Pizza // A Compendium of the Ultimate TimeA Tested Recipes andPizza Toppings CHAPBOOK // The Edible Plate: Book about 1 Pizza // A Compendium of the Ultimate Time Tested Recipes and Toppings Leslie Olson // Senior Projects I // Package Design // March 29 2 Their homely fare dispatch’d, the hungry band Invade their trenchers next, and soon devour, To mend the scanty meal, their cakes of flour. Ascanius this observ’d, and smiling said: ‘See, we devour the plates on which we fed.’ Virgil, First Century B.C. Leslie Olson // Senior Projects I // Package Design // March 29 3 Objective // Chapbook Design Leslie Olson // Senior Projects I // Package Design // March 29 4 Objective // Chapbook Design The objective of this project is to take the historical context of chapbooks into consideration and produce a modern-day chapbook. Type, illustration, and subject matter must come together in an entertaining and engaging way that serves as a keepsake or leave-behind for a consumer. This chapbook should adhere to the basic historically defined structure of a chapbook. It should function as a unique piece of literature that transcends a trendy aesthetic of today and can be universally appreciated, gifted and passed down through generations for many years to come. Leslie Olson // Senior Projects I // Package Design // March 29 5 Deliverables // Production Schedule 11.03 Preliminary visual direction includes preliminary visual research and sketches 11.05 Flow layout in final document, enter tweaking stage 11.10 Tweaking stage evaluation in class critique, update presentation document 11.12 Final presentation of layout in mockup, show in portfolio and on mounted boards Leslie Olson // Senior Projects I // Package Design // March 29 6 Deliverables // Substrates and Materials Leslie Olson // Senior Projects I // Package Design // March 29 7 Deliverables // Substrates and Materials 5.5 by 8.5" book, 12-14 pages minimum Stapled saddle stitch binding, duplexed 80-lb bright white coated stock Leslie Olson // Senior Projects I // Package Design // March 29 8 Deliverables // Production Calendar October 22 Initial concepting and preliminary wireframes October 29 Revised moodboarding, finalized written copy and basic layout October 27 November 3 November 5 November 10 Leslie Olson // Senior Projects I // Package Design // March 29 Visual research, moodboard, type content organized Finish tweaking type, sign off on icons and overall aesthetic Stock chosen, binding plan in place, printing scheduled Final mockup printed, photography for website and portfolio 9 History // The Origin of Chapbooks Leslie Olson // Senior Projects I // Package Design // March 29 10 History // The Origin of Chapbooks Chapbooks were an important medium for the dissemination of popular culture to the common people, especially in rural areas. They were a medium of entertainment, information and (generally unreliable) history. In general, the content of chapbooks has been criticized, though, for their unsophisticated narratives which were heavily loaded with repetition and emphasized adventure through mostly anecdotal structures. However, they are nonetheless valued as a record of popular culture, preserving cultural artifacts that may not survive in any other form. Wikipedia Leslie Olson // Senior Projects I // Package Design // March 29 11 History // The Origin of Pizza Pizza’s origin is debatably in the Middle East, where it was simply composed of flatbread without toppings. The ancient Greeks had a flat bread called plakountos, on which they placed various toppings, and Naples was founded (as Neopolis) by the Greeks. Naples is the home of the modern pizza. In the ancient world, Naples was part of Rome—as was its neighbor, Pompeii. Pizza ovens were popular throughout Italy. The first wood ovens were developed in Egypt and by the Turks--unbeknownst to each other. The Romans perfected the method of the wood burning oven. Archaeologists have recovered wood burning ovens that could pass for the same dome-shaped objects that are popular today. In fact, the wood burning brick ovens that were excavated in Pompeii from 3,000 years ago could be used today without any major renovations. Passion-4-Pizza Leslie Olson // Senior Projects I // Package Design // March 29 12 Content // Preliminary Strategy The content in the chapbook will consist of the following: A historical overview of pizza and how it traveled to each of the countries whose pizza toppings / descriptions / recipes will be in the rest of the book Each country with a pizza and its toppings accompanies an illustration of said toppings, a description or recipe of that pizza with those toppings, and a beverage pairing native to that country. Quips in each language or some kind of “pizza wisdom” (humorous?) will be included on the spreads. The pizza countries are Greece, Italy, France, and the United States. Leslie Olson // Senior Projects I // Package Design // March 29 13 GREECE // Spinach and Feta Leslie Olson // Senior Projects I // Package Design // March 29 14 Italy // Margherita Pizza Leslie Olson // Senior Projects I // Package Design // March 29 15 France // Tarte Flambée Leslie Olson // Senior Projects I // Package Design // March 29 16 United States // New York-Style Pizza Leslie Olson // Senior Projects I // Package Design // March 29 17 Research // Type Leslie Olson // Senior Projects I // Package Design // March 29 18 Research // Type Since this is about pizza, I looked to pizza’s roots, which are most popularly known as flourishing in Italy. In 16th century Naples, a Galette flatbread was referred to as a pizza. Known as the dish for poor people, it was sold in the street and was not considered a kitchen recipe for a long time.This was later replaced by oil, tomatoes (after Europeans came into contact with the Americas) or fish. In 1843, Alexandre Dumas, père described the diversity of pizza toppings. An often recounted story holds that on 11 June 1889, to honour the Queen consort of Italy, Margherita of Savoy, the Neapolitan pizzamaker Raffaele Esposito created the “Pizza Margherita,” a pizza garnished with tomatoes, mozzarella, and basil, to represent the national colours of Italy as on the Italian flag. Wikipedia Leslie Olson // Senior Projects I // Package Design // March 29 19 Leslie Olson // Senior Projects I // Package Design // March 29 20 Leslie Olson // Senior Projects I // Package Design // March 29 21 Leslie Olson // Senior Projects I // Package Design // March 29 22 Leslie Olson // Senior Projects I // Package Design // March 29 23 Research // Type The first truly fat roman typeface is believed to have been introduced by prominent London type founder Robert Thorne, in 1803. This was a period of invention and discovery, when Europe was experiencing an enormous expansion of trade and commerce. As innovation in printing technology improved and enterprising new trades began to flourish, so did the demand for print advertising. Job printers who formerly relied on printing books soon discovered new sources of commercial print work. Thorne responded to this new surge in advertising by designing his “improved printing types” expressly for job printers composing short lines of large text. His bold new, all caps fat face, which looked more like a Didone on steroids, proved to be wildly successful and was largely responsible for altering the appearance of advertising in this era. Although Thorne never published another book of specimens after 1803, he came very close to completing one, and he continued turning out bold new fonts at his Fann Street Foundry until his death in 1820. Fonts In Use Leslie Olson // Senior Projects I // Package Design // March 29 24 Research // Type With this project, I want to challenge myself to do something I haven’t done this year. I am falling into a bit of a comfort zone with type, and I have a tendency to stick to conservative typographic solutions. I’m attuned to what’s trending in the design industry typographically, and while that’s a strength, I wanted to explore some options for this project that could take conceptual advantage of faces that aren’t necessarily trendy right now, or mix typeface colors that could combine two faces that could be considered unconventional. Leslie Olson // Senior Projects I // Package Design // March 29 25 Research // Type With this project, I want to challenge myself to do something I haven’t done this year. I am falling into a bit of a comfort zone with type, and I have a tendency to stick to conservative typographic solutions. I’m attuned to what’s trending in the design industry typographically, and while that’s a strength, I wanted to explore some options for this project that could take conceptual advantage of faces that aren’t necessarily trendy right now, or mix typeface colors that could combine two faces that could be considered unconventional. I looked to some old Italian display faces for inspiration and visual research to help shape my plan of attack with this new approach. I found a face that I’ve been attracted to all year called Normandia, which is similar to the fat face version of Bodoni, Brunel, Battista, and Ambroise Black. There is a more recent modernized version of Normandia called Lust Display. The following visuals informed me about how this bold face has been combined in ways that work, as well as how the leading and tracking is handled with this kind of face. Leslie Olson // Senior Projects I // Package Design // March 29 26 Leslie Olson // Senior Projects I // Package Design // March 29 27 Leslie Olson // Senior Projects I // Package Design // March 29 28 Leslie Olson // Senior Projects I // Package Design // March 29 29 Leslie Olson // Senior Projects I // Package Design // March 29 30 Leslie Olson // Senior Projects I // Package Design // March 29 31 Leslie Olson // Senior Projects I // Package Design // March 29 32 Leslie Olson // Senior Projects I // Package Design // March 29 33 Leslie Olson // Senior Projects I // Package Design // March 29 34 Leslie Olson // Senior Projects I // Package Design // March 29 35 Leslie Olson // Senior Projects I // Package Design // March 29 36 Preliminary Direction // Layout Next, I felt it was time to step back from honing in on specific faces and textures I want to use (texture and illustration research comes last). Layout will be in many ways dictated by content. I created some preliminary content sketches and categorized my content by the following: large pizza splash page quote text small pizza splash page quote text country of pizza recipe header text pizza country story sub-header text ingredients and pairings text Leslie Olson // Senior Projects I // Package Design // March 29 37 Preliminary Direction // Layout The following visuals informed my layout and color choices. I decided to use splash page spreads between every recipe spread with a quotation by a famous person who lived in each respective country. I replaced the most important noun or pronoun in each quote with the word “pizza.” Leslie Olson // Senior Projects I // Package Design // March 29 38 behance Leslie Olson // Senior Projects I // Package Design // March 29 39 behance Leslie Olson // Senior Projects I // Package Design // March 29 40 behance Leslie Olson // Senior Projects I // Package Design // March 29 41 behance Leslie Olson // Senior Projects I // Package Design // March 29 42 behance Leslie Olson // Senior Projects I // Package Design // March 29 43 behance Leslie Olson // Senior Projects I // Package Design // March 29 44 behance Leslie Olson // Senior Projects I // Package Design // March 29 45 designspiration Leslie Olson // Senior Projects I // Package Design // March 29 46 designspiration Leslie Olson // Senior Projects I // Package Design // March 29 47 thebookdesignblog Leslie Olson // Senior Projects I // Package Design // March 29 48 thebookdesignblog Leslie Olson // Senior Projects I // Package Design // March 29 49 thebookdesignblog Leslie Olson // Senior Projects I // Package Design // March 29 50 thebookdesignblog Leslie Olson // Senior Projects I // Package Design // March 29 51 thebookdesignblog Leslie Olson // Senior Projects I // Package Design // March 29 52 thebookdesignblog Leslie Olson // Senior Projects I // Package Design // March 29 53 Preliminary Direction // Layout I found a grid based on the golden sections formula per Bringhurst. It miraculously fell onto the majority of points that I had already based my preliminary recipe spreads off of, so it strengthened and informed my typographic tweaking and hierarchical determinations. Leslie Olson // Senior Projects I // Package Design // March 29 54 Leslie Olson // Senior Projects I // Package Design // March 29 55 Leslie Olson // Senior Projects I // Package Design // March 29 56 Leslie Olson // Senior Projects I // Package Design // March 29 57 pg# country / pizza (paragraph) pg# ingredients / preparation (list. captions, footnotes, units of measure, tables) country’s other common pizza toppings (list) popular beverage pairings native to country Leslie Olson // Senior Projects I // Package Design // March 29 recipe (paragraph) 58 pizza wisdom phrase on this page, “pizza” in country’s language or something punny / tasty Leslie Olson // Senior Projects I // Package Design // March 29 59 Leslie Olson // Senior Projects I // Package Design // March 29 60 Leslie Olson // Senior Projects I // Package Design // March 29 61 Russians know their pizza cold. Leslie Olson // Senior Projects I // Package Design // March 29 62 23. 24. 6 ounce s Pizza Dough 1 tablespoon Chili and Garlic Oil 1/4 teaspoon thinly sliced red onion 2 tablespoon s Dill Cream 2 1/2 ounce s thinly sliced smoked salmon 1 teaspoon chopped fresh chives 1 tablespoon Sevruga caviar optional russia // S A L M O N common russian pizza ingredients ................. sardines PIZZ A tuna mackerel onions salmon mushrooms poultry berries 1.Place a pizza stone on the middle rack of the oven and preheat the oven to 500°F. // On a lightly fl oured surface, stretch or roll out the dough into an 8inch circle, with the outer edge a little thicker than the inner circle. // Brush the dough with the oil and arrange the onions over the pizza. // Slide a pizza paddle or rimless baking sheet under the pizza and then slide the pizza onto the pizza stone. // Bake until the crust is golden brown, about 6 to 8 minutes. russian pizza drink pairings ......................... vodka. chto yeshche? // With the pizza paddle or a large spatula, carefully remove the pizza from the oven and set it on a cutting board. // Use a knife, an icing spatula, or the back of a spoon to spread the Dill Cream over the inner circle. // Arrange the slices of salmon so that they cover the entire pizza, slightly overlapping the raised rim. // Sprinkle the chopped chives over the salmon. // Using a pizza cutter or a large sharp knife, cut the pizza into 4 or 6 slices. If you like, spoon a little caviar in the center of each slice. // Serve immediately. Leslie Olson // Senior Projects I // Package Design // March 29 63 Leslie Olson // Senior Projects I // Package Design // March 29 64 Leslie Olson // Senior Projects I // Package Design // March 29 65 Leslie Olson // Senior Projects I // Package Design // March 29 66 Leslie Olson // Senior Projects I // Package Design // March 29 67 Leslie Olson // Senior Projects I // Package Design // March 29 68 Leslie Olson // Senior Projects I // Package Design // March 29 69 Leslie Olson // Senior Projects I // Package Design // March 29 70 Secondary Direction // Layout After confronting the issue of designing the book cover, I regrouped through my sketching process and settled upon a better solution than my first exploration of creating dramatically set typographic quotes. Setting type in that dramatic way was not only a production challenge in relation to binding bleedover pages, but the conceptual versatility with it was limited. It wasn’t clear why I was using quotes on those spreads, as the content wasn’t that relevant to the pizza content. Additionally, I had to hone down the number of countries being included in the book; Japan, Australia, and Russia didn’t make sense with my new cover / content approach. As I was brainstorming the book cover, I decided upon a theme about pizza crossing the pond, or becoming globally ubiquitous. I imagine visuals like a compass, a giant globe with pizza sauce countries, et cetera. “Across the pond” generally refers to Western European countries in relation to the United States. Pizza has a clear history of traveling from Greece to Italy, then to France and finally to the United States. I created a pizza badge for the cover, using an “X” to separate four icons representing each country. The “X” also cheekily referenced the cut marks in a pizza, and the wavy border was an abstract reference to the edge of a pizza crust. The system I created for each country could work across an infinite number of countries. The approach was a lot less literal conceptually than my first approach in which I was considering the use of pizza textures like grease, sauce, and so on; and this approach worked with what is currently trending in our industry. (May it always...) Leslie Olson // Senior Projects I // Package Design // March 29 71 Secondary Direction // Visual Research Take three guesses as to whose work I studied meticulously throughout my badge-making design process. Leslie Olson // Senior Projects I // Package Design // March 29 72 Allan Peters Leslie Olson // Senior Projects I // Package Design // March 29 73 Allan Peters Leslie Olson // Senior Projects I // Package Design // March 29 74 Allan Peters Leslie Olson // Senior Projects I // Package Design // March 29 75 Allan Peters Leslie Olson // Senior Projects I // Package Design // March 29 76 Allan Peters Leslie Olson // Senior Projects I // Package Design // March 29 77 Allan Peters Leslie Olson // Senior Projects I // Package Design // March 29 78 Allan Peters Leslie Olson // Senior Projects I // Package Design // March 29 79 Allan Peters Leslie Olson // Senior Projects I // Package Design // March 29 80 Secondary Direction // Sketching Leslie Olson // Senior Projects I // Package Design // March 29 81 Leslie Olson // Senior Projects I // Package Design // March 29 82 Leslie Olson // Senior Projects I // Package Design // March 29 83 Leslie Olson // Senior Projects I // Package Design // March 29 84 Leslie Olson // Senior Projects I // Package Design // March 29 Z TIM PPIN GS the TO GS TO PPIN of D M the ATE ATE & E TE STED RECIPES amazement of the gods. P L A T O U LT I M U LT I M TIM A • IU M of OMPE A C N LEGEND // pizza is said to have originated in greece, derived from a flat bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the PIZ D IU Z OMPE A C N PIZ A • & E TE STED RECIPES 85 OMPE A C N OMPE A C N amazement of the gods. P L A T O amazement of the gods. P L A T O E S T 6 0 0 B. C . TIM PPIN GS the TO GS TO PPIN Leslie Olson // Senior Projects I // Package Design // March 29 lazzaroni ATE ATE & E TE STED RECIPES gr D M of U LT I M U LT I M TIM the • IU M of A PIZ D IU PIZ A • Z LEGEND // pizza is said to have originated in greece, derived from a flat bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the Z LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the & E TE STED RECIPES 86 5 SPI N AC H F ETA 6 (2 1/4 teaspoon) package active dry yeast 1 3/4 cups unbleached all-purpose fl our 3/4 cup warm water divided 1 teaspoon salt C O M in Egreece, derived from LEGEND // pizza is said to have originatedP greece N for its • Aby the poor. Pizza was consumed a fl at bread dish eaten D A of topping options, and convenience. cheapness, variety 1/2 tablespoon olive oil cup mayonnaise C O M in Egreece,1/2derived LEGEND // pizza is said to have originatedP from N • Aby the poor. Pizza was consumed 4 cloves garlic, a flat bread dish eaten for its minced D A of topping options, and convenience. cheapness, variety of the Z PIZ common people.” 1/2 cup oil-packed sun-dried tomatoes M M PIZ IU Z cupthe crumbled fetathe cheese, divided Pizza is the joy of the woods, the wonder1of wise, and amazement of the gods. P L A T O IU Pizza was is theeaten joy ofasthe a flwoods, atbreadthe in its wonder early form. of theItwise, was and affordable the and P L Abeing T O named Lazzaroni for “food for the amazement versatile for of Greek the gods. peasants, 1 tablespoon oil of sun-dried tomatoes of the 1/4 cup pitted kalamata olives, chopped greek pizza drink pairings ........................ ouzo GS PPIN 1/2 small red onion, halved and sliced TIM TO PPIN & E TE STED RECIPES 2 cups baby spinach leaves ATE ATE TIM TO tomato, romaine, olive oil U LT I M U LT I M common greek pizza ingredients ................ olive, feta, arugula GS 1 teaspoon dried oregano & E TE STED RECIPES Preheat oven to 425 degrees. Stir together yeast, 1 tablespoon fl our, and 1/4 cup warm water in a large bowl and let stand for 5 minutes. // Add 1 1/4 cups fl our, remaining 1/2 cup water, salt, and oil and stir until smooth. Stir in enough fl our for dough to pull away from side of bowl. // Knead dough on a fl oured surface. Form into a ball, put in a bowl, and dust with fl our. Cover and let rise for 1 hour. Pat dough into a 14-inch round. // Mix mayonnaise, garlic and 1/2 cup feta in a small bowl. // Place pizza crust on a cookie sheet; spread mayonnaise mixture over pizza, then top with tomatoes, olives and oregano. Bake until heated through and crisp, about 10 minutes. // Toss spinach and onion with the 1 Tb. sun-dried tomato oil. Top hot pizza with spinach mixture and remaining 1/2 cup feta cheese. // Return to oven and bake until cheese melts, about 2 minutes longer. Cut into 6 slices and serve. Leslie Olson // Senior Projects I // Package Design // March 29 87 OMPE A C N OMPE A C N amazement of the gods. P L A T O amazement of the gods. P L A T O E S T 18 8 9 TIM PPIN GS the TO GS TO PPIN Leslie Olson // Senior Projects I // Package Design // March 29 margherita ATE ATE & E TE STED RECIPES D M of U LT I M U LT I M TIM the • IU M of A PIZ D IU PIZ A • Z LEGEND // pizza is said to have originated in greece, derived from a flat bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the Z LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. joy of the Pizza is the genesis ofwoods, genius.the G Awonder L I L E O of the wise, and the & E TE STED RECIPES 88 9 10 M A RGH E R I TA (2 1/4 teaspoon) package active dry yeast of the Z PIZ a pizza in honor of the visiting Queen Margherita. She loved pizza baked in the colors of the Italian fl ag: tomato, basil and mozzarella. 1/2and tablespoon olive oil Pizza is the joy of the woods, the wonder of the wise, the amazement of the gods. P L A T O 1 15 oz. can whole tomatoes in juice M M PIZ IU Pizza is holds the joythat of the woods, the wonder of the wise, and the Legend Pizza Margherita was invented in 1889, when L A TEsposito O amazement of the gods. Neapolitan pizzaiolo RaffPaele was commissioned to make 1 3/4 cups unbleached all-purpose fl our cup warm water divided C O M in3/4Egreece, LEGEND // pizza is said to have originatedP from N derived • Aby the poor. Pizza was consumed a flat bread dish eaten its salt 1for teaspoon D A of topping options, and convenience. cheapness, variety IU Z C O M in Egreece, derived from LEGEND // pizza is said to have originatedP N for its • Aby the poor. Pizza was consumed italy a fl at bread dish eaten D A of topping options, and convenience. cheapness, variety 2 large garlic cloves, smashed of the 2 tablespoons olive oil & E TE STED RECIPES italian pizza drink pairings ......................... red wine GS PPIN 1/4 teaspoon sugar 6 ounces fresh mozzarella, sliced TIM TO ATE TIM TO olive oil, parmesan, asiago ATE PPIN common italian pizza ingredients ................ eggplant, tomato, basil U LT I M U LT I M GS 4 basil leaves plus more for sprinkling & E TE STED RECIPES Preheat oven to 425 degrees. Stir together yeast, 1 tablespoon fl our, and 1/4 cup warm water in a large bowl and let stand for 5 minutes. // Add 1 1/4 cups fl our, remaining 1/2 cup water, salt, and oil and stir until smooth. Stir in enough fl our for dough to pull away from side of bowl. // Knead dough on a fl oured surface. Form into a ball, put in a bowl, and dust with fl our. Cover and let rise for 1 hour. Pat dough into a 14-inch round. // Pulse tomatoes with juice in a blender briefl y to make a purée. Cook garlic in oil in a saucepan over medium-low heat for two minutes. // Add tomato purée, basil, sugar, and 1/8 teaspoon salt and simmer, uncovered, stirring occasionally, until thickened and reduced to 3/4 cup, about 40 minutes. Season with salt. // Spread sauce over dough. Arrange cheese on top. Bake 13 to 16 minutes. Sprinkle with basil leaves before slicing. Leslie Olson // Senior Projects I // Package Design // March 29 89 OMPE A C N OMPE A C N amazement of the gods. P L A T O amazement of the gods. P L A T O E S T 19 6 0 TIM PPIN GS the TO GS TO PPIN Leslie Olson // Senior Projects I // Package Design // March 29 tarte flambée ATE ATE & E TE STED RECIPES fr D M of U LT I M U LT I M TIM the • IU M of A PIZ D IU PIZ A • Z LEGEND // pizza is said to have originated in greece, derived from a flat bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the Z LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. is the the joy world. of the woods, the wise, Pizza rules NA POL E Awonder N B O NofAthe PA R T E and the & E TE STED RECIPES 90 13 14 TA RT E F L A M BÉ E (2 1/4 teaspoon) package active dry yeast 1 3/4 cups unbleached all-purpose fl our of the Z PIZ being baked in a wood-fi re oven. There are several varieties in France, including a dessert version with apples, cinnamon, and sweet liqueur. Cornmeal (for sprinkling) Pizza is the joy of the woods, the wonder of the wise, and the amazement of the gods. P L A T O 1/2 pound slab bacon, cut into lardons M M PIZ IU Pizza is the joy of the woods, the wonder the wise, the crust that’s Originating from Alsace region, tarteof fl ambée hasand a thin PL A O amazement the gods. topped with of fromage blanc orTcreme fraiche, lardons, and onions, before 3/4 cup warm water divided 1 teaspoon salt C O M in Egreece, derived LEGEND // pizza is said to have originatedP from Ntablespoon • Aby the poor. Pizza was consumed 1/2 a flat bread dish eaten for itsolive oil D A of topping options, and convenience. cheapness, variety IU Z C O M in Egreece, derived from LEGEND // pizza is said to have originatedP N for its • Aby the poor. Pizza was consumed afrance fl at bread dish eaten D A of topping options, and convenience. cheapness, variety Extra-virgin olive oil of the 3 large Spanish onions, thinly sliced french pizza drink pairings ......................... sauvignon blanc, bordeaux GS TIM PPIN TO PPIN & E TE STED RECIPES 1/2 cup fromage blanc 1 bunch fresh chives, fi nely chopped ATE ATE TIM TO onions, cinnamon, apples U LT I M U LT I M common frenvh pizza ingredients ................ fromage blanc, bacon GS 1/2 cup creme fraiche & E TE STED RECIPES Preheat oven to 500 degrees. Stir together yeast, 1 tablespoon fl our, and 1/4 cup warm water in a large bowl and let stand for 5 minutes. // Add 1 1/4 cups fl our, remaining 1/2 cup water, salt, and oil and stir until smooth. Stir in enough fl our for dough to pull away from side of bowl. // Form into a ball, put in a bowl, and dust with fl our. Cover and let rise for 1 hour. // Place bacon in a large, wide pan with olive oil. Cook bacon until brown and crispy. Add onions to the pan, cover and cook for 10 minutes. Remove the lid and cook the onions for 30 minutes. Combine the creme fraiche and fromage blanc. Divide dough into 4 balls and roll them out until they are 1/8 to 1/16-inch thick. Bake for 4 minutes, then schmear each dough evenly with cheese mixture. Layer caramelized onions on the cheese and sprinkle bacon on top of the onions. Return the dough to the oven for 6 to 8 minutes. Leslie Olson // Senior Projects I // Package Design // March 29 91 OMPE A C N OMPE A C N amazement of the gods. P L A T O amazement of the gods. P L A T O E S T 19 4 5 TIM PPIN GS the TO GS TO PPIN Leslie Olson // Senior Projects I // Package Design // March 29 east coast fold ATE ATE & E TE STED RECIPES us D M of U LT I M U LT I M TIM the • IU M of A PIZ D IU PIZ A • Z LEGEND // pizza is said to have originated in greece, derived from a flat bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the Z LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizzafair is the joy ofwar, the and woods, thesauce. wonder All’s in love, pizza M Aof R the K Twise, WA I and N the & E TE STED RECIPES 92 17 18 E A S T C OA S T F O L D (2 1/4 teaspoon) package active dry yeast OM LEGEND // pizza is said to have originatedP Aby theCpoor. Pizza wasin Egreece, N derived from • states united a fl at bread dish eaten consumed for its D A of topping options, and convenience. cheapness, variety 1 3/4 cups unbleached all-purpose fl our cup warm water divided C O M in3/4Egreece, LEGEND // pizza is said to have originatedP from N derived • Aby the poor. Pizza was consumed a flat bread dish eaten its salt 1for teaspoon D A of topping options, and convenience. cheapness, variety of the Z PIZ its thin, crispy, hand-tossed crust topped with a light tomato sauce and mozzarella cheese. Cornmeal, for dusting M M PIZ IU Z 1/2and tablespoon olive oil Pizza is the joy of the woods, the wonder of the wise, the amazement of the gods. P L A T O IU Pizzafi rst is the joy of in thethe woods, the wonder of the wise, and theStreet in The pizzeria U.S., Lombardi’s, opened on Spring L ATO amazement of theItaly gods.inP1905. New York’s Little The hallmark of New York–style pizza is 2 tablespoons extra-virgin olive oil of the 1 cup Bertolli favorite tomato sauce & E TE STED RECIPES american pizza drink pairings ......................... miller, hamm’s, budweiser GS PPIN 3/4 cup grated Parmigiano-Reggiano 1 -pound mozzarella, sliced TIM TO ATE TIM TO cheese, cheese, tomato sauce ATE PPIN common american pizza ingredients ................ cheese, cheese, pepperoni U LT I M U LT I M GS 1/2 cup fresh basil leaves & E TE STED RECIPES Preheat oven to 425 degrees. Stir together yeast, 1 tablespoon fl our, and 1/4 cup warm water in a large bowl and let stand for 5 minutes. // Add 1 1/4 cups fl our, remaining 1/2 cup water, salt, and oil and stir until smooth. Stir in enough fl our for dough to pull away from side of bowl. // Knead dough on a fl oured surface. Form into a ball, put in a bowl, and dust with fl our. Cover and let rise for 1 hour. Pat dough into a 14-inch round. // Dust pizza peel or baking sheet with cornmeal. Place rolled out dough on peel. // Brush pizza dough with 2 tablespoons olive oil. Spread 1 cup tomato sauce evenly over dough, leaving a 1/2-inch border along the edges. // Sprinkle 1/4 cup basil leaves on top of sauce and then top with 1/2 cup Parmigiano-Reggiano. // Finally, top with 1/2-pound mozzarella slices. // Bake for about 10 minutes. Cut pizza into four slices, then fold each slice in half before taking a bite. Leslie Olson // Senior Projects I // Package Design // March 29 93 OMPE A C N OMPE A C N amazement of the gods. P L A T O amazement of the gods. P L A T O TIM PPIN us GS the TO GS TO PPIN Leslie Olson // Senior Projects I // Package Design // March 29 of ATE ATE & E TE STED RECIPES M U LT I M TIM D gr U LT I M the • IU M of A PIZ D IU PIZ A • Z LEGEND // pizza is said to have originated in greece, derived from a flat bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the Z LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the & E TE STED RECIPES 94 LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. OMPE A C N PIZ A • amazement of the gods. P L A T O D gr IU Z LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the M the U LT I M PPIN TO ATE TIM us GS of & E TE STED RECIPES The Greek symbol is taken from a reference to the early Greek alphabet. The Greeks were the creators of the pizza prototype, so I wanted an icon to relate to that culture. The icon pictured is the symbol for the sun, which I connected to the heat of the pizza oven. Leslie Olson // Senior Projects I // Package Design // March 29 95 LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. OMPE A C N PIZ A • amazement of the gods. P L A T O D gr IU Z LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the M the U LT I M PPIN TO ATE TIM us GS of & E TE STED RECIPES The crown is inspired by the story of Queen Margherita’s visit to Italy, where she instigated the fame of the Margherita pizza. Leslie Olson // Senior Projects I // Package Design // March 29 96 LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. OMPE A C N PIZ A • amazement of the gods. P L A T O D gr IU Z LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the M the U LT I M PPIN TO ATE TIM us GS of & E TE STED RECIPES The Fleur-de-Lis was inspired by the iconic symbol of France. I didn’t want it to echo the exact icon, so I modified it to mirror the abstractness of the rest of the concept in my redesign of the book. Leslie Olson // Senior Projects I // Package Design // March 29 97 LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. OMPE A C N PIZ A • amazement of the gods. P L A T O D gr IU Z LEGEND // pizza is said to have originated in greece, derived from a fl at bread dish eaten by the poor. Pizza was consumed for its cheapness, variety of topping options, and convenience. Pizza is the joy of the woods, the wonder of the wise, and the M the U LT I M PPIN TO ATE TIM us GS of & E TE STED RECIPES The US icon is reminiscent of the stars and stripes on the country flag. Leslie Olson // Senior Projects I // Package Design // March 29 98 Production // Color Palette Leslie Olson // Senior Projects I // Package Design // March 29 99 Leslie Olson // Senior Projects I // Package Design // March 29 100 0 95 100 0 Leslie Olson // Senior Projects I // Package Design // March 29 101 Production // Typography Leslie Olson // Senior Projects I // Package Design // March 29 102 Production // Typography Futura STD: badges ABCDEFGHIJKLMNOPQRSTUV WXYZ abcdefghijklmnopqrstuv wxyz 12 3 4 5 67 8 9 0 Leslie Olson // Senior Projects I // Package Design // March 29 103 Production // Typography Baskerville italic: verses, ingredients, locale pizza names A BCDEFGHI JK L M NOPQRST U V WXYZ a bcd e fgh i jk l m n o pqrst u v wx yz 12 3 4 5 6 78 9 0 Leslie Olson // Senior Projects I // Package Design // March 29 104 Production // Typography Mercury Text G1: initial caps, recipe names A BCDEFGHIJ K LMNOPQR STU V W X YZ abcdefg h ijk l m nopqrst uv w x y z 1 23 456789 0 Leslie Olson // Senior Projects I // Package Design // March 29 105 Production // Typography Calluna regular: body copy, fraction measurements A BCDEFGHIJK LMNOPQR ST U V W X YZ abcdefghijk lmnopqrstuv w x yz 1234567890¼½¾ Leslie Olson // Senior Projects I // Package Design // March 29 106 Production // Typography Mercury Display bold italic: country names A BCDEFGHIJK LMNOPQRSTU V W X YZ abcdefghijklmnopqrstuvwx yz 1 23 4567890 Leslie Olson // Senior Projects I // Package Design // March 29 107 Production // Typography Knockout Featherweight: Front cover badge ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 Leslie Olson // Senior Projects I // Package Design // March 29 108 Drafts // Example mockup Leslie Olson // Senior Projects I // Package Design // March 29 109 Leslie Olson // Senior Projects I // Package Design // March 29 110 Leslie Olson // Senior Projects I // Package Design // March 29 111 Leslie Olson // Senior Projects I // Package Design // March 29 112 Leslie Olson // Senior Projects I // Package Design // March 29 113 Leslie Olson // Senior Projects I // Package Design // March 29 114 Leslie Olson // Senior Projects I // Package Design // March 29 115 Production // Next Steps The next steps to be taken to finish the piece include: Fixing rag with ingredients Combing body text and typographic hierarchy Ditching folio Polishing the Fleur-de-lis icon Polishing the front cover badge - final type color, tracking around the cirlce Implement a solid plan as to where printing and binding (committed to duplex on 60+lb white stock, saddle stitch stapling Leslie Olson // Senior Projects I // Package Design // March 29 116 Production // Printing Leslie Olson // Senior Projects I // Package Design // March 29 117 Production // Printing The binding most appropriate for my book was saddle-stitch stapling and spot-color duplex-printed 60# white pages, 80# cover with full-bleed red inside-front-and-back covers. I wanted the pizza book to be zine-like and clean to offset the delicate type and preppy badge aesthetic. This book is something I want someone to feel as though they can peruse or even use in the kitchen. It’d look great with grease on the cover and crumbs embedded in the spine. Leslie Olson // Senior Projects I // Package Design // March 29 118 Production // Printing The binding most appropriate for my book was saddle-stitch stapling and spot-color duplex-printed 60# white pages, 80# cover with full-bleed red inside-front-and-back covers. I wanted the pizza book to be zine-like and clean to offset the delicate type and preppy badge aesthetic. This book is something I want someone to feel as though they can peruse or even use in the kitchen. It’d look great with grease on the cover and crumbs embedded in the spine. I went to Allegra Print and Imaging with print- and reader-paginated packaged docs. They did an awesome job! Leslie Olson // Senior Projects I // Package Design // March 29 119 Production // Final Pagination Leslie Olson // Senior Projects I // Package Design // March 29 120 Production // Mockup Photography Leslie Olson // Senior Projects I // Package Design // March 29 121 Leslie Olson // Senior Projects I // Package Design // March 29 122 Leslie Olson // Senior Projects I // Package Design // March 29 123 Leslie Olson // Senior Projects I // Package Design // March 29 124 Leslie Olson // Senior Projects I // Package Design // March 29 125 Leslie Olson // Senior Projects I // Package Design // March 29 126 Leslie Olson // Senior Projects I // Package Design // March 29 127 Leslie Olson // Senior Projects I // Package Design // March 29 128 Leslie Olson // Senior Projects I // Package Design // March 29 129 Leslie Olson // Senior Projects I // Package Design // March 29 130 Leslie Olson // Senior Projects I // Package Design // March 29 131 Leslie Olson // Senior Projects I // Package Design // March 29 132 Leslie Olson // Senior Projects I // Package Design // March 29 133 Leslie Olson // Senior Projects I // Package Design // March 29 134 Leslie Olson // Senior Projects I // Package Design // March 29 135 Leslie Olson // Senior Projects I // Package Design // March 29 136 Leslie Olson // Senior Projects I // Package Design // March 29 137 Leslie Olson // Senior Projects I // Package Design // March 29 138 Leslie Olson // Senior Projects I // Package Design // March 29 139 Leslie Olson // Senior Projects I // Package Design // March 29 140 Leslie Olson // Senior Projects I // Package Design // March 29 141 Leslie Olson // Senior Projects I // Package Design // March 29 142 Leslie Olson // Senior Projects I // Package Design // March 29 143 Leslie Olson // Senior Projects I // Package Design // March 29 144 Leslie Olson // Senior Projects I // Package Design // March 29 145 Leslie Olson // Senior Projects I // Package Design // March 29 146 Leslie Olson // Senior Projects I // Package Design // March 29 147 Leslie Olson // Senior Projects I // Package Design // March 29 148 Leslie Olson // Senior Projects I // Package Design // March 29 149 Leslie Olson // Senior Projects I // Package Design // March 29 150 Leslie Olson // Senior Projects I // Package Design // March 29 151 Leslie Olson // Senior Projects I // Package Design // March 29 152 Leslie Olson // Senior Projects I // Package Design // March 29 153 Leslie Olson // Senior Projects I // Package Design // March 29 154
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