University of Iowa Iowa Research Online Theses and Dissertations Spring 2012 Intimations Stephanie Gerette Pieczynski University of Iowa Copyright 2012 Stephanie Pieczynski This thesis is available at Iowa Research Online: http://ir.uiowa.edu/etd/2959 Recommended Citation Pieczynski, Stephanie Gerette. "Intimations." MA (Master of Arts) thesis, University of Iowa, 2012. http://ir.uiowa.edu/etd/2959. Follow this and additional works at: http://ir.uiowa.edu/etd Part of the Music Commons INTIMATIONS by Stephanie Gerette Pieczynski A thesis submitted in partial fulfillment of the requirements for the Master of Arts degree in Music in the Graduate College of The University of Iowa May 2012 Thesis Supervisor: Professor D Gompper Graduate College The University of Iowa Iowa City, Iowa CERTIFICATE OF APPROVAL _______________________ MASTER’S THESIS _____________ This is to certify that the Master’s thesis of Stephanie Gerette Pieczynski has been approved by the Examining Committee for the thesis requirement for the Master of Arts degree in Music at the May 2012 graduation. Thesis Committee: ______________________________ David Gompper, Thesis Supervisor ______________________________ Lawrence Fritts ______________________________ Christine Getz TABLE OF CONTENTS PROGRAM NOTES ………………………………………………………..…………….………..……………………….iii PEFORMANCE NOTES ………………………………..………………………………………………………………….iv INTIMATIONS ………………………………………………………………….…………………………………………….1 ii PROGRAM NOTES Intimations was written as my thesis for my master’s degree. The text, William Wordsworth’s Ode: Intimations of Immortality from Recollections of Early Childhood, depicts Wordsworth’s conflicted feelings of aging and losing the child-like sense of awe of nature and his coming to terms of this loss by reliving the joy in memory. Of the eleven stanzas, I chose I., V., and IX. The first movement, There was a time…, uses the ensemble as an echo and an extension of the soprano and reflect the wistful mood of the stanza. The second movement, Our birth is but a dream and a forgetting, is more dissonant and filled with mourning. The final movement, O Joy!, is exuberant in the rejoicing of childhood memory. iii. PERFORMANCE NOTES Percussion staff from bottom to top: Bass drum, Temple Blocks, Suspended Cymbals, Triangle. iv INTIMATIONS For Soprano and Ensemble I. There was a time... C Score Wistfully, q=48 Flute Clarinet in Bb Percussion 1 Triangle sm. and lg. sus. cymbs. Temple blocks Bass drum Percussion 2 Marimba Crotales;bowed and struck Piano Soprano pp Crotales p Marimba pp spoken pp Violin Wistfully, q=48 a time pp pizz. pp ppp pp Copyright © 2012 arco 3 3 pp p mp pp Triangle Stephanie G. Pieczynski pp There was Violoncello 1 sul pont. pp 2 p 4 Fl. 3 Cl. Bb Perc. 1 p Perc. 2 Pno. p 3 Crot. pp Vln. Vc. pp legato p 3 p sung p p p 3 a mp time pp p ppp p mp Sus. cymbal (small) There was 3 S. 3 p ord. legato pp mp 3 3 3 7 A Fl. rit. 3 3 Cl. Bb pp Triangle Perc. 1 pp pp p ppp Vc. 7 7 p pp 7 7 pp A Vln. p pp pp p Temple Blocks S. Pno. Marimba Perc. 2 mp pp 7 rit. pp legato legato p p 4 Fl. Cl. Bb Perc. 1 9 3 p mp pp pp p 7 Pno. pp S. Vc. Vln. Perc. 2 pp 5 Slightly faster, q=60 Fl. Cl. Bb 12 B Perc. 1 Perc. 2 Pno. S. 3 Tri. p Crot. p pp Vc. time 3 when mea - dow, grove, legato pp Slightly faster, q=60 Vln. pp pp mp B declamatory was a 3 pp p There pp 3 p legato pp 3 p 6 rit. 14 Fl. 3 Cl. Bb S. pp 7 mp 7 7 7 7 ppp and stream, Vln. pp mp Mar. Pno. T.B. Perc. 2 p Perc. 1 pp rit. pp Vc. pp mp 7 Fl. 16 mp Cl. Bb Perc. 1 Perc. 2 Pno. S. pp pp p pp p mp The Vln. Vc. p 8 A tempo (q=60) 18 Fl. Cl. Bb Perc. 1 Perc. 2 S. pp Tri. Crot. Pno. 3 pp pp Vc. ppp and ever - y com - mon sight, mf To me did seem pp p p pp p p pp mp A- rit. A tempo (q=60) Vln. p p 3 p Take time earth, p rit. 3 3 pp pp 3 p 9 22 Fl. Cl. Bb pp Perc. 1 ppp Vc. pp f p p mp p p mp 3 Crot. bowed ppar - elled Vln. p S. mp Sus. cymbal (large) Pno. p p Perc. 2 p 3 pp pp in ce - les - tial light, sul pont. mp 3 mp 10 Tempo primo (q=48) 27 Fl. Cl. Bb Perc. 1 S. p Tri. pp pp mp mf 3 The glo - ry and the fresh - ness ppp ppp p 3 of a dream pp 3 p strike Pno. pp Perc. 2 p pp Tempo primo (q=48) Vln. Vc. pp p ppp 11 Fl. Cl. Bb Perc. 1 31 C Pno. S. Vln. Vc. pp Mar. pp pp p a dream of C pp Perc. 2 ord. pp p pp 3 3 12 33 Fl. Cl. Bb Perc. 1 Perc. 2 Pno. Vc. 3 pp mp 3 3 p p S. Vln. rit. p ppp rit. pp 13 Faster, q=60 Fl. 36 D 3 p Cl. Bb Perc. 1 S. pp 3 mf It is not now ppp Crot. pp as it Faster, q=60 Vln. Vc. D 3 pp p pp 3 mp Bass Drum Pno. Tri. Perc. 2 pp hath 14 38 Fl. 3 p Cl. Bb pp 3 mp Perc. 1 Perc. 2 S. of 7 Vc. p pp yore; pp pp p been Vln. pp ppp Pno. p pp 15 40 Fl. Cl. Bb Perc. 1 rit. Pno. Crot. rit. p Vc. p I p may, B.D. Turn where - so - e' - er Vln. 3 pp mf pp S. p p Perc. 2 By pp pp p 16 42 Fl. Cl. Bb Perc. 1 pp Perc. 2 night Vc. pp or pp bowed pp p p pp 7 p B.D. 3 mp p p p Tri. S. 3 3 Vln. Pno. p day, p pp pp 3 p p 3 17 Tempo primo (q=48) E 45 Fl. Cl. Bb Perc. 1 Pno. S. p p pp Tri. p pp p T.B. pp pp pp mp p The 3 3 things which I have 7 7 seen Tempo primo (q=48) E Vln. Vc. Mar. pp Perc. 2 pp pp 3 p pp sul pont. pp mp 3 18 rit. 48 Fl. Cl. Bb Perc. 1 pp Perc. 2 p S. p Pno. 7 pp p Vln. Vc. pp pp now can see p 3 I rit. pp no 19 51 Fl. Cl. Bb Perc. 1 Perc. 2 S. T.B. pp Mar. pp pp ppp pp pp B.D. Pno. 7 7 7 p more. Vln. Vc. pp pizz. pp 20 54 Fl. Cl. Bb Perc. 1 Tri. p Perc. 2 ppp S. pp ppp spoken ppp pp p Pno. Crot. no more. Vln. Vc. pp Mournfully q=66 59 Fl. Cl. Bb fp Perc. 1 Perc. 2 S. f mp 3 mp f fp fp pp arco sul pont. sul pont. pp is but a sleep and a for - get - Sul. A p 3 mf 3 Temple Blocks pp mp birth mp pp f Triangle p Mournfully q=66 Vc. Our Vln. Pno. pp pp Crotales fp 21 II. Our birth is but a sleep and a forgetting mp 3 p pitch slide toapprox. mf Sul. D p mf mf 3 mf ting p mf 22 Fl. 63 Cl. Bb Perc. 1 Perc. 2 S. Vln. Vc. p p Pno. Tri. mp 3 f mp mf pizz. mp 3 f f f pizz. fp mf fp fp p arco arco sul pont. fp sul pont. fp mf mf The 23 Fl. 66 pp Cl. Bb pp Perc. 1 S. Vln. Vc. 3 p pp mp Soul that ri - ses with us, pp p p 3 f 3 Star pp f our life's mp slide up to approx. pitch f p mf Crot. Pno. 3 mp pp mf Perc. 2 pp p p 24 69 Fl. Cl. Bb pp pp Perc. 1 Perc. 2 Pno. S. mf p else - where its 3 pp 3 3 p pp ppp pp 3 pp Bass Drum p mp pizz. 3 pizz. Vc. Hath had Vln. T.B pp pp p rit. set pitch slide to approx. - ting rit. pizz. 3 pp 3 pp 25 Fl. 71 Cl. Bb mp Perc. 1 Perc. 2 S. 3 pp 3 Sus. cymb. (large) T.B. mp ppp mp arco moving to sul. pont. arco moving to sul. pont. Vc. 3 ppp And com - eth Vln. mp Pno. from a 3 mp far: sul pont. sul pont. 26 Thoughtfully, slower, q=52 F 74 Cl. Bb Perc. 1 mp Perc. 2 S. ppp 3 pp p Marimba 3 ppp Pno. pp 3 pp 3 pp Fl. Thoughtfully, slower, q=52 Vln. Vc. F ppp legato ord. pp 27 76 Fl. p Cl. Bb Perc. 1 Perc. 2 Pno. S. Vc. ppp ppp p ppp p pp mf 3 3 pp in en - ti - re for - get - ful - p pp slide to approx. pitches Not Vln. ppp ppp ness legato ord. 3 pp 28 78 Cl. Bb Perc. 1 Perc. 2 Pno. S. Vc. ppp pp ppp pp ppp ppp mp 3 3 in ut - ter 3 pp And not Vln. Fl. ppp na - ked - ness, pp 3 pp p 3 29 rit. 81 Fl. Cl. Bb Perc. 1 Perc. 2 ppp ppp rit. Vln. pp pp ppp p 3 3 3 pp 3 pp ry pp Vc. ppp 3 3 f But trai ling clouds of glo - pp mp S. mp Pno. 3 do we come mp 3 30 84 Cl. Bb Perc. 1 Perc. 2 S. p ppp Vc. ppp mp who is p our home: pp pp pp From God, Vln. Pno. Fl. 3 T.B. mp 3 mf 31 Tempo primo (q=66) Fl. G 88 fp Cl. Bb Perc. 1 Perc. 2 Pno. S. f mf mp 3 f 3 - ven p mf mf mf Hea pp f Tri. p 3 pp pp Crot. fp 3 lies ab - out us in our in - fan - cy! Tempo primo (q=66) G sul pont. Vln. fp sul pont. Vc. fp pp pp mp pizz. 3 mf 32 Fl. Cl. Bb rit. 92 p 3 T.B. Perc. 1 Perc. 2 Pno. Vc. mf 3 mp mf 3 3 f f 3 3 mp fp fp fp rit. mf Sul D fp f S. Vln. mp arco p sul pont. fp sul pont. mfp 33 Slightly slower, q=58 Fl. 95 Cl. Bb Perc. 1 Perc. 2 pp pp S. p pp 3 Crot. 3 mf 3 3 of the pri - son house p mp be - gin pp Slightly slower, q=58 Vc. Shades Vln. Tri. Pno. 3 to close pp ord. moving to sul pont. pp 3 p ppp 34 99 Fl. mp Cl. Bb Perc. 1 pp mp Perc. 2 mp S. mp 3 pp U - pon the sul pont. Vln. p Vc. 3 mf 3 mp T.B. 3 mp mf pp Pno. mp pp mf 3 grow - ing pp Boy, pp mf ord. moving to sul pont. mp pp 35 Tempo primo (q=66) 102 Fl. p Cl. Bb Perc. 1 Perc. 2 S. p mf mf pp mf Be - holds mf f the 3 mf light pizz. p mf pizz. 3 mf 3 mp Crot. p pp mf pp Tri. sus. cymb. large p T.B. 3 Tempo primo (q=66) Vc. mp But He Vln. mf Pno. mp ppp mf whence it flows, 3 3 p p 36 rit. 106 Fl. Cl. Bb Perc. 1 Perc. 2 3 p 3 mp B.D ppp pp mp 3 p mp pp 3 he rit. Vln. Vc. p ppp 3 S. Pno. pp 3 pp ord. moving to sul. pont. ord. moving to sul. pont. sees it in 37 108 Fl. pp Cl. Bb Perc. 1 Pno. Sus. cymb. (large) ppp mf 3 mf ppp S. mp Perc. 2 mf ppp pp p his joy; Vln. Vc. sul pont. sul pont. legato ppp 3 38 Thoughtfully, slower, q=52 H 111 Fl. pp Cl. Bb 3 pp Perc. 1 Perc. 2 ppp S. ppp pp Mar. Pno. p mp The Youth 3 who dai - ly far Thoughtfully, slower, q=52 Vln. H pp Vc. 3 ppp - 39 113 Fl. Cl. Bb Perc. 1 Perc. 2 pp Vc. ppp the pp east ppp 3 mp tra - vel ppp Must ppp p pp p 3 ppp 3 - ther from Vln. S. pp Pno. 3 still is Na -ture's 3 40 116 Fl. pp Cl. Bb Perc. 1 Perc. 2 S. 3 pp pp pp 3 ppp pp Vln. Vc. p 3 ppp ppp pp by f 3 the vi - sion splen pp And mp Priest ppp Pno. p pp - 41 rit. 119 Fl. Cl. Bb Perc. 1 Perc. 2 pp pp ppp 3 mp ppp 3 pp on his way at-ten - ded, rit. mp Is 3 ppp p pp 3 ppp 3 pp Vc. 3 did Vln. S. Pno. ppp pp 42 121 Fl. Cl. Bb Perc. 1 Perc. 2 Pno. Vc. 3 pp 3 pp S. Vln. 3 43 122 Fl. Cl. Bb Perc. 1 Perc. 2 S. Vln. Vc. mp 3 Pno. 3 pp 3 3 3 3 3 44 Slower still, q=48/e=96 Fl. 124 I pp Cl. Bb Perc. 1 Perc. 2 Pno. S. 3 p mp At ppp pp pp pp 3 pp the Man length 3 per - ceives Slower still, q=48/e=96 Vln. Vc. I ppp pizz. pp 3 p 3 45 127 Fl. 3 ppp Cl. Bb Perc. 1 Perc. 2 3 T.B S. Vln. Vc. pp 3 pp it die a - way, 3 3 3 3 p mp And fade Crot. pp p Tri. 3 p pp Pno. in - to the light of arco pp 46 131 Fl. pp Cl. Bb 3 mp Perc. 1 Perc. 2 Vc. p - mon p f mp 3 f pp p f day. 3 f 3 com Vln. S. sus. cymb. (small) mf Pno. p T.B 3 pizz. 3 mf pizz. mf 3 3 47 133 Fl. Cl. Bb Perc. 1 Perc. 2 3 p f Vc. 3 f f 3 mf mf 3 3 3 T.B S. Vln. Pno. 3 mf 3 f 3 f 3 3 3 48 Fl. 134 3 3 f Cl. Bb Perc. 1 Perc. 2 Vln. Vc. f ff ff 3 3 3 ff 3 rit. 3 f 3 3 3 3 3 f pp S. ff p rit. 3 sus. cymb. (small) Pno. ff ff 3 49 136 Fl. Cl. Bb Perc. 1 Perc. 2 Pno. S. B.D mf fff fff fff fff 3 ff fff fff 3 T.B. ff sul pont. arco Vc. fff sul pont. arco Vln. pizz. ff pizz. ff ff ff arco III. O joy! Excitedly q=80 140 Fl. Cl. Perc. 2 f f pizz. Vc. Excitedly q=80 Vln. f S. sim. Pno. 3 3 f sus cymb. (small) Perc. 1 50 51 141 Fl. 3 Perc. 2 Pno. S. Vln. Vc. 3 mf f Cl. Perc. 1 mf 52 142 Fl. p Cl. Perc. 1 Perc. 2 S. Vc. f f p p 3 f mp Joy! f O Vln. p p Pno. 3 3 pp f 53 144 Fl. Perc. 1 Perc. 2 Pno. S. Vln. Vc. 3 3 f f 3 3 f Marimba ff Cl. f 54 146 Fl. Cl. 3 Perc. 1 Perc. 2 Pno. S. Vln. Vc. 3 3 3 55 rit. 147 Fl. Cl. mp Perc. 1 S. mp p O Joy! f 3 mp rit. Vln. p Vc. Pno. mp Perc. 2 arco mp 3 3 3 56 Slightly slower, q=74 148 Fl. 3 Cl. Perc. 2 Pno. S. ppp mf Perc. 1 Vc. 3 mp sim. p Slightly slower, q=74 Vln. mp pizz. mp that in our em 3 3 - bers. 3 57 149 Fl. Cl. Perc. 1 p 3 S. Vc. mf mp 3 p that doth mf 3 p mf Is some - thing Vln. 3 ppp Pno. 3 Perc. 2 live, mp 58 151 Fl. Cl. Perc. 1 Pno. S. mp p pp f mp Vc. mp 3 mf f yet re - mem - bers pp p That na - ture Vln. sim. mp p mp Perc. 2 59 accel. Cl. f Fl. 153 pp f sus cymb. (small) Perc. 1 Perc. 2 S. Vc. f p 3 f 3 f accel. Vln. sim. Pno. 3 f 60 Tempo primo (q=80) Fl. Cl. Perc. 1 Perc. 2 155 p rit. p p f Pno. mf S. what was 3 so Vc. f 3 fu - gi - tive! Tempo primo (q=80) Vln. 3 mf rit. arco mf 3 61 f pp 157 Fl. Cl. Perc. 1 f 3 mf pp S. Mar. Pno. pp Perc. 2 p p mp The arco Vln. mf Vc. 3 p pp p pp 62 Slower, more introspective, q=64 Fl. J 161 Cl. Perc. 1 Perc. 2 Pno. S. 3 pp 3 pp thought of our past years p 3 3 in me doth breed Per - pe - tu - al Slower, more introspective, q=64 Vln. Vc. J sul pont. pp sul pont. pp p p ben - e 63 165 Fl. Cl. Perc. 1 Perc. 2 pp pp S. p 3 mf not ppp Vc. dic - tion: Vln. Pno. ppp pp pp For in - deed pp p p that which is most wor - thy to be 64 poco accel. 169 Fl. Cl. Perc. 1 Perc. 2 S. Pno. 3 mp p 3 mp f 3 blest; poco accel. Vln. Vc. De - ppp ppp pp pp 65 Quicker, with more excitement, q=70 172 Fl. Cl. Perc. 1 Pno. S. 3 mp Vc. the sim - ple p p 3 p 3 p p creed ppp Chi - ld - hood, of mf Quicker, with more excitement, q=70 3 - light and li - ber - ty, Vln. p Perc. 2 ppp ppp 66 pp Cl. 175 Fl. pp Perc. 1 Perc. 2 3 p p 3 f or mp mp p p 3 Mar. 3 at rest, p Vc. pizz. p whe - ther bu - sy Vln. Pno. S. 3 Temple Blocks pp arco p 3 3 67 179 Fl. pp Perc. 2 p 3 Cl. Perc. 1 mp p mp pp Pno. S. With Vln. Vc. f new - fledged hope mf still flut - ter - ing p p Fl. 68 182 Cl. Perc. 1 Perc. 2 p p accel. Vc. f f mp pp in his Vln. sus cymb. (small) f mf p S. p p Pno. f breast accel. p mf p f mp f 69 Lively, q=74 Fl. K 186 sim. 3 Cl. Perc. 1 Perc. 2 Pno. S. f p 3 3 f p mf Not for Lively, q=74 Vln. K f Vc. f p p 70 188 Fl. Cl. Perc. 1 Perc. 2 pp p I raise The pp p f 3 pizz. Vc. these Vln. p S. Pno. 3 pp 3 p song of thanks and praise; pp 71 rit. 191 Fl. Cl. Perc. 1 Pno. S. Vln. Vc. p p mp 3 rit. p 3 pp mp mp Perc. 2 3 p 3 mp pp 72 Slower, more introspective, q=64 194 Fl. Cl. Perc. 1 pp sf 3 But for those ob - sti - nate ques - tion - ings Slower, more introspective, q=64 Vln. pp pp pp ppp mp Of sense and out - ward things, pp arco Vc. mp pp S. Pno. pp Perc. 2 pp 73 198 Fl. ppp Cl. Perc. 1 Perc. 2 Pno. S. Vln. Vc. pp p 3 3 pp pp 3 mf Fall - ings ppp from us, mp p 3 3 74 rit. 201 Fl. p Cl. Perc. 1 Perc. 2 Pno. S. ppp p pp van - ish - ings rit. Vln. Vc. mp ppp 75 Meno mosso, q=60 204 Fl. Cl. Perc. 1 Perc. 2 Pno. accel. p pp sus cymb. (small) pp ff spoken 3 S. van - ish - ings; Meno mosso, q=60 Vln. Vc. accel. ppp ppp p f 76 Lively, q=74 L 208 Fl. f Cl. f Perc. 1 Perc. 2 S. p f p 3 3 f L f p pizz. f Vc. 3 f Lively, q=74 Vln. Pno. p p 77 210 Fl. Cl. Perc. 1 Perc. 2 S. Vc. p mp p f Blank Vln. mp Pno. 3 mis - giv - ings of a Crea - ture mp 78 213 Fl. Cl. pp rit. p Perc. 2 Pno. S. pp mf 3 worlds arco pp pp ppp p not real - ized mp rit. in ppp Vc. Mov - ing a - bout Vln. ppp pp Perc. 1 79 Slower, more introspective, q=64 217 Fl. Cl. Perc. 1 Perc. 2 Pno. S. accel. sus cymb. (small) in - which stincts pp be - fore ppp pp mf 3 our mor - tal Na - ture Slower, more introspective, q=64 Vc. High Vln. accel. pp f 80 220 Fl. Cl. Perc. 1 f f f f Perc. 2 Pno. S. Vln. f p p 3 p p f 3 f Vc. 3 f p 81 Lively, q=74 222 Fl. Cl. Perc. 1 Perc. 2 S. 3 Did trem - ble pp pizz. Vc. p like a gui - lty thing sur f 3 prised rit. Lively, q=74 Vln. p mp mp pp Pno. 3 pp rit. arco pp 82 226 Fl. Cl. Perc. 1 Vln. Vc. pp p mp 3 p pp 3 mp S. Pno. pp Perc. 2 pp 83 Wistfully, q=60 (A Movement I) M 229 Fl. Cl. Perc. 1 Perc. 2 S. p 3 pp Triangle Crotales p p mf 3 pp Pno. 3 3 But for those first af - fec -tions, Those sha -dow - y re - col - lec tions, Wistfully, q=60 (A Movement I) Vln. Vc. M pp 3 3 pp p 3 pp 84 232 Fl. Cl. Perc. 1 Pno. p 7 Vln. Vc. 3 pp pp Which be they what p p S. 3 Perc. 2 p p 3 they may, 85 235 Fl. Cl. Perc. 1 Perc. 2 Pno. S. Vln. Vc. p p 3 mp pp pp Tri. mp Crot. mp 3 7 p pp pp p f Are yet mp 7 the foun - tain light of all our day, 86 238 Fl. Cl. Perc. 1 Perc. 2 S. Pno. pp pp p Are yet Vln. Vc. p pp pp mp pp 3 a mas - ter pp light of all our see - ing 87 Fl. Cl. Perc. 1 Perc. 2 Pno. 243 Vln. Vc. Mar. pp pp S. 7 7 pp 7 88 245 Fl. Cl. Perc. 1 Perc. 2 Vln. Vc. pp 7 7 pizz. pp pp pp S. pp Pno. 89 accel. 246 Fl. Cl. Perc. 1 7 accel. S. Vc. Vln. Pno. Crot. Perc. 2 p 90 Mournfully, q=66 (A Movement II) Fl. N 249 Cl. fp fp Perc. 1 Perc. 2 S. pp f Tri. p hold 3 - f Up us, 3 cher - ish mp and have the pow - er to pp mp p 3 f mp Crot. Pno. pp make Mournfully, q=66 (A Movement II) N sul pont. arco Vln. fp sul pont. Vc. fp pp pp ppp ppp p 91 252 Fl. mp Cl. Perc. 1 Perc. 2 Pno. S. Vln. Vc. 3 mf mp 3 T.B pp mf mp 3 p p mp 3 f 3 mf mf mf slide to approx. pitch f mf 92 254 Fl. mp fp Perc. 2 mp S. p Vln. Vc. 3 pp mp 3 f mf f fp pp fp pp pp Our nois - y 3 mp mf f Pno. Crot. Tri. pp fp mf Cl. Perc. 1 3 years seem mo - ments in the 93 257 Fl. Cl. Perc. 1 Perc. 2 pp S. mf p mp Vln. Vc. p 3 mp mp Crot. mp p pp mf 3 pizz. pizz. p Of the e - ter - nal be - ing T.B 3 mf Pno. mf pp pp Si - lence; p pp 3 3 pp 94 261 Fl. Cl. p p Perc. 1 Perc. 2 S. B.D. pp pp p p 3 mp pp pp Tri. mp pp Vc. 3 mp truths Vln. T.B Pno. mf that wake, pp 3 mp pp To per ish arco moving to sul. pont ne - ver; sul pont. arco moving to sul. pont sul pont. 3 3 95 266 accel. Fl. mf 3 Cl. 3 mf Perc. 1 Perc. 2 Pno. S. mp 3 mf mf Mar. mp Vc. accel. Vln. Fl. 96 268 Cl. f f Perc. 1 Perc. 2 Pno. S. Vln. Vc. f Sus. cymb. (small) p 3 f f f f pizz. f 3 97 Excitedly, q=80 O 271 Fl. Cl. f Perc. 1 Perc. 2 ff S. f 3 Pno. sim. 3 f Excitedly, q=80 Vln. Vc. O f f 3 3 98 272 Fl. Cl. Perc. 1 Perc. 2 Pno. S. 3 f 3 f p p p Vln. 3 Vc. f f 3 pp Which nei - ther 3 mp p list - less p mp 3 pizz. - ness, mp 99 274 Fl. Cl. Perc. 1 Perc. 2 Pno. S. 3 f p 3 mp f 3 p mf f Vc. f 3 3 mp p pp nor Vln. mp mp mad en - 100 rit. 275 Fl. 3 Cl. Perc. 1 Perc. 2 Pno. S. dea - vor, rit. Vln. Vc. mp mp 3 f mf 3 mf 3 mp arco f Mar. 3 f 101 277 Fl. Cl. Perc. 1 Perc. 2 Slightly slower, q=74 S. p p Pno. pp mp mf Nor Man nor mp Vc. p mp p Boy, Slightly slower, q=74 Vln. pp p 102 279 Fl. Cl. Perc. 1 Pno. S. p p Perc. 2 Vc. pp sim. mp Nor Vln. all mp that is 3 with 103 mp 280 Fl. Cl. Perc. 1 Pno. en Vln. 3 - mi - pp Vc. mp S. sim. Perc. 2 mp mp f ty with joy, mp 104 Fl. 281 3 mp Cl. Perc. 1 p mp f 3 Perc. 2 3 f S. Vln. Vc. p sus. cymb (small) ppp f mp 3 3 pp mp Can 3 Pno. 105 accel. 282 Fl. Cl. ff ff Perc. 1 Perc. 2 S. Vc. 3 3 pp mf ut - ter - ly Vln. mp Pno. accel. 3 a - bol - ish 3 or de - stroy! mp ff mf arco 106 rit. Tempo primo (q=80) 284 Fl. Cl. f Perc. 1 Perc. 2 ff mf sus. cymb (large) ppp p p f 3 f Tempo primo (q=80) mf f Vc. S. Vln. Pno. f f pp mp p rit. p 107 287 Fl. Cl. Perc. 1 pp Pno. S. Vln. Vc. Mar. pp pp p p pp pp ppp sul pont. mf 3 p pp Perc. 2 pp 108 Wistful, q=60 (A Movement I; coda) P 290 Fl. pp Cl. Perc. 1 Perc. 2 Pno. pp pp Tri. 3 mp Hence in a sea - son of calm pp p pp S. 3 pp Crot. pp wea - ther Though in - land far Wistful, q=60 (A Movement I; coda) Vln. P pp Vc. pp 3 p 3 pp we 109 294 Fl. Cl. 3 S. pp pp Vc. 7 7 p 7 7 pp p p be Vln. pp p pp Mar. Pno. mp Perc. 2 pp p Perc. 1 rit. pp mp rit. pp 110 297 Fl. Cl. Perc. 1 Perc. 2 3 pp pp S. mf Our Vln. Vc. p p pp that im- mor - tal of pp have sight Souls p Crot. Pno. Tri. sea 111 Slower, q=48 300 Fl. Cl. Perc. 1 p 7 mp ppp pp pp Can 3 hi - ther, pp 3 3 Slower, q=48 pp Which brought us Vc. pp S. Vln. pp Pno. Perc. 2 pp in a mo - ment 3 tra vel thi ther, p 112 303 Fl. Cl. Perc. 1 Perc. 2 Pno. Vc. pp pp p Crot. p p pp mf 7 pp p 3 pp sus. cymb (large) ppp 3 S. Vln. mf 3 And see the Chil - dren sport up on 3 pp pp the shore 113 rit. Cl. Perc. 1 pp Tri. p Perc. 2 S. And rit. Vln. Vc. hear sul pont. 3 Pno. the migh - ty wa - ters Fl. 307 p rol - ling pp 114 Fl. Cl. 309 p Perc. 2 Crot. p 3 S. Vln. Vc. pp 3 pp 3 3 p p 3 ev - er 3 p 3 Pno. Perc. 1 - more pp 115 Cl. Perc. 1 Perc. 2 Pno. Vc. S. Vln. mp sul pont. pp ppp Sus. cymb (large) mp p pp Fl. 312
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