B9 Literature March 24 – 30, 2011 The Epoch Times Children’s Library The Top Shelf: Novelty Books Pages popping with surprises to delight young readers By BARBARA DANZA Epoch Times Staff liza voronin/the epoch times A Reading of ‘The Buried Life’ by Matthew Arnold When story time needs a twist (say, when your “reading” aloud each book from memory or your 2-year-old is reaching for her tattered and torn copy of “Goodnight Moon” again) a novelty book can serve to inject just the right new energy into the mix. For more experienced young readers, these books can redefine what books can be. The marketplace is flooded with pop-ups, lift-the-flap, sound-enhanced, and other forms of what are wholly categorized as novelty books. Here are a few standouts that young readers are sure to find entertaining. By CHRISTOPHER NIELD Who are we? Where did we come The Buried Life from and where are we going? Even to ourselves, as we sit at home or hurry through the city streets, we remain a bewildering mystery. But often, in the world’s most crowded streets, Matthew’s Arnold’s haunting poem, “The Buried Life,” describes But often, in the din of strife, our yearning to know our own heart. In this short extract, not even “the There rises an unspeakable desire world’s most crowded streets” can stifle the “unspeakable desire” to After the knowledge of our buried life; find our most essential self. The word “unspeakable” suggests that A thirst to spend our fire and restless force such knowledge cannot be put into words—and is somehow deemed obIn tracking out our true, original course; scene by others. The true individual is terrifying to the group. A longing to inquire This stubborn desire can arise at the most unexpected of moments: Into the mystery of this heart which beats a moment filled with joy and panic. Suddenly, after years of contentment, So wild, so deep in us—to know we question everything. Has the course of our life gone surprisingly Whence our lives come and where they go. wrong? Has a burning dream of ours been left to die? Is it now too late to change—too late to live a life we can be proud of? —Matthew Arnold (1822–1888) Throughout the poem, Arnold searches for the elusive spark of truth. He starts by addressing an un- Anything to avoid our most profound clear.” When our ear “is by the tones named woman. He reflects on the feelings. They are too shattering for of a loved voice caressed.” Then the charming and brittle “war of mock- the status quo. “heart lies plain” and we connect to ing words” between them, but hunArnold’s poem is alive with emo- “life’s flow.” gers for a deeper, more significant tion. When he speaks of the “mystery” We feel this ebb and flow in the bond. He yearns for her to place her of our heart, which beats “so wild, so poem’s rhythm itself, as it sweeps us hand in his, and for her “limpid eyes” deep” in us, our heart seems to beat into a confrontation with ourselves, to reveal her “inmost soul.” Yet even with greater urgency, responding in- our fear of stagnancy, and our secret love seems unable to bridge the gap tuitively, instinctively, to each word. hope for renewal. Do we follow the between them. Few poems touch with more subtle dangerous freedom of our heart or He wonders about the price we and searing power, in Arnold’s phrase, slip back into the crowd? pay by trying to escape from fate. “the soul’s subterranean depth.” We hide behind a false persona and Arnold ends the poem on a note Matthew Arnold (1822–1888) was a Britallow ourselves to be possessed by of guarded optimism, evoking cer- ish poet and cultural critic. He is most distractions—even turning our tain moments when life does seem famous for his poem, “Dover Beach.” identity inside out. We do anything to reveal its inner meaning. When Christopher Nield is a poet living in to avoid obeying our “being’s law.” “our eyes can in another’s eyes read London. schwartz & wade books form in which pictures are used illustrations introducing the most to represent some words or word basic building blocks of learning parts, creating a puzzle of sorts that to young readers. The representareaders can solve in order to “read” tive pictures are revealed in crethrough the story. ative ways: the owl under the letter Beginning and experienced read- “O” opens and closes his eyes, for ers alike will delight in successfully example. uncovering the many unusual hapThe numbers count from 1 to 20 penings inside this quaint store on and then by tens to 100, managing Pumpkin Street. Published Sep- to reveal that number of creatures tember 2010. behind each sum. Educational and delightful, these are a home run within their category. Published July 2010. candlewick “The Crocodile Blues” by Coleman Polhemus (Candlewick Press) Published in 2007, this nearly wordless story features silhouetted illustrations that introduce the “reader” to a man, his cockatoo, and their quirky adventures with an egg-turned-crocodile. The story seems almost set to music as each page reveals another surprising turn in the story. Each picture is worth a thousand words! candlewick “The Most Amazing Hide“The Fantastic 5&10¢ and-Seek Numbers Book” Store: A Rebus Adventure” and “The Most Amazing by J. Patrick Lewis and Hide-and-Seek Alphabet Valorie Fisher (Schwartz Book” by Robert Crowther & Wade Books) (Candlewick Press) An old five-and-ten comes to life in this “rebus” story—the classic Under each number and letter of these lift-the-flap books are simple “Good Night Little Bunny” by Emily Hawkins and John templar books Butler (Templar Books) This newly released “changing-picture book” is perfect for the youngest audience, depicting the story of how Little Bunny overcomes his fear of the dark with the help of his forest friends. The sweet illustrations feature baby animals gently transforming with the lift of a flap or by simply turning the page. 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