of Six Chapbooks. Roldanillo, Valle,
Colombia: Museo Rayo, ca. 1986-1990. Limited Edition. Six titles in
the Ediciones Embalaje series of the Fundación Museo Rayo /
Museo De Dibujo y Grabado Latinoamericano, chiefly poetry, a few
illustrated with frontis. portraits. Square 8vo. Present copies
inscribed by Agueda Pizarro to "Barbara." Near fine. String tied
cardboard, silkscreened in black ink. [367] $750 ON HOLD
Featuring striking typographic covers in silkscreens designed by
noted artist Omar Rayo.
Titles in the present collection:
1. Rayo, Sara, and Omar Rayo. 1990. Soft wilderness: poems.
2. Pizarro, Agueda. 1988. Soy sur.
3. Pizarro, Agueda, and Omar Rayo. 1987. Ver verdes.
4. Pizarro, Miguel. 19?. Teatro no: Auto de los Despatriados.
5. Pizarro Agueda, and Omar Rayo. 1990. Silaba domada.
6. Museo Rayo. 1989. Universos: tercer encuentro de poetas
colombianas.
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14. Posada, José Guadalupe and Jean Charlot. 100 Original
Wood-cuts by Posada. / 100 Grabados en Madera por Posada.
Mexico, D.F. / Colorado Springs: Arsacio Vanegas Arroyo / Taylor
Museum, Colorado Springs Fine Arts Center, 1947. First Edition,
First Printing. 31 pp. Spanish / English booklet accompanying [1],
12, [1] leaves (title page and text) and 100 plates of woodcuts
struck from the original blocks carved by Posada. 8vo. Booklet
(illus. wrpps., saddle-stapled), text and plates housed loose as
issued in the scarce original portfolio designed by Herbert Bayer.
One of 450 copies. Overall a very nice copy of this fragile work,
booklet and plates in good condition with conservation-grade
repair to small tears at head and base of wraps. [6] $1500 Scarce
and sought-after collation of original woodcuts printed on color
badges in a layout designed by Herbert Bayer. From the work’s
introduction: “Posada’s principal techniques for his larger works
were engraving on type-metal and relief etching, by which he is
principally known. His woodcuts are mostly small and mostly were
made for vignettes. Almost all of the surviving blocks are published
here for the first time since Posada’s day. Many either never have
been published before or the original broadsides in which they
appeared have been destroyed, as was their nature. Many are
portraits; many are caricatures."
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TAROT & ESOTERIC MAGIC
15. Ancien Tarot De Marseille. Paris: B.P. Grimaud, ca. 19301932. First thus (presumed 2nd printing). Complete set of 78 cards
designed by Paul Marteau, measuring 119 mm X 62 mm each.
Cards near flawless. [310] $1200 Includes original rare original
B.P. Grimaud card-box with the front cover Masonic triangle &
circle paper paste-down, slightly age-toned and soiled. Printed on
sturdy pasteboard card-stock. Lithographic colors appear as
though they are hand-painted stencils. Cards are amazingly wellpreserved and almost like new.
16. Hermandad H. de M. 2 vols. occult manuscript: Primer
Grado. El Vestibulo ; untitled. N.p. [Mexico?] : N.d., [1917] ; N.p.
[Mexico?] : 1917. Manuscript. Vol. 1: 2 pp. typescript and 42 pp.
manuscript in a careful hand describing masonic rituals and
Egyptian tarot symbolism according to the “Hermandad H. de M.
Primer Grado. El Vestibulo,” with 23 original illustrations in blue
and black ink - one of a sphinx in profile, and the other 22 showing
the major arcana of the tarot deck in an Egyptian motif, after
Comte C. de Saint-Germain, each one accompanied by a detailed
description. Vol. 2: ca. 150 pp. manuscript, followed by several
blank pages and an additional ca. 72 pp. manuscript in a different
hand, both dealing with astrology, with a hand-drawn illustration of
a sphinx affixed to the front pastedown, and dozens of text figures
and diagrams throughout. The work begins with a chart entitled:
“Tabla que manifiesta los días de la semana con expresión de los
planetas que gobiernan las 12 horas del día y de la noche en cada
uno.” Small folio. Good. Tape backed boards covers, extensively
rubbed, vol. 2, hinges starting. Seemingly complete. [312] $2500
ON HOLD A remarkable and uncommon 2 vol. manuscript demonstrating the pedagogy of a Rosicrucian order in Mexico [presumed]
in the early 20th century, through the expressions of an unnamed
acolyte.
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CONSERVATIVE POLITICS IN 20TH CENTURY AMERICA
17. Tactics : The Only Professional "PSYWAR" Journal. Vol. 1,
no. 1 (Jan. 20, 1964) through vol. 13, no. 12 (Dec. 20, 1976) (headof-series run). Arlington, Va.: Edward Hunter, 1964-1978. First
Edition. Thirteen bound annual vols. of the monthly "PSYWAR" (i.e.
fake news) journal for American conservatives interested in
manipulating popular opinion to support anti-communist and promilitary points of view among members of the general public.
Illustrated throughout with conservative leaning caricatures and
political cartoons. 4to. Near fine. Cloth. [365] $1250 Several vols.
inscribed by Edward Hunter to Otto Otepka, Deputy Director of
the United States State Department in the late 1950s, later, a
Richard Nixon appointee to the Subversive Activities Control
Board. Lacks only vol. 14, nos. 1-12 (1977 : Feb. 20 - 1977 : Dec.
20) and vol. 15, nos. 1-6 (1978 : Jan. 20 - 1978 : June 20), else
complete and accompanied by the publisher's index to articles
and topics. Individual issues and scattered runs are available, but
bound sets are uncommon.
18. New Freeman, The. Vol. 1, no. 1 (Mar. 15, 1930) - vol. 3 no. 9
(May 13, 1931) (all published). New York: Publishers of the New
Freeman, 1930-1931. First Edition. A complete run of the
libertarian, feminist-leaning monthly published by Suzanne La
Follette, chiefly original texts by contributors including Edwin Muir,
James Rorty, and Lewis Mumford, as well as a handful of striking
illustrations by Thomas Hart Benton, John Sloan, Edmund Duffy,
Adolf Dehn, and José Clemente Orozco. 4to. Very good. Black
cloth embossed with the publication title in silver. [366] SOLD
Suzanne La Follette was a noted figure among the New York
intellectual and society circles of her era. Poet, editor, and social
critic, her early interest in Soviet Marxism transformed into a
rejection of communism in any form, and a championship of the
rights of free women in a capitalist society.
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DANSE MACABRE IN THE 20TH CENTURY
19. Draesner, Walter. Ein Totentanz : nach Scherenschnitten von
Walter Draesner mit Geleitwort von Max von Boehn. Berlin: B.
Behrs, 1922. Vorzugsausgabe (Limited Edition). 9 pp. text preceding a selection of 22 silhouettes reproduced after intricate
paper cuttings by Draesner, each one showing a macabre, yet
modern, mode of decease. Oblong 4to. Limited edition on laid
paper, hand numbered and signed by the artist. This copy no. 139
of 200. Very good. 1/2 leather over illus. boards. [354] $1750 An
excellent copy of the superior vorzugsausgabe, Draesner's
Totentanz shows haunting vignettes of those about to die, from
suicides to soldiers, and lovers both young and old.
20. [DYL] Mac Orlan, Pierre. Danse Macabre, La : Vingt Dessins de Yan B. Dyl. Texte de Pierre Mac Orlan. [Title from cover]. Paris: Simon
Kra, 1927. First Edition, First Printing. Unpaginated (ca. 48 pp.) livre d'artiste consisting of letterpress texts by Mac Orlan describing moral
hazards and ways to die in the modern city paired with 20 sinister art deco watercolors by Dyl reproduced in brilliant pochoir by the atelier of
Daniel Jacomet. 4to. Limited to 325 copes. Good copy, endemic minor spotting throughout, rubbed at head of spine with slight loss of
material. Illus. stiff wraps, sewn binding. [1] $3000 OH HOLD Among the forms of mortality described and illustrated by the work are cocaine
(niege), prostitution (celle de la rue), hot jazz (dancing), automobile accidents (vitesse) and suicidal depression (lassitude).
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COLOR THEORY & APPLICATION
21. Simons, James E. ; Elvera C. Hustead. Colorology : A
Comprehensive Treatise on the Science of Color and Its Correct
Use. Portland, OR: Pacific College of Chromatics, Interior
Decorating and the Arts, 1929. First Edition. [Half-title: Colorology
According to the Simon-Hustead Theory of Color Mathematics.]
Fifteen booklets, successively paginated, comprising 241 pp. of
text, black and white illustrations and diagrams. 8vo. Near fine.
Original colored stiff wraps in scarce cardstock box mailer. [323]
$450 ON HOLD A strangely pseudo-scientific guide, seemingly
designed to provide a technical vocabulary for interior designers.
Fascinating, nonetheless, in its mix of physiology, mathematics,
and spiritual speculation.
22. [Color in textile manufacturing.] Brühlmeier, Hans. Zürcherische Seidenwebschule. Kurs 1930/31. Theorie. Zurich: 1931. Unpaginated
manuscript [ca. 400 pp.] preceding 131 pp. mimeographed typescript and an additional 68 pp. manuscript, altogether comprising a student's
work meticulous through a series of intensive courses on the dyeing, printing, and patterning of woven fabrics, particularly silk, illustrated
throughout with approximately 115 plates showing technical illustrations and machine diagrams; 8 tipped-in trade catalogs and brochures for
textile manufacturing equipment produced by Schweiter, Benninger, Brügger and other firms; historical images of work in the silk trade; and
36 manuscript pages with 92 individually hand-painted color exercises illustrating the student's grasp of contemporary color theory, with
manuscript text references to Isaac Newton, Tobias Meyer, Wilhelm Ostwald, Goethe, Schopenhauer, and others. Small folio. Good. Appears
to be complete and fully intact. Interior clean and bright, pages browned at the margins with some chipping to extremities. 3/4 leather boards
over an additive metal binder (front hinge is cracked and reinforced canvas tape). [270] $1500 ON HOLD The Zurich Silk-Weaving School was
established in 1881 by a consortium of Swiss manufacturers worried by the competition posed by Chinese silk exporters. This text is a
student's transcription of one of the school's lecture courses on the theory of color and patterning in textile manufacture, among other topics.
The title page lists entries for sections on I.Textilmaterlien; 2.Färben, Drucken und Ausrusten; 3.Vorbereitungsmaschinen; 4.Mechanische
Webstuhle; 5.Jacquardweberei; 6.Farbenlehre und Schaftgewebemusterung.
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POCHOIR
23. Mille, Pierre ; illustrated by J. Touchet. Merveilleuses
histoires de Nasr’Eddine. Paris: R. Kieffer, 1924. Limited Edition.
184 pp. book of tales concerning the Sufi wanderer, beautifully
illustrated in pochoir by Touchet. 8vo. Copy 414 of 500. Near fine ;
pages untrimmed. Illus. stiff wraps. [311] $450 An exceptionally
charming production in jewel like color
AVANT-GARDE CHILDREN'S BOOK
24. S. Marshak, V. Lebedev. Tsirk. [Leningrad]: Raduga, 1925. First
Edition. Unpaginated (ca. 12 pp.) illustrated children's book about
the circus, pairing texts pairing humorous texts by Marshak with
brilliantly inventive constructivist illustrations by Vladimir Vasilevich
Lebedev. 8vo. Very good, with only the slightest age toning and
edge wear. Self wraps. [368] $2850 Considered by many to be a
highpoint of Constructivist picture books. When Lebedev showed
his pictures for Tsirk to Marshak, he immediately offered to write
the captions. Mayakovsky was particularly fond of Marshak's
contribution to the book. This is a remarkably fresh copy.
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COMPUTER ART
25. Willsberger, Johann (editor). Computer Graphics. Cologne, Germany: Johann Willsberger, 1972. First Edition. 180 pp. text in German
and English, illustrated throughout with offset reproductions of computer graphics by Frank Boettger, Sylvia Roubaud, Aaron Warszawski,
Gerold Weiss, and Rolf Woelk, accompanied by ten 13 x 13 in. computer graphic prints executed in a variety of inks on variously colored card
stock. Square small folio. Very good, corners slightly bumped. One of the laid-in prints is creased at the margins. Glossy boards. [185] $1000
Printed as a cultural contribution to the 1972 Munich Olympics, Willsberger's book was sponsored by both Messerschmitt-Boelkow-Blohm
(MBB) and International Business Machines (IBM). A rare work, particularly with the complete set of called for prints intact, and one of the more
lavish early books on computer graphics.
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IMPORTANT DIEGO RVIERA MURAL DOCUMENTATION, SIGNED BY HIM
26. Moulin, Gabriel (photographer). Unique photograph of the Diego Rivera mural at the 1940 Golden Gate International Exposition
(boldly signed at the lower right margin by Rivera). San Francisco : 1940. Print is large, approx. 26 x 8 in. [framed thus it measures 32 x 14
in.] and in near fine condition. $3850 Our source explains that this print was executed to produce a visitor's pamphlet for the exhibition. The
pamphlet's designer kept the photograph and asked Rivera to autograph it for him. A copy of the booklet, which was retained with the image, is included.
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