SPRING WILL COME
William Ndabayakhe Zulu
ISBN: 978 1 86914 070 0
352 pp
LIYOZE LINE NANGAKITHI
William Ndabayakhe Zulu
TILLING THE HARD SOIL
POETRY, PROSE AND ART BY SOUTH AFRICAN
WRITERS WITH DISABILITIES
Edited by Kobus Moolman
ISBN: 978 1 86914 190 5
192 pp
This is a book that takes you on a journey into the
lives of ordinary people living with extraordinary
challenges. They are people with disabilities, who
hail from a wide diversity of backgrounds and life
experiences. All of them share one desire: to be
recognised as human beings first, and disabled
people second.
ISBN: 978 1 86914 194 3
188 pp
William Ndabayakhe Zulu has lived for a long
time with disability, ever since a problem that he
experienced with his legs when he was a young
man. This led to an operation which went wrong,
resulting in complete paralysis of the lower part of
his body.
But this book about his life is not a book of mourning
and hopelessness. Instead it is an invitation for us
to see the power of God and the spirit of ubuntu in
those that he met on his life’s journey.
Liyoze Line Nangakithi is the Zulu adaptation
of Spring Will Come and won a PanSALB Multilingualism Award in 2011.
THE LANGUAGE OF ME
Musa E. Zulu
ISBN: 978 1 86914 037 3
128 pp
Musa Zulu is a tireless campaigner for the disabled
cause and is well-known on the motivational circuit
and for his role as Director of the KwaZulu-Natal
Asiphephe Road Safety Campaign. This is the story
of his battle, not to overcome, but to fully embrace
his disability, to look for the meaning in the tragedy
and use its changes positively in service of a wider
cause.
UNIVERSITY OF
KWAZULU-NATAL
PRESS
Sales Information
TIME LIKE STONE
Kobus Moolman
SEPARATING THE SEAS
Kobus Moolman
ISBN: 978 0 86980 979 2
64 pp
ISBN: 978 1 86914 124 0
64 pp
Kobus Moolman’s poems speak in the silences of
our interactions with others and with ourselves. His
close observations of what is immediate – and often
imperfect – inspire poems that show us how to look
at the everyday with new eyes. Time like Stone also
contains excerpts from Moolman’s Karoo journal,
written during his stay in Nieu-Bethesda after
winning the Helen Martins Fellowship, which trace
the poet’s struggle for language over silence.
This is a collection that celebrates the quiet beauty
of the ordinary. Moolman’s subtle poetry speaks
in the enigmatic strokes of abstract art. His poems
give lyrical form and voice to the silence at the
edge of language and comprehension. They have
the fleeting but powerful visual quality of a world
glimpsed through the moving car window, invoking
the ‘found moment’ with an imaginative aptness
that makes you smile with recognition.
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