The Waltz From German verb, ‘walzen’ meaning “to turn or rotate” Developed in the 18th century 3/4 time dance From the Minuet to the Waltz The Minuet “menuet” - meaning small: a dance of tiny movements, minimal touching, meant more as a display of oneself than a connection to a partner The Waltz “lascivious music and voluptuous movements” Objections to the Waltz Medical considerations Dizziness Fainting in women Probably due to wearing a corset Moral objections - Closeness to partner - Inappropriate Touching Etymology: Middle English, from Latin vertigin-, vertigo, from vertere to turn Date: 15th century 1 a: a sensation of motion in which the individual or the individual's surroundings seem to whirl dizzily b: a dizzy confused state of mind Chapter 8 of Madame Bovary, one of the most evocative descriptions of social dance ever penned. Morally reprehensible dances “That dance…has been proved to be the moral graveyard that has caused more ruination than anything that was ever spewed out of the mouth of hell.” - Early 20th Century Preacher Billy Sunday Fad (Freak or Animal Dances) Grizzly Bear Buzzard Lope Fanny Bump Fish Dip Possum Trot Bull Frog Hop Shimmy Funky Butt NY Sweatshop Cheap Amusements Union Square, 7:45 Monday Morning Coney Island, 1903 Babbling Brook, Luna Park, Coney Island, 1903 Outside the Nickelodeon, 1912 Bumper Belts African Dancing on American Soil Anonymous folk painting, South Carolina, c.1777-1794. (The Abbey Aldrich Rockefeller Folk Art Museum, Colonial Williamsburg, VA) The Cakewalk The Lindy Hop The Charleston Hip Hop Tap Dancing Stepping Barbara Glass writes, “dances that we think of as quintessentially American, such as the Cakewalk, Charleston… came from the black community out of the bedrock of African-based dance movement” (“Two Dance Traditions,” 3). Why is this not a particularly apt metaphor? During the 18th century alone, more than 6 million Africans were brought to the Americas as slaves Over a period of 20 centuries, between 14-20 million Africans were enslaved. To support the production of cotton, coffee, sugar, indigo and tobacco, they represented a cheap, abundant and renewable “resource.” Congo Square (New Orleans) I See America Dancing p. 57 and 73 The Ring Shout Women Hulling Rice, Sapelo Island, Georgia (1900) Ring Shout A pseudo dance form that flourished in a culture of deprivation, which functioned as a kind of African cultural incubator Georgia Sea Islands Women Hulling Rice, Sapelo Island, Georgia (1900) Works Cited and Consulted Fauley Emery, Lynn. Black Dance from 1619 to Today. Second Ed. Princeton Book Co, 1988. Faulkner, Thomas. From the Ballroom to Hell. http://manybooks.net/titles/faulknert1875918759.html Glass, Barbara. African American Dance. An Illustrated History. McFarland and Co, 2006. Needham, Maureen. I See American Dancing Published by University of Illinois Press, 2002 “Waltz” Grove On Line Music Dictionary. http://www.oxfordmusiconline.com/public/book/omo_gmo Peiss, Kathy. Cheap Amusements: Working Women and Leisure in Turn-ofthe-Century New York Temple U Press, 1986
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